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+LIVE+ have sold over 22 million albums worldwide and earned two number one albums: Throwing Copper and Secret Samadhi. Their catalog is filled with such gems as “Lightning Crashes,” “I Alone,” “All Over You” and “Lakini’s Juice,” which live on today as classics on rock radio. Throwing Copper—which the band celebrated in 2019 with a new deluxe 25th anniversary edition via Radioactive/Geffen/Ume along with a global tour across major festivals, amphitheaters and arenas--produced the band’s biggest single, “Lightning Crashes,” which was #1 at Modern Rock radio for ten consecutive weeks. Throwing Copper reached #1 on the Billboard Top 200 and eventually surpassed sales of 10 million albums sold, with Rolling Stone honoring the album with placement on their list, “1994: The 40 Best Records From Mainstream Alternative's Greatest Year.” Secret Samadhi (1997) immediately shot to #1 on the Billboard Top 200 and eventually went double platinum. The release of the platinum-selling The Distance to Here (1999) turned +LIVE+ into an international powerhouse and moved the band from arenas into stadiums. +LIVE+ has been and remains today a global concert juggernaut. The band released an acclaimed five-song EP in 2018, LOCAL 717, their first new music in over a decade.

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+LIVE+ have sold over 22 million albums worldwide and earned two number one albums: Throwing Copper and Secret Samadhi . Their catalog is filled with such gems as “Lightning Crashes,” “I Alone,” “All Over You” and “Lakini’s Juice,” which live on today as classics on rock radio. Throwing Copper —which the band celebrated in 2019 with a new deluxe 25 th anniversary edition via Radioactive/Geffen/Ume along with a global tour across major festivals, amphitheaters and arenas–produced the band’s biggest single, “Lightning Crashes,” which was #1 at Modern Rock radio for ten consecutive weeks. Throwing Copper reached #1 on the Billboard Top 200 and eventually surpassed sales of 10 million albums sold, with Rolling Stone honoring the album with placement on their list, “1994: The 40 Best Records From Mainstream Alternative’s Greatest Year.” Secret Samadhi (1997) immediately shot to #1 on the Billboard Top 200 and eventually went double platinum. The release of the platinum-selling The Distance to Here (1999) turned +LIVE+ into an international powerhouse and moved the band from arenas into stadiums. +LIVE+ has been and remains today a global concert juggernaut. The band released an acclaimed five-song EP in 2018, LOCAL 717 , their first new music in over a decade.

Watch +LIVE+ Perform Hit Singles Like Lightning Crashes

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Australia/New Zealand Tour 2024 Tour

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  • Sep 14 2024 American Family Insurance Amphitheater Milwaukee, WI, USA  –  Find tickets Add time Tickets Add time Add times

Līve at LOOKOUT Hillarys 2024

  • All Over You
  • Selling the Drama
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Līve at The Drive, Adelaide, Australia

Līve at margaret court arena, melbourne, australia, līve at lookout mornington 2024, līve at hordern pavilion, sydney, australia, līve at win entertainment centre, wollongong, australia.

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Līve at lookout bribie island 2024, līve at the trusts arena, auckland, new zealand, more from līve.

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Megadeth announces North America tour, closing out with a Nashville stop

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Megadeth has announced a 2024 fall  "Destroy All Enemies Tour" that will take them all across North America. On Sept. 28, the thrash metal band will end their tour in Nashville at the Municipal Auditorium.

The 33-show tour, produced by Live Nation, will feature support from Mudvayne and All That Remains.

The two-month tour will kick off on Aug. 2 in Rogers, AR before hitting cities in Texas, California, Nevada, Florida, North Carolina and more.

The band, comprised of vocalist and guitarist Dave Mustaine, bassist James LoMenzo, guitarist Teemu Mäntysaari and drummer Dirk Verbeuren, is known for songs "Holy Wars... The Punishment Due" and "Symphony of Destruction."

They most recently released their 2022 album "The Sick, The Dying...And The Dead!"

“Our ‘Crush The World’ tour has been a tremendous experience for the four of us,” said singer/guitarist Dave Mustaine in a statement.

“We are all playing tight, and that has made it possible for me to really focus on solos and singing, we are playing more songs than ever before, and we are closer to each other, onstage AND off. I’m excited to see Mudvayne, and All That Remains. Join us as we DESTROY ALL ENEMIES.”

How do I get tickets for the Megadeth 2024 tour?

Tickets for all the dates will go on sale to the public at 10 a.m. local time on Friday, April 26.

Fans can access a presale for the Cyber Army and Megadeth Digital members at megadeth.com .

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Bruce Springsteen and E Street Band alive and well in 3-plus hours of thunderous hits

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The pent-up demand for Bruce Springsteen and his E Street Band had put ardent fans on edge.

Would the Boss' energy be the same after the rocker was forced to cancel last year's show in March due to illness and then a rescheduled performance in September due to a peptic ulcer?

Did the 74-year-old still have the stamina to navigate a stage for more than three hours? To gyrate with his guitar and hit the high notes of ballads and rock classics? To remember the lyrics as he's done for more than four decades in over 1,300 concerts with the band?

The answer, from about 20,000 devotees at Sunday's concert at Nationwide Arena, was a resounding, deafening "Yes." It was the band's first show in Columbus since 2016.

The tone was set in the opening bars of "Youngstown," a nod to the Rust Belt factories that build the weaponry "that won this country's wars," but then died off to leave empty shells and unemployment. A searing guitar solo by Nils Lofgren infused the song with powerful shards of despair.

And like the canon blast after a Columbus Blue Jackets' goal, "Lonesome Days" followed, with a jarring rim shot by drummer Max Weinberg, a percussive human metronome throughout the sell-out concert that lasted about three hours and 10 minutes.

Springsteen, in a short-sleeve denim shirt, black vest and purple tie, appeared to relish the arena crowd. With eyes often closed, he channeled deeply personal songs like "The Promised Land," The Rising," and "Ghosts."

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His grimacing was not from bad joints, but during his guitar solos, thrashing the strings during extended versions of favorites such as "Streets of Fire."

He didn't pause much between songs, often exchanging one guitar for another by tossing it to a stagehand, as Weinberg continued to strafe the crowd with nonstop rhythmic transitions.

During "Spirit in the Night," Springsteen graciously walked behind the stage to focus on those seated behind the band, sauntering at times for effect.

He ended up in front, resting his legs on the edge of the stage and his back against saxophonist Jake Clemons, whose uncle Clarence Clemons, also a sax player, was one of Springsteen's closest friends.

While mortality and distant youth were themes that may have resonated with the older crowd, many of whom were in high school or college when Springsteen blasted into stardom in the late 1970s and early '80s, there were also some younger fans.

Michelle Grinestaff and her husband, Jared Schuetter, brought their daughters, Claudia, 14, and Vivian, 12, both of whom had memorized many of Bruce's hits.

"She's been playing Springsteen their entire lives," said Schuetter of his wife.

Grinestaff's attraction followed her father Jerry's, a rabid fan who, two years ago died of pulmonary fibrosis. The night before his passing, she told him she really wanted him to come to last year's concert with the girls. "He said to just make sure you have a good time," she recalled, halting to wipe a tear.

She vividly recalls that Springsteen's "Racing in the Street" was playing while to spoke to her dad. She hoped she'd hear it Sunday night.

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Sure enough, the concert's 19th song, "Racing in the Street," was a beautiful rendition of love, loss and redemption with exquisite interplay between Roy Bittan's piano and Charles Giordano's organ. The audience quickly silenced, seemingly in hushed awe of Springsteen's meticulous alchemy of music and lyrics, considered by many among his best work.

The Boss still is in top form, telling the audience that his little "bellyache" from last year is a memory. "It's all good now," he said. He even skipped across the stage at one point during "Hungry Heart."

Springsteen seems to thrive on the adulation, but not in a selfish manner. He's keenly aware of audience temperament. And knowing when to end a marathon show is about having empathy for the crowd, which stood most of the night.

Typical of the band's recent encores, the iconic "Born to Run" led a string of hits, including "Rosalita (Come out Tonight)," "Bobby Jean," "Dancing in the Dark" and "Tenth Avenue Freeze-Out."

Full, bright arena lighting illuminated the crowd during a medley of oldie covers, including a Detroit medley, "Devil with the Blue Dress On/Good Golly Miss Molly and C.C. Rider," among others.

Brothers Darrell and Don Miller, of Hilliard, both in their early 60s, recalled before the concert training for high school basketball with a coach playing the song "Born to Run" endlessly to inspire track workouts.

"It's the one song not on my playlist," said Don, "because I had to run laps to that thing for two years."

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Darrell couldn't help wonder how much longer Springsteen can keep running.

"He's going overseas. This might be his ride off into the sunset," he said.

The blast furnace of a performance is the tour's last in the U.S. as the band now heads to Great Britain to begin its European tour. It returns in late summer, including two shows in Pittsburgh on Aug. 15 and 18.

Toward the show's final encore, "I'll See You in my Dreams," from his 2020 album, "Letter to You," Springsteen bent over in feigned (or likely real) exhaustion.

"I don't think you got anything left," he challenged the crowd, which answered in a deafening roar. "Are you saying you can outlast the E Street Band?"

A test of an artist's emotional reach is often found in the most distant seats. In the upper bowl, at the far end of the Nationwide stage, fans could be seen dancing, pumping their arms and waving.

Springsteen looked skyward, opened his eyes and smiled broadly.

Springsteen's setlist

  • "Youngstown," tour debut; first time since 2017
  • "Lonesome Day"
  • "Prove It All Night"
  • "No Surrender"
  • "Letter to You"
  • "The Promised Land"
  • "Spirit in the Night"
  • "Hungry Heart"
  • "Trapped," Jimmy Cliff cover
  • "Streets of Fire," tour debut, first time since 2016
  • "I'm Goin' Down," tour debut, first time since 2017
  • "Nightshift," Commodores cover
  • "Racing in the Street," sign request
  • "Last Man Standing," acoustic, with Barry Danielian on trumpet
  • "Backstreets"
  • "Because the Night," Patti Smith Group cover
  • "She's the One"
  • "Wrecking Ball"
  • "The Rising"
  • "Thunder Road"
  • "Born to Run"
  • "Rosalita (Come Out Tonight)"
  • "Bobby Jean"
  • "Dancing in the Dark," followed by band introductions
  • "Tenth Avenue Freeze-Out"
  • "Detroit Medley"
  • "Twist and Shout," The Top Notes cover

Encore No. 2

  • "I'll See You in My Dreams," solo acoustic

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Rock trailblazer Heart reunites for a world tour and a new song

FILE - Nancy Wilson, left, and Ann Wilson, right, of the band Heart perform as Heart is inducted into the Rock and Roll Hall of Fame during the Rock and Roll Hall of Fame Induction Ceremony at the Nokia Theatre on Thursday, April 18, 2013 in Los Angeles. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Danny Moloshok/Invision/AP, File)

FILE - Nancy Wilson, left, and Ann Wilson, right, of the band Heart perform as Heart is inducted into the Rock and Roll Hall of Fame during the Rock and Roll Hall of Fame Induction Ceremony at the Nokia Theatre on Thursday, April 18, 2013 in Los Angeles. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Danny Moloshok/Invision/AP, File)

FILE - Nancy Wilson, left, and Ann Wilson of Heart perform on opening night of the Heartbreaker Tour at the Cruzan Amphitheater in West Palm Beach, Fla., June 17, 2013. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Jeff Daly/Invision/AP, File)

FILE - Nancy and Ann Wilson of the classic rock band Heart perform in concert at the American Music Theater on Monday, March 24, 2014, in Lancaster, Pa. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Owen Sweeney/Invision/AP, File)

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NEW YORK (AP) — Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring and fall for a world tour that Nancy Wilson describes as “the full-on rocker size.”

“I’ve been strengthening. I’ve got my trainer,” she says. “You go one day at a time and you strengthen one workout session at a time. It’s a lot of work, but it’s the only job I know how to do.”

The Rock & Roll Hall of Famers who gave us classic tracks like “Magic Man,” “Crazy on You” and “Alone” will be playing all the hits, some tracks from of their solo albums — like Ann Wilson’s “Miss One and Only” and Nancy Wilson’s “Love Mistake” — and a new song called “Roll the Dice.”

FILE - Nancy Wilson, left, and Ann Wilson of Heart perform on opening night of the Heartbreaker Tour at the Cruzan Amphitheater in West Palm Beach, Fla., June 17, 2013. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Jeff Daly/Invision/AP, File)

Nancy Wilson, left, and Ann Wilson perform on opening night of the Heartbreaker Tour in West Palm Beach, Fla., June 17, 2013. (Photo by Jeff Daly/Invision/AP, File)

“I like to say we have really good problems because the problem we have is to choose between a bunch of different, really cool songs that people love already,” says Nancy Wilson.

Like “Barracuda,” a sonic burst which first appeared on the band’s second album, “Little Queen” and is one of the band’s most memorable songs.

“You can’t mess with ‘Barracuda.’ It’s just the way it is. It is great. You get on the horse and you ride. It’s a galloping steed of a ride to go on. And for everybody, including the band.”

The tour kicks off Saturday at the Bon Secours Wellness Arena in Greenville, South Carolina, and will hit cities including Atlanta, Boston, Baltimore, Pittsburgh, Milwaukee, Cleveland, Detroit, as well as the New Orleans Jazz and Heritage Festival and Red Rocks Amphitheater in Morrison, Colorado. International dates include stops in London, Oslo, Berlin, Stockholm, Montreal and Glasgow.

The band’s Royal Flush Tour will have Cheap Trick as the opening act for many stops, but Def Leppard and Journey will join for three stadium dates in Cleveland, Toronto and Boston this summer.

Ann and Nancy Wilson will be filled out by Ryan Wariner (lead and rhythm guitar), Ryan Waters (guitars), Paul Moak (guitars, keyboards and backing vocals), Tony Lucido (bass and backing vocals) and Sean T. Lane (drums).

The tour is the first in several years for Heart, which was rocked by a body blow in 2016 when Ann Wilson’s husband was arrested for assaulting Nancy’s 16-year-old twin sons. Nancy Wilson says that’s all in the past.

“We can take any kind of turbulence, me and Ann, and we’ve always been OK together,” she says. “We’re still steering the ship and happy to do it together. So we’re tight.”

The new tour will take them to Canada, which was warm to the band when they were starting out as what Nancy Wilson calls “a couple of chicks from Seattle.” She recalls Vancouver embracing Heart, and touring in one van across Canada in the dead of winter on two lane highways.

FILE - Nancy and Ann Wilson of the classic rock band Heart perform in concert at the American Music Theater on Monday, March 24, 2014, in Lancaster, Pa. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Owen Sweeney/Invision/AP, File)

The Wilsons at the American Music Theater on Monday, March 24, 2014, in Lancaster, Pa. (Photo by Owen Sweeney/Invision/AP, File)

The Wilson sisters broke rock’s glass ceiling in the ‘70s and Nancy Wilson says they only had male influences to look to, like Led Zeppelin, Pink Floyd, the Beatles, the Rolling Stones and the Moody Blues.

Now she says she looks out and loves seeing generations of female rockers. “You have boygenius and you have Billie Eilish and you have Olivia Rodrigo and so many amazing women — Maggie Rogers and Sheryl Crow, who calls us her big influence. And then Billie Eilish might have Sheryl Crow as her influence. So it’s a really nice legacy to pass along. I like to say we’re the OG — the original gangsters — of women and rock.”

Heart has made it into the Rock Hall, won Grammys, sold millions of albums and rocked hundreds of thousands of fans but Nancy Wilson has one place she’d still like to shine.

Next year will mark the 50th anniversary of their debut album, “Dreamboat Annie,” which was the same year that “Saturday Night Live” started. “So we’re actually kind of putting it out there — Heart never played on ‘Saturday Night Live.’ But what about the 50th birthday party with Heart?”

Mark Kennedy is at http://twitter.com/KennedyTwits

MARK KENNEDY

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8 Most Expensive Concert Tickets Ever Sold

I t’s not just about the music. It’s about the connection. The raw energy, vibrancy and vitality of live music can be an unparalleled thrill. But for fans of high-profile artists, this experience often comes bundled with a significant cost.

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Exploring the priciest concert tickets reveals a world full of dedicated fandom, a collective love for music and an eagerness to witness the magic that pop queens and rock legends conjure on stage. The shared passion and dedication make these concerts special — and likely to drain your savings .

Keep reading for a look at some of the most expensive concert tickets ever sold, from beloved pop divas to iconic rock legends.

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The Rolling Stones

The iconic Rolling Stones have been thrilling audiences for decades and recently unveiled plans for a new tour. Following the unfortunate death of the legendary Charlie Watts in 2021, the band will introduce a fresh face behind the drum kit. The band’s A Bigger Bang Tour set a Guinness World Record for the most profitable tour of all time — though it has since been broken — raking in an inflation-adjusted sum in excess of $558 million.

Die-hard Stones fans have been known to part with significant amounts of money to experience live performances. This was evident during the 50 & Counting Tour in 2012, where the band marked its 50th anniversary. With an average ticket price of $1,200 per person, catching the Stones live became quite a pricey affair for ardent admirers.

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Justin Bieber

Justin Bieber’s 2022 Justice World Tour marked a return to post-COVID-19 live entertainment, with the best seats in the house costing $1,500. Although the tour was cut short due to health concerns, Bieber has since returned to the stage.

The Boss: Bruce Springsteen

Though fans highly anticipated Bruce Springsteen’s 2023 tour, the event was unfortunately shadowed by controversy and an unfortunate illness. The excitement of fans who were eager to see Springsteen and his band perform live for the first time in more than five years was dampened by lofty ticket prices, largely due to Ticketmaster’s dynamic pricing policy, which caused some ticket prices to skyrocket to over $5,000.

The Boss has recovered from the illness that initially kept him off the road and has announced new tour dates through 2024. His response to the ticket pricing controversy was a very Springsteen-like, understated promise to “charge a little less” moving forward.

Queen Bey’s 2023 Renaissance World Tour was one of the year’s most anticipated events, and a concert tour headlined by a titan like Beyoncé would obviously command high ticket prices.

An average seat could set you back around $350, but fans had to pay anywhere between $900 and $3,000 for better seating and front-row access. In some cities, prices were even higher — as much as $5,000.

Taylor Swift

For those who are eager to catch a glimpse of Taylor Swift on her still-running Eras tour, ticket prices for locations across the U.S. vary from a modest $49 to a more substantial $499, depending on how close you want to be to Tay Tay.

However, ticket prices significantly increase after they appear on the resale market. Ticket resale platforms such as StubHub, Vivid Seats and TicketSmarter allow dedicated fans to buy tickets to “sold out” shows, but these range in price from $500 to a staggering $7,000.

The glitzy Park MGM Hotel in Las Vegas hosted Maroon 5’s post-pandemic return to live shows in 2023, where ticket prices reached $8,701 per attendee. Prices for this year’s residency start at a more reasonable $79, plus taxes and fees.

The King of Pop: Michael Jackson

Michael Jackson, still revered as the King of Pop, remains etched in the hearts of many thanks to his captivating music and unforgettable choreography. Though controversy shadowed his career and darkened his reputation before his untimely death in 2009, his imprint on the music world continues.

His presciently named Final Curtain Call concert tour in 2009 was famous for having some of the most exorbitantly priced concert tickets in history. Average ticket prices were around $105, but VIP tickets cost more than $1,100. Once the initial sales ended, tickets found their way to the resale market, where sellers asked prices as high as $35,000 for VIP packages.

Led Zeppelin

In 2007, the revered rock group Led Zeppelin redefined the meaning of high-priced concert tickets. After nearly two decades, the band reunited for a tribute show at London’s O2 Arena in honor of Ahmet Ertegun, the founder of Atlantic Records, who died in the previous year.

The Los Angeles Times called it “the concert of the millennium” by “the greatest rock and roll band ever.” That may be more than just an opinion, with Led Zeppelin having two albums on the list of the bestselling albums of all time. While the base price for tickets was set at $250, one Led Zep mega fan paid a stunning $168,000 for a pair of tickets sold at a charity auction — $84,000 each.

Legendary Performers Command Epic Prices

The resale market for concert tickets is infamous for being highly priced, but little verifiable information exists on the precise prices paid for specific tickets. It’s speculated that tickets for concerts featuring divas Barbra Streisand and Celine Dion went for tens — or hundreds — of thousands of dollars in the secondary ticket marketplace, but that information can’t be confirmed.

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This article originally appeared on GOBankingRates.com : 8 Most Expensive Concert Tickets Ever Sold

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Līve tour dates 2024

Līve is currently touring across 2 countries and has 21 upcoming concerts.

Their next tour date is at FestiVoix de Trois-Rivières in Trois-Rivières, after that they'll be at Zone Portuaire in Chicoutimi.

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Upcoming concerts (21) See nearest concert

Les Grands Crus Musicaux

Toyota Pavilion at Concord

YouTube Theater

Arizona Financial Theatre

The Cynthia Woods Mitchell Pavilion presented by Huntsman

Dos Equis Pavilion

Walmart Amphitheatre

Oak Mountain Amphitheatre

MIDFLORIDA Credit Union Amphitheatre

Daily's Place

Ameris Bank Amphitheatre

Red Hat Amphitheater

Jiffy Lube Live

Xfinity Center

PNC Bank Arts Center

Budweiser Stage

Blossom Music Center

Huntington Bank Pavilion at Northerly Island

American Family Insurance Amphitheater - Summerfest Grounds

Ruoff Music Center

Past concerts

Margaret Court Arena

View all past concerts

Recent tour reviews

Going to see Live live never disappoints ... the night sky with all its secrets... Looking forward to something new even if the older material still feels like the first time hearing it.

THANK YOU infinitely for giving me the chance to share and experience such beautiful moments...

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chantingplane’s profile image

so, this was my 24th and last LIVE show. I have seen this band since they were just out of high school and in multiple venues throughout the last 25+ years. The energy level isnt there anymore and they are phoning it in. Playing 2 covers - while great renditions of Paint it Black and Losing My Religion are not what we came to see. They could have replaced those sons with any of the GREAT songs from their catalog and the show would have been better. In his day, Ed used to engage the audience in a high energy manner, for 1/2 the show he played with sunglasses on and was very distant. Forgetting the lyrics to an ALL TIME CLASSIC is unconscionable. The set list on this tour hasn't varied much at all, and certainly in the last month - causing me to suspect that backing tracks are in use, but who knows. So in summary, it's great to see the band back together, but they needed to play MUCH more (probably 5-7 songs more, without covers) and engage their adoring audience.

steve-zielenski’s profile image

Live was awesome! I had an expectation and hope that they would be "good" but they far exceeded my expectations! Excellent show, great musicians and the sound was awesome! Would definitely recommend seeing them even for a casual fan of the band or for people who remember hearing a couple of their songs even.

Dwuggitty’s profile image

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