best lens for travel photography

Best lenses for travel photography in 2024: perfect all-in-one superzooms

The best lenses for travel will let you shoot almost anything, and save some space in your bag!

• Best for Canon
• Best for Nikon
• Best for Sony
• Best for Fujifilm
• Best for L-mount
• Best for MTF
• Best Canon DSLR
• Best for Nikon DSLR
• How we test

Best for Canon Best for Nikon Best for Sony Best for Fujifilm Best for L-mount Best for MTF Best Canon DSLR Best for Nikon DSLR How we test

The best lenses for travel photography will enable you to take amazing photos without weighing you down. Travel photography lenses are often versatile zooms that allow you to pack just one lens such as a superzoom but it all comes down to your shooting style and how much you want to carry.

With most of your bases covered, you can focus on snapping gorgeous landscapes, stunning sunsets or captivating portraits and the best part is if you choose to just take one lens with you, you'll never have to faff with changing it. 

When picking a superzoom lens, it’s tempting to go for the biggest zoom range you can get your hands on. However, such lenses tend to be quite large and weighty. They’re generally more convenient and less heavy than a combination of standard and telephoto zoom lenses but, when you want to travel light or go on walkabout, it’s nicer to have something smaller and more lightweight dangling off your camera strap.

Considering the 1.5x crop factor of most APS-C cameras (1.6x for Canon ), a zoom range of around 18-200mm is generally ideal. This gives you similar wide-angle coverage as from a standard zoom, while stretching your telephoto reach to 300mm in full-frame terms (320mm for Canon).

Best lenses for travel photography in 2024

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Best travel lens for Canon mirrorless cameras

1. Canon RF 24-240mm f/4-6.3 IS USM

Our expert review:

Specifications

Reasons to buy, reasons to avoid.

If you're an EOS R-series shooter and want something with a longer focal range than the Canon's two 24-105mm options, then you're in luck as there’s also a superzoom option that isn’t overly big and heavy, and doesn’t cost silly money. It comes in the shape of the RF 24-240mm, which squeezes a very useful 10x zoom range into a reasonably lightweight and weather-sealed build. Further attractions include a Nano USM autofocus system which is super-fast for stills and enables smooth and virtually silent focus transitions during movie capture, and a highly effective 5-stop image stabilizer. At the short end of the zoom range, color fringing can be noticeable and barrel distortion is massive, but both of these aberrations are corrected in-camera by default, and when processing raw files. With this lens, Canon is combining optical and digital corrections rather than relying on optical corrections alone.

Read our full Canon RF 24-240mm f/4-6.3 IS USM review

Best travel lens for Nikon mirrorless cameras

2. Nikon Z 24-200mm f/4-6.3 VR

The list of travel-friendly credentials for this soon-to-be-launched lens is long and impressive. It’s particularly compact and lightweight for a full-frame lens that boasts such an extensive zoom range, yet has a sturdy construction that includes comprehensive weather-seals and a fluorine coating on the front element to repel moisture and grease. Image quality benefits from the inclusion of two aspherical elements, one aspherical ED (Extra-low Dispersion) element and two further ED elements. Nikon ’s high-tech ARNEO coating is also applied to minimize ghosting and flare. Not just for stills, the stepping motor-driven autofocus system enables smooth focus transitions during movie capture, along with minimal focus breathing and focus shift when zooming. Ideal, for full-frame Z-series cameras, the lens is also an interesting travel choice for the Z 50 , where this camera's 1.5x crop factor gives this lens an effective zoom range of 36-300mm. 

Read our full Nikon Z 24-200mm f/4-6.3 VR review

Best travel lens for Sony cameras

3. Sony FE 24-240mm f/3.5-6.3 OSS

Although fully compatible with Sony ’s APS-C format E-mount cameras, on which this lens has an effective focal length of 36-360mm, this lens really comes into its own on full-frame bodies. It’s typically weighty for a full-frame format superzoom but doesn’t feel overly large and has refined handling. The 10x zoom range kicks off at 24mm, enabling a generously wide maximum viewing angle, and there’s good telephoto reach at the long end. Based on a stepping motor, the autofocus system is quick and quiet, while Optical SteadyShot gives a benefit of around 3-stops in beating camera-shake. The optical path includes no less than five aspherical elements, plus one ED (Extra-low Dispersion) element. Image quality is mostly very good for a superzoom lens although corner-sharpness is a little lacklustre at the short end of the zoom range, and overall sharpness drops off at the long end.

Best travel lens for Fujifilm cameras

4. Fujifilm 18-135mm f/3.5-5.6 WR LM R OIS

From Fujifilm ’s acclaimed XF stable of lenses for its APS-C format mirrorless X-mount cameras, this one has an impressive string of letters after its name. It’s a WR (Weather-Resistant) lens with no less than 20 areas of sealing in its construction. It features a fast and virtually silent LM (Linear Motor) autofocus system that’s super-fast for stills and smooth for movie capture. Handling is enhanced by the ‘R’ control ring, and it has a particularly effective 5-stop OIS (Optical Image Stabilizer). Quality glass includes four aspherical elements and two ED (Extra-low Dispersion) elements. The 7.5x zoom range is a little limited compared with some other travel lenses on the market but this helps to enable a relatively compact construction. Image quality is very impressive overall, although corner-sharpness is a little mediocre towards both ends of the zoom range.

Best travel lens for L-mount cameras

5. Panasonic Lumix S 28-200mm f/4-7.1 Macro O.I.S.

If you're in search of a versatile travel lens for your Lumix S5, the Lumix S 28-200mm f/4-7.1 O.I.S. fits the bill perfectly. This lens stands out as the most compact and lightweight 7x superzoom lens available for any system, making it an ideal companion for travel without adding bulk or weight to your carry-on. Covering a range of commonly needed focal lengths, it's a must-have addition to any Panasonic photographer's gear collection.

While the focal length falls slightly shorter compared to other brands, limiting its versatility for sports and wildlife photography, the trade-off for its compactness is reasonable and easily accepted.

There are no compromises on image quality to be found here – the 28-200mm lens performs admirably, with only minor inconsistencies at the extreme end of the zoom. While it may not match the sharpness of prime or professional lenses, Panasonic has achieved commendable results for a lens of this category.

The standout feature of this Lumix S 28-200mm lens is its Dual I.S.2 image stabilization, combining optical stabilization with in-body stabilization. This system is among the best available, significantly enhancing stability for both still photography and particularly impressive results in handheld video shooting, even at 200mm.

Read our full Panasonic Lumix S 28-200mm f/4-7.1 Macro O.I.S. review

Best travel lens for Micro Four Thirds

6. Panasonic LUMIX G VARIO 14-140mm f/3.5-5.6 II ASPH Power OIS

Micro Four Thirds format travel zooms from Olympus include the budget-friendly 14-150mm II and the up-market 12-200mm. They’re both very desirable lenses but we prefer this Panasonic option, which splits the two Olympus zooms for selling price, while adding a highly effective 4-stop optical image stabilizer. Thanks to the 2x crop factor of Micro Four Thirds cameras, the effective zoom range is 28-280mm in full-frame terms, thereby nearly matching 18-200mm lenses on APS-C format cameras. It delivers this in a remarkably compact package that weighs a mere 265g. That’s only about half the weight of some APS-C format 18-200mm lenses, making the Panasonic particularly travel-friendly. Even so, it packs a fast autofocus system and quality glass, including three aspherical elements and two ED (Extra-low Dispersion) elements. For a superzoom lens, sharpness is both very good and highly consistent throughout the entire zoom range.

Read our full Panasonic LUMIX G VARIO 14-140mm f/3.5-5.6 II ASPH Power OIS review

Best travel lens for Canon DSLR cameras

7. Canon EF 24-105mm f/4L IS II USM

Canon does make a proper full-frame superzoom travel lens - the EF 28-300mm f/3.5-5.6L IS USM - so why have we picked this 24-105mm instead? Quite simply, this is a better travel lens. At 795g, it's less than half the weight of the 28-300mm, so is much more travel-friendly, and it's also about half the price. That still doesn't make it cheap, but at least you can feel a little less conspicuous.

The new Mk II version of the EF 24-105mm f/4L IS has been redesigned to be tougher and more resistant to shock and vibration, and it features fluorine coatings on the front and rear elements. More importantly, the optics have been revamped, with the aim of improving sharpness across the whole image frame, throughout the zoom range.

Barrel distortion from the preceding 24-105mm lens was notoriously bad at the short end of the zoom range, but the Mk II performs a little better. It’s also a bit sharper, autofocus is a little quicker and bokeh is smoother, thanks to the fitment of ten, rather than eight, diaphragm blades. Overall, however, each of the improvements is quite subtle rather than making a hugely noticeable difference.

Read our full Canon EF 24-105mm f/4L IS II USM review

Best travel lens for Nikon DLSR cameras

8. Nikon AF-S 24-120mm f/4G ED VR

Nikon and Tamron have both manufactured 28-300mm superzoom lenses for many years, offering a travel-friendly option for Nikon full-frame SLRs. There’s not a lot to choose between them for handling, image quality and all-round performance. Both are good rather than great. To make the most of Nikon’s recent full-frame SLRs, it pays to set your sights rather lower in terms of zoom range, and to go for quality instead. The latest edition of Nikon’s 24-120mm VR is our first choice. It’s relatively compact and has excellent handling characteristics. It also gives you more a generous wide-angle perspective at the short end of the zoom range. The flipside, naturally, is that you’ll lose out on powerful telephoto reach, but that's often less useful than you expect anyway.

Read our full Nikon AF-S 24-120mm f/4G ED VR review

How we test travel lenses

We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics.

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Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! 

His expertise with equipment doesn’t end there, though. He is also an encyclopedia  when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related. 

In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.

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10 Best Lenses for Travel Photography (in 2024)

A Post By: Jeremy Flint

Travel photography is a highly rewarding pursuit, but if you’re serious about getting the best shots, it pays to carry the right equipment, including a lens that can handle a broad range of travel subjects: astrophotography, architecture, landscapes, people, food, and more.

That’s where this article comes in handy. Below, I use my experience as a professional travel photographer to rank the 10 best travel photography lenses on the market in 2024, including options for plenty of budgets, brands, and camera systems (including models for the latest and greatest mirrorless lineups).

So whether you’re new to travel photography and looking to purchase your first lens, or you’re a travel-photography veteran looking to invest in some pro-quality glass, this article will give you everything you need to get started.

Let’s dive right in!

1. Nikon Z 24-120mm f/4 S

The Z 24-120mm f/4 S is our all-time favorite travel photography lens – and for a whole host of reasons, too. For one, it provides an impressive range of focal lengths, which is perfect for those seeking a single high-quality lens for all their travel needs. At 24mm, you can capture beautiful travel landscape shots; at 50mm, you can shoot portraits; and a 120mm, you can capture detailed photos of distant landscapes and architectural features.

The 24-120mm f/4 S is impressively sharp, so even if you’re hoping to create magazine-quality files or large prints, it’ll be up to the task. And while the lens only features an f/4 maximum aperture, this should be enough for all but the most demanding conditions, especially if you’re willing to carry a good travel tripod .

The elegant and attractive design, compact size, and solid build make it a great choice for amateur and pro-level travel photographers alike. It’s not the cheapest lens on the market, but the price is reasonable compared to f/2.8 alternatives, and you certainly get a lot for your money.

2. Canon EF 24-105mm f/4L IS USM

Regarded as one of the heavyweights of the photography manufacturing industry, Canon offers some of the best travel photography lenses on the market – including the impressive EF 24-105mm f/4L IS USM, an absolute travel classic that combines a versatile zoom range with built-in image stabilization.

This lens is great for all-around shooting; it covers a broad range of focal lengths, and you can capture everything from expansive cityscapes to architectural details, which makes the lens suitable for travel photographers of all stripes. No, it can’t quite go toe to toe with the Nikon Z 24-120mm f/4 in terms of versatility, but the price is significantly less, and the extra 15mm on the long end won’t make a huge difference for most shooters.

The 24-105mm f/4 boasts impressive sharpness, though the f/4 maximum aperture isn’t as fast as f/2.8 options (and therefore less than ideal for astrophotography and handheld photography in low light). But if you’re in need of a do-everything lens for serious travel shooting, the 24-105mm is a great pick.

3. Canon RF 24-240mm f/4-6.3 IS USM

If you are using Canon’s latest mirrorless cameras – such as the EOS R5, R6, or R7 – then the RF 24-240mm f/4-6.3 IS USM is a great introductory lens, particularly if you travel frequently and wish to minimize gear weight.   This handy little unit is remarkably compact, and you can slip it in a bag, a backpack, or a purse without issue (though you’ll want to make sure you protect it from bumps and scrapes!).

The lens is also excellent for travel shooting thanks to its expansive focal-length range and outstanding versatility; with wide, standard, and telephoto focal lengths, you can capture pretty much any subject, including landscapes, cityscapes, detail shots, and street portraits.

The 24-240mm is also reasonably well priced, making it a decent choice for beginners (compared to other RF-mount lenses, anyway!). Unfortunately, the lens does include some disadvantages – the maximum aperture is relatively narrow for low-light shooting, the optics aren’t on the same level as Canon’s L-lens lineup, and no lens hood is supplied – but if you’re looking for a do-everything lens to get started with travel photography, it’s a solid choice.

4. Nikon Z 24-200mm f/4-6.3 VR

The Nikon Z 24-240mm f/4-6.3 is a solid mirrorless lens for travel photography; the zoom range makes it capable of handling nearly any situation, and the quiet autofocus is great for capturing people and even wildlife unobtrusively.

The lens boasts plenty of travel photography possibilities thanks to its impressive portability and great design. Optically, expect to capture clear, sharp, and vivid images at every focal length, though you may encounter some softening toward the image corners.

The weather sealing prevents dust and moisture from entering the lens, and even serious travel photographers will appreciate the wide-to-telephoto zoom range, ideal for pretty much any type of travel photography, including landscapes, architecture, flowers, portraits, and more. The variable maximum aperture isn’t great for folks who often work handheld in low light, but you can handle most difficult scenarios by carrying a tripod, so this shouldn’t pose too much of a problem.

5. Sony E PZ 18-105mm f/4 G OSS

Sony offers an excellent lineup of APS-C mirrorless cameras, many of which are perfect for travel photography thanks to their compact size and impressive image quality. Of course, every travel camera needs a good lens, and the Sony 18-105mm f/4 is our first choice; it combines solid build quality, great optics, and a good price for an all-around impressive package.

While not a superzoom, the lens spans an impressive 5.8x zoom range from ultra-wide to short telephoto. It works especially well for street photography and even landscapes, where you can zoom in and out to frame shots accordingly, though it’s certainly a capable portrait and architecture lens, as well.

Autofocus is smooth and quiet, plus the lens also boasts Optical SteadyShot technology, which reduces camera shake and prevents blur when working handheld in low light. The f/4 maximum aperture isn’t ideal for shooting in the dark, but it’s not terrible, either, and even serious shooters will manage to make do. Finally, the lens is a Sony pro-quality lens, yet despite the excellent image and build quality, it’s surprisingly affordable, so it’s a good pick for serious photographers who are on a budget.

6. Sony E 18-135mm f/3.5-5.6 OSS

The Sony E 18-135mm f/3.5-5.6 OSS is an impressive all-around lens for travel photography; use it to photograph landscapes, architecture, people, and even (at 135mm) the occasional wildlife. Note that the lens is compatible with Sony’s E-mount APS-C mirrorless cameras but will not give great results on Sony full-frame models.

One of the lens’s key features is the built-in OSS (Optical SteadyShot) technology, which is great for low-light handholding. And if you frequently capture detail shots, you’ll love the short minimum focusing distance. The 18-135mm is lightweight and compact, too, which makes it perfect for the amateur photographer in search of a first travel photography lens. You can easily store it in a backpack or bag, and thanks to its small size, you can leave it on your camera for days of shooting and you’ll hardly even notice.

It’s not the most optically impressive lens, and the variable maximum aperture is a bit of a letdown, but for casual travel photography, the 18-135mm is certainly worth a look.

7. Fujifilm XF 18-135mm f/3.5-5.6 WR LM R OIS

If you’re a Fujifilm shooter, then look no further; the XF 18-135mm f/3.5-5.6 is one of the best travel lenses on the market, and it’s certainly an outstanding option for Fujifilm camera users. It’s great for capturing a wide range of travel subjects, from landscapes and cityscapes to wildlife and people, while the 5-stop image stabilization will keep you shooting crisp handheld shots in low light.

You can get in close to your subjects thanks to a short minimum focusing distance (always handy for detail shots). And solid weather resistance, not to mention impressive image quality, are both welcome features of this amazing lens. As with a number of other models on this list, the variable maximum aperture is somewhat limiting, and the lens is on the expensive side, but the great optics and useful focal length range make this handy lens our favorite Fuji pick.

8. Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 OIS

If you’re a Panasonic shooter, then this 12-60mm f/2.8-4 lens is one of the best travel lenses you can buy; it delivers a superb focal-length range on Four Thirds cameras , spanning from 24mm to 120mm. You’ll get plenty of travel photography opportunities, and you can expect to capture breathtaking wide landscapes, standard street shots, and even mid-telephoto portraits. Thanks to the telephoto reach on the long end, you can even zoom in to highlight specific features, or you can hunt for architectural abstracts and the like.

This lens is lightweight, compact, and delivers sharp image quality even at 60mm. And don’t forget about the built-in image stabilization, which lets you shoot in low light without a tripod, always helpful for travel shooters. Unfortunately, the maximum aperture does narrow as you zoom from 12mm to 60mm, but you can still work with a decently wide f/4 aperture, even at 60mm.

9. Sigma 18-200mm f/3.5-6.3 DC Macro OS HSM

The Sigma 18-200mm f/3.5-6.3 is a great travel lens for Canon and Nikon APS-C users, and it boasts an impressive combination of features, from a lightweight, compact design to an expansive zoom range. The price is highly reasonable for beginner travel photographers, too, which makes it a great budget lens (especially compared to standard Canon and Nikon options).

Note that the Sigma 18-200mm is designed for APS-C DSLRs, so you can expect focal-length reach spanning from around 27mm to 300mm, which is absolutely outstanding for basically any type of subject, be it landscapes, portraits, street scenes, or wildlife. You’ll also like the included lens hood, which lets you block out sunlight in impressive conditions for improved optical performance.

And although the lens is missing weather sealing, the built-in image stabilization offers improved performance in low light and is ideal for nighttime street photography, interior scenes, and more.

10. Tamron 18-200mm f/3.5-6.3 Di III VC

If you need a versatile travel photography lens for Sony APS-C mirrorless cameras, then check out the Tamron 18-200mm f/3.5-6.3, which offers an impressive zoom range for landscapes, cityscapes, architectural details, people, and pretty much everything else.

The built-in image stabilization system will keep your photos sharp in low light, while the advanced design delivers extraordinary image quality (even if sharpness falls off toward the telephoto end of the zoom range). Often lengthy zooms like this one suffer optically, but we’re quite impressed overall by its capabilities, and it offers enough detail for printing and high-quality displays.

The lens body is lightweight and compact, so you won’t feel weighted down by gear as you shoot, and the price is highly affordable – in other words, it’s yet another outstanding option for travel photographers on a budget.

The best lens for travel photography: final words

Ultimately, the best lens for travel photography depends on your camera setup, your image requirements, and what you plan to shoot. At the end of the day, it’s a personal choice – and as long as the lens you choose is compatible with your camera system, covers the zoom range you require, is within your budget, and delivers the right image quality, you can’t go wrong.

So good luck choosing a travel lens!

Now over to you:

Which lens will you purchase? Which is your favorite? Share your thoughts in the comments below!

Read more from our Cameras & Equipment category

Jeremy Flint is an award-winning photographer and writer, specialising in travel, landscape and location photography and is known for documenting images of beautiful destinations, cultures and communities from around the world. Jeremy has won awards including the National Geographic Traveller Grand Prize and the Association of Photographers Discovery Award, besides being commended in Outdoor Photographer of the Year. He has also been a finalist in the Travel Photographer of the year and British Photography Awards several times. He has been commissioned by commercial and editorial clients worldwide including National Geographic Traveller, Country Life, Discover Britain, USA National Parks and Visit Britain and has travelled extensively to over 65 countries.

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The Best Camera Lenses for Travel Photography

Last updated: April 7, 2024 . Written by Laurence Norah - 71 Comments

As a professional travel photographer, I’m often asked about camera gear, and in particular, folks contact me to ask me what the best camera lens for travel photography is. Often people have bought a camera with an interchangeable lens, like a mirrorless or DSLR camera, and are looking to upgrade their kit to meet their needs.

I’ve already written a guide to the best cameras for travel photography , but as that only covers camera and not lenses, I thought it would make sense to follow up with a regularly updated guide to the best camera lenses  – specifically for travel photography purposes. After all, a camera is not much good without a lens!

Of course, this guide does assume you have a camera with interchangeable lenses, so that means a mirrorless camera or a DSLR camera . Within those two groups though there are myriad camera and lens manufacturers. And for the most part, lenses made for one camera system won’t work on another system.

So for this post, I’ve first put together a general overview of what to look for when picking a travel lens, which will give you some pointers in terms of features to consider. That way no matter what brand and kind of system, you’ll know what to look for when shopping for a camera lens.

I’ve then provided specific recommendations for the more popular camera systems out there, including Canon, Nikon, Panasonic, and Sony. Even if your particular manufacturer or camera mount isn’t mentioned, you should be able to get a good idea from this post of what to look for in a travel lens, which specifications matter, and an idea of price.

Speaking of price, as well as a guide to the best lens for travel photography for each camera brand, I’ve also suggested a couple of options for the best budget travel lens for each camera system. I know that lenses are expensive, and not everyone has a huge budget to spend! Let’s get started.

What to think about when picking a lens for travel photography

Picking a lens to travel with is a bit different to picking a lens for other situations. Not only will you be concerned with image quality, but also size and weight.

Whilst it would be wonderful to have a wide range of expensive lenses to take with us on all our trips, the reality of travel is that there is only so much we can take with us, and when you’re out and about all day sightseeing, you probably don’t want to be carrying too much.

So for travel photography, it’s better to try and focus on getting a smaller number of lenses that work well in a wide variety of situations. That way you are likely to actually take them with you and use them.

Of course, there are always going to be compromises – it’s hard to find a lens that does everything well, doesn’t cost too much, and is lightweight! But for travel photography, I think there are some good travel lens options out there.

You have a few options for lens types. My suggestion would be to invest in two lenses – a walkaround lens and a fast prime. An f/1.8 50mm would be the ideal.

Some manufacturers sell a travel kit, like this bundle from Canon , which can be a great value way to get some good lenses.

If you only want to invest in one lens because you don’t see yourself changing lens often, or carrying more than one lens, then you will want a good walkaround lens, and that’s what this guide will be focusing on.

What is a walkaround lens you ask? Well, it’s a lens that “does everything”. It covers a good range of focal lengths, meaning you can get wide angle shots as well as zoom in on further away objects. It’s basically a one size fits all lens for your travel photography needs.

You will often find that if you invest in a camera that it will come with a lens that will suffice as a walkaround lens. These will work fine but tend not to be the top quality lenses.

If you are more serious about photography and your budget allows, I’d recommend that you buy your preferred camera “body only”, and then invest in a nicer walkaround lens, such as the ones I recommend, rather than the standard kit lenses. Don’t be surprised if the lens is more expensive than the camera either – good lenses are expensive, and a worthy investment.

Price considerations – how much to spend on a camera lens for travel photography.

Speaking of money, I’ve done my best to provide a range of lenses across various price points. More expensive lenses tend to be more capable, but can also be heavier, so aren’t always the best solution for travel photography.

For the budget-conscious reading this, I’m also providing my suggested best budget travel lens for each category. I appreciate that not everyone has a big budget for a new lens, so I want to provide some good value options too.

If none of the lenses in this post fit your budget, my advice would be to either stick with the kit lens that comes with your camera, or to check out the second hand lens market on either Amazon on eBay . For more on buying second hand camera equipment, see my guide to buying used camera equipment .

Now, before we dive into individual travel lens recommendations, let’s take a look at some of the key terminology and other considerations you need to be aware of when looking for a lens for travel photography.

Inside a lens, there’s a hole that lets the light through to the camera’s sensor. This hole is referred to as an aperture. An aperture can change in size, with a bigger aperture letting more light in, and a smaller aperture letting less light in.

An aperture can be thought of as the pupil of your eye. When it’s bright outside, it is smaller so less light gets in. When you’re in a darker environment, perhaps at night, it opens really wide to let more light in.

The important number for lens apertures is how big the hole goes, which will dictate how well the lens will perform in low light situations. A wider aperture also allows for greater control over depth of field. See my guide to depth of field for more on that.

When you look at the specifications for a lens, it will always have the widest aperture listed as one of the key specifications. It will be a number, something like 2.8, 4.0 or 5.6. It may also be written as f/2.8, which is the formal way of denoting aperture. The smaller the number, the wider the hole.

Some lenses, and in particular the walkaround lenses we are going to be looking at, will have what is known as a variable maximum aperture. This means that the aperture will actually change as you zoom in and out, or change focal length. This is because as the lens barrel gets longer, the maximum aperture get smaller.

So for example, you might see a lens with an aperture of f3.5-5.6. This means that at the wide angle, the aperture is f/3.5, but when you zoom in, the aperture will drop, down to f/5.6 when you are fully zoomed in.

For travel photography, as with most photography, the wider the aperture the better – more light getting in means better low-light performance, making the lens more versatile for a range of photography situations. This is particularly useful for situations like taking photos of the stars , or shooting the northern lights .

The trade-off is that wider aperture lenses tend to be bigger, heavier, and more expensive. This will be considered in the lens selection.

Focal Length

The focal length of a lens is directly related to how much magnification it provides. It’s a number that’s measured in millimetres (mm), with the general rule being that the higher the number in millimetres, the more magnification you get, and the smaller the number in mm, the less magnification you get.

If you’ve previously used a compact camera (aka point-and-shoot), you’ll be used to this being described in terms of optical zoom – for example, a camera might have 10x optical zoom. That means that the difference in magnification between the most zoomed out setting and the most zoomed in setting is 10x.

In focal length terms, each doubling of the focal length results in a doubling of the magnification. So a 100mm lens will essentially make everything twice as big as a 50mm lens.

Unfortunately, matters get a bit confusing after this, because focal lengths have a different effect on different cameras. This is because camera’s have different sensor sizes, which affects the focal length, in what is known as a crop factor.

To take the example of the Canon DSLR camera systems. There are two main types of cameras available, the APS-C size cameras such as the consumer Rebel line, and the full frame size sensors in more professional cameras like the Canon 6D or 5D line.

Some of Canon’s lenses will work on both of these camera systems, but they will give different focal lengths. On the full frame cameras, the focal length will be as expected. On the APS-C sensor, there is a “crop factor” of 1.6, because the sensor is smaller. So a 100mm lens on an APS-C sized sensor will give the same result in terms of the image as you would be able to achieve with a 160mm lens on a full frame camera.

Thankfully, lens manufacturers all use the same focal length standard, so when buying lenses for your particular system, all you need to know is the crop factor. You can then multiply this by the focal length to get the equivalent focal length.

Don’t worry if this isn’t quite clear, for the lenses I recommend I will list both the focal length and the equivalent focal length where relevant. Equivalent focal length is what you need to really worry about, as it will let you compare lenses more effectively.

For travel photography, you want a lens that goes from fairly wide (16mm – 30mm) on the wide end, through to fairly zoomed in (70mm – 150mm) on the narrow end. This will give you good flexibility, letting you shoot wide scenes such as buildings on city streets, through to zooming in on the details. A good benchmark lens is a 24-70 f/2.8, which is generally known as the walkaround lens of choice for professional photographers.

There are some walkaround lenses which offer much greater focal lengths, well past 200mm, including some of the recommendations in this guide. Just be aware that there are always trade-offs to consider, and whilst these can offer tremendous versatility, it’s often at the expense of weight and image quality, and in particular, image sharpness, at the longer end of zoom range (beyond 200mm usually).

I’m not saying not to invest in these lenses, just to be aware that there’s no such thing as a perfect lens for all situations!

Filter Thread

When you buy a lens, it’s always a good idea to pick up a UV filter  to protect the front. You may also want a polarising filter  (read about polarising filters here ), or a neutral density filter  (see my guide to neutral density filters here ).

You’ll notice that these filters come in different sizes, and the filter thread size on the lens, measured in millimetres, tells you what that size is. It’s basically just a measurement of the diameter of the lens, which is the end you put the filter on. Ok, that was an easy one.

Image Stabilisation

Camera lens manufactures have all kinds of fun terms they use for image stabilisation. These include IS (Canon), OIS (Panasonic), VR (Nikon), OS (Sigma), VC (Tamron) – the list goes on .

Whilst the names and underlying technology vary, the aim is the same – to compensate for any movement introduced by the person holding the lens (that’s you), to help you shoot at lower shutter speeds without getting blurry photos.

As a general rule of thumb, the minimum shutter speed you can hand hold a lens for is the inverse of the focal length. So if you have a 200mm lens, you would not want to shoot at shutter speeds slower than 1/200th of a second. A 50mm lens would be 1/50th of a second.

Image stabilisation technologies exist to help you get shots at lower shutter speeds than that, and they are usually rated in terms of how many extra “stops” they give you to play with. A “stop” is photography dialog for a halving, or doubling, of the light.

So if you went from 1/100th of a second to 1/50th of a second shutter speed and didn’t change anything else, that would be 1 stop.

Modern image stabilisation technologies offer between 3 and 5 stops of stabilisation. To put that in practical terms, if you are shooting with a 200mm lens at 1/200th of a second, 3 stops would let you hand hold down to 1/25th of a second. 5 stops would let you hand hold and still get sharp images as slow as 1/6th of a second!

As you can see, image stabilisation can make a huge difference, and it is definitely worth thinking about when looking for a lens. Of course, as with everything, there are tradeoffs, and an image stabilized lens will often be more expensive and slightly heavier than an equivalent non-stabilized version.

Weight is a pretty key consideration when it comes to picking a travel lens, as the idea is that you’re going to be using the lens for travelling. I don’t know about you, but the less I have to carry the better, especially if I’m going to be on my feet all day. So definitely keep the weight of your purchase in mind.

As well as weight, you’re going to want to factor in the size of the camera lens. Portability can be an important factor for a travel photography lens, particularly if you’re travelling and prefer to pack carry-on only. So consider how big the lens is in physical terms when making a decision.

Mount Compatibility

When you attach a lens to a camera body, obviously it has to fit in place. It’s like a puzzle with two pieces – the lens has to be the right shape to fit into place and lock tightly.

In addition, because the camera needs to communicate with the lens to set things like aperture, focus and zoom, the electronic connections between the lens and the camera body need to line up and be compatible.

The system that is used is known as a lens mount. You basically “mount” the lens onto the camera. Most camera manufacturers have their own lens mount system or systems, so when you buy a lens, you need to make sure it is compatible with the mount type on your camera.

Many manufacturers have multiple lens mounts, depending on the type of camera. For example, Canon cameras can have an EF-S mount, an EF mount, an EF-M mount and an RF mount.

It is very important when buying a lens to ensure that it has a compatible lens mount for your camera. Note that some lenses will work with multiple lens mounts – for example, an EF lens will work on both an EF and an EF-S mount. However, an EF-S lens will only work with an EF-S lens mount, and not with an EF mount.

Usually the mount type is made clear in the name of the lens. For example, the Canon EF 16-35 f/4L IS is an “EF” lens, which you can see in the name of the lens. So this will work with an Canon EF or Canon EF-S camera body.

If you are buying a lens from a third party manufacturer such as Tamron or Sigma, be aware that they usually make multiple versions of each lens, with different mounts. So always make sure you buy the version that will fit your camera.

Well, that sums up some thoughts on the various factors, features and terminology you need to consider when looking to buy a travel lens.

Now, let’s dive into some specific recommendations across various camera systems to give you some idea of what’s available at different price points.

Note that these are primarily walkaround lenses that are suited for travel, rather than for a specific function like macro photography or astrophotography. If you are interested in the latter, see our guide to northern lights photography , which has some specific lens recommendations for night situations.

The Best Micro Four Thirds Lens for Travel Photography

Micro Four Thirds camera are a popular choice for photographers. These mirrorless systems are lightweight and portable, yet offer everything you would expect from a bigger SLR style camera, including full manual controls and great image quality.

There are a number of manufacturers, with the most popular being Panasonic and Olympus. We use and love our Panasonic GX8 which is a staple part of our travel photography gear .

Both of these manufacturers have their own proprietary lens stabilisation system that takes advantages of stabilisation technology in both the camera body and the lens. This means that whilst lenses will work across different micro four thirds cameras, to take full advantage of the stabilisation technology you need to match brands – so a Panasonic lens needs to go on a Panasonic camera body for the best results.

In terms of crop factors micro four thirds cameras have a 2x crop factor, so you need to double focal lengths to get the equivalent focal length.

1. Panasonic Lumix G Leica 8-18mm F2.8-4.0

With a 16-36mm equivalent focal length, this is the lens to get if you love shooting really wide. Personally, my wide angle lens is the lens I use the most, so this is what I’d go for on this camera system, even if it’s not quite as flexible across shooting situations as something with a greater focal range. It doesn’t have image stabilisation, but as the lens is so light that’s less of an issue, and image stabilisation on a wide-angle isn’t as critical.

Weight: 11.11 oz / 315 g Check price on Amazon here , B&H here and Adorama here 

2. Panasonic Lumix G Leica DG 12-60mm Power O.I.S. F2.8-4.0

As a walkaround travel lens, it’s hard to argue with this 12-60mm lens from Panasonic, which offers a 24-120mm equivalent focal length and sharp results throughout that focal length, even shooting wide open. The aperture stops down a bit as you zoom in, but this is a lightweight lens that will do pretty much everything you could want, and includes image stabilization (Power O.I.S).

Weight: 11.29 oz / 320g Check price on Amazon here , B&H here and Adorama here

3.  Olympus M.Zuiko Digital ED 7-14mm f/2.8

My choices for the Olympus micro four thirds system are essentially their versions of the Panasonic lenses above. This is the wide angle, with a focal length equivalent of 12mm – 28mm.

With a fixed f/2.8 aperture this is a very fast lens at all focal lengths, although this does make it a little bit heavier.

It also comes with dust and weather sealing. It doesn’t have lens based image stabilisation, but the majority of Olympus MFT cameras have in-body stabilisation which makes up for this.  

Weight: 1.17lb / 543g Check price on Amazon here , B&H here and Adorama here

4. Olympus M.ZUIKO Digital ED 12-100 F4.0 IS PRO

With a focal length equivalent to 24-200, this is pretty much the perfect walk around length for travel photographers. It is water and dustproof, and features image stabilisation equivalent to an incredible 6.5 stops when used with a compatible Olympus camera.

That added focal length does add some weight and bulk though. If you’d prefer a lighter lens and a faster aperture at the expense of focal length, check out the cheaper  Olympus M.ZUIKO Digital ED 12-40 F2.8  instead.

Weight: 1.23lb / 561g Check price on Amazon here , B&H here and Adorama here

Best Budget Micro Four Thirds Lens

1. panasonic lumix g vario 12-60mm f/3.5-5.6 power o.i.s.

This is essentially a slower version of the Panasonic 12-60mm lens above, at half the price. It’s also significantly lighter than that lens. Impressively for a lens at this price point, it comes with image stabilisation as well as a splash and dust-proof body, making it ideal as a travel lens.

At a similar price point there’s also the slightly heavier  14-140mm f/3.5-5.6 lens from Panasonic, but whilst you gain a lot in focal length, you lose out on that weather resistance, so it’s up to you.

Weight : 7.41oz / 210g Check price on Amazon here , B&H here and Adorama here

2. Olympus M.Zuiko ED 14-150mm f/4-5.6 II

Weight: 10 oz / 284g Check price on Amazon here , B&H here and Adorama here

The Best Mirrorless Lens for Travel Photography for Sony Cameras

For the purposes of this guide, I’m going to be talking about Sony’s E-mount lenses, which work on their mirrorless camera systems including APS-C models like the a6600 as well as full frame mirrorless models like the a7 range.

Note that there are two types of E mount lenses, “FE” lenses, which will work on both full frame and APS-C sized Sony cameras, and non FE lenses which are designed for APS-C sizes sensors only. While you can use a non-FE lens on a full frame camera, it will reduce the image resolution and field of view to be equivalent to an APS-C sized sensor, so I’d advise against that.

There are also “G” series lenses, which are Sony’s more professional lenses – similar to Canon’s “L” series. These offer greater image quality and performance, usually with a higher price tag to match.

Some Sony cameras offer in-body image stabilisation, but ideally you’ll want it in the lens. Sony’s image stabilization technology is known as OSS (optical steady shot).

1. Sony 18-105mm f/4 OSS G

With an equivalent focal length of 27mm – 158mm, and a fixed aperture throughout that focal length, this lens is ideal for travel photography. It’s also a G series lens, which means it is higher quality lens compared to their standard, non G lenses. It’s primarily designed for Sony’s APC-C sensor cameras, so not really recommended for their full frame bodies, but it is very well priced.

Weight: 15.06oz / 427g Check price on Amazon here , B&H here and Adorama here

2. Sony E 18-135 f/3.5-5.6 OSS

With an E mount lens for APS-C camera compatibility, this lens is firmly aimed at travel photographers wanting a great Sony walkaround lens at a price that won’t destroy the bank. With image stabilization and good performance across a good focal length, this lens is a great bargain if you’re looking for an easy upgrade from the kit lens.

3. Sony FE 24-70mm f/4 OSS

Covering the classic focal length of 24-70 on a full-frame camera (36-105mm on an APS-C), this is a relatively fast lens that offers excellent image quality and portability at a relatively affordable price point. There’s also an f/2.8 “G” version of this lens which is approximately twice as expensive and also heavier, but may be worth it if you need that extra stop of light.

Weight: 15.03oz / 426g Check price on Amazon here , B&H here and Adorama here

4. Sony FE 24-240mm f/3.5 – 6.3 OSS

Covering a truly staggering focal range of 24-240mm (36-360mm APS-C), this Sony FE lens is perhaps the ultimate walkaround lens for the Sony system. It may have a variable aperture, but given how well Sony’s cameras perform even at high ISO ratings, you probably won’t notice that too much.

If you want a lens that can shoot everything from far away wildlife to portraits to landscapes, this is a great choice at an excellent price point. Just be aware that it is heavier than the other options due to that extended focal length.

Weight: 1.72 lb / 780g Check price on Amazon here , B&H here and A dorama here

5. Sony FE 16-35 f/4 OSS

If you’re after something wider, then this is the lens to go for, especially for full frame cameras (APS-C owners should instead consider the cheaper 10-18mm f/4 for wide angle work).

With a relatively fast fixed aperture, super-wide capabilities and even image stabilisation, this is the lens for landscape and architecture photographers to look at.

Weight: 1.14lb / 518g Check price on Amazon here , B&H here and Adorama here  

6. Sony 18-200 f/3.5-6.3 OSS

If you’re on Sony’s APS-C sensor system, then you might want to consider this lens instead of the 24-240mm lens above, as it offers a wider 27mm equivalent at the wide end. It’s also a relatively light lens given the focal range, making it a good choice for travel photographers trying to keep the weight down.

Weight: 1.16lb / 524g Check price on Amazon here , B&H here and Adorama here

Best Budget Mirrorless Lens for Sony

1. sony fe 28-70mm f3.5-5.6 oss lens.

Being an FE lens, this will work on both full frame and APS-C sized Sony bodies – on the latter it would offer an equivalent focal length of 38 – 105mm, which is useful for many situations except particularly wide work. A good value lens.

Weight: 10.41 oz / 295 g Check price on Amazon here , B&H here and Adorama here

2. Sony 55-210mm f4.5-6.3 OSS

If you’re looking for a bit more range, perhaps to compliment the kit lens that came with your Sony camera, this is one of the better priced telephoto zoom lenses from Sony that is also incredibly light for the focal range on offer.

Of course, it’s not the sharpest lens in the world, especially at the 200mm end (315mm equivalent), but it does feature image stabilisation and is a bargain to boot.

Weight: 12.16 oz / 345g Check price on Amazon here , B&H here and Adorama here

The Best DSLR Lens for Travel Photography for Nikon Cameras

For the longest time, the two main choices for photographers looking for camera gear were Nikon and Canon. That has certainly changed, but these two manufacturers definitely account for the highest percentage of cameras sold today.

Because they’ve both been around for so long there are literally hundreds of lenses to choose from for each system, both made by the manufacturers themselves, and lenses made by third parties.

Sifting through these choices to find the perfect travel lens is definitely a challenge, but I’ve narrowed down the various options to some of the best options to help you make an informed decision.

1. Nikon 28-300mm f/3.5-5.6G VR

An ideal walkaround lens at a good price point for Nikon full-frame users (known as FX in Nikon speak). This lens covers a very wide focal range with a reasonable fast aperture, and offers image stabilisation (Nikon calls it VR, for vibration reduction).

Owners of Nikon’s APS-C sized sensor camera bodies (DX format) should consider either the 18-300mm lens below, or the Tamron 18-400mm f/3.5-6.3 , which will give a bit more flexibility on the wide end.

Weight: 1.76 lb / 800 g Check price on Amazon here , B&H here and Adorama here

2. Nikon 18-300mm f/3.5-6.3G VR II

There’s also an 18-200 version which can be found marginally cheaper, but as it weighs the same I’d go with this one.

Weight: 1.21 lb / 550g Check price on Amazon here , B&H here and Adorama here

3. Nikon 24-70mm f/2.8E VR

Nikon’s 24-70mm f/2.8 lens is one of the most popular lenses for photographers of all types, particularly on full frame bodies. Its fast aperture throughout the focal length makes it great for low light photography and portrait work, and the relatively wide angle makes it a great landscape lens.

It even has image stabilization! It is expensive and heavy (consider the Sigma equivalent too), but if it’s the only lens in your bag you might not mind so much.

Weight: 2.35lb / 1070g Check price on Amazon here , B&H here and Adorama here

4. Nikon DX 16-80mm f/2.4-4E VR

This lens is only for crop sensors, but it offers an excellent range of focal lengths, a fast aperture range and it is known for producing very sharp images. It’s also very light, making it a great option for travel photography, and features image stabilisation at a reasonable price.

Weight : 16.93 oz / 480g Check price on Amazon here , B&H here and Adorama here

Best Budget DSLR Lens for Nikon

1. nikon 18-140mm f/3.5-5.6 vr.

For a DX camera, this is an excellent Nikon lens that covers a wide focal range, has image stabilization, and produces sharp images. It’s very well priced for what you get, is relatively light, and will serve you well as a travel photography walk around lens.

Weight: 1.08lb / 490g Check price on Amazon here , B&H here and Adorama here

2. Nikon 24-85mm f/3.5-4.5G VR

FX format users on a tighter budget should definitely consider this lens, which offers reasonably fast performance and a good range of focal lengths in an affordable and lightweight package that also includes image stabilisation.

Weight:  1.02 lb / 465 g Check price on Amazon here , B&H here and Adorama here

The Best DSLR Lens for Travel Photography for Canon Cameras

Like Nikon, the Canon camera system has been around for a long time, and there’s an incredible selection of lenses to choose from, both directly from Canon, and from third party manufacturers like Sigma and Tamron. This huge amount of choice can be overwhelming, but I’m going to do my best to provide a few options to get you started.

Note that Canon has three main lens mount systems – EF, EF-S, and RF. The first two are for their DSLR cameras, the latter is for their new full frame mirrorless camera system. This is a new mount, launched in 2018. I mention it because there is a Canon adaptor meaning all EF and EF-S lenses will work on RF mount cameras.

EF lenses will fit on all Canon’s cameras (RF with an adaptor), whilst the EF-S lenses will only fit EF-S mount cameras (and RF cameras with the adaptor).

EF-S cameras are essentially all the consumer focused models such as the Rebel series. Canon has its own stabilisation system, which it calls IS (image stabilisation).

1. Canon EF 16-35 f/4L IS

This ultrawide Canon lens is incredibly sharp, and an excellent choice for landscape and architecture lovers. It’s our current go-to lens for these purposes in our travel photography bag.

Whilst the f/4 aperture isn’t too wide, this lens features image stabilisation technology that promises up to four stops of stabilisation, which makes this a great choice for low-light work. It’s also not too heavy. APS-C owners should consider the cheaper and significantly lighter 10-18mm IS instead .

Weight: 1.35 lb / 615 g Check price on Amazon here , B&H here and Adorama here

2. Canon EF 24-70 f/2.8L II

This is the walk around lens of choice for many full frame Canon professionals as it offers sharp performance and a fast fixed f/2.8 aperture across the frame. This lens is great for everything from portraits to landscapes, and is one of the most popular lenses amongst Canon shooters.

This lens is quite pricey and fairly heavy though, so do also consider the Sigma equivalent which is significantly cheaper and includes image stabilisation, which is notably absent from this Canon lens.

Weight : 1.77 lb / 805 g Check price on Amazon here , B&H here and Adorama here

3. Canon EF 24-105 f/4 L IS II

If the Canon 24-70 above is a bit pricey, or you’d prefer image stabilization and a slightly longer focal length, then the excellent EF 24-105 f/4 L is a great choice. Despite the longer focal length, it’s actually a slightly lighter option.

This lens will work with both full frame and crop sensor cameras, on the latter it will have an equivalent focal length of 38 –  168mm.

Weight: 1.75 lb / 795g Check price on Amazon here , B&H here and Adorama here

4. Tamron 28-300mm f/3.5-6.3 Di VC

There are lots of third party options for Canon, with Tamron being a popular choice for value oriented buyers. This Tamron covers an excellent focal range in a relatively lightweight, low-cost design.

This 28-300mm is a great walkaround lens choice covering a wide focal range, especially for full frame shooters who don’t want the weight or cost of Canon’s L series lenses.

Weight: 1.19 lb / 540 g Check price on Amazon here , B&H here and Adorama here  

5.  Tamron 18-400mm f/3.5-6.3 VC

Owners of APS-C Canon cameras should definitely consider this incredible Tamron lens, which offers a mind blowing focal length (29 – 640mm equivalent) on Canon’s crop sensor cameras. It also has image stabilisation and an aperture range which is not too bad considering that incredible zoom. It’s also very well priced, and less heavy than you might expect for the focal length.

If you’d prefer a first party lens walkaround lens for your Canon APS-C camera, another option is the Canon EF-S 18-200 f/3.5-6.3 IS , which is a tiny bit lighter, but loses a lot of that lovely focal length, and is also slightly more expensive.

Weight: 1.56 lb / 710 g Check price on Amazon here , B&H here and Adorama here

Best Budget DSLR Lens for Canon Cameras

1. sigma 18-300 f/3.5-6.3 dc os.

If you’re looking for a lens that covers a very wide focal range, produces sharp images, and won’t break the bank, look no further than this excellent Sigma. This will only work on Canon’s APS-C range such as the Canon Rebel line, or Canon SL2, but it offers excellent performance, image stabilization and an incredible focal range (29mm – 480mm equivalent) in a well priced and lightweight package.

Weight: 1.28 lb / 584 g Check price on Amazon here , B&H here and Adorama here  

2. Tokina 11-20mm f/2.8 PRO DX

Lovers of wide-angle photography should shortlist this Tokina lens for Canon’s EF-S camera mount. With a very wide f/2.8 aperture, and a superwide focal length, this lens is perfect for landscape photography, low-light photography, and even taking pictures of the stars . Well priced too!

Weight: 1.23 lb / 560 g Check price on Amazon here , B&H here and Adorama here

The Best Mirrorless Lens for Travel Photography for Canon Cameras

Canon also makes mirrorless cameras, which come in two mount types, EF-M and RF.

The EF-M mount launched in 2012, and is for Canon’s EOS M range of cameras. These mirrorless cameras feature an APS-C sized sensor, and are primarily aimed at consumers and prosumers.

The RF mount launched in 2018, and is Canon’s newest mount. This features on Canon’s full frame and APS-C mirrorless cameras, including the R5, R6, R7 and R10.

It’s worth noting that Canon produces an RF mount adaptor and an EF-M mount adaptor for both EF and EF-S lenses. This means you can use EF and EF-S lenses on the Canon EF-M mount cameras, as well as Canon RF mount cameras.

So if you have an EF-M or RF mount camera, you might still prefer to buy one of the previously mentioned EF lenses, as these have the widest compatibility, and will work across all Canon’s cameras.

That said, an EF-M lens will be smaller and lighter, whilst the RF lenses take full advantage of the wider size of the mount, meaning these lenses can offer wider apertures. RF and RF-S lenses also have additional control rings on the lens itself, which can make for fast on the fly settings adjustments.

Whilst there aren’t currently as many EF-M, RF or RF-S lenses on the market as there are EF and EF-S lenses, there are still plenty to choose from. Here are some options that should work well for travel photography, across a range of budgets.

1. Tamron 18-200 f/3.5-6.3 Di III VC

Given the focal range, the lens is relatively lightweight, and you get good performance for a reasonable price. Definitely one to consider if you’re looking for a native EF-M mount lens.

Weight:   1.55lb /  459g Check price on Amazon here , B&H here and Adorama here

2. Canon EF-M 15-45mm f/3.5-6.3 IS STM

Weight:   4.6oz / 130 g Check price on Amazon here , B&H here and Adorama here

3. Canon RF 24-240mm f/4-6.3 IS USM

Moving onto the RF lenses for Canon’s full frame mirrorless cameras, and the first in our list is this versatile 24-240mm option. This offers an excellent focal range for travel photography, making this a good choice as a walkaround lens. You get a fairly fast f/4 aperture at the wide end, although this does drop off to f/6.3 as you zoom in.

You also get Canon’s image stabilization and fast, silent autofocus system. It’s also relatively light and compact for a full frame lens with this range, and the price is good for what you get.

Weight:   1.65lb /  750g Check price on Amazon here , B&H here and Adorama here

4. Canon RF 24-105mm f/4L IS USM

Naturally Canon also has a range of their premium “L” lenses available for the RF mount. The 24-105 f/4 is an excellent RF mount lens for travel photography, offering a useful focal range as well as a fixed f/4 aperture throughout the whole focal length.

You also get image stabilization, fast and silent autofocusing, in a relatively compact and lightweight lens.

Weight:   1.54lb /  700g Check price on Amazon here , B&H here and Adorama here

5. Canon RF 15-35mm f/2.8L IS USM

If, like me, you love wide angle photography, then you are definitely going to want to check out Canon’s awesome 15-35mm wide angle lens for the RF mount. The RF mount has allowed Canon to go all the way to 15mm with their wide angle zoom, and you get a fast f/2.8 aperture through the focal length as well.

You also get image stabilization and fast and silent autofocusing. It’s not cheap by any stretch of the imagination, but performance is superb.

This lens is the part of what photographers refer to as the “holy trinity” of lenses that professional photographers aim to have in their kitbag. They are all expensive, but image quality and performance can’t be beaten. If you are looking for the rest of the “holy trinity” of RF lenses, Canon also has the Canon RF 24-70mm F2.8 L IS USM and the Canon RF 70-200mm F2.8 L IS USM available for purchase.

Weight:   1.85lb /  840g Check price on Amazon here , B&H here and Adorama here

6. Canon RF-S 18-150mm f/3.5-6.3 IS STM

In 2022, Canon launched the first of their mirrorless APS-C sensor cameras with an R mount, the EOS R7 and the EOS R10. These cameras actually come with an RF mount, meaning they are compatible with RF lenses and EF & ES-S lenses. For RF and EF lenses, you do get a 1.6x crop factor.

Canon has also launched RF-S lenses. Despite the name, the RF-S mount is the same as the RF mount, the only difference is that these lenses are designed for the new cameras, meaning they are smaller and lighter as they don’t need to produce such a large image.

The lens we recommend you consider as a walk around lens is the RF-S 18-150mm. On a R7 or R10, this has an equivalent focal length of 28.8-240mm, which is ideal for most travel photography situations.

You also get built-in image stabilization, and the maximum aperture of f/3.5 is very good. It’s also remarkably light.

Weight:   10.9oz / 310g Check price on  B&H here and Adorama here

Further Reading

Well, that sums up my guide to the best travel lenses for travel photography! I hope you found it informative and useful in your quest to find the perfect travel lens for you. Before you head off, I want to share with you a few more resources that will help you on your photography journey.

• My guide to picking the best travel camera – after all, a lens isn’t much good without a great camera to pair it with! We also have guides to the best point and shoot cameras , the best mirrorless cameras , the best cameras for hiking and backpacking , the best action cameras , and the best DSLR cameras for travel photography .
• Photos need editing to get the best out of them. See our guide to the best photo editing software for our suggestions. If you’re looking for something to edit your photos on, see our guide to the best laptops for photo editing
• If you’re looking for something for someone else, see our guide to the best gifts for photographers for ideas
• My series of  Photography Tips , which I am always expanding and updating with posts like this one
• My always expanding series of  Photography Location Guides , to help you get the best shot in locations around the world.
• An overview of my  Travel Photography Gear , in case you wondered what a professional photographer has in his bag
• A  Beginners’ Guide to Improving your Travel Photos for those starting out in travel photography. We also have a guide to how to use a DSLR to help you if you are starting out with this type of camera system.
• Our reasons why you need a travel tripod

Looking to Improve Your Photography?

If you found this post helpful, and you want to improve your photography overall, you might want to check out my  online travel photography course .

Since launching the course in 2016, I’ve already helped over 2,000 students learn how to take better photos. The course covers pretty much everything you need to know, from the basics of how a camera works, through to composition, light, and photo editing.

It also covers more advanced topics, including astrophotography, long exposure photography, flash photography, and HDR photography.

You get feedback from me as you progress, access to webinars, interviews and videos, as well as exclusive membership of a Facebook group where you can get feedback on your work and take part in regular challenges.

It’s available for an amazing one-off price for lifetime access, and I think you should check it out. Which you can do by  clicking here .

And that’s it for my guide to picking the best camera lens for travel photography. I’ll be keeping this post updated as new lenses are released for the various systems, so you can always check back for advice if you need it. I’m also happy to answer your specific questions about picking a lens for your camera system – just pop them in the comments below and I’ll do my best to give my thoughts and advice!

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Vladielna says

4th October 2023 at 6:31 am

Hi Laurence,

Hope it’s not weird to get a comment on this post in 2023. I have a sony Alpha 6400 that I got earlier this year and I was wondering about the 55-210 e-mount lens you mentioned. My dad bought it for his 5N back in the day and I was hoping to use it for my camera however I have noticed that the AF is much worse on the 6400 than it is on the 5N where it will take multiple times to try and find the right focal length over the span of 3 seconds and yet still not be in focus I am not sure why that is and I was hoping you could provide some insight into this behaviour.

Thanks, Vladielena

Laurence Norah says

4th October 2023 at 8:10 am

Hi Vladielna

Of course, you are welcome to comment. I do keep our content up to date, so even if a post was originally published a while ago I do my best to keep to relevant 🙂

On to your question. So the 6400 should have a pretty good focus system, but it’s hard to diagnose the issue without knowing the focus mode in use and what scenario you are taking photos of. Some focus situations are more challenging for a camera to work in, such as lower light scenes or scenes where there isn’t much to focus on (like a plain surface). If you could let me know what you are struggling to photograph and focus mode you are using I can do my best to offer some input!

20th August 2022 at 11:50 pm

I’ve been looking to get into photography for a bit. Pretty settled on getting the 6D Mark II. Any recommendations for lens? I do a good bit of hiking, some traveling through the city and museums, some international travel, and a good bit of stuff outside. Any help is appreciated!

22nd August 2022 at 5:59 pm

Sure thing. So a lot will obviously depend on your budget. A good walk around lens with the 6D might be the Canon 24-105 f/4 L, which covers a useful focal range. If you want more range and are on more of a budget, Tamron’s 28-300 is a good option, although it isn’t quite as wide. Personally I prefer a wide angle lens, but it’s a personal preference. You can always shoot more frames and stitch them together of course.

If you wanted to give me an idea of budget, I’m happy to give some more ideas. Just one thing to bear in mind is that there’s always some sort of trade off when it comes to gear, be it maximum aperture, weight, cost or reach. No-one has come up with the perfect lens that does everything yet!

26th August 2022 at 11:28 pm

Hi Laurence! Thanks for the response! I think the 24-105 is purchasable with the body. For budget I’d probably like to stay under 2k for lens as I’m just getting my feet wet. I’ve seen a canon 50mm f/1.8 stm recommended, any thoughts on thus lens ?

27th August 2022 at 12:35 pm

My pleasure! Yes, the 6D Mark II does usually have the option for the 24-105 as a “kit” lens, but it’s definitely more than your standard kit lens and worth adding on in my opinion.

The 50mm f/1.8, or nifty fifty as it’s often referred to, is a fantastic lens, especially for the price. I recommend everyone has one. It’s not necessarily a “travel” lens because most folks looking for a travel lens want something that covers a range of focal lengths. However, I always suggest people pick one up because it’s a great option for portrait work and anything else where you want a nice shallow depth of field. It can also work as a travel lens, you just have to get used to moving yourself around rather than using the zoom, which is actually not a bad thing.

Let me know if you have any other questions, and enjoy your new gear!

Arijit says

19th July 2020 at 3:46 pm

Great article! Hope you would be able to help me take my decision.

I own a Nikon D5200 (DX) and looking for a single lens which covers all or most aspects of photography (wide angle, portrait, zoom, etc). I had filtered down to 3 lenses- Nikon 18-300 mm (best for Nikon cameras as per your article), Sigma 18-300mm with Macro, Tamron 16-300 with Macro. I had Tamron 18-400 mm in my mind as well but then I thought that additional 100mm is not something I would fancy, as 300mm is still good enough for me and with the Sigma 300mm lens I am getting macro function.

All these 3 lenses are in same price range. But what I researched and understood was that Sigma lenses have best image quality of the three. Undoubtedly, Nikkor has the best overall optics but with Sigma I am also getting a macro feature which I feel I might use more than the 300mm though it is still good to have range.

I also heard that with Sigma 18-300, we might experience stabilization issues at higher mm for video. My requirement is to have the best of image and video quality with a single lens.

Would be grateful if you could share some thoughts on what should I consider.

Thanks in advance!

19th July 2020 at 8:18 pm

Thanks very much! So the lenses you list have some differences. Between the Tamron and the Sigma the Sigma as you say should have the best image quality, specifically sharpness, which is definitely important. Overall though the Nikon is generally better. I would also say that the Macro designation of the Tamron and Sigma is a bit misleading. Whilst they have a slightly closer minimum focus distance than the Nikon, neither are true macro lenses. A true macro lens would allow you to shoot an image with 1:1 magnification, meaning that the size of the image in real life is the same size as it’s reproduced on the sensor. The Tamron and Sigma both only offer a 1:3 magnification.

The reason these two lenses have the macro name is because they can both focus on objects that are within 39cm of the camera, whilst the Nikon has a minimum focus distance of 49cm. Honestly, this is not a big difference, and you will not get a real macro experience from any of these lenses, certainly not enough to make a difference. Usually a macro lens can focus on objects that are 30cm or less from the end of the camera.

So for this reason I would probably recommend the Nikon for overall best performance 🙂

I hope this helps!

Debasis Goswami says

27th February 2020 at 3:44 pm

You never want to put a UV filter for a digital camera. Useless and makes any lens perform poorly. That was such a put off right at the beginning.

27th February 2020 at 3:50 pm

Hi Debasis,

I have to respectfully disagree. A UV filter has protected my lens from damage on a number of occasions, where the filter has been destroyed but the lens is fine. In addition, a good quality UV filter is just a piece of glass, as is the rest of the lens. Studies have shown minimal to no impact in image quality, and it’s generally not noticeable either unless you’re pixel peeping.

In addition, the majority of “weather-sealed” lenses are only truly weather sealed with a filter on.

Of course, I don’t advocate putting a $10 filter on a thousand dollar+ lens. But I do think they are worth it. That said, each to their own. Whatever works for you is best 🙂

Thanks for your comment,

10th November 2019 at 1:14 am

I own a Canon 80D with 10-18 lens, 15-85 Aps-cl ens (probably selling),55-250 (never used probably selling) and Tamron 18-400. I just purchased 24-70 f/4L lens and am thinking of purchasing Canon 6D mark II. I use the 80D for everything and I am thinking the full frame 6DMII will help me get nice crisp pictures in low light and other shots. Do you think this is a good idea to have the crop and get a FF camera? I am not a beginner and not advanced photographer in between the two and still learning

10th November 2019 at 12:05 pm

The 6D Mark 2 is a great camera and will compliment your crop sensor nicely. I always have two bodies, although they are both full frame, it just makes it easier to get shots sometimes without having to mess around switching lenses.

6th September 2019 at 2:31 pm

Hello Laurence, We enjoyed your very well written article. We are getting ready to leave on safari and are looking at purchasing a mirrorless camera. We are very intermediate photographers. We currently use a Canon EOS 7D. We were contemplating staying with Canon due to familiarity. However, your article, as well as others, is pointing toward Sony. What is your recommendation? Lenses, etc? The Sony A7III sounds like the best set up (battery life, etc). What about ease of use? Also, I suppose a need a 200mm or longer telephoto lens, correct. I’m not sure I wanted to invest $5,000 in a camera as we are far from avid photographers. We are traveling more though and expect to get more into photography as we travel. Looking forward to your feedback. Thank you!

6th September 2019 at 3:37 pm

Thanks very much. I would say that if you are happy with the Canon 7D, you should stick with it and spend the money on a lens. A crop sensor camera is a good option for wildlife photography as it gets you closer to the action with the same focal length lens compared to a full frame camera. I would also add that if you are used to the Canon menu system, the Sony will take some getting used to, and many Canon photographers are not keen on the color of the images that Sony cameras produce.

I would instead suggest that you invest in a decent lens for wildlife photography for your Canon, or at least look to rent one. I’d advise something like the Canon 70-200 f/2.8 + a 2x doubler (quite a flexible setup), or the Sigma 150-500. The latter is a bit slower, but the zoom range is pretty amazing!

I hope this helps, let me know if I can help further,

EllenH says

4th September 2019 at 2:19 pm

I have one more question…if I rent a lens or two for my vacation to try out… which ones you choose to shoot Athens Greece and Paros Greece… I have only been in photography 6 months and have a canon EOS rebel T7i

EllenM says

4th September 2019 at 12:17 pm

I have a Canon Rebel T7i… on my next travel we are going to Greece… I will be taking pictures of sunsets, archeology sites, views of the acropolis, Parthenon, mount lycabetta; views of boats and white houses… what is your suggested lens? Sigma 18-300 or the canon 50?

4th September 2019 at 7:06 pm

I would definitely go for the 18-300 which would give you a lot more range and choices for your photography. The 50mm is a great lens, but having a fixed focal length will definitely restrict you!

4th September 2019 at 8:15 pm

I am considering renting… should I stay with this option?

5th September 2019 at 8:08 am

It’s up to you! Are you renting because you want to trial a lens for a future purchase, or just as a one-off? I’d say the Sigma lens you previously mentioned would be a good option in general, but you could rent a more premium lens. I don’t think it would make a huge difference – normally I’d recommend renting for more specialised trips like safaris or other wildlife encounters, where a really nice expensive zoom lens will make a huge difference – but it’s not a lens you’d really use very often otherwise.

I hope this helps 🙂

4th September 2019 at 1:36 am

Hello from Puerto Rico!

I currently own a Canon 6D Mark II eith a 24-105 mm f4 II Lens. I also own a Rokinon 14mm f 2.8 AF and a Tamron 35-105 mm f2.8. I have some traveling planned for November to Spain, France, Italy and Portugal. What should I bring in? Do I need a better Zoom lens such as a 70-200 mm ? I currently have a 75-300 mm f3.5-5.6 crop sensor lens from a previous Canon Camera. Can’t wait for your recommendations!

Best Regards!

4th September 2019 at 7:04 pm

it really depends what you want to photography and how much weight you want to carry! If it’s primarily landscapes and street photography, and you only want one lens, then the 24-105 would be my suggestions. If you want wider shots, then the Rokinon would be the best option.

It’s less likely you will need the extra zoom – it can be useful in some specific situations like wildlife and for candid portraiture from a distance, but it’s a lot of additional weight that you probably won’t use that often!

I hope this helps – have a great time in Europe!

4th September 2019 at 8:41 pm

Thanks! ????

30th August 2019 at 12:37 am

I travel with the Canon 24-70 f/4 on a 6D. Compared to both the 24-70 f/2.8 and 24-105, it weighs less, cost less, and has a sort-of macro mode (.7x) for flowers and any strange bugs one meets. The extra 35mm on the long end I hardly ever miss. I either need no more than 70 or go straight to wishing I had 400.

30th August 2019 at 6:07 am

Great to hear that you have found the right lens for you 🙂 It’s certainly an excellent lens, and a great lighter option for sure. You are right, those few mm don’t make that much difference, especially with how many megapixels most cameras give you these days and the power of cropping!

Happy photography!

Usama Zulfiqar says

14th August 2019 at 10:41 am

Great article and fully endorse your views. I am enthusiastic photographer and have Nikon D750 with 24-120mm f/4, 50mm 1.8 and 85mm 1.8 lens+Godox Flash. I am planning for a short trip to my home town with loads of indoors gathering and few outdoors gatherings as well, but wanted to carry only two lens max.due to weight issue.

I had previously used 24-120mm for shooting a wedding and it went very well as my photos were as good /sharp as photos taken by professional photographer. I am quite comfortable with this lens, despite losing bokeh compared to 50mm and 85mm.

I will also take some portraits and shots of toddlers and kids running around. My question, which lens you recommend to pack in my carrying bag?

14th August 2019 at 8:01 pm

Thank you very much 🙂 So I would say that if you are happy with the performance of the 24-120 f/4, then that would be a great option as it’s going to be pretty versatile. For the other lens (I think you wanted two), I’d personally go with the 85mm as it’s going to be better for portraits, and will be easier for candid work as you will be able to get photos of people with them noticing less. The 50mm is a great lens too, but it’s harder to get those candid moments if you have to stand closer.

I hope this helps. If you really only wanted to take 1 lens I’d probably pick the 50mm as you could always crop, and it will be a bit more versatile for more situations.

31st July 2019 at 2:53 pm

Hi.. On my weekend travels i normally use NIkon 18-55 VR. And Nikon 35mm 1.8G for low light situation. I don’t take Nikor 55-300 and Tamron wide angle in my bag for travel. It’s a little inconvenient to swap the lens for telephoto or wide angle in some situation since travelling with family (we have 2 year old kid) and the weight of the bag carrying too many lens..!

I’m thinking to buy a good walk around lens (Nikor or third party) and sell both NIkor 18-55VR and 55-300 (or at least keep my first lens 18-55VR).

Do you have any suggestion on my situation? what should be the walk around lens i should go for?

31st July 2019 at 3:02 pm

Obviously it will depend on your budget. I’d suggest either the 18-300mm in the list above, which would be a good all around option. Alternatively if you want a wider aperture for lower light, then you might consider the 24-70 2.8. However it has much less focal length and is also quite expensive, so I think the 18-300 would be a better walkaround option, and would replace your two other lenses you mention.

18th July 2019 at 4:31 am

Thanks for your great articles Laurence, I have found them very informative and clearly explained, which is most helpful to a beginner photographer trying to learn more about the key features of the camera/lens setup and how they impact picture quality. Please forgive the newbie question, but in describing the lenses, you talk about a lens being faster or slower than another? What does that mean in layman’s terms, ie. how is a lens faster than another ? does it refer to the time the light takes to reach the sensor and hence how quickly you can take multiple shots or something else ?

18th July 2019 at 6:08 am

My pleasure. That is a great question, and I should definitely explain it in the article. However, first I’ll tell you 🙂

So, a fast lens is so called because it will have a wider aperture. A wider aperture lets more light in, which means you can use a faster shutter speed, compared to a lens with a smaller aperture (in the same light conditions). Hence, a “fast” lens. The aperture, shutter speed and ISO are all linked in the way a camera works, which I explain in much more detail in my guide to exposure, which you can see here:

https://www.findingtheuniverse.com/exposure-triangle-photography/

Let me know if that doesn’t make sense. It’s not a totally obvious concept I’m afraid, but with a bit of practice it should start to make sense 😉

10th July 2019 at 12:33 pm

Hi Lawrence,

Thank you so much for such nice explanations about different features of camera and lenses. I truly loved the details. I am just wondering in the sentence below, which you wrote

“So a 100mm lens on an APS-C sized sensor will give the same result in terms of the image as you would be able to achieve with a 160mm lens on a full frame camera.”

Shouldn’t it be the other way around? That is a 160 mm lens on APS-C camera will give same result for 100 mm lens on a full frame?

Thanks again, I look forward to your answer.

10th July 2019 at 12:46 pm

Just wondering if what you wrote is correct, does it mean that for a wide angle picture (for a given lens), a full frame sensor is better than APS-C? Whereas, for a magnified/zoomed image an APS-C sensor is better?

12th July 2019 at 4:23 am

For a zoomed image, an APS-C sensor is often preferred as it gives more “zoom” to the lenses, hence why wildlife photographers like crop sensors 🙂

12th July 2019 at 4:22 am

What I wrote was correct 🙂 A 100mm lens on an APS-C sensor has a crop factor applied. You multiply the lens focal length by the crop factor (for most APS-C lenses this is 1.6x), giving an equivalent of 160mm.

Liz Hetherington says

5th May 2019 at 6:01 am

Hi I recently moved from full frame Nikon to Nikon mirrorless and bought the standard z6 kit with 24-70 f4 for less weight while travelling. I did trade in my F 2.8 🙁 . I’m now a bit worried I’m not going to be happy with this new lens in comparison. Your thoughts? Also do you think it’s worth getting the 50mm 1.8 prime? I’m off to Alaska hiking and kayaking. I love taking landscapes, macro and wildlife Liz

5th May 2019 at 9:39 am

To be honest, unless you are doing a great deal of low light work, or shooting events like weddings, I think the lighter nature of the f/4 lens will make up for the loss of one stop of light. For travel, personally as a landscape photographer I rarely find myself shooting wide open, except for the odd portrait or wildlife shot. And the one stop I don’t think is hugely significant for wildlife photography. When I’m shooting wildlife, even though I have a 70-200 f/2.8 lens, I usually have a doubler on it, so it ends up being an f/5.6, and I’ve not had any problems!

For what you are shooting, I’m not sure the 50mm prime will be much use. It’s usually a nice way to get great portraits on the cheap, but I’m not sure you’d find yourself using it all that much 🙂

I hope this helps – I think you’ll be happy with your lens choice!

Image Earth Travel says

28th March 2019 at 1:44 pm

Great write-up and comparisons – lots of food for thought!

I have to mention that I don’t totally agree with your view on the Nikkor 28-300mm f/3.5-5.6G VR lens. I’ve been using this lens on my Nikon D600 since 2013, but travelling full time since 2014. The lens diminishes my D600’s 24.3 MP to only 10P-MP. A testing link you may be interested to check out: https://www.dxomark.com/Lenses/Nikon/AF-S-NIKKOR-28-300mm-f-3.5-5.6-ED-VR-mounted-on-Nikon-D600__834

In addition, the distortion the lens creates when taking architectural images is much higher than my previous cheaper Canon EOS550D+Canon EF-S 55-250mm f/4-5.6 that I used on my 2011, 10-month trip. (Prior to these 2 models, I used a combination of film cameras and lenses.)

Overall, I’m disappointed with my decision to swap from Canon to Nikon – not only much more expensive, but not optimal for travelling as the camera+lens weighs around 3kgs.

I’m yet to discover the best travel camera+lens combination to handle candid and landscapes (including architecture) photography. I like the idea of just having one camera body+one lens – for me, it’s always going to be a zoom lens. So, I understand that the optics of the zoom will never be as good as a fixed lens and always a compromise, but for the money I spent back in 2013 on my Nikon kit I expected better quality. Only as good as the lens right? 😉

28th March 2019 at 3:33 pm

So I am a little confused – this is an FX lens on an FX body, so there should be no reduction in megapixel and it should be able to use the full sensor frame. I don’t understand how it would cause the images to go down to 10MP – that would normally only happen if you used a DX lens on an FX body.

Lens distortions are always going to be an issue for sure, although they can be often fixed in Lightroom or other photo editing software. But yes, the greater the focal range of the lens in my experience, the lower the image quality and the greater the distortion. It’s just a reality unfortunately.

I think you might overall be better off with a different system entirely in weight is more important. Perhaps one of the mirrorless systems. There are many to choose from, especially if you don’t mind stepping down a bit in sensor size. Ultimately though, you are right, good glass is critical to great images – but it tends to come at a price (and weight!).

Saikat Sen says

26th August 2019 at 4:42 am

Disappointed to see that you have not considered the Tamron 16-300 VC f/3.5-6.3, which according to my experience is a great walk around travel lens, weighing just about a pound, cheaper than any other lens you have mentioned here and providing 16mm at the wide end, which roughly equivalent to 24mm at the APS C sensor. Needless to say that it has full-time manual override, which is very useful to those who really like to use it manually with the library to get the auto focus as and when required.

26th August 2019 at 7:25 pm

Thanks for your comment, and I’m delighted you’ve found a lens that works for you. There are lots of great lenses out there! I think the 18-400 Tamron I recommend is a good option, but of course, if folks would prefer something a little lighter and don’t mind trading off a bit of focal length on the zoom end, then the 16-300 is a great option too 🙂

Lucas Peters says

11th February 2019 at 8:08 pm

Thank you for taking the time to put this article together. I’m sure it’s a ton of research. For the next one, really consider the Sony 24-105mm G OSS f/4. I’ve been using it for travel (England, Iceland, France, Spain and Morocco) over the last few months and am super happy. On a full-frame, you can crop to get an equivalent 150mm or so range for a nice little punch-in. Nice colors. Solid sharpness (though a tad softer at 105, but not too bad), an overall better performance than the SonyZeiss 24-70mm with a larger range. Check it out when you can.

12th February 2019 at 5:42 pm

Thanks for the input, that’s much appreciated. I will certainly take a look at that lens and consider including it 😀

12th February 2019 at 9:07 pm

If you liked the Canon L 24-105, you’ll probably like this a lot.

Curious why you are adverse to small primes. I probably do the vast majority of my shooting with the Sony-Zeiss 35mm 2.8 (you can get them 2nd hand pretty consistently for 300-400 now, making it a great budget option). It’s an awesomely light weight walk around kit.

13th February 2019 at 9:11 pm

I’m not adverse to them at all, I think they are awesome bits of kit. However, for this post the goal was picking lenses that the majority of folks would use without having to carry too many lenses, and whilst I love primes for their sharpness and speed, I think the majority of folks reading this guide are looking more for a one size fits all solution 🙂

Alicja Abela says

30th January 2019 at 12:44 am

I am a beginner photographer and am wanting to buy a Canon 80D for a trip to NZ in November. What lense/ lenses would you suggest for getting landscape shots but also wildlife? much appreciate your advice.

30th January 2019 at 7:28 pm

So for landscapes I’d recommend a wide angle lens like the Canon EF-S 10-18mm. That’s a really good value lens, and the ultrawide angle will let you get some great landscapes. The logical lens to pair it with would be the Tamrom 18-400, which would be great for pretty much everything else, including portraits and wildlife. These are not super expensive lenses, which also makes them lighter for travel, but if you wanted to spend more for some reason, I can recommend more expensive lenses too of course!

Have an amazing time in New Zealand 🙂

1st February 2019 at 8:48 am

Thank you for the recommendation. After looking at the pricing of both 80d and lenses I think I will have to look for a cheaper model such as a 200D. Are there a couple of lenses that I could take that would do a good job on landscapes, action and wildlife that would add up to around $1000 Aus doll ars max?

1st February 2019 at 6:43 pm

So you could get away with just the Tamron lens, and not getting the wide angle. It will work for the majority of shots. Or you could get the Sigma 18-300 and the Canon 10-18, which should come in to $1000.

I am assuming the $1000 doesn’t include the camera purchase. If that is included then you will likely be best buying that body only, and then getting the Sigma 18-300.

Alicja says

2nd February 2019 at 12:44 am

Thank you so much. That was so helpful!

12th December 2018 at 12:57 pm

You have the details wrong on the Lumix wide zoom, it is 8-18 not 8-14

12th December 2018 at 1:06 pm

Good catch! Thanks very much, I’ve updated the post 🙂

26th October 2018 at 3:53 pm

Great article..!

I have Nikon D3400 camera with kit lens amd 35mm Nikon prime lens. Normally i use 35mm lens when we go for family trip. Even if it is a good lens i miss many good shots since it is not wide enough. I am thinking about buying a wide angle lens for travel photography (weekend road trip with family 🙂 ). I considered Tamron 10-24mm VC and Nikon 10-20mm VR. What is your suggestion on my situation ? Should i stick with my kit lens for travel or buy any other walk around lens like Nikon 18-300 or Tamron 18-400?

26th October 2018 at 6:10 pm

Thanks! It’s hard to know exactly what to advise as I’m not sure if you are into wildlife photography or any other types of photography where you will be using the extra length of a longer zoom. So whilst the 18-300 or 18-400 or certainly good options, I think if your main issue is currently not being wide enough, and wide angle photography interests you more, then a 10-24 or 10-20 would be a better choice.

Another option is to try the 18-400 or 18-300 and see if it is wide enough for your needs. The difference between 10mm and 18mm is quite a lot, but you might find it suits what you want to do with, plus gives you a lot more flexibility and choice of focal lengths.

16th October 2018 at 8:34 am

Hi, Great article! I am planning to upgrade from 550D to an 80D, and was wondering about the lenses I could pair it up with. I have a canon 50mm f/1.8 STM prime which I love (and so does the rest of the world, it seems!). I ditched my 6 yrs old canon 18-55 IS II for a sigma 18-35 f/1.8. And on the telephoto end, I am aiming for the Tamron 100-400. Have read some good reviews about it, and its probably the lightest and most easy-to carry telephoto of that range (though not the best w.r.t. IQ, but would be a huge improvement over my notoriously soft canon 55-250 IS II). I shoot birds at times, and so need a good telephoto range. I am slightly worried about losing the mid range (50-100), but was analysing my pictures, and realised I don’t shoot very often in that range. Would love to hear your opinion as well.

17th October 2018 at 7:45 pm

So the good news as you no doubt already know is that the 550D and the 80D have the same sized sensor and mount, so all your lenses will just work across the cameras. I would say that you would be fine without the middle focal length. We usually travel with a 17-40 and a 70-200, and we’re usually shooting either very wide at 17mm or 100mm+, so don’t miss that middle range too much! It all depends on the kind of photography you do, and it sounds like you have a solid idea of what it is you want to shoot, as well as the focal ranges you use most regularly. So if that lens suits your budget and needs, I would say to go for it!

julie anne says

3rd October 2018 at 6:00 pm

hello I just want to ask what camera lens is compatible with canon m50? thanks

4th October 2018 at 4:00 am

Hey Julie! Great question. So you have two main options – there’s a range of EF-M lenses made by Canon for the camera, which I haven’t included here as they are quite specific to the EOS M range. The other option is to get the adaptor which will let you use any EF-S or EF lens, which you can get here: https://amzn.to/2DV5fy5

In which case, the Canon lenses listed here, as well as various third party lenses from brands like Sigma and Tamron will work. Hope this helps!

Caitlin says

25th August 2018 at 1:17 pm

Thank you so much for this informative post. I am starting out on my travel photography journey across the Middle East and was overwhelmed by where to begin with cameras. This was very helpful!

25th August 2018 at 1:33 pm

My pleasure! Let us know if you have any questions 🙂

Ira Sockowitz says

9th August 2018 at 8:15 pm

Laurence, thanks for a very thoughtful and in-depth discussion of options for a wide range of shooters.

As an owner of two bodies, Canon 5D and 5D Mark II respectively, I already own some of the lenses you reference. As I am planning a 9-15 moth RTW trip, I have a couple of questions for you: 1. My everyday lens is the 24-70 f2.8L so covered there. If you are willing to bear the wight, should I carry my 70-200 f.28L? I think I see it in some of your photos and wonder of its uses – close ups of nice architecture as well as long landscape shots. If not, what lighter weight alternative do you use/recommend? 2. Should I consider a smaller, more pocket-sized or easily managed camera for urban travel? I note that you use a mirrorless and again ask about the utility of doing that versus carrying my larger DSLR everywhere.

Appreciate all that you and Jessica do to aide us travelers and look forward to your reply.

9th August 2018 at 8:36 pm

Hi Ira. My pleasure, and thanks for your kind words.

So I normally travel with a 17-40 and a 70-200. So you could say I’m missing that classic middle ground, but I find the other two lenses cover enough to make up for it. If I was going on a round the world trip, I think I would lean more towards leaving the 70-200 at home. It is massively heavy, and unless there are really specific shots you want, you might find yourself doing fine with the 24-70. I would perhaps look at investing in a 2x extender instead and using that with your 24-70. It won’t be quite as amazing as the 70-200 in terms of sharpness and autofocus speed, but if you’re not shooting fast moving subjects, or planning on selling your photos to be printed on the side of buildings, I don’t think you’ll notice 🙂

We do travel with a Lumix GX8, which is a great camera. However, if I was to start over, I think I’d likely look at one of the larger sensor compact cameras for more casual use. These are really quite compact and portable, shoot in RAW, and have decent manual controls. The later Sony RX100 models, or the Panasonic Lumix TZ100 / TX200 would be my choice I think, purely so I can have a simple solution that doesn’t come with its own lens ecosystem to worry about!

I hope this helps, happy to expand more of course 🙂

1st August 2018 at 1:51 am

Thanks so much for the very helpful article.

I’ve been using a T3i and the 18-200mm for years, and am upgrading for my latest trip. I just got the Canon 77D and am contemplating whether to get a new lens as well. Realistically, I usually only carry one lens since it is a pain to switch; the 18-200 has done a great job covering both landscapes and far off subjects, but lately I’ve been more aware when it isn’t crisp. Do you think it is worth it to go for something like an 18-55 (similar to the 24-70 full frame on an APS-C I think) or similar? I’m not sure how much better the image quality would be (obviously some with the smaller range, but unclear the degree of improvement).

1st August 2018 at 11:45 am

First, I’d definitely ask if you need the extra range of something like the 18-200 – if you often find yourself at the more zoom end of the lens, then you will likely be unsatisfied with a shorter focal length.

Second, a newer camera body with a better sensor is definitely going to highlight the issues with your existing lens, so if you are noticing problems on the T3i with your existing lens, these will only be more apparent with a better body unfortunately. Of course, it also depends on what you are using your photos for – whilst images can look bad when we inspect them close up, if your shots are mostly for social media or relatively small images, you might not really notice, but for larger use, and especially for printing, you will likely want a higher quality lens.

Without an idea of your budget, its hard to give an exact recommendation, but generally higher quality means higher cost unfortunately!

One good option would be to rent a couple of the lenses you are looking into to see if you can really tell the difference, and go from there 🙂

4th August 2018 at 10:27 pm

On past trips I’ve definitely found myself using the range of the lens to take portraits of people from far away, and get far off statues etc., though the majority of my use is landscape and smaller zooms.

For now, my pictures are mostly just stored on my computer, but eventually I would like to print larger versions of them (though more likely in the 16×24 range, not huge). I’d like to keep expenditure <$1000 on the lens – I think the rental idea is a good one!

Rick Petersen says

18th June 2018 at 3:11 am

My camera system and lenses are pretty set, but it was informative article. Like seeing others opinions on gear which is how I found this.

Currently shooting a Lumix GX8, with the Leica 12-60mm and Leica 25mm. Love this combo and concur with your recommendation of a standard zoom and fast prime.

19th June 2018 at 11:23 pm

Thanks Rick! We also have the GX8, it’s a lovely camera, and we have it with the Lumix 12-35 f/2.8 which is a great walkaround travel lens too. Sounds like you have the perfect set up for travel, light and discreet 🙂 HAppy shooting!

16th June 2018 at 8:21 pm

After reading all that you still don’t come up with a good travel lens??????? Whats the point????

16th June 2018 at 10:17 pm

Hey Max! The goal of the article is to help folk navigate the fairly overwhelming choice of travel lenses, with suggestions given for different camera systems and budgets. Most folks should have an idea of what their camera system is, and then what their budget is, and from that it should be easy to use this post to decide which is going to be the best lens for them 🙂

Thomas FISCHER says

31st May 2018 at 1:31 pm

Great great article.

I am wondering for MFT what do think about thoses lenses for travelling: – 14-140 II F3.5 – lumix 7-14 F4 – lumix leica 15 mm F1.7 – lumix 42.5 F1/7

31st May 2018 at 7:27 pm

Thanks very much. I do love prime lenses because you get that lovely shallow depth of field effect, and they tend to be really sharp. I didn’t recommend any in my post because, well, I would have been writing forever, but with a micro four thirds system they make good sense because the whole system is smaller, so for travelling you can still have some prime lenses. I’d say your selection is ideal for travelling, with a focal range to cover pretty much everything from landscapes to animals, plus some nice lenses for portraits. So yes, I think you’ve picked some excellent choices!

13th May 2018 at 8:33 am

Hi Scott, and thanks for your comment. THe post is definitely new, although we do of course update old posts to ensure they are still relevant. In this case though that isn’t the case, I just missed that lens. I’ll take a look and see where it would fit, and thanks again for your input. Cheers, Laurence.

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• Lenses Travel

17 Best Lenses for Travel Photography

• Jonathan Jacoby

Last updated:

• March 11, 2024
• See comments

Travel photography can be physically and technically demanding. Not only do you need to stay on the move and maintain a certain awareness of your surroundings while utilizing your knowledge of composition to your advantage to really bring your travel destinations to life. You also need the right gear to pull it off!

This includes carrying only the greatest and best lens for travel photography. But what makes or breaks a good travel photography lens, apart from superior image quality?

Ultimately, it’s a matter of taste. Still, there are some qualities that experts and pro photographers prefer over others.

For instance, travel photography often necessitates carrying as little gear as possible and working only with natural light. That’s why excellent low-light performance is a hallmark of any high-end lens for travel photography. And that’s just one example!

In this guide, I’ll explain many of the key features and attributes that make up a perfect travel lens. Further down below, I will also make some recommendations on the top lenses for travel photography available today for different camera systems.

The Meaning of Focal Length in Travel Photography

Focal length affects the effectiveness and usability of a camera lens for travel photography in just about every way. The most fundamental of these is ergonomics.

Too long of a lens will be unwieldy to use in tight spaces. At the same time, a wide angle lens might not offer the kind of secure grip and stability that you’re after.

But the tradeoffs between focal lengths go much deeper than that! Let’s take a look at how and why in the following segments.

An Intro to Crop Factors and Sensor Sizes

You’re probably already aware of the term “crop factor” in relation to different digital sensor sizes and their effects on images. But what exactly is the crop factor about? And how does a crop sensor camera render photographs differently from a full-frame camera?

The answer is actually pretty simple. Focal length being equal, a larger sensor will always render photography with a wider field of view, greater dynamic range, and a shallower minimum depth of field than a smaller sensor.

The most important takeaway from this is that a 50mm prime lens on a full frame body will produce a different (more “normal”) perspective than on APS-C format (where it will be more like a short telephoto lens).

The “crop factor” is just a factor by which you multiply your lens’ focal length to arrive at the focal length you would need to use on full frame to achieve the same perspective and FOV.

For APS-C, the factor lies at an easy-to-remember 1.5. Because a Micro 4/3 sensor is even smaller than that, its crop factor is 2.0. Hence, a 50mm lens behaves as a 100mm would on full-frame, and so on.

Here is our guide to understanding the difference between crop sensors and full frame cameras .

Pros and Cons of Different Sensor Formats

All of that can be both a boon or a burden depending on your needs.

Travel photographers who specialize in wildlife or event photography, for instance, might prefer the more “zoomed-in” look that smaller sensors provide. It allows them to carry a shorter lens to get the same level of reach that they would with a larger camera body.

This also cuts down on bulk, making for a more luggage-friendly setup.

On the other hand, working professionals who often have to dabble in landscape photography, street photography, or similar genres might find it difficult to achieve truly ultra-wide angle shots with the limited FOV that comes with a crop sensor.

Take a note to assess the benefits and disadvantages of this fact yourself to see which sensor size is best for your travel photography needs.

Using a Telephoto Lens for Travel Photography

Lenses with longer focal lengths are commonly used in travel photography, where portraiture , animal photography, and faraway subjects play a key role.

This mostly includes 80mm and above on full frame bodies and 50mm and above on APS-C.

Telephoto lenses are great for their ability to home in on distant details. They also flatten out and minimize certain optical features and distortions, which again makes them preferable for portraiture.

The downside is that dedicated telephoto lenses are large, bulky, and more difficult to carry than other kinds of lenses. Longer lenses are also much slower on average than shorter ones – finding that elusive 200mm f/2.8 is possible, but it’s going to cost you an arm and a leg, whereas 28mm f/2.8 options are plentiful and relatively cheap by comparison.

In practice, this means that using a telephoto lens for travel photography in low natural light can be very difficult without the help of a flash gun or other additional equipment.

The Value of a Wide Angle Lens

The complete opposite of longer camera lenses is a wide-angle design, generally of a focal length of 35mm or less on full-frame sensors.

These lenses can be produced in an extremely compact form factor which makes them handy and perfect for candid, fast-paced travel photography. They also cover a very wide field of view which can be useful for documenting landscapes and cityscapes and even for close-up portraits on location outdoors.

In the past, a moderately fast wide angle prime lens, in addition to a normal lens of about 50mm (full-frame FOV equivalent) and telephoto was an absolute must-have in every serious travel photographer’s camera bag.

Nowadays, there is an alternative that has seriously challenged that traditional paradigm.

The Convenience and Usefulness of Zoom Lenses for Travel Photography

The zoom lens is a fairly recent innovation, having only been in mass production since the 1960s and only having really supplanted the use of many different prime lenses since the beginning of the century.

The reason why the market eventually swung in favor of zoom lenses is self-explanatory. They combine the fields of view and perspectives of multiple lenses into one, saving a lot of space from any travel photographer’s camera bag.

However, there is also an equally good reason why this shift has taken so long.

First of all, zoom lenses that cover a very wide focal length spectrum (sometimes called a superzoom lens) are optically very hard to design. This is because the more a lens is capable of zooming, the more artifacts, distortions, and other optical flaws creep in, which have to be corrected.

The most straightforward way of implementing such corrections is by the inclusion of more specialized glass elements. Oftentimes especially nowadays, these elements will be specially coated, cut in an aspherical fashion, and made with rare earth-based materials.

Optically, this can bring amazing results. However, it dramatically increases bulk and cost. It gets even worse when a superzoom design has to be both optically stable and provide a fast aperture.

Therefore, the classic choice has always been between the cheap and small do-it-all zoom that optically pales in comparison to even bargain bin prime lenses, or alternatively the jack-of-all-trades professional superzoom that drains both the muscles and the wallet.

Thankfully, the advancement of modern optical science and technology has allowed for many zooms to be practical enough to serve as frontline lenses for working travel photographers, and I included some of the best of these in today’s roundup below!

Choosing the Best Camera Lens for Travel Photography is a Personal Matter

Before we dive right into the specifics of what makes certain lenses a better choice for travel photography than others, I would like to reiterate the value of personal preference.

Simply put, nobody can tell you what the “best lens” of any kind really is in objective terms. Travel photography simply covers too broad of a scope, with way too many disciplines and skill sets to focus on.

Maybe you mostly shoot landscapes on your travel adventures. In that case, super-fast apertures and lightning-fast autofocus probably won’t interest you.

However, the opposite is true should your needs and workload overlap more with those of classic photojournalism .

Some may say that all personal preference aside, optical quality, or the balance between optical quality and price, should be the main concern when choosing a travel lens.

That is a valid point, of course. The problem is that throughout the history of photography, what constitutes “good” optics has changed a lot!

You might not want your favorite, go-to travel lenses to be the sharpest in the whole world, and that’s okay. You might not need a super-compact pancake prime. In fact, I know plenty of photographers who purposely tend to go for larger, bulkier lenses because they prefer those kinds of ergonomics.

In the end, I am just a guy with a camera like anybody. So take my advice with a grain of salt and try to apply it to your own needs and requirements first before acting on it!

Top Wide Angle Prime Lenses for Travel Photography

To kick off this round-up, I am going to take a look at some of the finest wide angle prime travel lenses by lens mount and camera system. No matter where your brand loyalties lie, there is going to be a top-ranking pick for you!

While wide angle primes are becoming a less common sight, they still serve an important purpose for the discerning travel photographer.

They capture a wide field of view and do so while being many times more compact and lightweight than their wide zoom lens counterparts.

Often, their maximum aperture is also much faster than that of comparable zooms, which makes them the only serious option for outdoor photography in low light.

Sony Zeiss Distagon T* FE 35mm f/1.4

With a mouthful of a name like that flaunting none other than Zeiss’ magic fingers involved in its design, it’s no wonder that the Sony Zeiss Distagon T* FE 35mm f/1.4 is a top-flight performer.

Thanks to excellent sharpness, wonderful bokeh rendition at larger apertures, class-leading low-light performance, and very few if any real optical flaws, this is a universally appreciated and desirable lens considered one of the best primes in the Sony FE lineup.

The main downsides of this lens are that it is quite bulky, heavy, and expensive.

The more compact Sony Zeiss Sonnar T* FE 35mm f/2.8 is a similar though much more portable lens at two stops slower of a maximum aperture and can often be had for half the price of its bigger brother.

Sony Zeiss Sonnar T* E 24mm f/1.8

Just as with Sony’s flagship FE full frame lenses, the cream of the crop of its E-series APS-C lineup is also designed in collaboration with Carl Zeiss.

The optical characteristics of this 24mm Sonnar-type lens are very similar to the 35mm-focal length variant I mentioned above. It features an extremely close minimum focusing distance of only 18cm while incorporating all the optical goodies of its full frame brethren like ED and aspherical glass and fully internal focusing.

However, the fast aperture combined with a much wider focal length (equivalent to the FOV that a 35mm lens gives on full frame) makes this the better choice for an APS-C camera.

If you really want to maximize the carry-anywhere factor and aren’t opposed to going wider than 24mm on a crop sensor, then take a look at the Sony E 20mm f/2.8 .

A truly fast pancake ultra-wide angle lens like this is rare, and Sony’s example is even relatively affordable! No wonder it’s quickly becoming a darling among travel and street photography pros worldwide.

Nikon 28mm f/1.4E ED

One of the shining jewels of the swansong era of Nikon’s legendary F-mount lens lineup, the 28mm f/1.4E ED is a revamp of the similar 28mm f/1.4D from the 1990s.

Like its predecessor, it’s an optically stunning and physically massive wide angle lens suitable for travel photography and documentary genres in every lighting condition.

Its super-sized maximum aperture has also made it popular among portraitists who don’t favor the traditionally more common choice of a short telephoto lens, preferring to get up close and personal with their subjects.

Those who would prefer to pack light should instead look at the Nikon AF-S 24mm f/1.8G ED . Smaller, much easier to carry, just a smidge wider, and just two-thirds of a stop slower, it’s an excellent alternative, particularly for beginning photographers who don’t want to invest too much into a relatively niche wide angle prime travel lens right away.

Nikon Z 20mm f/1.8 S

The Nikon Z mount is the youngest among the mainline mirrorless camera lens lineups today, and as such it is understandable that the Japanese giant chose to focus on quality over quantity instead of playing catch-up with its competition.

What that mindset has created is a fine lineup of a few outright excellent wide angle prime lenses for Z mount. The most lauded of them all is the Nikon Z 20mm 1/1.8 S , an expensive but optically stunning fast prime with extremely snappy autofocus capabilities and a focal length that is very usable on both full frame and crop sensor bodies.

For street photography aficionados who prefer something a bit more incognito, I recommend the Nikon Z 28mm f/2.8 . It’s neither as ultra-wide nor as hyperfast as its bigger brother, but it excels in cramming a ton of good glass into a minuscule package that you can keep on your camera all day long.

Canon EF 24mm f/1.4L II USM

With a fast aperture and a perfect middle-of-the-road focal length that is perfectly suited to crop sensor as well as full frame cameras, the Canon EF 24mm f/1.4L II USM is designed as the flagship wide angle prime lens of the EF DSLR line.

It succeeds in this role thanks to excellent sharpness, low light capability, and real class-leading build quality and ergonomics that rival the best that Nikon and Sony can offer.

Like other superfast wide angles, it is a bit on the larger side. Those who would like to achieve a similar FOV with a lot less metal sticking out of their camera should take a look at the EF-S 24mm f/2.8 STM .

A real pancake, it’s only two stops slower and features similar optical characteristics, making it one of the most useful Canon lenses in its focal range.

Top Normal Primes for Travel Photographers

Unlike wide-angles, whose optical formulas need to be quite complex to maintain distortion-free high image quality, a normal prime is one of the most ancient and simplest formulas to produce.

This makes normal primes many things – cheap, plentiful, fast, exceedingly sharp, and easy to handle. I’m of the opinion that any travel photographer should own a little “nifty fifty” as the simplest kind of walkabout lens.

Not only is it fun to use, but a fixed 50mm (full frame equivalent) is also a hugely versatile lens, perhaps one of the most versatile you can spend your money on!

Nikon AF-S 50mm f1/.8G

Descended from a long line of similar f/1.8 “nifty fifties”, the Nikon AF-S 50mm f/1.8G is not just one of the stalwart brand’s best. It is also their cheapest.

For about 50% more, you can invest in the similar AF-S 50mm f/1.4G . However, I would only recommend the move if you have the money to spare and you really need the extra light that the wider aperture gives you.

The basic 1.8 model is just about excellent in terms of optics and deserves its title as one of Nikon’s most popular lenses ever!

Fujifilm XF 35mm f/2R WR

The Fujifilm X System is chock-full of amazing prime lenses, and the XF 35mm f/2R WR is one of the best examples of that fact. Because the X System is APS-C-only, a 35mm lens is a much better choice for a walkabout normal prime than a 50mm.

This particular lens excels because it ticks every imaginable box at a more than reasonable price point. It’s small, light, and exceptionally well-made, with snappy controls and quick, silent autofocus.

What’s more, it’s plenty fast for its focal length, making it a good choice for portraiture and moderate low-light photography, too! As a nice bonus, this lens also features full weather sealing for use on any of the pro-grade Fujifilm X System bodies.

Sony FE 50mm f/1.8

Though it’s not as tiny as some alternatives, Sony’s 50mm f/1.8 more than makes up for that fact with its fast aperture, excellent sharpness, and low price.

There is little to fault with this lens, optically or otherwise. Despite its entry-level nature, it feels just as nice in the hands as any of the brand’s more upscale models, making it the perfect gateway into the Sony mirrorless system.

Canon RF 50mm f/1.8 STM

When the Canon EOS R mirrorless camera system came out, it made a big splash in the world of photography.

Much of that had to do with the inherent innovation and high performance of the new design, but unfortunately, Canon R lenses and cameras also acquired a reputation for being prohibitively expensive.

To fix this problem and allow more young photographers to switch from existing DSLRs to the new R lineup, Canon devised a classic, cheap nifty fifty in the form of the RF 50mm f/1.8 STM .

There’s nothing more to say about the lens other than that it worked on every level that Canon was hoping for. It’s sharp, it’s fast, it’s genuinely affordable, and it does everything it’s meant to do while looking good, being reasonably well-built, and having fun. Bravo!

The Top Telephoto Primes for Travel Photography

As with wide angle lenses, the advantages of telephoto primes over a zoom lens are mainly that they are capable of the same (or superior) image quality at a lower cost and weight as well as at a smaller size.

This makes them particularly relevant to the modern travel photographer who might only require the telephoto end for a few occasional portraits or other specialist shots, not for the bulk of their work.

Sigma 56mm f/1.4 DC DN C

Available for both Micro Four Thirds, Sony E, and Fuji X Mounts, this telephoto lens by Sigma stands out as one of their recent best.

Its excellent sharpness, wide aperture, and sturdy construction are impressive on their own. But what really sets the bar high with this lens is how affordably Sigma manages to market it while making it available for multiple different camera systems, no less!

Yes, there are some higher-quality options with slightly faster apertures of f/1.2. But for the vast majority of photographers who need a reliable, (somewhat) pocketable, and optically solid telephoto lens for travel, this is it.

Nikon Z 85mm f/1.8 S

One of the more affordable recent offerings for Z-mount, the Nikon Z 85mm f/1.8 S is a mid-size telephoto prime with a fast aperture that’s perfect for portraiture on the move.

Its autofocus system lags a bit behind that of its more expensive siblings, but for anything short of very demanding use in sports and action photography, it should suffice.

Simply put, this is a no-nonsense portrait telephoto option for anyone working with the Nikon Z mount in APS-C format or full frame.

Sigma DG HSM Art 50mm f/1.4

Available for multiple lens mounts, including Nikon’s F mount, Canon’s EF, and Sony’s E and A mounts, the Sigma DG HSM Art 50mm f/1.4 is a benchmark for modern crop-sensor telephotos.

It’s a complex optical design with a whopping 13 elements in 8 groups, giving it an incredibly balanced optical profile nearly entirely devoid of aberrations or distortions.

The main thing that the Sigma DG HSM Art 50mm f/1.4 sacrifices in favor of these admirable qualities is price – that might sound a bit counterintuitive for a 3rd party lens like this, but those are the times we live in!

Sigma has since expanded on the high-end performance of this 50mm with a whole family of similar “Art” lenses, many of which are also great choices for travel photography.

The Top Zoom Lenses for Travel Photography

With all that I have said about fixed focal length camera lenses so far, there is no denying that the real deal in convenience lies with zooms.

Whether just to cover the tricky wide end to save on glass or to replace an entire camera bag all at once, a well-made zoom lens with an appropriate zoom range for your needs can very well be one of the best lenses for travel photography, period.

Nikon AF-S FX 24-120mm f/4G ED VR

The modern successor to the original 24-120mm f/3.5-5.6D from the 1990s aka “the Streetsweeper”, this jewel carries on the mantle of one of Nikon’s most versatile walkabout zooms.

Now equipped with built in image stabilization (Vibration Reduction or VR in Nikon lingo) and a constant maximum aperture, the 24-120mm is niftier than ever. Optical performance remains above average to excellent as before, depending on which part of the zoom range is most important to you.

Note that this isn’t meant to be a benchmark lens in terms of optics but rather a usable do-it-all that combines its impressive zoom range with enough character and extra features to stay on your camera all day.

Canon EF 24-105mm f/4 L IS USM

This is Canon’s spin on the “Streetsweeper” lens concept. Compared to the Nikon alternative, this lens is built tougher, larger, and heavier, with a zoom range that tops out a little bit short.

On the other hand, optical quality is a lot more uniform here, with fewer distortions, especially towards the ultra-wide end.

Thanks to the same f/4 constant aperture, image stabilization, and silent, worry-free autofocus as its rivals, the Canon EF 24-105mm f/4 L IS USM manages to be a serious contender in this tightly packed field of travel camera lenses.

Fujinon XF 16-80mm f/4 R OIS WR

Equivalent to a 24-120mm on full frame, the Fujinon XF 16-80mm f/4 R OIS WR is a perfect showcase of how to adapt a formula like the above to an APS-C lens.

Small, lightweight, yet loaded with all the goodies you would expect from larger pro lenses, such as a constant max aperture, it’s among Fujifilm’s most usable do-it-all lenses for travel.

Unlike some of the faster constant-aperture zooms by Fujifilm, this one is also fully stabilized – another bonus that many travel photographers will surely appreciate!

Sigma 14-24mm f/2.8 DG HSM

Travel-friendly ultra-wide zoom lenses are difficult to design and manufacture, but Sigma managed to wow the industry with its fast 14-24mm f/2.8 DG HSM .

It’s not the most affordable lens by a stretch, but you can’t fault its quality whatsoever.

The big names like Nikon and Canon have their own in-house 14-24mm designs, but the Sigma manages to be fairly competitive in terms of optics while costing a notch less than any of them.

That, and its easily hand-holdable form factor combine to make it probably the single best ultra-wide travel camera lens at the moment.

Sony FE 24-240mm f/3.5-6.3 OSS

Typically, travel lenses zoom within a range of somewhere between 3x and 6x to balance out complexity and optical stability with size and bulk. Nikon’s 24-120mm set the template with a 5x range that has been copied countless times by now.

With one of their latest FE-mount gems, Sony chose to double that and make a 10x superzoom lens that can replace an entire camera bag on its own.

Sure, it hasn’t got a fixed maximum aperture – that would involve ludicrous amounts of overengineering, given the number of focal lengths this thing covers.

If you can make that one concession though, Sony’s FE 24-240mm f/3.5-6.3 OSS is one of the greatest excuses to pack fewer lenses (or maybe just one, in fact) on your next trip.

I hope you enjoyed this take on the best travel-ready camera lenses available in 2024!

The selection included in this guide should contain a good fit for a whole lot of different shooting styles, camera systems, and experience levels.

However, remember that each and every photographer is different. I suggest to just trying out one lens at a time until you find one that fits you , even if what you end up with is not on this list.

Bon voyage, and don’t forget to enjoy your travels!

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Photo Karma 2024 - Free Trend Report

What Is the Best Prime Lens for Travel Photography?

Travel photography is a staple genre of the craft and one that most photographers try at some point. However, with such a broad scope and the many other genres that it encompasses, it can be hard to keep your kit bag light. So, what's the best prime lens?

There is, of course, no correct answer, only opinions. Zoom lenses are particularly popular as walkaround, do-it-all options, but if you prefer primes or you need faster glass, a prime lens might be your only option. You then have the difficult task of working out which focal length best suits your needs.

The nifty-fifty has always been a favorite of photographers from a range of genres, but for some (myself included), it's something of a half measure. What many travel photographers opt for instead is a wider prime and in this video, TKNORTH discusses his new favorite, the Sigma 24mm f/1.4 DG HSM Art . That is particularly wide and fast, which lends itself to versatility, with wider shots on the menu, but also close-ups of subjects with a narrow depth of field and good subject separation from the background.

I have used a 24mm f/1.4 before and though I didn't expect to enjoy it as I gravitate towards far longer primes, I had to concede that it wasn't short of creative applications. For me, the success of a prime that wide is its widest aperture being so wide; had it have been an f/2.8, I would have wholly disagreed with the sentiment of this video.

What prime lens do you reach for when it comes to travel photography and why? Share your thoughts in the comment section below.

If you love travel and photography, consider checking out our Photographing the World Series with Elia Locardi where we go to some of the most beautiful locations in the world and teach the process of creating world class landscape images.  Save 15% by using "ARTICLE" at checkout.

Robert K Baggs is a professional portrait and commercial photographer, educator, and consultant from England. Robert has a First-Class degree in Philosophy and a Master's by Research. In 2015 Robert's work on plagiarism in photography was published as part of several universities' photography degree syllabuses.

I find 24mm way to wide. To be honest 35mm will be bit more use I think if it comes to general purpose ....you can always pan for landscape....and it of course depends what camera you shoot....you can also crop when your camera delivers enough megapixels .

I'm going to agree. For me, a Fuji X-T3 shooter, my Viltrox 23mm f/1.4 (Full Frame 34.5mm Equivalent) is the perfect focal length for travel photography. Its versatile enough for everything that doesn't require a telephoto. If I was still shooting with Sony, I'd definitely get the Sigma 24mm.

Depends on camera and style. For crop sensor I use 24/50 combination, for full frame it’s 35/85.

No way, a 600mm F/4 is the one

I wonder for the various cute birds, has anyone found a way to convince them to volunteer for some portrait photos with a much shorter focal length, in return for compensation?

For example food, toys, or electronics?

A 24mm lens on crop body works well, but why the heck does it need to be f/1.4? This lens is nearly on par with Canon's 24-105 f/4 in terms of size and weight. Ok, travel preferences will vary. The Canon 24mm f/2.8 is a nice pancake lens, making the entire setup look like a toy and less obvious.

Low light, subject separation.

You describe special cases, not general usage. Traveling requires flexibility.

Flexibility in what exactly? If you limited to take one lens only I dont think the pancake lens will do the best job. 24/2.8 yet on a aps-c is pretty much like smartphone photos... Only the quality on pixel level is better

Give me a nifty -50. I’ll stitch in photoshop if it’s not wide enough.

I agree with other posts that for FF 35mm is the best. A touch wide but not distorting with the ability to stitch together frames.

Have not quite figured out the need for fast glass in the digital times, except for the bokeh and narrow DOF. In the film days fast glass allowed for a faster SS to handle the motion of clicking the shutter hand held! Why a travel lens at one focal point and fast glass today! When one travels you never know what you will see/come across, so a telephoto is the best to have. In the Sony world (since '14) you have several 2470, 70200 (f/4,2.8) the best is the FE 24-240mm F3.5-6.3 OSS (360 in APS-C mode) it is wide but has reach and is OSS where primes don't. How many cameras have IBIS so why use a prime without IS, you will also need sticks (extra for travel). After 8 years with most every Sony prime and telephoto lens I carry everyday in a teardrop bag a A7iii with the 24-240mm and the surprise the APS-C E 1018mm f/4 OSS (15-27mm) that is also 12-18mm in full frame (18mm if remove the light shield) that uses screw on filters and both lenses have the Haida Filters adapter that I can use the Clear Night filter at night. Be truthful, how many travel with a backpack of gear or even one lens. As far a bokeh/dof it is where you set you focus and mode, and for clarity near and far you will set f/# 2 stops above wide open. Truth, Yes when I travel away from home I have all my primes and telephotos for planned captures BUT for the unplanned everyday drive/walkabout it is my Teardrop bag. Today it is SW that gets clarity and or bokeh in the end!!!!

I like the 40mm Zeiss Batis. It's got some macro capabilities, autofocus, lightweight and is fast enough at F2.

Articles like these always leave me wondering "Why?". The usual motivations for carrying a prime are improved clarity, less weight, faster lens. But, even a simple comparison of, say, the Sigma 24mm mentioned in the article versus, say, Canon's RF24-105mm challenges those benefits. The Sigma weighs a "svelte"1.46 pounds (665 grams), while the Canon weighs a "whopping" 1.54 pounds (700 grams). The Sigma spec's don't mention image stabilization, so presumably there is none. Compare that to the Canon's 8 stops of IS when mounted on a Canon R5, and the Sigma's f/1.4 doesn't seem so impressive compared to the Canon's f/4.. Improved clarity? The reviews of both lenses suggest that, if you can see the difference in clarity, you're probably looking fhrough a microscope. So, for 35 grams, would I ever really want to give up the reach of a 24-105 zoom? Not in my lifetime, where that extra reach has enabled me to capture images not possible with a 24 mm prime. .

for me in M43 land, I have the Oly 12-42, and I will always also carry the 20mm Pana. size and weight I don't even realize it's in the bag, 100g. speed is huge, 2.8 for the Oly zoom, vs 1.7 for the Pana prime.

no brainer really.

Define the type of travel photography?

If it's for weeks at a time in a far off land (like I do), then there is no single lens. You need to build a kit that is light enough to get on the small turbo prop planes that get you out in the sticks.

I like shooting with 2x identical FF bodies at the same time. Therefore I carry:

20/21 F2.8 for landscapes + light travel CF tripod.

35 F1.4 + 85 F1.8/F1.4 for 90% of the shots, one on each body.

70-200 F4 for the long end.

Everything has to be able to be carried on, especially batteries, so weight is the killer.

Well, I chose the Leica Q2 as best travel combination for me (enough MP to crop and wide enough), but before owning that I'd have chosen the Fuji X100F which I owned previously, so 35mm would do as well.

On the EOS R system I'd take the lightweight RF 35mm f1.8 IS macro lens, which is a hell of an allrounder lens, unfortunately not weather sealed. I guess you find similar options for nearly every camera system.

Unbelivable that nobody had mentioned 28mm...

Since I had an Old pancake Nikon 28mm, I've found it more organic and cinematographic than the 35mm, less wide than a 24mm, making composition less busy.

Your phone is the best choice for travel 👌

for M43, the 20mm 1.7 Panasonic is always in my bag. lens weighs 100g, and is 2.5" diameter, and 1" length.

absolutely tiny. sharpness is great, where it drops off is on the focus speed, it is slow to focus. any other aspect though, it shines.

I struggled with this recently on a trip to Hawaii. I love macro and wildlife photography, but this was a couples excursion, not exclusively a photography one. I settled for my Nikkor Z 40mm f/2 and a Nikkor Z 24-200mm f4-6.3.

For me the issue with just a prime is sometimes when I'm traveling with family, I want to crop close without dragging my kids/wife across the street or make them wait while I sneak to get close enough to wildlife. A variable zoom is great and compact - maybe not getting any professional wildlife shots, but sharp enough for myself.

I can never go without a prime though, because for human subjects I just can't go without the ability to customize my f stop at more usable levels to isolate depth of field and enhance sharpness by limiting ISO. Do I usually keep it at f/4ish? Sure. But do I take quite a few shots at 2 or 2.8? You bet.

While it is not a prime lens, it is a fixed lens. The Sony RX 10 IV is a 24 to 600 mm Zeiss lens that is by far the best camera and lens for travel photography.

35mm 1.4. You can sit directly across from the people you are traveling with and take an environmental portrait with the perfect amount of subject separation from the background and foreground. In a tight room, it may seem not wide enough but often, just put the camera against the wall and it usually works. It really captures the moment without the distortion of a 24mm. I find that 24mm really doesnt solve the problem of not having a wide enough lens in a small sapce. You will get distorted faces and the the atmosphereis will be altered by inaccurately representing the size of the room. Once in a while you do run into a large landmarks that just wont work with a 35mm but you can either bring a 16-35mm or a 24mm. Or simply use a smartphone because you probably don't want much or any background blur anyways in a shot wider than 35mm.

My SLR days go back to a Nikon FTn back in 1974. I traded it in for Hasselblad for weddings, but when I went back to 35mm, i chose the super small Pentax ME with a pancake 40 f/2.8. It had a belt clip. I took it everywhere! Best lens focal length ever. Fast forward nearly 50 years, Nikon released the Z 40mm f/2. On a Z5, it's hard to beat for a concealable travel camera. I ordered the 28 f2.8 for my Z50. 42mm equivalent with the crop. Hard to beat it now. Small and light. Crazy sharp since I'm not using the edges!

My Favorite Prime Lenses for Travel Photography

Small and simple for the win.

There you are. The night before you fly out to New York and your bag is overstuffed with camera gear. The zippers aren’t closing. Panic and frustration set in. The trip and your future as a photographer are ruined if you can’t bring every lens, camera, and accessory you own. Stereotypical overpacking. We’ve all been there in one shape or form. I’m there anytime I walk down to the park with my wife and pug. I was THERE a week ago. So how did I get over it?

Experience, mostly.

I’ve been fortunate to travel often for work, and in all my time traveling, I’ve found two things that make life so much easier. First, get TSA PreCheck or Global Entry. Second, do whatever you can to only travel with a duffel/roller and a backpack. I follow those rules very closely to minimize stress and maximize enjoyment. It also helps me in selecting what gear I bring with me anytime I travel. Whenever I feel like I am going out of control with bringing the entire collection, I recenter to focus on what would be the most effective and compact choices for where I am going.

Enter the SIGMA 17mm F4 DG DN | Contempor ary and SIGMA 50mm F2 DG DN | Contemporary lenses.

SIGMA 17mm F4 DG DN | Contemporary highlights:

• Ultra-wide angle of view
• Incredibly compact footprint
• Reproduction ratio of 1:3.6

SIGMA 50mm F2 DG DN | Contemporary highlights:

• Classic standard focal length
• Great subject isolation due to fast aperture
• Ideal balance of size and functionality

See our “First Look” article about these two all-metal lenses when they were first released:

First Look: SIGMA 17mm F4 & 50mm F2 DG DN Contemporary Lenses

Why the 17mm & 50mm are the best travel combo

New York is a place where things just happen. At every corner, on every rooftop, and inside every subway car. It does seem like you would need every lens imaginable to capture it all, but I’ve found that these two are more than up to the challenge. The 17mm and 50mm are the perfect pair offering versatility and simplicity. The 17mm makes every scene grand while being physically small enough to fit in your pocket. The 50mm f2 is simply a masterwork. A standard lens? Anything but. With a 50mm doing most of the work and the 17mm at the ready in my pocket, I can easily indulge in the process that is photography,

I normally stick to one focal length 90 percent of the time and only switch when I feel like I need to have options to choose from later, Sticking to that method helps me feel as though switching between lenses is more of an artistic choice rather than a hassle.

Field of view comparison between the 17mm F4 and 50mm F2

17mm offers an extremely wide field of view that allows you to capture an entire area. The 50mm F2 lets you close in on details or isolate a subject to make it the point of focus. With a quick swap between the two, you are covered and never feel like you left a location without enough variety to choose from while editing or posting to your favorite social platforms.

Move the slider below to compare the field of view of the 17mm F4 (left) and 50mm F2 (right).

Capture the moment with the I series

Driving is the worst way to move through New York. The subway is great, but during summer it is hot, muggy, and overall kind of gross. During my stay, I found myself walking pretty much everywhere. I easily hit my step goals before 11AM. After mile 3, my bad back was thankful to not have a heavy gear-loaded backpack.

On the contrary, I was light and weaving through the streets as easily as the breeze. Camera ready. The autofocus on the I series primes are incredibly responsive. They’re quick to lock on and stick to fast moving subjects. The Panasonic Lumix S5II I was using also deserves a quick mention. The new phase-detect system Panasonic introduced in this model is fantastic. Tracking paired with my primes was flawless. I shot in burst mode and was beyond happy with the results.

SIGMA’s Contemporary line of lenses are for people who demand quality without breaking the bank (or your back). I’ve been a fan of the all-metal Contemporary I series lenses since they first made an appearance in the form of the 45mm F2.8 DG DN | Contemporary . With a compact and robust metal build, they are the ideal companions for people on the move.

SIGMA. It’s a lifestyle

I spent a lot of time walking around New York. The elegant design of the I series primes felt right at home in the fashion-focused streets of SOHO. I would never dare to call myself stylish, but for a few blocks, I felt it.

Eventually, I came across some amazing snacks. Coffee from European-style cafes in the West Village. Crème brûlée mochi donuts from Chinatown. I’ll be honest. I got so distracted by the amazing food that I forgot to take photos. I broke the “the camera eats first” rule.

But look at how delicious these two photos I did remember to take are:

Contemporary is complementary to Art

These compact 17mm and 50mm lenses inspire me to see in completely different ways. Limitations imposed on yourself bring about creative views and solutions you wouldn’t normally explore. I get into my head a lot and am almost immobilized with an abundance of choice. Having two set focal lengths helps ease my overthinking about the gear and focus more on the composition and elements within the scene.

Mise-en-scène: a phrase originating in France and used in cinema to describe all of the elements within the scene: composition, set, props, actors, costumes, and lighting. I try to consider that anytime I’m going out to shoot. Especially in places such as NYC.

The I series has a way of making you feel invested in the creative process in a unique way. You can keep auto features on, but the knurled design of the focus gear and tactile feel of the aperture ring as it engages with each f-stop beg you to slow down and enjoy. As a result, you recompose, evaluate your scene and settings. It’s counter-intuitive. I know. But open your eyes up to the possibilities.

Low light performance

No light, no problem. With a fast aperture of F2, the 50mm welcomes shooting in the late ours of the evening. I very much welcomed the ability to shoot without needing to use a tripod. I couldn’t use one even if I wanted to while overlooking the Manhattan skyline from the top of the Rockefeller building. As the light disappeared, most people put away their cameras. I was still shooting and came away with images I printed as soon as I got home.

The credits roll on a great adventure with the SIGMA 17mm F4 and 50mm F2 DG DN | Contemporary lenses

These two compact primes are in danger of being my permanent go-to kit any time I travel. As I sat down to sort through all the images I captured, I found that my keep ratio was higher than most of my recent shoots. I’m not surprised. That’s what happens when you feel connected with your gear and engage in the process deeper. Lenses are tools and the 17mm and 50mm DG DN | Contemporary primes are the right tools for travel.

Frank Ramirez

Frank Ramirez is a photographer, videographer and SIGMA Cine representative, based in the SIGMA Burbank office.

Nice images ! I too am a big fan of the contemporary I series line of lenses by Sigma . I only have two at this point for Sony E mount . Just last night I purchased a Fotodiox e to z adapter in hopes it will work on the Nikon Z bodies. I love the 65mm fov . It’s great outdoors in nature and I use it for live music photos and video interviews. I was going to purchase the Voigtlander 65mm f/2.0 macro for the Z mount Nikon and still may . I was comparing photos on Flickr between the two lenses and realized why I lived the Sigma so much. The rendering of the photos are just beautiful. I really like how the Sigma I series bokeh looks for one . As a whole the rendering is so nice . The designers of this I series line of lenses has done a phenomenal job . I sure hope these come to the Z mount soon . They do not really compete with anything Nikon is putting out at the moment. Well not completely.

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Best Lenses for Travel Photography of 2024

What are the best lenses for travel photography? Difficult to say, considering that the way we experience our adventures changes every time, depending on who we are and where we decide to go. When we talk of travel photography we include capturing landscapes, portraits, street scenes, and architecture — subjects that all require different gear to be framed properly. While multipurpose lenses help you reduce bulk (and save some money), knowing what you want to focus on will make your decision process much easier.

This article features a selection of ten lenses for travel photography suited for all subjects and environments. You will find everything from wide-angle lenses designed to shoot vast nature scenes to telephoto zoom lenses built for capturing distant wildlife. The selection below covers all the main camera brands and takes into account both budget and expertise. Whether you are just looking for a lens to enhance your Instagram feed or you aim to shoot the next cover shot for Lonely Planet, we have something here for you.

For more of our top travel photography gear recommendations, check out these popular articles:

Fuji Lenses for Travel | Nikon Travel Lens

Quick Answer - The Best Lenses for Travel Photography

• Canon EF 8-15MM F/4L FISHEYE USM View at Amazon
• Nikon 10-24MM F/3.5-4.5G ED View at Amazon
• Sigma 18-35MM F/1.8 DG HSM ART View at Amazon
• Canon EF 16–35mm f/2.8L III USM View at Amazon
• Canon EF 24-70mm f/2.8L II USM View at Amazon
• Sigma 17-50mm f/2.8 EX DC OS HSM View at Amazon
• Fujinon XF18-135mmF3.5-5.6 View at Amazon
• Nikon AF-P NIKKOR 70-300mm f/4.5-5.6E View at Amazon
• Nikon AF-S NIKKOR 70-200mm View at Amazon
• Fujinon XF55-200mmF3.5-4.8 View at Amazon

Comparison Table - Best Lens for Travel Photography

Reviews - the best travel photography lenses, canon ef 8-15mm f/4l fisheye usm.

• Type : Wide Angle
• Aperture : f/4
• Dimensions : 3.3 x 3.1 x 3.1 inches
• Focal Length : 8-15mm
• Weight : 1.9 lbs
• Weather Sealed : Yes
• Extreme Wide-Angle Shooting
• Lightweight And Compact
• Lens Coating Reduces The Risk Of Glare

BEST FOR: THE IMAGINATIVE SOUL

If you specialize in ultra-wide-angle photography, the Canon EF 8-15mm F/4L Fisheye USM is sure to catch your attention. An ultrasonic motor drives fast and accurate autofocus that you can always override with manual settings for full control. It has a maximum angle of view of 180 degrees, letting you take panoramas of the sights. Additionally, the lens offers both circular and rectangular fisheye effects, so you can experiment with different effects. 

While the lens is specialized for distortion, it does not allow chromatic aberrations. Its ultra-low dispersion optical elements enhance the contrast and clarity of your images, making sure they stay true to real colors. A Sub-Wavelength coating guards against flare and ghosting, so artificial lighting won’t disturb your photos. As a bonus, the lens has a built-in filter holder at the back that is compatible even with cut gel filters, so you can further spice up your shot.

Nikon 10-24MM F/3.5-4.5G ED

• Aperture : f/3.5-4.5
• Dimensions : 3.43 x 3.27 x 3.27 inches
• Focal Length : 10-24mm
• Weight : 1.01 lbs
• Weather Sealed : No
• Silent And Reliable Autofocus
• Fairly Affordable Price
• Great For Both Landscapes And Street Photography

BEST FOR: THE URBAN WANDERER

If you want more versatility, a lens that covers ultra-wide to wide-angle focal lengths is more suitable. This range is perfect to capture all the landscapes and cityscapes you travel to. The Nikon 10-24mm F/3.5-4.5G ED is one such lens. It has several aspherical and extra-low dispersion elements that eliminate fisheye distortions and color fringing. To enhance the work of optics, there is a Super Integrated coating that suppresses unwanted ghosting and flare, so you can take photos in museums and such. 

As for other features, the lens has a Silent Wave motor and a 7-blade aperture diaphragm. The motor uses an internal focusing design, so the moving of lens parts is not seen from the outside. This results in fast, quiet, and precise autofocus performance, which is a must for on-the-go travel photography. The aperture has a 7-blade diaphragm useful for background blurring and selective focus techniques. Shallow depth of field can be experimented with while shooting portraits and motion, letting you explore urban scenes.

Sigma 18-35MM F/1.8 DG HSM ART

• Aperture : f/1.8
• Dimensions : 4.8 x 3.1 x 3.1 inches
• Focal Length : 18-35mm
• Weight : 1.79 lbs
• Wide Aperture For Exceptional Low Light Performance
• Solid Build
• Works Even In Freezing Temperatures

BEST FOR: WORK IN DIFFICULT LIGHTING

With a zoom range of 18-35mm, the Sigma f/1.8 DG HSM ART seems like a standard lens. However, it is distinguished by its maximum aperture of f/1.8. It is especially useful in hand-held and poorly-lit scenes, producing noise-free images in lighting that corrupts many other lenses. This aperture, along with a 9-blade diaphragm, gives you an exceeding amount of control over the depth of field so you can take portraits and landscapes, isolating your subject or building complexity as much as you need. 

Naturally, this lens also features extra-low dispersion and aspherical elements that produce true colors and a distortion-free perspective. As for focusing, this lens features a Hyper-Sonic motor with an internal design, making autofocus fast and silent. And if you like traveling to cold environments, know that the Sigma 18-35mm is built with a thermally stable composite material that allows it to function well in a wide range of temperatures, tropics to tundra.

Canon EF 16–35mm f/2.8L III USM

• Type : Standard
• Aperture : f/2.8
• Dimensions : 5 x 3.5 x 3.5 inches
• Focal Length : 16-35mm
• Weight : 1.74 lbs
• Fast Aperture For Optimal Low Light Performance
• Lightweight And Portable
• Dust- & Water-Resistant

BEST FOR: THE DETAIL-ORIENTED

Canon EF 16-35mm F/2.8L III USM is another lens that seems ordinary with its focal length range and the maximum aperture. However, its beauty lies in its optical design. This lens uses a combination of large and small aspherical elements that minimize perspective distortions and correct illumination edge to edge. Thus, vignetting that often plagues lenses is reduced. Plus, extra-low dispersion elements also work to sharpen the colors in the corners of your image.

Besides this, the lens has other useful features. For example, its ultrasonic motor with internal design optimizes autofocus and offers accurate and near-silent action. The aperture diaphragm has 9 blades, allowing for the depth of field control. The body of the lens is sealed against dust and moisture, while the front element has a coating that protects against smudges. Thus, you don’t have to baby the lens, so you can take it with you anywhere.

Canon EF 24-70mm f/2.8L II USM

• Dimensions : 4.45 x 3.5 x 3.5 inches
• Focal Length : 24-70mm
• Weight : 1.77 lbs
• Large Aperture Creates Beautiful Background Blur
• Fast And Accurate Autofocus
• Produces Realistic Colors With No Aberrations

BEST FOR: THE JOURNALIST

The Canon EF 24-70mm F/2.8L II USM has advanced optics, an ultrasonic motor, and some other features in common with its relative above. However, the range of focal lengths distinguishes the two. This lens shoots up to 24-70mm, which is perfect for wide-angle and portrait photography. So if you like photojournalism, this zoom range is the one. Additionally, it has a zoom lock that secures the lens at 24mm, keeping it compact. 

As for optics, this lens is oriented for color fidelity, so it has ultra-low dispersion elements that enhance the true colors of your image and add clarity to it. A Super Spectra coating stabilizes colors in strong light, preventing ghosting and flare, so you can seamlessly work indoors. If you are more inclined to work outside, the lens is sealed against dust and moisture, withstanding inclement conditions.

Sigma 17-50mm f/2.8 EX DC OS HSM

• Dimensions : 3.6 x 3.3 x 3.3 inches
• Focal Length : 17-50mm
• Weight : 1.25 lbs
• Image Stabilization System For Blur Free Images
• High-Speed, Silent Autofocus
• Versatile Focal Range

BEST FOR: HANDHELD SHOTS

Yet another wide-angle to portrait lens, the Sigma 17-50mm is a great lens for walking around. It is designed to fit APS-C-format Canon EF-mount cameras, translating this range into 27.2-80mm. It boasts a Hypersonic motor for fast, accurate, and silent autofocus – perfect for any situation. Plus, an optical stabilizer deals with any camera shake that seeps into your image. Coupled with a maximum aperture of f/2.8, the lens has a great grasp of poorly lit and handheld scenes.  

And special low dispersion elements suppress color fringing for improved quality of your shots. If you plan on indoor photography, the lens further offers Super Multi-Layer coating that reduces flare and ghosting. For all those stylish street photographers, Sigma created this lens with a sleek profile. This is not only aesthetic, but compact as well, so you can easily pack your lens away and carry it effortlessly.

Fujinon XF18-135mmF3.5-5.6

• Type : Multipurpose Zoom
• Aperture : f/3.5-5.6
• Dimensions : 2.98 x 3.85 inches
• Focal Length : 18-135mm
• Weight : 1.1 lbs
• Smooth, Quiet Autofocus
• Protected Against Rain, Dust, And Moisture
• Great Focal Range To Shoot Everything From Landscapes To Portraits

BEST FOR: BASICS OF TRAVEL

The Fujinon XF18-135mm F3.5-5.6 R LM OIS WR is a lens with a versatile zoom range, starting from wide-angle for landscapes and portraits, and ending with telephoto for macro and long-distance shots. All this to give you lots of opportunities to experiment with photography in your travels. If you are especially keen on portraiture, the lens has a 7-blade aperture diaphragm, producing a bokeh effect. Besides the zoom, the lens offers a linear motor that delivers fast and silent  autofocus, so you don’t disturb any bypassers or animals.

The lens also takes care of any blurring with its image stabilization that reduces camera shake up to 5 shutter speed stops. However, motion blur is not the only aberration the XF 18-135mm deals with. It includes a complex optical design with extra-low dispersion elements and aspherical elements that correct perspective and colors. And, of course, the lens is protected with 20 different weather seals, so you can record your travels in any weather.

Nikon AF-P NIKKOR 70-300mm f/4.5-5.6E

• Type : Telephoto
• Aperture : f/4.5-5.6
• Dimensions : 5.75 x 3.27 x 3.27 inches
• Focal Length : 70-300mm
• Weight : 1.5 lbs
• Vibration Reduction Technology
• High-Speed Autofocus With Quiet Operation
• Produces Elegant Background Blur

BEST FOR: ALL-AROUND BALANCE

If you need a slightly more telephoto-oriented lens, the Nikon f/4.5-5.6 may sound interesting. It has a zoom range up to 300mm, which can be turned into 450mm on DX-format DSLRs. Because it is cumbersome to shoot with such focal lengths without stability, this lens offers a vibration reduction technology that lets you leave your tripod at home and travel lightly. Better yet, the autofocus of this lens is silent and precise, so you can take photos of moving subjects from afar, and not get distracted by noise. 

The Nikon f/4.5-5.6 also boasts a lightweight and ergonomically balanced build. It will fit nicely into your backpack, so you have less to worry about. Nikon’s special optical design with extra-low dispersion elements correct chromatic aberrations for more vivid and truthful shots. As for background effects, the 9-blade diaphragm of the lens’ aperture produces soft bokeh in shallow depth of field.

Nikon AF-S NIKKOR 70-200mm

• Dimensions : 7.9 x 3.4 x 3.4 inches
• Focal Length : 70-200mm
• Weight : 3.4 lbs
• Built With Durable Materials
• Powerful Image Stabilization System
• Anti-Smudge Coating On Glass

BEST FOR: ANY-WEATHER ADVENTURE

Shifting from wide-angle lenses, we have the Nikon 70-200mm f/2.8G VR II that has a range from portrait to telephoto. Thus, you can take photos from afar or macro shots. This lens is built for FX image sensors, but it is also compatible with DX sensors, turning into a 105-300mm lens. The maximum aperture with such zoom ranges is quite remarkable, allowing for work in poorly lit and zoomed-in scenes, as well as selective focus techniques. 

Plus, a vibration reduction system reduces camera shake up to 4 shutter speed stops, even as you take hand-held shots, or pan the camera. During travel, the risk of smudging the lens may increase. However, the Nikon 70-200mm has a fluorine coating that protects from this. As well, the lens is made with a magnesium alloy, which means that it can survive dusty, humid, and inclement weather.

Fujinon XF55-200mmF3.5-4.8

• Aperture : f/3.5-4.8
• Dimensions : 2.95 x 4.65 inches
• Focal Length : 55-200mm
• Weight : 1.28 lbs
• Image Stabilization System
• Silent And Fast Autofocus
• Great For Close-Up Shots And Macro Photography

BEST FOR: INDOOR AND OUTDOOR

The Fujifilm XF 55-200mm f/3.5-4.8 R LM OIS is a standard versatile lens that is compatible with mirrorless Fujifilm cameras. It also offers a 4.5-stop image stabilization and a silent autofocus system. The stabilization reduces camera shake to make it seem like you were shooting with a higher shutter speed. Meanwhile, the linear motor is great for fast-moving subjects like wildlife, cars, and people.

The lens’ optical design is devoted to reducing color fringing, such as cyan outlines and other color inaccuracies, especially those showing up in telephoto zooms. As a nice side effect, it promotes sharpness, vibrancy, and control over the depth of field. Moreover, the XF 55-200mm has a Super EBC coating. The coating ensures that your photos are not compromised by flare, so you can fearlessly shoot photos indoors with artificial lighting. Finally, – another plus for a traveler – the lens is fairly affordable.

THINGS TO CONSIDER WHEN BUYING A LENS FOR TRAVEL PHOTOGRAPHY

Focal length.

Focal length is the first thing you look at when choosing a lens. Focal length is measured in millimeters and affects the framing perspective of the lens. If you are interested in shooting landscapes , architecture, or interiors it is a good idea to go for a wide angle lens that will allow you to include the whole scene. If you are more interested in wildlife or portraits, however, a telephoto lens might be a better idea. Standard lenses range around 50mm, a versatile focal length standing between wide-angle and telephoto that can be used for street photography, people, and spontaneous shots you may feel inspired to capture as you explore a new destination.

PRIME OR ZOOM

Lenses can have a fixed or adjustable focal length. In the first case, they are known as “prime,” while in the second case they are known as “zoom.” Prime lenses have the advantage of producing crisper images and performing better in low light photography , but they require switching more often as the framing angle cannot be changed. Because of this reason, zoom lenses tend to be preferred by travel photographers , as they offer more versatility and can be used in different situations.

WEATHER SEALING

Unless you own a magic wand to control the weather, buying gear that is resistant to rain, dust, and humidity is always a good idea. Weather sealed lenses are designed to keep working even when conditions are not ideal, allowing you to shoot when the elements are fighting against you.

WEIGHT AND SIZE

Professional lenses are usually heavy pieces of gear composed by a multitude of elements that all play a part in producing the best possible shot. When you travel, being able to pack the least possible weight is a big advantage, so take this factor into account when buying. Prime lenses are usually lighter than zoom lenses, but one single fixed lens might not be enough to shoot every subject you encounter. Wide angle and standard lenses do not normally take up too much space, but telephoto lenses can be bulky and require a tripod to be used, especially in low light.

FEATURES EXPLAINED

The distance separating the sensor from the lens, measured in millimeters, that affects the framing perspective.

A lens with a fixed focal length.

A lens with an adjustable focal length.

The channel that lets the light reach the sensor through the lens. A wider aperture (measured in f-stops) means better performance in low light.

WIDE-ANGLE LENS

A lens with a low focal length, designed to capture landscapes and vast, open scenes.

TELEPHOTO LENS

A lens built for photographing distant subjects, often used in portraiture or wildlife photography .

For more of our top outdoor photography gear recommendations, check out these popular buyer's guides:

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February 26, 2022

ACT NOW! SAVE UKRAINE. DEFEND DEMOCRACY.

Team Skylum

Photography

At 5 am on February 24, Russia began the full-scale military invasion of Ukraine. They are violently trying to steal our country.

Russian forces have invaded Ukraine, confirming our worst fears. At this very hour they are attacking us on the streets of many Ukrainian cities.  We are at war.

Skylum was proudly founded in Ukraine, and our core development center is based in Kyiv. At this harrowing time, unfortunately we cannot guarantee the on-time delivery of updates to Luminar Neo. We strive for excellence in everything we do, and we will make sure to further develop and improve Neo and to keep you updated on any news. 

However, today we ask our community for help and support. Here are some details on what has happened and how you can support Ukraine in this difficult time.

!   At 5 am on February 24, Russia began the full-scale military invasion of Ukraine. They are violently trying to steal our country.

! Right now, there are missile strikes and bombardment of peaceful Ukrainian cities.   We must hide our families in bomb shelters and protect our land with weapons in our hands as part of the territorial defense forces.

! This disastrous and entirely unprovoked Russian war has already taken the lives of 198 civilians. 33 children have been injured, and 3 have been killed.

! The Armed Forces of Ukraine, young and brave heroes, are fighting all over the country not only for Ukraine but for Peace and Clear Skies in Europe. 

As we write to you from a city under attack, we want to be very clear: This war is not just something you see on TV. It is not happening in some distant lands. It is happening right now here in Ukraine, and the Russian forces who are invading our lands and threatening our families may come to your doorstep one day too if we do not stop them.

Sanctions that world governments are currently imposing are not enough. Russia must be completely isolated from all spheres of the civilized world: the financial system, technologies, sports, culture.  

Here is a list of simple actions you can take to help Ukraine. We MUST unite to quite literally save the world before it’s too late:

- Contact your local representatives and pressure them to provide more support for Ukraine and stricter sanctions on Russia. We need military and humanitarian aid and Russia must be cut off from SWIFT.

- Donate money to humanitarian aid organizations. Find a full list over here:  https://how-you-can-support-ukraine.super.site/  

- Follow the news from official channels. Avoid fake news and disinformation!

Twitter:  https://twitter.com/ZelenskyyUa  

https://twitter.com/DmytroKuleba  

https://twitter.com/Hromadske  

https://twitter.com/DefenceU  

https://twitter.com/backandalive  

Telegram:  https://t.me/Forbes_Ukraine_official  

- Support the Ukrainian Army —  Official Account of the National Bank of Ukraine

We stand together

Please share this information with your community.

#Ukrainians #NATO #Ukraine #StandWithUkraine

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10 Best Canon Lenses for Travel Photography in 2024

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Choosing the best Canon lenses for travel photography will significantly improve your photo quality when you’re globe-trotting. You need something that’s portable, inexpensive, and captures any scene in all it’s glory. 

The Canon RF 50mm f/1.8 STM and Canon EF 50mm f/1.8 STM are our top choices for travel photographers. They are both nifty-fifty lenses that are lightweight, compact, and versatile. They also have sharp picture quality and a wide aperture range. And they are both affordable lenses you can take anywhere.

If those aren’t the lenses you’re looking for, our guide has all the best travel lenses for Canon mirrorless (RF) and DSLR (EF) cameras. We’ve made it easy to find the best Canon lens for your next international trip. 

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As an Amazon Associate, I earn from qualifying purchases. Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply to the purchase of this product.

What Is the Best Canon RF Lens for Travel Photography?

When selecting the best Canon RF lens for travel photography, you need to look at weight, versatility, and optical performance. Each lens offers unique advantages, from lightweight designs to wide focal ranges, ensuring travelers can capture stunning images no matter where they are.

• Exceptional low-light performance with f/1.8 aperture
• Compact and lightweight, ideal for travel
• Produces beautiful bokeh for portrait photography
• Sharp images with minimal chromatic aberration
• Affordable option for high-quality photography

• Versatile zoom range for diverse photography needs
• Effective image stabilization for sharp handheld shots
• Lightweight design enhances travel photography ease
• Quick, precise autofocus perfect for dynamic scenes
• Customizable control ring for intuitive adjustments

• Broad focal range for versatile shooting scenarios
• Compact, lightweight design perfect for travel
• Image stabilization enhances low-light performance
• Quick, silent autofocus ideal for video and stills
• Affordable entry into Canon's RF lens ecosystem

• Ultra-wide angle perfect for landscapes and architecture
• Bright f/2.8 aperture enhances low-light shooting
• Compact, lightweight design ideal for travel photography
• Fast, accurate autofocus system suitable for video
• Affordable entry into ultra-wide RF lens lineup

• Expansive 18-150mm zoom range for versatile shooting
• Built-in image stabilization for sharper handheld images
• Compact design ideal for travel and everyday use
• Smooth, silent autofocus perfect for video recording
• Excellent magnification for close-up photography opportunities

Our Favorite Canon RF Lenses for Travel Photography

Let’s take a closer look at our favorite Canon RF lenses. From wide angles to telephoto zooms, there’s a lens here for every traveler. Explore these options to find the perfect fit for your travel camera backpack. 

1. Canon RF 50mm f/1.8 STM

The Canon RF 50mm f/1.8 STM stands out for its lightweight and compact design. This makes it easy to carry around all day or carry in your backpack. It’s also an affordable lens, so there’s less stress about carrying expensive gear in unknown places.

Its fixed 50mm focal length offers a natural perspective, suitable for a variety of shots, from portraits to street scenes. Special coatings also reduce glare, giving you cleaner images in testing lighting conditions. 

However, its prime nature means less flexibility compared to zoom lenses like the Canon RF 24-105mm f/4-7.1 IS STM , which gives you wide-angle to telephoto focal lengths.

The RF 50mm f/1.8 STM delivers excellent image quality, with sharpness improving when stopped down to f/2.8 or f/4.

Its f/1.8 aperture is great in low light, allowing you to shoot at all times of day. There’s no image stabilization, but you don’t need it with a fast aperture on a standard-angle prime. It also gives you excellent depth of field control, helping you achieve a smooth bokeh background in your travel portraits. 

The AF stepping motor (STM) is quick and accurate in good lighting, capturing fleeting moments effectively. The lens’s simplicity keeps it affordable and straightforward. The lack of weather sealing is one frustration. But overall, the Canon RF 50mm f/1.8 STM is a brilliant option for an enthusiastic traveler with a Canon mirrorless camera.

2. Canon RF 24-105mm f/4-7.1 IS STM

The Canon RF 24-105mm f/4-7.1 IS STM is the best zoom lens for Canon mirrorless cameras. The wide 24-105mm zoom range allows you to shoot anything from wide landscapes to detailed portraits without needing to switch lenses. It’s an all-in-one lens that gives you excellent flexibility. 

Optically, the lens offers good sharpness and uses aspherical elements to control chromatic aberration. Glass coatings also help to reduce imperfections like flare and vignetting.

The aperture range is limited. And you only have a max aperture of f/7.1 when fully zoomed in at 105mm. Thankfully, the lens does have image stabilization. This gives you up to five stops of exposure compensation. 

Light and easy to carry, the lens fits easily into any travel camera backpack . Its build is sturdy despite being made mostly of plastic, and it handles well on Canon’s mirrorless cameras. The lack of weather sealing is a downside, so you’ll need to take care in bad weather.

The Canon RF 24-105mm f/4-7.1 IS STM is a lightweight, versatile zoom lens. It has some limitations, but it’s an affordable lens that allows you to travel light. It’s a great option for young travelers or older beginners. 

3. Canon RF 24-50mm f/4.5-6.3 IS STM

The Canon RF 24-50mm f/4.5-6.3 IS STM is another versatile zoom lens for travel photography. Its focal range from wide-angle to normal view allows you to adapt to new environments. You can shoot broad landscapes or more tightly framed street-style images.

The image quality is excellent, with two aspherical elements that reduce aberrations. Canon’s special Super Spectra Coating (SSC) also keeps flare and ghosting at bay. 

It doesn’t have the fastest maximum aperture, especially when you’re zoomed into 50mm. f/6.3 is ok in daylight, so you’ll have no problem in sunny destinations. But there is an image stabilizer to help you in lower light. It gives you an extra 4.5 stops of compensation.  

Weighing only 210 g, this lens won’t add much bulk to your travel bag. Its plastic construction keeps it light, though it lacks weather sealing.

While the Canon RF 24-50mm f/4.5-6.3 IS STM may not boast the widest aperture or the longest zoom, its stabilization, versatility, and portability make it a practical choice for travelers. It’s also an affordable travel lens you can take anywhere. 

4. Canon RF 16mm f/2.8 STM

The Canon RF 16mm f/2.8 STM is a wide-angle prime some travel photographers will love. It isn’t as versatile as the previous RF lenses. But it’s the best option if your travel photography involves landscapes and architectural shots. 

Picture quality is reliably sharp from corner to corner. And a 13 cm minimum focus distance allows you to capture impressive close-ups. 

Its f/2.8 aperture helps you shoot in low-light conditions, allowing for clearer shots at dawn, dusk, or when shooting indoors. A circular aperture also gives you super-smooth boken when using a shallow depth of field. 

The light weight and compact design makes this lens is a dream for those on the move. Its construction is sturdy enough for a traveler’s life. But a lack of weather sealing means you’ll need caution when the weather turns bad. 

Its autofocus is quick and reliable, making very little noise in operation. The lack of image stabilization might be a drawback for some. But additional features like the custom control ring improve usability, giving photographers more hands-on control. 

Ideal for landscape and architectural photography, the Canon RF 16mm f/2.8 STM offers a unique view of the world. The ultra-compact design means it takes up no space in your pack. And the price tag makes it a suitable option for beginners.

5. Canon RF-S 18-150mm f/3.5-6.3 IS STM

The Canon RF-S 18-150mm f/3.5-6.3 IS STM lens is a versatile zoom lens for travel photographers. Its lightweight design ensures it’s not a burden when traveling. And the wide zoom range gives you incredible flexibility. It’s an all-in-one lens that allows you to travel light. 

Zoom lenses with such large focal ranges are not known for their picture quality. But this lens really holds its own. You might experience some distortion at the extremes. But generally, the images are sharp and clear. 

The variable aperture might limit its use in low light, pushing photographers towards higher ISOs or slower shutter speeds. But thankfully, the built-in image stabilization gives you an extra 4.5 stops of exposure compensation. 

Built from high-quality plastics, the lens is durable yet light, ideal for on-the-go shooting. The lack of weather sealing is a downside, so you’ll need to take care if it rains. 

While the Canon RF-S 18-150mm may not have the fastest aperture or professional-grade features, it is versatile and affordable. It’s also reliable, helping you capture stunning images from all over the world. It’s a top option for travel photographers with a Canon APS-C mirrorless camera.

What is the Best Canon EF Lens for Travel Photography?

We now turn to Canon EF lenses for DSLR cameras. These lenses are chosen for their light weight, versatility, and ability to capture stunning images in various settings. From wide landscapes to detailed portraits, each lens offers unique advantages for travel, ensuring photographers can easily adapt to changing environments without compromising image quality.

• Quick, smooth autofocus perfect for candid shots

• Consistent f/4 aperture across all focal lengths
• Professional-grade build with weather sealing
• Effective image stabilization for sharp results
• Fast, quiet autofocus with manual override option

• Flexible zoom range for versatile shooting scenarios
• Constant f/4 aperture ensures consistent exposure
• L-series build quality with weather sealing
• Hybrid IS for superior stabilization in macro mode
• Fast, silent autofocus with full-time manual override

• Exceptional low-light capability with f/1.4 aperture
• Superior image sharpness and clarity
• Robust L-series construction with weather sealing
• Smooth, aesthetically pleasing bokeh effect
• Fast, accurate autofocus with silent operation

• Broad focal range for versatile shooting options
• Smooth, silent STM autofocus ideal for video
• Built-in image stabilization for sharper images
• Lightweight design enhances portability for travel
• Compatible with Canon's APS-C DSLR cameras

Our Favorite Canon EF Lenses for Travel Photography

Let’s take a closer look at our favorite Canon EF lenses. These Canon lenses provide a range of options to enhance your travel photography. Whether you’re looking for the versatility of a zoom lens or the low-light capabilities of a prime lens, there’s something here for every travel photographer.

1. Canon EF 50mm f/1.8 STM

The Canon EF 50mm f/1.8 STM is a brilliant travel lens for photographers with a Canon DSLR. A nifty-fifty is one of the most popular types of lenses. That’s because the 50mm focal length gives you a natural, versatile field of view. And the fast f/1.8 max aperture gives you excellent exposure control. 

Its fixed focal length limits versatility compared to zoom lenses like the Canon EF 24-105mm f/4L IS USM . But you have gifted sharper optical quality than most zoom lenses. Even on a budget-friendly lens like this, there’s very little chromatic aberration or distortion. 

Thanks to the STM motor, the autofocus is quick and accurate in well-lit environments. And the 35 cm minimum focus distance allows you to shoot detailed close-ups. A rounded 7-blade aperture diaphragm also gives you smooth bokeh for those close-up shots. 

The Canon EF 50mm f/1.8 STM is versatile, reliable, and affordable. It’s an absolute dream for any travel photographer. 

2. Canon EF 24-105mm f/4L IS USM

The Canon EF 24-105mm f/4L IS USM is a versatile zoom lens Canon users will love for travel photography. The zoom range range allows photographers to capture everything from wide landscapes to detailed portraits without needing to switch lenses.

It’s light for its class, making it less of a burden when you’re traveling with a camera backpack. And it’s both durable and weather-sealed, giving you peace of mind when traveling abroad.

The f/4 maximum aperture isn’t the fastest. But it is constant throughout the zoom range, meaning you don’t lose any stops when zooming in. It also allows you to control the depth of field at any point in the zoom range. 

You’re also helped by the lens’s built-in image stabilization. This is a big help when shooting in low light or at slower shutter speeds. The IS can help keep photos sharp even when shooting from hand. That means you can travel lighter by leaving your tripod back at base.

Autofocus is quick and reliable, capturing moments as they happen. The lens’s minimum focusing distance and magnification ratio are adequate for close-up shots, adding to its versatility.

A wide zoom range and pro-level features make the Canon EF 24-105mm f/4L IS USM a top choice for travel photographers. It’s reasonably priced and still available brand new. 

3. Canon EF 24-70mm f/4L IS USM

The Canon EF 24-70mm f/4L IS USM is a versatile lens for travel photography, offering a focal range that covers wide-angle to short telephoto shots. This makes it easy to capture vast landscapes and detailed portraits without swapping lenses.

With two aspherical and two Ultra-low Dispersion (UD) elements, the optical quality is fantastic. There’s very little distortion at any point in the focal range. And Canon’s special lens coating prevents glare and improves light transmission. 

Its constant f/4 aperture provides consistent exposure, which is handy in changing light conditions. It’s not as wide as some lenses, meaning it might struggle in very low light. But you get an additional 4.5 stops of exposure control with the image stabilization.

 Its autofocus is quick and reliable, ensuring important moments are not missed. The superior USM drive gives you fast focusing that’s also near silent in operation. 

It’s relatively light for its class, reducing fatigue during long days of exploration. The lens is also sturdy, with weather sealing that protects against dust and moisture. This durability, combined with its optical performance and flexibility, makes the Canon EF 24-70mm f/4L IS USM a solid choice for travelers.

4. Canon EF 24mm f/1.4L II USM

The Canon EF 24mm f/1.4L II USM is a brilliant wide-angle prime for travel photography. This lens excels in capturing expansive landscapes and architectural structures with clarity.

It doesn’t give you the flexibility of a zoom lens. But you can’t question the picture quality. The barrel contains several specialist elements, including UD glass, that deliver edge-to-edge sharpness and clarity. 

Its low-light ability is a significant advantage, allowing photographers to shoot in a variety of lighting conditions without compromising on quality. A f/1.4 aperture also gives you fabulous depth of field control, allowing for a lovely blurred bokeh background. 

It isn’t the lightest prime lens, but it won’t add much bulk to a travel bag. The lack of image stabilization is mitigated by the wide aperture, which gives you better exposure control. Its quick, accurate autofocus ensures that fleeting moments are captured sharply.

Durability is a key feature, with weather sealing protecting against the elements. This makes the Canon EF 24mm f/1.4L II USM a reliable companion for outdoor and adventure photography. While not as versatile or affordable as the 50mm prime, it delivers pro-level results for travelers wanting a wider angle of view. 

5. Canon EF-S 18-135mm f/3.5-5.6 IS STM

The Canon EF-S 18-135mm f/3.5-5.6 IS STM is the best travel lens for Canon APS-C DSLR cameras. This lens allows photographers to capture everything from sweeping landscapes at 18mm to detailed close-ups at 135mm. It’s an all-in-one lens that allows you to travel light thanks to its versatility.

One UD and one PMO aspherical element give you clean picture quality throughout the zoom range. The sharpness doesn’t match some of the prime lenses, especially at the edges. But it doesn’t disappoint for a lens in this price bracket. 

Its variable aperture isn’t the fastest, with only an f/5.6 at 135mm. But you are compensated by effective image stabilization, crucial for sharp images in varied lighting conditions.

The STM motor ensures autofocus is both quick and quiet, perfect for capturing spontaneous moments.

It’s lightweight and easy to carry around for long periods. Though it lacks weather sealing, its solid build and good optical performance make it a reliable choice for outdoor adventures.

The Canon EF-S 18-135mm f/3.5-5.6 IS STM is a good option for travel enthusiasts looking for flexibility. Its combination of a broad zoom range, image stabilization, and portability offers a practical tool for capturing diverse travel experiences. While professionals might seek lenses with faster apertures or specialized features, this is a great starting point for beginners with an itch to travel. 

Conclusion: The Best Canon Lenses for Travel Photography

Our article on the best Canon Lenses for Travel Photography has showcased a variety of lenses that suit any traveler. From lightweight primes to versatile zooms, each lens offers unique benefits for capturing stunning travel images. The key takeaways emphasize the importance of considering factors like weight, focal length, and aperture when choosing a lens for travel.

The Canon RF 50mm f/1.8 STM and Canon EF 50mm f/1.8 STM both stand out for their compact design and excellent low-light performance. These lenses are ideal for travel photography, offering a great balance of portability and image quality. They are must-have lenses for travel photographers with Canon cameras. 

The Phoblographer may receive affiliate compensation for products purchased using links in this article. For more information, please visit our Disclaimers page .

Nikon Z 28-400mm Preview: The Best Damn Lens for Travel Photography

Yes, it’s real ! The dream is alive, and it feels like a single lens that a photographer can have on them. Very few things are as great as having just a single lens on you when you’re traveling to shoot photos. The new Nikon Z 28-400mm f4-8 is exactly that. No other company has made something like this. The closest other brands have gotten while making a good lens is the Tamron 28-200mm offering — which starts at f2.8. Combined with the DX-cropping ability on Nikon cameras, their build quality, and the autofocus, Nikon is probably making the best lens for travel photographers.

Editor’s Note: The Phoblographer was able to see this new lens under NDA with Nikon. We paid for our own transportation trip; but Nikon took care of the one meal we had while out there. The lens that we tested is a pre-production version. It was used with a loaner Nikon Z8 , also provided to us by Nikon. We care about being transparent with our readers; as it’s a reason why publications still exist. None of our reviews, first impressions, or previews have ever been paid for. For more details on this, please visit our disclaimers page.

You can pick up the Nikon Z 28-400mm f4-8 at Amazon .

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I have to be frank; there isn’t anything really innovative about the exterior of the new Nikon 28-400mm lens. It looks just like any Nikon lens. It’s big, but not so big to seem enormous and intimidating. A very nice touch is a square lens hood — which I’m a major fan of.

The lens’s exterior is all dressed up in black, plastic, and rubber. Aesthetically speaking, it’s the lanky model on the runway wearing the safest outfit possible, with no one batting an eye at it. Bill Cunningham would simply ignore it.

Nikon tells us that the lens has weather resistance built in. However, it shouldn’t be held to the same standards as the Nikon S lineup of lenses. Truly, this is a nearly useless claim when push comes to shove. Even if it breaks or malfunctions due to the various elements and debris, Nikon’s warrant doesn’t cover it. However, the Photography Care Program does — both amateur and professional photographers should consider it.

The Nikon Z 28-400mm f4-8 is a pretty great performer when photographing birds in good lighting. To further clarify this statement, I’m talking about photographing birds at the equivalent of lighting that demands an exposure of ISO 1600, 1/2000th, and f16. That’s what we did our preliminary testing in. We have yet to test the lens in our own standard testing grounds, but it’s quite a performer. It was able to track birds flying through an entire scene and mostly stay locked onto an individual winged beast within a group.

Typically, the Phoblographer tests in lower light situations with birds hiding amongst branches and all. We’re not sure how this lens will perform in such a situation yet.

This is all standard for Nikon, however. Their autofocus for wildlife is incredible and has majorly improved. Combined with their pre-release shooting ability, they’re overall incredible — we only wish the system let you shoot RAW while in that drive mode. Considering that we tested this lens on the Nikon Z8 , we’re sure it would be better on the Z9. But we’re also not sure someone would use it with the Z9.

Ease of Use

Nothing particularly different about the Nikon Z 28-400mm f4-8 would make you think differently if you’re a Nikon shooter. It wears the standard focusing, zoom, and control ring that any other Nikon Z zoom lens adorns itself with. There are situations where you’ll want to do manual focus override, and the placement of this ring is just the right place to make it simpler. Compared to some of Canon’s lenses, the ergonomics of this one just feels right. By that, I mean it truly feels like it was made for photographers.

Image Quality

We’re not a website that pixel peeps. And considering that I just returned from a short trip to Italy, I can tell you that the last thing I’d want to do is pixel-peep these images. So, with that said, we think any photographer will be really happy with this lens’s images. Anything that needs to be fixed, per se, can be done easily in post-production or with in-camera corrections.

This is only a guess: I’d be pretty confident that if you care a lot about resolution, this lens will reach its resolving potential at under 100MP.

Just a further note: this isn’t our review. That’s in the works.

Extra Image Samples

The Phoblographer has been huge on transparency with our audience since day one. Nothing from this review is sponsored. Further, many folks will post reviews and show lots of editing in the photos. The problem then becomes that anyone and everyone can do the same thing. They’re not showing what the lens can do. So, we have a section in our Extra Image Samples area to show edited and unedited photos. From this, you can decide for yourself.

Some of these images include artistic effects like in-camera painting techniques.

Nikon Z 28-400mm f4-8 Tech Specs

• At 28mm, the aperture is f4 to f22
• At 400mm, the aperture is f8 to f45.
• FX format: full frame lens
• 21 elements in 15 groups
• 9 aperture blades
• 4 ED elements
• 3 Aspherical elements
• At 28mm, the close focusing is around a foot and a half
• At 400mm, the close focusing is around 4 feet
• 77mm filter thread
• 3.4 inches to 5.6 inches.

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Home » Gear » best canon travel lenses

16 UNBELIEVABLE Canon Travel Lenses (2024)

Canon is one the most successful and well-regarded lens manufacturers in the world and for good reason – they produce some stunning pieces of glass.

Because of this, there is a Canon lens for nearly every type of photography out there – especially for travel photographers!

But sorting through Canon’s lens library can be very daunting. Which is exactly why we wrote this epic guide to the best travel lesnses for Canon. 

To shoot like a pro, you have to pack like a pro, and this insider guide to the best Canon travel lenses will show you EXACTLY which travel lens is best for YOU.

So without further ado, let’s get into discussing the best Canon lenses for travel photography (so you can shoot like a pro!)

Quick Answers: Best Full Frame Canon Travel Lenses

Quick answers: best travel lenses for canon ef-s, best full frame canon lenses for travel, best ef-s canon travel lenses of 2018, things to consider when buying the best travel lenses for canon, faq about the best canon travel lenses, final thoughts.

• All Around Best Travel Lens for Canon Full Frame – Canon EF 24-105mm f/4.0 L IS USM
• Best Full Frame Budget Travel Lens for Canon – Tamron 28-75 f/2.8 XR Di LD
• Best Full Frame Professional Travel Lens for Canon – Canon 24-70mm f/2.8L II USM
• Best Full Frame Prime Travel Lens for Canon – Canon 50mm f/1.8 STM
• Jump to -> The List of Best Full Frame Canon Lenses for Traveling

Canon EF 24-105mm f/4.0 L IS USM

• Feature Highlights > IS, 77mm filter
• Weight > 1.47 lbs/670 g
• Dimensions > 3.29” x 4.21”

Tamron 28-75 f/2.8 XR Di LD

• Feature Highlights > No IS, 67mm filter
• Weight > 1.12 lbs/508 g
• Dimensions > 2.87” x 3.62”

Canon 24-70mm f/2.8L II USM

• Feature Highlights > No IS, 82mm filter
• Weight > 1.77 lbs/ 805 g
• Dimensions > 3.48” x 4.45”

Canon 50mm f/1.8 STM

• Feature Highlights > No IS, 49mm filter
• Weight > 5.64 oz/160 g
• Dimensions > 2.72” x 1.54”
• All Around Best Travel Lens for Canon EF-S –   Canon EF-S 17-55mm f/2.8 IS USM Lens
• Best EF-S Budget Travel Lens for Canon EF-S –   Sigma 17-50 f/2.8 EX DC OS HSM
• Best EF-S Professional Travel Lens for Canon EF-S – Sigma Art 18-35mm f/1.8
• Best EF-S Prime Travel Lens for Canon EF-S – Canon 50mm f/1.8 STM
• Jump to -> The List of Best EF-S Canon Travel Lenses of 2018

Canon EF-S 17-55mm f/2.8 IS USM

• Weight > 1.42 lbs/645 g
• Dimensions > 3.29” x 4.35”

Sigma 17-50 f/2.8 EX DC OS HSM

• Weight > 1.24 lb/565 g
• Dimensions > 3.3” x 3.6”

Sigma Art 18-35mm f/1.8

• Feature Highlights > No IS, 72mm filter
• Weight > 1.78 lb/811 g
• Dimensions > 3.07” x 4.76”

Canon is, in a sense, at the head of the pack when it comes to lens R&D and is usually the vanguard of all things new and exciting in the camera lens world.

If you have a Canon camera (EF or EF-S) and are having trouble finding the best Canon lenses for travel photography, then we’re here to help!

We’ve compiled a list of 16 lenses that are suitable for travel photography. Each has their own merits (and faults) that will suit whatever kind of photographer that you are. Whether or not you’re a professional or an ultralight backpacker or a casual enthusiast there’s a travel lens from Canon out there for you!

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All Around Best Canon Lens for Travel (Full Frame)

  canon ef 24-105mm f/4.0 l is usm.

• Weight:  1.47 lbs/670 g
• Dimensions:  3.29” x 4.21”
• Filter Size:  77mm
• Image Stabilization:  Yes

The Canon EF 24-105mm f/4.0 L took the travel photography world by storm when it was released. With solid optics, a very useful focal range, image stabilization, and a respectable aperture, the Canon 24-105mm seemingly has it all. For those who want a useful full frame zoom lens that can do a little bit of everything, the Canon EF 24-105mm f/4.0 L IS USM is a great buy and is our choice for best Canon lens for travel photography.

The Canon EF 24-105mm f/4.0 L IS USM greatest strengths are its focal range and superior optical performance. At 24-105mm, this lens can capture everything from landscapes to close-up portraits.

The f/4.0 aperture, though not the fastest, is still very capable and, when shot wide open, can still create some nice bokeh. The lens is quite sharp – especially when stopped down – and combined with image stabilization and a fast autofocus, images are sure to be crisp.

The of Canon EF 24-105mm f/4.0 L IS USM does suffer from some distortion and chromatic aberrations. These are to be expected though from such a large package and these can easily be fixed in post-processing anyway.

Overall sharpness isn’t jaw-dropping either but, as mentioned before, stopping down the lens can fix this.

• Very useful focal range.
• Solid optical performance.
• Effective IS and autofocus.
• Should be stopped down for optimal sharpness.
• Some distortion and chromatic aberrations.
• Not the fastest aperture.

Best Full Frame Budget Canon Lens for Travel

  tamron 28-75 f/2.8 xr di ld.

• Weight:  1.12 lbs/508 g
• Dimensions:  2.87” x 3.62”
• Filter Size:  67mm
• Image Stabilization:  No

Though we were tempted to name the legendarily affordable Canon 50mm f/1.8 as our pick for best budget Canon lens for travel, we simply couldn’t pass on the Tamron 28-75 f/2.8 XR Di LD.

For around $500, you can get a fast, lightweight, sharp lens; that just about covers all the bases for travel photography! Though it’s not the cheapest lens on this list, the Tamron 28-75 f/2.8 XR Di LD is certainly the best bang for your buck and a great alternative to some of the more expensive full frame lenses.

Aside from the price, the Tamron 28-75 f/2.8 XR Di LD greatest strengths are its size and image quality. At the time of its release, this lens was touted as the lightest and most compact medium zoom lens (that had a f/2.8 aperture) yet. 10 years later, it’s still impressively useful.

With a fixed f/2.8 aperture, the Tamron Tamron 28-75 f/2.8 XR Di LD should deliver excellent image quality as is customary of this type of lens. It doesn, in fact, perform very well, creating pictures that are crisp and sharp. Corner softness is a problem when the aperture is wide open but, like most lenses, this disappears when the lens is stopped down. Distortion is noticeable at wider angles and CA is well controlled throughout.

The Tamron 28-75 f/2.8 XR Di LD is built from high-grade plastics. Usually, in these cases, durability becomes an issue as plastic is less hardy than certain alloys. Given the price point of this lens though (plastic is cheaper) this is understandable and probably forgivable if price is a concern.

• Very affordable.
• Light and small.
• Overall great image quality.
• Soft edges in images.
• Plastic construction.

Best Full Frame Professional Canon Travel Lens

  canon 24-70mm f/2.8l ii usm.

• Weight:  1.77 lbs/ 805 g
• Dimensions:  3.48” x 4.45”
• Filter Size:  82mm

If you like the idea of having a fast, supremely sharp lens that can outperform all the rest and you don’t have financial concerns, then the Canon 24-70mm f/2.8L II USM is about the best that you can get.

With near-flawless optics, a constant f/2.8 aperture, and superb construction, the Canon 24-70mm f/2.8L II USM is one of the most impressive lenses that you can buy and is our choice for the best professional Canon travel lens.

The Canon 24-70mm f/2.8L II USM is classified as a “medium zoom;” we’d like to call it a “working man’s lens” though because it performs amazingly well and is very reliable. Lenses like these are used by professionals to get shit done. The Canon 24-70mm f/2.8L II USM is no exception.

The Canon 24-70mm f/2.8L II USM’s optics are just about perfect – sharpness is superlative, CA and distortion are extremely well controlled, and mechanics are state-of-the-art. The lens’ autofocus system is silent as the grave and very quick.

The constant f/2.8 aperture performs better when shot wide open than other lenses, so low light photography should be less of a hassle. Throw in a rugged, weather-sealed body that can withstand the elements, and you have a lens that can go anywhere and do (almost) anything.

The Canon 24-70mm f/2.8L II USM is not perfect though. Most noticeably, the lens struggles while shooting subjects up-close – sharpness drops down and focusing becomes finicky at these short distances.

On a more general note, the Canon 24-70mm f/2.8L II USM still lacks image stabilization, which appears to be endemic to all pro-level medium zooms. The price of this lens may make some shudder as well.

• Unbeaten image quality.
• Robust, weather-resistant build.
• Fast aperture and autofocus.
• Very expensive.
• Still no image stabilization?
• Struggles up close.

Best Full Frame Prime Canon Travel Lens

  canon 50mm f/1.8 stm.

• Weight:  5.64 oz/160 g
• Dimensions:  2.72” x 1.54”
• Filter Size:  49mm

Some lenses are just timeless; the Canon 50mm f/1.8 is one of those. For years, the Canon 50mm f/1.8 has been loved and used by thousands of photographers and has solidified itself in their kits. It’s current iteration, the Canon 50mm f/1.8 STM continues the legacy.

There are simply too few lenses that can compete with the Canon 50mm f/1.8 STM’s price point and image quality. This lens is one of the most useful (ever) and travel photographers can grab one for around only $100!

The Canon 50 f/1.8 STM offers great optical quality. When used wide open, the lens has great center sharpness although the edges are somewhat soft.

When stopped down, this softness disappears quickly. CA is well controlled and there is a bit of distortion but latter can be easily fixed in post-processing. Build-wise, the Canon 50mm f/1.8 STM is very-small, near pancake-like, and is built from more durable materials than its predecessors.

One of the reasons the Canon 50mm f/1.8 STM has succeeded so well is its focal length. 50mm lenses, lovingly referred to has “nifty fifties,” are super flexible focal-wise. Nearly any scene can be captured with a 50mm lens, from landscapes to people to urban settings. You can read this article for more on why 50mms are amazing.

Let’s not forget the age-old saying “you get what you pay for” though – the Canon 50 f/1.8 STM, obviously, lacks a lot of things.

Autofocus is reportedly a little sluggish, peak sharpness isn’t achieved until f/5.6, and distortion is apparent, which isn’t something you see very often in prime lenses. Downsides taken into consideration, it’s still hard not to love the Canon 50 f/1.8 STM.

• Price that can’t be beaten.
• Ultra-portable.
• Excellent optics.
• Autofocus can be sluggish.
• Has to be stopped down for best optical quality.
• Some distortion.

Best Full Frame Canon Travel Lens for Landscape Photographers

Canon ef 16-35mm f/4.0l is usm.

• Weight:  1.35 lbs/615 g
• Dimensions:  3.25” x 4.44”

For travel photographers who are going to be taking primarily landscape or, perhaps, interior architecture photos, the Canon EF 16-35mm f/4.0L IS USM is a no-brainer. With astounding optical performance and a relatively lightweight, rugged body, this is the best Canon travel lens for landscape photographers.

Optically, the Canon EF 16-35mm f/4.0L IS USM leaves little to be desired. The lens is amazingly sharp at nearly every aperture until f/16.0 when diffraction sets in. CA is well controlled and distortion, which is very common in wide zooms, is actually well-maintained.

The corners do show vignetting that never really disappears no matter what aperture you’re at but, like distortion, this can be alleviated somewhat in post-processing.

The Canon EF 16-35mm f/4.0L IS USM’s aperture is a little on the slow side and won’t be appropriate for certain situations like astrophotography. Thankfully, this lens does come equipped with image stabilization though, which will be helpful with handheld shooting in low-light as well as videography.

For diehard travel photographers who are constantly on the move, the Canon EF 16-35mm f/4.0L IS USM lightweight will appeal greatly. Given its usefulness, the Canon EF 16-35mm f/4.0L IS USM is quite compact and is thus more versatile.

Thanks to its robust construction as well, this lens will stand up to elements, which landscape photographers will be exposed to quite often.

• Lightweight.
• Excellent optical performance across the spectrum.
• Image stabilization helps with slower aperture.
• Slower aperture.
• Some corner shading.
• Not appropriate for astrophotography.

Best Full Frame Canon Travel Lens for Portrait Photographers

Canon 85mm f/1.8 usm.

• Weight:  15 ozs / 425 g
• Dimensions:  2.95” x 2.81”
• Filter Size:  58mm

Much like the Canon 50mm f/1.8 USM, the Canon 85mm f/1.8 USM stuns with its awesome image quality, small size/weight, and, best of all, unbeatable price. For those who enjoy portrait photography, this is the best travel lens for Canon hands down.

85mm is one of the most widely regarded focal lengths among photographers. At this narrower angle, subjects are isolated wonderfully against their backgrounds and bokeh is usually of that dreamy variety. These lenses are also known for being ridiculously sharp.

What dissuades many newcomer photographers from these 85mm lenses are that they are usually prohibitively expensive. Most of the good ones go for at least $1000 or more (the Canon 85mm f/1.2L is $1,800!!!).  The Canon 85mm f/1.8 USM, on the other hard, is usually found for only (^) though, which is why it’s such an awesome opportunity!’

The Canon 85mm f/1.8 USM delivers in much the same way as its competitors do – sharpness is excellent, the bokeh is smooth, autofocus is quick, and there is little in the way of blemishes e.g. CA, distortion or vignetting. This lens is the real deal.

The Canon 85mm f/1.8 USM does suffer from some very minor issues – shooting wide open often results in soft, CA laden images plus there’s no lens hood included. In my opinion, these flaws are far-and-away forgivable. At the end of the day, this is a must for any portrait photographer.

• Amazing price given its focal length.
• Stellar optics.
• Very compact.
• Little soft when shot wide open.
• Chromatic aberrations when shot wide open as well.
• No lens hood included.

Best Full Frame Canon Travel Lens for Astrophotographers

Rokinon 20mm f/1.8 as ed umc.

• Weight:  1.09 lbs/497 g
• Dimensions:  3.27” x 3.48”

The Korean company Rokinon, or Samyang as it’s sometimes referred to, is most well-known for producing sharp, effective lenses that are very affordable. The Rokinon 20mm f/1.8 AS ED UMC is one such lens. With this lens, you can capture the night sky in all of its splendor and not have to break the bank in the process. For these reasons, we think that the Rokinon 20mm f/1.8 AS ED UMC is the best Canon travel lens for astrophotography.

Rokinon lenses are cheaper because they lack a lot of the electronics that are found in modern day lenses. Autofocus and some recorded data are possible because of these electronic components and so Rokinon lenses cannot do either. When using the Rokinon 20mm f/1.8 AS ED UMC, you’ll have to focus the lens manually and write down the aperture value for future reference.

Honestly, focusing manually isn’t such a hassle especially if your shooting landscapes and starscapes. Since the scene in question is far away and doesn’t really “move,” you won’t have to worry much about shifting focus. For me, the cheaper price tag is worth the sacrifice.

Optically, the Rokinon 20mm f/1.8 AS ED UMC is still a worthy performer. Sharpness is great though you’ll have to deal with some CA at wider apertures; that latter bit maybe tedious as you’ll being shooting at wider apertures near constantly for astrophotography. Try stopping it down just a tad to hit that balance between optimal low light and optical performance.

The body of the Rokinon 20mm f/1.8 AS ED UMC is built from high-grade plastics while the mount is metal; both are quite sturdy. The whole lens can feel quite bulky though not as much as some other full frame lenses.

• Good optical performance for price.
• Distortion is well controlled.
• Fast and wide.
• Slightly bulky.
• Manual only.
• CA and shading at widest aperture

Best Full Frame Canon Travel Lens for Telephoto Lovers

  canon 70-200 f/4.0l usm.

• Weight:  2.99” x 6.77”
• Dimensions:  1.55 lbs/705 g
• Image Stabilization:  No, but can come with IS for a higher price

Telephoto zooms are some of the most expensive lenses out there – they’re bigger, have more moving parts, and contain more glass elements. Many wildlife photographers invest in only one and expect to get their money’s worth out it.

For those who can’t or don’t want to drop a couple of grand on a professional telephoto zoom or need IS, look no further than the Canon 70-200 f/4.0L USM! Though this lens is one of the most affordable in the bunch, it still performs very well. For backpackers who need something less expensive and doesn’t sacrifice much quality, the Canon 70-200 f/4.0L USM is one of the best telephoto Canon travel lenses that you can buy.

There’s not much to hate about how the Canon 70-200 f/4.0L USM performs – images are very sharp, CA is well controlled, and the autofocus is zippy. The corners are a bit soft at longer focal lengths but this is endemic of most telephoto zooms. It can arguably hold its own against other more expensive telephoto zooms outside of low-light situations.

Those who shoot fast-moving subjects or more often in low-light may be wanting something more out of the Canon 70-200 f/4.0L USM – the f/4.0 aperture is somewhat dim and the lack of IS can be a problem. Luckily, that latter gripe can be alleviated by investing a little more in the Canon 70-200 f/4.0L IS USM , which is the same lens albeit with image stabilization.

Being an L-type lens, the Canon 70-200 f/4.0L USM is quite robust and can hold its own against the elements. Weight wise, it’s actually a bit on the lighter side, which I’m sure will appease backpackers. It is not, shorter or less cumbersome than others though.

• Great price for telephoto.
• Excellent optical performance.
• Great autofocus.
• Still relatively big and bulky.
• f/4.0 may leave some wanting.
• No IS, but you can buy a different model with this feature

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All Around Best Canon Lens for Travel (EF-S)

  canon ef-s 17-55mm f/2.8 is usm.

• Weight:  1.42 lbs/645 g
• Dimensions:  3.29” x 4.35”

The Canon EF-S 17-55mm f/2.8 IS USM is a fine lens thanks to its fast aperture, image stabilization, and solid optical performance. If you need a medium zoom lens and like shooting in low-light than we recommend this one as it is our choice for the best Canon EF-S lens for travel photography!

At 17-55mm is roughly 25-85mm in full frame equivalency, which makes it a classic medium zoom. These lenses are usually very useful as they offer an excellent mix of great image quality, fast apertures, and the ability to shoot many subject matters because of its focal range.

The Canon EF-S 17-55mm f/2.8 IS USM is a fine medium zoom for the company’s EF-S line. Optics are generally very good in this lens – sharpness is excellent throughout the aperture range, peaking at f/4.0. Images are a little soft at f/2.8. CA and vignetting are also apparent when this lens is shot wide-open.

Of great benefit is the addition of image stabilization, which, for some reason, isn’t always built into f/2.8 medium zooms. The IS works very well and when you combine it with the fast aperture, you have a lens that functions very well in handheld/low-light situations.

The Canon EF-S 17-55mm f/2.8 IS USM is a bit bulky for an EF-S lens. Some might find this a positive rather than a negative though as its greater bulk is related to its greater durability. Overall, this lens is built rather well and should hold its own.

Finally, this lens is a bit expensive, again, considering that it’s for the EF-S line. If you find the price prohibitive, be sure to take a look at our next lens review!

• Performs very well in low-light.
• Good image quality.
• Quick, silent autofocusing.
• Chromatic aberration and vignetting.
• Slightly more expensive.

Best EF-S Budget Canon Travel Lens:

• Weight:  1.24 lb/565 g
• Dimensions:  3.3” x 3.6”

For those who might find the Canon EF-S 17-55mm f/2.8 too expensive, the Sigma 17-50 f/2.8 EX DC OS HSM is an excellent alternative. For a couple of hundred dollars less, you have a lens that offers similar optical performance, image stabilization, and a fast aperture. The Sigma is one of the best bang-for-your-buck lenses on this list and is our choice for best budget travel lens for Canon’s EF-S mount.

The Sigma 17-50 f/2.8 EX DC OS HSM performs in a very similar way to the Canon EF-S 17-55mm f/2.8 – sharpness is overall very good though the edges are soft, more so in the Sigma than the Canon. Chromatic aberrations are present to some degree and vignetting is a little stronger when the lens is shot wide-open. Each lens does produce slightly different distortions and CAs but these differences are minor enough to feel more like distinct and amiable personality traits.

Image stabilization (referred to as optical stabilization in Sigma lenses) is built into the Sigma 17-50 f/2.8 and works well. Like the Canon EF-S 17-55mm f/2.8, the Sigma 17-50 f/2.8 EX DC OS HSM excels in low-light situations because of its optical stabilization and fast aperture.

The Sigma 17-50 f/2.8 EX DC OS HSM is a bit lighter than the Canon EF-S and the barrel is shorter as well. The plastic construction leaves a bit to be desired but the lens still feels solid enough. Many users report that the focus ring is a bit annoying to use as well.

• Great bang for your buck.
• Excellent center sharpness.
• Fast aperture and IS.
• Edges are soft at lower apertures.
• Tedious focus ring.

Best EF-S Professional Canon Travel Lens

  sigma art 18-35mm f/1.8.

• Weight:  1.78 lb/811 g
• Dimensions:  3.07” x 4.76”
• Filter Size:  72mm

If there was a lens that would convince someone to invest in the EF-S mount, it would be the Sigma Art 18-35mm f/1.8. Simply put, this lens is one of the most gorgeous, most effective, and most admired lenses in all of the photographic world. It is, without question, the best premium EF-S Canon travel lens that a professional could buy

The Sigma Art 18-35mm f/1.8 has it all – amazing optical quality, excellent construction, a fast aperture, and blazing autofocus. Even at its widest aperture (f/1.8), the Sigma Art 18-35mm f/1.8 is amazingly sharp from corner to corner, which is very impressive. Chromatic aberrations, vignetting, and distortion are still present but in microscopic amounts.

The Sigma Art 18-35mm f/1.8 is made from various alloys and feels very robust. Topping out at over 800 grams, this lens is definitely on the heavier side but, for many photographers, this adds a nice balance to the lens and feels good in their hands.

The focal range of the Sigma Art 18-35mm f/1.8 can feel a little limited for some photographers. Luckily, this range still contains some very useful focal lengths and users will still be adept at taking photos of everything from landscapes to portraits. Given the unprecedented performance of this lens as well, we think that it’s a worthy tradeoff.

• Extremely sharp at all apertures.
• Very few optical blemishes (CA, distortion, vignetting, etc).
• Focal range may be too limited for some.

Best EF-S Prime Canon Travel Lens

It’s back! Regardless of which Canon mount that you use, the Canon 50mm f/1.8 STM is still one of the best deals that you can find. Few lenses can compete with this one as no other offers the sharpness, size, and versatility this one does for such a low price. It is, above all else, the best budget Canon lens for travel of any sort, period.

Even though this lens was developed for the full frame Canon EF system, it can still be mounted on an EF-S body. By doing so, the lens’ focal length will effectively be extended – to 75mm – for certain technical reasons . Overall image quality isn’t affected in the least though and some might even find this change more appealing as the increased telephoto effect is great for portraits.

For a complete review of this lens, refer to our former expository . Aside from the focal length, little will be different about the Canon 50mm f/1.8 STM when using it with an Ef-S camera.

• Price that can’t be beat.

Best EF-S Canon Travel Lens for Landscape Photographers

  canon 10-18mm f/4.5-5.6 is stm.

• Weight:  8.47 oz/240 g
• Dimensions:  2.94” x 2.83”

Don’t let this lens’ appearance fool you – this is one of the best Canon travel lenses for landscapes photographers out there and a must-have in their bags. Offering stellar sharpness in a tiny package and at a great price, the Canon 10-18mm f/4.5-5.6 IS STM will serve you very well.

Most look at the Canon 10-18mm f/4.5-5.6 IS STM’s price tag and plastic body and immediately dismiss it as poor craftsmanship. I mean, how could something that looks so basic be worth buying?

Little do they know that the Canon 10-18mm f/4.5-5.6 IS STM is actually an extremely sharp lens at nearly every aperture setting. Seriously! Overall resolution with this lens is very impressive. Vignetting and distortion, which are common in wide-angle zooms, are still present but actually very well controlled. Chromatic aberrations are noticeable at times but these can be fixed in post processing.

Autofocus in the Canon 10-18mm f/4.5-5.6 IS STM is speedy and the included image stabilization is very handy in low-light situations. The extra 4 stops of shake compensation that you get more than makes up for the relatively slow aperture.

At less than 10 ozs as well, the Canon 10-18mm f/4.5-5.6 IS STM is very portable and should take up next to no room in your bag. The Canon 10-18mm f/4.5-5.6 IS STM’s build quality is, justifiably, subject to some criticism for being rudimentary but, given the amazing price of this lens, most will forgive this fault I’m sure.

• Impressively sharp.
• Very good price.
• Some vignetting and distortion.
• Basic plastic construction.
• Chromatic aberrations present around the edges.

Best EF-S Canon Travel Lens Portrait Photographers

  canon 50mm f1/.4 usm.

• Weight:  10.23 oz/290 g
• Dimensions:  2.91” x 1.99”

For those who want a little extra speed to throw out the backgrounds behind their subjects, think about upgrading to the Canon 50mm f/1.4 USM over the f/1.8. The brighter aperture combined with good image quality is sure to create some amazing shots. We at Broke Backpacker definitely recommend this lens to any portrait photographer looking for the best travel lens for Canon.

Like the 50mm f/1.8 that we talked about just prior, the Canon 50mm f1/.4 USM was designed to be used with Canon’s full-frame EF mount. When used with a cropped EF-S mount, the focal length of this lens becomes longer. This gives the benefit of isolated your subjects even more and creates some lovely bokeh.

Optically, the Canon 50mm f1/.4 USM performs well though you’ll have to stop it down to around f/4.0 or f/5.6 to achieve maximum sharpness. When used wide-open,the edges are noticeably soft while the center is somewhat less sharp. Portrait photographers may not notice this softness around the edges or even care about it as these areas are usually blurred from the bokeh anyways.

Most of the time, the Canon 50mm f1/.4 USM’s autofocus performs as it should: quickly and accurately. Many users report that the autofocus can lag at times though. The Canon 50mm f1/.4 USM does tend to behave differently depending on the camera body that it’s mounted on and autofocus may be affected as such.

Build-wise, the Canon 50mm f1/.4 USM is built from high-grade plastics that many complain feel flimsy at times. Regardless of its integrity, which is good enough, the lens is very light and compact. Packing this one around is very easy.

• Very fast aperture.
• Good price.
• Center is sharp and bokeh is dreamy.
• Needs to be stopped down for optimal sharpness.
• Focusing struggles at times.

Best EF-S Canon Travel Lens for Astrophotographers

  samyang 16mm f/2.0 ed as usm cs.

• Weight:  1.28 lb/583 g
• Dimensions:  3.39” x 3.52”

Rokinon/Samyang deliver yet again the best travel Canon lens for astrophotographers. Like full frame Canon users, those who use the EF-S mount will find that Samyang lenses will give them the best low-light performance and for the best price. In summary, the best astrophotography lens for the Canon EF-S mount is the Samyang 16mm f/2.0 ED AS USM CS.

Like most Rokinon/Samyang lenses, image quality is excellent. Center sharpness is great from the get-go at f/2.0, while the edges are only moderately so. Stopping down the lens a bit allows the edges to catch-up sharpness-wise. Chromatic aberration, vignetting, and distortion are all well-controlled.

Even though the Samyang 16mm f/2.0 is built mostly from plastics sans the metal mount the whole lens feels very sturdy. The zoom ring is perfectly damped and feels great to use. Regrettably, there are no hyperfocal markings on the actual lens, which means you’ll have to use a separate app or make the calculations yourself. Investing in a Rokinon/Samyang lens means that you’ll have to relinquish autofocusing. While this could be a problem with certain types of shooting, autofocus isn’t very useful with astrophotography anyways. Shooting landscapes as well shouldn’t be hampered by manual focusing either. Doing both, you’ll hardly miss autofocusing.

• Great center sharpness.
• Good value.
• Fast aperture.
• Needs to be stopped down for edges to catch up.
• Manual focus.
• Lack of hyperfocal scale.

Best EF-S Canon Travel Lens for Telephoto Lovers

  canon ef-s 55-250mm f/4-5.6 is stm.

• Weight:  13.23 lb/ 375 g
• Dimensions:  2.76” x 4.38”

For photographers who use telephoto lenses a lot to shoot wildlife or sports, there’s a lot to love about the Canon EF-S 55-250mm f/4-5.6 IS STM. This a surprisingly sharp lens that performs very well thanks to an effective autofocusing system in addition to image stabilization. Given the amazing price of the lens these days as well, the Canon EF-S 55-250mm f/4-5.6 IS STM should be in almost every Canon EF-S photographer’s bag.

We mentioned just before that the Canon EF-S 55-250mm f/4-5.6 IS STM is a surprisingly sharp lens – it is, in its own right, a very sharp lens actually. Center sharpness is excellent throughout the lens’ focal and aperture range. The edges, though slightly soft, are nice and sharp once the lens is stopped down. Overall sharpness does drop-off beyond the 200mm focal point though.

The Canon EF-S 55-250mm f/4-5.6 IS STM has a fairly slow aperture, one that you’ll probably be stopping down anyways for sharpness. Thankfully, the lens’ internal stabilization is very effective and compensates for 4 stops of shakiness. Combine this with a quick and accurate autofocus system and capturing moving objects should be less of a problem.

Construction wise, the Canon EF-S 55-250mm f/4-5.6 IS STM is just ok. The all-plastic body doesn’t necessarily scream “take me into the wilderness” but it’s still reasonably sturdy. Due to its plastic construction, the Canon EF-S 55-250mm f/4-5.6 IS STM is very light especially so for a telephoto lens. Note that there is no lens hood included with this lens.

• Great sharpness.
• Very lightweight.
• Effective autofocus and IS.
• Aperture’s a little slow.

Now, you  could spend a fat chunk of $$$ on the WRONG present for someone. Wrong size hiking boots, wrong fit backpack, wrong shape sleeping bag… As any adventurer will tell you, gear is a personal choice.

So give the adventurer in your life the gift of convenience: buy them an REI Co-op gift card!  REI is The Broke Backpacker’s retailer of choice for ALL things outdoors, and an REI gift card is the perfect present you can buy from them. And then you won’t have to keep the receipt. 😉

Lenses are just as if not more important as your travel camera ! They are the ones that create the image, that bend the light to then be read by the camera sensor. Sharpness, contrast, color, composition; all of these aspects are influenced greatly by the quality of your lens.

When looking for the best travel lens for your Canon camera, there are many qualities to take into consideration. Size, aperture, IS, and more are all vital components to the making of a great travel lens.

Below is a list of features to consider when looking for the best travel lens for Canon. Note that I’m going to glossing over a lot of photographic concepts here. I’ll try and keep things clear; otherwise, feel free to post any question regarding photography in the comment section below.

Size/Weight

Lenses come in all shapes and sizes from pint-sized pancakes to behemoth, tree-trunk-like tools. How big and heavy a lens thus influences how you carry and use it.

Larger lenses obviously take up more space and so leave less for other lenses or accessories. As you start packing more as well, the weight of your bag gets heavier and heavier. I personally have carried both heavy backpacks and shoulder bags and can say it’s fun for about 5 minutes.

If you have limited space in your camera bag or like lenses that happen to be larger, you’ll have to pick and choose your equipment wisely. Take note of how much a lens weighs and its dimensions and then think about how much you’re willing to carry.

If you’re going to be bringing a lot of equipment with you, be sure to invest in a good travel camera bag as well! You’ll need something spacious and secure to protect your equipment to the max. Read our article on the best travel camera bags for some suggestions!

Along with shutter speed and ISO, aperture is a key part of the exposure triangle , which must be considered if you want to take great photos. Though shutter speed and ISO fall within the realm of the camera, the aperture is directly controlled by the lens. How an aperture behaves directly influences what kind of photos you can take and can also lead to some pretty creative compositions.

A fast aperture – one that is less than or around f/2.8 – is almost always preferable. Though not always the case, a faster aperture is usually indicative of optical quality, It is also useful during certain photographic situations. Without going too deep into the mechanics, a faster aperture means that your camera can take in more light and, thus, be more suited for dimmer situations. Moral of the story: a smaller aperture number (meaning faster) is most often a good thing.

A quick aperture is not always necessary though. Lots of lenses with slower apertures can offer exceptional image quality e.g. the Canon EF 16-35mm f/4.0L IS USM. Besides, most lenses don’t even reach optimal sharpness until they’re stopped down to f/5.6 or f/8. Unless you really need a fast aperture for low-light performance or for creating bokeh, you may not need to spend the extra money.

Focal Length/Type

A lens’ focal length dictates its field of view , which, in turn, determines how large the compositional frame is. The wider the focal length, the wider the field and the more you can capture in a photo. In addition, depth is influenced as well – foregrounds and backgrounds appear closer when shot with a longer lens and further apart with a wider lens. Focal length is measured in millimeters e.g. 12mm, 50mm, 70-200mm.

Certain lenses with certain focal lengths are better for capturing certain scenes. Longer lenses, renowned for their shallow depth of field and isolating qualities, are great for portraits. Wider lenses, with their expansive fields of view, are great for interior shots when space is tight or for capturing big vistas.

Whether or not a lens covers a single focal length or many is something to consider as well. Prime lenses only cover one focal length but are usually sharper and less prone to optical abnormalities. Zoom lenses cover multiple focal lengths but can suffer from image softness, chromatic aberrations, and distortion. Higher quality zoom lenses suffer less from these issues but you’ll have to pay a pretty penny for them.

What type of photographer you are will determine what kind of focal length you find most useful. You’ll often find that certain lengths are more attractive to your style of shooting or that you favor a particular lens over others. Remember too that any lens can be useful if they’re used by a skilled set of hands. A good photographer can take beautiful landscape photos with a telephoto lens or create an alluring portrait using a super-wide angle.

Not every autofocusing system is created equal – some are lightning fast, utilizing state-of-the-art technology, while others are sluggish doofuses that can’t make heads or tails of a subject. How well an autofocus system behaves in a lens may or may not frustrate you depending on your photographic style.

Generally speaking, most lenses autofocus pretty well. Only in rare situations does a lens really suffer from poor autofocus and most of the time these are pretty much shunned.

Certain photographers, like sports or wildlife photographers, may need better than average autofocusing to keep up with their subjects. If you need an autofocus system for your style of shooting, be sure to see if your potential new lens is up to parr. Also know that camera sensors play an important part in autofocusing as well so, if you keep finding yourself unimpressed, it could be more than the lens.

Though autofocusing is currently the dominant trend in modern photographic equipment, lens that use manual focusing are still common. Of particular note, Rokinon/Samyang lenses are only manual focus, a decision made by the company to cut costs.

Manual lenses can still be useful in certain situations. Landscape and astrophotographers feel their limitations less, due to their subject matter, and may even enjoy their vintage-like feel, much like a musician might enjoy an old record.

Filter Thread

Each lens has a certain filter threading found at the front of the barrel, which is used to attach various (you guessed it) filters. These filters e.g. polarizers, NDs, UVs are used for both creative effects and sometimes additional protection.

There really isn’t such a thing as a proper filter threading. Most filter sizes have become standardized and there is almost always a full set of filters for each one. No matter your lens, there’s a filter that will fit it.

Filter sizes do play in part in costs though. If you have multiple lenses with multiple filter threadings, you may end up spending more money for more filters, many of which maybe perform in the same way. Buying the same filter twice just to accommodate different lenses is super annoying.

To avoid this issue, try investing in a single set of filters, preferably with a larger threading, and than use step-down rings. These handy accessories are adapters for your filters and will allow you to install larger filters on lenses with smaller threadings. Or think about investing in a slot-in filter system, which uses a screw-in adapter to hold a plate-like filter. Polarizer filters are not effective with slot-in filter systems.

Image Stabilization

Image stabilization or optical stabilization technology has become extremely commonplace in modern-day lenses. This tech is found in all sorts of lenses, from cheap pieces of shit to luxurious professional-grade glass. It is, at the end of the day, a very useful feature to have in your lenses as it can allow for some very crisp images.

Image stabilization (IS) works by compensating for shake caused by hand holding a camera. This shakiness is, unless you’re using a tripod, often unavoidable. Shakiness appears as blurring in images and so they are usually unusable (though some photographers have found a creative way to use shake). With image stabilization, handheld shooting becomes much easier as you have to worry less about steadying your hand.

Whether or not you need image stabilization is something to consider in choosing the best Canon travel lenses. If you’re a landscape photographer who constantly has their camera mounted on a tripod, image stabilization is pretty redundant. On the other hand, if you shoot subjects that require you to move often or you just like to have your camera ready in your hands, then IS would be useful.

Sensor Size

You’ll see two types of Canon lenses out there: EF and EF-S. This is because certain lenses are designed for certain sensor sizes. EF lenses are meant to be mounted on full frame Canon cameras while EF-S lenses are meant for APS-C or crop sensor Canon cameras.

Lenses are designed to be paired with their corresponding sensor sizes for reasons that are technically challenging and too time-consuming to explain right now. Just understand that a lens will most often function best with the sensor that it was designed for. Some lenses do get along quite well with different sensor sizes and you’ll have to study which ones these are. Keep this in mind when purchasing a travel camera lens.

You can mount full frame lenses on APS-C cameras (and not vice versa), again, for certain technical reasons. Optically, the lens should perform somewhat similar to its native sensor type – vignetting may increase but sharpness is often not affected. Of very important note, the focal range will be lengthened when mounting a full frame lens onto a crop sensor body – a 24mm EF lens mounted onto EF-S camera will behave more like a 35mm lens.

Still have some questions? No problem! We’ve listed and answered the most commonly asked questions below. Here’s what people usually want to know:

What Canon lens do professional photographers use?

Professional Photographers that use (full frame) Canon cameras often use the Canon 24-70mm f/2.8L II USM . If you’re shooting with a Canon EF-S, check out the Sigma Art 18-35mm f/1.8 .

Which lens is best for travel photography?

Travel photography is different than shooting professionally or shooting fixed set ups. Therefore, we recommend the Canon EF 24-105mm f/4.0 L IS USM , which is ideal for your travel adventure.

How can I protect my camera lens?

When storing your camera, make sure you have a high quality camera and lense bag that will prevent pressure points and scratching. Having an additional UV filter will add more protection as well.

How do I know what camera lense I need?

First, find out what kind of camera you have. There are all kinds lenses for different camera types. Then figure out what your main shooting style (travel, professional, landscape, etc) will be and choose the lense accordingly.

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So there you have them – the best travel lenses for Canon! We’ve covered 16 lenses – 8 for each of Canon’s mounts – and every one of them is unique. Each one has its own strengths and weaknesses and each quality needs to be taken into consideration when looking for the best Canon lenses for travel photography.

Consider what kind of photographer you are and what kind of lens(es) you need. Do you like to photograph wildlife or faraway subject? Then buy a telephoto lens like the Canon 70-200mm f/4.0 L USM. Maybe you like to shoot landscapes and want to try your hand at astrophotography? Invest in a fast, wide-angle prime like the Rokinon 20mm f/1.8 then!

Once you’ve realized what kind of travel photography you want practice, it’s just a matter of choosing the best Canon travel lens for yourself. Know that each one will be different and that each will dramatically affect the quality of your pictures. Lenses are, after all, the apparatus that creates the image in the first place.

So think carefully about which Canon travel lens is best for you. As one photographer once told me: “you don’t invest in an expensive camera; you invest in great glass.” Upon reaching a conclusion, just buy it! You’ll feel good knowing that you did your homework and bought the perfect lens for yourself.

And for transparency’s sake, please know that some of the links in our content are affiliate links . That means that if you book your accommodation, buy your gear, or sort your insurance through our link, we earn a small commission (at no extra cost to you). That said, we only link to the gear we trust and never recommend services we don’t believe are up to scratch. Again, thank you!

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great article but surprised not to see 18-135 or 15-85 for EF-S.

I’d suggest the two Canon EF pancake lenses, the 40 and 24 F2.8s, for full frame and crop Canons respectively. Great, discrete, inexpensive and super light lenses.

nice article, thank you 🙂

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The Only 3 Full-Frame Lenses You Need for Travel Photography

For the photographers whose studio extends far beyond the four walls, and for jetsetters and road warriors who are called to a life of travel photography, full-frame lenses are all but essential. Photography is like any passion or hobby — there are so many new, amazing, and shiny tools including the best travel lens that can get a job done and suit anyone’s liking.

But when you’re traveling, it’s not all about having the lens with the best performance. Weight, durability, and versatility all play a significant role during traveling. As a travel photographer , you can’t just pack up everything including the kitchen sink. You have to choose your tools wisely when shooting photos while on the road. So here is a list of the top travel lenses for photographers ready to capture and photograph the world.

But before I go into discussing the list, I want to give a quick tip that I’ve learned over the years when I travel: unless your job requires it, leave the prime lenses at home. While there are some fantastic options out there, especially for portrait photography, prime lenses lack the versatility and range of a zoom lens. Every trip I’ve gone on, I’ve always brought a prime, and every time, it’s gone unused because I have more reliable and more versatile lenses that I grab and use first. Save yourself the extra weight and skip the prime lenses when doing jobs on the road and opt for these full-frame lenses instead.

How to choose the best travel lens: 6 features to look for

While there are exceptions to the rule, typically, a great lens for travel photography will have these six features.

Portability

If you’re a photographer who travels often for work, you typically don’t want to be lugging around camera lenses that are big, bulky, and heavy. You want to focus on lenses that are lightweight, and compact in design. You want a best travel lens that is easy to carry, store, and transport, whether you’re spending all day at the airport or in the field at your destination.

The best travel lens is built to be durable. Look for lenses that are weather-sealed and designed well. While it’s easy to grab the least expensive lens on the market, investing in lenses that are well-built and sealed to protect against elements like water, dust, and sand will provide peace of mind when traveling to new locations with variable, challenging weather conditions.

Versatility

As a travel photographer, it’s important to invest in lenses that offer the most versatility. You want to avoid carrying unnecessary lenses and weight. Whether you prefer primes or zoom lenses , focus on focal lengths and zoom range that can handle a variety of locations and can capture different photography types .

A wide, fixed aperture

Having a wide, fixed aperture, like at f/2.8 or f/4, which are both popular fixed apertures for zoom lenses, allows you to shoot in variable lighting conditions while keeping that wide aperture throughout your focal range. This means greater low-light performance and control, so you can photograph throughout the day in a variety of locations as you travel.

Fast autofocus

When it comes to travel photography, beautiful moments happen so fast. In a blink of an eye, they can change. Having a lens with a fast, reliable autofocus is important, so you can confidently capture those rare, fleeting moments before they disappear.

In-lens stabilization

Last, look for lenses that have in-lens stabilization built-in. This allows you to shoot hand-held more confidently at slower shutter speeds. Pairing good lens stabilization with in-body camera stabilization makes for a fantastic “run-and-gun” travel kit. This allows you to move quickly and capture more on the go.

The Best Full-Frame Travel Lens for Travel Photography

1. the ultra wide zoom lens.

Wide-angle lenses are the ultimate go-to lens for any photographer looking to capture the beauty of landscapes, cityscapes, hotel buildings, or residential properties. These lenses are great for tight spaces or wide-sweeping vistas. They capture a perspective that the human eye simply cannot see without assistance. This added depth creates wonders when you have a suitable FX body attached.

Below are some of the best ultra-wide zoom lenses on the market. These lenses are well constructed, have a lower aperture range, and create sharp, beautiful images with little to no barrel distortion or fish-eye effect. And while these lenses tend to be bulkier and heavier than conventional lenses, their capabilities are worth their weight in gold.

Nikon 14-24mm f/2.8G ED-IF AF-S NIKKOR Lens

Canon ef 16-35mm f/2.8l iii usm lens, sony fe 16-35mm f/2.8 gm (g master) e-mount lens, sigma 14-24mm f/2.8 dg hsm art wide-angle zoom lens, sony 16-35mm f/2.8 vario-sonnar t* za ssm ii zeiss a-mount lens, 2. the “do it all” lens.

All-around lenses are in the middle of the spectrum in terms of usability. Most lens manufacturers have these full-frame lenses. A 24-70mm lens is the jack of all trades or the Swiss Army knife of lenses. It’s wide enough for landscape photography , yet it has the range to get tight for portraits or close-up shots. If I had to choose one lens to take with me on a trip, I would pick the 24-70mm lens. While they are expensive (and good glass is always expensive), this type of lens is worth every penny.

I always tell people to invest in quality, not quantity. This mentality should be the first lens you invest in if you want to get serious about photography. It can cover the majority of photography work and will become your best friend. Most of the 24-70mm lenses are incredibly sharp with creamy bokeh throughout the zoom range. They’re also high performing, fast, and silent. Here are fantastic lens options on the market right now:

Canon EF 24-70mm f/2.8L II USM Lens

Nikon af-s nikkor 24-70mm f/2.8e ed vr lens, sony fe 24-70mm f/2.8 gm (g master) e-mount lens, tamron sp 24-70mm f/2.8 di vc usd g2 lens, nikon 24-85mm f/3.5-4.5g ed af-s vr nikkor lens, sigma 24-70mm f2.8 dg os hsm if art lens, 3. the telephoto lens.

Having the best telephoto lens in your travel kit is a must if you wish to dabble in landscape photography. The ability to add greater reach to your camera’s focal length is vital, especially when you’re shooting wildlife photography or detailed landscapes like mountain photography .

I can’t tell you how many times I’ve started with my 24-70mm, then switched to a 70-200mm or something higher. This helps me get tighter and more detailed shots that frame a beautiful section of mountain or ridgeline. You get to capture the true character and personality of a landscape when you do this. It can really add some stunning results to your portfolio. Normally, I recommend a 70-200mm telephoto zoom lens because of its versatility and ability to shoot events, weddings, portraits, or street photography without being intrusive to others, while adding on the focal range for landscape.

Some people choose something that’s a little longer, like a 100-400mm. However, that can add weight and get even more expensive. So here are top choices for 70-200mm telephoto lenses, with a lower F/2.8 aperture, quick performance, and silent functionality. Below are some of the best telephoto full-frame lenses available in the market today. Any of these options should yield fantastic results and provide a reliable telephoto lens for travel:

Canon EF 70-200mm f/2.8L IS III USM Lens

Nikon af-s nikkor 70-200mm f/2.8e fl ed vr lens, sony fe 70-200mm f/2.8 gm (g master) oss e-mount lens, tamron sp 70-200mm f/2.8 di vc usd g2 lens, nikon nikkor z 70-200mm f/2.8 vr s lens.

Now, a downside to telephoto lenses is their weight. They are the heaviest full-frame lenses on the market due to the size of the glass and metal needed for the extra focal length. However, if you aren’t shooting events or using your telephoto lens in a dark or dimly lit location, you can aim for a lens with a higher aperture — say an F/4 — and cut down weight and cost significantly. Here are lighter models that can really help while traveling. They are a better alternative if weight and cost are important:

Canon EF 70-200mm f/4L IS II USM Lens

Canon rf 70-200mm f/4l is usm lens, sony fe 70-200mm f/4.0 g oss e mount lens, panasonic 70-200mm f/4 lumix s pro o.i.s. l-mount lens.

In conclusion, these three lens types should be the three amigos in your travel kit. With an ultra-wide zoom lens, “Do-It-All,” 24-70mm, and telephoto lens by your side, there is nothing you can’t photograph well, and you won’t have extra lenses that weigh you down and fill up your camera bag while on the road. If you want to shoot simply and travel smartly, these are the best lenses to own and invest in.

Nathan Lee Allen

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Best Fuji Lenses for Stunning Travel Photos (In 2024)

Trying to pick a lens to buy can be a super daunting task. I remember when I finally decided to upgrade from the kit lens that camera with my camera, and I had to do SO MUCH GOOGLING. How can you possibly decide what lens is best for you? It came with learning a ton of terminology I had never grappled with before: Aperture. Focal length. IQ (Image Quality).

There is a sea of choice and as beginners looking for information it’s hard to know what’s going to be best.

There there is the fact that lenses are expensive .

The last thing you want to have happen is that you buy a lens and then you don’t like it! 😱

I personally own and have purchased all the lenses in this guide (except one I borrowed 😁), so I can provide you with lots of sample images taken with each lens to help your decision-making process!

Read on for a guide on picking a Fujifilm lens for travel , including information on how to choose a lens based on the kind of pictures you want to capture, and my top pick if you have to pick just ONE lens .

This post was originally published in January 2019, and has been updated for Summer 2024 with the latest additions to Fujifilm’s lens lineup.

What makes a great lens for travel?

I have a few main criteria when picking lenses for travel. Any lens needs to match at least 2 of the following three criteria:

• Lightweight – You don’t want to have shoulder pain from carrying a ton of gear by hauling heavy gear around for long hours while traveling.
• Versatile – You’ll find no ultra-specialty lenses in this guide, only meant for one thing. Every lens needs to help me in a couple different ways.
• Necessary – Whether I absolutely need to pack the lens because I’ll be in a special situation, like shooting wildlife.

Hence, all of the lenses I include here are at least two of these things, and hopefully they are more like all three!

Why did I pick Fujifilm?

Back in the day when I started looking for a camera, a friend of mine who majored in Film in college unequivocally recommended that I start my photography journey with Fujifilm .

A big part of the draw is that Fujifilm focuses on mirrorless cameras , which are smaller and more light-weight than bulky DSLRs. When I know that my images will end up on this blog, rather than a billboard, I don’t need the difference between the 24 megapixels of the $1,000 Fujifilm X-T2 and the 30 megapixels of the $3,000 Canon 5D Mark IV.

I will keep my extra $2,000, thanks!

And in turn, I have a camera that’s light enough to pop in my day bag without me noticing the weight.

That can be a huge benefit when you’re traveling, because the last thing you want to do is leave your camera in your room because it’s too heavy and you don’t want it to weigh you down.

Best Fuji Lens For Travel Photography

As I said before, I personally own or have extensively used all of these Fujifilm lenses. So you know you’re getting recommendations based on my experience!

If you have any questions about them , please LEAVE A COMMENT! I am more than happy to help you pick the lens that is going to meet your individual needs and help you capture the kind of photos you dream about 😄

Legend WR - Weather resistant (can withstand rain and below freezing temperatures). OIS - Optical image stabilization (helpful with zoom lenses to avoid blurry photos). ★ - My all-time favorite lens!

1. Fujinon XF 16mm f1.4

This is one lens that I always bring with me when traveling. A wide-angle lens is a super necessary part of the traveler’s arsenal. If you aren’t familiar with wide-angle lenses, it essentially means that you can fit more in to the picture than with a typical lens. This can be great, but it also means sometimes you need to get really close to something in order to use this lens and get the framing that you want.

Use this lens for: Landscapes, tight indoor spaces, low light photography, astrophotography, architecture.

The reason I think a wide angle lens is necessary for every traveler is because these kinds of situations are the ones we encounter a lot.

• Want to get that beautiful mountain landscape? Wide angle.
• Want to photograph that impressive church or parliament building? Wide angle.
• Want to capture people in the context of an landscape, instagram-style? Wide. Angle!
• “Follow me” style portraits? If that’s what you want, you need a wide angle!

There are a lot of shots you just miss if you don’t bring a wide angle lens.

What makes this lens special This lens can focus very closely and has a very wide aperture. What it means is you can get bokeh (blurry background) from a wide angle lens by getting close, which is not a very common thing at all. The wide aperture also makes it a great candidate for night photos, I’ve used it to take plenty of photos of stars and northern lights!

My best tip for using a wide-angle lens is GET CLOSER any time you are using it and you are not shooting a landscape!

If you’re still not sure, you can read my detailed Fujifilm 16mm f1.4 review for more sample images and an in-depth look at this lens.

Alternatives: Fuji’s other wide-angle lenses

Prime lenses : These lenses don’t zoom, but are often lighter and more compact than their zoomable counterparts. Fuji is known for its primes, and you can save hundreds of dollars if you don’t really need the f1.4 aperture and can sacrifice a little sharpness.

• 16mm f2.8 WR – Very affordable alternative to the 16mm f1.4 which was just released last year (in 2019). Weather resistant, compact, and has consistently great reviews .
• 14mm f2.8 – Has a wider angle but is not weather resistant. A good option for astrophotography or taking pictures of the northern lights.
• 18mm f2.8 – Affordable and compact wide angle lens, but not weather resistant.

Zoom lenses : Fuji has a number of wide to mid-range zoom lenses. There are a few besides these, but these are the most modern and/or the ones with the best quality. You can find them at an entire range of price points as well.

• 16-55mm f2.8 WR – Considered the highest quality wide-to-midrange zoom in Fujifilm’s lineup. Weather resistant, though a little bit on the heavy side. With the the latest Fujifilm camera bodies you can even bundle this lens as your kit lens for a steal.
• 10-24mm f4 – Possibly the best lens for landscape photographers. Super versatile because it’s a zoom, but only f4 which is not really enough for low light. It does have optical image stabilization (OIS), which will help with handheld shots.
• 16-80mm f4 WR – Fuji’s newest zoom offering (as of January 2020). Reviews for this lens are, however, mixed at best. Many are waiting for firmware updates to see if some of the key focus issues are resolved. Has optical image stabilization (OIS).

The reason I chose the 16mm f1.4 over these lenses is I wanted to be able to take low light photos , for example photos of the northern lights or stars. But, still have the flexibility of a lens that isn’t “ultra wide”. Any of these cameras can also take low-light photos, but you’ll need to hold the shutter open for longer, which could mean the stars have moved. Plus, since it’s weather resistant, I can use it in rain, snow, and winter which is important for me!

Check current price for Fuji's 16mm f1.4 on Amazon

2. Fujinon XF 35mm f1.4

I’ve owned this lens for a couple years now, I’ve added new lenses to my kit in the mean time, but none of them really displaced the 35mm lens as being my favorite lens I own .

It’s not just me – a lot of people say that the 35mm f1.4 lens by Fujifilm is the standard by which all other lenses should be judged. It’s super sharp, has gorgeous bokeh, and the image quality is just really, really beautiful. You can take a picture of garbage with this lens and it will look like magic. Seriously.

Use this lens for Everything! This is my all-time favorite lens.

The first big trip I took this lens on was Japan, where I was still using a super low-end camera that didn’t even have a viewfinder – meaning, I was composing all my photos by looking at the LCD screen. Even with the low-end camera body (and the very sad fact that I did not shoot in RAW :sad:), I captured so many beautiful photos in Japan.

The fact that these photos look so good is a testament to the fact that the lens matters more than the camera when it comes to getting great shots. Yes, having both is best, especially in extreme conditions (low light or fast-moving subjects) but in 90% of travel scenarios, the lens is what is responsible for the beautiful image.

Now, this lens is one of the oldest lenses that Fuji makes. So you need to be aware that it has some drawbacks – it is slower and louder to focus than more modern lenses. It’s simply a fact that technology has progressed since this lens came out.

For me, even with those two facts, I love the images created by this lens so much that I don’t mind. It normally doesn’t affect me at all, but you should be aware that more modern “versions” of this lens like the Fujinon XF 35mm f2 have greatly improved on these issues. That said, I take the f1.4 over the f2 any day!

Alternatives The Fujinon XF 35mm f2 is a very good alternative to this lens. It’s fast to focus, compact, weather sealed, and costs about $200 less. The question for you is whether you are really looking for that extra magic from the original lens – something only you can decide!

Check current price for Fuji's 35mm f1.4 on Amazon

3. Fujinon XF 23mm f2 WR

I originally bought this lens for an upcoming trip to Iceland during the winter, because I knew that I needed to have more than one weather-resistant lens. I already owned the 16mm lens, but I needed something that would be useful for everything in between.

This lens has a couple of key benefits: it focuses really fast and quietly (meaning, great for snapshots but also video), it’s very lightweight, and of course it is weather resistant so you can feel safe using it in rain and snow.

Use this lens for Just about everything!

Here you can see the snow is falling everywhere and I am basically unconcerned about using this camera in very low temperatures. Officially, Fujifilm’s weather resistant cameras and lenses operate as low as -10°C / 14°F. I’m not sure if I’ve gone lower than this before, but with the wind and cold it would not surprise me (especially when I was out photographing northern lights, brrrr!)

The two most classic focal lengths are the 23mm and the 35mm on a crop sensor. That’s because these lengths are very versatile – in fact, 23mm is considered to be the same as the human eye, making the photos feel natural in what they contain.

The fact that the Fujifilm 23mm XF f2 lens has a maximum aperture of f/2 means that it’s much lighter than anything at f1.4, just because it takes a lot more glass to accomplish wider apertures. That said, f2 is perfectly good for a lot of low light photography. Check out this slightly longer exposure of the parliament building in Budapest.

Alternatives The main alternative is the 23mm f1.4 lens, which is an absolutely gorgeous lens. If you are looking for a lens that is a little bit wide angle but can still do very low-light, it is a great option. Unfortunately that lens is not weather resistant, so you can’t take it everywhere you can take the 23mm f2.

Check current price for Fuji's 23mm f2 on Amazon

4. Fujinon XF 50-140mm f2.8 WR LM OIS + 2x Teleconverter

I’m not going to lie, this lens is a bit of a beast. It’s larger than my head (though that’s not to say I have a particularly large head). That said, I’m not a big girl, and I had no trouble wielding this lens while I was on safari to take wildlife photos. Yes, the lens is heavier than any of Fujifilm’s prime lenses, but there are photos you can’t capture without it . Cropping a photo can only get you so far. If you’re going somewhere in nature where you think you’ll see some animals, I can’t recommend anything more than to bring a powerful zoom lens with you.

Use this lens for: Wildlife, safari, nature, portraits

This photo shows BOTH the 50-140mm attached, as well as the 2x teleconverter. Without the teleconverter, it would be about 2 1/2 inches shorter.

How does a teleconverter work? A teleconverter is basically like a smaller lens that you attach to an existing lens. It’s going to allow that lens to zoom in further, but it also reduces the amount of light getting into the lens. For example, if you attach a 2x teleconverter to the 50-140mm f2.8 lens, the lens will have the reach of 100-280mm f5.6. This is a great way to be able to zoom in twice as much as you could before, but do be aware, teleconverters are expensive and basically cost as much as a smaller lens themselves!

Did you know? Zoom lenses with a longer focal length (meaning, bigger number of “mm”) are often used to take portraits? This is because they provide the face with nice proportions, and compress the background to better isolate the subject!

As you can imagine with these photos above and below, I could’ve never captured them on a different lens. But they are somehow magical in their own right, and totally worth it.

Alternatives: Fuji’s other telephoto lenses

• 100-400mm f4 is the main alternative if you’re specifically looking to shoot wildlife . The real question here is whether you want something portable or you care about getting CLOSE. For mega, mega close photos, you’re going to need the 100-400mm lens. But if you are looking for a flexible middle ground, stick with the 50-140mm.
• 55-200mm f3.5-f4.8 is probably considered the best bang-for-your-buck zoom from Fuji. Pros: Affordable, great range, great image quality, comparatively lightweight. Cons: Not weather resistant, not as wide aperture, cannot be extended with a teleconverter. It has consistently stellar reviews on Amazon and around the web despite those tradeoffs.

Check current price for Fuji's 50-140mm f2.8 on Amazon

5. Fujinon XF 27mm f2.8

Did you know that tiny lenses like this are often called pancake lenses ? Because they are flat and compact like a pancake! If you’re looking for a lens to put on your camera to bring your camera with you anywhere, this would be a great lens for that. It’s so light it feels like nothing around your neck.

Use this lens for: Street photography, sharp landscapes, keeping a low profile

But my most prominent usage of this lens is when I want to keep a low profile, and not look like I have a thousand dollars hanging from my neck. Or, I want to be able to zip up my camera under my jacket without it being too noticeable.

For example, I went to Rio de Janeiro , which is unfortunately famous for petty theft against tourists. But at least with this lens and a light jacket, I could snap some photos without looking too much like a walking target the whole time. The bigger challenge was how much I was sweating while wearing a jacket in Rio 😂

Photo taken in Rio de Janeiro on Copacabana Beach

Besides just for places where you don’t want to flash a huge camera and lens setup, it can sometimes just be nice to pack light and not worry too much about switching lenses. If I need to take just one lens, it’s probably either this one or my favorite lens (described at the bottom of this post!).

Alternatives The 27mm is not the only Fuji pancake lens available, you can also pick up the 18mm f2.8 .

Both can be good options, it just depends on whether you want to have a wide-angle lens or a more neutral focal length. Given I already own the 16mm, adding the 18mm would be too similar. I also own the Fuji kit lens which starts at 18mm, so it would be too much repetition all around.

Check current price for Fuji's 27mm f2.8 on Amazon

Compatible Fujifilm X-Series Cameras

You can choose any X-mount compatible camera. I personally use and love the Fujifilm X-T2 , which comes with me absolutely everywhere. But the Fujifilm X-T30 (linked below) has the same image quality, just slightly less performance and is not weather-resistant (which maybe you don’t really need, it depends on where you’ll travel!).

The important thing is to invest in lenses because new cameras are released every year, but lenses stand the test of time and will serve you for many years to come.

Plus, lens quality affects your photos more than the camera in the vast majority of cases. Of course, a high end lens on a cheap camera is like putting a sports car motor in a Buick, but we’ve all got to upgrade gradually so it’s totally fine!

You don’t have to spend all your money at once, just start small and pick a camera and a lens that is going to give you the photos you want. You can always upgrade over the years 😄

The latest version of the Fujifilm X-series flagship cameras

Same quality as the X-T2 but without weather resistance.

The camera I use. Still excellent and can be found at good prices.

TIP – Fuji is about to release the Fujifilm X-T4 . Unless you need the in-body stabilization or new flip-out LCD screen, you can get the same sensor in the Fujifilm X-T3 at a significant savings!

Lenses recommended in this post

As I said at the beginning of the post, these are all lenses that I have bought with my own money or (in one case) borrowed and traveled with extensively. If you have any questions , please feel free to leave me a comment and I’ll do my best to help you determine which lens is going to help you capture the travel photos you want!

Landscapes, architecture, astrophotography.

General purpose, classic, sharp, the gold standard.

Landscapes, street photography, low profile.

General purpose, versatile, everyday lens that's weather-resistent

Wildlife, safari, portraits, zoom

Extend zoom ability of the 50-140mm lens.

More Fujifilm accessories

Lenses are probably the most important piece of your arsenal when it comes to producing beautiful images. But there are also lots of other useful Fujifilm accessories that will help you capture images you can’t get without them! Keep reading this post for accessories to add to your travel photography kit .

In my 5+ years shooting with Fuji cameras, these are the best Fujifilm accessories that can help you boost your image quality and create stunning photos.

About the author

Hi there! I'm Monica, an American expat living in Germany for over six years and using every opportunity to explore the world from my homebase in Berlin. My goal is to capture my memories in photos and posts that show how easy it is to start from scratch and travel the world by working abroad.

Follow along on Instagram , Twitter , Bloglovin , & Facebook .

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Best Canon Lens for Travel Photography

photo by martin-dm via iStock

If you have a Canon camera and aren’t sure what Canon lens to bring on your next trip, you’ve come to the right place! I’m here to tell you which are the best canon lenses for travel photography and why.

The main thing to consider when deciding on a Canon travel lens is portability. Other things you will want to consider are focal length, aperture, image stabilization, mount compatibility, weather sealing, and, of course, price.  

When traveling, you have limited space and, unfortunately, most of the time, it’s impossible to bring your whole kit. Carrying only one or two lenses is what I recommend for most people. That’s why choosing the right lenses is critical! 

Zoom lenses are a popular choice for travel photographers due to their versatility, while new superzoom lenses are also gaining popularity. Prime lenses are less versatile, and telephoto’s are often quite heavy, but depending on the type of travel photography you like to shoot, they can also come in handy. 

With all that said, let’s jump into this ultimate guide of the best Canon lenses for travel photography! 

Best Canon Zoom Lens for Travel Photography

The Canon EF 24-105mm ​​f/4L IS USM is my overall favorite canon travel lens! Speaking plainly, it’s hands down one of the best lenses for travel photography ever built, regardless of brand. 

For starters, it weighs in at a very reasonable 1 pound, 8 ounces, and has an incredibly useful 24-105mm focal length. If you’re using it on an APS-C camera, the focal length grows by 1.6x to 38.4-168mm. 

Additionally, the constant f/4 aperture helps in low light situations and creates a nice bokeh effect when shooting portraits and street photography. 

If you shoot video, this lens works great too! It has image stabilizer technology built into the lens, which helps avoid shaky footage, and if paired with a gimbal, it works even better! It’s a top choice by travel vloggers, wedding videographers, and documentary filmmakers alike.  

Other fantastic features of this Canon lens for travel photography include a dust and moisture resistant metal construction, silent and quick autofocus, and a large easy to use focus ring.

Best Canon Superzoom Lens for Travel Photography

Superzooms have been getting extremely popular in the world of travel photography in recent years due to more of them being made as well as the fact that they cover such a wide range of focal lengths.

Without a doubt, the best superzoom lens for travel photography is the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM ! If you only want to carry one lens when you travel, this is certainly the best Canon lens for travel photography. 

At almost half the price of the Canon 24-70mm that we just spoke about, this is a terrific budget lens for travel photography. It weighs in 1 pound, 5 ounces,, which is also less than the 24-70mm and has an unbelievable zoom range of 18-300 (28.8-480 with an APS-C camera). 

More travel features I love are the fast autofocus, optical stabilization, a zoom lock switch which helps prevent accidental zoom adjustments, and its compact build.  

The biggest faults of this lens are the plastic body and the lack of any sort of weather resistance. When shooting outdoors, you have to be a little more careful with it and try to avoid dust and water. Also, when compared with the Canon 24-70mm, the images aren’t quite as sharp. 

Learn More:

• Best Canon Camera for Travel
• Top Photography Travel Bags

Best Canon Prime Lens for Travel Photography

The Canon EF 50mm f/1.8 STM is the perfect prime lens for travel photography to pair with a traditional zoom lens. This nifty fifty is compact and lightweight (6 ounces) and will take up almost no additional space in your camera bag. 

With this lens on, your camera will be much more low key and may even fit in your jacket pocket, depending on which body you pair it with. 

The 50mm focal length is the closest to that of the natural eye and is a superb option for street photography. Additionally, the f/1.8 aperture makes this lens great for shooting portraits, sports, and astrophotography!

Further features this lens provides are an 80mm focal length when paired with an APS-C camera, smooth and silent autofocus when shooting video, a metal mount to increase its durability, and the fact that it’s the most compact Canon 50mm lens ever! 

Best Canon Telephoto Lens for Travel Photography

The majority of people won’t want to travel with a telephoto lens since they are some of the biggest and heaviest lenses out there, but if you like photographing animals, sports, or super detailed shots (of architecture, for example), you may decide you need to pack one. 

My go-to Canon telephoto lens for travel photography is the Canon EF 100-400mm f/4.5-5.6L IS II USM . That’s a whopping 160-640mm when paired with an APS-C crop sensor camera. It’s compact for a lens of its focal length, but at 3 pounds, 7 ounces, it’s definitely not light. 

This lens was built for the outdoors and is extremely weather-resistant. You can comfortably take this beast even into the harshest of conditions without a second thought.  

Moreover, it has three image stabilization modes that deliver astounding results no matter the situation. There are tons of customization options on this lens, too, so you can set it up and adjust it however it best works for you. 

One thing to keep in mind is that this is certainly a professional lens. The performance and the price tag both reinforce that. While the quality of the images is hard to match, unless you are a pro photographer, I’d opt for a superzoom such as the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM . 

Final thoughts on the Best Canon Telephoto Lens for Travel Photography

photo by alejomiranda  via iStock

Personally, I like to travel with two lenses when I travel. If I’m going to be mostly staying in the city, I’ll go for a setup that includes a zoom lens and a prime lens.

On the other hand, if I’m going to be heading into nature, I like to pack a superzoom and a prime. The extra zoom range is useful for both wide dramatic landscapes shots as well as close-up animal shots. 

Want to see more options? Check out these bonus Canon lenses for travel photography:  

• Canon 24-70mm f/2.8L II
• Sigma 18-200mm f/3.5-6.3 DC Macro OS HSM
• Canon EF 16-35mm f/4L IS
• Tamron 28-300mm f/3.5-6.3 Di VC
• Tamron 18-400mm f/3.5-6.3 VC

And if you have a Canon mirrorless camera with the RF mount, these lenses are great choices: 

• Canon RF 50mm f/1.8 STM
• Canon RF 24-70mm F2.8 L IS USM
• Canon RF 15-35mm F2.8 L IS USM
• Canon RF70-200mm F4 L is USM
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• How to Get Started With Travel Photography

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THE 7 BEST Canon Lenses for Travel Photography

Are you going on a trip with your Canon camera and looking for a new lens? Sorting through the host of lens options can leave your head spinning. From zoom lenses versus prime lenses to different aperture sizes and focal lengths— there are just so many things to consider. I have used a total of 10 different lenses over the last several years for my photography endeavors and this article lays out my picks for the best Canon lenses for travel photography.

If you use a Nikon or Sony platform for your travel photography, check our lists of the  best Nikon lenses  and  best Sony lenses  for travel. If you need something more compact than DSLR or mirrorless cameras with interchangeable lenses, check out our list of the best compact cameras for travel .

A Quick Review of Some Photography Terms:

Just in case you need a refresher on some photography lingo, here are some important terms to know when purchasing a lens in order to understand the tradeoffs you might be making:

• FOCAL LENGTH: focal length is the distance between the focal point (where the light captured by the lens converges into a focused image) and the sensor of the camera. It is measured in millimeters. A longer focal length will be more “zoomed in” whereas a shorter focal length will be more zoomed out.
• APERTURE: aperture size is measured with the f/stop. F/stop is actually a ratio between the length of the lens focal length and the diameter of the aperture opening. You may have seen it as something like f/1.4. This is an abbreviation and the full way to write this is as f 1/1.4, with the 1 representing the length of the focal length and the 1.4 representing the diameter of the aperture. This means that the lower the f/stop number (i.e. f/2.8 versus f/1.4), the wider the aperture. Additionally, halving of the f/stop represents a doubling of the level of exposure. So for example, f/1.4 will result in twice the exposure of f/2.8. Wide apertures do two things: 1, allow more light to hit the sensor, increasing the exposure, and 2, create a more shallow depth of field, which is the amount of space in focus. This is a large contributor to the amount of bokeh, or background blur, present in a photograph.
• ISO: This term originates from film photography, where an ISO level was fixed for each type of film. Higher ISO meant a higher level of exposure on an image. In digital cameras today, ISO is actually a form of in-camera post processing. Increasing your ISO may increase the exposure of your image without having to change the other settings, but it also runs the risk of making your photo extremely grainy. I recommend that you increase ISO only as a last resort when taking a photo.
• STOP (OF EXPOSURE): a stop of exposure is a relative measurement of the amount of light that the sensor is being exposed to. An increase of one stop of exposure equates to a doubling of the amount of light hitting the sensor, and a decrease of one stop of light equates to a halving of the amount of light hitting the sensor.

My Picks for the 7 Best Canon Lenses for Travel Photography:

Overall best canon lens for travel photography:, canon rf 24-70mm f/2.8l is usm – $2,399 $2,199, currently on sale.

The Canon RF 24-70 mm f/2.8L IS USM lens is incredibly popular for good reason. When taking travel photos, I want something that gives me a lot of options. I find the wider angle lenses in the 24mm to 40 mm range tend to be best for things like travel portraits and street photography because they include more of the environment in the photograph without having to get extremely far away.

[Check out this article to see Canon’s newest lens – a serious contender for the title of best Canon lens for travel photography.]

The lens’ focal length allows for extreme versatility while also allowing for a wide enough aperture for low-light shots. This lens will also give you the background-foreground compression of a telephoto lens for dramatic scenes and flattering travel portraits. As far as performance, image quality is unmatched and the autofocus is precise and fast. 

The downside of this lens is its size and weight. The Canon RF 24-70 mm f/2.8 is just under 2 lbs. This might weigh your backpack down a bit. In my opinion, the functionality is well worth it. But if you’re traveling light, you may want to choose a prime lens instead (see below).

The level of versatility of this lens also does not come cheap though. Equivalent lenses will cost you from around $1300 for the Sigma budget equivalent to $2,999 for Canon’s top-of-the-line RF 24-70mm f/2L USM lens.

• Can zoom between wide angle (24 mm) and telephoto (70 mm)
• Good lowlight performance due to the f/2.8 aperture
• Crystal clear image quality
• Built-in Image Stabilization
• Expensive. Budget versions are still over $1000
• Heavy (nearly 2 lbs)

Canon EF Version: Canon EF 24-70mm f/2.8L II USM ($1,799)

Overall Best Canon Prime Lens for Travel Photography:

Sigma 35mm f/1.4 art dg hsm – $899 $674.

Staying true to Sigma’s reputation of bringing high quality at affordable prices, this lens clocks in under $1000 – an excellent price for a premium lens. This lens packs a punch. The super versatile 35 mm focal length and the f/1.4 max aperture allows for a super short depth of field.

The lens also has excellent low light performance. You should be able to use this lens for almost any travel photography task. The weight on this lens is 1.47 lbs which is a bit on the heavier side. So it may not be the best option if you are looking to travel light. But for what you’re getting in terms of performance, the camera’s weight shouldn’t be a dealbreaker.

This lens has an EF mount so if you have a newer mirrorless camera model, you will have to get a mount adapter .

• Short depth of field (very blurry background)
• Excellent low light performance
• Under $1000
• Heavy (1.47 lbs)
• Fixed focal length (unable to zoom)
• Not weather sealed

Best Budget Prime Lens for Travel Photography:

Canon rf 35 mm f/1.8 macro stm – $499.

The Canon RF 35 mm 1.8 STM is one of my all-time favorite lenses. The photo quality is excellent. Many of the photos on our Home page were taken using this lens. The 35 mm focal length is the most versatile focal length and the super wide f/1.8 aperture allows you to shoot in virtually any lighting conditions. The lens is fairly compact which makes for easy travel. 

This lens is also a macro lens, meaning it is capable of focusing on objects incredibly close up.

What’s even better is that this lens costs just under $500, and right now it’s on sale for $399. HARD to beat in my opinion.

• Versatile Focal Length
• Excellent lowlight performance

Canon EF Equivalent: Canon EF 35mm f/2 IS USM ($579)

Best Budget Canon Lens for Travel Photography:

Canon ef-s 18-135mm f/3.5-5.6 is stm – $404.49.

The Canon EF-S 18-135mm is hands down the best travel lens under $500. The focal length variability is borderline shocking- with the ultra-wide angle 18 mm length to the telephoto being at 135 mm. This is more than enough for practically any task. Its variable aperture of f/3.5 to f/5.6 will be adequate for brighter lighting conditions. You should be able to get good photos in slightly darker conditions too though, since this lens has built in image stabilization. This lens is part of the EF line, so if you have a newer mirrorless camera model, you will have to get a mount adapter .

• Massive zoom range
• Built-in image stabilization for clear shots in lowlight
• Limited aperture 
• Made for Crop Sensor Cameras

Best Canon Lens for Landscape Photography:

Canon rf 15-35mm f/2.8 usm – $2,399 $2,199.

While photographing landscapes in the past, I’ve often found myself wishing I had a wider lens. Wide lenses are ideal for landscape photography because they give the camera a larger field of view than the human eye is capable of. This widened effect is excellent for capturing the vastness of a landscape scene.

The best Canon lens for landscape photography is the wide-angle Canon RF 15-35mm f/2.8 USM lens. This lens is part of Canon’s high-end USM product line, which is known for its excellent image quality. Whether shooting on a hike or capturing a cityscape, this lens perfectly preserves every micro-detail of a landscape scene. Paired with an ultra-high resolution sensor such as the one in the mirrorless Canon EOS R5 , you will be able to greatly crop in your images if needed as well as print your landscape photos in large format while maintaining perfectly crisp detail.

• Wide angle focal length
• Good low light performance
• Variable zoom
• Excellent image quality

Heavy (1.85 lbs)

Canon EF Equivalent: Canon EF 16-35mm f/2.8L III USM ($1,239.95 Renewed)

Telephoto Lenses for Landscape Photography: 

Some photographers, including famous landscape photographer Peter Lik, will elect to use telephoto lenses in the 200-800mm focal length to create a unique compression distortion on a landscape scene. Compression is where the background and foreground look much closer together than they actually are. This technique is responsible for photos you may have seen where the moon looks giant relative to a person, tree, or other object in the foreground. The moon actually hasn’t been edited to look giant, but instead the photo was taken from very far away from the foreground object, and so from that distance, the moon looks much larger relative to the object.

To illustrate, here is a photo I took of a Peter Lik print titled “Bella Luna”:

In my experience, most people will want to use a wide angle lens for a majority of their landscape photography endeavors. If you are trying to execute specific shots that require compression however, you may want to invest in a telephoto lens. Ultimately it’s up to you. Here are a few telephoto lenses organized by price:

$299 – Canon EF-S 55-250mm F4-5.6 IS STM

$649 – Canon RF100-400mm F5.6-8 IS USM

$2,799 $2,299 – Canon RF 70-200mm F2.8 L IS USM

$2,899 $2,399 – Canon RF 100-500mm F4.5-7.1 L IS USM

Best Weather Sealed Canon Lens for Travel Photography:

Canon rf 24-105mm f/4l is usm – $1,299.

The Canon RF 24-105 mm lens is weather-sealed and comes with a huge focal length range and a respectable f/4 minimum aperture. It also comes with a powerful image stabilization system that corrects for 5 stops of shake correction, making it much easier to shoot at slower shutter speeds. I based this my final pick for best weather sealed lens off of two assumptions: 

• Bad weather that would warrant a weather sealing will also imply a darker scene, meaning the max aperture needs to be wide. Though f/4 is not the widest, the image stabilization makes up for that
• This lens can’t be too expensive, as bad weather implies increased danger of camera drops . $1,299 is certainly not cheap, but it is a much more affordable price than the $2,199 of the Canon RF 24-70 f/2.8. 
• Excellent weather sealing
• Excellent autofocus speed and precision
• 5 stops of image stabilization (no blur even at very slow shutter speeds)
• Moderate price for value
• Heavy (1.54 lbs)
• Still may be out of the budget range
• f/4 focal length will be limiting in extreme lowlight conditions

Canon EF Version:  Canon EF 24-105mm f/4 L IS USM Lens ($709)

Canon’s Best Travel Photography Lens for APS-C Crop Sensor Cameras:

Canon ef-s 24mm f/2.8 stm – $ 129.

This little lens, sometimes called the “pancake lens”, is a perfect option for APS-C crop sensor cameras. For this 24 mm lens, the focal length is about 38.4mm. This is because Canon’s crop sensor cameras have a 1.6x zoom when compared to a full frame cameras with the same lens focal length. This lens also has a fairly wide aperture for the price allowing for considerable adaptability between different lighting conditions. I recently suggested this lens to a friend who’s somewhat new to photography for a trip to Japan, and he said it’s all he used.

• Highly portable
• Very affordable Price
• Good lowlight performance
• Heavy vignette (border darkening) due to inexpensive build quality

What is the best focal length for travel photography?

From my experience, the best focal length for travel photography is definitely 35 mm. This length is great because it’s a bit wider than the “normal” focal length. The focal length on most full frame cameras is 50 mm. So a 35 mm focal length gives your photos a distinct look. It also not so wide that you have to walk really close to your subject every time.

In case you didn’t know, a “normal” lens is named such because it most closely emulates what the normal human eye can see. This can make shooting with these lenses a bit dull. 

Wider-angle (less than 50 mm) or more telephoto lenses (more than 50 mm) begin to create spatial distortion. This distortion effects what the resulting image communicates. When used deliberately, these distortions can be a powerful tool. 

I personally have found that wide angle lenses tend to have many more applications than telephoto lenses do. They also allow for you to shoot inside, which just simply isn’t possible with a longer prime lens. 

I like prime lenses because they force you to move instead of standing back and zooming in and out. Changing focal lengths is not the same as physically moving closer or further away from your subject, and each produces very different photos. So while it may feel awkward to get close to the action, it’s good practice for any photographer as the effects on the resulting image are tangible.

Canon RF Lenses versus Canon EF Lenses

It’s well known that Canon makes excellent lenses. Now, with many people switching to the newer mirrorless camera systems which use the RF lens mount, you may wonder if Canon RF lenses are better than Canon EF lenses. 

As far as performance and image quality, there is little difference between RF and EF lenses other than that the RF lenses tend to have better autofocus precision and speed. 

The real significant difference in Canon’s lens catalog is between USM and STM lenses, and you will see this reflected in the price. I’ve found that the RF STM lenses are a bit better than the EF STM lenses, but the USM lenses are all professional grade across the board.

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10 Best Canon Lenses for Travel Photography in 2024 (Top Picks)

Table of Contents

Your lens can make or break your shots; that’s why we’re going to discuss the best Canon lenses for travel photography in this article.

With Canon’s extensive range of lenses, it can be a daunting task to choose the best one for your needs.

Whether you’re shooting wide landscapes or capturing intricate details, there’s an ideal Canon lens just waiting to enhance your images.

This roundup focuses on the battle between Canon’s EF and RF lenses, two leading choices among Canon travel photographers worldwide. We’ll provide top-notch recommendations for both types that cater specifically to travel photography enthusiasts.

So, if you’re keen on upping your photography game and capturing stunning travel memories with ease, scroll down as we unveil our top picks in this category.

Canon EF vs RF Lenses for Travel Photography

Canon EF and RF lenses are both excellent choices for travel photography, each with their unique features and benefits.

EF lenses , introduced in 1987, are Canon’s lens mount standard for their full-frame DSLR cameras . They are renowned for their wide variety and high-quality performance. EF lenses are also compatible with Canon’s APS-C DSLR and mirrorless cameras , making them a versatile choice for photographers.

On the other hand, RF lenses are the newer generation, designed specifically for Canon’s full-frame mirrorless cameras.

The RF lenses have a larger mount and shorter back focus distance, which allows for a greater optical design freedom. This results in lenses that are typically sharper, faster, and with less distortion than their EF counterparts.

However, it’s important to note that while RF lenses are only compatible with Canon’s RF-mount mirrorless cameras, Canon’s EF lenses can be used on RF-mount cameras with an adapter. This gives photographers the flexibility to use their existing EF lenses on new RF-mount cameras.

In terms of performance, both EF and RF lenses deliver high-quality images.

A quick note on other Canon lens mounts

In total, there are four Canon lens mounts: EF, EF-S, EF-M and RF .

EF-S and EF-M are more niche, so I won’t be talking about them in this round up, but they are worth knowing about.

• EF lenses are designed to be used with BOTH Canon’s full-frame and APS-C DSLR camera bodies without an adapter, and with an adaptor they will also work with full-frame (EOS R) and APS-C (EOS M) mirrorless bodies.
• EF-S lenses are for APS-C DSLR bodies, but will also work on APS-C (EOS M) mirrorless bodies with an adaptor.
• EF-M lenses ONLY work with Canon’s APS-C (EOS M) mirrorless cameras.
• RF lenses ONLY work with Canon’s range of full-frame (EOS R) mirrorless cameras.

Canon “L” lenses

When you see the letter “L” in the title of a Canon lens it means it’s part of the exclusive club of Canon “L” series lenses . “L” lenses are considered to be some of the best currently available, not just from Canon but all manufacturers. You can spot an “L” lens from the signature red ring that runs around it near the focus ring.

Canon currently only make L lenses for the EF and RF range but since the EF range can be adapted to work on all Canon cameras, it shouldn’t be a problem for anyone wanting some crispy L lens goodness no matter which body you have.

In this roundup, I will only be recommending EF and RF lenses.

Each has its own strengths and can be the best choice depending on the specific needs and photographer’s equipment.

Whether you’re a seasoned professional or a budding enthusiast, both EF and RF lenses offer excellent performance and versatility for travel photography.

Best EF Canon Lenses for Travel Photography

Canon ef 50mm f/1.8 stm lens, compact, affordable and versatile.

If you’re on the hunt for a compact camera lens that won’t break the bank, look no further than the Canon EF 50mm f/1.8 STM lens . This baby is perfect for capturing those stunning portraits, action shots, and nighttime scenes when you’re out exploring.

The best part? It’s got a stepping motor (that’s what “STM” stands for) that ensures near-silent continuous Servo AF. That means you can snap away without disturbing your subjects or getting unwanted noise in your video footage.

And guess what else? Its minimum focusing distance is only 1.15 feet (0.35 meter). Yeah, you heard it right! You can get up close and personal with your subjects without losing focus or detail.

Now let’s talk about its effective focal length – it varies between APS C and full-frame cameras. So whether you’re shooting with an entry-level DSLR or a high-end professional camera, this lens will give you fantastic results.

But here’s the kicker: despite its compact size and affordable price tag, this Canon EF lens doesn’t skimp on quality. It features dual pixel CMOS AF for fast and accurate autofocus in live view mode, making it ideal for vlogging or streaming.

With all these killer features packed into one compact size, the Canon EF 50mm f/1.8 STM lens truly gives other lenses in its category a run for their money!

Canon EF 24–105mm f/4L II USM Lens

The perfect all-rounder.

If you’re into travel photography, the Canon EF 24–105mm f/4L II USM lens is your all-purpose buddy. This high-performance standard zoom lens comes with a constant f/4L aperture. This means whether you’re capturing the Eiffel Tower at sunrise or snapping shots of bustling night markets in Bangkok, this baby will deliver consistent light throughout the entire focal length.

The lens sports an Air Sphere Coating that seriously cuts down on flare and ghosting. No more worrying about those annoying spots ruining your perfect shot! Even in tricky lighting conditions, this lens has got your back.

But wait, there’s more! The image stabilizer corrects up to 4 stops of shake. That’s right folks, say goodbye to blurry images due to shaky hands or moving subjects. This feature ensures sharp images even when you’re on the go.

One cool thing about this lens is its new optical design which improves peripheral brightness. In simple terms, it means your photos won’t have dark corners anymore. Your pictures will be evenly lit from center to edge giving them a professional look.

The Canon EF 24–105mm f/4L II USM lens is like having multiple lenses packed into one without lugging around extra weight in your bag – a dream come true for any would-be or successful travel photographer !

This bad boy isn’t just versatile; it’s also built tough for rugged use while maintaining top-notch image quality. It’s a no-brainer choice if you want stunning photos without breaking a sweat (or your bank).

Canon EF 16-35mm f/4L USM Lens

An excellent wide-angle zoom for landscapes.

Get ready to be blown away by the Canon EF 16-35mm f/4L USM lens . It’s a real game-changer, folks!

I mean, who doesn’t love a lens that offers full-time manual focus in AF mode? Talk about precision! This feature is a lifesaver when you’re trying to capture that perfect shot and need just the right amount of focus.

But wait, there’s more. The color balance on this bad boy is top-notch. You won’t have to worry about your photos looking too warm or too cool. They’ll come out just right every time.

And let’s not forget about the rounded 9-blade diaphragm. This little gem helps create beautiful bokeh effects in your photos. It’s like having your own personal photo editor built right into your camera!

The focal length range on this lens is also worth raving about. With its wide-angle zoom, you can capture everything from stunning landscapes to intimate portraits with ease.

One of my favorite features of the Canon EF 16-35mm f/4L USM lens is its compatibility with various Canon models. No need to worry if it will fit your camera body – chances are it will!

Finally, we can’t ignore the Dual Pixel CMOS AF that covers approximately 100% area. This means fast and accurate autofocus for all your travel photography needs.

To sum up, this lens has got it all – versatility, precision, excellent color balance and a broad focal length range. Best part? It’s all packed into one durable piece of equipment ready to hit the road with you.

So whether you’re an experienced photographer or just starting out, I’d say give the Canon EF 16-35mm f/4L USM lens a shot (pun intended!) . It’s a solid investment that will take your photography game to the next level.

Canon EF 70-200mm f/4L IS II USM Lens

Best telephoto lens.

The Canon EF 70-200mm f/4L IS II USM lens is your go-to gear. It’s a lightweight champ that doesn’t skimp on quality.

So what makes this lens stand out? For starters, it’s got Optical Image Stabilization with up to five stops of shake correction. This means even if you’re bouncing around in a jeep on safari or cruising on choppy waters, your shots will still be crystal clear. No more blurry zebra stripes or fuzzy dolphin fins!

But the features don’t stop there. This lens is also dust and water-resistant making it perfect for any adventure – whether you’re trekking through a sandy desert or caught in a tropical downpour.

You know how some lenses struggle when tracking moving subjects? Well, not this one! The Canon EF 70-200mm has three Image Stabilization modes that ensure excellent results when capturing motion. So whether you’re shooting a bustling cityscape or an action-packed sports event, this lens has got you covered.

And let’s not forget about its reduced minimum focusing distance from previous models. You can get closer to your subjects without losing any image quality – great for intimate portraits or detailed close-ups!

In terms of weight and length, this lens is surprisingly compact considering its capabilities. It won’t weigh down your camera bag but will definitely punch above its weight in performance.

Canon EF 100mm f/2.8L IS USM Macro Lens

Best ef macro lens.

If you’re all about capturing those tiny details that make your travel snaps pop, then this bad boy is for you! The Canon EF 100mm f/2.8L IS USM Macro lens is a top-notch gadget for macro photography.

Its focal length of 100mm means it’s got a superzoom that’ll let you get up close and personal with your subjects, without having to invade their personal space. You’ll be able to capture the intricate patterns of exotic flowers or the intricate architecture of historic buildings with ease.

Now, let’s talk about its inner focusing system with USM (Ultra Sonic Motor). This feature ensures rapid autofocus without making a racket. Plus, there’s also a full-time manual focus option if you prefer to take control and fine-tune your shots yourself.

One thing I absolutely love about this lens is its maximum close-up magnification of 1x. It literally lets you fill your frame with small subjects as if they were larger than life!

But what about blurry images? Well, worry not my friend! The Canon EF 100mm f/2.8L IS USM Macro lens comes equipped with sophisticated Image Stabilization technology that compensates for camera shake and helps deliver clear, sharp images even at slow shutter speeds.

Whether you’re shooting indoors or shooting in low light conditions outside, this lens performs brilliantly thanks to its maximum aperture of f/2.8 which allows plenty of light in.

Setting up this lens on your APS-C or full-frame Canon camera is easy-peasy too! So no matter where in the world you are, whether inside locations like museums or outdoors exploring nature, whipping out this lens and getting ready for some serious photography won’t be an issue.

In short, the Canon EF 100mm f/2.8L IS USM Macro lens is your go-to tool for capturing stunning close-up shots on the move.

Best RF Canon Lenses for Travel Photography

Canon rf50mm f1.8 stm lens, best grab-n-go option.

This little dude is compact and lightweight – the Canon RF50mm F1.8 STM is just what you need when you’re traveling with photography gear and want to keep things light. No more lugging around heavy gear, this lens is as portable as they come. It fits snugly into your camera bag or even your pocket!

But don’t let its size fool ya. This baby packs a punch with its large F1.8 aperture that’s ideal for low-light photography. So whether it’s a beautiful sunset or an indoor event, this lens has got you covered.

Now let’s talk video recording – it’s smooth sailing all the way with the stepping motor in this lens offering quiet continuous AF during video recording. No more annoying motor sounds ruining your videos!

And here’s where things get really cool – the control ring on this lens allows direct setting changes without having to fiddle around with your camera settings.

So, if you’re looking for a versatile travel companion that can handle both photos and videos like a pro, Canon RF50mm F1.8 STM Lens is worth checking out.

Canon RF 24-70mm F2.8 L Lens

Perfect for all scenarios.

Hey shutterbugs! If you’re in the market for a new lens, check this out. The Canon RF 24-70mm F2.8 L lens is like the Swiss Army knife of camera lenses, ideal for just about anything you throw at it.

What’s so special about this RF lens? Well, let me tell you – it’s all about that bright f/2.8 aperture and optical image stabilization up to 5 stops. This means even if your hands are a bit shaky from too much coffee (or excitement), your photos will still come out crisp and clear.

Now, let’s talk autofocus because nothing ruins a great shot like blurry subjects. Thanks to the Nano USM technology in this baby, you get high-speed, smooth, quiet autofocus. That means no more awkward moments when everyone hears your camera focusing during that hushed sunrise shoot.

One thing I totally dig about this rf lens is the control ring. With it, you can make direct setting changes without having to fiddle with your camera body – super handy when you’re on-the-go and need to adjust quickly.

And guess what? This canon rf is compatible with various Canon Mirrorless Cameras! So whether you’ve got an EOS R or an RP sitting at home, this lens will fit right in.

In short, if you’re looking for a versatile lens that can handle everything from landscape shots to portrait photography with ease and precision, then look no further than the Canon RF 24-70mm F2.8 L Lens.

Canon RF 15-35mm Lens

Best wide-angle zoom for landscapes.

Nothing beats a versatile wide-angle lens. Say hello to the Canon RF 15-35mm lens . This bad boy is not just big; it’s a beast in the world of wide-angle lenses.

Now, if you’re thinking, “What makes this lens so special?” Well, let me tell you. It’s got an impressive f/2.8 aperture that lets in loads of light for those early morning or late evening shots when natural light is low.

But here’s where it gets even cooler! The lens features optical image stabilization up to 5 stops. So even if your hands are shaking from the cold (or excitement), your photos will still come out sharp and clear.

And let’s talk about autofocus for a second because this lens has some serious game there too! Thanks to Nano USM technology, focusing is quick and smooth as butter.

Another neat feature? You can get super close with this lens – its minimum focusing distance is just under one foot (0.92 ft./0.28M). Perfect for capturing all those intricate details in nature without disturbing the peace!

This lens works great on both full-frame cameras like Canon R5 and crop sensor cameras. No matter what sized camera you use, you’ll be able to capture stunning wide-range photos with beautiful 4k image quality.

Bottom line? If you’re into travel photography and love shooting large format landscapes scenes or need various focal lengths at your disposal, then the Canon RF 15-35mm should definitely be on your radar.

Canon RF 70-200mm F2.8 L USM Lens

A powerful telephoto option.

Let’s talk about the big gun in travel photography, the Canon RF 70-200mm F2.8 L USM lens . This bad boy is compact and lightweight, making it a breeze to carry around on your globe-trotting adventures.

Its design is top-notch, just what you’d expect from a high-end telephoto lens. It’s like having a whole bag of lenses in one neat package!

But don’t let its size fool you. This lens packs a punch. With its bright f/2.8 aperture, this zoom lens can capture stunningly sharp images even in low light conditions.

And here’s the kicker – it has optical image stabilization that offers up to five stops of shake correction! That means you can say goodbye to blurry photos caused by shaky hands or moving subjects.

One more thing I absolutely love about this telephoto lens is its dual Nano USM technology, which ensures smooth and quiet autofocus. Whether you’re capturing wildlife in action or shooting candid street photography , this feature will come in super handy.

In short, the Canon RF 70-200mm F2.8 L USM Lens offers excellent image quality without weighing down your camera bag.

Canon RF100mm F2.8 L Macro USM

Best rf macro lens.

Ready for a lens that’ll knock your socks off? You gotta check out the Canon RF100mm F2.8 L Macro USM , my friends. This bad boy is the world’s first medium telephoto macro lens with a maximum magnification of 1.4x. Yeah, you heard it right!

Now, what does that mean in plain English? Well, this usm lens can get you super close to your subject and still keep things crystal clear. Perfect for capturing those tiny details on your travels.

But wait, there’s more! Ever had a shot ruined by shaky hands? We’ve all been there, dude! But with this lens’ optical image stabilizer, those days are history. It compensates for both angular and shift camera shake during macro shooting. So even if you’ve just downed three cups of coffee (not that I’m speaking from experience or anything), your shots will be steady as a rock.

One thing I absolutely love about this usm is its Spherical Aberration (SA) control ring. This nifty feature lets you adjust the bokeh shape and character to suit your creative vision. Want soft, dreamy backgrounds? You got it! Prefer something sharper and more defined? No problemo!

And let’s not forget about the bright, fixed f/2.8 aperture on this rf mm prime lens! Even in low-light conditions (think dimly lit street markets or dusky landscapes), you’ll get high-quality images every time.

Plus, with firmware updates regularly released by Canon, this lens just keeps getting better over time.

In short (or should I say “in focus”?), the Canon RF100mm F2.8 L Macro USM is a top-notch choice for travel photography – whether you’re an old hand at it or just starting out. It’s got all the features you need to capture your adventures in stunning detail.

Buyer’s Guide to Selecting a Travel Photography Lens

First things first, think about what you’ll be shooting most. Love capturing sprawling landscapes? Or are you more into street photography? Maybe both? If landscape photography is your thing, consider a wide-angle lens. For street snaps or portraits, a prime lens might be your best bet. You’ll also have to jump into the zooms vs primes debate and decide whether you value versatility and cost-effectiveness or pin-sharp images the most.

Now let’s get real about size and weight. You’re gonna be lugging this thing around on your trip, right? So it better not weigh a ton! Look for something compact and lightweight but doesn’t compromise on optical quality.

And lastly, let’s talk moolah! Lenses can cost a pretty penny but remember: you don’t always have to go for the priciest option. Compare features across different price ranges and find one that gives you the biggest bang for your buck!

There obviously a lot more to it, but remember these tips when shopping around and I guarantee you’ll find the perfect companion for your camera! Check out which three lenses I recommend for travel photography ; in the article, I talk about types of lenses rather than the manufacturer, but it should give you a better idea of the kinds of lenses you’ll get to capture the different scenes you’ll likely come across.

Concluding Thoughts on Best Canon Lenses for Travel Photography

So, you’ve made it this far. You now have a solid understanding of the top Canon lenses for travel photography. Whether you’re capturing sweeping landscapes or intimate portraits, there’s a lens here that’s perfect for your needs. The versatility of the Canon EF 16-35mm f/4L USM Lens, the affordability of the Canon EF 50mm f/1.8 STM Lens, and the all-around excellence of the Canon RF 24-70mm F2.8 L Lens are just a few examples.

But remember, these are just tools to help you capture your vision. The best camera is always the one you have with you – so don’t let gear hold you back! Now it’s time to get out there and start shooting. And if you need any further advice or information about these lenses or other photography equipment, don’t hesitate to reach out to us! We’re here to help make your travel photography dreams come true.

The best Canon lens for travel photography can depend on your specific needs and shooting style. However, the Canon EF 16-35mm f/4L USM Lens is a versatile option that offers excellent color balance and full-time manual focus. For those interested in portraits or low light photography, the Canon EF 50mm f/1.8 STM Lens could be ideal.

Canon RF lenses such as the RF 24-70mm F2.8 L Lens, RF 15-35mm Lens, RF 70-200mm F2.8 L USM Lens, and RF100mm F2.8 L Macro USM are designed to be compatible with Canon Mirrorless Cameras including EOS RP, EOS R, EOS R5, and EOS R6.

Image stabilization in Canon lenses works by correcting camera shake to produce sharper images at slower shutter speeds. Some of the Canon lenses offer up to 5 stops of shake correction like the RF 24-70mm F2.8 L Lens or even Hybrid IS that compensates for angular and shift camera shake during macro shooting like in the case of RF100mm F2.8 L Macro USM.

Yes! Many of these lenses feature technologies like stepping motor (STM) or Nano USM which ensure near-silent continuous Servo AF making them suitable not only for still photography but also for movie recording.

Absolutely! The Canon EF 100mm f/2.8L IS USM Macro Lens allows you to get really close to your subject offering a maximum close-up magnification of 1x while maintaining high-quality images thanks to Canon’s sophisticated Image Stabilization technology. Alternatively, the RF100mm F2.

More useful travel photography resources

• Best mirrorless cameras for travel photography
• How to become a successful travel photographer
• Selling stock photography isn’t impossible
• 8 ways to turn your passion for travel photography into a business 
• Why it’s crucial for travel photographers to develop a brand 
• XF 10-24mm f4: Best Fuji Landscape Lens?

I’m a professional travel photographer, and I’ve been living the digital nomad lifestyle since 2016. I make money by working on client assignments, selling stock photography and helping other photographers by sharing my experiences on this website. I move around at my own pace (I hate fast-paced travel) and like to spend a few months getting to know each place I base myself in.

My writing and photos have been featured on industry leading websites such as Digital Photography School , Atlas Obscura and the world’s leading underwater photography resource The Underwater Photography Guide . I authored an eBook called “ Breaking Into Travel Photography: The complete guide to carving out a career in travel photography ” that has been published on Amazon. My stock images have also appeared in ads promoting destinations and companies that sometimes has been a surprise, even to me. But I guess that’s the nature of stock photography, you never know who will license them!

I’m always happy to connect, so feel free to reach out!

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The 5 best prime lenses for travel photography

Prime lenses are great for travel photography. For real! We know prime lenses have a bit of a reputation as being impractical for traveling because you need to carry multiple lenses to cover every situation, and you have to ‘zoom with your feet’. But hear us out… Prime lenses have some distinct advantages for travelers:

• A good prime lens will deliver amazing image quality at a lower price tag compared with zoom lenses, which is great when your budget also has to factor in travel expenses.
• Prime lenses have fewer moving parts and glass elements. This means they are smaller and lighter than zoom lenses, which is a huge plus if you like to travel light.
• Prime lenses come with wider apertures than similarly priced zoom lenses, meaning you can take decent photos in lower light without breaking the bank.

If you’re looking to add prime lenses to your camera bag, read on. We’ll talk you through some features to look for and introduce you to five types of prime lens which, together, will have you covered in any travel scenario.

Features to look for in a lens

Before you go shopping, there are some features and terminology you need to know so that you get the right lens for you.

If you’re a bit of a seasoned photographer, you can skip this section and head straight down to our overview of the five best prime lenses for travel photography.

Focal length

Denoted in millimeters, the focal length of a lens indicates the distance between the camera sensor and the optical center of the lens when focused at infinity. In a 50mm lens, there is 50mm between the optical center and the sensor, while in an 85mm lens the distance is 85mm.

That’s the technical part. In real life, the focal length is known as a measure of how wide the lens’s field of view is. A smaller number means a wider field of view. We’ll get more into this later when we look at the best prime lenses for travel photographers.

Full frame vs crop sensor

Cameras have different-size image sensors. This matters when you buy a lens. More expensive cameras will often have a full-frame sensor, but many DSLR and mirrorless cameras use smaller sensors. These are collectively known as crop sensors, the two most common of which are APS-C and Micro Four Thirds.

Crop sensors do not capture the full field of view as seen through the lens. A photo shot with a 24mm lens on a full-frame camera will have a wider field of view than a photo shot with the same lens on a crop-sensor camera. As an example, the APS-C equivalent of a 24mm lens on a full-frame camera would be 16mm.

Great prime lenses for travel photography

With all that out of the way, let’s look at what kind of prime lenses every travel photographer should have in their camera bag.

Landscape and night sky: 24mm or shorter

You will want a wide-angle lens with a focal length of 24mm or less for landscape photography. (Try 16mm or less for crop-sensor cameras.) These lenses let you capture some seriously sweeping vistas and can add a lot of depth and drama to your photos. They’re great for making cramped spaces look larger too.

If you want to take photos of the night-sky, you also need one of these. Wide-angle lenses are excellent for capturing stunning images of starlit landscapes, and with one of these you can expose your photos for longer before the stars go blurry due to the earth’s rotation.

Now, wide-angle lenses have some downsides too. Unless you get an absolute top-of-the-line lens, which can set you back thousands of dollars, you may notice some distortion in your images that makes straight lines appear curved. This means street or city photography, which often involves lots of straight lines, will not always look the best. Portraits may also look unflattering for the same reason.

Indoors, landscape, street: the 35mm all-rounder

One of our favorite lenses is the 35mm. It is a wonderfully versatile lens and produces great-looking photos. If you’re into landscape, street, or indoor photography, this may well be the type of lens that should sit on your camera by default. While not quite a wide-angle lens, it’s great for landscape photography. It gets you closer to points of interest while still capturing a lot of surrounding landscape. This is also the perfect lens to photograph action on the street. Because of its fairly wide field of view, you can move closer to your subject while still getting a lot of surroundings in your photo.

Even entry-level 35mm lenses normally come with wide maximum apertures, meaning they are great for indoors shooting in low light and will do decent portrait shots too. The crop-sensor alternative lens would be 24mm; however, portrait photos may suffer due to distortion.

Street and portraits from a medium distance:  50mm

You can’t go wrong with a 50mm lens if you enjoy portrait photography. On full-format cameras, a 50mm is referred to as a standard – or normal – lens because it sees the world much the same as the human eye. For this reason, photos taken with a 50mm lens look very natural, making it a fantastic choice for portrait photography.

Capturing street scenes, a 50mm lens lets you put a little distance between you and your subject, which is handy for situations where you can’t be right up-close to the action.

As with 35mm lenses, even an entry-level 50mm will normally come with a wide maximum aperture. And best of all, these prime lenses tend to offer excellent quality and value for your money.

If you have a crop-sensor camera, consider a 35mm lens.

Portraits and street from a greater distance: 85mm

At 85mm, we’re moving into telephoto territory. These lenses are old favorites among travel photographers focusing on street and portrait photography.

At maximum aperture, these lenses will give you an incredibly nice, soft background. This is great for capturing shots of people on the street, where the background can often be busy and the light less than ideal. Just throw that aperture wide open and your photos will look fantastic.

Thanks to the longer focal length, this lens is great if you prefer to keep a bit of a distance to the people you’re photographing. An added benefit is how these lenses compress perspective, making the background appear much closer. These lenses also really shine for portrait headshots as they do not distort your subject’s facial features.

For a crop-sensor camera, you may consider a 50mm lens instead if you focus on portraits.

Wildlife: 135mm

If you take photos that require you to get up close and personal with subjects that don’t necessarily want to be up close and personal with you – such as wildlife – you’re going to need a telephoto lens. A 135mm prime lens offers a nice compromise between portability, quality, and price, which makes it an excellent choice for travel photographers looking to capture wildlife shots. An added benefit is the creamy smooth background you can produce, especially if your 135mm lens sports an f2 maximum aperture or better.

If you’re serious about wildlife photography, get an even longer lens, such as 200mm or 400mm. Beware though, these lenses are large and can put a serious dent in your budget.

If you only take two prime lenses in your camera bag…

We’d love to put all five of these prime lenses in our bag whenever we go traveling. That’s not very practical though. Most camera bags for travelers will fit your camera with one lens mounted plus one or two more lenses at best.

If you carry a full-frame camera and are looking for maximum versatility from just two lenses, consider going with 35mm and 85mm. Between them, they will have you covered for landscape, indoor, street and portrait photography. In a pinch, you can also capture decent night-sky photos and some wildlife shots (providing the wildlife isn’t too shy).

For crop-sensor cameras, a 24mm lens and a 50mm lens could well be a winning combo. These cameras tend to be smaller, so consider sneaking in an 85mm lens too if your camera bag has enough room.

Speaking of bags: If you’ve invested money into some quality prime lenses, make sure you have a good camera bag that will protect your investments while you’re on the go. GATTA bags are sturdy and versatile, and they’re pretty chic too.

What’s your winning combination of prime lenses for travel photography? Let us know in the comments.

Christie Noir

Jackie Noir

Jackie Hazel

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• Camera accessories

The First Nikon Z-Mount Mirrorless Lenses You Should Buy

By Ben Keough

Ben Keough is an editor covering cameras, working from home, powering, and hobbies. He also writes about coffee, beer, and food for Wirecutter.

Nikon has been a powerhouse in the camera industry since the earliest days of single-lens reflex models, and it’s famous for the quality and breadth of its lens lineup. It offers perhaps the deepest lens roster of any manufacturer, with legacy-lens compatibility going back to the 1950s, and with the introduction of the Z-mount mirrorless system, it has produced some of the sharpest, fastest-focusing, and most well-rounded lenses it has ever made.

If you’ve recently bought into Nikon’s mirrorless Z system— either DX (APS-C) or FX (full-frame) —you have a wide variety of lenses to choose from, and making the right decision can be difficult. We’ve tested nearly every Z-mount lens available today, and we’re confident that we can help you choose the right lenses for you.

Below you’ll find recommendations for a basic first lens that everyone should have, plus picks for an everyday zoom , a telephoto zoom , a wide-angle zoom , a portrait lens , and a macro lens .

If you don’t shoot with a Nikon mirrorless camera but still want to invest in some great starter lenses, take a look at our lens guides for Canon EF- and RF-mount , Nikon F-mount , and Sony E-mount bodies.

The research

Why you should trust us, the first lens you should get: the fast prime, the everyday zoom, the telephoto zoom, the wide-angle zoom, the portrait prime, the macro lens, using dslr (and film-era) lenses on nikon mirrorless cameras, how we picked and tested.

Supervising editor Ben Keough has written about camera gear for more than a decade for Wirecutter and a range of other tech outlets, including Reviewed.com, Digital Camera Info, and PentaxForums. He’s also an avid hobbyist photographer. He has dipped his toes into various camera systems, including Pentax, Fujifilm, and Micro Four Thirds, but he has been shooting with Nikon cameras and lenses the longest—since 2008.

Assuming that your camera came with a decent, basic zoom lens, the first addition to your collection should be a small, portable, fixed-focal-length (prime) lens that has a useful field of view and can deliver great images in dim light. For most people, the best option is a 50mm (or its equivalent on APS-C) lens with an f/1.8 or wider maximum aperture.

This focal length gets close to the perspective of human eyesight, making the images you capture feel a lot like what you picture in your mind.

Nikon Nikkor Z 50mm f/1.8 S

The best full-frame normal prime lens.

The ideal everyday-carry prime lens, this fast 50mm lens is sharp from edge to edge, even at f/1.8, and it produces buttery-smooth background blur at its widest apertures.

Buying Options

The Nikkor Z 50mm f/1.8 S is the latest “nifty fifty” in Nikon’s long history—and by far the best one the company has ever made. Almost by default, it’s a lens that should be in every Nikon photographer’s bag.

This is the sharpest affordable normal lens that Nikon has ever made. Part of the brand’s high-end S line , this lens is more expensive than most previous Nikon 50mm f/1.8 lenses, but it’s also far sharper and more contrasty than any that came before, even at its widest aperture setting. Unlike previous nifty fifties, it’s also weather sealed, protected against moisture and dust.

For a prime lens, it’s versatile. Despite its lack of zoom capability, it’s an ideal option for everything from short portrait work (where its wide maximum aperture comes in handy) to landscapes (where its edge-to-edge sharpness and lack of distortion are key) to architecture (at a distance).

Its bokeh makes both human and animal subjects pop. Nikon makes better portrait lenses, but if you want to photograph people and pets and aren’t ready to invest in a dedicated portrait optic, the Nikkor 50mm f/1.8 S is a great start. When you’re shooting at its widest aperture, backgrounds simply dissolve into nothingness and foreground your subjects thanks to the lens’s high sharpness and contrast.

The older version is good too, but you need an adapter for that lens. If you’re on a tight budget, you can find the older Nikkor 50mm f/1.8 G for less than half the price (or for a mere fraction used ). The downsides: You need an FTZ or FTZ II adapter in order to use it on a Z-mount mirrorless camera, the image quality you get from it at wide apertures isn’t as good, and it isn’t weather sealed.

Sigma 30mm f/1.4 DC DN | C

The best aps-c normal prime lens.

This 45mm-equivalent prime lens has a field of view very similar to that of our full-frame pick, and it offers most of the same great qualities in its optical performance and build.

The Sigma 30mm f/1.4 DC DN | C is the “normal” option in Sigma’s Contemporary line of prime lenses for Nikon Z, and it matches up in nearly every way to our full-frame pick despite carrying a much lower price tag. Since Nikon doesn’t offer a wide-aperture normal prime for APS-C Z cameras, this Sigma model is currently your best bet.

It may feel even more natural to use than our full-frame pick. This lens’s 30mm field of view on APS-C cameras is equivalent to 45mm on a full-frame camera, which is arguably even closer to natural human vision than 50mm. In theory, this means that the images this lens can capture will correspond more closely to what you see without a camera up to your eye, though everyone has their own preferred “normal” focal length.

It’s quite sharp, and it has great bokeh. Like Nikon’s Nikkor 50mm f/1.8 S, this Sigma lens is sharp, especially in the center of the frame, even at its maximum aperture of f/1.4—which is two-thirds of a stop brighter than that of our full-frame pick. It’s also capable of producing creamy-smooth background blur that makes your subject stand out.

The only real flaw we found here is some chromatic aberration (purple fringing) at the widest aperture, but you can correct that in editing.

You have a cheaper option if you don’t mind using an adapter. Nikon doesn’t make a normal prime for its APS-C Z-mount cameras, but you might consider a cheaper legacy-lens alternative: the extremely affordable Nikon Nikkor AF-S DX 35mm f/1.8 G . Again, you need an FTZ adapter in this case, and this lens is not as sharp or as bright as our recommendation from Sigma, but the price is unbeatable.

Alternatively you could use the excellent Nikon Nikkor Z 35mm f/1.8 S as a 52.5mm-equivalent normal lens, but it’s far more expensive than the Sigma lens and much larger, making it feel unbalanced on APS-C cameras.

Though today’s kit lenses can be surprisingly sharp, they cover less range than many people want during a long day of shooting. If you’d prefer to carry just one lens that can cover virtually everything you might want to capture, from architecture to landscapes and from portraits to action, you need something that goes beyond the typical 24–70mm (or 18–55mm, for APS-C) range of a kit lens.

To have all that capability crammed into a single lens, you usually need to give up a bit of image quality and accept a little extra weight, but the results you get from the best of these all-rounders might still surprise you.

Nikon Nikkor Z 24–120mm f/4 S

The best full-frame everyday zoom lens.

If you want a single lens that can (almost) do it all, this is the one. Its wide-angle to medium-telephoto zoom range and its relatively fast, constant maximum aperture make it especially versatile.

Our favorite everyday zoom for full-frame Z-mount cameras—and one of the most pleasant surprises of all the lenses we tested for this guide—is the Nikon Nikkor Z 24–120mm f/4 S .

It’s like a bag full of prime lenses. The zoom range covers all kinds of shooting situations, and this lens is sharp regardless of the focal length you choose. The constant maximum aperture of f/4 is still bright enough that you can use it indoors (if you don’t mind cranking up the ISO sensitivity) while getting beautifully blurred backgrounds.

It offers all the benefits that come with Nikon’s S-line lenses. This lens offers great build quality, and like other S lenses it’s weather sealed, so you can use it in inclement weather and worry less about dust getting sucked onto your sensor.

It’s not too big or heavy. The 24–120mm f/4 S is a bit bigger and heavier (1 pound 6.3 ounces) than your average kit lens, but it’s lighter than the less versatile Nikkor Z 24–70mm f/2.8 S , which tips the scales at 1 pound 12 ounces. Many shooters are happy to make that kind of trade-off.

Nikon Nikkor Z DX 18–140mm f/3.5-6.3 VR

The best aps-c everyday zoom lens.

This lens boasts an especially versatile zoom range capable of capturing everything from wide-angle architecture and landscapes to portraits and wildlife shots.

APS-C shooters have fewer options for this kind of lens, at least for now. The best we’ve found is the Nikon Nikkor Z DX 18–140mm f/3.5-6.3 VR , which squeezes a lot of zoom range into a compact package.

It’s sharp enough. This lens is not quite as bitingly sharp as our full-frame pick, and in that regard it might even lag behind the 16–50mm kit lens that comes with Nikon’s APS-C Z cameras. It doesn’t have the 24–120mm lens’s constant maximum aperture, either. But it’s still a very competent performer, especially considering the zoom range it offers.

It covers a lot of ground. This lens offers quite a bit more zoom range than our full-frame pick does, but with the drawback of a variable maximum aperture. With a full-frame-equivalent range of 27–210mm, you can grab everything from wide-angle landscapes to wildlife.

It’s small and lightweight. One of APS-C’s biggest advantages over full-frame is that the bodies and lenses can be more compact, and this lens delivers in that respect. At 11.2 ounces, it weighs about half our full-frame pick despite offering more zoom. That pint-sized design suits smaller APS-C Z-mount bodies like the Z 50 and Z fc.

It offers Nikon’s powerful image stabilization. Thanks to the addition of vibration reduction (VR), you can still use this lens indoors despite its relatively narrow maximum aperture, and the feature may even make this lens viable for sports coverage.

If you like to photograph fast-moving sports or wildlife, a telephoto zoom lens is essential, and one with a wide, constant aperture is ideal. Nikon makes a few such lenses for its Z system, but many are pricier than we feel comfortable recommending to beginners who are just building a kit.

Nikon Nikkor Z 70–180mm f/2.8

The best full-frame telephoto zoom lens.

Nikon’s budget wide-aperture telephoto zoom lens punches above its class with excellent sharpness and creamy bokeh, but it lacks image stabilization.

A notable outlier in Nikon’s pricey telephoto range is the Nikkor Z 70–180mm f/2.8 , which is broadly believed to be a version of an existing Tamron lens .

It outperforms its price tag. Despite its affordability in comparison with Nikon’s other wide-aperture telephoto zoom lenses, this model is sharp throughout its zoom range, and its f/2.8 maximum aperture produces beautifully creamy backgrounds. Because of that wide aperture, it’s ideal for shooting indoor sports such as basketball and hockey, a task that zoom lenses with smaller apertures may struggle with. It’s also a fantastic portrait lens in a pinch.

But the bargain comes with trade-offs. The main drawbacks to this lens are its lack of image stabilization (though most full-frame Z bodies have in-camera stabilization) and weather sealing. The zoom range is also a bit shorter than the 70–200mm that’s customary for this class of lens.

Compared with Nikon’s S-line telephoto lenses, it’s light and compact. One significant upside is that the Nikkor Z 70–180mm f/2.8 weighs a lot less than Nikon’s far pricier Nikkor 70–200mm f/2.8 VR S—a mere 1 pound 12.1 ounces, as opposed to 3 pounds. It’s also 2.7 inches shorter.

You can find good adapted-lens alternatives. Nikon’s DSLR-era 70–200mm f/2.8 VR lens went through several iterations, all great, and they can often be found used for well under $1,000. Sigma and Tamron both made similarly excellent 70–200mm lenses for Nikon DSLRs, which are sometimes available for even less. As usual, these lenses require an FTZ or FTZ II adapter for use on Nikon Z bodies.

Nikon Nikkor Z DX 50–250mm f/4.5-6.3 VR

The best aps-c telephoto zoom lens.

Despite its kit-lens price, this lens offers excellent sharpness and a generous zoom range that makes it suitable for (some) sports, travel, and wildlife.

If you own an APS-C Z-mount camera and plan to shoot mostly outdoors—say, wildlife, slower-moving sports such as golf, or distant landmarks on vacation—the Nikon Nikkor Z DX 50–250mm f/4.5-6.3 VR is surprisingly great for what amounts to a kit lens. It’s the best purpose-built telephoto lens for APS-C, but serious photographers may want to consider a full-frame lens with a constant maximum aperture instead.

In the right conditions, it’s a strong performer. Because of this lens’s narrow, variable aperture, it can’t produce the same beautiful bokeh as our full-frame pick can. But under the right circumstances, this compact, lightweight lens is capable of capturing beautifully crisp, clear images. And while the background blur isn’t as extreme as with the Nikkor Z 70–180mm f/2.8, the bokeh it produces is notably smooth.

Vibration reduction helps compensate for the variable aperture. The Nikkor Z DX 50–250mm f/4.5-6.3 VR offers Nikon’s in-lens image stabilization, which effectively combats camera shake at the long end of its 75-375mm–equivalent zoom range. That means you may be able to eke out some nice shots in dimmer conditions despite its narrow aperture.

Our full-frame pick may still be a better choice. Owners of Nikon’s APS-C cameras have fewer options to choose from when it comes to long focal lengths. In fact, if you own a Z 50 or Z fc and want to shoot the kinds of subjects discussed above, you’re best served by biting the bullet and getting the full-frame Nikkor Z 70–180mm f/2.8 (a 105–270mm equivalent on those cameras).

If you often find yourself taking photos in tight spaces—real-estate photography, museums, and the like—a wide-angle lens is an essential tool. And it’s also a great thing to have with you when you’re strolling the concrete canyons of New York City or Tokyo.

These lenses tend to start ultra-wide, with exaggeratedly stretched corners, and narrow down to a perspective that’s wider than what you can get from the fast prime lenses we recommend above. But even at their widest, the best of these lenses avoid fish-eye-like barrel distortion, opting for a rectilinear field of view. As a result, they can also work well for capturing breathtaking landscape and street-photography shots.

Nikon Nikkor Z 14–30mm f/4 S

The best full-frame wide-angle zoom lens.

This lens provides a distinctive perspective for architecture and landscapes, as well as street photography and everyday shooting.

The best wide-angle zoom lens we tested for full-frame cameras is the Nikon Nikkor Z 14–30mm f/4 S , which dazzled us with its range, image quality, and solid build.

It’s expensive, but it’s nearly flawless. Although this lens is not cheap, it is remarkably contrasty, resistant to unsightly lens flare (a common issue with wide-angle lenses), and very wide. It’s sharp from edge to edge at all focal lengths, too.

It’s surprisingly versatile for a wide-angle lens. The short minimum focusing distance of the Nikkor Z 14–30mm f/4 S allows it to serve as an effective—if unusual—portrait lens for fun people shots. Its 30mm maximum focal length is still considered wide on a full-frame camera, but that’s longer than what you get in many wide zooms, so you can use it for lots of different subjects.

In-camera corrections render it distortion-free. This lens displays quite a bit of barrel distortion on the wide end and pincushion on the long end in raw files, but JPEGs get automatic correction in-camera to be nearly perfectly rectilinear (corrections for raw files are also available in Adobe Lightroom and other popular developing software).

Nikon Nikkor Z DX 12–28mm f/3.5-5.6 PZ VR

The best aps-c wide-angle zoom lens.

This lens’s 18-42mm–equivalent range can cover wide-open vistas and people shots equally well. And its Power Zoom function makes it a great choice for video work.

For crop-sensor photographers—and people who like to shoot video—the Nikon Nikkor Z DX 12–28mm f/3.5-5.6 PZ VR is a great choice.

It’s perhaps even more versatile than our full-frame pick. Although this lens is not as wide as that model, its widest focal length (18mm equivalent in full-frame terms) is still more than expansive enough for great architecture and landscape shots. But its 42mm-equivalent maximum focal length is a great everyday focal length, squarely in the “normal” ballpark. That means this lens can work well for more conventional people photos and still-life shots, too.

It performs well across its zoom range. Like its larger sibling, this lens is sharp, contrasty, and capable of focusing very close. Its bokeh isn’t as smooth as what you can get out of the Nikkor Z 14–30mm f/4 S, but that’s not really something most people look for in a wide-angle zoom.

It’s especially good for vlogging and other video. As a Power Zoom lens, the Nikkor Z DX 12–28mm f/3.5-5.6 PZ VR zooms smoothly and silently, and you can even control the focal length remotely for vlogging and other video uses. Adding to that video utility is Nikon’s reliably strong VR image stabilization, which can produce beautifully smooth footage even when you’re walking with the camera.

If you love taking photos of people and pets, a dedicated portrait lens—typically a prime (non-zoom) lens with a focal length between 70mm and 105mm—is the best way to capture them. Lenses in this range can isolate your subject from the background, especially with the wide apertures that primes can utilize, and they don’t distort human features the way wider lenses do.

Nikon Nikkor Z 85mm f/1.8 S

The best full-frame portrait prime lens.

This is the sharpest version of Nikon’s classic portrait lens yet, with impressively smooth background blur that really makes your subject pop.

The Nikon Nikkor Z 85mm f/1.8 S is a classic example of a portrait lens, delivering shallow depth of field, smooth background blur, and bitingly sharp, contrasty results even at its widest aperture setting.

It’s almost optically flawless. Unlike some older portrait lenses, including Nikon’s own previous 85mm offerings, this one is nearly as sharp in the corners as it is in the center of the image. That means it can also work well to capture (distant) landscapes and architecture. And it’s almost completely distortion-free, even with in-camera corrections turned off.

It’s weather sealed and ruggedly built. Like Nikon’s other S-line lenses, the Nikkor Z 85mm f/1.8 S is resistant to water and dust, and it’s built from more robust plastics (plus a metal mount) than what you find in some of the company’s more budget-oriented lenses.

The previous-generation equivalent is really cheap. If you want to save a bit of money, Nikon’s Nikkor 85mm f/1.8 G , made for DSLRs, is also a very good lens and can work on Z cameras with an FTZ adapter. The trade-off for paying half as much as you would for a Z-mount 85mm lens, or less if you get it used, is slightly softer results (especially at the widest apertures, in the corners of the image), marginally less-smooth bokeh, and slower autofocus.

Sigma 56mm f/1.4 DC DN | C

The best aps-c portrait prime lens.

For DX cameras, this lens provides a perspective similar to that of our full-frame pick, and it has an even brighter maximum aperture.

For crop-sensor Z bodies, the Sigma 56mm f/1.4 DC DN | C is a great option that stacks up to our full-frame pick in almost every regard.

It offers a classic portrait focal length. With a full-frame-equivalent focal length of 84mm, it provides almost exactly the same field of view as the Nikon Nikkor Z 85mm f/1.8 S.

It’s sharp, it creates pretty bokeh, and it can focus close for a portrait lens. Like the Nikkor Z 85mm f/1.8 S, this lens is sharp from edge to edge, even at its bright f/1.4 maximum aperture, and it produces creamy bokeh. It can focus closer than most portrait lenses, too, which amplifies its ability to blur backgrounds.

It balances well on Nikon’s smaller APS-C bodies. Portrait lenses are often big and heavy, but this Sigma lens is relatively compact and lightweight at a little under 10 ounces and 2.34 inches long. That makes it a great match for the smaller Z 50 or Z fc, and even the Z 30.

It’s well built and weather sealed. Like our full-frame pick—and Sigma’s other Nikon Z-mount lenses—the 56mm f/1.4 DC DN | C is built from robust plastics that offer a premium feel, and it features a metal mount and weather sealing. (Sigma’s lenses have a gasket on the lens mount, while Nikon’s Nikkor S-line lenses also include internal gaskets around every moving part.) You can use this Sigma lens in light rain, at the beach, or in the desert without worrying about the health of the lens or your camera.

Most people don’t need a macro lens, but if you love photographing the hidden world—things on the scale of insects, soap bubbles, the details of rare coins, or the minutiae of flowers—you might be one of the few who do. And if you want to shoot both the small stuff and gorgeous portraits, a good macro lens can pull double duty.

Nikon Nikkor Z MC 105mm f/2.8 VR S

The best macro lens for aps-c and full-frame.

Nikon’s sharpest macro lens gives you a breathtakingly clear, close-up view of things normally unseen.

Neither Nikon nor third-party lens makers currently produce any Z-mount APS-C macro lenses, so we have only one pick here: the Nikon Nikkor Z MC 105mm f/2.8 VR S .

It does everything you could want a macro lens to do. This lens is wickedly sharp, as all good macro lenses are, and it offers 1:1 magnification, so it can reproduce your subject at life size. (Some less-expensive and smaller macro lenses are limited to 1:2 magnification or require an add-on converter to reach 1:1.)

Its exceptional bokeh makes it a great portrait option. This lens’s relatively wide maximum aperture of f/2.8, combined with its ability to focus extremely close, allows it to turn the background of your photos into a soft, creamy blur. Though the maximum aperture narrows to f/4.5 at the closest focusing distances, it still produces especially smooth bokeh.

It’s loaded with features. Like other S-line lenses, the Nikkor Z MC 105mm f/2.8 VR S is sealed against weather and dust, and it includes Nikon’s optical vibration reduction (VR)—very important when you’re working at such close distances. The lens body has several helpful features, too, such as a function button, an OLED display, and a control ring that you can assign to control both aperture and other functions.

It also has a focus limiter switch, which prevents the lens from focusing very close when you don’t plan to use it for macro work—say, when you’re shooting portraits.

It works well on APS-C bodies too, but with caveats. On Nikon’s APS-C cameras, this lens has an effective focal length of 157.5mm, which makes it harder for you to avoid motion blur caused by your hand movements. Even with VR, you’re likely to need a tripod to take consistently sharp shots.

If you’re willing to give up optical image stabilization, Nikon’s Nikkor Z MC 50mm f/2.8 also offers 1:1 magnification and a more reasonable 75mm effective focal length on APS-C cameras, but we preferred the image quality from the 105mm macro lens. The Nikkor Z MC 105mm f/2.8 VR S also gives you more working distance from your subject when you get to 1:1 magnification.

You can find lots of other good macro lenses, if you’re willing to use an adapter. If you’re seeking to shave a little off the price of a brand-new Nikkor Z-mount macro lens, the Sigma 105mm f/2.8 EX DG OS HSM Macro is a great alternative that can work with an FTZ adapter. It isn’t quite as clinically perfect as the Nikkor Z MC 105mm f/2.8 VR S and lacks some of that model’s bells and whistles, but it’s still impressively sharp, capable of 1:1 magnification, and equipped with image stabilization. New, this Sigma lens can save you more than $300 in comparison with the Nikkor Z equivalent, and in used condition it can be much, much cheaper.

One of Nikon’s key advantages in comparison with competing camera systems is that it goes out of its way to ensure that older lenses work on its new mirrorless bodies, including with autofocus and proper metering. Specifically, all F-mount DSLR lenses with electronic focusing motors (those with AF-S, AF-P or AF-I designations) can work with full autofocus and auto-exposure capability on Z-mount cameras via the company’s FTZ and FTZ II adapters. (The two adapters have identical functionality, but the FTZ II does away with the original’s tripod foot so that it works better with large lenses that have their own tripod feet, as well as with the Z 9 camera and its integrated vertical grip.)

This means you can get very cheap DSLR-era lenses that work well on the latest bodies, such as the AF-S Nikkor 50mm f/1.8G, which costs around $200 new or $100 or less used, in contrast to the $530 that Nikon usually asks for the Z-mount Nikkor 50mm f/1.8 S. And you can also mount older, manual-focus lenses—going all the way back to the beginnings of the F-mount in 1959—using the same adapter. In total, Nikon says it allows you to use approximately 360 older Nikkor lenses with cutting-edge Z cameras.

In light of all that, you may be asking why we don’t recommend any F-mount lenses in this guide. We have a few reasons:

• In many cases, Z-mount lenses are simply better performers. Nikon Z lenses are newer, designed for the Z-mount, and—generally speaking—equipped with improved optical performance, better glass coatings, and faster autofocus than older lenses.
• Ergonomics are often worse with F-mount lenses. Because these older lenses were designed for cameras with a different mount and different register distance , they can make the smaller Z-mount mirrorless bodies feel front-heavy.
• Older lenses may not be supported for long. Though relatively few photographers are likely to need to send a lens in for repair, this is still a concern. Nikon has begun phasing out support (including repairs, due to parts availability) for many DSLRs and DSLR-era lenses, which means that repairs will be much more difficult in the future.

But even with all of that said, there are some excellent bargains to be had, especially if you’re buying used , and since Nikon’s Z-mount lens system isn’t complete yet, you’ll find some lenses (for example, tilt-shift lenses and exotic telephotos) that are available exclusively in F-mount at this time. When there’s a relevant F-mount lens to consider in a given category, we’ve recommended it above.

Unlike some of its rivals, Nikon has opened the Z-mount to third-party lens manufacturers, and as a result, a healthy number of options are available for the relatively young system. To winnow the contenders, we established a few criteria: a list price under $2,000, autofocus capability, and solid support (which ruled out some of the less-established third-party brands).

Over the course of eight months, we systematically tested nearly every Z-mount lens that met those criteria, including both first-party Nikon Nikkor glass and third-party options from Sigma, Tamron, and other lens makers. We didn’t shoot resolution tests or measure distortion—if you’re interested in that kind of technical data, you’ll find no shortage of specialist websites and YouTube reviews that break it all down. Instead, we shot with the lenses in the real world, evaluating both overall image quality and other, fuzzier metrics such as handling, durability, and ease of use.

We’re assuming that you already own a “kit” lens that came bundled with your camera—something like the Nikkor Z 24–50mm, Nikkor Z 24–70mm f/4 S, or Nikkor Z DX 16–50mm f/3.5-6.3 VR. Our goal with this guide is to provide recommendations for lenses that outdo those general-purpose zooms by providing additional focal length, wider aperture, or other useful capabilities, such as macro.

This article was edited by Phil Ryan and Erica Ogg.

Meet your guide

Ben Keough is the supervising editor for Wirecutter's working from home, powering, cameras, and hobbies and games coverage. He previously spent more than a decade writing about cameras, printers, and other office equipment for Wirecutter, Reviewed, USA Today, and Digital Camera HQ. After four years testing printers, he definitively confirmed that they all suck, but some suck less than others.

Mentioned above

• If you want to shoot in lower light, with a wider viewpoint, or closer, you’ll need to invest in new lenses. These are our recommendations. The First Canon Lenses You Should Buy  
• After testing multiple Nikon lenses, we think these are the best picks for most people who want a variety of options. Here’s what we recommend. The First Nikon DSLR Lenses You Should Buy  
• If you own a Sony mirrorless camera body and want to know which lenses you should get, here are our suggestions for the first lenses you should consider. The First Sony E-Mount Lenses You Should Buy  
• If you want to shoot sharp photos while using a slow shutter speed, we think the Vanguard Alta Pro 2+ 263AB100 tripod is the best choice. The Best Tripod  

Further reading

The Best Mirrorless Camera

by Phil Ryan

After testing dozens of cameras over the years, we can say that the Olympus OM-D E-M10 Mark IV is the best mirrorless camera for most people.

Why We Don’t Recommend Buying a New DSLR Camera

If you’re buying a new camera, look for a mirrorless model—most camera makers aren’t developing DSLRs anymore.

The Best Lenses for iPhone Photography

by Erin Roberts

If you want to expand on your smartphone’s cameras, we think Moment’s Anamorphic Lens is the best way to do that.

How to Buy a Camera Flash

by Arriana Vasquez

A camera flash can take your photography to a new level of creativity, but picking one can be tricky. We explain how to choose the right flash for your camera.

The 9 Best Nikon Lenses For Traveling in 2024

Have you been looking for the best Nikon lenses for traveling? This guide will get you on the road with some of the best lenses Nikon offers for people who love a good adventure as much as they love photography.

The best Nikon lens for landscape and travel is easily the Nikon AF-S FX NIKKOR 24-120mm f4 G ED VR . It’s just got a little bit of everything for people on the go. However, the rest of the lenses in this list might steal the show depending on your style.

Introducing the 9 Best Nikon Lenses For Traveling

• Nikon AF-S FX NIKKOR 24-120mm Lens – Best Overall
• Nikon AF-S NIKKOR 50mm Lens – Best Prime Lens for Travel
• Nikon AF-S NIKKOR 200-500mm Lens – Best Travel Telephoto Lens
• Nikon AF-S DX NIKKOR 35mm Lens – Best Budget Lens for Travel
• Nikon AF-P DX NIKKOR 10-20mm Lens – APS-C Landscape Photographers
• Nikon AF-S NIKKOR 24-70mm Lens – Best Travel Lens for Pros
• Nikon AF S NIKKOR 85mm Lens – The Best for On-the-Road Portraits
• Nikon AF-S NIKKOR 14-24mm Lens – Best for Astrophotography
• Nikon AF-S NIKKOR 500mm Lens – Best for Wildlife

Let’s dive right into our top 9 Nikon lenses for travel!

1. Nikon AF-S FX NIKKOR 24-120mm f4 G ED VR: Best Overall

• Focal Length: 24 to 120mm
• Size: 84 x 103 mm
• Weight: 710 g
• Sensor Type: Full-Frame
• Image Stabilization: Yes
• Aperture: f/4
• Autofocus: Yes

Are you looking for the best Nikon lenses for travel photography? Well, this is it.

The Best All-Around Lens

Sometimes you just need a lens that can handle everything. The Nikon AF-S FX 24-120mm is able to handle everything from scenic landscapes to portraits and more. While it does take care of basically every travel photographer’s needs, it does fall short when it comes to more specialized features that you get with other lenses.

• The 24 to 120mm focal length covers everything from landscaping to telephoto photography
• Great choice for a lightweight kit with just a single lens
• The Nikkor line of lenses are well respected for their image quality
• There is some vignetting and distortion that you’ll need to correct in post-production
• This is a great all-around lens, but if you’re focussed on a particular style of photography, you’re better off with another lens on this list

2. Nikon AF-S NIKKOR 50mm f/1.8G Lens: Best Prime Lens for Travel

• Focal Length: 50 mm
• Size: 72.1 x 52.4 mm
• Weight: 185 g
• Image Stabilization: No
• Aperture: f/1.8

Not only is this the best prime lens for travel photographers, it’s also one of the best Nikon lenses you could own. Every photographer needs a 50 mm in their kit .

50mm is All Your Need

In the world of photography, 50 mm is considered to be the most versatile focal length. Many people even consider this to be the same focal length of human vision. Because of this and so much more, 50 mm lenses are the go to for travel photographers no matter where your adventure takes you.

• 50 mm is the go-to focal length for street photographers
• Handles portraiture, street, and even some landscape shots
• Affordable for a prime lens
• Fast aperture is great for action shots
• 50 mm isn’t the best for wide angle or telephoto work
• You’ll eventually want to add a second, or third, lens to your kit

3. Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Lens: Best Travel Telephoto Lens

• Focal Length: 200 to 500 mm
• Size: 108 x 267.5 mm
• Weight: 2,300 g
• Aperture: f/5.4

This Nikon best telephoto lens for travel is going to change how you handle long distance shots while on the road.

Get the Shot No Matter How Far the Subject

With a 200 to 500 mm zoom lens, you’ll be able to get just about any shot no matter how far away your subjects are. This is an ideal lens for individuals just starting out with wildlife photography as well as people who are looking to get shots with subjects that are a little too far for other lenses. While it might be a little heavy for some, it’s going to be a great lens for people to prioritize telephoto over everything else.

• The maximum focal length of 500 mm will let you take pictures of just about anything from far away
• The f/5.4 aperture is pretty fast for a lens with this much zoom
• The image stabilization is a must at this focal length
• This lens has no close-up potential
• It’s heavy which might make it a no-go for lighter kits

4. Nikon AF-S DX NIKKOR 35mm f/1.8G Lens: Best Budget Lens for Travel

• Focal Length: 35 mm
• Size: 70 x 52.5 mm
• Weight: 200 g
• Sensor Type: APS-C

Are you looking for a great prime lens that won’t have a high price tag? The 35mm lens from Nikon saves you money while unlocking a classic way of taking pictures while traveling.

Save Money with a Classic 35mm Lens

35 mm is the classic focal length used by Hollywood as well as old school photography. This will give you a unique way of looking at the world through the lens while also saving you some cash. This lens is an ideal choice for individuals who are shooting on an APS-C, or crop sensor, camera.

• 35mm is the classic focal length of Hollywood and old-school photography
• Lightweight and affordable
• The perfect choice for photographers with crop-sensor cameras
• Great for beginners looking to explore new styles
• The crop sensor sizing means this lens isn’t a true 35mm
• 35mm works great for street, landscape, and even portraits, but struggles when you need a zoom

5. Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR: APS-C Landscape Photographers

• Focal Length: 10 to 20 mm
• Size: 77 x 73 mm
• Weight: 230 g
• Aperture: f/4.5

Now you can capture landscape shots like a pro without the budget of a pro.

Try Out Landscape Photography

Landscape photography is one of the most exciting things to do while on vacation. However, you only get the best Landscaping photography with a 10 to 20 mm lens. This lens lets you get started without breaking the budget for your trip.

• Ideal for first-time landscape photographers
• The perfect focal length for catching those sweeping vistas
• Lightweight and a reasonably small form factor
• APS-C cameras zooms the focal length in making this a little tighter than a true 10 – 20 mm lens
• Less useful for street, portraits, and other styles
• You’ll need to learn how to use basic editing software to deal with distortion and vignetting

6. Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Lens: Best Travel Lens for Pros

• Focal Length: 24 to 70 mm
• Size: 88 x 154.5 mm
• Weight: 1070 g
• Aperture: f/2.8

Are you breaking out into pro photography on the road? This is the Nikon best zoom lens for travel.

The Best High-End All-Purpose Travel Lens

Whether you’re just really serious about the hobby or you’re getting paid to do photography while traveling, this Nikon lens is a great choice for professional photographers. Not only does it cover a wide range of focal lengths, it gives you the professional respectability that comes with serious gear. If you’ve got the money for the investment, you can’t go wrong with this lens as your first professional photography travel lens.

• Ready for anything from landscapes to portraits
• Ideal for the pro who only wants to take one lens
• Gives you the flexibility to switch up your style whiteout hauling around the whole kit on your trip
• It’s a little heavy
• You might also need a tighter lens and a wider lens for different situations
• That price tag is higher than most

7. Nikon AF S NIKKOR 85mm f/1.8G Lens: The Best for On-the-Road Portraits

• Focal Length: 85 mm
• Size: 75 x 99 mm
• Weight: 170 g
• Aperture: f1.8

This could be the best Nikon full-frame lens for travel. This 85mm prime lens lets you take the most flattering portraits while you’re on the road.

The Best Choice for Portraits While Traveling

There’s nothing like taking some stunning portraiture while you’re on the road. Whether you are taking a portrait of the people you’re traveling with or the people you meet on the way, you need a lens that can keep up with the work. This 85 mm lens for Nikon is one of the best portrait lenses on the market, and it’s a great choice to take with you on your next trip.

• The best prime lens for taking portraits
• Also works great for street photography if you can manage the tighter focal length
• This lens can handle professional level work
• Lightweight and small
• 85mm is a restrictive focal length which means you might need a second lens
• You can get similar results with a zoom lens that has 85mm capability

8. Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens: Best for Astrophotography

• Focal Length: 14 to 24 mm
• Size: 98 x 131.5 mm
• Weight: 1000 g

One of the best parts about traveling is getting away from those bright city lights and enjoying some astrophotography. If you’re looking to take some pictures of the stars, this is the lens for you.

Aim for the Stars

Astrophotography is a trend that has only gotten more and more popular over the last few years. In order to accomplish getting stunning pictures of stars, you need a lens that can handle the job. This wide-angle lens allows you to tackle astrophotography while leaving you enough wiggle room to do some landscape work while the sun’s out.

• The best choice if you’re looking to do some astrophotography while on the road
• Also doubles as a great landscape and interior lens
• The ultra-wide focal length also lets you take some artistic shots
• It’s one of the heaviest lenses on this list
• Not the best choice for street, portraits , or other common travel photography styles

9. Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR Lens: Best for Wildlife

• Focal Length: 500 mm
• Size: 106 x 237 mm
• Weight: 1460 g
• Aperture: f/5.6

Are you looking to get more in touch with nature during the next photography session? This lens is the best of the best when it comes to wildlife photography .

Get in Touch With Nature

Wildlife photography is one of the most challenging styles in the art form. You have to get up close with nature while being at the top of your game with your photography skills. Sometimes, the best way to get up close is to have a lens that has a 500 mm focal length.

While this lens might cost more than your camera, if you’re into wildlife photography it’s worth the investment.

• The single best Nikon lens for capturing nature up close and personal
• It’s one of the longest focal lengths in a prime lens which gives you unbeatable images
• If you’re focussed on wildlife photography, it’s hard to ask for a better lens
• This lens might cost more than your camera
• It’s big, heavy, and you might need to pair it with another lens with a shorter focal length

How To Buy The Best Nikon Lenses For Traveling

It can be hard to sort through the noise and find the travel lens that’s right for you. That’s why we put together this guide to answer your top questions about buying a travel lens.

How to Buy The Best Nikon DX Lens For Travel?

It’s pretty common for travel photographers to start out with a Nikon DX camera . This is Nikon’s line of APS-C cameras. These are crop sensor cameras that do not have full-frame capabilities but do save beginners tons of money.

You should keep in mind that crop sensor lenses are a little bit more magnified than their focal lengths would suggest. As general advice, go for a slightly smaller focal length than you normally would for a given style of photography.

Prime Vs. Zoom: The Debate

The Prime vs. Zoom debate has a serious argument for photographers the world over. This is even more true for individuals who are traveling and can only carry a limited number of lenses with them. Here’s how the prime vs. zoom debate breaks down.

Prime lenses tend to have cleaner images and fewer mechanical problems. Prime lenses are also often associated with professional photographers and higher-quality images. Their biggest downside is that you’re going to need several prime lenses to cover the same focal-length ranges as a zoom lens.

Zoom lenses tend to be budget options that have a habit of having more distortions in the image. They also have a bad reputation because they’re associated with the kit lens that probably came with your camera. They can also experience more mechanical breakdowns as they have more moving parts than prime lenses. With that said, zoom lenses have great features and can be some of the best.

Consider your budget, your style of photography, and how many kits you want to carry to pick between prime and zoom lenses.

• The best Nikon prime lenses
• The best Nikon zoom lenses
• Nikon Standard Lenses
• The best Nikon wide-angle lenses
• The best Nikon short-telephoto lenses
• The best Nikon medium-telephoto lenses
• The best Nikon telephoto lenses
• The best Nikon super-telephoto lenses

What Lens To Use For Travel Photography?

Here’s a quick guide for picking the best travel lenses for photography. This is going to be a bullet-point rundown of the top factors you need to consider for the lens that’s right for you. Think about each of these options and then pick the lens that gets you closest to each goal.

• Consider your budget first
• Next, think about your photography style
• How much weight will you carry during your trip? Image hauling this lens for a full day running around a city
• The last thing to consider is your kit. Does this lens fit in? Will you replace it soon? Does it complement what you already have?

How Much Should I Spend On A Travel Lens?

This is one of the biggest questions that bother professional and beginner photographers alike. Figuring out how much money to spend on your lenses isn’t as easy as it seems. Here’s what you need to consider.

The first thing you need to consider is just how much money you can spend. You don’t want to be breaking into your bank account over a travel lens.

Another thing to consider is that you can use an entry-level, budget lens to get professional-level images if your skills are good enough. It’s often better to master the basics of photography on affordable gear than to rely on high-end gear to make up for a lack of skill.

How To Keep My Travel Lenses Safe While On The Road?

In order to keep your lenses safe while traveling, you need to consider a few best practices for staying safe on the road.

Never leave your bags unattended especially if they hold expensive photography equipment.  Listen to the advice of locals when it comes to staying away from particularly heavy crime areas. You should also do your best to not advertise that you have a bunch of expensive photography equipment by skipping out on bags that have clearly visible labels and I can discreetly rather than like an obvious tourist.

There are also insurance plans for camera gear that you can purchase.

No matter what your photography goals are, you can’t go wrong with the Nikon AF-S FX NIKKOR 24-120mm . It’s got an affordable price, it’s easy to carry, and it lets you enjoy nearly every style of travel photography.

Other options like the 50mm and the astrophotography Nikon AF-S NIKKOR 14-24 mm let you experience specific styles or meet tight budget or weight requirements.

It’s your journey, which lens are you taking on the trip of a lifetime?

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Explore the World with Confidence: Eyewear Essentials for Travelers

• BY Alyssa Buchanan
• Apr 09, 2024

Photo by Nappy

As avid travelers know, exploring new destinations often means encountering a variety of environments and activities. Whether you’re navigating bustling city streets, basking on sun-drenched beaches, or trekking through rugged landscapes, having the right eyewear can enhance your travel experience and provide essential protection for your eyes. At Zenni, we understand the unique needs of travelers, which is why we offer a range of lightweight, versatile eyewear options designed to adapt to any adventure. Let’s dive into the essentials for travelers and discover why Zenni is the perfect companion for your next journey.

Photochromic Lenses: Adaptability in Any Light

One of the challenges of travel is navigating changing light conditions throughout the day. From bright sunlight to dimly lit interiors, your eyes need reliable protection and clarity at all times. Zenni’s photochromic lenses, such as the EyeQLenz , offer the ultimate solution, seamlessly adapting to varying light levels to provide optimal vision in any environment. Say goodbye to the hassle of switching between sunglasses and prescription glasses—our photochromic lenses ensure you’re always ready to soak in the sights without missing a beat.

Discover the Versatility of Foldable Frames

When space is at a premium in your luggage, compact eyewear becomes a must-have accessory for travelers. Zenni’s foldable frames are designed with convenience in mind, allowing you to easily stow them away in your pocket or bag when not in use. Whether you’re hopping between destinations or exploring on foot, our foldable frames provide the perfect balance of style and practicality, ensuring you’re always prepared for whatever the journey brings.

Shop these frames

Built to Endure: Durable Materials for Every Adventure

Travel can be unpredictable, and your eyewear needs to withstand the rigors of the road. That’s why Zenni prioritizes durability in our eyewear designs, using high-quality materials that are built to last. Whether you’re exploring bustling urban centers or embarking on outdoor excursions, our frames are engineered to withstand the demands of travel, ensuring you can focus on making memories without worrying about your eyewear.

Stylish and Functional: Finding Your Perfect Pair

Of course, functionality doesn’t mean sacrificing style. Zenni offers a wide range of eyewear options that combine fashion-forward design with practical features tailored to travelers’ needs. Whether you prefer classic aviators for a timeless look or sporty wraparound frames for outdoor adventures, our diverse selection ensures you’ll find the perfect pair to complement your personal style and travel aesthetic.

Having the right eyewear is essential for travelers seeking to explore the world with confidence and clarity. With Zenni’s lightweight, versatile eyewear options , you can embark on your next adventure fully prepared for whatever the journey holds. From foldable frames and photochromic lenses to durable materials and stylish designs, Zenni has everything you need to make your travels unforgettable. So pack your bags, hit the road, and see the world through the lens of adventure with Zenni by your side.

Alyssa Buchanan

Dr. Alyssa Buchanan is an optometrist based in Lubbock, Texas. She received her doctorate from Western University of Health Sciences in Pomona, California, and has practiced in various settings including Fort Cavazos where she provided eye care for deploying soldiers. Dr. Buchanan has since received her Master’s degree in Healthcare Administration and continues to strive to provide top-notch eyecare and make a meaningful impact in the eyecare industry.

Related Posts

Total Solar Eclipse: When and Where to Stream or See It Live

T he " great American eclipse " is happening today, and you shouldn't let this rare celestial event pass you by. In just a few hours, the last  total solar eclipse  over North America  until 2044  will be visible for several minutes. If you don't see this one, it's a 20-year wait for the next.

A  total solar eclipse  happens when the moon passes between the Earth and the sun, blocking the sun and turning an otherwise sunny day to darkness for a short period of time. Depending on the angle at which you're viewing the eclipse, you may see the sun completely shrouded by the moon (called totality) or some variation of it. The more off-angle you are and the farther you are from the path of the eclipse, the less likely you'll be to see the totality.

The  2024 total solar eclipse  will happen on Monday. It will reach the Mexican Pacific coast on April 8 at 11:07 a.m. PT (2:07 p.m. ET), and then traverse the US in a northeasterly direction from Texas to Maine and on into easternmost Canada. 

Not everyone can travel to see it, but you may happen to live somewhere on that path of totality. Here's a look at some of the options to nab a chance to see this rare sight, and what to know about the great American eclipse.

Total solar eclipse path

The eclipse will cross over the Pacific coast of Mexico and head northeast over mainland Mexico. The eclipse will then make its way over San Antonio at approximately 2:30 p.m. ET on April 8 and move through Texas, over the southeastern part of Oklahoma and northern Arkansas by 2:50 p.m. ET.

By 3 p.m. ET, the eclipse will be over southern Illinois, and just 5 minutes later, will be traveling over Indianapolis. Folks in northwestern Ohio will be treated to the eclipse by 3:15 p.m. ET, and it will then travel over Lake Erie and Buffalo, New York, by 3:20 p.m. ET. Over the next 10 minutes, the eclipse will be seen over northern New York state, then over Vermont. By 3:35 p.m. ET, the eclipse will work its way into Canada and off the Eastern coast of North America.

Best places to watch the Great American Eclipse

When evaluating the best places to watch this year's total eclipse, you'll first want to determine where you'll have the best angle to see the totality. The farther off-angle you are -- in other words, the farther north or south of the eclipse's path -- the less of an impact you can expect.

Therefore, if you want to have the best chance of experiencing the eclipse , you'll want to be in its path. As of this writing, most of the cities in the eclipse's path have some hotel availability, but rooms are getting pricey. Major cities on the path include San Antonio, Dallas and Austin in Texas; Columbus and Cleveland in Ohio; Indianapolis; Little Rock, Arkansas; and Buffalo and Rochester in New York.

You could even be in the sky when it happens -- Delta Airlines is offering two flights that allow you to see the entire path of totality between Texas and Detroit. Delta also has five other flights that will (coincidentally) offer  prime eclipse viewing .

Where to watch the eclipse live stream

NASA will be hosting a 3-hour live stream of the eclipse starting at 1 p.m. ET (10 a.m. PT), with commentary by NASA experts, astronauts on the international space station and looks at watch parties across the nation. It will feature views from locations in the path of totality, including Dallas and Kerrville, Texas; Russellville, Arkansas; NASA's Glenn Research Center in Ohio; Indianapolis; Carbondale, Illinois; Niagara Falls, New York; and Houlton, Maine.

You can watch the live broadcast on streaming service NASA Plus , NASA TV or on NASA's website . Nasdaq will also carry coverage of part of the NASA TV broadcast and will live stream it on its screen in Times Square .

You can also  stream it live on CNET's YouTube channel.

Eclipse eye safety and photography

  As with any solar eclipse, it's critical you keep eye safety in mind.

During the eclipse, and especially during the periods before and after totality, don't look directly at the sun without special eye protection . Also, be sure not to look at the sun through a camera (including the camera on your phone), binoculars, a telescope or any other viewing device. This could cause serious eye injury. Sunglasses aren't enough to protect your eyes from damage.

If you want to view the eclipse, you'll instead need solar viewing glasses that comply with the ISO 12312-2 safety standard. Anything that doesn't meet that standard or greater won't be dark enough to protect your eyes. Want to get them for free? If you have a Warby Parker eyeglasses store nearby, the company is giving away free, ISO-certified solar eclipse glasses at all of its stores from April 1 until the eclipse, while supplies last.

If you don't have eclipse viewing glasses handy, you can instead use indirect methods for viewing the eclipse, like a pinhole projector.

Read more:  A Photographer's Adventure With the Eclipse

In the event you want to take pictures of the eclipse , attach a certified solar filter to your camera. Doing so will protect your eyes and allow you to take photos while you view the eclipse through your lens.

There's also a new app to help you both protect your eyes and take better photos of the eclipse on your phone . Solar Snap, designed by a former Hubble Space Telescope astronomer, comes with a Solar Snap camera filter that attaches to the back of an  iPhone  or  Android  phone, along with solar eclipse glasses for protecting your eyesight during the event. After you attach the filter to your phone, you can use the free Solar Snap Eclipse app to zoom in on the eclipse, adjust exposure and other camera settings, and ultimately take better shots of the eclipse.

Watching the total eclipse from space

You don't even have to be on Earth to watch the eclipse. Astronauts aboard the International Space Station will have multiple chances to witness this rare event.

"(Astronauts) aboard the orbiting laboratory will have three opportunities to view the ground shadow (penumbra and umbra) of the moon as it tracks across the Earth surface during the total solar eclipse,"  NASA said . "After encountering the eclipse shadow above the Pacific Ocean, then during a pass from the New Zealand area to California and Idaho, the space station is predicted to encounter the eclipse during a time of near-to-full totality while over Maine and New Brunswick around 3:30 p.m. EDT."

But the astronauts still need to protect their eyes, just as Earth's eclipse-watchers do.

"Safety first still applies in space!"  NASA wrote in an Instagram post . "The crew will not directly image the eclipse for the same reason we here on Earth should not look directly at the sun during the eclipse, except during the brief total phase of a total solar eclipse, when the Moon completely blocks the sun's bright face."

Even those of us on earth can help out NASA. The  Eclipse Soundscapes Project  is a NASA Citizen Science project studying how eclipses impact life on Earth. The project is asking for the public's help, and it'll use gathered information to revisit a century-old eclipse study about how animals and insects are affected by solar eclipses.

The  simplest way to get involved  is to read up on how to use your observations from that day to help NASA gather information. Sign up, and then go outside on eclipse day and record your observations and share them as requested. Observers can be on the path of totality, but they don't have to be. NASA will give participants a certificate for submitting their observations.

2024 eclipse compared to 2017

The last total solar eclipse occurred in 2017, and many Americans had a great view. Although there are plenty of similarities between the 2017 total solar eclipse and the one coming April 8, there are a handful of differences. Mainly, the 2024 eclipse is going to cover more land and last longer.

The 2017 eclipse started over the northwest US and moved southeast. Additionally, that eclipse's path was up to 71 miles wide, compared with a maximum width of 122 miles for this year's eclipse. Perhaps most importantly, the moon completely covered the sun for just 2 minutes, 40 seconds in 2017. This year, maximum totality will last for nearly four-and-a-half minutes.

For more on the Great American Eclipse, check out CNET's coverage on expert eye protection and viewing tips , where to get free solar eclipse glasses ,  how to figure out if your eclipse glasses are safe or fake  and whether your solar panels will be affected by the total solar eclipse .