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Robert Allen Zimmerman was born on the 24th of May, 1941 in Minnesota, US. In 1959 he started performing folk music in the coffee houses of Minneapolis, and began introducing himself as Bob Dylan. The rest, they say, is history.

Five decades on, there’s still never been another artist that so many have written and speculated about to no avail whatsoever. Bob Dylan is still an enigma in an age where artifice and construct pretty much exists to be torn down and exposed. This is still the case even after he began publishing his own memoirs, and that’s saying something.

All we know for sure about one of the most influential and respected recording artists is that he earned that title with each and every one of his 35 studio albums, from 1962’s self-titled debut, to his most recent effort 2012’s “Tempest”.

It’s pretty much pointless to try and sum up Dylan’s career unless you’ve been given a books amount of space to do so. His countless amounts of reinventions and the sheer musical diversity on display give even the chameleonic likes of Bowie and Madonna a run for their money.

Every single incarnation has given the world something entirely unique, from the serious troubadour of 1964’s “The Times They Are a-Changin’!” through the rock and roll Judas of “Highway 61 Revisited”, all the way up to his Gospel period heralded by 1979’s “Slow Train Coming”, or more recently, the thunderous urban Blues of 2009’s “Together Through Life”.

This is a man whose influence on music and pop culture in general is up there with his old buddies The Beatles (who, legend has it, Dylan introduced to weed on the set of the film “Help!”). So the truth of the matter is that even if you aren’t a fan of his songs, Bob Dylan is still more deserving of your respect than practically any other solo artists in music history.

Live reviews

In the 28 years of following Bob Dylan, Dublin sits at the top of the entertainment charts. From London to Glasgow and over in Europe I have had the privelidge of standing or sitting along with Thousands of other Dylan devotees. For the most part silence is required during performance. Each time the opening bars of a song are heard I and others studiously listen. I'm listening firstly to see what song Bob is performing. Websites have sprung up online for fans to guess what songs Bob will perform prior to the gig.

Mostly in silence and after a verse or two the penny drops and a huge roar is heard. "Hey It's Watchtower" or similar awakenings can be heard as it dawns on the crowd what Bob is performing. Hallowed silence once again returns as the crowd listen to every note Bob hurls from the gravelly voice now inhabiting our bard. Occasionally and if Bob accomodates us, we even join in a chorus such as "It Aint Me Babe, no no no". Im convinced that Bob just for kicks changes the pace of a song in order to deny his followers. When I arrived at the 02 in Dublin a large crowd had assembled in different queues depending on the ticket allocation. I was happy to be sitting in the first tier not more than 30ft from the stage. Here I could clearly see the oscar Bob won for "Things Have Changed" proudly on display on an amp beside the grand piano. A new prop is a bust of a fine lady propped on Bobs piano. I have learned that the bust is named 'Posie', a gift from fans to celebrate Bob's 73rd year here. Either side of my seat where younger Dublin lads clearly enjoying the 'Craic' along with the rest of the crowd. If the 'Craic' can be interpreted it goes something like this. "Hi what's your name?", I answer. "Where you from?" I answer. "What do you think of Dublin?", I answer and before I know it I'm exchanging facebook, email, telephone number and half of Dublin is visiting me soon. Aye Dublin folks know how to party.

As anticipation of Bobs arrival onstage grows it's normal for the crowd to go quiet. Not Dublin. This overly friendly energy continues as the opening bars of "Things have Changed herald" the start. Bobs vocal sounding very clear and without the now normal rasping sounds in his delivery. In the last twelve months or so the set list has barely changed on this never ending tour. Some may see this as lazy and predictable. I see it as Bob polish performances of songs he may have written 50 years ago. With Bob in control as his band of trusty lieutenants followed their commander in chief's every move, the 'Craic' continued with each new intro. It seemed to me that once the songs identity was established the crowd resumed the friendliness among each other. Once or twice I asked the lads next to me to let me hear Bob. Of course Bob didn't seem to mind as he relaxed into this crazy atmosphere. Bob thanked us at the end of part one. The second part of the gig opened with 'Honest with me', taken from his more recent catalogue of work. This was to be the case for the remainder of the set as Bob continued to showcase his most recent studio album 'Tempest' drawing seven songs from the acclaimed work. 'Long and Wasted Years' deservedly takes last place before Bob and the band disappear in preparedness for the encore. As expected Bob returns to the stage and graces the crowd with 'All Along The Watchtower' The opening bars of this song cannot be mistaken. After the third verse Bob slows the tempo down and plays some elegant piano notes before cranking the chords back up to 'Hendrix-esque' levels. The house lights are switched on as the happy fans exit the arena.

I'm sure especially in the second half of the set Bob was responding to the 'Craic'. He was noticibly turning in different directions as he jammed with the best 'craic' in the house. Bob Dylan continues to confound the expectations of fans and critics alike with his unique brand of originality and sealing his ever growing legendary status. As I left the arena I joined thousands of happy fans on the walk along the River Liffey back into Dublin fair city. The sun was setting on this instalment of'The Never Ending Tour'.

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Unlike many of the fans at Bob Dylan’s show I haven’t seen him countless times. I think I have been to four or five of his shows over a wide span in his career.

My first live experience was in the early seventies at the Los Angeles Forum. I think he was backed by The Band if I remember correctly. It was a great show, I had great seats that were a result of a ticket lottery I think? He sounded just like he did, more or less, on his records.

I think the next time I saw him was at the LA Greek Theatre. A friend and I took a chance and went without tickets in hand. We were very lucky that night scoring tickets that were released from the band just before the show started. We were down front and center. This show was during the G.E. Smith period. I’m sad to say that I was disappointed in this show. Mr. Dylan and his songs were almost unrecognizable to me as I remember. I wasn’t yet able to appreciate the concept of a performer changing their presentations from how they were originally offered. That concept took me a while to appreciate and now I think that I expect it from great performers. But that night not at all...

My next chance to see him was at a remarkable show at UCLA. It was an extravaganza featuring Mr. Dylan, Van Morrison and Joni Mitchell. Three of my musical touchstones. I don’t remember much about this show except we had horrible seats. I think I was mostly affected by the overall show and that I was actually there seeing these three back to back.

Last night seeing him at UCI was very special indeed. My new girlfriend managed to get us very good seats in this small venue, stage right and up above the floor. Due to the security check in we entered the show halfway through the first song, on stage as we searched for our seats was a man playing guitar, we wondered if this was an opening act since we had been led to believe that Mr. Dylan no longer played guitar and this fellow was quite lively on stage as well, belying the stories told to me of his previously aloofness on stage. As we sat we realized that no this was the man. It was a wonderful lead in for me. He played a set that included songs from all of his era’s. Most reinterpreted greatly as far as the music but mostly true to the prose I think. Somewhere in the middle he slowed things down from the energetic pace to give an almost traditional rendition of Girl from the North Country, strikingly beautiful featuring him on the piano primarily. What a night! Mr. Dylan has still got the magic touch in my book, how he continues on the hard life of the road is a testament to his love of what he does I guess. I’m glad he does. Thanks Mr Dylan.

ob Dylan, the man in black, followed his band onto the stage around 9:00pm. The sound came across a little muffled during “Things Have Changed”, but was corrected before the song transitioned into “She Belongs to Me” (one of only two songs from the 60’s…and yes, it was modified quite a bit). Switching it up between standing at the mic and sitting at the piano, he left the majority of the guitar, percussion, and (lots of) pedal steel to the men in grey suits. At 75 years old, it is amazing the man is still performing at all, but I swear his voice is aging twice as fast as his body. I am a huge Tom Waits fan, so I have no problem with whiskey-soaked, unintelligible vocals, but late-career Dylan is giving Waits a run for his money when he is on stage. Selections from Tempest would have been right at home on Bone Machine or Real Gone. What might sound like a heartbroken hound dog on record, can come across as the last breath of a dying bull frog on stage. I mean that in the best way possible though. The built-up grit and grime in his throat tells stories the same way his lyrics do.

There are many differences between Bob Dylan and Tom Waits, but when it comes to the stage, there are two that are most obvious. Tom Waits is known for his banter, while Dylan is known for his almost complete disregard for the audience. The only time he spoke to the crowd on Sunday night was to mumble a few words of appreciation before intermission. The other difference, which I didn’t realize until the Sinatra songs started to appear in the set, is that Dylan is fully capable of washing the rust away to sing clean vocals. The transformation was unbelievable as “I’m A Fool to Want You” would follow “Duquesne Whistle”, or “I Could Have Told You” would follow “Early Roman Kings”. Decades would peel away like reptilian skin. Tribute was paid to the old standards by his band in multiple ways, but hearing Dylan pay respect to those classic tunes by enunciating every word was something I didn’t think possible in 2016. But then he’d follow “All or Nothing At All” by barking “Long and Wasted Years” at the bright moon above. He might not be the most dynamic performer living today, but the fact that he can mix such diverse sounds into a single, cohesive set speaks volumes about his ability to curate a show.

http://reviewsmatthewingate.blogspot.co.uk/

In the 53 years since his début album, Bob Dylan has written and recorded countless songs, but last night at the Royal Albert Hall he returned to the template of his first record; blending gems of the Great American Songbook with his own compositions.

In recent years, fans expecting a greatest hits show would have been disappointed at hardly hearing any of the "classics", there was not a disappointed fan in the house tonight despite only 3 of Dylan's originals having been released before the 1975 and two of the Sinatra covers being un-released studio out-takes from his latest album, Shadows in the Night, which went to No. 1 earlier in the year.

He and his band started with Things Have Changed, and they most certainly have. His voice is in fine form, a curiosity considering how in recent years watching Bob Dylan live has felt more like watching Tom Waits.

No band has played behind this 60's icon for longer than the current line-up, and it shows. They are an autumnal unit who have no problem switching between the moody, late-night-bar feel of songs like "Melancholy Mood" or "The Night We Called it a Day" and the heavy, apocalyptic rock tracks like "Pay in Blood" and the excellent closer "Love Sick."

It was clear Dylan was having fun, bobbing and dancing in the instrumental interludes. He rolled back the years at the end of the first set with a fine rendition of Tangled Up in Blue and, as always, drew cries of assurance from the sell-out crowd after the line "You think I'm over the hill? You think I'm passed my prime?" in Spirit on the Water. On tonight's showing, he most certainly isn't.

By the end of the night, there wasn't a single person left standing. Couples danced in the aisle's in the East Choir to a timeless rendition of Blowin' in the Wind and Dylan and co. received three separate standing ovations and deafening roars for more. "I'm sick of love" he howls during the closing song, although he shows no signs of being sick of performing, with 4 more sold out nights at the Albert Hall to come before continuing to play across Europe into late November.

As his old posters used to read: Don't You Dare Miss It.

Highlights:

I'm a Fool to Want You

Tangled Up in Blue

Autumn Leaves

First off, I'm far from a total Dylan expert but a do like him and his music a lot. I've seen him 15 times. I've only seen Grateful Dead and R.E.M. more times.

Bob Dylan is a cultural icon who can still rock with the best of them. Like McCartney or the Stones a Dylan show should be on your musical bucket list. Dylan is the cultural and musical troubadour of the 60's who refused the media coronation of him as the voice of a generation: "Don't follow leaders, watch your parking meters". He combines the personal and political in his songs to highlight injustice, celebrate the common man, put down the uncool, and remind people to think for themselves. His lyrics pushed beyond what the boundaries of popular storytelling had been. He brought beat poetry, abstract imagery, tumbling meter and a magpies gift for "borrowing" from folk masters and blues legends to the general public.

So why see him now? Dylan tours incessantly with a top notch band of rhythm and blues masters who pump out a massive groove for Bob to hang his melodies upon. Dylan's voice is rougher and he hides more than he reveals with his current vocal style. It's true that his voice is an acquired taste, especially now. He changes keys , tempos and rearranges his songs sometimes even surprising the band! I think he does it to keep the music fresh for himself and to make it harder for the audience to sing along: we're forced to listen. And we hear a mix of newer songs and the classics: Tangled Up In Blue, Blowin' In The Wind, All Along The Watchtower (not a DMB song ya know!), Knockin' On Heavens Door, and Like A Rolling Stone.

How does it feel? Like a celebration of heartland rock and roll baptized in the Mississippi and polished by a life on the road. It's a rollicking ride and a celebration of music at the heart of our culture. Don't expect small talk or patronizing shout outs; you'll be lucky if he cracks a smile. The music is his message and you'll be darn glad you heard it.

DYLAN : LE NAUFRAGE

Un son épouvantable, le sonorisateur n'a pas tout à fait noté que le nobélisé sur scène l'a été en littérature et non pas en variété : pour jouir des paroles, retour au CD.

La tenue de Dylan en scène, on connaît. Au piano de dos (on voit d'ailleurs qu'il ne l'a pas travaillé depuis 1962) ou en fond de scène entre ses musiciens qui doivent presque le pousser dans le dos pour qu'il se montre ; comme en plus, il porte un chapeau de cow boy, tu vois même pas ses yeux. Il n'adresse pas un mot au public, il ne présente même pas ses musiciens.

Sur le répertoire, à part un massacre de Don't Things twice, it's allright et de 2-3 chansons (pas les plus connues), un florilège du pire de la variété US et des standards (référence Sinatra et autres crooners) en "arrangement" country bas de gamme (pédal steel guitar jusqu'à plus soif). On avait l'impression d'un show préparé à l'intention des bouseux du Midwest. Il faut se pincer pour se souvenir que Dylan a porté l'étendard du moderne. Dernier morceau : les Feuilles mortes, tonalité chant funebre. Sinistre...

Enfin l'orchestre. Tous des bons musiciens qui cachetonnent. Mais on n'a pas fait appel à leurs talents d'arrangeurs. Donc, c'est de la mise en place jusqu'à la fin du dernier refrain. Pas une originalité, pas un trait d'humour ou de fantaisie.

Une triste déception au total.

Le public ne s'y est pas trompé car à part un fort carré de fans qui jouaient le cache misère, il est resté sur une triste réserve.

Compte tenu du prix scandaleux des places, il y a d'autres choses à faire ce soir là.

show in Ft. Myers.

First of all, the sound system was terrible. You could understand about every 10th word. Otherwise, it was just a blur and the arrangements were such that they had no relevance to the songs. Maybe a couple of notes. I had to ask my lady, "What song is this?" She answered,"Blowing in the Wind". Weelllll, I have been listening to that song for over 40 years!! I had no idea he was singing that!

Ok, Dylan is Dylan. He will mix up the instruments, but here, along with the vocals on the worst sound system I have heard in years; combined with the worst arrangements, I had no idea what he was singing almost all of the time.

Still, I really liked going. It's probably the last time I will be able to see him in person. He coulda just stood on stage and burped and it would have been worth it. He had long haired women dancing in the iles. Not his women, the audience women(hopefully). Lot of gray hair there in my fellow concert-goers when I looked around but, on the whole, I am really glad I went. I am sure they were too. Whoever reads this; you should go too......Frederick(Rick) H Johnson

After following Dylan since the early 60s, I finally got to see him at his age of 78! I was super glad to be able to say I saw him. He sang quite a few songs, one right after another and most of them were done fast. The most popular ones that I could decipher had the words right, but the music part of it was very, very different. He did not do his most popular songs over the years. He did what he wanted to do. I was able to recognize 3 songs that I knew well, the others I had heard, but weren't really my favorites. I was just glad he (talked) sang. He did not interact with the audience, he wasn't announced at the beginning, and when he was done he walked off stage. One encore and off again. He did introduce the individual musicians, but it was so fast, I couldn't keep up. No one I recognized. I love him no matter what he chose to do or not do. The Bren Event Center in Irvine holds about 5500 and it was full. Tickets were expensive for me, but I just had to see him live even if I would have had to sell my first born, lol. I'll be paying off my credit card for the charge in 6 months. Good times.

An entertaining show over all. Dylan's vocals were muffled somewhat when he was on the keyboards, making the words sound indistinguishable and mumbled. However, when he was singing standards from his SHADOWS OF THE NIGHT album, Dylan was standing up at center stage and the sound was much cleaner and the words were easy to understand. Don't expect to hear the classic Dylan hits in their original form. Dylan has created new arrangements for his band to play BLOWIN IN THE WIND, HIGHWAY 61, DESOLATION ROW, etc. in more of a rock and roll genre. I can remember only one harmonica riff during the set that lasted less than 2 hours. We enjoyed the show, but wish he had done some songs alone with an acoustic guitar, rather than totally electric with his band droning out some of his vocals. He is still a legendary NOBEL PRIZE WINNING superstar and plays like one during some of the moments during the show. It was great to hear him croon like Sinatra on songs like WHAT'LL I DO? and ALL OR NOTHING AT ALL. That was the best part of the show in this reviewer's opinion.

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7 July 2023 9:30 pm 7 July 2023 12:00 am

Bob Dylan – Rough and Rowdy Ways World Wide Tour 2023

Do you want to know who are the artists announced for the Umbria Jazz Festival 2024 ?

Bob Dylan will perform on Friday, July 7, 2023, starting with 9.30 pm, at the Arena Santa Giuliana, in Perugia , as part of the Umbria Jazz Festival 2023 .

> Buy Your Ticket Now

In 2023, besides the concert in Perugia, Bob Dylan will also appear on stage in Milan , on July 3 and 4, in Lucca , on July 6, for the Lucca Summer Festival 2023 , and in Rome , on July 9, for the Roma Summer Fest 2023 .

He made his breakthrough as a songwriter with the release of The Freewheelin’ Bob Dylan the following year. The album featured Blowin’ in the Wind and A Hard Rain’s a-Gonna Fall .

He released The Times They Are a-Changin’ and Another Side of Bob Dylan in 1964.

In 1965 and 1966, Dylan recorded three of the most important and influential rock albums of the 1960s – Bringing It All Back Home , Highway 61 Revisited and Blonde on Blonde .

In the late 1960s and early 1970s, Dylan explored country music in John Wesley Harding , Nashville Skyline and New Morning .

In 1975, he released Blood on the Tracks . In the late 1970s, he became a born-again Christian and released a series of albums of contemporary gospel music before returning to his more familiar rock sound in the early 1980s.

His album Time Out of Mind , released in 1997, marked the beginning of a renaissance for his career.

Bob Dylan released five critically acclaimed albums of original material since then, the most recent being Rough and Rowdy Ways , appeared in 2020.

UMBRIA JAZZ FESTIVAL

The first edition of the Umbria Jazz Festival was held in 1973. Since then, every year, during the month of July, Perugia hosts concerts of famous jazz players from around the world.

In recent years, Umbria Jazz Festival also opened its doors to other musical genres.

Besides Bob Dylan, the lineup of the Umbria Jazz Festival 2023 includes names like Ben Harper & The Innocent Criminals , Mika , Brad Mehldau Trio, Branford Marsalis, Rhiannon Giddens, Snarky Puppy, Stewart Copeland, Paolo Conte and Joe Bonamassa.

Since 2003, the most important concerts of the Umbria Jazz Festival take place on the Arena Santa Giuliana, a stadium in Perugia, used mainly for soccer games.

Arena Santa Giuliana was born in 1937, based on a project by the architect Giuseppe Lilli, to provide the city of Perugia with a real stadium.

The stadium is located in the historical center of the city, about 1.3 kilometers away from the Perugia railway station.

The closest bus stop is located in Via Fratelli Pellas , about 50 meters away, on the bus Lines 102, 103, 104, 105, 112, 114, 115, 117, A, D, E, F022, G, H, I and R.

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• July 9, 2023 Setlist

Bob Dylan Setlist at Sala Santa Cecilia, Auditorium Parco della Musica, Rome, Italy

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Tour: Rough and Rowdy Ways Tour statistics Add setlist

• Watching the River Flow Play Video
• Most Likely You Go Your Way and I'll Go Mine Play Video
• I Contain Multitudes Play Video
• False Prophet Play Video
• When I Paint My Masterpiece Play Video
• Black Rider Play Video
• My Own Version of You Play Video
• I'll Be Your Baby Tonight Play Video
• Crossing the Rubicon Play Video
• To Be Alone With You Play Video
• Key West (Philosopher Pirate) Play Video
• Gotta Serve Somebody ( followed by band introductions ) Play Video
• I've Made Up My Mind to Give Myself to You Play Video
• That Old Black Magic ( Johnny Mercer  cover) Play Video
• Only a River ( Bob Weir  cover) Play Video
• Truckin' ( Grateful Dead  cover) Play Video
• Mother of Muses Play Video
• Goodbye Jimmy Reed Play Video
• Every Grain of Sand Play Video

Edits and Comments

2 activities (last edit by belars , 9 Jul 2023, 19:36 Etc/UTC )

Songs on Albums

• Black Rider
• Crossing the Rubicon
• False Prophet
• Goodbye Jimmy Reed
• I Contain Multitudes
• I've Made Up My Mind to Give Myself to You
• Key West (Philosopher Pirate)
• Mother of Muses
• My Own Version of You
• Only a River by Bob Weir
• That Old Black Magic by Johnny Mercer
• Truckin' by Grateful Dead
• Watching the River Flow
• When I Paint My Masterpiece
• Most Likely You Go Your Way and I'll Go Mine
• I'll Be Your Baby Tonight
• To Be Alone With You
• Every Grain of Sand
• Gotta Serve Somebody

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Bob dylan gig timeline.

• Jul 06 2023 Lucca Summer Festival 2023 Lucca, Italy Add time Add time
• Jul 07 2023 Umbria Jazz 2023 Perugia, Italy Add time Add time
• Jul 09 2023 Sala Santa Cecilia, Auditorium Parco della Musica This Setlist Rome, Italy Add time Add time
• Sep 23 2023 Farm Aid 2023 Noblesville, IN, USA Start time: 10:20 PM 10:20 PM
• Oct 01 2023 The Midland Theatre Kansas City, MO, USA Start time: 8:00 PM 8:00 PM

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Bob Dylan Plots Fall 2023 North American Tour

By Andy Greene

Andy Greene

Bob Dylan ‘s Rough and Rowdy Ways tour is coming back to North America in the fall. The leg kicks off Oct. 1 at the Midland Theatre in Kansas City, Missouri. An Oct. 30 show at Proctors Theatre in Schenectady, New York is the final confirmed date, but Dylan’s website notes that “more Fall 2023 dates will be announced soon!”

The Rough and Rowdy Ways tour kicked off November 2, 2021 in Milwaukee. Dylan had been off the road for nearly two years at that point due to the pandemic. Prior to that, he hadn’t missed a single year of touring since the Never Ending Tour kicked off in 1988. He made up for lost time by taking the show all over the world, but he hasn’t played the East Coast of the U.S. since the fall of 2021.

The show did take a surprise left turn earlier in the year when he started playing songs from the Grateful Dead catalog, including “Truckin,” “Brokedown Palace,” “Stella Blue,” and “West L.A. Fadeaway.” He even trotted out Bob Weir’s 2016 solo song “Only a River,” Merle Haggard’s 2010 obscurity “Bad Actor,” and Van Morrison’s 1970 classic “Into the Mystic.” Dylan fans were thrilled by the additions since it added a degree of uncertainty to every show.

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Bob Dylan’s Fall 2023 North American Tour Dates

Oct. 1 – Kansas City, MO @The Midland Theatre Oct. 2 – Kansas City, MO @ The Midland Theatre Oct. 4 – St. Louis, MO @ Stifel Theatre Oct. 6 – Chicago, IL @ Cadillac Palace Theatre Oct. 7 – Chicago, IL @ Cadillac Palace Theatre Oct. 8 – Chicago, IL @ Cadillac Palace Theatre Oct. 11 – Milwaukee, WI @ The Riverside Theater Oct. 12 – Milwaukee, WI @ The Riverside Theater Oct. 16 – Indianapolis, IN @ Murat Theatre Oct. 20 – Cincinnati, OH @ The Andrew J. Brady Music Center Oct. 21 – Akron, OH @ Akron Civic Theatre Oct. 23 – Erie, PA @ Warner Theatre Oct. 24 – Rochester, NY @ Auditorium Theatre Oct. 26 – Toronto, ON @ Massey Hall Oct. 27 – Toronto, ON @ Massey Hall Oct. 29 – Montreal, QB @ Place des Arts – Salle Wilfrid-Pelletier Oct. 30 – Schenectady, NY @ Proctors Theatre

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