journey forest scene

june’s journey all scenes

Are you an avid player of June’s Journey and looking for a way to find all the scenes in the game? Whether you want to revisit your favorite scenes, complete unfinished chapters, or simply explore the beautiful artwork, this guide will provide you with the necessary information to locate any scene in June’s Journey. In this article, we will delve into various methods to find scenes and also discuss strategies to level up faster and score higher in the game. So, let’s embark on this exciting journey together!

• 1 Introduction
• 2 Understanding June’s Journey
• 3.1 Overview of Scene Search
• 3.2 Using Chapter Names to Find Scenes
• 3.3 Using Scene Names to Find Scenes
• 3.4 Using Scene Numbers to Find Scenes
• 4.1 High Scoring Strategies
• 4.2 Tagging Items to Help Others
• 4.3 Uploading New Scenes
• 5.1 Benefits of Joining the Community
• 5.2 Sharing Tips and Tricks
• 5.3 Leveling up Faster and Scoring Higher
• 6 Conclusion
• 7.1 How many scenes are in each chapter of June’s journey?
• 7.2 How many levels are in June’s journey?
• 7.3 How many chapters are in June’s?

Introduction

June’s Journey is a popular hidden object mystery game that takes players on a thrilling adventure filled with captivating stories, stunning visuals, and challenging puzzles. As you progress through the game, you encounter numerous scenes, each intricately designed and brimming with hidden objects waiting to be discovered. Finding all the scenes can be a rewarding experience, allowing you to immerse yourself fully in the captivating world of June’s Journey.

Understanding June’s Journey

Before we dive into the methods of finding scenes, let’s briefly explore the concept of June’s Journey. In this game, you play as June Parker, a skilled detective, who embarks on a quest to unravel mysteries and solve crimes. Each chapter of the game presents a new story, and within each chapter, you will come across multiple scenes that serve as the backdrop for your investigations.

Exploring the Scenes in June’s Journey

To help you locate specific scenes in June’s Journey, we will discuss three primary methods: searching by chapter name, searching by scene name, and searching by scene number.

Overview of Scene Search

In June’s Journey, scenes are organized into chapters, and each chapter consists of a series of scenes that you need to investigate. By leveraging the chapter names, scene names, or scene numbers, you can easily find the scenes you’re looking for.

Using Chapter Names to Find Scenes

One way to find scenes in June’s Journey is by using the chapter names. Each chapter has a unique name that reflects the overarching theme or story. By accessing the chapter selection screen or using the in-game search function, you can browse through the list of chapters and select the one you want to explore. Once inside a chapter, you can navigate through its scenes to discover hidden objects and progress further in the game.

Using Scene Names to Find Scenes

Another method to find scenes is by using their specific names. Scenes in June’s Journey often have distinctive names that provide clues about their content or setting. By searching for a scene’s name within the game, you can locate it directly and dive into the intricacies of the scene, uncovering hidden objects and advancing the storyline.

Using Scene Numbers to Find Scenes

If you’re familiar with the scene numbers or have a reference to a specific scene, you can use this information to find scenes in June’s Journey. By entering the scene number in the search bar or navigating through the scenes sequentially, you can quickly reach the desired scene and continue your journey as June Parker.

Assistance for June’s Journey Players

In addition to helping you find scenes, it’s important to equip you with strategies and tips to enhance your gameplay experience. Here are some valuable suggestions that can aid you in achieving high scores and contributing to the June’s Journey community.

High Scoring Strategies

Scoring high in June’s Journey not only adds to the thrill but also unlocks additional rewards. To maximize your scores, focus on the following strategies:

• Be observant: Pay attention to details and search meticulously for hidden objects.
• Use hints wisely: Utilize the hints available strategically to avoid wasting them.
• Complete tasks: Accomplish tasks within scenes to earn bonus points and progress faster.
• Speed and accuracy: Strike a balance between speed and accuracy to achieve optimal results.

By incorporating these strategies into your gameplay, you can elevate your scores and unlock new opportunities within the game.

Tagging Items to Help Others

June’s Journey is not just about individual gameplay; it’s also a community-driven experience. Within the game, you have the option to tag items that are challenging to find. By doing so, you help other players locate these items and foster a spirit of collaboration and support. Remember, in a community that thrives on mutual assistance, every small contribution counts!

Uploading New Scenes

Do you have a creative side and want to share your own scene designs with fellow June’s Journey players? The game provides a platform for you to upload new scenes that you’ve created. By contributing your unique scenes, you not only showcase your artistic skills but also add diversity and freshness to the game. So, don’t hesitate to unleash your imagination and contribute to the ever-growing world of June’s Journey.

Gamers Unite! Community and June’s Journey

The Gamers Unite! community offers a platform for June’s Journey players to connect, share their experiences, and learn from one another. Here are some reasons why joining the community can enhance your gameplay:

Benefits of Joining the Community

• Learn new strategies: Gain insights into effective gameplay techniques shared by experienced players.
• Seek assistance: Ask questions, seek advice, and find solutions to any challenges you encounter.
• Make friends: Connect with fellow June’s Journey enthusiasts and build lasting friendships.
• Share achievements: Celebrate your milestones, share your progress, and inspire others.
• Discover hidden secrets: Unearth hidden tips, tricks, and easter eggs to enhance your gameplay.

By becoming a part of the Gamers Unite! community, you enrich your June’s Journey experience and become a part of a supportive network of players.

Sharing Tips and Tricks

Within the Gamers Unite! community, you can actively participate in discussions and share your own tips and tricks. Engaging in dialogue with other players allows you to exchange valuable insights, explore new strategies, and uncover hidden secrets that can take your gameplay to the next level. So, don

‘t hesitate to contribute your knowledge and learn from the collective wisdom of the community.

Leveling up Faster and Scoring Higher

The Gamers Unite! community also provides a platform for players to discuss leveling up faster and scoring higher in June’s Journey. By leveraging the shared knowledge and experiences of the community members, you can discover advanced techniques, shortcuts, and effective gameplay approaches. Join the community and take advantage of the collective wisdom to enhance your progress in the game.

In conclusion, June’s Journey is a captivating hidden object mystery game that offers a multitude of scenes for players to explore. By utilizing the methods outlined in this guide, such as searching by chapter name, scene name, or scene number, you can easily find any scene within the game. Additionally, by incorporating high-scoring strategies, contributing to the Gamers Unite! community, and taking advantage of the shared knowledge and experiences, you can enhance your overall gameplay experience. So, put your detective skills to the test, uncover hidden objects, and immerse yourself in the enchanting world of June’s Journey!

How many scenes are in each chapter of June’s journey?

Each chapter contains 5 levels, with a final Adventure Scene that does not earn any stars.

How many levels are in June’s journey?

Five Levels, plus an Adventure Scene, make up one Chapter and each Volume contains a different amount of levels.

How many chapters are in June’s?

Currently, the last chapter is Volume 5, Chapter 35, released on Feb 24, 2022.

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Forest Visualization Script

This Forest Visualization is a guided relaxation script in which you imagine walking through a beautiful forest in the mountains. Guided visualization can be a powerful way to relax and calm your mind.

You can use this script to record your own relaxation audio or learn to relax.

Start reading the visualization relaxation script here:

Begin by finding a comfortable position sitting or lying down. Allow your body to begin to relax as you start to create a picture in your mind. Let the forest visualization begin.

Imagine yourself walking on a path through a forest. The path is soft beneath your shoes, a mixture of soil, fallen leaves, pine needles, and moss. As you walk, your body relaxes and your mind clears, more and more with each step you take.

Breathe in the fresh mountain air, filling your lungs completely. Now exhale. Breathe out all the air. Feeling refreshed.

Take another deep breath in…revitalizing…. and breathe out completely, letting your body relax further.

Continue to breathe slowly and deeply as you walk through the forest and continue the forest visualization.

The air is cool, but comfortable. Sun filters through the trees, making a moving dappled pattern on the ground before you.

Listen to the sounds of the forest…. Birds singing. A gentle breeze blowing. The leaves on the trees shift and sway in the soft wind.

Your body relaxes more and more as you walk. Count your steps and breathe in unison with your strides. Breathe in 2, 3, 4… hold 2, 3…exhale 2, 3, 4, 5.

Breathe in 2, 3, 4… hold 2, 3…exhale 2, 3, 4, 5.

Continue to breathe like this, slowly and deeply, as you become more and more relaxed.

As you walk through the forest visualization, feel your muscles relaxing and lengthening. As your arms swing in rhythm with your walking, they become loose, relaxed, and limp.

Feel your back relaxing as your spine lengthens and the muscles relax. Feel the tension leaving your body as you admire the scenery around you.

Your legs and lower body relax as well, feeling free and relaxed.

As you continue to walk through the forest visualization, you begin to climb up a slight incline. You easily tread along smooth rocks on the path. Feeling at one with nature.

The breeze continues to blow through the treetops, but you are sheltered on the path, and the air around you is calm.

Small saplings grow at the sides of the path.

Around you is an immense array of greens. Some of the leaves on the trees are a delicate, light green. Some leaves are deep, dark, true forest green.

Many trees have needles that look very soft and very green. The forest floor is thick, green moss.

Tall trees grow on either side of the path. Picture the variety of trees around you. Some have smooth, white bark. Others are darker, with coarse, heavy bark, deeply grooved. Enjoy the colors of the bark on the trees – white, tan, brown, red, black… many combinations of color. You admire the rough, brown bark of pine trees and enjoy the fresh pine scent.

Smell the forest around you. The air is fresh, and filled with the scent of trees, soil, and mountain streams.

Continue the forest visualization…

You can hear the sound of water faintly in the distance. The gentle burbling sound of a creek.

As you continue to walk through the forest, you are gaining elevation and getting closer to the sound of a running stream.

Continue to enjoy the forest around you. Enjoy the forest visualization.

As you near the top of the mountain, you hear the stream, very close now. The path curves up ahead. You can see sunlight streaming onto the path.

As you round the corner, you hear the water, and see a clearing in the trees up ahead. A beautiful look out point awaits.

You are growing tired from your journey. Your body feels pleasantly tired and heavy.

Imagine yourself walking toward the clearing and the stream. Stepping stones make an easy path across the stream and toward the edge of the mountain. Step on each large flat stone to easily cross the small, shallow stream.

Up ahead is a large, smooth rock… like a chair waiting for you to rest. The rock is placed perfectly, high up on this beautiful vantage point.

Sit or lie down on the rock if you wish. It is very comfortable. You feel very comfortable and at ease. The sun shines down on you.

Looking around, you see mountains in the distance. Faint and blue.

You can look down from your vantage point into a valley with trees and a brilliant blue lake. Across from you is another mountain.

The clearing around you is made up of rocks, soil, pine needles, moss, and grass. The grass and mountain wildflowers around you blow gently in the breeze. A deer quietly emerges from the edge of the forest to graze in the clearing. As the deer raises its head to look at you, you can see its nostrils moving to catch your scent. The deer cautiously walks to the stream to drink before disappearing back into the forest.

Squirrels dart in and out of sight as they romp through the trees, and race across the clearing.

Feel the sun warming your body as you relax on the rock. Enjoy the majestic landscape around you and feel your body relaxing even more.

Your body becomes very warm, and very heavy.

Continue to breathe the clean, fresh air.

You feel so relaxed.

In unity with nature around you.

Enjoy the sights….sounds….and smells of the forest around you.

Feel the sun, warm on your skin.

Feel the gentle breeze blow across your cheek.

Listen to the birds singing.

Hear the stream flowing. The leaves rustling in the breeze. Squirrels chattering.

See the flowers, trees, valley, and mountains around you.

Lay back on the comfortable rock, and you can look up to see the blue sky. Small white clouds float gently across the sky. Watch them drift slowly by. Shapes ever changing.

Enjoy this peaceful place.

When you are ready to leave this peaceful place, slowly begin to reawaken your body.

Know that you can return to this forest visualization in your imagination whenever you like.

As you reawaken, keep with you the feeling of calm, peace, and relaxation.

Wiggle your fingers and toes to wake up your muscles.

Shrug your shoulders. Stretch if you want to.

When you are ready, open your eyes and return to full wakefulness, feeling alert and refreshed.

Check out the Relaxation Downloads page for free audio downloads .

Forest Photography: The Ultimate Guide (+14 Tips)

A Post By: Jaymes Dempsey

This article was updated in November 2023 with contributions from Jaymes Dempsey, Tim Gilbreath , and Hannele Luhtasela-el Showk .

Forests and woodlands, with their enchanting light, varied geometry, and tranquil aura, are wonderful photography subjects. I should know; I’ve spent hundreds of hours among the trees with my camera, and I’ve captured thousands of images along the way.

But here’s the deal: If you’ve ever tried to snap a forest photo, you may have realized it’s not as simple as just hitting the shutter button. You can easily get lost in the chaos of branches, shadows, and foliage. Not to mention grappling with the challenge of different lighting conditions and appropriate settings that can vary dramatically depending on the situation.

That’s where this guide comes in. I’ll break down the essentials of forest photography, provide useful gear recommendations, share the ideal settings, and throw in some handy tips to help you elevate your forest photography game. By the end, you’ll be armed with practical knowledge and creative strategies to transform your photos from average to awe-inspiring – making your next woodland adventure a photographic triumph.

Let’s dive right in.

What is forest photography?

Ever looked at the array of trees in a woodland area and seen an opportunity to capture an amazing shot? That’s the essence of forest photography. It’s a broad field that covers any photography centered around woodlands. Whether it’s the deciduous forests of North America, the boreal forests of Siberia, or the jungles of the Amazon, they all fall under the scope of forest photography.

It’s more than just capturing a stand of trees. Yes, you can create a landscape shot with dozens of trees leading into the distance, but you might also focus on the detailed texture of bark or the delicate flowers on the forest floor. Forest photography is a versatile niche. You aren’t limited to one approach; there are plenty of options available for your creative exploration.

Typically, forest photography is seen as a subset of landscape photography. However, its expansive nature means it can venture into the domains of macro photography – close-ups of leaves, for example – and wildlife photography, capturing the dynamic movement of a deer among the tree trunks. So, if you’re drawn to forest photography, there’s no need to feel restricted. The forest is a vibrant, diverse canvas just waiting for your creativity.

What makes forest photography special?

Simply put, forests are amazing photographic subjects. They offer endless opportunities for photographers to play with geometry, contrasting the vertical lines of tree trunks with the horizontal planes of the forest floor.

Photographing forests, however, isn’t just about the natural lines and shapes they provide. It’s also about the challenge of creating order from the inherent messiness of woodlands. A forest scene can be complex – even chaotic. Organizing such a scene into a cohesive frame presents an exciting puzzle for any photographer.

Another draw of forest photography is its tranquility. Forests are peaceful spaces, serene and quiet. It’s this tranquility you get to capture in your images – and the act of walking through the forest with your camera, immersed in the calm and silence, is an experience that’s therapeutic in itself.

Plus, as anyone who has spent time in forests will tell you, they’re much more than just an aggregation of trees; each forest is a collection of innumerable organisms and interactions. Sure, trees are an essential part of a forest, but the whole is much more than that.

Without microbes, earthworms, and plants, there would be no nutrient-rich soil for trees to grow in. Without insects, birds, and mammals, there would be no one to spread tree seeds.

In other words, without everything else, a collection of trees is not a forest, it’s a plantation. That diversity and richness is part of what makes forests such a fantastic place for photography – there are so many subjects, and so many different elements to appreciate!

The best gear for forest photography

While you can capture great forest photos with any equipment, there are a few items that will help you get high-quality forest images consistently.

A sturdy landscape photography tripod is essential for any woodland photography; forest environments tend to be dark, and without a sturdy support system for your camera, you’ll be forced to widen your aperture (and sacrifice depth of field ) or drop your shutter speed until you can no longer get sharp shots.

A full-frame camera

Second, while your camera choice isn’t critical – in fact, you can capture great forest shots with pretty much any model, including a smartphone – I do encourage you to use a DSLR or a mirrorless camera, ideally one with a decent megapixel count and a larger (preferably full-frame) sensor. More megapixels offer greater flexibility when printing or cropping, while a larger sensor will enhance your abilities to capture high dynamic range scenes in a single shot.

If you can’t afford a full-frame camera, however, don’t sweat it. Today’s APS-C and MFT models produce outstanding images (and they’re more compact, too, which is a major bonus).

A variety of lenses

Next, if you do go with an interchangeable lens mirrorless model or DSLR, you’ll want to carry a few lenses. A wide-angle prime or zoom will help you capture scenic-style shots, while a telephoto lens (such as a 70-200mm ) is great for tighter forest photography (e.g., foliage, aerials, forest patterns). I’d also suggest grabbing a macro lens or at least a close-focusing lens like a 50mm prime. That way, you can shoot all sorts of little details, including leaves on the ground, fungus on logs, and flowers sprouting on the forest floor.

Forests are pretty dirty, so it can be helpful to mount a clear or UV filter on all your lenses. If you do go this route, be sure you purchase a high-quality model; there are a lot of cheap UV filters on the market that’ll degrade optical quality. Alternatively, you can simply carry a cleaning kit and keep your lenses well-maintained (always use a microfiber cloth, not rags or towels of any type!).

Finally, a polarizing filter can come in handy, especially if you plan to shoot fall foliage. It’ll remove glare on wet leaves, deepen fall colors, and reduce reflections in bodies of water. Keep in mind, however, that polarizers reduce the amount of light coming into your camera, so you’ll definitely need that tripod!

The best forest photography settings

To take a fantastic forest photo, you need to master your camera settings. The best settings vary based on the type of image you want to capture, but you’ll want to start by setting your camera to Manual mode , which will grant you complete control over the image exposure. Another reliable choice is Aperture Priority mode .

If you aim to capture a scene with deep depth of field, meaning an image that’s sharp from the foreground to the background, a narrow aperture is the way to go. Often, a setting of f/8 or higher achieves this effect. Such a setting is effective because it allows the viewer to fully immerse themselves in the scene:

This is the approach that I generally like to use when photographing forests – I’ll set my camera to Manual mode, then dial in a relatively narrow aperture. (My starting point is f/8.)

On the flip side, a wider aperture can create a shallow depth of field, where a single element is in sharp focus while the background blurs. This technique is excellent for highlighting specific subjects like a leaf or a tree:

In most cases, a narrow aperture will likely serve you better, but don’t neglect the power of a well-composed wide-aperture shot! (I’ll often shoot the same scene with a few different apertures just to see how the images turn out. While I generally prefer the shots with a deep depth of field, sometimes the background blur does reduce distractions in a pleasing way!)

Once you’ve selected your aperture, set your ISO to its base value, usually ISO 100, and pick a shutter speed based on exposure considerations. The idea is to ensure there’s enough detail in the shadows and highlights of the scene.

But bear in mind: To achieve a deep depth of field with an ISO of 100, you’ll often require a longer shutter speed. This means a tripod is essential to prevent blur in your images. Additionally, if the branches of the trees are swaying in the wind, the longer shutter speed might cause motion blur, whether you use a tripod or not. Whether this effect is desirable is a matter of personal preference. I tend to like it, myself – but if you’d rather avoid it, you can always increase your ISO and shutter speed simultaneously.

14 forest photography ideas and tips

Now that you know the forest photo basics, it’s time to really delve into the tips, techniques, and ideas that’ll elevate your shots, starting with:

1. Take proper safety precautions

Before you head off into the forest – especially if you plan to go on a multi-day trip – consider any potential dangers. It can be easy to get lost in forests, plus they’re often dark and feature rough terrain. And if you’re not careful, you might get hit by a storm or a flash flood.

Always tell someone where you plan to be walking, and make sure you carry a phone that’ll maintain a signal throughout your entire trip. Be sure to bring food, water, a map (if available, a topographical map is always best), a compass, sunscreen, and bug spray.

I’d also encourage you to bring rain gear for you and your camera. A waterproof covering will keep your camera safe, and unless your backpack is waterproof, I’d recommend carrying a cover for it, too. And bring a dry towel or rag to remove moisture, dirt, or rain from any exposed gear.

2. Go out when the light is right

Forest photography, unlike most types of landscape photography , can be done at any time of day – even in bright, direct sunlight.

You see, the forest canopy will filter out some of the harsh light, creating a more subdued lighting situation, one that you’d normally expect to find after just sunrise and before sunset.

So don’t be afraid to go out on sunny days (though midday clouds can be even better!). If you do find that the light is too strong, you can always try shooting in black and white . Look for interesting shadows, powerful patterns, and high-contrast edges.

That said, forests are pretty magical around sunrise and sunset, so I’d urge you to head out during the early hours of the morning or late in the evening. If the forest is near water, you may get some ground fog, which can add lots of mood to your photos.

Note that forest photography during the golden hour tends to feature lovely warm light that gives trees a sort of fairy-forest look – while forest photography during the blue hour tends to feature soft, cool light that gives a more ethereal vibe.

3. Try to include a nice foreground subject

A truly compelling forest photo does more than just capture the scene. It invites the viewer on a journey, guiding their eyes from the foreground to the background. This is where your composition skills come into play. What better way to create this sense of movement and depth than by incorporating an engaging foreground subject?

You could find a cluster of wildflowers, an interesting rock formation, or a set of gnarled roots. The idea is to have an object that grabs the viewer’s attention and then, through clever composition, leads them into the wider forest scene. Sometimes, something as simple as a fallen leaf can be a wonderful foreground element that complements the expansive woodland backdrop.

Getting low and close to your foreground element can emphasize its importance. But if you use this approach, be cautious – you’ll need to set your aperture and point of focus carefully to ensure both the foreground and the background are sharp. Even the smallest shift in focus can cause blurring in one area or another. It’s a delicate balancing act, but when you get it right, the results can be stunning.

Also, I know from experience that it’s not always possible to capture a sharp foreground subject and a sharp background scene in the same frame, even with an ultra-narrow aperture. In such cases, I like to focus stack , where I take multiple photos of the same scene with different focus points, then blend them together in Photoshop. (It sounds tricky, but it’s genuinely not; as long as you use a tripod and your scene doesn’t feature moving subjects, Photoshop generates solid results without a whole lot of effort.)

4. Don’t forget to shoot in portrait orientation

Most landscape shooters create horizontal compositions out of habit, but when it comes to forest photography, this is a mistake!

Yes, you can capture stunning horizontal forest images, but I’d also encourage you to try shooting vertical photos.

The vertical format will allow you to capture more of the (tree) scene, and it’ll also give your images a sense of height. Make sure you pay careful attention to the edges of the frame – you don’t want to cut off any key elements! – and keep the horizon level. While you can always correct crookedness in post-processing, you’ll lose pixels along the way, which is never a good thing!

Also, if you’re not sure whether a scene will look best in the vertical or horizontal format, just take both shots. Once you’re in the editing room, you can evaluate the compositions and see which works best.

5. Color contrast is key

One drawback to shooting in a forest environment is the lack of color contrast. Unless it’s autumn, the majority of your environment will most likely be composed of green leaves and/or brown tree trunks, which can lead to bland, boring photos.

So you should do whatever you can to add pops of color.

For instance, patches of brightly colored flowers can offer an eye-catching touch. Same with colorful insects!

And even if you can’t find a colorful subject in the area, you can always try to use the light. By including golden-hour sun or flare in the frame, you’ll get beautiful oranges and reds (which will give your shot a more vibrant look).

6. Try black and white

Sometimes, when you’re shooting in a forest, nothing seems right. The light doesn’t hit the way you want, the colors feel off, or you just don’t get a sense of drama from your subjects.

This is a common issue among forest photographers; it’s due to the general consistency of color from scene to scene, and how too many greens and browns make it hard to highlight a subject.

But if you shoot in black and white, you can ignore the color monotony, and you can instead concentrate on the light and tones and composition. Look for interesting atmospheric effects such as fog, and do what you can to organize forest chaos into orderly structures.

Note that you can create black-and-white images in two ways:

You can switch your camera to its black-and-white mode, or you can work in color and convert to black and white during post-processing.

Either is fine, but the two methods do have their pros and cons. If you work in black and white, you’ll be able to review the monochrome image on your LCD (and if you shoot mirrorless, you can preview the scene through the EVF).

On the other hand, if you work in color, you have the choice of converting to black and white or keeping the original shot. (This is an option afforded to all RAW photographers , whether shooting in color or black and white – but if you shoot JPEGs, you won’t be able to convert a black and white image to a color file.)

7. Seek out intimate shots

While capturing the grandeur of the forest is a wonderful experience, sometimes it’s the smaller, intimate details that create the most meaningful images. These images showcase the hidden beauty of the woodland, the little elements that you might miss when you’re focusing on the wider scene.

Switch your mindset from the expansive to the minute. Instead of looking up at the towering trees, look down and notice the patterns in the fallen leaves or the way the moss blankets a fallen log. If you have a macro lens, you can get especially up close and personal with your subjects so you can create images that offer a different, more intimate perspective.

A few drops of water on a leaf, the texture of tree bark, a small stream winding its way through the undergrowth, or even a lone mushroom sprouting from the forest floor – these can all be extraordinary subjects. Each element adds a different layer of appreciation of the forest and can bring you beyond the traditional forest photo into a realm of unique, detailed woodland imagery.

8. Remember the big picture

On the flip side, don’t just focus on the trees and the details! When heading out for a forest photography session, make sure you capture a few wide-angle shots of the forest itself. These give an overview of the kind of forest it is, what kinds of creatures live there, what season it is, what state the forest is in, and so on.

These shots might seem a little obvious, but obvious shots aren’t always boring! Try to find an angle that tells a story, has a unique atmosphere or mood, or can surprise the viewer. Don’t just point and shoot, but think, plan, and frame your woodland photo.

9. Photograph in every season and all types of weather

Forests are not static; they are living entities that transform dramatically with the changing seasons and weather conditions. And as a forest photographer, you should strive to embrace this variability, rather than avoid it.

Summer, with its lush green canopy, offers opportunities for photos bursting with life and vitality. In autumn, forests turn into a riot of color, with the reds, yellows, and oranges creating a stunning backdrop for your images.

But don’t forget about spring, when new leaves bud and flowers carpet the forest floor. And winter, despite its challenges, can produce some of the most magical forest images. Snow-covered branches and frost-covered leaves can create enchanting scenes straight out of a fairytale.

Forests also provide striking scenes in varying weather conditions. Fog and rain can transform the familiar into the mysterious and the mystical. Photographing forests in near-whiteout conditions or on misty mornings can give your images an abstract or impressionistic feel, emphasizing the shapes and forms of the forest rather than the individual trees.

Of course, if you do shoot in these conditions, remember to protect your camera gear. Working with a rain cover is a great starting point, and whenever possible, change your batteries and memory cards in a dry, covered location.

(I love photographing forests during winter, especially right after a snowfall! The trees tend to be more heavily coated with snow, which – at least for me! – makes for better shots. Of course, if you do head out for a winter forest photoshoot, make sure you dress warmly and as mentioned above, do your best to protect your gear from the elements. I always carry a rain cover that I put over my camera if the snow starts falling, and I’m very careful about taking my cold camera into the warm car or house afterward – I like to keep my equipment in an opened bag for a few hours so it can acclimate to the temperature change.)

With a bit of preparation, you’ll be ready to capture the forest’s many moods – in any weather and every season.

10. Capture that classic “path through a forest” photo

Photographs of paths winding through forests have a mesmerizing charm, so it’s no surprise they are a staple in forest photography.

Sure, they’re popular, and yes, you might even say they’ve become a bit of a cliché. But remember, clichés are clichés for a reason. They work. They appeal to something universal within us. A path through the forest isn’t just a path. It’s a metaphor for the journey of life, full of twists, turns, and surprising discoveries.

What makes a forest path so visually fascinating is its ability to act as a leading line in your composition, drawing the viewer’s eye into and around the image. It adds depth and dimension, creating a structural pathway that naturally invites exploration.

So whenever you head into a new forest, spend some time photographing its paths. How you capture it is completely up to you. Yes, you can go for the classic shot: path in the middle, trees rising majestically on either side. It’s a time-tested composition that never fails to impress. But let me urge you to think outside the box a bit. Play around with the composition. Frame the path off-center, try shooting from an unexpected angle. There’s a whole world of creative possibilities waiting for you.

Pro tip: An overcast or dreary day can add an extra layer of moodiness, creating a more compelling visual narrative.

11. Photograph on the forest edges

Being deep inside a forest can feel magical – like you’re immersed in another world. It’s an exhilarating feeling. But sometimes, especially when trees are densely packed, it can limit your options for telephoto shots from a distance.

Here’s where the forest’s edge, or even a forest clearing, can come in handy. It’s an area with plenty of open space that allows you to step back, mount a telephoto lens, and capture a different perspective.

Look for patterns formed by tree trunks and branches. Forget about seeing them as trunks and branches; start seeing them as lines and shapes. Try to create an abstract composition that leads the viewer’s eye around the frame.

Sure, it might take some persistence and a lot of shots. But believe me, when you manage to capture that stunning image, it’ll all be worth it. You might even end up with a photo worth framing and hanging on your living room wall!

12. Try some experimental shots

If you’re not especially interested in forest photography and you were dragged out to a smelly forest full of biting insects and other nuisances against your will, don’t despair. There’s something to do, even for you!

Forests offer great opportunities for trying out different kinds of experimental photography. The low light conditions and diverse scenery work well for techniques that require long shutter speeds, such as intentional camera movement and light painting. Give it a shot!

13. Post-process to enhance your forest photos

Post-processing is an essential part of forest photography; it’s how you refine your photos and really make them pop.

I’d recommend you start your editing workflow by making basic corrections (exposure, white balance , cropping, etc.). Then go into the more advanced adjustments, such as targeted contrast and color grading .

Lighting tends to be more dramatic in the forest and can result in gorgeous rays hitting the forest floor – so draw attention to these by adding contrast to the sunlit areas. You might also try applying a bit of Vibrance to the overall image and playing around with the hue and saturation of individual colors to bring out a natural feel in the shot.

For my own images, I like to decrease the Lightroom Clarity slider , which gives a dreamy or magical feel. I then apply local adjustments to important areas of the photos, such as the main subject. During the latter editing phase, I’ll often use a Brush to boost the Clarity and the sharpness for a little extra crispness.

But there’s no single best workflow for forest photography. It’s really all about experimenting and finding what works for you!

14. Leave the forest as you found it

The forest is beautiful, mysterious, and amazing. It’s worth preserving for the next generation, so please, please, please do whatever you can to keep it clean.

Whenever you’re out shooting, make sure you clean up all your trash, including plastic bags and water bottles. And if you see trash left by others, consider cleaning that up, too.

Also, respect the environment. Don’t get too close to wildlife, and don’t disturb sensitive plants or trees (by trampling over them, climbing them, etc.).

Little things like that may seem trivial, but if we all take care of the environment, we can have a positive effect on our natural world, and we can keep it in good health for generations to come.

Plus, there’s an element of self-interest to consider: The cleaner the forest, the better your photos will look!

Forest photography: final words

We’ve journeyed together through the enchanting world of forest photography, sharing crucial tips and effective strategies to help you capture the beauty of the woods. By now, you’ve gained a solid understanding of the gear, settings, and techniques needed to turn your forest excursions into stunning photo ops.

Sure, translating the mesmerizing charm of forests into photographs might still feel challenging. Remember though, every professional photographer started where you are now. With the knowledge you’ve gained from this guide, you’re already steps ahead, ready to tackle those intricate details and dynamic lighting conditions that make forest photography such a fascinating pursuit.

So what’s next? Get out there and put these insights to work! The forest is calling, and it’s time to answer with your camera in hand. Experiment, explore, and above all, enjoy the process. There’s nothing quite like capturing the magic of the woods and sharing it with the world.

Now over to you:

Which of these tips do you plan to use first? Share your thoughts in the comments below!

Forest photography FAQ

Variety is your friend! Both wide-angle lenses and telephoto lenses can work magic in a forest setting. And don’t forget a macro lens for those intimate detail shots.

As a rule of thumb, I recommend a longer shutter speed, often below 1/100s. This compensates for the limited lighting you often find within forests.

I’m a big fan of the early morning – you get fewer people and occasionally beautiful fog. But you can also shoot in the afternoon and even at midday (especially if it’s cloudy!).

Yes, a tripod is very useful. Given the lower light conditions of most forests, a tripod will prevent camera shake and allow you to use optimal settings for the shot.

Read more from our Tips & Tutorials category

is the Managing Editor of Digital Photography School, as well as a macro and nature photographer from Ann Arbor, Michigan. To learn how to take stunning nature photos, check out his free eBook, Mastering Nature Photography: 7 Secrets For Incredible Nature Photos ! And to see more of Jaymes’s work check out his website and his blog .

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How to Write a Forest Scene

A. write more about the trees and greenery. give the reader insight to the location and the weather..

B. Write about the animals and the life that exist in this Forest. You can even make up your own and/ or it could be humans that live in the forest.

•  Orangutans spend most of their time in the forest canopy where they feed on leaves, figs and other fruit, bark, nuts, and insects. Large trees of the old-growth forests support woody vines that serve as aerial ladders, enabling the animals to move about, build their nests, and forage for food.
• The largest of all primates, the gorilla. Too large and clumsy to move about in the forest canopy, the gorilla lives on the forest floor where it forages for a variety of plant materials.
• The jaguar. Its endangered status is the result of hunting and habitat loss.
• The Puerto Rican parrot (Amazona vittata), a medium-sized, green bird with blue wing feathers
• Below the canopy the waters are filled with fish life. Kelp bass find the middle of the kelp forest to be a good hunting area, while Sheephead, a boldly colored fish, like to feed on the larger invertebrates that live among the kelp stipes and tend to hang out towards the bottom of the forest.
• Insects (morpho butterfly, Julia butterfly, Monarch butterfly, and millions of other insects) mammals (jaguar, ocelot, didelphid opossums, sloth, howler monkey, spider monkey, capybara, many bats, marmosets, procyonids, peccaries)
• Birds (quetzal, macaw, tinamous, curassows, hoatzins, hummingbirds, eagles, ovenbirds, antbirds, flycatchers, puffbirds, toucans, jacamars, tanagers, tapirs, troupials, honeycreepers, cardinal grosbeaks, xenops) reptiles (anaconda, caiman, iguanas, lizards, microteiid lizards, boas, and coral snakes), amphibians (poison arrow frog, etc.)
• Fish (electric eel, piranha), and millions of other animals.Australia – mammals (tree kangaroo, rat kangaroo, yellow-footed Antechinus, Giant White-tailed Uromys, opossums, bandicoot, echidna, duck-billed platypus, sugar glider, red legged pademelon)
• Reptiles (frilled lizard, carpet python, Green Tree Snake, Spotted Tree Monitor, Eastern Water Dragon, Boyd’s Forest Dragon, Northern Leaf Tailed Gecko)
• Amphibians (Giant Tree frog, Striped marsh frog, Northern Barred frog, Dainty Green Tree frog), and millions of other animals.Southeast Asia –
• mammals (tarsiers, orangutans, Siamangs, gibbons, colobine monkeys, tigers, tree shrews, binturong, moonrats, most flying foxes, colugos, bamboo rats, Oriental dormice)
• birds (tree swifts, leafbirds, fairy bluebirds, fantails, whistlers, flowerpeckers, wood swallows)
• insects (Queen Alexandra’s Birdwing butterfly, Goliath Birdwing butterfly, Saturn Butterfly) to name a few.West Africa –
• mammals (antelopes, bonobo, chimpanzee, gorilla, Mandrill, scaly-tailed squirrels, otter shrews, duikers, okapi, hippopotamus, Cercopithecus monkeys, bushbabies, pygmy hippo, duiker)
• birds (Congo peafowl, African Gray Parrot) to name a few.

C. Describe how these things have a connection to the story and to the overall plot. Give hint to how they will be a part of the journey.

I. What about the animals and the forest is important to the story and to the character? How are they a vital allie to the trail and the path of the rain forest?

I I. Ultimately how are these things good? Give signs and behavior patterns that will differentiate them from good and evil. Or keep it a mystery to enhance the dynamics of your story.

I I I. Use ideologies, metaphors, and similes to create an experience your character is having. How they connect with the forest atmosphere and the creatures who dwell inside this area.

 A. Why is your character there in the first place and how long do they plan on staying? Their journey can all the sudden become extended or shortened by anything.

I.  Think of all the things you might find in a dark forest and make them experience it.

• Insects in the mouth and eyes
• Branches in the face and tearing at clothes
• Tripping over roots and rocks
• Feet crunching on dirt, snapping twigs
• His/her own gasping breath in the silence
• Sounds of creatures pursuing him
• Howling of wolves in the distance
• Owls hooting in the night

I I. Explain their thoughts, the worries, even ultimately telling the reader what’s at stake for the character.

I I I. Do they meet someone along the way? Is there a barrier or path they cannot take or overcome? Or do they find a great shortcut? Is a shortcut even safe?

B. Is there anything out of the usual? Does it become too much for the character to handle to where they will need someone or something to help them? Maybe it’s the animals and life that live in the forest or the forest itself.

I. Is there magic involved? Are there a new philosophies or new rules that doesn’t pertain to our own world, involved? If so, who is controlling this? Does the character have an idea who might be behind these doing?

I I. Does the character actively call out loud for someone or something to help them? Does anyone come to their aid? Is it magical or ordinary? Where has this person or being been all that time? Was this all a test to begin with?

I I I. Must the character return the favor somehow or is it given for free? Does the character somehow speak to this thing or person or are they dumbfounded? Do they just accept what happened or begin to question the place they’re in? Does this mean they’re about to escape or try to at least?

C. Show some relief of the problem or a solution that is at a near distance. Give the reader hope for the character.

I. How are they coping with these sudden changes and surprises? Are they able to take a break at all and stop to get some air from what is going on?

I I.  If s/he’s running to vent because she heard something emotionally traumatizing and they’re running away from the impact it has on them, then s/he would be tripping and stumbling not out of fear but out of anxiety to get away.

If s/he’s running through the woods because it’s a pass time and they enjoy it, then you select words and thoughts and structure your sentences to give a peaceful tone (or whatever emotion you’re aiming for).

I I I. What talents skills or abilities does the character have the makes them seem not so hopeless?      

 A. Show how the forest becomes an aide to the character and/or the character becomes an aide/savior to the forest.

I. Can the animals speak English, can the character all the sudden communicate with the animals, or do they have to find a creative way to speak with each other?

I I. Maybe the trees sway in the wind and gives direction to the character on where to go, what if something randomly falls down as a way to direct the character to a specific path? You can use sound, you can use smell, you can use all the human senses. Be creative.

B. Is there any magic that is in the place? How about the connection between the scenery and the character? How does it strengthen them or how does it weaken them?

I. What type of Magic? Is it something that can be learned? Is it something that can be avoided or counteracted? Does the magic bring anything alive or keeps things dead? Does the magic prevent the forest from doing anything or allows it to do more than what it once could?

I I. Does the character softly walk through the forest to avoid from causing any harm? Does the character do anything weird to the forest such as pray to it or use the trees leaves as clothing? Why are they acting this way?

I I I. How about the forest? Does the forest do anything out of character to gain the character’s interest? Does it offer the character anything?

C. Are there hints in the forest that the character can only see and their enemy cannot? How does the forest communicate with the character? How does the character communicate with the forest?

I. Why can the character see these hints and the enemy cannot? How do they know that these are going to protect them? What has the forest done that makes the character believe it’s okay to to follow unknowingly or even listen to?

I I. How desperate does they forest become? Will they go to great lengths to protect the character? Or will the character go through great lengths to protect the forest? Where does this bond come from and how does it help the character easily flow through the forest?

I I I. Or maybe the forest is silent. Maybe the forest has no magic or is on no one side. If so, how does the character use the forest as they please?

A. Add some drama, some danger, what is breaking… what is causing Mayhem? How is the character mentally handling it and what might be their demise?

I. Give details about the great enemy. What is the character learning thus far? Who are their allies? At what point in their Journey are they at and how close are they to finishing?

I I. Are there any swamps, quicksand, spiders, snakes, or otherwise that wouldn’t necessarily be in another land? How much harder is it to journey through the forest than it is somewhere else?

I I I. Do they get injured, do they somehow make a mistake that they cannot take back? Has the forest abandoned them? Have the animals abandoned them? Have they abandoned themselves and their will to live?

B. If the enemy is directed towards the forest, then how does the forest cope with it and what is it doing to protect itself? How is the character helping to protect the forest if at all?

I. Why is this evil thing having a war with the forest? Does the character understand why? Is it a being? Is it nature? Is it a Mystic being? Is it the forest itself that’s their own enemy?

I I. Do the branches hit and sway? Do the leaves fall down from the branches to the ground as a way of surrender? Do the animals bite, bark growl? Do trees fall down? Do trees move as if they had feet?

C. Put a bit of focus on the enemy; the danger. How do they look? what are they doing? how does it seem for them to be in this Forest? what threats are they saying? what weapons do they have? how many people are on the enemy army? How much more powerful is this threat?

I. How does the face look? How powerful is this evil? How weak are they; what is their weak link? How long has the war/battle been going on?

I I. Where did this enemy come from? How evil are they or do they have some kindness to them? Is it never ending or does it have a downfall? Is it hurting itself by battling the forest or the character? Or is battling the forest or the character making it stronger?

I I I. If the character or the forest is battling themselves, then describe the pain they are inflicting on itself through the eyes of who is watching. How much longer until the end is near? In other words, is it hopeless to help?

 A. Is everything complete, is everything at peace, how does the character feel?

I. What are the goodbyes like? What actions do they take to make sure they are thanking the forest and that the forest understands what they’re saying?

I I. How much has the character contributed? Where does the health of the character and the forest lie? Are they both to thank for a good ending? Who’s to blame for a bad ending? Is there any animosity between the character and the forest? Remember, the animals are considered to be part of the forest.

I I I. Is there any gifts exchanged? Are there any songs sang? Is there a promise of return?

B. How about if the threat is still alive? how has the character left the threat or if they decide to stay how are they keeping the threat at bay?

I. Is threat gone away for a while? Is it sure to return? Will the character return before the threat returns but with more weapons or people to battle?

I I. If the character stayed, what are they doing in order to protect the forest? How much do they have to sacrifice to keep the forest in good shape? Is the forest doing anything to thank them or to protect the character in return? Is this a completely selfless act?

I I I. Vice versa. What must the forest do in order to continue to protect the character? How’s the character thanking the forest?

C. Let the reader know who’s in charge, whether it’s the character the forest or the enemy at the end of the scene. Let them know where it should start the next time you begin this scene. If it is finished then make sure you bring out the person you want to bring out on top. But not without consequence; there must be signs of a battle.

I. Who left the battle? Who had the most battle scars? Who showed signs of fear? And how did they show these signs if they weren’t human?

I I. Is there a prophecy? Were there hostile words exchanged? Was there a time when the character or the forest felt like they failed or were about to lose? Is this a false win?

I I I. Is there peace at the end of the scene? Or is there a lot to be desired? What is the last thing that the character remembers about the forest or sees?

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Forest Scenes

By Madison Bloom

Experimental

April 1, 2024

On stage, experimental cellist MIZU handles her instrument more like a dance partner than a hunk of curved wood. She stands, knees slightly bent, twirling and swaying her cello by the neck, occasionally stretching out her foot to set off an effects pedal. “It’s almost like a ballet,” MIZU told New Sounds host John Schaefer last year, suggesting that her expressive maneuvering of the cello, and her ability to undulate alongside it, might be stifled if she sat and played in a more conventional manner. The classically trained musician can’t help but tweak tradition: While studying at Juilliard, MIZU was more intrigued by modernist composers Elliot Carter and Milton Babbitt than wigged titans like Mozart and Bach. She ultimately grew frustrated “playing the same Beethoven sonata that 1,000 other cellists across the world play with equal facility,” as she recalled to Schaefer.

Meeting guitarist and composer Rachika Nayar in Brooklyn’s queer party scene cracked open new possibilities for MIZU after college. Nayar taught her how to warp her instrument with electronics. On her 2023 debut, Distant Intervals , MIZU tracked cello phrases in her closet before layering, looping, and manipulating them digitally. On her new LP Forest Scenes , MIZU inverts the technique, composing high, shining arches of cello around digital dissonance and field recordings that capture the chatter and roar of the woods. Teeming with texture—whispered phrases, dry foliage, dial-up distortion—the gripping 37-minute instrumental is an ode to transformation. Frequently gorgeous, at times unsettling, Forest Scenes is constantly in flux.

MIZU was initiating a process of gender transition while writing Forest Scenes , and elements of growth and change are ingrained within her pieces. On the slithering “ Pavane ,” tremulous strands of cello twist together like vines in a time-lapse video, while a convention of birds confabs in the trees. Though distinct, these elements seem to sprout from the same ecosystem, and each additional detail enriches the landscape, be it belching bowed strings, plucked melodies, or staccato breath darting around the perimeter.

On Distant Intervals , MIZU ornamented her neoclassical playing with electronic flourishes. But the jungle racket and harsh digital passages of Forest Scenes —which were recorded before MIZU even picked up a bow—are structurally and thematically vital to each song. On “ Pump ,” crisp twigs and leaves snap underfoot before yielding to MIZU’s insistent, almost nagging loops of cello. As the piece crescendos and tapers, the forest footsteps reemerge, their crunching turned to sloshing, as if entering a shallow brook. This slight detail suggests an entire journey.

MIZU’s range as a composer, producer, and player feels far more developed on her second album. She can make her strings bellow like a bass clarinet (“ Rinse ”) or tremble in a high-pitched vibrato (“ Flutter ”). Her handling of software feels more fearless as well; on “ Enter ,” she dispatches eerie snippets of croaking, sizzling, and spurts of percussion before introducing any melody. Commissioning drum samples from New York composer Concrete Husband, MIZU has also crafted her most jarring piece yet: “ prphtbrd ” sounds like tech breakdown incarnate. Picture an arcade full of malfunctioning Atari kiosks. MIZU’s placement of “prphtbrd” just before the poignant 11-minute closer “ Realms of Possibility ” might be a comment on the constant threat of collapse—and the beauty of resurrection.

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MIZU Creates an Experimental Masterwork with ‘Forest Scenes’

As a composer and performer, MIZU embraces uncharted territory with her cello not so much in hand but working fully as an extension of her body and voice.

The success of any given work of music meant to be ambient or abstract hinges on the beauty of the interactions within it. No piece of a landscape can be viewed the same way in isolation; no sound in a vibrational atmosphere has the same impact alone or in a different space. On her new album Forest Scenes , experimental artist and composer MIZU is keenly aware of this. The layers she builds feel organic, like an ecosystem in that they are not just lovely but alive, each element gorgeous on its own but exquisite in context and motion.

A Juilliard-trained cellist, MIZU leans heavily into the versatility of her instrument throughout Forest Scenes . The opening track, “Enter”, begins with what sounds like the rasp of a bow drawn hard against low strings. She plays with the physical textures of the cello, bouncing and scraping, evoking the opening of a heavy gate against the ground, resonant and raw. From there, she enters a mode of playing that is more melodic but never dull, never too simple to intrigue. In fact, from start to finish, there is nothing overly straightforward about how MIZU’s notes stretch, loop, and curl, nor are the more percussive and synthetic accents of Forest Scenes too predictable. 

Certainly, there are ethereal and pastoral overtones at every turn. They are never uncomplicated. Even at their sweetest, they captivate: loping single “Pump” rocks and splashes, smooth with just a hint of stone and salt breaking up the ripples; “Flutter” features sparkling chimes but also sees MIZU’s cello rise from singing to a lonesome wail, echoing far and wide even while a jungle of squeaks, chirps, and other lush rhythmic embellishments surround it.

As the dulcet is never too dulcet, nor are the shadows ever too cold. “Rinse” begins with foreboding drones, but they spread into something deep, dark, and welcoming. The sheen of cello strings cuts through the velvet synths with a bright light that leads directly into “Pavane”, a track featuring subtly undulating electronics beneath soaring strings. It all wraps together around crisp beats and pizzicati, becoming one of Forest Scene ‘s most robust grooves by the end.

Near the end, MIZU leans even more heavily into speed and electronics on a pair of especially driving tracks. In “The Way to Yonder”, MIZU’s cello takes a lyrical run through the titular forests that have been growing over the first half of the record. Techno producer Concrete Husband adds especially jagged touches to glitchy “prphtbrd”, a satisfying and cacophonous cut that feels like a full journey upward. Finally, the album ends with “Realms of Possibility”, ten minutes of melody, rhythm, and resolve that bring Forest Scenes to a sophisticated and euphoric conclusion.

MIZU has discussed Forest Scenes as metaphorically linked to queer spaces, coinciding as it has with her medical transitioning. While nuanced, what she puts into the world here are ultimately joyful interpretations of self and community. As a composer and performer, MIZU embraces uncharted territory with her cello not so much in hand but working fully as an extension of her body and voice. This is stunning work, fully realized in its experimentation, and MIZU is a beacon for artists everywhere looking to build from the ground up.

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Setting Description Entry: Forest

August 23, 2008 by BECCA PUGLISI

green, brown, dead fall, fallen trees, logs, branches, twigs, fallen leaves, ferns, underbrush, moss, brambles, thickets, ivy, berry bushes, pine needles, pine cones, acorns, insects, rabbits, birds, squirrels, lizards, mice, foxes, spider webs, deer, sun-dappled, shady, shafts…

Sounds branches creaking, feet shuffling through detritus, squirrels chattering, leaves rustling, wind whistling around trunks/disturbing the leaves, birds singing, insects humming/ churring, rustle of animals rooting in underbrush, scrabbling of lizards on tree bark, limbs..

Smells tree smells (pine, etc), wildflowers, earthy smell, animal scents, rotting wood, fresh, stale, dry, damp, wet, scents on the wind from nearby places (water, wood smoke, ocean), wild mint/herbs, decay (bogs, stagnant pools of water, dead animals), skunks, skunk weed…

Tastes earthy air, sweet/sour berries, nuts, mushrooms, wild onions, seeds, bitter, mint, gritty, mealy, meaty, relish, savor, sample, salty, acidic, sweet, flavorful, sour, tart, flavorless, swallow, mild, nutty, relish…

Touch rough tree bark, kiss of falling leaves, branches slapping, uneven ground, knobby roots underfoot, sticky sap, underbrush that tangles/grabs, prickle of briars, slick leaves, twigs snagging at hair/scratching face, tickle of hanging moss, spider web strands on skin, soft…

Helpful hints:

–The words you choose can convey atmosphere and mood.

Example 1: I lifted my face, letting the light and shadow dance across my skin. Bees hummed in and out of the pennyroyal. I inhaled its minty smell and continued on, delighting in the sound of my feet sliding through the leaves.

–Similes and metaphors create strong imagery when used sparingly.

Example 1: (Simile) The trees lashed and crashed against each other like drum sticks in the hands of a giant…

Does your setting take place at night? Check out this similar Entry: WOODS AT NIGHT

Think beyond what a character sees, and provide a sensory feast for readers

Setting is much more than just a backdrop, which is why choosing the right one and describing it well is so important. To help with this, we have expanded and integrated this thesaurus into our online library at One Stop For Writers . Each entry has been enhanced to include possible sources of conflict , people commonly found in these locales , and setting-specific notes and tips , and the collection itself has been augmented to include a whopping 230 entries—all of which have been cross-referenced with our other thesauruses for easy searchability. So if you’re interested in seeing a free sample of this powerful Setting Thesaurus, head on over and register at One Stop.

On the other hand, if you prefer your references in book form, we’ve got you covered, too, because both books are now available for purchase in digital and print copies . In addition to the entries, each book contains instructional front matter to help you maximize your settings. With advice on topics like making your setting do double duty and using figurative language to bring them to life, these books offer ample information to help you maximize your settings and write them effectively.

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers —a powerhouse online library created to help writers elevate their storytelling.

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Reader Interactions

October 11, 2021 at 6:06 am

That helped me a lot!

October 7, 2021 at 2:08 pm

I love descriptive writing but can you help me to write a forest setting description?

February 26, 2021 at 10:01 am

Thank you for this great help…☺️☺️

February 23, 2021 at 4:37 am

Thanks this helped a lot!

January 19, 2021 at 1:39 am

Lovely book, It helped me a lot thanks

August 19, 2020 at 10:54 pm

Are you lovely ladies planning to put these descriptions into an ebook? I’m enjoying all seven of your thesaurus books.

August 20, 2020 at 8:13 am

Hi, Michelle! I’m so glad you’re enjoying our books. Are you asking when the setting thesaurus is going to be turned into a book? If so, you’ll be happy to know that those books are published and available. You can find ebook information on our Bookstore page. https://writershelpingwriters.net/bookstore/

If you have other questions or need to clarify anything, just let us know!

July 13, 2020 at 8:35 pm

OMG! This is powerful. God bless you richly. Please ma, can you help me to proofread my short fiction. I’m begging in the name of God. I have written a short fiction, but no one to help me to proofread it. [email protected] . Thanks in anticipation.

July 14, 2020 at 10:44 am

Sorry, we are unable to do that, but if you join a writing group or have a good critique partner, they should be able to help you. Good luck and all the best. 🙂

May 21, 2020 at 4:59 pm

amazing thankyou so much 🙂

March 11, 2020 at 3:19 pm

thanks! these will help a lot with the forested settings in my book series: the elemental masters.

June 26, 2020 at 5:42 am

Oh wow, your books are absolutely amazing. I’ve read all of them

March 9, 2020 at 1:50 am

Thank you for this, however, could you also do the same setting description based on the setting of a beach? That would be extremely helpful for me. THank yoU!

March 7, 2020 at 10:28 pm

Hi, this is extremely helpful, but could you make another setting description, the same as this one, except about a beach scene? That would be super helpful for me. Thanks!

March 8, 2020 at 1:56 pm

Hi, Stacey! We actually do have a Beach entry. You can find it here: https://writershelpingwriters.net/2008/09/setting-thesaurus-entry-beach/ . And our TOC also contains a list of the entries you can find here: https://writershelpingwriters.net/occupation-thesaurus/

But if you’re looking for settings that we don’t have, you might consider checking out our website, One Stop for Writers. All of our thesaurus collection are there, and most of them have been expanded to include additional entries. For instance, here is the complete list of setting entries you can find at One Stop: https://onestopforwriters.com/scene_settings

Best of luck to you!

March 9, 2020 at 5:47 am

Thank you so much Becca, i just really appreciate it, i love the websites you gave me and it is simply WONDERFUL!!!

March 6, 2020 at 3:12 am

This is wonderful, thank you! Very helpful!

October 24, 2019 at 6:10 am

IT FANTASTIC

January 1, 2019 at 7:15 pm

this really helped me. thank you lol 🙂

July 12, 2017 at 1:21 pm

I am helping a friend open a bar in a small town…the lifestyle here is of the following: Fishing, boating on our two rivers….Wabash and Tippecanoe and hunting deer. Cannot come up with a name to incorporate both of the passions our customers would enjoy. I have gone to your description setting entry for ideas…but just can not gel together this duo!!! Help?

July 12, 2017 at 8:00 pm

Hi, Patti. I’m sorry, but I’m not clear on what you’re after. Are you looking for help coming up with a name for a fictional town?

October 5, 2014 at 2:41 am

THANKS VERY MUCH FOR SUCH A WONDERFUL WORK. MY DAUGHTER WILL HAVE A GOOD RESOURCE OF DESCRIBING WORDS.

February 29, 2012 at 1:40 pm

Thank you so much for this! I have been struggling with my forest scenes for the longest time, stuck on the same small handful of descriptors–this is brilliant. Thank you, thank you, thank you!

May 1, 2011 at 4:48 pm

Thank you very much for these amazing words! keep the work up!

March 7, 2011 at 7:54 am

Thank you so much. These beautiful words makes picturing a scene extremely easy.

February 1, 2011 at 2:13 pm

I absaloutly loved thease words i really needed them to help me get my English paper to life

January 25, 2011 at 6:47 am

It’s a great Help for me. I was looking for such post that could give some interesting wording to describe a greenery and forest scene.

Thank you very much 🙂

April 7, 2010 at 6:13 am

I showed my teacher and she said you rocked. Thank you 🙂

March 26, 2010 at 2:52 pm

Great help for my book! Thank you!

December 13, 2009 at 12:30 pm

Thanks. Great Guide for a descriptive piece of writing A*

December 11, 2009 at 12:26 am

Creatively helpful , specially to beginning writers like me. Thanks for this web.

October 2, 2009 at 10:38 am

very helpful thanxx cood u include more sentance exxampils thanx that wood be helpful! miss m

September 23, 2009 at 11:35 am

April 21, 2009 at 8:29 pm

I LOVE THIS!!!!!!!!! Just what I am writing about!!! THANKS!!!!!!!

August 24, 2008 at 1:17 pm

Thanks for the kind words. When Angela and I started this blog, one of our main goals was to keep it relevant to writers. Glad to know we’re doing alright on that front :).

August 24, 2008 at 12:07 pm

This is fabulous!! I love it!

August 23, 2008 at 8:02 pm

Angela and Becca, you one-hit wonders, you’ve done it again! You’re very good at relating to the reader (and making it easy on the writer).

August 23, 2008 at 5:51 pm

Great job. And I really like the drumsticks simile.

August 23, 2008 at 10:45 am

So perfect! Thanks! I love the simile and metaphor section!

[…] Forest […]

[…] is a forest entry already, but I think that at night the woods can be an entirely different setting, full of mystery […]

A FOREST JOURNEY

The role of trees in the fate of civilizations.

Brought to you in partnership with

Ancient writers observed that forests always recede as civilizations develop and grow.

This happened for a simple reason: trees have been the principal fuel and building material of every society over the millennia, from the time urban areas were settled until the middle of the nineteenth century., to this day, trees still fulfill these roles for a good portion of the world’s population. without vast supplies of wood from forests, the great civilizations of sumer, assyria, egypt, crete, greece, rome, the islamic world, western europe, and north america would have never emerged. wood, in fact, is the unsung hero of the technological revolution that has brought us from a stone and bone culture to our present age. a forest journey tells this story..

As Featured On

A Word From The Author

In the course of researching material for my first book, A Golden Thread: 2500 Years of Solar Architecture and Technology, I noticed a singular theme: the change to solar energy for house heating always occurred when people ran short of their supplies of wood – the principal fuel and building material of almost every society from at least the Bronze Age to the nineteenth century and beyond for some. Through the voices of the past I learned how the abundance and the scarcity of wood shaped, in large part, the culture, demographics, foreign affairs, economy, politics, and technology of civilizations. I thought that such a pivotal story had to be written.

John Perlin

Also by john perlin.

Let It Shine: The 6,000-Year Story of Solar Energy

From Space to Earth: The Story of Solar Electricity

A Golden Thread: 2,500 Years of Solar Architecture and Technology