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Natalia LaFourcade  

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• Upcoming 2024 concerts: none

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Natalia Lafourcade (born February 26, 1984) is a Mexican pop-rock singer-songwriter and musician best known for her hit single “En El 2000”, hailing from Coatepec, Mexico.

Born the daughter of French-Chilean singer and musician Gastón Lafourcade, Natalia grew up singing, acting and playing a number of instruments during her time in school. At the age of 10 Lafourcade sung in a Mariachi group before joining a girl trio group named Twist in 1998. Three years later the singer was offered a spot in a new pop/rock group by Italian producer Loris Ceroni, however after appearing reluctant, Ceroni encouraged Lafourcade to go solo.

The musician and producer Ceroni subsequently produced the majority of Lafourcade’s debut, self-titled full-length released in 2003. Issued by Sony Norte, “Natalia Lafourcade”, is a genre-defying record that showcases the singer’s wide spectrum of influences, distinctive vocals and apt songwriting. The album has since been certified three times platinum, aided by the singles “En El 2000”, “Busca un Problema”, “Elefantes”, and “Te Quiero Dar”, and secured four Latin Grammy Award nominations.

Following the release, Lafourcade surrounded herself with drummer Alonso, guitarist Chanona, and accordion and keyboard player Yuno, who collectively became known as Natalia y la Forquentina. The band’s debut arrived in 2004 after being invited to compose a song for the film “Temporado de Patos”, for which Natalia y la Forquentina produced crafted “Un Pato”. Working with producer Emmanuel del Real, the group’s debut album “Casa” was released in 2005 marked by driving guitars and heavy drums. Despite not fairing as well as her solo debut, the record topped the Mexican Albums Chart, earned platinum certification and the Latin Grammy for Best Rock Album. The group supported the release by a year-long series of shows around Mexico, after which in 2006 Natalia y la Forquentina parted ways.

After moving to Canada for nine months Lafourcade recorded and released the EP “Las 4 Estaciones del Amor” in January 2009. Noted for its instrumental nature, the four-track record is themed around the earth’s seasons and raised the anticipation for the singer’s solo sophomore release. In May 2009 Lafourcade issued her second full-length album “Hu Hu Hu”, led by the single “Axul”. The record rose to No. 9 on the Mexican Album Chart and subsequently spawned the singles “Ella es Bonita”, “Cursus Melodias”, and “No Viniste”. The full-length “Majer Divina” arrived in September 2012 winning a pair of Latin Grammy Awards, followed by “Hasta La Ruiz” in March 2015.

Live reviews

If I'm honest, I almost didn't go to this show. I'm not Latino, I don't speak Spanish, and my date couldn't make it. But I'm a fan, so I went alone. The venue was an 800 seat synagogue, which is not where you might expect one of the biggest pop acts in Mexico to perform, but it's intimate and amazing. In a theater full of people that obviously were fans and knew her music, I somehow ended up seated between an older gentleman and another gentleman with his daughter that knew the venue, but not the artist. They came based on the venue and a blurb of her on the website. They were all very cool.

I was glad there was no opening act, because I just wanted to see Natalia. She is easily my favorite artist today, and one of my favorite of all time.

When she came on stage, the crowd erupted. I'm sure many had purchased tickets to her Lincoln theater show that was cancelled last year. (I'd purchased the VIP package for that show, so I was doubly heartbroken; but I understood Houston to Dallas to LA made more sense than Houston to DC to LA).

Natalia sang flawlessly. She did that little dance she does with her shoulders too. At times one could be forgiven for feeling she was singing directly to you, as I did several times. The music felt very liberating and personal. The set was light on her early work, which made sense because a lot of people here came to know her through her Grammy winning Hasta La Raiz. I purchased three or four of her cds since discovering her music on the 2015 Latin Grammys (and a good friend from Durango, Mexico also suggested her to me). I recognized all but three songs.

She started with a showcase of slow to mid-tempo songs, but as she picked up the pace, people stood up, waved a huge Mexican flag and moved to the area between the seats and the stage and started dancing. They were ready to party and she did not disappoint. I felt the room's connection to Mexico as Natalia served as the ultimate conduit. She spoke several times between songs, which added a more intimate feel to the show. Since I don't understand Spanish fluently, I can only imagine that she something about missing home and the delicious food, and perhaps some of the inspiration for her songs.

Tu Si Sabes Quereme has been my jam since late spring and apparently I'm not alone. Her performances of this song were sensual and playful and had everyone on their feet singing along. I'm sure Despicito, or whatever, has many managers telling their clients it's time to crossover to the American market (I'm going to the upcoming Bomba Estereo and Vanessa De Mata concerts too), but Natalia's a once-in-a-generation artist; right up there with Aretha, Adele, and Brasil's Regina Elis. She proves it with each new cd. For my money, Tu Si Sabes Quereme is the song of the year and I hope it receives proper recognition from the academy.

She also sang Nunca Es Suficiente and Para Que Sufrir, which are now classics. And everything on Musas transports you "to a time in Mexico." Sometimes she joined the band and played guitar and the sitar/ukulele. Oh, I almost forgot to mention her band is tight, but standup bass player is ridiculous! He reminds me of Flea from the Red Hot Chili Peppers, he's clearly a dude that likes the funk.

The only thing that could have possibly made the experience better would have been a meet and greet afterwards. I know that's a lot to ask, even for a small sold-out venue, but considering we don't get to see you often and your next visit here is destined to be at a much larger venue, it may have been a nice opportunity. Until then, I will enjoy my coffee mug and Musas t-shirt. Thank you for a wonderful time and best in life!

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Natalia had her Houston concert at Scout Bar, which is in Webster, TX. Doors opened at 7pm, meet and greet was supposed to take place at 8pm but it took almost an hour to happen. Because of that delay, the concert begun around 10:21pm. Regardless of how long it took, the concert was pretty awesome. She is very talented and also the musicians that work with her. Everyone was filled with energy while her fans were enjoying, singing to her songs. I will definitely come back if she happens to tour in the US again (I kind of doubt that will happen soon) but I will be more than glad if she happens to show again in Houston. More than likely, if I happen to be in Mexico, I'll go and see her as she holds concerts in Mexico pretty often.

TALENTED. If you need to know anything about Natalia LaFourcade it is that she is absolutely and totally talented. She first appears on stage with just an acoustic guitar and her voice. Her beautiful, non-auto tune, not screaming at me, but signing like a bird- beautiful voice. Stunning performance.

Eventually her band joins her and they continually play their songs, jam style. Natalia and her band all seemed delighted to play. True musicians no side acts, dancers, or intermissions.

Loved all the songs, she closed the show with Ella es Bonita, than for an encore she sang Currucucu Paloma. Just phenomenal show. Absolutely blown away by the musicianship and the power of her beautiful voice.

I am heartbroken that the concert for November 11 of this year 2019 at Berkeley California was cancelled .. it was my 49 birthday and I bought VIP table 4 to take my 8 year old daughter and my aunt and uncle . Natalia's music is very special for me and has become very significant for my daughter Maddy who was upset but I made a promise to her to get tickets as good or better for when she can please come back to the San Francisco area . I hope i get lucky and I can take my daughter who speaks no Spanish but sings her songs .. this was going to be our first concert together ... we have had a rough year my little ones and I and I hope she makes up for the cancelled date :))

Brenda and I heard her music for the first time during Dia de los Muertos in Oaxaca City 2017, we were instant fans and adopted Tú Sí Sabes Quererme as "our song." It's been three weeks and we have not stopped listening to her songs, she is amazing. No Vivo por Vivi with Juan Gabriel is so enchanting in great part due to Natalia's serene vocals. We caught her show last week in Anaheim at the House of Blues and are catching her shows in Paris and Barcelona in February 2018. The show at the House of Blues was more like a cocktail party than a concert and we can't wait to experience that feeling again. If you have the chance, go to see her live, it's worth it!

I enjoyed the show. She was amazing. Great voice and music style. I did not like the Social Hall venue at all!!! First I did not get to meet her even though I paid for it. Somehow the meet and greet was at 7 pm and nowhere in my ticket did I see meet and greet 7pm, only doors open at 8 pm!! I did email and called Social Hall but never got a hold of anyone or response. And when I got there a little bit after 8 they did not try to accommodate at all they said we will call you. Seriously the list of meet and greet was less than 10 people and two of them were my boyfriend and I. I am truly disappointed with Social Hall venue.

The night was just amazing. Las Cafeteras which opened for Natalia were just awesome. They got the crowd all pumped up. I don't know much about them but I was extremely happy with their performance. I hope to see them again,Natalia choose well. As for Natalia Lafourcade she was beyond breathtaking. She is a wonderful, talented young lady. It was my first time seeing her live but I'm sure it won't be my last. I had a great time and wonderful experience last night. Can't wait to see her again. Her rendition of the old songs was beautiful. I loved everything about last night. Till the next time...

EPIC! That's how I can describe the Natalia Lafourcade show in LA last night. With an absolutely stunning backdrop of skyscrapers in the evening lights, Natalia and her band, quite simply, killed it. The musicianship was flawless. Every song was performed with sincerity, a passion I've not seen in years of catching many a concert. Her voice was commanding, yet she could have been singing directly to you. Love how she mixed in some old favs into the whole Musas concept. Can't recommend her show enough. Viva México, Viva Veracruz, and Viva Natalia!

Natalia is an amazing artist, her smile, her music, her sweet voice and her energy on stage make her a truly special performer that is improving with age. He radiates on stage and she connects with her fans Spanish or English speaking alike. Personally I believe she will eventually become a legend in her craft and especially in Mexico.

Pier 17 as a venue is not organized it took 45 minutes to go in and the sound at times left a lot to be desired.

The natalia lafourcade show in denverwas cancelled!!!!

She cancelled last minute because she was asked to play a song at Oscars.

No refunds yet.

That's a really crappy thing to do but O Well.

She had a show in l.a. that we flew to, bought vips, hotel ,flight,

She was gonna appear with mon laferte,

Mon was a no show....

So she isused to dissapointing fans....

Posters (22)

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• Mexico City (48)
• Los Angeles (LA) (23)
• New York (NYC) (16)
• Chicago (13)
• SF Bay Area (12)

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• Mon Laferte (10)
• Café Tacvba (9)
• Molotov (8)
• Monsieur Perine (8)

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• Concertful ranking: #1090
• Category: Latin Music

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Natalia Lafourcade comes back to life

After a five-year hiatus from touring, the mexican singer-songwriter is on the road promoting “de todas las flores,” her first collection of original material since 2015.

Natalia Lafourcade walks onstage in the setting Virginia sun, her black gown’s massive skirt clutched in her hand. She’s a solemn, almost funerary vision as she reaches center stage, her eight-piece band looking on. The dress parachutes around her as if it has a life of its own. She sits, guitar in hand, and a hush falls over the Wolf Trap amphitheater. “A este mundo vine solita /Solita me voy a morir,” Lafourcade sings, her voice soaring up toward the wooden rafters: “Into this world I came alone /Alone I am going to die.”

The song, “Vine Solita” (“I Came Alone”), which she sings accompanied by only a sparse piano melody and her own guitar, is the first track from her latest album, “De Todas las Flores” (“Of All the Flowers”). This is Lafourcade’s first tour in five years, and her first stop in the United States. Over the course of the two-hour-plus show, she will die and be reborn.

Much like the Mexican-born singer-songwriter’s career — Lafourcade has built a community of fans throughout Latin America and diasporic communities around the world — the album and its 17-stop tour embody a new vision of borderless musical creation. Throughout the show, she takes her audience on imaginative journeys: “Imagine you’re a bird with giant wings … we’re going to fly to Oaxaca … now we’re in the beach in Veracruz.”

At 39, Lafourcade is among the most successful artists in Spanish-language music, known for her measured, honest songwriting and her covers of Latin American, especially Mexican, folk songs. She holds the distinction of being the female artist with the most Latin Grammys — 14 — and has produced 10 albums in a little over two decades, collaborating with Latin American pop and rock superstars such as Julieta Venegas and Jorge Drexler, and with legendary Mexican guitar duo Los Macorinos.

Mexican music is blowing up. Peso Pluma could be its first global star.

During a Zoom interview in Spanish earlier this month, Lafourcade said she had spent the day working and resting in Paris after kicking off the European leg of her tour with a performance at the oldest music hall in the city, the legendary L’Olympia. She was spending a couple of nights in the French capital, the same city where she spent the beginning of 2022 mastering her latest album and where, in a small bar, she first debuted “De Todas las Flores” to an unsuspecting audience.

Her afternoon included a quick trip to the Fête des Tuileries, a seasonal fair nestled in the heart of Paris’s first arrondissement. “I went to get on a ride that spun me across the sky,” she said, referring to a massive, over-160-foot ride that towers over the Jardin des Tuileries during summer months.

Soon, she would head to Spain for stints in Madrid and Barcelona before eventually making her Wolf Trap debut.

“It’s very exciting. People are receiving the music with lots of care, with lots of love,” Lafourcade said of the tour. “It’s something that brings me joy because I feel this album is not an easy album. ‘De Todas las Flores’ is music that grabs you, that lays bare your soul, that lays bare your heart, because it comes from a place of openness, no?”

The album resists easy classification, spanning genres such as Latin folk and jazz, son jarocho, bossa nova, cumbia and bolero. It also marks Lafourcade’s first collection of original music since 2015’s “Hasta la Raíz” (“To the Root”), an intimate, alternative folk-driven record which was certified double platinum in Mexico. In the seven years since, she released four tribute albums to icons of Latin American music, bringing artists such as Agustín Lara, Violeta Parra Sandoval and Álvaro Carrillo back into the mainstream.

“De Todas las Flores” has roots all over — in Veracruz, in Paris and in Texas, where it was recorded by Lafourcade and a team of international musicians at Sonic Ranch — and positions itself at the heart of a vibrant conversation between Lafourcade and bastions of Latin American folk music. She cites Simón Díaz, María Grever, Parra Sandoval and Lara among her inspirations for the album.

But Lafourcade remains an artist connected to her own experiences, to what she calls “the source.” “I think one of the primary ingredients in this album was intuition,” she says. The result was a 12-song record that is primarily concerned with universal, transcendent truths.

It asks listeners to straddle the boundaries between pain and joy, death and life. In “Muerte” (“Death”), for example, Lafourcade’s voice soars over a jazz guitar as she recites, “I give thanks to death /For teaching me to live … This war inside me dies /I am reborn grateful” in the style of a spoken-word poem. At the same time, “Mi Manera de Querer” (“My Way of Loving”), an upbeat samba-jazz love song in which Lafourcade celebrates love without gender, finds her telling a lover that they’re made of light “from head to toe.”

Onstage, both songs are a triumph: “Mi Manera de Querer” is a welcome interlude of effervescent joy, and “Muerte” a testament to Lafourcade’s theatricality as she is seemingly possessed by the very death she sings of, dancing and writhing on the floor along with the song’s swirling instrumentation.

“De Todas las Flores” invites a different kind of intimacy than the exuberant “Hasta la Raíz” precisely because it is a product of its time. For Lafourcade, as for many others, the past few years were complex. They brought with them the death of loved ones and a heightened awareness of death’s inevitability. “I think knowing that is good for you,” she says. “I know that I will have times of life and times of darkness, and that I’m going to have times of life and times of death until death comes, but that’s apparently a type of death, no? In reality, we’re something else, too.”

That awareness meant that death is more present on “De Todas las Flores” than any other album Lafourcade has written. The focus on existential questions wasn’t intentional. To an extent, she said, songs have the autonomy to appear as an album is being written and say “Here I am.”

Writing the new album, Lafourcade says, “was like rediscovering areas of my internal garden, of rediscovering rooms and homes in a place that I hadn’t visited in a while, or that I visited for a moment, and then I forgot existed.” When she started working on it in 2018, she revisited dozens of forgotten voice memos in her phone. The album, she said, was forged in part by “visiting the past, visiting those memories, visiting those songs that already existed.”

The bulk of this memorial exercise, the “return to the pages of a diary,” took place at Lafourcade’s family home in Veracruz, where she sought refuge during the pandemic and rejuvenation after years of relentless touring. The homecoming precipitated a return to herself and her interiority. Slowly, “De Todas las Flores” came together.

By the time Lafourcade closes her Wolf Trap show with a jubilant array of hit songs — including the diamond certified cumbia “Nunca es Suficiente” (“It’s Never Enough”) — she has taken her audience through a moving tour of both “De Todas las Flores” and a selection of Latin American folk standards. Her powerful rendition of the iconic Mexican regional ballad, “La Llorona” (“The Weeping Woman”), is nothing short of spectacular, as her voice stretches to the point of near-straining, only to lift higher with each of the song’s heart-wrenching laments.

Since shedding her black gown in a fitful moment of onstage catharsis, Lafourcade has emerged in a pale blue cotton caftan, reborn. “Thank you to everyone for coming,” she says in her closing speech, encouraging her audience to practice “beautiful love.”

“Long live love. Long live music. Long live this party, it’s for all of you. Until next time.”

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Natalia Lafourcade – Fri, Jul 28 @ 11:15am PDT

Natalia Lafourcade

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Mi tierra veracruzana, tú sí sabes quererme, soledad y el mar, hasta la raíz, nunca es suficiente, similar artists, juana molina.

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Natalia Lafourcade with the LA Phil

Fri Sep 6th, 2024 at 8:00PM

Hollywood Bowl 2301 N. Highland Ave. Los Angeles , CA 90068

Natalia Lafourcade last collaborated with Gustavo Dudamel and the Los Angeles Philharmonic in the summer of 2019. Since then, much has changed for the acclaimed Mexican singer and songwriter. In 2022, she put out her first album of original material in seven years, the stunning De Todas las Flores: a raw, deeply personal album that she’s called a “musical diary.” It represents a new lyrical and musical direction for the songwriter, who has won 18 Latin Grammys, more than any other female performer. “One of my most profound inspirations was Mother Earth and her energy,” she’s said. “I had never explored something like that in my music: the cadence of water, of wind, of a storm, of a wave, of fire, of the playfulness that exists in all the elements in balance.” She looks unflinchingly at heartbreak, death, grief—and joy. The Washington Post says these songs “resist easy classification, spanning genres such as Latin folk and jazz, son jarocho, bossa nova, cumbia, and bolero,” while The New York Times says, “Lafourcade’s music is about processing darkness until it sprouts rays of light.” De Todas las Flores was hailed as among the year’s best albums by NPR and Rolling Stone, won Best Singer-Songwriter Album and was nominated for Best Album at the Latin Grammys, and is nominated for Best Latin Rock or Alternative Album at the 2024 Grammys.

Alongside the LA Phil, she’ll perform a unique set that honors culture, memories, and the special collaboration between herself and Gustavo Dudamel.

Programs, artists, dates, prices, and availability subject to change.

2301 N. Highland Ave. Los Angeles, CA 90068 (Get Directions)

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Natalia Lafourcade Clinic

Natalia Lafourcade

Image courtesy of Pablo Cabrera

Natalia Lafourcade , an 11-time Latin Grammy Award winner and one-time Grammy Award winner, presents a clinic.

An outstanding contemporary artist, Lafourcade fuses sounds and rhythms to create songs that become hymns. A few months ago, she presented her compositions with orchestral arrangements with the Los Angeles Philharmonic at the Hollywood Bowl in Los Angeles, under the baton of director Gustavo Dudamel.

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Natalia LaFourcade Meet And Greet Tickets

You’ve always wanted to meet Natalia LaFourcade. Now it may be possible. With meetandgreetticket.com we are able to offer Natalia LaFourcade meet and greets to some shows so you can fulfill your lifelong dream of meeting Natalia LaFourcade. Many Natalia LaFourcade meet and greet tickets may allow you to take a photo with your idol. Many other Natalia LaFourcade meet and greets come with preshow sound checks or food and drinks in a special VIP area so you can enjoy Natalia LaFourcade meet and greet experiences in luxury. Natalia LaFourcade meet and greets can be found by clicking on the packages filter so you can quickly view all available tickets. Many Natalia LaFourcade may also come with awesome tickets very close to the action to enhance your experience. If you've found the perfect Natalia LaFourcade tickets, you may be interested in other top  concert tickets ,  sports , or  theater tickets .

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Natalia LaFourcade meet and greets are a special VIP ticket that is very, very limited. Not all shows or performers have meet and greets and the shows that do have Natalia LaFourcade meet and greets may only have a tiny amount to be sold. Thus Natalia LaFourcade meet and greet ticket prices may be between $1,000 - $5,000 per ticket due to the exclusivity and limited nature of the product. Check Natalia LaFourcade meet and greet prices with the click of a button. Natalia LaFourcade  Meet and greet prices rarely decrease in price like normal tickets due to their limited and exclusive nature.

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Natalia LaFourcade may offer VIP tickets, VIP Packages, hospitality packages, fan packages, front row seats, or other ticket packages to their live events.

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Natalia LaFourcade will play in NYC, Allentown, Bossier, Charleston, Corpus Christi, Des Moines, Evansville, Fargo or Grand Forks on their USA tour.

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Natalia LaFourcade is stopping in Knoxville, Lafayette, Lexington, Mobile, Norfolk, Oklahoma City, Omaha or Syracuse while on tour in the United States.

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Natalia LaFourcade  is appearing in Tucson, Green Bay, Chula Vista, Boise, Kansas City, Irving, Ft. Lauderdale, Milwaukee, Darien Lake, or Spokane.

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You should be able to find Natalia LaFourcade concert tickets to the tours in Tacoma, Boston, Pittsburgh, Phoenix, Hershey, Indianapolis, Minneapolis, Rosemont, or Baltimore, online.

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You can buy tickets to upcoming Natalia LaFourcade shows in Brooklyn, Jacksonville, Sacramento, Lincoln, Albuquerque, Cincinnati, Charlotte, Birmingham, Louisville, or Columbus.

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Natalia LaFourcade Tickets range in price for Tampa, Dallas, Raleigh, Wheatland, Denver, or Orlando, Philadelphia, Buffalo, Detroit, or Tulsa.

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Natalia LaFourcade will make tour stops in Vancouver, Edmonton, Calgary, Saskatoon, Winnipeg, Ottawa, Toronto, or Montreal while on their Canada tour so get tickets now.

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Yes you can find Natalia LaFourcade tickets for shows in London, Merksem, Paris, Barcelona, Copenhagen, Köln, Assago, Berlin, Amsterdam, Horsens, Zurich, Helsinki, or Manchester.

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Buy Natalia LaFourcade tickets to events in Johanneshov, Hamburg, Düsseldorf, Brussels, Frankfurt, München, Warsaw, Liverpool, Birmingham, Dublin, Belfast, Mannheim, Leeds, Aberdeen, or Glasgow.

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You can buy Natalia LaFourcade tickets to shows in Athens, Cardiff, Milan, Stockholm, Oslo, Lisbon, Madrid, Rome, Göteborg, Vienna, Edinburgh, Prague, Antwerp, or Stuttgart.

*Disclaimer* Meet and greet tickets are only meet and greets if they are specified in the ticket group, section, row or notes. Meet and greets are very rare and only a handful of performers offer them. They typically range between $1000-$5000 each if they are offered. There are many other VIP tickets or packages that can be found on this site. We also display regular tickets for many events. These regular tickets DO NOT include meet and greets or VIP.

Each package is different. The type of package described in the description of the content on this website may not be the particular one offered for sale unless it is mentioned in the section, row or notes of the exact ticket group you buy. Please refer to the notes of the ticket group you are purchasing for exact amenities which WILL be included as part of your order.

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Independent Film Festival Boston turns 21: ‘We see the festival and the city as kind of intertwined’

This year’s program, which runs may 1-8, includes features like ‘janet planet’ and ‘fear of flying,’ the documentary ‘secret mall apartment,’ and much more.

This year, Independent Film Festival Boston turns 21 — old enough to drink and gamble. But for the event, the age represents something steadier: a vital position in Boston culture, fortified by two decades of showcasing artists and building community, all while prioritizing the sensibilities of local audiences.

“I think the Boston spirit is one of independence,” said Brian Tamm, the executive director of IFFBoston. “We see the festival and the city as kind of intertwined.”

Alongside program director Nancy Campbell, Tamm has worked at IFFBoston in some capacity nearly since its inception. Their time on the staff has allowed them to get to know Bostonian audiences.

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“We are a group of people who are independently minded, probably somewhat stubborn,” Tamm said.

“That, to me, is what makes this a great filmgoing city,” he added. “People want to look beyond the headlines.”

This year’s program — which will screen May 1-8 at the Somerville Theatre in Davis Square, the Brattle Theatre in Harvard Square, and the Coolidge Corner Theatre in Brookline — offers a sampling of features culled from major independent film festivals around the country. Several had their world premieres at the Sundance Film Festival in January, where they received accolades and sold to major distributors. Their inclusion at IFFBoston ensures that local audiences can catch some of 2024′s best offerings months before they filter into theaters and onto streaming services.

But the lineup is also a showcase for smaller movies made by local talent, such as “Fear of Flying,” directed by Mark Phinney. And although prestige is a natural draw for audiences, it’s worth paying attention to the micro-budget movies, like the partially crowd-funded horror-comedy “Evil Sublet,” precisely because the IFFBoston programmers have chosen to spotlight them without big festival buzz.

My favorite movie in the program, “Janet Planet,” premiered at the Telluride Film Festival last fall, but its story and tone scratch a strong Massachusetts itch. The film is the glorious first feature from Pulitzer Prize-winning playwright Annie Baker, who was born in Cambridge and grew up in Amherst. Set in 1991, the story follows a taciturn preteen girl and her mother as they slog through the summer months in rural Western Massachusetts. Much of the movie’s magic hinges on Zoe Ziegler, the first-time actress who plays the 11-year-old Lacy (Julianne Nicholson plays her mother, Janet). When casting for the part, Baker put out a call that specifically asked for introverts, hoping to find a girl who could nail Lacy’s quiet, observant temperament.

“Janet Planet,” which will be released by A24 this year, might be the buzziest New England movie playing at IFFBoston, but there are other local stories on the lineup, including “Fear of Flying,” a warts-and-all portrait of a filmmaker on the brink of breakdown, and “Secret Mall Apartment,” a documentary that recently premiered at South by Southwest. The former, written and directed by Boston native Mark Phinney, is a thinly veiled self-portrait: It follows a Boston-based filmmaker named Mark (Mike Mitchell) whose phobias — of love, death, loneliness, and yes, flying — are disrupting his life and work.

The documentary “Secret Mall Apartment,” directed by Jeremy Workman, tells of a group of artists in Providence who in 2003 decided to move into a secret alcove in their local mall. The scheme began as a lark — a bet between friends on how long they could live in the vacant room before getting caught. But over time, the space grew into a kind of antiestablishment clubhouse, one that allowed the group to give a big middle finger to rampant commercial development and reclaim a sense of ownership over their rapidly urbanizing home city.

Other exciting documentaries include the Netflix titles “Daughters,” which follows four girls preparing for a Daddy-Daughter Dance with their incarcerated fathers, and “Power,” a chronicle of the history of American policing directed by “Strong Island” filmmaker Yance Ford. The IFFBoston documentary centerpiece, “The Road to Ruane,” tells the local story of Billy Ruane, a legendary rock music promoter in Boston. During the ‘80s and ‘90s Ruane became known as a champion of indie acts; according to lore, he sometimes paid bands out of pocket if ticket sales were low.

On the narrative end, “Good One,” which I highlighted out of Sundance, is a major gem; its portrait of a teenage girl on a camping trip with two grown men is taut, alert, and excellently observed. The film begins as Sam (Lily Collias), her divorced dad, Chris (James Le Gros), and his best friend Matt (Danny McCarthy) are preparing for the outing, and then follows them over a couple days in the forest. In her first feature, writer-director India Donaldson demonstrates a keen eye for how gender roles work among the trio: Throughout, Sam is expected to perform as the men’s assistant, therapist, cook, and overall caretaker — which she does readily, until she can’t take it anymore.

Two other Sundance titles worth your while are the Aubrey Plaza-starring “My Old Ass,” which is playing as the IFFBoston narrative centerpiece, and “I Saw the TV Glow,” the hyper-stylized second feature from Jane Schoenbrun. Both focus on a suburban coming-of-age story but manage to avoid familiar tropes by incorporating elements of the surreal.

Movies about community theater might not seem like everyone’s cup of tea, but I suspect that few will be disappointed by “Ghostlight,” a tender and winning family drama. The film tells the story of overworked parents (Keith Kupferer and Tara Mallen) dealing with their rebellious teenage daughter (Katherine Mallen Kupferer) after she’s suspended from school. The plot kicks into motion once Dad stumbles into a community theater practice for “Romeo and Juliet” and decides to join in. The film, like IFFBoston more broadly, ultimately makes the case for the power of art to bring people together and transform them for the better.

INDEPENDENT FILM FESTIVAL BOSTON

May 1-8 at Somerville, Brattle, and Coolidge Corner theaters. Tickets on sale now. Additional information about the festival is available at www.iffboston.org .

Natalia Winkelman can be reached at [email protected] . Follow her on Twitter @nataliawinke.