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Deftones in concert with Gojira

Deftones comes to Irving in support of their 2020 album,  Ohms . They'll be joined by special guests Gojira.

Deftones comes to Irving in support of their 2020 album, Ohms . They'll be joined by special guests Gojira.

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Deftones - 2022 Tour

The pavilion at toyota music factory, monday, may 2 at 7 pm cdt.

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Tickets available online., resale tickets, sold out get tickets on stubhub..

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Deftones in the US tour dates 2024

Deftones has 2 tour dates in the US. They are currently touring across 2 countries and have 4 upcoming concerts.

Their next tour date in the US is at Grant Park.

Currently touring across

Upcoming concerts (2)

Lollapalooza

Golden Gate Park

Recent tour reviews

The concert was really great.

The show was a long journey through the band's discography except themes from their most recent album: Gore.

The set was really powerful, even though the stage sound experienced some technical issues on the first two songs.

The Full set list included.

Be Quiet and Drive (Far Away)

My Own Summer (Shove It)

Around the Fur

Swerve City

Digital Bath

What Happened to You?

Hole in the Earth

Change (In the House of Flies)

Diamond Eyes

You've Seen the Butcher

Rocket Skates

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What a night! The band opened with "Headup" from their sophomore album, Around the Fur, then dove straight into "My Own Summer". These two tracks made me super happy because they were some of my absolute favorites when I was an angry teenager. LOL. (I guess I still kind of am today.)

Just after those two older songs, they floored the crowd with the opening track from Koi No Yokan - "Swerve City," followed by two more from White Pony - "Digital Bath," and "Elite." The former being a sonic landscape of pure magic and the latter being an absolute bone-crushing performance. (Although I will say the vocoder part on that track got on my nerves a bit since it sounded like it was overpowering the rest of the instruments.)

To my surprise, they only played one track from the new album, Gore, which was "The Phantom Bride," though it was hauntingly beautiful. (I was really hoping for Prayers/Triangles - but it was still great!)

This was followed by another slower song, "You've Seen the Butcher" - which is just a brutally heavy (almost jazzy) tune from the album Diamond Eyes.

Another Diamond Eyes track was next - "Rocket Skates" - which was arguably the most fun and energetic of the entire set in my opinion. The chorus, "GUNS! RAZORS! KNIVES! FUCK WITH ME!" showed on little LED panels behind the band - it was so cool to watch and sing along.

Another slow burner from Koi No Yokan, "Rosemary," followed. I love this song with its plodding intensity, soaring chorus, and absolutely devastating breakdown at the end.

A crowd favorite from White Pony (probably their most popular album) followed, which was extremely intense with the screams in the middle of the track. Man, HOW DOES CHINO DO THAT?!?! I know it was a woman on the album, but I swear I we witnessed him throw an absolutely blood-curdling shriek right toward the end of the song. WOW.

The band did something sneaky next. The played the first verse of "Rivière" from Saturday Night Wrist before stomping through the heavier part of the end of that song. Again, I was a little disappointed (Why not "Hole in the Earth"? Darn. Next time.) Still, very cool.

Two more Deftones classics followed from White Pony - "Change (In the House of Flies)" and "Back to School (Mini Maggit)". These aren't my favorites - I got really tired of "Change" when the band blew up in the early 2000s, but the still jammed hard, so nothing to complain about their performance.

The last two songs were "Be Quiet and Drive (Far Away)" - which is one of my ALL TIME FAVORITE SONGS - and "Minerva," - from the self-titled album - which is my best friend's favorite song. Both were absolutely wonderful; the crowd was absolutely insane during the last song.

Then Chino dropped his guitar. The stage went dark and they walked off stage... the air was so thick and you could just feel something very special was about to happen.

Then we saw the bassist sneak back to his spot... it was an encore! The evening closed with "Teething" from the Crow 2 Soundtrack. Folks, let me tell you THEY. KILLED. THIS. SONG. It was amazing. I have long loved this track and it was the absolute perfect way to end the night.

Overall, I wish we'd heard more stuff from the new album, Gore, and my wife REAAAAALLLLY wanted them to play the title track "Diamond Eyes" from their sixth album.

But all-in-all I'm a huge fan and that will never change! I absolutely loved the concert. Chino, Abe, Stef and the rest of the band were all incredible and I can't wait to see them again!

Amazing performance by Deftones. Three trapped tigers and thrice sounded great as well. Rise Against had their hands full closing out the show after deftones just killed it. I am suprised they didnt just let deftones close every night. No offense to rise against but coming after a band thats been around as long as deftones would be tough for anybody. They sounded okay, Mid Florida Ampitheatre is a tough one because its built almost in a dome atmosphere essentially making it a big as subwoofer. So bass and drums kinda carry abit over guitars and vocals. Set wise Deftones felt a little short, almost rushed mainly due to Tampa curfew. But I am a Deftones fan since the beginning so ofcourse I want to here 30 songs from their catalog everytime. Thrice really blew me away. They really havent lost any steps since being away for abit. Every song was crisp and clear. You could tell they were really enjoying themselves and trying like hell to take in all the time they were given. Three trapped tigers were also a nice treat. It makes me wonder what these guys could do if they were to add a vocalist in the mix. Being strictly instrumental is tough to do especially opening for bands like Rise Against and Deftones. But that being said those guys were juggernauts on their respective instruments so that has to be acknowledged and appreciated by fans of any genre. Overall solid show and interesting tour pairing. Both deftones and rise against probably gained some new ears for their music so it was a win win for both bands.

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Deftones Announce Summer North American Tour With Gojira + Poppy

The upcoming tour will be the group’s first in three years

On Tuesday (Feb. 11), GRAMMY-winning metal band Deftones announced that they will embark on a 28-date North American summer tour this year.

The tour will mark Deftones ’ first shows on the road since 2017. In 2018, the group launched their own San Diego-based festival, Dia De Los Deftones, which has featured acts like Chvrches , GRAMMY-winning rapper Future , Doja Cat and JPEGMAFIA on its lineups.

Kicking off on July 27 at The Moda Center in Portland, the Deftones’ run of shows will continue through Sept. 5, when the tour will wrap with a Denver stop at The Pepsi Center. 

With stops in Las Vegas, Toronto and Washington D.C., the tour will also feature special guests, GRAMMY-nominated French heavy metal band Gojira and singer-songwriter Poppy.

In an interview with NBC San Diego last year, Deftones confirmed that they are in progress finishing up their next studio album which is expected to release this year. The new record will be the band’s first studio album since 2016’s Gore .

Tickets for the upcoming tour will be available on Friday (2/14) at 1 p.m. local time on Deftones.com .

Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Photo:  Rachel Kupfer  

A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.

Franc Moody

Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .

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Photo: Steven Sebring

Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."

Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP,   Cage , and continuing to rock through decades of changing tastes.

Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.  

Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face." 

But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life. 

His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves. 

Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)

Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") —  their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.

While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens. 

Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.

Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up. 

Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically. 

"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?

We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds. 

We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick. 

I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?

Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol. 

You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way. 

** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about  freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **

I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier. 

I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff. 

So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.

[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.

I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.

Did you watch Danny Boyle's recent Sex Pistols mini-series?

I did, yes.

You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?

I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.

It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.

But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is]  informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.

Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.

We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.

It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].

We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.

You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.

It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.

When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.

You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?

Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."

We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.

You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.

With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.

Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.

You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?

I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.

But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.

I remember when you went on " Viva La Bam "  back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?

I think it was his car.

Did he get over it later on?

He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.

Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?

In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.

We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.

The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.

There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.

It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.

It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.

Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?

Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.

The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.

The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?

Yeah.  Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

Living Legends: Nancy Sinatra Reflects On Creating "Power And Magic" In Studio, Developing A Legacy Beyond "Boots" & The Pop Stars She Wants To Work With

Graphic: The Recording Academy

Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

The 2023 GRAMMY Award nominees for Best Country Solo Performance highlight country music's newcomers and veterans, featuring hits from Kelsea Ballerini, Zach Bryan, Miranda Lambert, Maren Morris and Willie Nelson.

Country music's evolution is well represented in the 2023 GRAMMY nominees for Best Country Solo Performance. From crossover pop hooks to red-dirt outlaw roots, the genre's most celebrated elements are on full display — thanks to rising stars, leading ladies and country icons.

Longtime hitmaker Miranda Lambert delivered a soulful performance on the rootsy ballad "In His Arms," an arrangement as sparing as the windswept west Texas highlands where she co-wrote the song. Viral newcomer Zach Bryan dug into similar organic territory on the Oklahoma side of the Red River for "Something in the Orange," his voice accompanied with little more than an acoustic guitar.

Two of country's 2010s breakout stars are clearly still shining, too, as Maren Morris and Kelsea Ballerini both received Best Country Solo Performance GRAMMY nods. Morris channeled the determination that drove her leap-of-faith move from Texas to Nashville for the playful clap-along "Circles Around This Town," while Ballerini brought poppy hooks with a country edge on the infectiously upbeat "HEARTFIRST."

Rounding out the category is the one and only Willie Nelson, who paid tribute to his late friend Billy Joe Shaver with a cover of "Live Forever" — a fitting sentiment for the 89-year-old legend, who is approaching his eighth decade in the business. 

As the excitement builds for the 2023 GRAMMYs on Feb. 5, 2023, let's take a closer look at this year's nominees for Best Country Solo Performance.

Kelsea Ballerini — "HEARTFIRST"

In the tradition of Shania Twain , Faith Hill and Carrie Underwood , Kelsea Ballerini represents Nashville's sunnier side — and her single "HEARTFIRST" is a slice of bright, uptempo, confectionary country-pop for the ages.

Ballerini sings about leaning into a carefree crush with her heart on her sleeve, pushing aside her reservations and taking a risk on love at first sight. The scene plays out in a bar room and a back seat, as she sweeps nimbly through the verses and into a shimmering chorus, when the narrator decides she's ready to "wake up in your T-shirt." 

There are enough steel guitar licks to let you know you're listening to a country song, but the story and melody are universal. "HEARTFIRST" is Ballerini's third GRAMMY nod, but first in the Best Country Solo Performance category.

Zach Bryan — "Something In The Orange"

Zach Bryan blew into Music City seemingly from nowhere in 2017, when his original song "Heading South" — recorded on an iPhone — went viral. Then an active officer in the U.S. Navy, the Oklahoma native chased his muse through music during his downtime, striking a chord with country music fans on stark songs led by his acoustic guitar and affecting vocals.

After his honorable discharge in 2021, Bryan began his music career in earnest, and in 2022 released "Something in the Orange," a haunting ballad that stakes a convincing claim to the territory between Tyler Childers and Jason Isbell in both sonics and songwriting. Slashing slide guitar drives home the song's heartbreak, as Bryan pines for a lover whose tail lights have long since vanished over the horizon. 

"Something In The Orange" marks Bryan's first-ever GRAMMY nomination.

Miranda Lambert — "In His Arms"

Miranda Lambert is the rare, chart-topping contemporary country artist who does more than pay lip service to the genre's rural American roots. "In His Arms" originally surfaced on 2021's The Marfa Tapes , a casual recording Lambert made with Jack Ingram and Jon Randall in Marfa, Texas — a tiny arts enclave in the middle of the west Texas high desert.

In this proper studio version — recorded for her 2022 album, Palomino — Lambert retains the structure and organic feel of the mostly acoustic song; light percussion and soothing atmospherics keep her emotive vocals front and center. A native Texan herself, Lambert sounds fully at home on "In His Arms."

Lambert is the only Best Country Solo Performance nominee who is nominated in all four Country Field categories in 2023. To date, Miranda Lambert has won 3 GRAMMYs and received 27 nominations overall. 

Maren Morris — "Circles Around This Town"

When Maren Morris found herself uninspired and dealing with writer's block, she went back to what inspired her to move to Nashville nearly a decade ago — and out came "Circles Around This Town," the lead single from her 2022 album Humble Quest .

Written in one of her first in-person songwriting sessions since the pandemic, Morris has called "Circles Around This Town" her "most autobiographical song" to date; she even recreated her own teenage bedroom for the song's video. As she looks back to her Texas beginnings and the life she left for Nashville, Morris' voice soars over anthemic, yet easygoing production. 

Morris last won a GRAMMY for Best Country Solo Performance in 2017, when her song "My Church" earned the singer her first GRAMMY. To date, Maren Morris has won one GRAMMY and received 17 nominations overall.

Willie Nelson — "Live Forever"

Country music icon Willie Nelson is no stranger to the GRAMMYs, and this year he aims to add to his collection of 10 gramophones. He earned another three nominations for 2023 — bringing his career total to 56 — including a Best Country Solo Performance nod for "Live Forever."

Nelson's performance of "Live Forever," the lead track of the 2022 tribute album Live Forever: A Tribute to Billy Joe Shaver , is a faithful rendition of Shaver's signature song. Still, Nelson puts his own twist on the tune, recruiting Lucinda Williams for backing vocals and echoing the melody with the inimitable tone of his nylon-string Martin guitar. 

Shaver, an outlaw country pioneer who passed in 2020 at 81 years old, never had any hits of his own during his lifetime. But plenty of his songs were still heard, thanks to stars like Elvis Presley , Kris Kristofferson and Waylon Jennings . Nelson was a longtime friend and frequent collaborator of Shaver's — and now has a GRAMMY nom to show for it.

2023 GRAMMY Nominations: See The Complete Nominees List

• 1 Deftones Announce Summer North American Tour With Gojira + Poppy
• 2 GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
• 3 A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
• 4 Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage
• 5 Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

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Deftones Kickoff 2022 Tour Dates w/ New Bassist and Live Debuts

• On Tour Now
• Live Debuts
• Last updated: 15 Apr 2022, 18:38:43
• Published: 15 Apr 2022, 18:38:24
• Written by: Erica Lauren
• Photography by: Miikka Skaffari
• Categories: On Tour Now Tour Guide Tour Dates Live Debuts Tagged: Deftones

After 12 years and 4 records with the band, bassist Sergio Vega revealed his departure from Deftones last year. The group performed their first live show since 2019 last night, (April 14), at their tour kick off in Portland, Oregon with their newest member, Fred Sablan. The trek, which features support from Gojira and VOWWS, will run through May 28 in Minneapolis, MN. For ticket info, visit their official website here .

Embedded content is no longer available.

Revealing their newest member wasn't the only debut of the night— Deftones performed several tracks live for the first time, plus a few songs which have rarely made it onto their setlists in recent years. Let's take a look at the band's tour kickoff setlist:

Deftones released their ninth studio album Ohms on September 25, 2020. The band played new material from the record at their spring tour kickoff including "Genesis" and "Ohms." Their 2003 single "Lovers" also made an appearance on the setlist for the first time live, while "Prayers/Triangles" and "Beware" were performed for the first time in five years and seven years. Watch some fan-filmed clips of the 19-song set:

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Most played songs.

• My Own Summer (Shove It) ( 1299 )
• Be Quiet and Drive (Far Away) ( 1183 )
• Change (In the House of Flies) ( 1127 )
• 7 Words ( 1044 )
• Engine No. 9 ( 862 )

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13,602 people have seen Deftones live.

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Deftones + Gojira Announce Rescheduled Tour Dates for 2022

Deftones on Friday (July 9) announced rescheduled 2022 tour dates for their anticipated North American campaign alongside fellow metal act Gojira . The joint trek initially was plotted for 2020 before being postponed to 2021 because of the COVID-19 pandemic . It's now been pushed back yet another year.

The singer Poppy , advertised as a supporting act for what would have been the 2020 or 2021 tour, will not appear at the newly rescheduled shows.

See all the new dates near the bottom of this post.

"As everyone knows, difficult decisions are a part of life, and we faced one recently," Deftones said in a statement . "After much contemplation, we've made the decision to postpone our summer tour with Gojira one more time. As passionate as you are about seeing us, we are even more so to be back on stage together."

The message continued, "With the imminence of the tour, and the pandemic lasting much longer than we anticipated, we came to the realization that uncertainty still remains in different markets throughout the country. We do not want to be in a situation where shows have to be adjusted or cancelled … while we are on the road."

The Chino Moreno -led band added that those with tickets for the 2021 shows who can't attend a new date would be able to obtain a refund. Further, three additional shows in Las Vegas, Cincinnati, and Nashville, Tenn., have been added to the tour. Get more info  here .

Deftones + Gojira Spring 2022 North American Tour Dates

April 14 – Portland, Ore. @ Moda Center April 16 – Seattle, Wa. @ WAMU Theater April 18 – San Francisco, Calif. @ Bill Graham Aud. April 20 – Los Angeles, Calif. @ The Greek Theatre April 22 – Las Vegas, Nev. @ The Cosmopolitan * April 23 – Phoenix, Ariz. @ Arizona Federal Theater April 25 – Denver, Colo. @ Ball Arena April 28 – Albuquerque, N.M. @ Isleta Amphitheater April 30 – Houston, Texas @ White Oak Music Hall May 2 – Irving, Texas @ Toyota Music Factory May 3 – San Antonio, Texas @ AT&T Center May 6 – Atlanta, Ga. @ Cadence Bank Amphitheatre May 7 – Nashville, Tenn. @ Municipal Auditorium * May 8 – Cincinnati, Ohio @ Icon Music Center * May 10 – Indianapolis, Ind. @ TCU Amphitheater May 11 – Pittsburgh, Pa. @ Peterson Events Center May 13 – Boston, Mass. @ Agganis Arena May 14 – Asbury Park, N.J. @ Stone Pony May 15 – New York, N.Y. @ Pier 17 May 17 – Washington, D.C. @ The Anthem May 18 – Philadelphia. Pa. @ The Met May 19 – Uncasville, Ct. @ Mohegan Sun Arena May 21 – Quebec, Canada @ Place Bell May 22 – Toronto, Canada @ RBC Echo Beach May 24 – Detroit, Mich. @ Michigan Lottery Amp. May 26 – Milwaukee, Wis. @ The Rave May 27 – Chicago, Ill. @ Huntington Bank Pavilion May 28 – Minneapolis, Minn. @ The Armory

* Newly added show

These Are the Rock + Metal Bands Touring in 2021

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Deftones Announce First U.S. Tour in Three Years

By Patrick Doyle

Patrick Doyle

In the last few years, Deftones have stopped touring the U.S. in favor of throwing their own festivals: Dia de los Deftones, held at San Diego’s Petco Park, has included Future, CHVRCHES, Linkin Park’s Mike Shinoda and more.

But Tuesday, the band announced their first full U.S. summer tour since 2017. The tour, with guests Gojira and Poppy, kicks off on July 27th in Portland, Oregon, and continues all summer until wrapping up in Denver on September 5th. Tickets go on sale to the general public on Friday.

“We’re super excited to have Gojira spending the summer with us, and Poppy will be a really fun addition as well,” frontman Chino Moreno said in a statement .  “We’re looking forward to seeing everyone this summer. It’s been a minute.”

It’s unclear if the tour will include new music. Last year, Moreno said they had been working on their first album since 2016’s Gore . “We are kind of enjoying our time making it,” Moreno told NBC San Diego. “It’s been a cool process. We get together, we work for a couple of weeks, whether that’s just making noise and coming up with ideas and then everybody just goes home and comes back to work on ’em a little bit more.”

Deftones Tour Dates

July 27 – Portland, OR @ Theatre of the Clouds at Moda Center July 28 – Seattle, WA @ WaMu Theater July 30 – San Francisco, CA @ Bill Graham Civic Auditorium August 1 – Las Vegas, NV @ The Pearl Concert Theater at Palms Casino Resort August 2 – Los Angeles, CA @ The Greek Theatre August 4 – Phoenix, AZ @ Arizona Federal Theatre August 5 – Albuquerque, NM @ Isleta Amphitheater August 7 – Bonner Springs, KS @ Providence Medical Center Amphitheater August 8 – Milwaukee, WI @ The Eagles Ballroom August 9 – Minneapolis, MN @ The Armory August 11 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island August 12 – Sterling Heights, MI @ Michigan Lottery Amphitheater at Freedom Hill August 14 – Boston, MA @ Agganis Arena August 15 – Laval, QC @ Place Bell August 17 – Toronto, ON @ RBC Echo Beach August 19 – New York NY @ The Rooftop at Pier 17 August 20 – Asbury Park, NJ @ Stone Pony Summer Stage August 22 – Philadelphia, PA @ The Met Philadelphia August 23 – Washington, DC @ The Anthem August 24 – Bridgeport, CT @ Harbor Yard Amphitheater August 26 – Pittsburgh, PA @ Petersen Events Center August 27 – Indianapolis, IN @ The Amphitheater at White River State Park August 29 – Nashville, TN @ Nashville Municipal Auditorium August 30 – Atlanta, GA @ Cadence Bank Amphitheater at Chastain Park September 1 – San Antonio, TX @ AT&T Center September 2 – Houston, TX @ White Oak Music Hall September 3 – Irving, TX @ The Pavilion at Toyoto Music Factory September 5 – Denver CO @ Pepsi Center

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SOLD OUT: Deftones - 2022 Tour

With gojira and vowws, important health update.

All attendees of the Deftones concert at The Andrew J Brady Music Center on May 8 must be fully vaccinated against COVID-19  OR  have received a negative COVID-19 diagnostic test within 72-hours prior to entry to the event. The policy is being enacted in an effort to safeguard the health of concert-goers, touring artists and employees, and to prevent another shutdown of live music which devastated the business amidst the pandemic in 2020 thru May of 2021.

In attending the event you certify and attest that you and all individuals in your party attending the event will follow the below regulations:

• All fans will provide printed or digital proof of a negative COVID-19 test within 72-hours of the event, OR will be fully vaccinated against COVID-19 (at least two weeks after final dose) at the time of the event and provide proof of vaccination – either the original vaccination card, a digital copy, or a printed copy of the vaccination card with an appropriate ID matching the name on your documentation.

• Unvaccinated fans under 12 years of age will be required to take a COVID-19 diagnostic test within 72-hours of the event and will provide proof of negative result prior to entering the venue.

• Unvaccinated fans over 12 years will be required to take a COVID-19 diagnostic test within 72-hours of the event and will provide proof of negative result prior to entering the venue.

PLEASE NOTE:

• These terms will apply to all members of your party before they are allowed to enter the event and to any users of the tickets purchased by you.

To view our COVID-19 Policy FAQs, click here .

Concert Information

IMPORTANT INFORMATION FOR THE DEFTONES CONCERT

VOWWS will begin at 8:00pm followed by GOJIRA and DEFTONES will close the show.

Patrons who purchased tickets in Balcony 1, Balcony 2, Headliner, and Spotlight sections, please use the Race Street Entrance. Patrons who purchased General Admission floor tickets, please use the Mehring Way Entrance or Tunnel Entrance. For a venue map, CLICK HERE .

The Andrew J Brady Music Center is accessible via the Central Riverfront Garage and is within walking distance to several parking lots and the Cincinnati Bell Connector. For Directions and Parking, CLICK HERE .

Per the artist's request, ALL drinks will be poured into cups on-site.

Due to anticipated crowds downtown Cincinnati for the Reds game, those attending the Deftones concert should plan on getting downtown as early as possible. Carpooling is highly recommended.

If you have Mobile ticket(s), make sure to download your ticket(s) prior to arriving at the venue. To download your mobile ticket(s) to your phone, go to "My Events" in the Ticketmaster App and select "Add To Wallet" (on iPhone) or "Save To Phone" (on Android).

Please allow extra time for metal-detector screening, visual inspection, and bag inspection conducted by The Andrew J Brady Music Center security personnel. Any bag/purse larger than 12"x12" will not be permitted. The purpose of the inspection is to detect prohibited items and is for the safety of our guests and our staff.

Ticket Information

Tickets Sold Out

Click here to view ticket prices.

While supplies last. Tickets are subject to price increase based on demand, applicable taxes and Ticketmaster fees. All events rain or shine. Dates, times and artists subject to change without notice. Arby's® Seats are general admission. Arby's® is not responsible for the sale or provision of tickets. Limit 8 tickets per person.

Please note that Artist VIP packages do not include access to venue amenities including the StageDoor Lounge and CityView Lounge.

All guests entering the venue are subject to a metal-detector screening, visual inspection, and bag inspection conducted by The Andrew J Brady Music Center security personnel. The purpose of the inspection is to detect prohibited items and is for the safety of our guests and our staff.

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Deftones Announce Summer 2021 Tour, Share New “Ceremony” Video: Watch

By Matthew Strauss

Deftones have announced a tour that’s scheduled to begin this summer. Gojira will support Deftones at various stops on the U.S. trek. Check out the band’s itinerary, which includes a number of festival dates, below.

Along with the tour announcement, Deftones have shared the music video for their Ohms song “Ceremony.” The clip is helmed by Leigh Whannell, who directed last year’s The Invisible Man . The new visual stars Cleopatra Coleman. Watch “Ceremony” below.

Deftones frontmann Chino Moreno said in a press release:

When Leigh tweeted that he was a fan, we immediately thought it would be cool to collaborate with him given the chance. We’re fans of his as well, so it made sense that we should reach out. One moment we’re DM’ing each other on Twitter, and the next we’re on set making “Ceremony.’ This has always been the best way for us to collaborate: organically, collaboratively and in this case, expeditiously. We hope everyone enjoys it as much as we had making it.

Leigh Whannelll added:

I’ve been a huge Deftones fan for over 20 years and have always admired the devotion they have dedicated to every aspect of their art—from music videos to album covers to their cryptic and intriguing lyrics. To get a chance to be a part of that art was a dream come true.

Read Pitchfork’s Sunday Review of Deftones’ 2000 record White Pony .

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06-03 Viveiro, Spain - Campo de Fútbol Celeiro (Resurrection Fest 2021) 06-11 Zürich, Switzerland - X-TRA 06-21-23 Zagreb, Croatia - Lake Jarun (INmusic Festival 2021) 06-22 Bologna, Italy - Sequoie Music Park 2021 06-25 Budapest, Hungary - Budapest Park 06-26 Katowice, Poland - Spodek (Metal Hammer Festival 2021) 06-28 Hamburg, Germany - Grosse Freiheit 36 06-29 Berlin, Germany - Columbiahalle 06-30 Roskilde, Denmark - Roskilde Festival 2021 07-06 Barcelona, Spain - Razzmatazz 07-08 Madrid, Spain - IFEMA Feria de Madrid (Mad Cool Festival 2021) 07-10 Moscow, Russia - Luzhniki (Park Live Festival 2021) 07-13 Kiev, Ukraine - Sky Family Park (U Park Festival 2021) 07-14-18 Cluj-Napoca, Romania - Bonţida Bánffy Castle (Electric Castle Festival 2021) 08-12 Minneapolis, MN - The Armory ^ 08-14 Milwaukee, WI - Eagles Ballroom ^ 08-15 Sterling Heights, MI - Michigan Lottery Amphitheatre at Freedom Hill ^ 08-17 Chicago, IL - Huntington Bank Pavilion ^ 08-19 Toronto, Ontario - RBC Echo Beach ^ 08-20 Laval, Quebec - Place Bell ^ 08-21 Uncasville, CT - Mohegan Sun Arena ^ 08-23 Boston, MA - Agganis Arena ^ 08-24 New York, Ny - The Rooftop at Pier 17 ^ 08-27 Philadelphia, PA - The Met Philadelphia ^ 08-28 Asbury Park, NJ - Stone Pony Summerstage ^ 08-29 Washington, D.C. - The Anthem ^ 08-31 Pittsburgh, PA - Petersen Events Center, University of Pittsburgh ^ 09-02 Indianapolis, IN - Amphitheater at White River State Park ^ 09-03 Manchester, TN - Bonnaroo Farms (Bonnaroo Music & Arts Festival 2021) 09-04 Atlanta, GA - Cadence Bank Amphitheatre at Chastain Park ^ 09-06 Irving, TX - The Pavilion at Toyota Music Factory ^ 09-07 Houston, TX - White Oak Music Hall ^ 09-08 San Antonio, TX - AT&T Center ^ 09-10 Denver, CO - Ball Arena ^ 09-11 Albuquerque, NM - Isleta Amphitheatre ^ 09-14 Phoenix, AZ - Arizona Federal Theatre ^ 09-17 Los Angeles, CA - Greek Theatre ^ 09-18 San Francisco, CA - Bill Graham Civic Auditorium ^ 09-21 Seattle, WA - WAMU Theater ^ 09-22 Portland OR - Theatre of the Clouds at Moda Center ^ 09-30 Porto, Portugal - Alfândega do Porto (North Music Festival 2021)

^ with Gojira

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By Jazz Monroe

By Nina Corcoran

By Pitchfork

DEFTONES side project CROSSES announce first tour in 10 years

††† (Crosses) ' big return is showing no signs of slowing down. Today (October 13th), the electronic-rock project of Deftones vocalist Chino Moreno and Far guitarist Shaun Lopez released their first album in nine years, Goodnight, God Bless, I Love U, Delete , which follows the Permanent.Radiant EP they returned with in 2022 after a lengthy hiatus.

Next year, they'll be taking the record on the road for their first proper tour in a decade. Following their string of sold-out shows in late 2023, ††† (Crosses) will embark on an extensive North American tour throughout February and March of next year.

The trek kicks off February 7th in Salt Lake City and will hit both coasts of the U.S. — as well as a couple cities up in Canada — before wrapping up March 11th in Seattle.

Tickets go on sale next week and you can get more info here . See the full list of dates below. 

Goodnight, God Bless, I Love U, Delete  is out now and you can pick it up on vinyl from  Revolver 's shop .

††† (Crosses) 2024 tour dates:  2/7/2024 - Salt Lake City, UT - The Depot 2/9/2024 - Denver, CO - Ogden Theatre 2/10/2024 - Kansas City, MO - The Truman  2/13/2024 - Chicago, IL - Concord Music Hall  2/14/2024 - Detroit, MI - The Fillmore Detroit 2/16/2024 - Toronto, ON - History 2/17/2024 - Montréal, QC - Théâtre Beanfield 2/19/2024 - Boston, MA - House of Blues - Boston 2/20/2024 - New York, NY - Hammerstein Ballroom 2/21/2024 - Silver Spring, MD - The Fillmore - Silver Spring 2/23/2024 - Raleigh, NC - The Ritz  2/24/2024 - Atlanta, GA - The Eastern 2/25/2024 - Nashville, TN - Marathon Music Works 2/27/2024 - Houston, TX - House of Blues - Houston 2/28/2024 - Dallas, TX - House of Blues - Dallas 3/1/2024 - San Antonio, TX - Aztec Theater 3/5/2024 - Phoenix, AZ - The Van Buren 3/6/2024 - Hollywood, CA - Hollywood Palladium 3/7/2024 - Oakland, CA - Fox Theater 3/9/2024 - Sacramento, CA - Ace of Spades 3/10/2024 - Portland, OR - McMenamins Crystal Ballroom 3/11/2024 - Seattle, WA - Moore Theatre

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DEFTONES Announces Dia De Los Deftones 2023 Feat. 100 GECS, KNOCKED LOOSE & More

Tickets go on sale this Friday.

• Knocked Loose

#DiaDeLosDeftones returns to San Diego on Nov 4, 2023 for our annual celebration of music and culture. This year we’ll be joined by 100 gecs, Knocked Loose, Doechii, Pinback, Pieri, Rile, and Capra. Tickets go on sale this Friday, 8/18, at 10AM PT. Our pre-sale begins tomorrow at… pic.twitter.com/kGLnspab5j — Deftones (@deftones) August 15, 2023

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Watch CBS News

Golden Gate Park concert with System of a Down, Deftones sells out in 90 minutes

By Dave Pehling

Updated on: April 12, 2024 / 2:34 PM PDT / CBS San Francisco

The inaugural Golden Gate Park concert put on by Outside Lands Festival promoter Another Planet Entertainment (APE) featuring System of a Down and Deftones sold out of the remaining available tickets in 90 minutes Friday morning.

The concert promoter announced the event was sold out at 11:35 a.m. Friday via the company's social media accounts. General ticket sales began at 10 a.m. Friday, the day after limited presale requiring a password that was held starting at 10 a.m. Thursday. Tickets for the concert started at $169 plus fees for general admission and $399 plus fees for VIP tickets. 

"We can't wait to see all 50k of you on Saturday, August 17 at the Polo Field!" the post read.

Our inaugural Golden Gate Park Concerts show ft. @systemofadown & @deftones + special guests @themarsvolta , @ViagraBoys and @vowwsband is now SOLD OUT ⚡ We can’t wait to see all 50k of you on Saturday, August 17 at the Polo Field! 🤘 pic.twitter.com/QLN0BDtLWu — Another Planet Entertainment (@apeconcerts) April 12, 2024

The concert scheduled for Saturday, Aug. 17, will feature co-headlining sets by System of a Down and Deftones as well as performances from The Mars Volta, Viagra Boys and VOWWS. The concert will be held on the Polo Field the weekend after Outside Lands is held. 

Formed by four Armenian-American musicians in the Southern California city of Glendale during the early 1990s, System of a Down has become on of the most popular alternative-metal bands on the planet, despite not releasing a new album in almost 20 years and only making sporadic live appearances for festivals and headlining tours.  

Co-headliners Deftones are a hugely successful group from Sacramento (arguably the biggest band to ever emerge from the state's capitol) who have been pushing the boundaries of heavy alternative music for more than three decades, with some critics comparing their moody sound to the Cure and Radiohead. 

Early "Eager Beaver" tickets for the Outside Lands Festival  went on sale last week and were gone in under two hours  even without any festival acts being announced yet, according to the promoter. The line-up for the festival happening Aug. 9-11 is set to be announced on April 23. 

L ast September the San Francisco Board of Supervisors  approved plans for the additional ticketed concerts in the park using the main Lands End stage and other festival infrastructure from Outside Lands. Under the approved agreement, Another Planet is set one or two more ticketed concerts in the Polo Fields during August the weekend following the Outside Lands Festival for three years beginning in 2024. 

 The promoter will also fund free Muni rides to and from the Polo Field for concert ticket holders. The additional concerts in the Polo Fields will have a footprint about a third the size of the Outside Lands Festival, and will be smaller, headliner-focused events. 

The agreement also calls for APE to produce annual complimentary concerts at Civic Center Plaza, Union Square and Embarcadero for the next three years. 

• San Francisco

Dave Pehling started his journalism career doing freelance writing about music in the late 1990s, eventually working as a web writer, editor and producer for KTVU.com in 2003. He moved to CBS to work as the station website's managing editor in 2015.

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