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M. Night Shyamalan had his heyday almost 20 years ago. He leapt out of the gate with such confidence he became a champion instantly. And then...something went awry. He became embarrassingly self-serious, his films drowning in pretension and strained allegories. His famous twists felt like a director attempting to re-create the triumph of " The Sixth Sense ," where the twist of the film was so successfully withheld from audiences that people went back to see the film again and again. But now, here comes " The Visit ," a film so purely entertaining that you almost forget how scary it is. With all its terror, "The Visit" is an extremely funny film. 

There are too many horror cliches to even list ("gotcha" scares, dark basements, frightened children, mysterious sounds at night, no cellphone reception), but the main cliche is that it is a "found footage" film, a style already wrung dry. But Shyamalan injects adrenaline into it, as well as a frank admission that, yes, it is a cliche, and yes, it is absurd that one would keep filming in moments of such terror, but he uses the main strength of found footage: we are trapped by the perspective of the person holding the camera. Withhold visual information, lull the audience into safety, then turn the camera, and OH MY GOD WHAT IS THAT? 

"The Visit" starts quietly, with Mom ( Kathryn Hahn ) talking to the camera about running away from home when she was 19: her parents disapproved of her boyfriend. She had two kids with this man who recently left them all for someone new. Mom has a brave demeanor, and funny, too, referring to her kids as "brats" but with mama-bear affection. Her parents cut ties with her, but now they have reached out  from their snowy isolated farm and want to know their grandchildren. Mom packs the two kids off on a train for a visit.

Shyamalan breaks up the found footage with still shots of snowy ranks of trees, blazing sunsets, sunrise falling on a stack of logs. There are gigantic blood-red chapter markers: "TUESDAY MORNING", etc. These choices launch us into the overblown operatic horror style while commenting on it at the same time. It ratchets up the dread.

Becca ( Olivia DeJonge ) and Tyler ( Ed Oxenbould ) want to make a film about their mother's lost childhood home, a place they know well from all of her stories. Becca has done her homework about film-making, and instructs her younger brother about "frames" and "mise-en-scène." Tyler, an appealing gregarious kid, keeps stealing the camera to film the inside of his mouth and his improvised raps. Becca sternly reminds him to focus. 

The kids are happy to meet their grandparents. They are worried about the effect their grandparents' rejection had on their mother (similar to Cole's worry about his mother's unfinished business with her own parent in "The Sixth Sense"). Becca uses a fairy-tale word to explain what she wants their film to do — it will be an "elixir" to bring home to Mom. 

Nana ( Deanna Dunagan ), at first glance, is a Grandma out of a storybook, with a grey bun, an apron, and muffins coming out of the oven every hour. Pop Pop ( Peter McRobbie ) is a taciturn farmer who reminds the kids constantly that he and Nana are "old." 

But almost immediately, things get crazy. What is Pop Pop doing out in the barn all the time? Why does Nana ask Becca to clean the oven, insisting that she crawl all the way in ? What are those weird sounds at night from outside their bedroom door? They have a couple of Skype calls with Mom, and she reassures them their grandparents are "weird" but they're also old, and old people are sometimes cranky, sometimes paranoid. 

As the weirdness intensifies, Becca and Tyler's film evolves from an origin-story documentary to a mystery-solving investigation. They sneak the camera into the barn, underneath the house, they place it on a cabinet in the living room overnight, hoping to get a glimpse of what happens downstairs after they go to bed. What they see is more than they (and we) bargained for.

Dunagan and McRobbie play their roles with a melodramatic relish, entering into the fairy-tale world of the film. And the kids are great, funny and distinct. Tyler informs his sister that he wants to stop swearing so much, and instead will say the names of female pop singers. The joke is one that never gets old. He falls, and screams, "Sarah McLachlan!" When terrified, he whispers to himself, " Katy Perry ... " Tyler, filming his sister, asks her why she never looks in the mirror. "Your sweater is on backwards." As he grills her, he zooms in on her, keeping her face off-center, blurry grey-trunked trees filling most of the screen. The blur is the mystery around them. Cinematographer Maryse Alberti creates the illusion that the film is being made by kids, but also avoids the nauseating hand-held stuff that dogs the found-footage style.

When the twist comes, and you knew it was coming because Shyamalan is the director, it legitimately shocks. Maybe not as much as "The Sixth Sense" twist, but it is damn close. (The audience I saw it with gasped and some people screamed in terror.) There are references to " Halloween ", "Psycho" (Nana in a rocking chair seen from behind), and, of course, " Paranormal Activity "; the kids have seen a lot of movies, understand the tropes and try to recreate them themselves. 

"The Visit" represents Shyamalan cutting loose, lightening up, reveling in the improvisational behavior of the kids, their jokes, their bickering, their closeness. Horror is very close to comedy. Screams of terror often dissolve into hysterical laughter, and he uses that emotional dovetail, its tension and catharsis, in almost every scene. The film is ridiculous  on so many levels, the story playing out like the most monstrous version of Hansel & Gretel imaginable, and in that context, "ridiculous" is the highest possible praise.

Sheila O'Malley

Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Read her answers to our Movie Love Questionnaire here .

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Film credits.

The Visit (2015)

Rated PG-13 disturbing thematic material including terror, violence and some nudity, and for brief language

Kathryn Hahn as Mother

Ed Oxenbould as Tyler Jamison

Benjamin Kanes as Dad

Peter McRobbie as Pop-Pop

Olivia DeJonge as Rebecca Jamison

Deanna Dunagan as Nana

• M. Night Shyamalan

Cinematography

• Maryse Alberti
• Luke Franco Ciarrocch

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Summary A brother and sister are sent to their grandparents’ remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.

Directed By : M. Night Shyamalan

Written By : M. Night Shyamalan

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Olivia DeJonge

Ed Oxenbould

Deanna Dunagan

Peter McRobbie

Kathryn Hahn

Celia Keenan-Bolger

Samuel stricklen, patch darragh, jorge cordova, steve annan, man on the street, benjamin kanes, ocean james, young becca, seamus moroney, young tyler, erica lynne arden, train passenger, kevin austra, street walker, richard barlow, police officer, john buscemi, evan charles, michelle rose domb, cruise passenger, brian gildea, critic reviews.

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The Visit Reviews

The Visit is a return to form for Shyamalan.

Full Review | Original Score: 3/5 | Jul 23, 2023

While Shyamalan doesn’t reinvent the wheel with “The Visit”, he does show the creative flourishes that made him a respected name and overnight success in the horror-thriller genre.

Full Review | Original Score: 4/5 | Aug 21, 2022

It’s all a very transparent metaphor for family reconciliation and what happens when your old wounds don’t heal.

Full Review | Original Score: 2/4 | May 27, 2022

This would be a perfect movie to kind of study because it's written really, really well and the scripting and dialogue and just the overall story structure is perfect.

Full Review | Original Score: 6.5/10 | Jun 1, 2021

M. Night Shyamalan needed people to be on his side. Thankfully, with The Visit, a found footage horror movie with more than its share of humor, he finally got me back on his side.

Full Review | Jan 15, 2021

Shyamalan's made a lot of terrible films in a career singularly set with The Sixth Sense, but makes a decent rebound here.

Full Review | Original Score: 2.5/4 | Sep 10, 2020

The Visit is one freaky found footage frightfest.

Full Review | Jul 18, 2020

The fear of 'The visit' is something very real, it is fear of abandonment, of not being loved. A fear far superior, by its authenticity, to any created fiction. [Full Review in Spanish]

Full Review | Apr 14, 2020

We all know that comedy and horror are close to each other, so much so that screams can quickly transform into laughter. Shyamalan remembers this...

Full Review | Feb 13, 2020

Shyamalan recaptures some of his earlier essence with lots of mystery, subtle creeps and moments where you'll question what exactly it is you're seeing.

Full Review | Original Score: 4/5 | May 7, 2019

The Visit's faux-documentary stylings bring fresh horrors to tired formulas.

Full Review | Original Score: 3/5 | May 4, 2019

A thoroughly generic predictable horror movie.

Full Review | Original Score: C- | Apr 18, 2019

The Visit is solidly entertaining without overdoing anything. At least it's not a negative mark on Shyamalan's record, which is in and of itself a reason to be happy.

Full Review | Original Score: 3.5/5 | Apr 11, 2019

Unpretentious, scary, and wickedly entertaining, The Visit will, with hope, signal a new, not-shitty period in a fallen filmmaker's career.

Full Review | Original Score: 7/10 | Mar 7, 2019

The Visit proves to be a pleasant surprise, with a surprisingly effective mix of laughs and chills that doesn't try to do too much.

Full Review | Original Score: B- | Jan 18, 2019

Los detractores de Shyamalan podrán encontrar de qué quejarse, pero indudablemente Los huéspedes marca parcialmente su regreso como un narrador con buenas historias que contar.

Full Review | Original Score: 7.5/ 10 | Dec 29, 2018

While "The Visit" bucks the trend of space-oriented films that start from a sense of wonder rather than fact, it does inspire the former, treating its audience as aliens to restore that all-too-human curiosity about what lies beyond our own planet.

Full Review | Nov 15, 2018

The Visit isn't on par with Shyamalan's early work nor does it excuse his recent atrocities, but going from dreadful to pretty good is still an enormous leap to accomplish.

Full Review | Original Score: 7.5/10 | Nov 1, 2018

If you've felt burned by Shyamalan over the past ten years, put your skepticism aside and take a chance on The Visit. It's well worth your time.

Full Review | Original Score: 4/5 | Oct 31, 2018

The Visit is not a perfect film, but it is fun and as the viewer you may laugh out loud or gasp.

Full Review | Original Score: 3.5/5 | Aug 30, 2018

Film Review: ‘The Visit’

M. Night Shyamalan returns to thriller filmmaking in the style of low-budget impresario Jason Blum with mixed results.

By Geoff Berkshire

Geoff Berkshire

Associate Editor, Features

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After delivering back-to-back creative and commercial duds in the sci-fi action genre, M. Night Shyamalan retreats to familiar thriller territory with “ The Visit .” As far as happy homecomings go, it beats the one awaiting his characters, though not by much. The story of two teens spending a week with the creepy grandparents they’ve never met unfolds in a mockumentary style that’s new for the filmmaker and old hat for horror auds. Heavier on comic relief (most of it intentional) than genuine scares, this low-budget oddity could score decent opening weekend B.O. and ultimately find a cult following thanks to its freakier twists and turns, but hardly represents a return to form for its one-time Oscar-nominated auteur.

In a way, it’s a relief to see Shyamalan set aside the studio-system excesses of “The Last Airbender” and “After Earth” and get down and dirty with a found-footage-style indie crafted in the spirit of producer Jason Blum’s single location chillers. (Blum actually joined the project after filming wrapped, but it subscribes to his patented “Paranormal Activity” playbook to a T.) Except that the frustrating result winds up on the less haunting end of Shyamalan’s filmography, far south of “The Sixth Sense,” “Signs” and “The Village,” and not even as unsettling as the most effective moments in the hokey “The Happening.”

That’s not to say “The Visit” is necessarily worse than some of those efforts, just a different kind of animal. The simplicity of the premise initially works in the pic’s favor as 15-year-old aspiring documentarian Becca (Olivia DeJonge) and her 13-year-old aspiring-rap-star sibling Tyler (Ed Oxenbould of “Alexander and the Terrible, Horrible, No Good, Very Bad Day”) say goodbye to their hard-working single mom (Kathryn Hahn, better than the fleeting role deserves), who ships off on a weeklong cruise with her latest boyfriend. The kids travel by train to rural Pennsylvania to meet Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie), the purportedly kindly parents Mom left behind when she took off with her high-school English teacher and caused a permanent rift in the family.

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Becca plans to turn the whole experience into an Oscar-caliber documentary (proving she sets her sights higher than Shyamalan these days) and also an opportunity to exorcise the personal demons both she and Tyler carry around in the wake of their parents’ separation. Unfortunately for the kids, their grandparents appear to be possessed by demons of another kind — although it takes an awfully long time for them to grow legitimately concerned about Nana’s nasty habit of roaming the house at night, vomiting on the floor and scratching at the walls in the nude, and Pop Pop’s almost-as-bizarre behavior, including stuffing a woodshed full of soiled adult diapers, attacking a stranger on the street and regularly dressing in formal wear for a “costume party” that never materializes.

Ominous warnings to not go into the basement (because of “mold,” you see) and stay in their room after 9:30 (Nana’s “bedtime”) fly right over the heads of our otherwise pop-culture-savvy protagonists. Becca even stubbornly refuses to use her omnipresent camera for nighttime reconnaissance, citing concerns over exploitation and “cinematic standards” — one of the lamest excuses yet to justify dumb decisions in a horror narrative — until the weeklong stay is almost up.

Shyamalan has long been criticized for serving up borderline (or downright) silly premises with a straight face and overtly pretentious atmosphere, but he basically abandons that approach here in favor of a looser, more playful dynamic between his fresh-faced leads. At the same time, there’s a surreal campiness to the grandparents’ seemingly inexplicable behavior, fully embraced by Tony winner Dunagan and Scottish character actor McRobbie, that encourages laughter between ho-hum jump scares. Their antics only reach full-blown menacing in the perverse-by-PG-13-standards third act. (The obligatory reveal of what’s really going on works OK, as long as you don’t question it any more than anyone onscreen ever does.)

Even if there’s less chance the audience will burst out in fits of inappropriate chuckles, as was often the case in, say, “The Happening” or “Lady in the Water,” Shyamalan still can’t quite pull off the delicate tonal balance he’s after. Once events ultimately do turn violent — and Nana does more than just scamper around the floor or pop up directly in front of the camera — the setpieces are never as scary or suspenseful as they should be. Even worse are the film’s attempts at character-driven drama, including a couple of awkward soul-baring monologues from the otherwise poised young stars, and a ludicrous epilogue that presumes auds will have somehow formed an emotional bond with characters who actually remain skin-deep throughout. One longs to see what a nervier filmmaker could have done with the concept (and a R rating).

The technical package is deliberately less slick than the Shyamalan norm, although scripting Becca as a budding filmmaker interested in mise en scene provides d.p. Maryse Alberti (whose numerous doc credits include multiple Alex Gibney features) an excuse to capture images with a bit more craft than the average found footage thriller. Shyamalan purposefully decided to forego an original score, but the soundtrack is rarely silent between the chattering of the children, a selection of source music and the eerie sound editing that emphasizes every creaking door and loud crash substituting for well-earned frights.

Reviewed at Arclight Cinemas, Hollywood, Sept. 8, 2015. MPAA Rating: PG-13. Running time: 94 MIN.

• Production: A Universal release of a Blinding Edge Pictures and Blumhouse production. Produced by Jason Blum, Marc Bienstock, M. Night Shyamalan. Executive producers, Steven Schneider, Ashwin Rajan.
• Crew: Directed, written by M. Night Shyamalan. Camera (color, HD), Maryse Alberti; editor, Luke Ciarrocchi; music supervisor, Susan Jacobs; production designer, Naaman Marshall; art director, Scott Anderson; set decorator, Christine Wick; costume designer, Amy Westcott; sound (Dolby Digital), David J. Schwartz; supervising sound editor/re-recording mixer, Skip Lievsay; visual effects supervisor, Ruben Rodas; visual effects, Dive VFX; stunt coordinator, Manny Siverio; casting, Douglas Aibel.
• With: Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Celia Keenan-Bolger.

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The Visit Explained (Plot And Ending)

The Visit is a 2015  horror   thriller  directed by M. Night Shyamalan. It follows two siblings who visit their estranged grandparents only to discover something is very wrong with them. As the children try to uncover the truth, they are increasingly terrorized by their grandparents’ bizarre behaviour. Here’s the plot and ending of The Visit explained; spoilers ahead.

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Where To Watch?

To find where to stream any movie or series based on your country, use This Is Barry’s Where To Watch .

Oh, and if this article doesn’t answer all of your questions, drop me a comment or an FB chat message, and I’ll get you the answer .  You can find other film explanations using the search option on top of the site.

Here are links to the key aspects of the movie:

• – The Story
• – Plot Explained
• – Ending Explained
• – The Sense Of Dread
• – Separation, Remorse, and Personal Fears
• – Frequently Asked Questions Answered
• – Wrap Up

What is the story of The Visit?

The Visit is about two kids visiting their grandparents for the first time. They are also going there to hope and rebuild a bridge between their mom and grandparents and help their mom heal after a painful divorce. The movie is in documentary form.

The Visit is one of the most unnerving and realistic horror stories. A good thing about classic horror movies is that, after the movie ends, you can switch it off and go to bed,  knowing that you’re safe . Vampires, ghosts, and demonic powers don’t exist, and even if you are prone to these kinds of esoteric beliefs, there are safeguards. If your home is not built in an Indian burial ground and you haven’t bought any creepy-looking dolls from your local antiquary, you’re perfectly safe.

However, what about the idea of two kids spending five days with two escaped psychiatric ward patients in a remote farmhouse? Now, this is a thought that will send shivers down your spine. It’s a story that sounds not just realistic but real. It’s  something that might have happened in the past  or might happen in the future.

This is  what  The Visit  is all about . This idea, coupled with documentary-form storytelling, is why the movie is so unnerving to watch.

The Visit: Plot Explained

Loretta’s past.

As a young girl, Loretta Jamison fell in love with her high school teacher and decided to skip her hometown with him. Before leaving, she had a heated altercation with her parents and hasn’t seen them since. At the movie’s start, she is a single mom of 15-year-old Becca and 14-year-old Tyler, and she  hasn’t spoken to her parents in 15 years .

What really happened on the day Loretta left?

Loretta’s mom tries to stop her from leaving the house, and Loretta hits her mom, and her dad hits her. Soon after, her parents try to reach out to Loretta, but she refuses to take their calls, and years go by.

Meet The Grandparents

Years later, Loretta’s parents reach out to  meet their grandchildren . The grandparents are, seemingly, wholly reformed and now even help at the local psychiatric hospital. Although initially not too fond of the idea, Loretta is persuaded by the insistence of her children. While she had no intention of visiting the parents, she permitted her children to pay their grandparents a five-day visit.

At The Grandparents’

Their first meeting with Nana and Pop Pop starts on the right foot. They start getting to know each other, and other than a simple generational gap, nothing seems too strange. The only thing that seems off is that they are warned  not to leave the room after 9:30 in the evening .

The kids break this rule, and on the first night, they notice  Nana acting erratically , projectile vomiting, scratching wallpaper with her bare hands, and running around the house on all fours. Grandpa appears paranoid and hides his adult diapers in the garden shed, and the situation escalates each day.

The Visit Ending Explained: What happens in the end?

The ending of Visit has the kids finally showing the elderly couple to Loretta. She, completely horrified, states that  those are not her parents . The pair posing as Pop Pop and Nana are escaped psychiatric institution patients who murdered their grandparents and took their places.

The kids survive, kill their captors, and are found alive and well by their mom and the police. Becca kills Nana with a shard from the mirror, thus symbolically overcoming her fear of her reflection. Tyler kills Pop Pop by repeatedly slamming him in the head with a refrigerator door after overcoming his germaphobia and anxiety about freezing.

The Sense Of Dread

The elements of horror in this movie are just  perfectly executed . First of all, the film is shot as a documentary. Becca is an aspiring filmmaker who records the entire trip with her camera. From time to time, we see an interview of all the characters, which just serves as the perfect vessel for characterization.

No Ghouls or Cults

Another thing that evokes dread is  realism . There are no supernatural beings or demonic forces. It’s just two kids alone in a remote farmstead with two creepy, deranged people. Even in the end, when Loretta finds out what’s happening, it takes her hours to get there with the police. The scariest part is that it’s not that hard to imagine something along those lines really happening.

The  house itself is dread-inducing . The place is old and rustic. Like in The Black Phone soundproofing a room  could have prevented kids from hearing Nana rummaging around the house without a clear idea of what was happening, but this was not the case, as the old couple weren’t that capable.

The  characters  themselves  are perfectly played . Something is unnerving about Pop Pop and Nana from the very first scene. It’s the Uncanny Valley scenario where you feel that something’s off and shakes you to the core, but you have no idea what it is.

Separation, Remorse, and Personal Fears

What this movie does the best is explore the  ugly side of separation, old grudges, and remorse . The main reason why kids are insistent on visiting their grandparents is out of their desire to help their mom.

They see she’s remorseful for never  working things out with her parents . In light of her failed marriage and the affair that caused it to end, she might live with the doubt that her parents were right all along. This makes her decision and altercation with her parents even worse. Reconciling when you know you were wrong is harder than forgiving the person who wronged you.

The Kids’ Perspective

There are personal fears and  traumas of the kids . Tyler, in his childish naivete, is convinced that his father left because he was disappointed in him as a son. Tyler tells Becca that he froze during one game he played, which disappointed his dad so much that he had to leave. While this sounds ridiculous to any adult (and even Becca), it’s a matter of fact to Tyler. As a result of this trauma, Tyler also developed germaphobia. In Becca’s own words, this gives him a greater sense of control.

On the other hand,  Becca refuses to look at herself in the mirror  or stand in front of the camera if she can help it. Both kids  had to overcome their fears to survive , which is a solid and clear metaphor for how these things sometimes turn out in real life.

Frequently Asked Questions Answered

The visit: what’s wrong with the grandparents who are the grandparents.

The people who hosted Becca and Tyler were runaway psychiatric hospital patients who murdered the real grandparents and took their place. Nana’s impostor (Claire) was actually responsible for murdering her children by drowning them in a well. Pop Pop’s impostor (Mitchell) wanted to give Claire a second chance at having kids / being a grandparent.

How did the imposter grandparents know about the kids’ visit?

It appears Claire and Mitchell hear the real Nana and Pop Pop brag about their grandkids’ visit. They also learned that neither the grandparents nor the kids had seen each other. The real grandparents appear to have been consulting in the same hospital Claire and Mitchell were being treated. The two crazies take this opportunity to break out, kill the real grandparents and go to the station to pick up the children.

The Visit: What is Sinmorfitellia?

Claire and Mitchell believe that Sinmorfitellia is an alien planet, and the creatures from there lurk on Earth. They spit into the waters of wells and ponds all day, which can put people into a deep sleep. They take  sleeping with the fishes  quite literally. Long ago, Claire drowned her children believing they would go to Sinmorfitellia.

The Visit: What happened to the real grandparents?

Claire and Mitchel killed Nana and Pop Pop and put them in the basement. This information went unnoticed because Becca’s laptop’s camera was damaged by Nana, so Loretta could not confirm the imposters. Claire and Mitchel were not present every time someone came to visit, so no one suspected foul play except Stacey, who received help from the real grandparents. As a result, she is killed.

What did Claire and Mitchel intend to do?

They plan to go to Sinmorfitellia with Becca and Tyler. They all plan to die on that last night and enter the well, which they believe is their path to the alien planet where they can be happy together. This is perhaps why the grandparents hang Stacey outside the house because they don’t care about being caught.

The Visit: What’s wrong with Nana?

We don’t know what caused Nana’s mental illness, but she was crazy enough to kill her two children by putting them in suitcases and drowning them in a pond. It appears she suffers from schizophrenia as she has delusions.

The Visit: Wrap Up

From the standpoint of horror, The Visit has it all. An unnerving realistic scenario, real-life trauma, and an atmosphere of fear. Combine this with  some of the best acting work in the genre  and a documentary-style movie, and you’ve got yourself a real masterpiece.

On the downside, the movie leaves you with a lot of open questions like:

• Considering the kids have never seen the grandparents and are going alone, Loretta didn’t ensure her kids knew what her parents looked like?
• How are Claire and Mitchell out and about so close to the hospital without being caught?
• Considering they are mentally ill, how did Claire and Mitchell plot such a thorough plan? (e.g. strategically damaging the camera of the laptop)
• I understand  Suspension Of Disbelief  in horror films, but neither kids drop their cameras despite the terror they go through only so we, the audience, can get the entire narrative?

What were your thoughts on the plot and ending of the movie The Visit? Drop your comments below!

Stacey is a talented freelance writer passionate about all things pop culture. She has a keen eye for detail and a natural talent for storytelling. She’s a super-fan of Game of Thrones, Cats, and Indie Rock Music and can often be found engrossed in complex films and books. Connect with her on her social media handles to learn more about her work and interests.

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The Visit streaming: where to watch online?

Currently you are able to watch "The Visit" streaming on Max, Max Amazon Channel, Cinemax Amazon Channel, Cinemax Apple TV Channel. It is also possible to buy "The Visit" on AMC on Demand, Amazon Video, Apple TV, Google Play Movies, YouTube, Vudu, Microsoft Store as download or rent it on Amazon Video, Apple TV, Google Play Movies, YouTube, Vudu, Microsoft Store, Spectrum On Demand online.

Where does The Visit rank today? The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

Streaming charts last updated: 1:17:21 AM, 04/27/2024

The Visit is 1268 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 412 places since yesterday. In the United States, it is currently more popular than Tart but less popular than Host.

A brother and sister are sent to their grandparents' remote Pennsylvania farm for a week, where they discover that the elderly couple is involved in something deeply disturbing.

Videos: Trailers, Teasers, Featurettes

Streaming Charts The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

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Want to watch ' The Visit ' on your TV, phone, or tablet? Hunting down a streaming service to buy, rent, download, or watch the M. Night Shyamalan-directed movie via subscription can be challenging, so we here at Moviefone want to do the heavy lifting. We've listed a number of streaming and cable services - including rental, purchase, and subscription alternatives - along with the availability of 'The Visit' on each platform when they are available. Now, before we get into the nitty-gritty of how you can watch 'The Visit' right now, here are some specifics about the Blumhouse Productions, Blinding Edge Pictures, Universal Pictures, dentsu horror flick. Released September 11th, 2015, 'The Visit' stars Olivia DeJonge , Ed Oxenbould , Deanna Dunagan , Peter McRobbie The PG-13 movie has a runtime of about 1 hr 34 min, and received a user score of 63 (out of 100) on TMDb, which put together reviews from 4,531 knowledgeable users. Want to know what the movie's about? Here's the plot: "A brother and sister are sent to their grandparents' remote Pennsylvania farm for a week, where they discover that the elderly couple is involved in something deeply disturbing." 'The Visit' is currently available to rent, purchase, or stream via subscription on Cinemax Amazon Channel, Apple iTunes, Google Play Movies, Vudu, Amazon Video, Microsoft Store, YouTube, Spectrum On Demand, and AMC on Demand .

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2015 Directed by M. Night Shyamalan

No one loves you like your grandparents.

The terrifying story of a brother and sister who are sent to their grandparents' remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.

Olivia DeJonge Ed Oxenbould Deanna Dunagan Peter McRobbie Kathryn Hahn Celia Keenan-Bolger Samuel Stricklen Patch Darragh Jorge Cordova Steve Annan Benjamin Kanes Ocean James Seamus Moroney Dave Jia Sajida De Leon John Buscemi Richard Barlow Shawn Gonzalez Shelby Lackman

Director Director

M. Night Shyamalan

Producers Producers

M. Night Shyamalan Jason Blum John Burton West

Writer Writer

Casting casting.

Douglas Aibel

Editor Editor

Luke Ciarrocchi

Cinematography Cinematography

Maryse Alberti

Assistant Directors Asst. Directors

Brian Moon Sebastian Mazzola

Executive Producers Exec. Producers

Steven Schneider Ashwin Rajan

Camera Operator Camera Operator

Peter Nolan

Production Design Production Design

Naaman Marshall

Art Direction Art Direction

Scott G. Anderson

Set Decoration Set Decoration

Christine Wick

Special Effects Special Effects

Dane Wilson

Visual Effects Visual Effects

Jennifer Wessner Bob Lowery

Stunts Stunts

Drew Leary Laurie Singer

Sound Sound

Skip Lievsay

Costume Design Costume Design

Amy Westcott

Hairstyling Hairstyling

Teresa Morgan

Blumhouse Productions Blinding Edge Pictures Universal Pictures dentsu

Releases by Date

10 sep 2015, 11 sep 2015, 17 sep 2015, 24 sep 2015, 25 sep 2015, 07 oct 2015, 08 oct 2015, 15 oct 2015, 22 oct 2015, 23 oct 2015, 19 nov 2015, 26 nov 2015, 11 dec 2015, 09 feb 2016, 16 aug 2022, 01 feb 2016, 23 feb 2016, 16 mar 2016, releases by country.

• Theatrical M
• Theatrical 14A
• Physical 15
• Theatrical 12
• Digital VOD
• Physical 12 DVD & Blu-Ray
• Digital 12 Netflix
• Theatrical 15A

Netherlands

• Theatrical 16
• Physical 16 DVD, Blu ray
• Theatrical M/16

South Korea

• Theatrical 15
• Theatrical 16 ICAA 51215
• Theatrical 15+
• Theatrical PG-13

94 mins   More at IMDb TMDb Report this page

Popular reviews

Review by sexualjumanji ★★★★½ 9

Just called my grandparents and told them to fuck off forever.

Review by 𝚮𝖆𝖗𝖑𝖊𝖖𝖚𝖎𝖓𝖆𝖉𝖊 ❤️‍🔥 ★★★ 34

>5 minutes in >the kid starts rapping >I add this to my films that made me happy I’m childless list >9 minutes in >it happens again >I google "how to make sure you don't get pregnant" >89 minutes in >IT RAPS ONCE MORE >I decide sex is never worth the risk

📝 Shyamalan: ranked

Review by maria ★★ 17

This review may contain spoilers. I can handle the truth.

bold of m. night shyamalan to include a scene where a diaper full of shit is being shoved into someone's face to symbolize how much shit he's gonna be shoving into our faces for the next 94 minutes

Review by ˗ˏˋ suspirliam ˊˎ˗ ★★★ 1

WHAT IN THE TAYLOR SWIFT WAS THAT

Review by cait ★★★ 6

if m. night wanted me to sympathise with the kids why did he make one of them a freestyle rapper. how am i supposed to find any sympathy towards that. little freak deserved everything that happened

Review by gab🦕 ★★★★ 6

you cannot convince me that this isn’t a comedy

Review by adambolt ★★½

I'm gonna act like this whenever my grandkids stay over just to fuck with them

Review by WraithApe ★★★ 23

Yo.. yo.. yo..

M. Night Shyamalan comin at ya with an alarmin yarn about Pop Pop and Nana livin the good life in homedown manor

Enter Becca and her litle bro far from a pro wannabe rapper T. Diamond Stylus Stubbin his toe with an 'Oh Mylie Cyrus!' droppin the mic with a 'HO'

Got a ringside seat M. Night finds footage thru documentary conceit Set-up's begun take it back to film school, 101 Establishing shot, set-up again zoom lens, cross cut, mise-en-scène

Goin meta with Becca but Nana's still gonna get her Makin night moves outside the door Sundown fright on a lower floor red eyes fed by satanic delight

Pop's runnin shit like dystentry Pilin up diapers like…

Review by SilentDawn ★★★★½ 16

The works of M. Night Shyamalan, no matter the quality, are each on a quest of searching mystery and eventual discovery. All of his films are bursting with uneasy traps and elusive secrets, and it is these traits in which Shyamalan's fame was built upon. To say he had a dry spell is a massive understatement, but as soon as The Visit flares up with its opening shot, a startling vision immediately makes its presence known.

I felt like I was home again.

The Visit , while advertised as a silly and creepy chiller, is more of an insane boiling pot of family turmoil and batshit antics. It's a bewildering mix of humor, horror, and heart-wrenching dramatic impact, and each…

Review by Josh Lewis ★★★★ 4

"Old people sometimes have troubles with their body" "People leave. They find something better."

Doesn't quite have the scope of his early work but probably the most vital found footage filmmaking has felt in... ever? Shyamalan's visual grace & intelligence blends really well with the cheap, modern ageism Hansel & Gretal exploitation movie he's making here and he very effectively uses the immediacy inherent to the form to sneak real sudden thrills into some of his usual themes of familial breakdown/estrangement and masking/physically overcoming emotional trauma. There are a number of very creepily conceived shocks but weirdly enough the film is much more emotionally clear & cathartic than it is scary by the end. It totally works though so I have trouble seeing this as a bad thing.

Review by Gonzo ★★★½ 47

▶ 2015 Movie Rankings

▶ RANKED: M. Night Shyamalan

Is it better than Mad Max: Fury Road ? Even a (very welcome and long-awaited) Shyamalan resurgence can't top the chrome juggernaut.

Wait, wait, wait, hold up, hold up... Shyamalan made a good movie?! M. Night Shyamalan? What?! Yes, people, believe it. Your favorite punching bag is back with a vengeance. It's not as great as The Sixth Sense or Unbreakable , but it's a step in the right direction.

Is there a twist? It's Shyamalan. Of course, there's a twist.

Is the twist predictable? I saw it coming from the get-go. It's a pretty good twist though. It's the sort that doesn't ruin the fun even if you do guess it early…

Review by Neil Bahadur ★★★★½ 11

Unbelievable. Probably my 2nd favourite Shyamalan...one of the great films where everything you thought was right turns out to be wrong, and certainly the scariest film Shyamalan has made. There is explosive digital formalism, cameras seem to be attached to bodies and in moments of intense, quick movement the frame is obscured by flinging hair and occasional ruptures in the image of a human face; abstractions which could be only captured by the size of consumer grade cameras. In a way, it's inspiring because of that.

But much of this movie's terror comes from the opposite of Shyamalan's earlier tendencies, that we should believe in ghosts and demons ala Dreyer or Tourneur. Rather, people are terrifying, and even worse, family.…

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The Visit (I) (2015)

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The Ending Of The Visit Explained

Contains spoilers for  The Visit

M. Night Shyamalan is notorious for using dramatic twists towards the endings of his films, some of which are pulled off perfectly and add an extra layer of depth to a sprawling story (hello, Split ). Some of the director's other offerings simply keep the audience on their toes rather than having any extra subtext or hidden meaning. Shyamalan's 2015 found-footage horror-comedy  The Visit , which he wrote and directed, definitely fits in the latter category, aiming for style over substance.

The Visit follows 15-year-old Becca Jamison (Olivia DeJonge) and her 13-year-old brother Tyler (Ed Oxenbould) when they spend the week with their mother's estranged parents, who live in another town. Loretta (played by WandaVision 's Kathryn Hahn ) never explained to her children why she separated herself away from her parents, but clearly hopes the weekend could help bring the family back together.

Although The Visit occasionally toys with themes of abandonment and fear of the unknown, it wasn't particularly well-received by critics on its initial release, as many struggled with its bizarre comedic tone in the found-footage style. So, after Tyler and his camera record a number of disturbing occurrences like Nana (Deanna Dunagan) projectile-vomiting in the middle of the night and discovering "Pop Pop"'s (Peter McRobbie) mountain of used diapers, it soon becomes clear that something isn't right with the grandparents.

Here's the ending of  The Visit  explained.

The Visit's twist plays on expectations

Because Shyamalan sets up the idea of the separation between Loretta and her parents very early on — and doesn't show their faces before Becca and Tyler meet them — the film automatically creates a false sense of security. Even more so since the found-footage style restricts the use of typical exposition methods like flashbacks or other scenes which would indicate that Nana and Pop Pop aren't who they say they are. Audiences have no reason to expect that they're actually two escapees from a local psychiatric facility.

The pieces all come together once Becca discovers her  real grandparents' corpses in the basement, along with some uniforms from the psychiatric hospital. It confirms "Nana" and "Pop-Pop" escaped from the institution and murdered the Jamisons because they were a similar age, making it easy to hide their whereabouts from the authorities. And they would've gotten away with it too, if it weren't for those meddling kids.)

However, after a video call from Loretta reveals that the pair aren't her parents, the children are forced to keep up appearances — but the unhinged duo start to taunt the siblings. Tyler in particular is forced to face his fear of germs as "Pop Pop" wipes dirty diapers in his face. The germophobia is something Shyamalan threads through Tyler's character throughout The Visit,  and the encounter with "Pop Pop" is a basic attempt of showing he's gone through some kind of trial-by-fire to get over his fears.

But the Jamison kids don't take things lying down: They fight back in vicious fashion — a subversion of yet another expectation that young teens might would wait for adults or law enforcement officers to arrive before doing away with their tormentors.

Its real message is about reconciliation

By the time Becca stabs "Nana" to death and Tyler has repeatedly slammed "Pop-Pop"'s head with the refrigerator door, their mother and the police do arrive to pick up the pieces. In a last-ditch attempt at adding an emotional undertone, Shyamalan reveals Loretta left home after a huge argument with her parents. She hit her mother, and her father hit her in return. But Loretta explains that reconciliation was always on the table if she had stopped being so stubborn and just reached out. One could take a domino-effect perspective and even say that Loretta's stubbornness about not reconnecting and her sustained distance from her parents put them in exactly the vulnerable position they needed to be for "Nana" and "Pop-Pop" to murder them. 

Loretta's confession actually mirrors something "Pop-Pop" told Tyler (before his run-in with the refrigerator door): that he and "Nana" wanted to spend one week as a normal family before dying. They should've thought about that before murdering a pair of innocent grandparents, but here we are. 

So, is The Visit  trying to say that if we don't keep our families together, they'll be replaced by imposters and terrify our children? Well, probably not. The Visit tries to deliver a message about breaking away from old habits, working through your fears, and stop being so stubborn over arguments that don't have any consequences in the long-run. Whether it actually sticks the landing on all of those points is still up for debate.

• Navajo-language films
• Found Footage films
• Films of the 2010s
• Films directed by M. Night Shyamalan

The Visit (2015)

• View history

The Visit is a 2015 American found-footage comedy horror film written, co-produced and directed by M. Night Shyamalan and starring Olivia DeJonge and Ed Oxenbould.

• 5 References
• 6 External links

Rebecca and Tyler prepare for a week-long stay with their grandparents John and Maribella, while their mother Loretta goes on a cruise with her new boyfriend. The two kids, who have never met their grandparents, intend to film a documentary following them along their VISIT. Loretta has not seen her parents for 15 years, after she eloped with her high-school teacher, who has since left her. She tells Rebecca little about her disagreement with her parents, suggesting that she asked for more details. John and Maribella greet Rebecca and Tyler at the train station. Once they are settled in their grandparents' isolated farmhouse, Rebecca and Tyler are instructed to never go into the basement because it contains toxic mold. That night, John tells Rebecca and Tyler that as he and Maribella are elderly, they go to bed at 9:30 p.m. An hour past "curfew" Rebecca goes into the kitchen for a snack and sees Maribella projectile vomiting. Later Rebecca mentions it to John, who dismisses it saying that Maribella has the stomach flu. Over the next few days, Rebecca and Tyler notice their grandparents exhibiting more strange behavior. When Rebecca asks Maribella what happened the day Loretta left home, Maribella begins to shake it off until Rebecca restrains her. John and Maribella are later confronted by a woman who helps them in counseling; she is seen entering the house but never leaving. Tyler, concerned about the occurrences, decides to secretly film what happens at night. Maribella discovers the hidden camera, retrieves a large knife, and unsuccessfully tries to break into the children's bedroom. When Rebecca and Tyler view the camera footage, they contact their mothers. When shown images of John and Maribella, Loretta panics and says those are not her parents. Rebecca and Tyler attempt to leave the house, but the imposters trap them and force them to "make it the perfect family night" and play yatzee. Rebecca excuses herself and escapes to the basement. There she finds the corpses of the real John and Maribella, along with uniforms from the mental hospital where they worked, concluding that the imposters are probably escaped patients. The fake John grabs Rebecca and imprisons her in a bedroom with fake Maribella, who then tries to eat her. Rebecca stabs fake Maribella with a glass shard, then flees. Rebecca tries to save Tyler, but fake John grabs her. Tyler tackles fake John to the floor, then slams his head in the fridge door until he dies. The two escape outside where they are met by Loretta and police. In the aftermath, Rebecca asks Loretta about what happened the day she left home. Loretta states she had a physical fight with her parents and never VISITED them after that. However, John and Maribella had tried to contact her afterwards, and Loretta concludes that reincolliation was always possible. She tells Rebecca not to hold anger after Robert and hugs her.

• Olivia DeJonge as Becca
• Ed Oxenbould as Tyler
• Deanna Dunagan as Marja Bella Jamison (Claire), also known as "Nana"
• Peter McRobbie as Frederick Spencer Jamison (Mitchell), also known as "Pop Pop"
• Kathryn Hahn as Loretta Jamison, Becca and Tyler's mother
• Patch Darragh as Dr. Sam
• Celia Keenan-Bolger as Stacey

File:The Visit-Teaser One Sheet.jpg

References [ ]

External links [ ].

• 1 The Farm (2018)
• 2 Winnie-the-Pooh: Blood and Honey 2 (2024)
• 3 Abigail (2024 film)