The Meaning Behind The Song: Safari Song by Greta Van Fleet
Greta Van Fleet, the American rock band, has shaken up the rock and roll genre with their unique sound and powerful lyrics. Their song “Safari Song” is no exception. Arguably one of their most popular songs to date, “Safari Song” has captured the hearts of many listeners. In this article, we’ll take a closer look at the meaning behind the song and answer some frequently asked questions about it.
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What is Safari Song about?
“Safari Song” is about the pursuit of adventure and the thrill of the unknown. The song’s lyrics speak of a journey into the wilderness, filled with the promise of danger and excitement. The opening lines, “I heard the word, it’s a jungle out there, man-eaters prowling, please don’t be scared,” set the scene for an adrenaline-fueled adventure.
The song’s chorus repeats the line, “Take me to the river, release my soul,” which is a metaphor for letting go of inhibitions and embracing the moment. Overall, “Safari Song” is a call to action, urging listeners to break free from their mundane lives and seek out new experiences.
What inspired Greta Van Fleet to write Safari Song?
In an interview with the Herald Times Online, lead singer Josh Kiszka said, “We wrote Safari Song at a point where we wanted to go explore the world and see different things.” The band had just finished touring and was feeling restless. “We were constantly in motion and wanted to go somewhere new,” Kiszka added. That desire for adventure was the inspiration behind the song’s lyrics.
What is the meaning behind the line “Lions and tigers and bears, oh my”?
The line “Lions and tigers and bears, oh my” is a reference to the classic movie “The Wizard of Oz.” In the movie, the three main characters, Dorothy, the Scarecrow, and the Cowardly Lion, are traveling through the forest when they encounter various obstacles, including lions, tigers, and bears. The line in the song is a playful nod to that scene and adds to the sense of danger and unpredictability in the song’s lyrics.
Who wrote the music for Safari Song?
All four members of Greta Van Fleet, Josh Kiszka, Jake Kiszka, Sam Kiszka, and Danny Wagner, are credited with writing the music for “Safari Song.”
Why is Safari Song so popular?
“Safari Song” quickly became one of Greta Van Fleet’s most popular songs, and for good reason. The song’s high-energy rock sound, combined with its sense of adventure and excitement, has resonated with listeners. Additionally, the band’s unique blend of classic rock and modern sound has attracted fans of all ages.
What genre is Safari Song?
Greta Van Fleet is known for their classic rock sound, which is evident in “Safari Song.” However, the band also incorporates elements of blues and hard rock into their music. “Safari Song” falls into the hard rock genre.
What other songs are on the same album as Safari Song?
“Safari Song” is the second track on Greta Van Fleet’s 2017 album, “From the Fires.” Other songs on the album include “Highway Tune,” “Edge of Darkness,” and “Black Smoke Rising.”
Is Safari Song based on a true story?
There is no evidence to suggest that “Safari Song” is based on a true story. While the band was inspired by their desire to explore and see new things, the song’s lyrics are fictional.
What is the message of Safari Song?
At its core, “Safari Song” is about living life to the fullest and embracing new experiences. The song urges listeners to step out of their comfort zones and seek out adventure, even if it means taking risks.
What is the significance of the phrase “Release my soul” in Safari Song?
The phrase “Release my soul” is a metaphor for letting go of inhibitions and embracing the moment. It’s a call to action, urging listeners to break free from their everyday routines and seek out new experiences.
What awards has Safari Song won?
“Safari Song” has not won any major awards, but it has been nominated for several. In 2018, it was nominated for Best Rock Song at the Grammy Awards.
What are some other popular songs by Greta Van Fleet?
Greta Van Fleet has several other popular songs, including “Highway Tune,” “Black Smoke Rising,” and “When the Curtain Falls.”
What sets Greta Van Fleet apart from other rock bands?
One of the things that sets Greta Van Fleet apart from other rock bands is their unique sound. They have been compared to classic rock acts like Led Zeppelin and AC/DC, but they also incorporate modern elements into their music. Additionally, their lyrics often focus on themes of adventure, self-discovery, and mental liberation, which sets them apart from more traditional rock bands.
What are some upcoming tour dates for Greta Van Fleet?
As of August 2021, Greta Van Fleet has several tour dates scheduled throughout the United States and Europe. Fans can visit the band’s official website for a full list of tour dates and ticket information.
In conclusion, Greta Van Fleet’s “Safari Song” is a high-energy, adventure-filled anthem that has captivated listeners. Its powerful lyrics inspire listeners to break free from their everyday routines and seek out new adventures. With its unique sound and universal message, “Safari Song” is sure to remain a fan favorite for years to come.
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About Safari Song
"Safari Song" is a song by American rock band Greta Van Fleet. It was their second single off of their EP Black Smoke Rising, and their compilation EP From the Fires. It topped the Billboard Mainstream Rock Songs chart in February 2018.
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Greta Van Fleet is an American rock band from Frankenmuth, Michigan, formed in 2012. It consists of vocalist Josh Kiszka, guitarist Jake Kiszka, bassist Sam Kiszka, and drummer Danny Wagner. They were signed to Lava Records in March 2017 and a month later the band released their debut studio EP, Black Smoke Rising. Their debut single, "Highway Tune", topped the Billboard US Mainstream Rock and Active Rock charts in September 2017 for four weeks in a row. A second EP From the Fires, containing the four songs from Black Smoke Rising and four new songs, was released on November 10, 2017, alongside a second single, "Safari Song". Their debut full length studio album, Anthem of the Peaceful Army, was released on October 19, 2018 and it topped the Billboard Rock Al… more »
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Written by: Daniel Wagner, Samuel Kiszka, Joshua Kiszka, Jacob Kiszka
Lyrics © Kobalt Music Publishing Ltd.
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Safari Song by Greta Van Fleet
- Greta Van Fleet had to tone this down from its original incarnation. Bassist Sam Kiszka explained to ABC Radio : "When we formatted 'Safari Song' for the first time, there was a lot more percussion. We kind of, I don't wanna say Dumbed it down, but kinda simplified it in the studio." "When you go in the studio, you go from four musicians to infinite musicians in there, you can layer, like, 30 guitars," he continued. "I think the important part is learning how to do that in discretion." Guitarist Jake Kiszka added that the band is happy with the final track. "It was taking too many liberties and being overly creative," he said.
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Barbra Streisand on her long-awaited memoir
By Gayle King
November 5, 2023 / 10:03 AM EST / CBS News
Descend to the basement of Barbra Streisand's Malibu home, and you'll be transported to her own private mall – yes, a mall. One of the "stores" is Bee's Doll Shop. It's a poor girl's fantasy brought to life, Streisand-style.
"I love to collect," Streisand said. "I love antiques. [As a child] I didn't have a doll, so I put hot water into a hot water bottle, which felt like a real person."
"Wow, Barbra," said King. "I think that you've made up for not having a doll when you were a child."
Further down the mall: the wardrobe of her extraordinary life, with gowns she wore to meet President Kennedy and the Queen of England, along with clothes fit for a Second Hand Rose. "These are things I bought in the thrift shop," Streisand said. "Feel the velvet. This was ten bucks! I feel right in something that had a life in it. In other words, something from the past that I felt like I was once there."
In her new memoir, "My Name Is Barbra" (published November 7 by Viking), Streisand takes us there, giving us a front row seat to her singular six-decade career as a singer, actor and director, along the way dishing about past loves and regrets, and setting the record straight.
When asked what she wanted readers to get out of the book, Streisand replied, "I want them to know the truth. I love truth. One of the reasons I wrote the book is to talk about the myths about me."
The singer praised for her peerless voice is also known as an exacting perfectionist, and she makes no apologies. In her memoir she writes, "A man is forceful – a woman is pushy. … He shows leadership – she's controlling. …. If he acts, produces, and directs, he's called a multitalented hyphenate. She's called vain and egotistical."
"I don't think of myself as a famous person, I just don't," Streisand said. "I'm the same Barbara Joan Streisand as I was in high school."
Growing up in Brooklyn, Streisand was a confident kid and a good student: "But I had a D in conduct, because if they didn't call on me and I had the answer, I would just blurt it out!"
She says the death of her dad, Emanuel, when she was just 15 months old left a hole in her life: "I was angry that I didn't have a father. I remember saying to my mother, 'Why didn't you ever tell me about my father?' And she said, 'I didn't want you to miss him.'"
Streisand's mom, Diana, widowed at 34 with two young children, is described in the book as cold and unsupportive.
"She didn't seem very affectionate to you," said King.
"Well, she didn't believe in it," Streisand replied. "I said, 'Mom, how come you don't ever, like, hug me? Or say the words, I love you ?' And she said, 'You know, my mother and father, they never hugged me, but I knew they loved me.' Now, I said, 'Well, I didn't know you loved me.'"
Her talent would rescue her. "I knew I had a good voice at five years old," she said. "We kids used to gather on the stoop and we would harmonize, and I was the girl with no father and a good voice."
At 13, Streisand's mother paid to make her first record. Before long, she met her longtime manager Marty Ehrlichman while singing at a Greenwich Village night club. "Marty found me at 19 at the Bon Soir," Streisand said, "and he wanted to get me a record contract. Columbia Records will sign me, but I said, 'I don't care what they pay me, I just need creative control.' Now, he said to me, 'Creative control? You're 19, you're nobody. You know, I don't know if I can get that for you.'"
King said, "Not too many 19-year-olds, by the way, are asking for creative control."
"Probably not! But to me, they saw me at the Bon Soir. They said, 'She's singing these cockamamie songs like Who's Afraid of the Big Bad Wolf one minute, the next one is Sleeping Bee . I was being in the moment. I wanted to be an actress. I did not want to be a singer. I had to pay the rent, so I entered a talent contest and won, right? But I was able to use the techniques I learned in acting classes to make it interesting for me to sing a song."
Take the snappy standard "Happy Days Are Here Again." Streisand slowed it down and made it her own:
As she writes in her book, that would lead to a memorable duet with Judy Garland, on "The Judy Garland Show" in 1963.
Streisand said, "I fell in love with her. And her voice is spectacular. But when I sang with her, I was noticing her fragility. And she held my hand through our duet. I wondered why she was nervous."
"Later we became friends. I remember her coming to my apartment. And I thought, 'Now I know what she's frightened about.' That's what happens when you have a long career. It doesn't get easier; it gets harder. And you have no fear when, you know, 'You're gonna be famous, you're not gonna be famous.'"
King asked, "You don't have fear today?"
"I don't have fear today? Of course! I don't want to sing any more in public."
The perilous fame Streisand dreamed of came with a starring role on Broadway, playing the part of Fanny Brice. "Funny Girl," she said, "meant the world to me. It was everything I imagined wanting a play to be for me. To have serious relationships. To have comedy. To sing great songs."
But as she writes, "Funny Girl"'s success came at a steep price – she had a contract to fulfill: "Now I would have to be onstage doing the same thing every night for eighteen months. It was like a prison sentence to me."
King asked, "But it's hard to do the same thing over and over? Singing the same songs over and over?"
"God, yeah," Streisand said. "You just f***ing bore yourself. It's very boring."
"For the audience that's sitting there, for some of them, it's the first time they've seen it. So, they're not bored."
"I'm not them!"
And that was part of Streisand's appeal: there had never been anyone quite like her, right down to her distinctive nose. She writes that, for many years, people had said she should "do something" about her nose, or her teeth. "And I thought, 'Why would I take off my bump? It makes me look more unique.'"
Her performance in the film version of "Funny Girl" won her an Oscar, and launched her movie career, playing comedy in "What's Up, Doc," and capturing the magic of an opposites-attract romance in "The Way We Were." That film, along with a remake of "A Star Is Born," cemented her status has a major box office draw.
With "Yentl," Streisand took on the first of three films that she would direct. "I love directing," Streisand said, "because it's a complete vision. … It calls on every aspect of yourself: Decorating, visualizing, helping actors achieve a performance that I have in my mind for them."
After an early marriage to actor Elliott Gould, with whom she had a son, Jason, the cast of Streisand's real-life romances included a politician (Prime Minister Pierre Trudeau), actors (Don Johnson, Ryan O'Neal), and even a tennis star (Andre Agassi).
"Listen, I didn't want to write about any of them," Streisand said. But, "My editor said, 'You have to leave some blood on the page!'"
King said, "I like knowing that Barbra had a very nice dating roster. I like that, myself. Did you have a good time?"
"With the men in my life, yes."
Streisand was in her 50s when she was set up with actor James Brolin at a dinner party. She had quite an opening line: "I walked by him, touched his hair, and said, 'Who f***ed up your hair?' Because that was the truth. … What else was I gonna say? Hello, my name is Barbra. I mean, what?"
King asked Brolin, "Some people could've been turned off by that kind of directness. You were not. That was attractive to you, right?"
"Very," he replied. "It was instant. It was like a wand went, Bing. Uh, oh, you're screwed ."
They've been married for 25 years.
When asked what he thinks is the biggest misconception people have about Streisand, Brolin replied, "Well, there's a lotta little girl in there. A lot. And therefore, it was covered up with a lot of firmness about how she'd like life to be and how she'd like to have things done."
At 81, Barbra Streisand can look back on quite a life and legacy. When asked what makes her happy, she replied, "I love when people write me and they say, 'I played you at my wedding.' 'That song helped me get through cancer.' When I help people through my music or film, that's what makes me feel good, that I've earned my right to be born, you know, that I earned my right to be here, and to reap the success that has been lathered on me."
To listen to the Barbra Streisand album "Evergreens - Celebrating Six Decades on Columbia Records" click on the embed below (Free Spotify registration required to hear the tracks in full):
For more info:
- "My Name Is Barbra" by Barbra Streisand (Viking), in Hardcover, eBook and Audio formats, available November 7 via Amazon , Barnes & Noble and Bookshop.org
- barbrastreisand.com (Official site)
Story produced by Reid Orvedahl. Editor: Lauren Barnello.
For more of Gayle King's interview with Barbra Streisand tune in to "CBS Mornings" Monday, November 6.
Click here for Mo Rocca's report on how Barbra Streisand "became" Barbra
- Barbra Streisand's "Encore" ("Sunday Morning")
- Barbra Streisand: The way she still is ("Sunday Morning")
- Her name is Barbra ("Sunday Morning")
- Barbra Streisand, Beanie Feldstein, and the original "Funny Girl," Fanny Brice ("Sunday Morning")
- Barbra Streisand
The Beatles' last song Now And Then is finally released
- Published 6 days ago
- comments Comments
After a week of build-up, The Beatles have released what's been billed as their "final song".
Called Now And Then, it's been 45 years in the making - with the first bars written by John Lennon in 1978 and the song finally completed last year.
All four Beatles feature on the track, which will be the last credited to Lennon, McCartney, Harrison and Starr.
And in a full-circle moment, it's being issued as a double A-side single with their 1962 debut Love Me Do.
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The release marks what could be the closing chapter for arguably the greatest band in rock history.
When and where can I hear Now And Then?
In the UK, Now And Then had its first play on BBC Radio 2 and 6 Music shortly after 14:00 GMT.
Simultaneously, the song arrived on streaming services like Spotify, Apple Music and Amazon Prime Music.
CD, vinyl and cassette copies will be available the following day. And from 10 November, the song will be included on the newly remastered and expanded versions of The Beatles' Red and Blue greatest hits albums.
What does it sound like?
The original demo has circulated as a bootleg for years. An apologetic love song, it's fairly typical of John Lennon's solo output of the 1970s - in a similar vein to Jealous Guy.
It was finished in the studio last year by Sir Paul McCartney and Sir Ringo Starr. George Harrison will appear via rhythm guitar parts he recorded in 1995, and producer Giles Martin has added a new string arrangement.
"Hearing John and Paul sing the first chorus together, as they lock into the line 'Now and then I miss you' - it's intensely powerful, to say the least," said Rob Sheffield of Rolling Stone magazine .
"I cried like a baby when I heard it," added BBC 6 Music's Lauren Laverne. "Just gorgeous."
When was Now And Then written?
The story begins in 1978, when Lennon recorded a demo with vocals and piano at his home in New York.
After his death, his widow Yoko Ono gave the recording to the remaining Beatles on a cassette that also featured demos for Free as a Bird and Real Love.
Those two songs were completed and released as singles in 1995 and 96, marking The Beatles' first "new" material for 25 years.
The Beatles announce release of their 'last song'
The band also attempted to record Now And Then, but the session was quickly abandoned. "It was one day - one afternoon, really - messing with it," producer Jeff Lynne recalled.
"The song had a chorus but is almost totally lacking in verses. We did the backing track, a rough go that we really didn't finish."
In the end, the quality of the recording was considered too poor to salvage. Harrison reportedly called it "rubbish", but McCartney never let go of the idea.
Was artificial intelligence used to finish the song?
To an extent, yes.
During the making of The Beatles' Get Back documentary, director Peter Jackson's film company developed a piece of software that allowed them to "de-mix" muddled recordings of overlapping sounds.
The technology was used last year to create a new mix of the band's album Revolver.
"It has to learn what the sound of John Lennon's guitar is, for instance, and the more information you can give it, the better it becomes," Giles Martin told the BBC .
For Now And Then, the software was able to "lift" Lennon's voice from the original cassette recording, removing the background hiss and the hum of the mains electricity that had hampered previous attempts to complete the song.
In McCartney's words Lennon's voice is "crystal clear" on Now And Then.
A 15-minute documentary broadcast on Wednesday's The One Show, offered a startling illustration of what that means: The thin, ghostly voice of the 1970s suddenly sounds like it was recorded in Abbey Road itself.
"It was the closest we'll ever come to having him back in the room," said Starr. "Far out."
"All those memories came flooding back," added McCartney. "My God, how lucky was I to have those men in my life?
"To still be working on Beatles music in 2023? Wow."
What are the critics saying?
Critics have been broadly positive about Now And Then, with the Guardian giving it four stars out of five, and calling it "an affecting tribute to the band's bond".
Clash describes the track as beatific, sentimental, and "gloriously contagious", while Rolling Stone says it is "the brilliant final statement the Fab Four - and their fans - deserve".
Most critics seem to agree that the track cannot match a traditionally-recorded Beatles song. The Telegraph , which gave the song three stars, noted that Now And Then "doesn't hit the heights we expect from a great Beatles ballad".
Variety calls the question of whether the song lives up "to the Beatles or their collective solo works' towering legacy" an unfair one. "Of course it doesn't, but it's still an unexpected pleasure," Jem Aswad writes.
What does Sir Paul McCartney think?
Sir Paul said the experience of recording Now And Then was "magical".
"When we were in the studio, we had John's voice in our ears so you could imagine he was just in the next room in a vocal booth or something and we were just working with him again so it was joyful," he told Radio1's Clara Amfo.
"We hadn't experienced that for a long time obviously and then suddenly here we were working with ol' Johnny."
Sir Paul described the song as poignant, and said he wanted fans to take a "loving feeling" away from it.
"That's often what we were trying to do with our records, we were trying to spread love," he said.
"It's John talking about 'I miss you' and stuff like that so, I think emotion, that would be the key word for people to take away from it, 'emotion'."
Will there be a music video?
Yes, Jackson has created a new video, which is unveiled at 14:00 GMT on Friday.
It will contain previously-unseen footage, including "a few precious seconds" of the earliest known film of The Beatles, provided by original drummer Pete Best and his brother Roag.
Roag said he bought the silent footage from a man who used a cine camera to film the band performing St Paul's Presbyterian Church Hall in Birkenhead in February 1962, eight months before their debut single came out.
Jackson's team have improved the quality and "it looks absolutely fantastic", Roag told BBC News.
It is also the only known footage of the band performing in the leather suits they sported before they became famous.
"The lads are rocking backwards and forwards with guitars, mouths to the microphones, singing," Roag said.
It is also the only video from before Pete Best was sacked and replaced by Ringo Starr in August 1962 - but he is obscured in the footage, his brother said.
"From a family perspective, I went, 'Ah, come on!' One of the guys is actually standing in front of Pete so all you can see is Pete's drum kit and Pete's hands occasionally with the sticks."
Jackson has used about six seconds of the footage in the Now And Then video. The original lasts for almost a minute and will go on show at the Liverpool Beatles Museum, which Roag Best owns.
In a statement, Jackson said he had found other "unseen outtakes in the vault, where The Beatles are relaxed, funny and rather candid".
He added: "We wove the humour into some footage shot in 2023. The result is pretty nutty and provided the video with much needed balance between the sad and the funny."
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Safari Song Lyrics
Black Smoke Rising by Greta Van Fleet
Song · 29,623 Play s · 3:56 · English
℗ 2017 Republic Records a division of UMG Recordings Inc & Lava Music LLC
Oh yeah Oh lady, when you come on down Won′t you come on down, I said, to my town? Oh mama, when you come on down Won't you come on down, I said, to my home? Oh lady, won′t you move my way? Can't you move my way? I'm getting hazy Oh mama, when you give your lovin′ When you give your love, you drive me crazy Ah mama, what you gonna do with all that love in your heart? Ah mama, what you gotta say about that love in your heart? Oh mama, when you walk this way, why don′t you give some lovin'? Oh mama, what you gonna do with all that lovin′ in your heart? See mama, gotta feel your everything I feel your everything, I really wanna know See mama, when you shine, you're shining bright Give, you′re givin' right, I really want our love to grow See mama, when your heart is in its place See that smiling face is all I wanna do See mama, every time that you are near It′s when you're gone I fear you never wanna come back home Ah mama, what you gonna do with all that love in your heart? Ah mama, what you gotta say about that love in your heart? Oh mama, when you walk this way, why don't you give some loving? Oh mama, what you gonna do with all that love in your heart? Do you remember what I said when I got down on my knees? Gotta get your lovin′ baby, your lovin′s all I need Don't make me beg now, baby, don′t make me bleed I gave you all a man could give and you still walked out on me Oh mama, what you gonna do with all that love in your heart? Ah mama, what you gotta say about that love in your heart? Oh mama, when you walk this way, why don't you give some loving? Oh mama, what you gonna do with all that love in your heart? Your heart Your heart Your heart Your heart, lovin′, burnin' fire Oh yeah
Writer(s): Samuel Kiszka, Jacob Kiszka, Daniel Wagner, Joshua Kiszka<br>Lyrics powered by www.musixmatch.com
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3m 56s · English
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Safari (Gritty Remix) 2019
Im sure Ive seen you in my dreams Im feeling like aint first time we ever meet You make the time fly slow slow Just like slow rivers flow slow I see the fire in your eyes It makes me feel it takes me high So bring it on the dancefloor Baby you better start this right Im losing it I cant control this Must be love love Come on boy move that body Cuz tonight Im naughty naughty Dance with me like its my party We go wild were in safari Come on boy move that body Cuz tonight Im naughty naughty Dance with me like its my party We go wild were in safari You better keep your eyes on me I know youre not The only one whos watching me When all the night stars glow glow We dance among them slow slow I see the fire in your eyes It makes me feel it takes me high So bring it on the dancefloor Baby you better start this right Im losing it I cant control this Must be love love Come on boy move that body Cuz tonight Im naughty naughty Dance with me like its my party We go wild were in safari Come on body move that body Cuz tonight Im naughty naughty Dance with me like its my party We go wild were in safari Come on boy move that body Cuz tonight Im naughty naughty Dance with me like its my party We go wild were in safari Come on boy move that body Come on boy move that body We go wild were in safari We go wild were in safari
- Serena Singer | Composer
- Radu Baisan Composer
- Karo Composer
- Mircea Nistor Lyricist
About Safari Song
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Safari| Serena Lyrics
Safari | Serena Lyrics
I’m sure I’ve seen you in my dreams I’m feeling like ain’t first time we ever meet You make the time fly slow, slow Just like slow rivers flow Slow I see the fire in your In your eyes It makes me feel, It takes me high So bring it on the dancefloor Baby u better start this right I’m losing it I can’t Control this Must be love Loveee! Come on boy Move that body ‘Cuz tonight I’m naughty naughty Dance with me like it’s my party We go wild We’re in safari. Come on boy Move that body ‘Cuz tonight I’m naughty naughty Dace with me like it’s my party We go wild We’re in safari. We go wild We’re in safari. You better keep your eyes on me I know you’re not The only one who’s watching me When all the night stars glow, Glow! We dance among them slow, Slow I see the fire in your In your eyes It makes me feel, It takes me high So bring it on the dancefloor Baby u better start this right I’m losing it I can’t control this Must be love Loveee!
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