taylor swift rep tour

Taylor Swift reputation Stadium Tour Announced!

• Copied to Clipboard

The Taylor Swift reputation Stadium Tour  just announced with the first set of dates – and we are SO “ready for it!”

Remember, to get exclusive Presale access you must register for Taylor Swift Tix . Registration closes on Tuesday afternoon, November 28 at 12PM ET . 

Already registered? Make sure you’ve taken these steps  before November 28 so you’re ready for the presale:

• Visit your Taylor Swift Tix portal to confirm your mobile number
• Set your ticket preferences in your Taylor Swift Tix portal
• Log into your Ticketmaster account and make sure you have a valid credit card and updated billing information on file

The Taylor Swift Tix Presale will begin on  Tuesday, December 5  and will run through  Friday, December 8 .  Look out for an email on Saturday, December 2 assigning you your very own presale date and time.  After registration closes, you’ll hear more about special presale windows that were designed just for Taylor Swift Tix participants!

Exact pricing information isn’t available yet, but we can tell you Taylor Swift Tix participants will have the opportunity to unlock access to the best tickets at the best prices.

More details about VIP packages will be available soon and there will be a 6 (six) ticket limit.  We’ll share everything you need to know as we get closer to the presale. For now, check out the dates below and head over to your Taylor Swift Tix portal to get ready.

Taylor Swift reputation Stadium Tour

To learn more about Taylor Swift Tix visit the official FAQ .

Loading Events

• Advance Registration
• Verified Fan

You Might Like

Tout ce que vous devez savoir l’inscription préalable.

Certains événements peuvent nécessiter une inscription préalable avant la mise en vente de billets. Ce processus nous permet de filtrer les robots et les rev...

How Ticketing Works For Garth Brooks/Plus ONE 2024 Las Vegas Residency

Garth Brooks has announced new shows for his Las Vegas Residency, Garth Brooks/Plus ONE at The Colosseum at Caesars Palace in Las Vegas and is using Verified...

How Ticketing Works For Pearl Jam’s 2023 U.S. Tour

Pearl Jam will hit the road again in 2023. There will be two main ways to shop for tickets: Pearl Jam Ten Club Members-Only* Presale powered by Ticketmaster ...

• Cast & crew
• User reviews

Taylor Swift: Reputation Stadium Tour

Taylor Swift takes the stage and proves she doesn't care about her bad reputation. Taylor Swift takes the stage and proves she doesn't care about her bad reputation. Taylor Swift takes the stage and proves she doesn't care about her bad reputation.

• Paul Dugdale
• Taylor Swift
• Amos Heller
• 66 User reviews
• 4 Critic reviews
• 2 nominations

• Self - Musician
• Self - Background Vocalist
• Self - Vocal Co-Captain
• Self - Dancer & Aerialist
• Self - Dancer
• (as Giuseppe Giofre)

• All cast & crew
• Production, box office & more at IMDbPro

More like this

Did you know

• Trivia During the tour, Taylor invited more than 2,000 adopted and foster children and their families to watch the show for free.
• Connections Featured in Miss Americana (2020)
• Soundtracks ...Ready for It? Written by Taylor Swift , Max Martin , Shellback , Ali Payami Performed by Taylor Swift Big Machine Label Group, LLC

User reviews 66

• Jan 1, 2019
• December 31, 2018 (United States)
• Chuyến Lưu Diễn Reputation Của Taylor Swift
• Arlington, Texas, USA (Where the two concerts took place.)
• Den of Thieves
• Taylor Swift Productions
• See more company credits at IMDbPro

Technical specs

• Runtime 2 hours 5 minutes
• Dolby Digital

Related news

Contribute to this page.

• See more gaps
• Learn more about contributing

More to explore

Recently viewed.

Reputation Stadium Tour

• 1 Netflix original
• 3 Critical review
• 4 Awards and nominations
• 6 Setlist changes
• 7 Surprise songs
• 8 Special guests
• 10 Tour dates

Netflix original [ ]

On December 13, 2018, Taylor thanked everyone for her birthday wishes on Instagram and also announced that there was going to be a tour movie for the Reputation Stadium Tour that would be released on New Year's Eve, titled Taylor Swift: reputation Stadium Tour . It was filmed at the last Dallas/Arlington show, which was the final US leg date. It featured the surprise song " All Too Well ".

Taylor Swift designed her own stage, complete with an elevator, and a rapid changing room for her eight costumes.

The main screen was 110 feet tall and and made of 12 columns and 1,5OO LED tiles that split into 49 individual screens that moved depending on the song. The stage design is an X shape and it also features a B & C Stage that Taylor accessed with the floating constellation and snake gondolas during " Delicate " and the " Bad Blood "/" Should've Said No " mashup. The band played right behind the main screen and during certain parts of the show, the screen opened and the audience could see them.

During " Look What You Made Me Do ", there was a giant inflatable snake named Karyn on the stage as well as smaller inflatable snakes on the B & C Stage and for the show encore, a water fountain was installed on stage. There were also fire, smoke and fireworks effects throughout the show from the stage. The LED bracelets distributed to the attendees were interactive with the songs and stage visuals.

Critical review [ ]

"This might be her most astounding tour yet – even when she’s aiming for maximum stadium-rock razzle-dazzle bombast, she gives it all the vibe of a mass communion." - Rolling Stone

Awards and nominations [ ]

The Reputation Stadium Tour won five awards from eight nominations.

Set list [ ]

Official set list for the tour.

• " ...Ready For It? "
• " I Did Something Bad "
• " Gorgeous "
• " Style " / " Love Story " / " You Belong with Me "
• " Look What You Made Me Do "
• " End Game "
• " King of My Heart "
• " Delicate "
• " Shake It Off " (with Charli XCX and Camila Cabello )
• " Dancing With Our Hands Tied " (" So It Goes... " played at some shows)
• Surprise Song
• " Blank Space "
• " Bad Blood " / " Should've Said No "
• " Don't Blame Me "
• " Long Live " / " New Year's Day "
• Why She Disappeared (spoken poem interlude)
• " Getaway Car "
• " Call It What You Want "
• " We Are Never Ever Getting Back Together " / " This Is Why We Can't Have Nice Things "

Setlist changes [ ]

• On July 10, July 14, July 22, and many other dates, Swift performed " So It Goes... " instead of " Dancing With Our Hands Tied ".
• On July 14, Swift performed " Our Song " and " Wildest Dreams " a cappella after the levitating gondola used during " Delicate " malfunctioned. She did not go by the first B stage or do the crowd walk, and instead did every song she would've performed on the first B stage, on the C stage.
• On July 21, Swift performed " Clean " before the " Long Live "/" New Year's Day " mashup, because it was raining.

Surprise songs [ ]

The following songs were performed by Swift after " Dancing With Our Hands Tied ". The songs changed each night. A playlist of every surprise song is featured on streaming platforms called "Reputation Stadium Tour Surprise Songs Playlist".

• Glendale: " All Too Well "
• Santa Clara night one: " Wildest Dreams "
• Santa Clara night two: " The Best Day "
• Pasadena night one: " Red "
• Seattle: " Holy Ground "
• Denver: " Teardrops on My Guitar "
• Chicago night one: " Our Song "
• Chicago night two: " 22 "
• Manchester night one: " I Knew You Were Trouble "
• Manchester night two: " I Don't Wanna Live Forever "
• Dublin night one: " Mean "
• Dublin night two: " How You Get the Girl "
• London night one: " So It Goes... "
• London night two: " Fifteen "
• Louisville: " Mine "
• Columbus: " Sparks Fly "
• Landover night one: " State of Grace "
• Landover night two: " Haunted "
• Philadelphia night one: " Never Grow Up "
• Philadelphia night two: " Treacherous "
• Cleveland: " Babe "
• East Rutherford night one: " Welcome to New York "
• East Rutherford night two: " Fearless "
• East Rutherford night three: " Enchanted "
• Foxborough night one: " 22 "
• Foxborough night two: " Change "
• Foxborough night three: " Ours "
• Toronto night one: " Out of the Woods "
• Toronto night two: " Come Back... Be Here "
• Pittsburgh: " A Place in This World "
• Atlanta night one: " This Love "
• Atlanta night two: " The Lucky One "
• Tampa: " Invisible "
• Miami Gardens: " Breathe "
• Nashville: " Better Man "
• Detroit: " Jump Then Fall "
• Minneapolis night one: " Begin Again "
• Minneapolis night two: " Tied Together with a Smile "
• Kansas City: " The Story of Us "
• Indianapolis: " Forever & Always "
• St. Louis: " Hey Stephen "
• New Orleans: " Speak Now "
• Houston: " Wonderland "
• Arlington night one: " White Horse "
• Arlington night two: " All Too Well "
• Perth: " I Knew You Were Trouble "
• Melbourne: " I'm Only Me When I'm with You "
• Sydney: " 22 "
• Brisbane: " Starlight "
• Auckland: " Out of the Woods "
• Tokyo night one: " I Know Places "
• Tokyo night two: " Wildest Dreams "

Special guests [ ]

These artists joined Taylor on stage to sing a song together as a surprise to the fans.

• May 18, 2018 - Pasadena, California - Shawn Mendes - " There's Nothing Holdin' Me Back "
• May 19, 2018 - Pasadena, California - Troye Sivan - " My My My! "
• May 19, 2018 - Pasadena, California - Selena Gomez - " Hands To Myself "
• June 22, 2018 - London, England - Niall Horan - " Slow Hands "
• June 23, 2018 - London, England - Robbie Williams - " Angels "
• July 26, 2018 - Foxborough, Massachusetts - Hayley Kiyoko - " Curious "
• August 4, 2018 - Toronto, Ontario, Canada - Bryan Adams - " Summer of '69 "
• August 25, 2018 - Nashville, Tennessee - Tim McGraw and Faith Hill - " Tim McGraw "
• October 5, 2018 - Arlington, Texas - Maren Morris - " The Middle "
• October 6, 2018 - Arlington, Texas - Sugarland - " Babe "

Gallery [ ]

Tour dates [ ].

• 1 List of Taylor Swift's ex-boyfriends
• 2 Andrea Swift
• 3 The Eras Tour

Join us on Social

Taylor Swift

Photo: Steve Jennings/Getty Images

Taylor Swift Announces More Dates For 'Reputation' Stadium Tour

The GRAMMY-winner pumps up her North American tour with seven additional dates across the U.S.

With an already massive tour planned in support of her sixth album, Reputation , Taylor Swift has given her fans even more opportunities to catch her live in 2018 by adding seven U.S. dates to her Reputation stadium tour.

The announcement comes the same week Reputation reclaimed the top spot on the Billboard 200, after being temporarily dethroned by Eminem 's Revival . Swift's Reputation tour was already on track to be one of the most talked-about tours of the year.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">New dates for Taylor Swift’s reputation Stadium Tour have just been announced! Tickets go on sale January 31st at 10a local time. Get more information at <a href="https://t.co/nl2zos8L1x">https://t.co/nl2zos8L1x</a>. <a href="https://t.co/XI9yBKTi6Q">pic.twitter.com/XI9yBKTi6Q</a></p>&mdash; Taylor Nation (@taylornation13) <a href="https://twitter.com/taylornation13/status/948556164324872192?ref_src=twsrc%5Etfw">January 3, 2018</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

The newly announced dates will expand the tour to add an additional show in each of these seven cities: Santa Clara, Calif.; Washington, D.C.; Philadelphia; Rutherford, N. J.; Foxborough, Mass.; Minneapolis, Minn.; and Arlington, Texas.

Advance ticket sales for the added dates will begin for fans registered for the Taylor Swift Presale via Ticketmaster Verified Fan starting on Jan. 5 and continuing through Jan.18. Tickets for the general public will go on-sale Jan. 31.

Lin-Manuel Miranda Plots "Hamilton" 2018 Tour

Photo: Mike Formanski

"Let Yourself Be Idiosyncratic": Moby Talks New Album 'Always Centered At Night' & 25 Years Of 'Play'

"We're not writing for a pop audience, we don't need to dumb it down," Moby says of creating his new record. In an interview, the multiple-GRAMMY nominee reflects on his latest album and how it contrasts with his legendary release from 1999.

Moby ’s past and present are converging in a serendipitous way. The multiple-GRAMMY nominee is celebrating the 25th anniversary of his seminal work, Play , the best-selling electronic dance music album of all time, and the release of his latest album, always centered at night .  

Where Play was a solitary creation experience for Moby, always centered at night is wholly collaborative. Recognizable names on the album are Lady Blackbird on the blues-drenched "dark days" and serpentwithfeet on the emotive "on air." But always centered at night ’s features are mainly lesser-known artists, such as the late Benjamin Zephaniah on the liquid jungle sounds of "where is your pride?" and Choklate on the slow grooves of "sweet moon."  

Moby’s music proves to have staying power: His early ‘90s dance hits "Go" and "Next is the E" still rip up dancefloors ; the songs on Play are met with instant emotional reactions from millennials who heard them growing up. Moby is even experiencing a resurgence of sorts with Gen Z. In 2023, Australian drum ‘n’ bass DJ/producer Luude and UK vocalist Issey Cross reimagined Moby’s classic "Porcelain" into "Oh My." Earlier this year, Moby released "You and Me" with Italian DJ/producer Anfisa Letyago .  

Music is just one of Moby’s many creative ventures. He wrote and directed Punk Rock Vegan Movie as well as writing and starring in his homemade documentary, Moby Doc . The two films are produced by his production company, Little Walnut , which also makes music videos, shorts and the podcast "Moby Pod ." Moby and co-host Lindsay Hicks have an eclectic array of guests, from actor Joe Manganiello to Ed Begley, Jr., Steve-O and Hunter Biden. The podcast interviews have led to "some of the most meaningful interpersonal experiences," Moby tells GRAMMY.com.  

A upcoming episode of "Moby Pod" dedicated to Play was taped live over two evenings at Los Angeles’ Masonic Lodge at Hollywood Forever Cemetery. The episode focuses on Moby recounting his singular experiences around the unexpected success of that album — particularly considering the abject failure of his previous album, Animal Rights . The narrative was broken up by acoustic performances of songs from Play , as well as material from Always Centered at Night (which arrives June 14) with special guest Lady Blackbird. Prior to the taping, Moby spoke to GRAMMY.com about both albums.  

'Always centered at night' started as a label imprint then became the title of your latest album. How did that happen?  

I realized pretty quickly that I just wanted to make music and not necessarily worry about being a label boss. Why make more busy work for myself ?

The first few songs were this pandemic process of going to SoundCloud, Spotify, YouTube and asking people for recommendations to find voices that I wasn’t familiar with, and then figuring out how to get in touch with them. The vast majority of the time, they would take the music I sent them and write something phenomenal.

That's the most interesting part of working with singers you've never met: You don't know what you're going to get. My only guidance was: Let yourself be creative, let yourself be idiosyncratic, let the lyrics be poetic. We're not writing for a pop audience, we don't need to dumb it down. Although, apparently Lady Blackbird is one of Taylor Swift 's favorite singers .   

Guiding the collaborators away from pop music is an unusual directive, although perhaps not for you?  

What is both sad and interesting is pop has come to dominate the musical landscape to such an extent that it seems a lot of musicians don't know they're allowed to do anything else. Some younger people have grown up with nothing but pop music. Danaé Wellington, who sings "Wild Flame," her first pass of lyrics were pop. I went back to her and said, "Please be yourself, be poetic." And she said, "Well, that’s interesting because I’m the poet laureate of Manchester." So getting her to disregard pop lyrics and write something much more personal and idiosyncratic was actually easy and really special .  

You certainly weren’t going in the pop direction when making 'Play,' but it ended up being an extremely popular album. Did you have a feeling it was going to blow up the way it did?

I have a funny story. I had a date in January 1999 in New York. We went out drinking and I had just gotten back the mastered version of   Play . We're back at my apartment, and before our date became "grown up," we listened to the record from start to finish.   She actually liked it.   And I thought,   Huh, that's interesting. I didn't think anyone was going to like this record .  

You didn’t feel anything different during the making of 'Play?'

I knew to the core of my being that   Play   was going to be a complete, abject failure. There was no doubt in my mind whatsoever. It was going to be my last record and it was going to fail. That was the time of people going into studios and spending half a million dollars. It was   Backstreet Boys   and   Limp Bizkit   and   NSYNC ; big major label records that were flawlessly produced.   Play   was made literally in my bedroom. 

I slept under the stairs like Harry Potter in my loft on Mott Street. I had one bedroom and that's where I made the record on the cheapest of cheap equipment held up literally on milk crates. Two of the songs were recorded to cassette, that's how cheap the record was. It was this weird record made by a has-been, a footnote from the early rave days. There was no world where I thought it was going to be even slightly successful. Daniel Miller from Mute said — and I remember this very clearly — "I think this record might sell over 50,000 copies." And I said, "That’s kind of you to say but let's admit that this is going to be a failure. Thank you for releasing my last record."   

Was your approach in making  'Play'  different from other albums?  

The record I had made before   Play ,   Animal Rights , was this weird, noisy metal punk industrial record that almost everybody hated. I remember this moment so vividly: I was playing Glastonbury in 1998 and it was one of those miserable Glastonbury years.   When it's good, it's paradise; it's really special.   But the first time I played, it was disgusting, truly. A foot and a half of mud everywhere, incessant rain and cold. I was telling my manager that I wanted to make another punk rock metal record. And he said the   most gentle   thing, "I know you enjoy making punk rock and metal. People really   enjoy   when you make electronic music." 

The way he said it, he wasn't saying, "You would help your career by making electronic music." He simply said, "People enjoy it." If I had been my manager, I would have said, "You're a f— ing   idiot. Everyone hated that record. What sort of mental illness and masochism is compelling you to do it again?" Like Freud said, the definition of mental illness is doing the same thing and expecting different results.   But his response was very emotional and gentle and sweet, and that got through to me.   I had this moment where I realized,   I can make music that potentially people will   enjoy   that will make them happy.   Why not pursue that?  

That was what made me not spend my time in ‘98 making an album inspired by Sepultura and   Pantera   and   instead make something more melodic and electronic.  

After years of swearing off touring, what’s making you hit stages this summer?  

I love playing live music. If you asked me to come over and play Neil Young songs in your backyard, I would say yes happily, in a second. But going on tour, the hotels and airports and everything, I really dislike it.   

My manager tricked me. He found strategically the only way to get me to go on tour was to give the money to animal rights charities. My philanthropic Achilles heel. The only thing that would get me to go on tour. It's a brief tour of Europe, pretty big venues, which is interesting for an old guy, but when the tour ends, I will have less money than when the tour begins.  

Your DJ sets are great fun. Would you consider doing DJ dates locally?  

Every now and then I’ll do something. But there’s two problems. As I've become very old and very sober, I go to sleep at 9 p.m. This young guy I was helping who was newly sober, he's a DJ. He was doing a DJ set in L.A. and he said, "You should come down. There's this cool underground scene." I said, "Great! What time are you playing?" And he said "I’m going on at 1 a.m." By that point I've been asleep for almost five hours.

I got invited to a dinner party recently that started at 8 p.m. and I was like, "What are you on? Cocaine in Ibiza? You're having dinner at 8 p.m .  What craziness is that? That’s when you're putting on your soft clothes and watching a '30 Rock' rerun before bed. That's not going out time." And the other thing is, unfortunately, like a lot of middle aged or elderly musicians, I have a little bit of tinnitus so I have to be very cautious around loud music.

Are you going to write a third memoir at any point?  

Only when I figure out something to write. It's definitely not going to be anecdotes about sobriety because my anecdotes are: woke up at 5 a.m., had a smoothie, read The New York Times , lamented the fact that people are voting for Trump, went for a hike, worked on music, played with Bagel the dog, worked on music some more went to sleep, good night. It would be so repetitive and boring. 

It has to be something about lived experience and wisdom. But I don't know if I've necessarily gotten to the point where I have good enough lived experience and wisdom to share with anyone. Maybe if I get to that point, I'll probably be wrong, but nonetheless, that would warrant maybe writing another book.

  Machinedrum's New Album '3FOR82' Taps Into The Spirit Of His Younger Years  

Photo: Marcelo Hernandez/Getty Images

The Environmental Impact Of Touring: How Scientists, Musicians & Nonprofits Are Trying To Shrink Concerts' Carbon Footprint

"It’s not just [about] a single tour, it’s every tour," singer Brittany Howard says of efforts to make concerts more sustainable. From the nonprofit that partnered with Billie Eilish, to an MIT initiative, the music industry aims to curb climate change.

Beloved by fans around the globe, yet   increasingly unaffordable   for many artists, concert tours are central to the world of entertainment and   local economies . After the pandemic-era   global shuttering of concert venues   large and small, tours are back, and bigger than ever.   

Taylor Swift ’s Eras Tour is   smashing records , selling more than four million tickets and earning more than $1 billion. But that tour made headlines for another reason: as reported in   Business Insider   and other outlets, for a six-month period in 2023, Swift’s two jets spent a combined 166 hours in the air between concerts, shuttling at most a total of 28 passengers.  

Against that backdrop, heightened concerns about the global environmental cost of concert touring have led a number of prominent artists to launch initiatives.   Those efforts seek both to mitigate the negative effects of touring and communicate messages about sustainability to concertgoers.  

A   2023 study   sponsored by Texas-based electricity provider Payless Power found that the carbon footprint of many touring bands was massive. In 2022, concert tours in five genres — country, classic rock, hip-hop/rap, metal and pop — were responsible for CO 2   emissions totaling nearly 45,000 metric tons. A so-called greenhouse gas, carbon dioxide contributes to climate change by radiative forcing; increased levels of CO 2   also contribute to health problems.   

No serious discussion of climate issues suggests a worldwide halt to live music touring, but there exists much room for improvement. Both on their own and with the help of dedicated nonprofit organizations, many artists are taking positive steps toward mitigating the deleterious effects that touring exerts upon the environment.   

Smart tour planning is one way to lessen an artist’s carbon footprint.   Ed Sheeran ’s 2022 European run minimized flights between concert venues, making that leg of his tour the year's most environmentally efficient. Total carbon dioxide emissions (from flights and driving) on Sheeran’s tour came to less than 150 metric tons. In contrast,   Dua Lipa ’s tour during the same period generated 12 times as much — more than 1800 metric tons — of CO 2 .   

In July, singer/songwriter and four-time GRAMMY nominee Jewel will embark on her first major tour in several years, alongside GRAMMY winner Melissa Etheridge . During the planning stage for the 28-city tour, Jewel suggested an idea that could reduce the tour’s carbon footprint.

"I always thought it was so silly and so wasteful — and so carbon footprint-negative — to have separate trucks, separate lighting, separate crews, separate hotel rooms, separate costs," Jewel says. She pitched the idea of sharing a backing band with Etheridge. "I’ve been trying to do this for 25 years," Jewel says with a laugh. "Melissa is the first person who took me up on it! "  

The changes will not only reduce the tour’s carbon footprint, but they’ll also lessen the cost of taking the shows on the road. Acknowledging that there are many opportunities to meet the challenges of touring’s negative impact upon the environment, Jewel emphasizes that “you have to find [solutions] that work for you.”

Sheeran and Jewel aren’t the only popular artists trying to make a difference. A number of   high profile   artists have become actively involved in creating the momentum for positive change. Those artists believe that their work on sustainability issues goes hand in hand with their role as public figures. Their efforts take two primary forms: making changes   themselves, and advocating for action among their fans.   

The Climate Machine  

Norhan   Bayomi   is an Egypt-born environmental scientist at Massachusetts Institute of Technology and a key member of the   Environmental Solutions Initiative , a program launched to address sustainable climate action. She’s also a recording artist in the trance genre, working under the name   Nourey .   

The ESI   collaborates with industry heavyweights   Live Nation, Warner Music Group and others as well with touring/recording acts like   Coldplay   to examine the carbon footprint of the music industry. A key component of the ESI is the   Climate Machine , a collaborative research group that seeks to help the live music industry reduce carbon emissions. "As a research institution, we bring technologies and analytics to understand, in the best way possible, the actual impact of the music industry upon climate change," says John Fernández, Director of the ESI.   

View this post on Instagram A post shared by MIT Climate Machine (@mitclimatemachine)

"I’m very interested in exploring ways that we can   bridge between   environmental science, climate change and music fans,"   Bayomi   says. She explains that the tools at the ESI’s disposal include "virtual reality, augmented reality and generative AI," media forms that can communicate messages to music fans and concertgoers. Fernández says that those endeavors are aimed at "enlisting, enabling and inspiring people to get engaged in climate change."  

The Environmental Solutions Initiative cites Coldplay as a high-profile success. The band and its management issued an   "Emissions Update" document   in June 2024, outlining   its   success at achieving their goal of reducing direct carbon emissions from show production, freight, band and crew travel.   The established target was a 50 percent cut in emissions compared to Coldplay’s previous tour; the final result was a 59 percent reduction between their 2022-23 tour and 2016-17 tour.   

A significant part of that reduction came as a result of a   renewable-energy   based battery system that powers audio and lights. The emissions data in the update was reviewed and independently validated by MIT’s Fernández.   

Change Is Reverberating  

Guitarist Adam Gardner is a founding member of Massachusetts-based indie rockers   Guster , but he's more than just a singer in a rock band. Gardner is also the co-founder of   REVERB , one of the organizations at the forefront of developing and implementing climate-focused sustainability initiatives.   

Founded in 2004 by Gardner and his wife, environmental activist Lauren Sullivan,   REVERB  began   with a goal of making touring more sustainable; over the years its focus has expanded to promote industry-wide changes. Today, the organization promotes sustainability throughout the   industry  in   partnership with music artists, concert venues and festivals.   

REVERB initiatives have included efforts to eliminate single-use plastics at the California Roots Music & Arts Festival, clean energy projects in cooperation with   Willie Nelson   and   Billie Eilish , and efforts with other major artists. Gardner has seen sustainability efforts grow over two decades  

"It’s really amazing to see the [change] with artists, with venues, with fans," Gardner says. "Today, people are not just giving lip service to sustainable efforts; they really want to do things that are real and measurable."   

The   Music Decarbonization Project   is one tangible example of REVERB’s successes. "Diesel power is one of the dirtiest sources of power," Gardner explains. "And it’s an industry standard to power festival stages with diesel generators." Working with   Willie Nelson , the organization helped switch the power sources at   his   annual Luck Reunion to clean energy. At last year’s festival, Nelson’s headlining stage drew 100 percent of its power from solar-powered batteries. "We set up a temporary solar farm," Gardner says, "and the main stage didn’t have to use any diesel power."   

Billie Eilish was another early supporter of the initiative. "She helped us launch the program," Gardner says. Eilish’s   set at Lollapallooza 2023   drew power from solar batteries, too.   

With such high-profile successes as a backdrop, Gardner believes that REVERB is poised to do even more to foster sustainable concerts and touring. "Our role now," he says, "isn’t just, ‘Hey, think about this stuff.’ It’s more how do we push farther, faster?"   

Adam Gardner believes that musicians are uniquely positioned to help make a difference where issues of sustainability are concerned. "When you’re a musician, you’re connecting with fans heart-to-heart. That’s what moves people. And that’s where the good stuff happens."   

Small-scale, individual changes can make a difference — especially when they’re coordinated and amplified among other concertgoers. Gardner provides real-world examples. "Instead of buying a plastic bottle, I brought my reusable and filled it up. Maybe I carpooled to the show." Conceding that such steps might seem like drops of water in a giant pool, he emphasizes the power of scale. "When you actually multiply [those things for] just one summer tour, it adds up," he says. "And it reminds people, ‘You’re not alone in this;   you’re   part of a community that’s taking action."   

Gardner understands that REVERB’s arguments have to be framed the right way to reach concertgoers.   "Look," he admits, "It’s a concert. We’re not here to be   a buzzkill . Our [aim] now is making sure people don’t lose hope." He says that REVERB and its partners seek to demonstrate that, with collective action and cultural change, there is reason for optimism.   

"There’s a wonderful feedback loop between hope and action," Gardner says with a smile. "You can’t really have one without the other."   

Sustainable Partnerships  

Tanner Watt is Director of Partnerships at REVERB; he works directly with touring artists to develop, coordinate and implement initiatives that bring together his organization’s objectives and the specific personal concerns of the artists. "I get to come up with all the fun, big ideas," he says with a wide smile.   

Watt acknowledges that like every concertgoer, each touring artist has a certain level of responsibility where sustainability is concerned.   "And everyone can be doing something," he says, noting a number of straightforward actions that artists can put in place while on tour.   "They can eliminate single-use waste. They can donate hotel toiletries that [would otherwise] hit the landfill."   

Watt stresses that artists can lead by example. "Nobody wants to listen to an artist telling them what to do if they’re not doing it themselves," he says. "But we believe that everybody cares about something." He suggests that if an artist has cultivated a following, "Why not use [that platform] to be that change you want to see in the world?"   

Each artist has his or her own specific areas of concern, but Watt says that there’s a base level of "greening" that takes place on every REVERB-affiliated tour. Where things go from there is up to the artist, in coordination with REVERB. Watt mentions Billie Eilish and her tour’s sustainability commitment. "The Venn diagram of food security, community health, access to healthy food, and the impact on the planet is a big cause for her," he says. " So   there’s plant-based catering for her entire crew, across the entire tour."  

Speaking to   Billboard , Eilish's mother Maggie Baird said championing sustainability starts with artists. "If artists are interested, it does really start with them telling their teams that they care and that it’s foremost in their thoughts." In the same conversation, Eilish called the battle for sustainability "a never-ending f–king fight."   

Watt acknowledges that with so many challenges, it’s important for a concerned artist to focus on the issues that move them the most, and where they can make the biggest difference. " Jack Johnson   is   a great example," he says. While Johnson is a vocal advocate for many environmental issues, on tour he focuses on two (in Watt’s words) "cause umbrellas": single-use plastics solutions and sustainable community food systems. Each show on the tour hosts tables representing local nonprofit organizations, presenting concertgoers with real-world, human-scale solutions to those specific challenges.   

Four-time GRAMMY winner   Brittany Howard   is another passionate REVERB partner. "Knowing that I wanted to make my tours more sustainable was a start," she tells GRAMMY.com, "but working with REVERB really helped me bring it to life on the road. REVERB has helped us with guidelines and a green rider to keep our stage, greenrooms and buses more sustainable."  

After listing several other specific ways that her tour supports sustainability, Howard notes, "By supporting these efforts, I am helping ensure future generations have access to clean water, fish, and all that I love about the outdoors." A dollar from every ticket sold to a Brittany Howard concert goes toward support of REVERB’s Music Decarbonization project. "I’m also excited to see industry-wide efforts that are reducing the carbon pollution of live music," Howard continues. "Because it’s not just [about] a single tour, it’s   every   tour."  

There’s a popular aphorism: "You can’t manage what you can’t measure."   From its start, REVERB has sought not only to promote change, but to measure its success.   "As long as I’ve been at REVERB, we’ve issued   impact reports ," says Tanner Watt. "We include data   points, and   give the report to the artists so they understand what we’ve done together." He admits that some successes are more tangible than others, but that it’s helpful to focus on the ones that can be quantified. "We’re very excited that our artists share those with their fans."   

Watt is clear-eyed at the challenges that remain. "Even the word ‘sustainable’ can be misleading," he concedes, suggesting that the only truly sustainable tour is the one that doesn’t happen. "But if folks don’t step it up and change the way we do business in every industry — not just ours — we’re going to get to a place where we’re forced to make sacrifices that   aren’t   painless." Getting that message across is REVERB’s aim. "We can’t stop the world," Watt says. " So   we find ways to approach these things positively."   

Watt says that the fans at concerts featuring Jack Johnson and the   Dave Matthews Band   — both longtime REVERB partners — are already on board with many of the sustainability-focused initiatives which those artists promote. "But there are lots of artists — and lots of fan bases — out there that aren’t messaged to, or have been mis-messaged to," he says.   "I’m really excited to find more ways to expand our reach to them, beyond mainstream pop music.   Because these are conversations that are meaningful for everyone, regardless of political affiliation or other beliefs."   

Reimagining The Planet’s Future  

Singer, songwriter and multi-instrumentalist Adam Met does more than front   AJR , the indie pop trio he founded in 2005 with brothers Jack and Ryan. Met has a PhD in sustainable development and is a climate activist; he's also the founder/Executive Director of   Planet Reimagined , a nonprofit that promotes sustainability and activism through its work with businesses, other organizations and musicians.   

"I’ve spent years traveling around the world, seeing the direct impact of climate change," Met says. He cites two recent and stark examples. "When we pulled up to a venue in San Francisco, the band had to wear gas masks going from the bus into the venue, because of forest fires," he says. AJR’s road crew had to contend with a flash flood in Athens, Greece that washed out their hotel. "And in Rome, some of our crew members fainted because of the heat."   

Encouraged by representatives from the United Nations, Met launched Planet Reimagined. Met’s approach focuses on tailored, city-specific actions to empower fans and amplify diverse voices in the climate movement. Through social media and live shows, Met strives to galvanize climate activism among AJR fans. And the methods he has developed can be implemented by other touring artists.   

Met points out that one of the most climate-unfriendly parts of the entire concert tour enterprise is fans traveling to and from the concerts. And that’s something over which the artist has little or no control. What they can do, he says, is   try   to educate and influence. Working closely with Ticketmaster and other stakeholders, Met’s nonprofit initiated a study — conducted from July to December 2023, with   results published in April 2024   — to explore the energy that happens at concerts. "In sociology," he explains, "that energy is called collective effervescence." The study’s goal is to find ways to channel that energy toward advocacy and action.   

Polling a quarter million concertgoers across musical genres, the study collected data on attitudes about climate change. "Seventy-three percent of fans who attend concerts believe that climate change is real, and that we need to be doing more about it," Met says. "Seventy-eight percent have already taken some sort of action in their lives." He believes that if his organization can activate even a fraction of the estimated 250 million people annually who attend concerts around the globe, "that’s the ballgame."   

Met’s goal is to do more than, say, get concertgoers to switch from plastic to paper drinking straws. "At   scale   those things make a difference. But people want to see actions where there’s a track record," he says; a return on investment.   

AJR will be putting a plan into action   on   the second half of their upcoming arena tour.   Part of the initiative is encouraging concertgoers to register to vote, and then actually vote.   Beyond that, Met has specific actions in mind. "At every single stop, we’re putting together materials around specific policies that are being debated at the local level," he explains. "We give people a script right there, so they can call their elected representative and say, ‘I want you to vote [a certain way on this issue].’"   

He believes the initiative will lead to thousands of people contacting – and hopefully influencing – their representatives.   With regard to sustainability issues, Met is convinced that "the most impact that you can have as an artist is when you give fans ways to pick up the mantle themselves."  

Artists Who Are Going On Tour In 2024: The Rolling Stones, Drake, Olivia Rodrigo & More  

Photo: ROBYN BECK/AFP via Getty Images

11 Artists Who Influenced Taylor Swift: Joni Mitchell, Stevie Nicks, Tim McGraw & More

From Paul McCartney to Paramore, Emily Dickinson and even "Game of Thrones," read on for some of the major influences Taylor Swift has referenced throughout her GRAMMY-winning career.

As expected, much buzz followed the release of Taylor Swift 's 11th studio album, The Tortured Poets Department , on April 19. Fans and critics alike have devoured the sprawling double album’s 31 tracks, unpacking her reflections from "a fleeting and fatalistic moment in time" in search of Easter eggs, their new favorite lyrics and references to famous faces (both within the pop supernova’s closely guarded orbit and the historical record). 

Shoutouts abound in The Tortured Poets Department : Charlie Puth gets his much-deserved (and Taylor-approved) flowers on the title track, while 1920s screen siren Clara Bow, the ancient Greek prophetess Cassandra and Peter Pan each get a song titled after them. Post Malone and   Florence + the Machine ’s Florence Welch each tap in for memorable duets. Relationships old (Joe Alwyn), new (Travis Kelce) and somewhere in between (1975’s Matty Healy) are alluded to without naming names, as is, possibly, the singer’s reputation -era feud with Kim Kardashian. 

Swift casts a wide net on The Tortured Poets Department , encompassing popular music, literature, mythology and beyond, but it's far from the first time the 14-time GRAMMY winner has worn her influences on her sleeve. While you digest TTPD , consider these 10 figures who have influenced the poet of the hour — from Stevie Nicks and Patti Smith to Emily Dickinson, William Wordsworth, Arya Stark and more.

Stevie Nicks

If Taylor Swift is the chairman of The Tortured Poets Department , Stevie Nicks may as well be considered its poet laureate emeritus. The mystical Fleetwood Mac frontwoman earns an important mention on side A closer "Clara Bow," in which Swift ties an invisible string from herself to a pre- Rumours Nicks ("In ‘75, the hair and lips/ Crowd goes wild at her fingertips"), and all the way back to the 1920s It Girl of the song’s title.

For her part, Nicks seems to approve of her place in Swift’s cultural lineage, considering she penned the poem found inside physical copies of The Tortured Poets Department . "He was in love with her/ Or at least she thought so," the Priestess of Rock and Roll wrote in part, before signing off, "For T — and me…"

Swift’s relationship with Nicks dates back to the 2010 GRAMMYs, when the pair performed a medley of "Rhiannon" and "You Belong With Me " before the then-country upstart took home her first Album Of The Year win for 2009’s Fearless . More recently, the "Edge of Seventeen" singer publicly credited Swift’s Midnights cut "You’re On Your Own, Kid" for helping her through the 2022 death of Fleetwood Mac bandmate Christine McVie .

Patti Smith

Swift may see herself as more "modern idiot" than modern-day Patti Smith, but that didn’t stop the superstar from name-dropping the icon synonymous with the Hotel Chelsea and punk scene of ‘70s New York on a key track on The Tortured Poets Department . Swift rather self-deprecatingly compares herself to the celebrated Just Kids memoirist (and 2023 Songwriters Hall of Fame nominee) on the double album’s synth-drenched title track, and it’s easy to see how Smith’s lifelong fusion of rock and poetry influenced the younger singer’s dactylic approach to her new album. 

Smith seemed to appreciate the shout-out on "The Tortured Poets Department" as well. "This is saying I was moved to be mentioned in the company of the great Welsh poet Dylan Thomas. Thank you Taylor," she wrote on Instagram alongside a photo of herself reading Thomas’ 1940 poetry collection Portrait of the Artist as a Young Dog .

Emily Dickinson

When it comes to iconic poets, Swift has also taken a page or two over her career from Emily Dickinson. While the great 19th century poet hasn’t come up explicitly in Swift’s work, she did reference her poetic forebear (and actual sixth cousin, three times removed !) in her speech while accepting the award for Songwriter-Artist of the Decade at the 2022 Nashville Songwriter Awards.

"I’ve never talked about this publicly before, because, well, it’s dorky. But I also have, in my mind, secretly, established genre categories for lyrics I write. Three of them, to be exact. They are affectionately titled Quill Lyrics, Fountain Pen Lyrics and Glitter Gel Pen Lyrics," Swift told the audience before going on to explain, "If my lyrics sound like a letter written by Emily Dickinson’s great-grandmother while sewing a lace curtain, that’s me writing in the Quill genre," she went on to explain.

Even before this glimpse into Swift’s writing process, Easter eggs had been laid pointing to her familial connection to Dickinson. For example, she announced her ninth album evermore on December 10, 2020, which would have been the late poet’s 190th birthday. Another clue that has Swifties convinced? Dickinson’s use of the word "forevermore" in her 1858 poem "One Sister Have I in Our House," which Swift also cleverly breaks apart in Evermore ’s Bon Iver-assisted title track ("And I couldn’t be sure/ I had a feeling so peculiar/ That this pain would be for/ Evermore").

The Lake Poets

Swift first put her growing affinity for poetry on display during her folklore era with "the lakes." On the elegiac bonus track, the singer draws a parallel with the Lake Poets of the 19th century, wishing she could escape to "the lakes where all the poets went to die" with her beloved muse in tow. In between fantasizing about "those Windermere peaks" and pining for "auroras and sad prose," she even manages to land a not-so-subtle jab at nemesis Scooter Braun ("I’ve come too far to watch some name-dropping sleaze/ Tell me what are my words worth") that doubles as clever wordplay on the last name of Lake Poet School members William and Dorothy Wordsworth.

Swift revealed more about why she connected to the Lake Poets in her 2020 Disney+ documentary folklore: the long pond studio sessions . "There was a poet district, these artists that moved there. And they were kind of heckled for it and made fun of for it as being these eccentrics and these kind of odd artists who decided that they just wanted to live there," she explained to her trusted producer Jack Antonoff . "So ‘the lakes,’ it kind of is the overarching theme of the whole album: of trying to escape, having something you wanna protect, trying to protect your own sanity and saying, ‘Look, they did this hundreds of years ago. I’m not the first person who’s felt this way.’"

Paul McCartney

Paul McCartney and Swift have publicly praised one another’s work for years, leading to the 2020 Rolling Stone cover they posed for together for the special Musicians on Musicians issue . The younger singer even counts Sir Paul’s daughter Stella McCartney as a close friend and collaborator (Stella designed a capsule collection for Swift’s 2019 studio set Lover and earned a shout-out of her own on album cut "London Boy").

However, Swift took her relationship with the Beatles founder and his family a step further when it was rumored she based Midnights deep cut "Sweet Nothing" on McCartney’s decades-long romance with late wife Linda. While the speculation has never been outright confirmed, it appears Swift’s lyrics in the lilting love song ("On the way home, I wrote a poem/ You say, ‘What a mind’/ This happens all the time") were partially inspired by a strikingly similar quote McCartney once gave about his relationship with Linda, who passed away in 1998. To add to the mystique, the Midnights singer even reportedly liked a tweet from 2022 espousing the theory.  

The admiration between the duo seems to go both ways as well, with the former Beatle admitting in a 2018 BBC profile that the track "Who Cares" from his album Egypt Station was inspired by Swift’s close relationship with her fans.

From her days as a country music ingénue to her ascendance as the reigning mastermind of pop, Swift has credited the Chicks as a seminal influence in her songwriting and career trajectory. (Need examples? Look anywhere from early singles like "Picture to Burn" and "Should’ve Said No" to Evermore ’s Haim-assisted murder ballad "no body, no crime" and her own Lover -era collab with the band, "Soon You’ll Get Better.") 

In a 2020 Billboard cover story tied to the Chicks’ eighth album Gaslighter , Swift acknowledged just how much impact the trio made on her growing up. "Early in my life, these three women showed me that female artists can play their own instruments while also putting on a flamboyant spectacle of a live show," she said at the time. "They taught me that creativity, eccentricity, unapologetic boldness and kitsch can all go together authentically. Most importantly, they showed an entire generation of girls that female rage can be a bonding experience between us all the very second we first heard Natalie Maines bellow ‘that Earl had to DIE.’"

"Game of Thrones"

When reputation dropped in 2017, Swift was on a self-imposed media blackout, which meant no cover stories or dishy sit-down interviews on late-night TV during the album’s roll-out. Instead, the singer let reputation speak for itself, and fans were largely left to draw their own conclusions about their queen’s wildly anticipated comeback album. Two years later, though, Swift revealed the dark, vengeful, romantic body of work was largely inspired by "Game of Thrones."

"These songs were half based on what I was going through, but seeing them through a 'Game of Thrones' filter," she told Entertainment Weekly in 2019. "My entire outlook on storytelling has been shaped by ["GoT"] — the ability to foreshadow stories, to meticulously craft cryptic story lines. So, I found ways to get more cryptic with information and still be able to share messages with the fans. I aspire to be one one-millionth of the kind of hint dropper the makers of 'Game of Thrones' have been."

Joni Mitchell

Swift has long made her admiration of Joni Mitchell known, dating back to her 2012 album Red , which took a cue from the folk pioneer’s landmark 1971 LP Blue for its chromatic title. In an interview around the time of Red ’s release, the country-pop titan gushed over Blue ’s impact on her, telling Rhapsody, "[Mitchell] wrote it about her deepest pains and most haunting demons. Songs like ‘River,’ which is just about her regrets and doubts of herself — I think this album is my favorite because it explores somebody’s soul so deeply."

Back in 2015, TIME declared the "Blank Space" singer a "disciple of Mitchell in ways both obvious and subtle" — from her reflective songwriting to the complete ownership over her creative process, and nearly 10 years later, Swift was still showing her appreciation for Mitchell after the latter’s triumphant and emotional appearance on the GRAMMY stage to perform "Both Sides Now" on the very same night Taylor took home her historic fourth GRAMMY for Album Of The Year for Midnights .

Fall Out Boy & Paramore

When releasing the re-recording of her third album Speak Now in 2023, Swift cited two unexpectedly emo acts as inspirations to her early songwriting: Fall Out Boy and Paramore . 

"Since Speak Now was all about my songwriting, I decided to go to the artists who I feel influenced me most powerfully as a lyricist at that time and ask them to sing on the album," she wrote in an Instagram post revealing the back cover and complete tracklist for Speak Now (Taylor’s Version) , which included Fall Out Boy collaboration "Electric Touch" and "Castles Crumbling" featuring Paramore frontwoman Hayley Williams .

For one of Swift’s original career inspirations, we have to go all the way back to the very first single she ever released. "Tim McGraw" was not only as the lead single off the 16-year-old self-titled 2006 debut album, but it also paid reverent homage to one of the greatest living legends in the history of country music. 

In retrospect, it was an incredibly gutsy risk for a then-unknown Swift to come raring out of the gate with a song named after a country superstar. But the gamble clearly paid off in spades, considering that now, when an entire generation of music fans hear "Tim McGraw," they think of Taylor Swift.

Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album

Photos (L-R): Buda Mendes/TAS23/Getty Images for TAS Rights Management, Jeff Kravitz/FilmMagic, Christopher Polk/Getty Images for Clear Channel

Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

Upon the arrival of Taylor Swift's 'The Tortured Poets Department,' take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today.

Editor’s note: This story was updated on April 19 to reflect the release of The Tortured Poets Department.

The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Since then, she's released 11 studio albums, re-recorded four as "Taylor's Version," and cultivated one of the most feverish fan bases in music. Oh, and she's also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist.

Swift has become one of music's most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk and beyond. A once-in-a-lifetime generational storyteller, one could argue that she is music's modern-day maverick, constantly evolving both her music and the culture around her.

Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. In turn, Swift hasn't just become one of the biggest artists of all time — she's changed pop music altogether.

To celebrate Taylor Swift's newest era with The Tortured Poets Department , GRAMMY.com looks back on all of her albums (Taylor's Versions not included) and how each era shaped her remarkable career.

Taylor Swift : Finding Her Place In Music

In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist. The thing that differentiated her from other writers — and still does to this day — is her songwriting. She didn't want to be just "another girl singer" and knew writing her own songs would be what set her apart. 

Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. Serving as a snapshot of Swift's life and teenhood, she avoided songwriting stereotypes typically found in country music. Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. 

As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers. One writer in particular, Liz Rose , applauded Swift's songwriting capabilities, stating that she was more of an "editor" for the songs because Swift already had such a distinct vision. 

The album's lead single, "Tim McGraw," an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift's songwriting process; meticulously picking apart her emotions to better understand them. With its follow-up, "Our Song" — which spent six consecutive weeks on the top of Billboard's Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. 

Although Swift's eponymous debut is underappreciated now — even lacking its own set on Swift's Eras Tour — Taylor Swift 's forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer's current and more refined vocals. Still, for fans who haven't properly explored Taylor Swift , it's easy to tie together Swift's earlier work to her current discography. 

On the track "A Place In This World," a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights ' "You're On Your Own, Kid." 

Even as a new country artist, critics claimed that she "mastered" the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. 

Fearless : Creating A Different Kind Of Fairytale

If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift's coming-of-age record. More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like "Love Story" and "You Belong With Me," yet still keeps the confessional attributes known in country songwriting. 

Most of Fearless is Swift coming to terms with what she believed love to be. On the album's liner notes, Swift says Fearless is about "living in spite" of the things that scare you, like falling in love again despite being hurt before or walking away and letting go. The 2008 version of Taylor wanted to "believe in love stories and prince charmings and happily ever after," whereas in Swift's Fearless (Taylor's Version) liner notes, she looks back on the album as a diary where she was learning "tiny lessons" every time there was a "new crack in the facade of the fairytale ending she'd been shown in the movies." 

Much of Fearless also sees Swift being reflective and nostalgic about adolescence, like in "Never Grow Up" and "Fifteen." Still wistful and romantic, the album explores Swift's hopes for love, as heard in the album's lead single "Love Story," which was one instance where she was "dramatizing" observations instead of actually experiencing them herself. 

Unlike the slow-burn of Taylor Swift , Fearless went straight to No. 1 on the Billboard 200 and stayed there for eight consecutive weeks. It won Swift's first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20. To date, it has sold 7.2 million copies in America alone. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come.

Speak Now : Proving Her Songwriting Prowess

Everything that happened after the success of Fearless pushed Swift from country music's best-kept secret to a mainstream star. But this meant that she faced more publicity and criticism, from naysayers who nitpicked her songwriting and vocals to the infamous Kanye West incident at the 2009 MTV Video Music Awards.

For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. No longer was she the girl writing songs like "Fifteen" in her bedroom — now she was working through becoming a highly publicized figure. Speak Now is the answer to those growing pains. 

Along with having more eyes on her, Swift also felt pressured to maintain her persona as a perfect young female role model amid a time when her peers like Miley Cyrus and Demi Lovato were attempting to rebrand to be more mature and sexier. During her NYU commencement speech in 2022, she reflected on this era of her life as one of intense fear that she could make a mistake and face lasting consequences, so the songs were masked in metaphors rather than directly addressing adult themes in her music. But that also resulted in some of her most poignant lyrics to date.

Read More: For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word

Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. Much like her previous two albums, Swift included songs that were both inspired by her own life and being a fly on the wall. The album's title track pulled from the saying, "Speak now or forever hold your peace," inspired by a friend's ex-boyfriend getting engaged; meanwhile, "Mean" was everything Swift wanted to say to a critic who was continuously harsh about her vocals.

Retrospective and reflective, Speak Now is an album about the speeches she could've, would've and should've said. From addressing the aforementioned VMA incident in the forgiving "Innocent" to a toxic relationship in "Dear John," Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.

Red : Coming Into Her Own

Highly regarded as Swift's magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first "adult" record. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience " intense love, intense frustration, jealousy and confusion " — all feelings that she'd describe as "red." 

Unlike most of her previous writing that had been inspired by happy endings and fairytales, Red explores the lingering pain and loss that can embed itself within despite trying your hardest to let go. In her liner notes, she references Pablo Neruda's poem "Tonight I Can Write," stating that "Love is so short, forgetting is so long" is the overarching theme for the album. She plays with time — speeding it up in "Starlight," dabbling in the past in "All Too Well," and reframing it in "State of Grace" — to better understand her experiences. 

After releasing country-pop records, Red toed the line between genres more than ever before. Swift leaned further into the full pop territory by working with esteemed producers Max Martin and Shellback for the dubstep-leaning track "I Knew You Were Trouble," the punchy lead single "We Are Never Getting Back Together," and the bouncy anthem "22." But even when the pop power players weren't involved, her country stylings still leaned more pop across the album, as further evidenced with the racing deep cut "Holy Ground" and the echoing title track. 

The slight change of direction became polarizing for critics and fans alike. Following the more country-influenced Speak Now , some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out. If that wasn't enough, Red became an era where Swift's personal life went from speculation to tabloid fodder, with misogynistic headlines and diluting her work to just "writing about her exes." It's an era that would eventually inspire many tracks on Red 's successor, 1989 , like "Blank Space" and "Shake It Off."

Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. The impact of Red extended beyond its own success, too. Often mentioned as a record that inspired a generation of artists from Troye Sivan to Conan Gray , Swift's confessional, soul-bearing authenticity set a new standard for straightforward pop music. 

1989 : Reinventing Into A Pop Genius

The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. And in true Swiftian fashion, turning into a pop artist didn't just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone.

1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. Swift opted to lean more into radio-friendly hits, which resulted in songs like "Style," "Wildest Dreams," "Blank Space," and "Shake It Off," all of which became singles. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn't falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.

After exploring pop-leaning sonics she first found with Red , Swift worked with Martin and Shellback again on most of 1989 . This reinvention brought new (and very important) collaborators as well. Swift's now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with "I Wish You Would" and "Out Of The Woods"; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights .

At the time, 1989 became Swift's best-selling album to date. It sold nearly 1.3 million copies within release week in the U.S., debuting atop the Billboard 200 and reigning for 11 non-consecutive weeks. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice. 

Following the release of 1989 , Swift became a cultural juggernaut, and the album has had an omnipresence in music since. Swift didn't just normalize blending genres, but proved that you can create a sound that is uniquely yours by doing so. In turn, Billie Eilish , Dua Lipa and more pop stars have refused to conform or stick to what they've done prior. 

reputation : Killing The Old Taylor

For years, Swift was on a strict two-year cycle — she'd release an album one year, tour the next, and then release a new album the following year. But following the heightened scrutiny and highly publicized tabloid drama that followed the end of the 1989 era, Swift completely disappeared for a year. She stayed away from public appearances, didn't do any press, and missed the album schedule fans became accustomed to. It wasn't until summer 2017 when she returned from her media (and social media) blackout to unveil the fitting title for her new album: reputation .

Born as a response to the naysayers and name-callers, reputation follows Swift shedding her public image — which includes the pressure to be perfect, the drama, and the criticism — by declaring, "There will be no further explanation. There will just be reputation." Leaning on the same tongue-in-cheek songwriting techniques she used while penning "Blank Space," Swift wrote from the mindset of how the public perceived her.

When Swift released the lead single "Look What You Made Me Do," a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. Although Swift said that the album has its vindictive moments — even declaring that the "old Taylor" is dead on the bridge of "Look What You Made Me Do" — it's a vulnerable record for her. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments. 

Swift still remained in the pop lane with reputation , largely leaning on Antonoff and the Martin/Shellback team. The sound almost mirrored the scrutiny Swift faced in the years prior — booming electropop beats, maximalist production and pulsing synthesizers dominate, particularly on "End Game," "I Did Something Bad," and "Ready For It…?" But the "old Taylor" isn't entirely gone on songs like "Call It What You Want," "So It Goes…" and "New Year's Day," where she lets her guard down to write earnest love odes.

Even after Swift spent some time away from the spotlight, the public didn't immediately gravitate toward her return. And even despite matching the 1.2 million first-week sales of her previous releases, some concluded that the album was her first commercial failure when compared to 1989 . With time, though, it became clear that the response to reputation became muddled with the public's overall perception of her at the time — some even claimed that Swift was ahead of her time with the album's overall sound.

For her 2023 TIME Person of the Year profile , Swift described reputation as a "goth-punk moment of female rage at being gaslit by an entire social structure." For years, she felt the pressure to be "America's Sweetheart" and to never step out of line. Writing reputation became a lifeline following the events that catalyzed it  — a way to shed the so-called snakeskin and make peace with however the public wanted to view her. 

Lover : Stepping Into The Daylight

After finding love amongst chaos with reput ation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover . Both sonically and visually, Lover was a complete change from reputation . After touring reputation , Swift found that her fans saw her as "a flesh-and-blood human being," inspiring her to be "brave enough to be vulnerable" because her fans were along with her. Stepping away from the dark and antagonistic themes around reputation encouraged Swift to step into the light and be playful with her work on Lover .

Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of "Blank Space" and "Look What You Made Me Do." Leaning into Lover being a "love letter to love," Swift explored every aspect of it. Tracks like "Paper Rings" and "London Boy" exude a whimsical energy, even if they center on more serious themes like marriage and commitment. Other songs, including "Death By A Thousand Cuts" and "Cornelia Street," are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. 

Looking at Lover retrospectively, it's an album that almost symbolizes a bookend in her discography. She was playful yet poignant, picking apart her past lyrics and feelings and looking at them with the perspective of someone who was once on top of the world, hit rock bottom, and survived in spite of it. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012's Red , "Daylight," which sees her describe her love as "golden" rather than "burning red." 

Lover also marked the first time Swift divulged into politics and societal issues, like campaigning against Donald Trump, releasing the Pride-infused "You Need To Calm Down," and feeling disillusioned by the political climate with "Miss Americana & the Heartbreak Prince." Swift's documentary Miss Americana explores this change further, discussing how she regrets not being vocal about politics and issues prior, in addition to opening up about her body image issues and mental health struggles.

Lover became Swift's sixth No. 1 album in America, making her the first female artist to achieve the feat. But Lover was more than any accolades could reflect — it was Swift's transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018.

folklore : Looking Beyond Her Personal Stories

After the pandemic started and Swift cancelled her Lover Fest, she spent the early stages of quarantine reading and watching a myriad of films. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. The result became folklore , 2020's surprise archetypal quarantine album.

Crafting a world with characters like the folklore love triangle between those in "betty" and "august," as well as Rebekah Harkness from "the last great american dynasty" (who once lived in Swift's Rhode Island mansion), was Swift's way of venturing outside her typical autobiographical style of writing. She'd see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. 

She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National . Some songs, like "peace," were recorded in just one take, capturing the essence and fragility in the song's story, whereas the lyrics for the sun-drenched "august" were penned on the spot as Swift was in her makeshift home studio in Los Angeles.

Another aspect that separated folklore from her previous work was the obvious decision not to create hits made for radio play, so much so that Dessner claimed that she made an anti-pop record at a time when radio wanted clear "bops." Sonically, it ventured into genres Swift hadn't explored much outside of a few folkier tracks on Lover . Rather than relying on mostly electronic elements, Swift, Antonoff and Dessner weaved in soft pianos, ethereal strings, and plucky guitars.

folklore 's impact on the zeitgeist at a time where everyone was stuck at home helped shape people's quarantine experience. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke , Gracie Abrams , and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. At the 2021 GRAMMYs, folklore took home Album Of The Year , making her the fourth artist in history to win three times in the Category. 

evermore : Embracing Experimentation

It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. So when evermore was released just six months after folklore , fans were in shock. 

Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn't have distinct "eras" between albums. She felt like there was something "different" with folklore , stating in a social media post that making it was less like she was "departing" and more like she was "returning" to the next stage of her discography. In turn, the album served as a similar escape for Swift as folklore did.

Bridging together the same wistful and nostalgic themes as heard on its predecessor, evermore sees Swift venture even further into escapism. She explores more stories and characters, some based in fiction like "dorothea," and some real, like "marjorie," written in dedication to Swift's grandmother. 

Evermore follows folklore 's inclusion of natural imagery and motifs, like landscapes, skies, ivy, and celestial elements. In contrast to the fairytale motifs and happy endings of Fearless , evermore saw Swift become fixated on "unhappy" endings — stories of failed marriages ("happiness"), lifeless relationships ("tolerate it"), and one-time flings ("'tis the damn season"). 

Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift's past records — from pop to country to indie rock — and features all of them on one album. Country songs like "cowboy like me" and "no body, no crime" reaches back to Swift's earlier work in narrative building, seamlessly crafting a three-party story with ease. "Closure" is a "skittering" track that has the same energy as tracks like Lover 's "I Forgot That You Existed," whereas the ballad "champagne problems" is thematically reminiscent of Swift's Speak Now track "Back To December" where she takes responsibility for her lover's heartache. 

Working mostly with Dessner on evermore , Swift was emboldened to continue creating and opted to embrace whatever came naturally to them rather than limiting themselves to a sound. Swift felt a "quiet conclusion" after finishing up evermore , describing that it was more about grappling with endings of all "sizes and shapes," and the record represented a chapter closing. Even so, its poetic lyricism and mystical storytelling cleverly foreshadowed what was to come with subsequent albums, particularly The Tortured Poets Department .

Midnights : Encapsulating Her Artistic Magic

After coming out of the folklorian woods following folklore and evermore , fans and critics alike were intrigued to see what direction Swift would take on her next studio album. On Midnights , Swift leaves behind indie folk sounds and returns to the pop production of 1989 and Lover .

Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to "what if" fantasies, falling in love, and falling apart. They are the things that keep her up at night, like the self-critiquing in "Anti-Hero," her rise to fame in "You're on Your Own, Kid," and the anxiety of falling in love again in "Labyrinth." Similarly to Swift's cheeky songwriting style that sees her create caricatures of herself in songs like "Blank Space" and "Look What You Made Me Do," she doubles down on claims she's "calculated" on "Mastermind," a song about devising a plan for her and her lover. 

Although the album is a departure from the two pandemic sister albums, the overall creation process didn't differ too much. In addition to working alongside Antonoff (and bringing Dessner in for the bonus-track-filled 3am Edition), Swift's worldbuilding is still the throughline that connects Midnights and Swift's recent albums, whether she's dreaming of a Parisian escape in "Paris" or using war imagery as a metaphor for the struggle of love in "The Great War."

Read More: 5 Takeaways From Taylor Swift's New Album 'Midnights'

Following the success with folklore and evermore , Swift's intrigue was at a then-all-time high upon the release of Midnights . Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift's 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).

To say that Swift's celebrity has become otherworldly since the release of Midnights would be an understatement. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift's work. 

As a result, there has arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February. Midnights helped further solidify Swift's larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. 

The Tortured Poets Department : A Grief-Stricken Poetic Odyssey

It’s been a while since Swift has penned a full-fledged breakup album. On The Tortured Poets Department , she navigates the five stages of grief — denial, anger, bargaining, depression and acceptance — after her long-term relationship ended. Taking a page from the release of folklore and evermore , she dropped a double album and announced The Tortured Poets Department: The Anthology at 2 a.m. on release day. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. 

On Instagram, Swift described the album as a collection of poetic songs that reflect the "events, opinions and sentiments from a fleeting and fatalistic moment in time," Swift pulled out the fountain and quill pens to craft songs about the "tortured poets" in her life — sometimes musing about lovers, sometimes taking aim at villains, and sometimes pointing the finger at herself. 

TTPD is also her most confessional album thus far. It pokes fun at so-called fans who overstep with her personal life ("But Daddy I Love Him"), says goodbye to a city that gave her a home ("So Long London"), and muses on how her own celebrity has stunted her growth ("Who's Afraid Of Little Old Me?"). To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan ("Peter"), and Patti Smith .

In the same post, Swift declared that once she’s confessed all of her saddest stories, she’s able to find freedom. Yet The Tortured Poets Department (and its accompanying 15-track anthology) spends much time reflecting: she toys with her own lore, self-referencing past songs from albums like 1989 and poems from her reputation era. 

Fourteen years ago, Swift declared that she would never change, but she’ll never stay the same either. The Tortured Poets Department proves that in the throughline of Taylor Swift's many artistic eras is a commitment to exploration and a love of autobiographical lyricism.

All Things Taylor Swift

Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album

Taylor Swift’s New Album 'The Tortured Poets Department' Is Here: The Tracklisting, Guests, Easter Eggs & More

Taylor Swift, The 'Tortured Poet': 6 Times She's Used Poetry In Her Work

The Taylor Swift Effect: 8 Ways The Eras Tour Broke Records & Shattered Sales

5 Reasons Why Taylor Swift's Eras Tour Will Be The Most Legendary Of Her Generation

2024 GRAMMYs: Taylor Swift Makes GRAMMY History With Fourth Album Of The Year Win For 'Midnights'

A Timeline Of Taylor Swift's GRAMMYs History, From Skipping Senior Prom To Setting A Record With 'Midnights'

6 Ways Taylor Swift's Eras Tour Took Over Movie Theaters

Watch Taylor Swift Become The First Woman To Win Album Of The Year Twice In 2016 | GRAMMY Rewind

Get Ready For Taylor Swift's ‘The Tortured Poets Department’ Album Release: Everything You Need To Know

10 Must-See Moments From The 2024 GRAMMYs: Taylor Swift Makes History, Billy Joel & Tracy Chapman Return, Boygenius Manifest Childhood Dreams

7 Ways Taylor Swift's '1989' Primed Her For World Domination

9 Artists Who Advocate For The LGBTQIA+ Community: Troye Sivan, Taylor Swift, Madonna & More

For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word

Behind The Scenes Of The Eras Tour: Taylor Swift's Opening Acts Unveil The Magic Of The Sensational Concert

• 1 Taylor Swift Announces More Dates For 'Reputation' Stadium Tour
• 2 "Let Yourself Be Idiosyncratic": Moby Talks New Album 'Always Centered At Night' & 25 Years Of 'Play'
• 3 The Environmental Impact Of Touring: How Scientists, Musicians & Nonprofits Are Trying To Shrink Concerts' Carbon Footprint
• 4 11 Artists Who Influenced Taylor Swift: Joni Mitchell, Stevie Nicks, Tim McGraw & More
• 5 Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

Taylor Swift Extends ‘Reputation’ Tour With New Dates

By Ryan Reed

UPDATE: Taylor Swift has announced that Charli XCX and Camila Cabello will serve as her tour openers during her  Reputation  stadium tour. The singer unveiled the news on Thursday, via a video tweet .

I have a very exciting update to share… @Camila_Cabello and @charli_xcx will be the opening acts on the #reputationStadiumTour !!! pic.twitter.com/LAjmecVOrJ — Taylor Swift (@taylorswift13) March 1, 2018

Taylor Swift  extended her upcoming Reputation tour with seven new stadium dates, adding concerts in Santa Clara, California; Washington, D.C.; Philadelphia; East Rutherford, New Jersey, Foxborough, Massachusetts; Minneapolis and Arlington, Texas, Variety reports. 

General public tickets for the new shows go on sale Wednesday, January 31st at 10 a.m. local time. Fans can purchase advance tickets via Ticketmaster’s Taylor Swift Presale; registration opens Friday, January 5th at 10 a.m. ET and continues through Thursday, January 18th at 10 a.m. ET.

Members of Taylor Swift Tix, the singer’s exclusive Ticketmaster Verified Fan program, will receive priority access ahead of new registrants. The program, which the singer announced in August, attempts to block scalpers and bots from purchasing and reselling tickets.

The tour launches May 8th in Glendale, Arizona and concludes November 9th in Auckland, New Zealand.

Swift returned to Number One on the Billboard 200 with Reputation , her sixth LP, which she issued in November. Rolling Stone ranked the album the year’s third-best pop record and the seventh-best overall .

Why Is Everybody Talking About the Hawk Tuah Girl?

Shifty shellshock, frontman of crazy town, dead at 49, trump allies urge him not to be a ‘raging asshole’ at debate, after a near-fatal crash, xavi is seizing this moment.

Taylor Swift Tour Dates (New Dates Bolded)

May 8 – Glendale, AZ @ University of Phoenix Stadium May 11 – Santa Clara, CA @ Levi’s Stadium May 12 – Santa Clara, CA @ Levi’s Stadium May 18 – Pasadena, CA @ Rose Bowl May 19 – Pasadena, CA @ Rose Bowl May 22 – Seattle, WA @ CenturyLink Field May 25 – Denver, CO @ Sports Authority Field At Mile High June 1 – Chicago, IL @ Soldier Field June 2 – Chicago, IL @ Soldier Field June 30 – Louisville, KY @ Papa John’s Cardinal Stadium July 7 – Columbus, OH @ Ohio Stadium July 10 – Washington, DC @ FedEx Field July 11 – Washington, DC @ FedEx Field July 13 – Philadelphia, PA @ Lincoln Financial Field July 14 – Philadelphia, PA @ Lincoln Financial Field July 17 – Cleveland, OH @ First Energy Stadium July 20 – East Rutherford, NJ @ MetLife Stadium July 21 – East Rutherford, NJ @ MetLife Stadium July 22 – East Rutherford, NJ @ MetLife Stadium July 26 – Foxborough, MA @ Gillette Stadium July 27 – Foxborough, MA @ Gillette Stadium July 28 – Foxborough, MA @ Gillette Stadium August 3 – Toronto, ON @ Rogers Centre August 4 – Toronto, ON @ Rogers Centre August 7 – Pittsburgh, PA @ Heinz Field August 10 – Atlanta, GA @ Mercedes-Benz Stadium August 11 – Atlanta, GA @ Mercedes-Benz Stadium August 14 – Tampa, FL @ Raymond James Stadium August 18 – Miami, FL @ Hard Rock Stadium August 25 – Nashville, TN @ Nissan Stadium August 28 – Detroit, MI @ Ford Field August 31 – Minneapolis, MN @ U.S. Bank Stadium September 1 – Minneapolis, MN @ U.S. Bank Stadium September 8 – Kansas City, MO @ Arrowhead Stadium September 15 – Indianapolis, IN @ Lucas Oil Stadium September 18 – St. Louis, MO @ The Dome at America’s Center September 22 – New Orleans, LA @ Mercedes-Benz Superdome September 29 – Houston, TX @ NRG Stadium October 5 – Arlington, TX @ AT&T Stadium October 6 – Arlington, TX @ AT&T Stadium October 9 – Perth, AU @ Optus Stadium October 26 – Melbourne, AU @ Etihad Stadium November 2 – Sydney, AU @ ANZ Stadium November 6 – Brisbane, AU @ The Gabba November 9 – Auckland, NZ @ Mt Smart Stadium

Neil Young and Crazy Horse Announce 'A Big Unplanned Break' From Tour

• Rust Takes a Nap
• By Andy Greene

Nick Carter Rape Accuser Blasts His 'Stalling Tactics,' Cites New Allegation

• COURTS AND CRIME
• By Nancy Dillon

Jason Kelce Recalls 'Tearing Up' During '22' Hat Moment at Taylor Swift's Eras Tour

• By Charisma Madarang

See John Lennon's Rare Home Movie Footage in 'Aisumasen (I'm Sorry)' Video

• Real Sanpaku
• By Kory Grow

Billie Eilish and Coldplay Want to Make Vinyl Greener, But What Does That Even Mean?

• Green Dreams
• By Jon Blistein

Most Popular

Sean penn says he 'went 15 years miserable on sets' after 'milk' and could not play gay role today due to a 'timid and artless policy toward the human imagination', donald sutherland, versatile star of 'm*a*s*h,' 'ordinary people' and 'the hunger games,' dies at 88, kylie kelce’s heartwarming photo of her 3 daughters has fans calling one girl a ‘travis twin’, german artist receives death threats after center-right politicians denounce work about children, you might also like, ‘street fighter’ lands march 2026 release from sony, alex sarr puts personal touch on his versace suit, cody williams dons custom rhude and more rising basketball stars at the nba 2024 draft, the best yoga mats for any practice, according to instructors, paramount is taking down decades worth of old tv clips from the web, paris 2024 olympics ratings will be unprecedented. literally.

Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.

Verify it's you

Please log in.

• Statistics Stats
• You are here:
• Swift, Taylor
• Tour Statistics
• Song Statistics Stats
• Tour Statistics Stats
• Other Statistics

All Setlists

• All setlist songs  ( 1045 )

Years on tour

• 2024  ( 41 )
• 2023  ( 67 )
• 2022  ( 3 )
• 2021  ( 5 )
• 2020  ( 3 )
• 2019  ( 27 )
• 2018  ( 59 )
• 2017  ( 12 )
• 2016  ( 8 )
• 2015  ( 91 )
• 2014  ( 48 )
• 2013  ( 94 )
• 2012  ( 49 )
• 2011  ( 109 )
• 2010  ( 94 )
• 2009  ( 106 )
• 2008  ( 91 )
• 2007  ( 107 )
• 2006  ( 26 )
• 2005  ( 2 )
• 2004  ( 1 )
• 2002  ( 1 )
• 2001  ( 1 )

Show all tours

• Fearless  ( 116 )
• Speak Now World Tour  ( 113 )
• The 1989 World Tour  ( 85 )
• The Eras Tour  ( 107 )
• The Red Tour  ( 86 )
• reputation Stadium Tour  ( 54 )
• Avg Setlist
• Concert Map

Average setlist for tour: reputation Stadium Tour

Note: only considered 53 of 54 setlists (ignored empty and strikingly short setlists)

• Song played from tape Bad Reputation ( Joan Jett and the Blackhearts  song) Play Video
• Song played from tape reputation Play Video
• ...Ready for It? Play Video
• I Did Something Bad Play Video
• Gorgeous Play Video
• Style / Love Story / You Belong With Me Play Video
• Song played from tape Look What You Made Me Do Play Video
• Look What You Made Me Do Play Video
• End Game Play Video
• King of My Heart Play Video
• Delicate Play Video
• Shake It Off Play Video
• Dancing With Our Hands Tied Play Video
• So It Goes... Play Video
• Blank Space Play Video
• Dress Play Video
• Bad Blood / Should've Said No Play Video
• Don't Blame Me Play Video
• Long Live / New Year's Day Play Video
• Song played from tape Why She Disappeared Play Video
• Getaway Car Play Video
• Call It What You Want Play Video
• We Are Never Ever Getting Back Together / This Is Why We Can't Have Nice Things Play Video

Show Openers

Main set closers, show closers, encores played.

This feature is not that experimental anymore. Nevertheless, please give feedback if the results don't make any sense to you.

• Jun 25, 2024
• Jun 24, 2024
• Jun 23, 2024
• Jun 22, 2024
• Jun 21, 2024
• Jun 20, 2024
• FAQ | Help | About
• Terms of Service
• Ad Choices | Privacy Policy
• Feature requests
• Songtexte.com

• The Internet Is Losing It Because Taylor Swift Just Announced These <i>Reputation</i> Tour Dates

The Internet Is Losing It Because Taylor Swift Just Announced These Reputation Tour Dates

Taylor Swift has announced the dates and locations for her Reputation stadium tour , which will take place in the U.S. between May 8 and Oct. 6 next year.

The 27-year-old will be performing on 27 dates in more than 20 different cities across the country, kicking off at the University of Phoenix Stadium in Glendale, Arizona, and ending at the AT&T Stadium in Arlington, Texas.

The tickets can be bought using Ticketmaster , and details about price and VIP packages have not yet been released. Avid Swift fans can register for Taylor Swift Tix presale access before 12 p.m. ET on Nov. 28. The presale will run between Dec. 5 and Dec. 8.

Predictably, the internet went into meltdown mode following the announcement, with many social media users voicing their frustration at not knowing when Swift is coming to their country. Date’s for the pop star’s international tour will be announced at a later date.

Taylor Swift announced tour dates but I'm at work at cannot freak out appropriately pic.twitter.com/l8iHrrxD5v — Ashley Allen (@TheBlondeAshley) November 13, 2017

OMG @taylorswift13 has just announced the first few dates for her stadium world tour. Hurry up announcing UK dates #repuatation pic.twitter.com/YlJYptk0zR — Sol Loredo (@sol_de_mar) November 13, 2017

Taylor Swift just released tour dates and I know I won't be able to go and it makes me want to scream. pic.twitter.com/FShu5EQrbq — Sam (@Samrp01) November 13, 2017

Below is the full list of dates and locations for Swift’s highly anticipated tour.

May 8: University of Phoenix Stadium in Glendale, Arizona May 12: Levi’s Stadium in Santa Clara, California May 19: Rose Bowl in Pasadena, California May 22: CenturyLink Field in Seattle, Washington May 25: Sports Authority Field at Mile High in Denver, Colorado June 2: Soldier Field in Chicago, Illinois June 30: Papa John’s Cardinal Stadium in Louisville, Kentucky July 7: Ohio Stadium in Columbus, Ohio July 10: FedEx Field in Washington, D.C. July 14: Lincoln Financial Field in Philadelphia, Pennsylvania July 17: First Energy Stadium in Cleveland, Ohio July 21: MetLife Stadium in East Rutherford, New Jersey July 28: Gillette Stadium in Foxborough, Massachusetts August 4: Rogers Centre in Toronto, Ontario August 7: Heinz Field in Pittsburgh, Pennsylvania August 11: Mercedes-Benz Stadium in Atlanta, Georgia August 14: Raymond James Stadium in Tampa, Florida August 18: Hard Rock Stadium in Miami, Florida August 25: Nissan Stadium in Nashville, Tennessee August 28: Ford Field in Detroit, Michigan September 1: U.S. Bank Stadium in Minneapolis, Minnesota September 8: Arrowhead Stadium in Kansas City, Missouri September 15: Lucas Oil Stadium in Indianapolis, Indiana September 18: The Dome at America’s Center in St. Louis, Missouri September 22: Mercedes-Benz Superdome in New Orleans, Louisiana September 29: NRG Stadium in Houston, Texas October 6: AT&T Stadium in Arlington, Texas

More Must-Reads from TIME

• Melinda French Gates Is Going It Alone
• How to Buy Groceries Without Breaking the Bank
• Lai Ching-te Is Standing His Ground
• What’s the Best Pillow Setup for Sleep?
• How Improv Comedy Can Help Resolve Conflicts
• 4 Signs Your Body Needs a Break
• The 15 Best Movies to Watch on a Plane
• Want Weekly Recs on What to Watch, Read, and More? Sign Up for Worth Your Time

Write to Kate Samuelson at [email protected]

• Manage Account

All the Surprise Songs Taylor Swift Has Performed On Her Reputation Stadium Tour B-Stage

Taylor Swift's Reputation Stadium Tour delivers a surprise song on each tour stop. Luckily, fans have been quick to upload clips of these rare live performances.

By Ashley Iasimone

Ashley Iasimone

• Share on Facebook
• Share to Flipboard
• Share on Pinterest
• + additional share options added
• Share on Reddit
• Share on LinkedIn
• Share on Whats App
• Send an Email
• Print this article
• Post a Comment
• Share on Tumblr

Taylor Swift

See latest videos, charts and news

All the Stars Who Have Stopped by Taylor Swift's Reputation Tour (So Far)

Below, check out the list of all the special songs she’s brought to the Reputation Tour B-stage. Luckily, Swifties in the crowd have been quick to upload clips of these rare live cuts.

“All Too Well” Glendale, Ariz., May 8; Pasadena, Calif., May 19; Arlington, Texas, Oct. 6

It’s no secret among Swift fans that the emotional Red stand-out “All Too Well” is widely cherished. What better surprise to sprinkle into the set list on the opening night of tour, then? “I figured…I would play this song you seem to request more than the others,” she said , introducing the beautiful tearjerker.

  A post shared by Simone (@simoneyybaloneyy) on May 9, 2018 at 12:38am PDT

“Wildest Dreams” Santa Clara, Calif., May 11; Tokyo, Japan, Nov. 21

Swift once performed “Wildest Dreams” acoustic at a Grammys event , and she brought that raw, impassioned version of the 1989 song to the Reputation Stadium Tour B-stage twice — first in Santa Clara, then on the final night of tour in Tokyo.

A bit of Wildest Dreams from the 1st night in Santa Clara #repTourSantaClara #TaylorSwift pic.twitter.com/FyUCIyww9i — Erica Love (@Erica_Love16) May 13, 2018

“The Best Day” Santa Clara, Calif., May 12

  A post shared by taylor swift fan page (@taylorswift_gorgeous13) on May 13, 2018 at 2:48pm PDT

“Red” Pasadena, Calif., May 18

The Rose Bowl served as inspiration for Swift’s B-stage surprise on her first of two nights at the venue. “Roses are red,” she mused . Cue an acoustic take on “Red,” the title track off of her 2012 album.

“Holy Ground” Seattle, Wash., May 22

“Holy Ground” is all about romanticizing the time you’ve shared with someone — and an excellent selection to surprise an audience full of longtime, loyal fans with. “Tonight I’m gonna dance for all that we’ve been through,” she sings. “But I don’t wanna dance if I’m not dancing with you.”

@taylorswift13 sang Holy Ground in front of me so close she smiled at me she saw my outfit, my heart sign and smiled. I made eye contact. Incredible night so glad I decided to get a seat by one of the b stages! pic.twitter.com/qqxGCxguIa — Sammi May/REP hope to hug Taylor one day (@FearlessSammi13) May 23, 2018

“Teardrops on My Guitar” Denver, Colo., May 25

Swift’s second single, released over a decade ago in 2007, is one she admitted  she hasn’t played “in 100 years.” The singer-songwriter went back to basics with an acoustic performance of her song about unrequited high school love, and the crowd sang along to every sentimental word.

  A post shared by shelbi –??– (@_shelbirenee) on May 26, 2018 at 12:49am PDT

“Our Song” Chicago, June 1

Kicking it back to country, Swift surprised her fans on the Chicago B-stage with “Our Song,” her third single off her debut album. Based on this clip, the classic from her canon had just about everyone singing along. Will she “play it again”?

It’s 2018 and @taylorswift13 really sang “Our Song” live at #repTourChicago — pic.twitter.com/6z7Puzt1BD — Dallas Chicago (@dallas_dante) June 2, 2018

“22” Chicago, June 2; Foxborough, Mass., July 26; Sydney, Australia, Nov. 2

Swift’s friend Martha Hunt says she’s the one who suggested “22” as the surprise song on night two in Chicago, and Swift credited the enthusiastic crowd at her first night in Foxborough for her decision to perform it again. It’s not every day that you get “22” acoustic, but Swifties got it three times so far on this tour, the most recent of which came during a rain-heavy performance in Sydney.

Gillette, 22 pic.twitter.com/VZdgxpPd0i — tasteslikesparkles (@madhusinha28) July 27, 2018

“I Knew You Were Trouble” Manchester, England, June 8

It’s unlikely that the Manchester crowd of Swifties did not know the lyrics to “I Knew You Were Trouble,” but the pop star offered some advice anyway: “Even if you don’t know the words, it’s kind of easy to remember this one part.” She led them in a practice round of the post-chorus “oh, oh!” and went on to deliver an acoustic rendition of the frenetic tune.

“I Don’t Wanna Live Forever” Manchester, England, June 9

Those who attended the second Taylor Swift stadium show in Manchester were in for a treat: a rare live performance of “I Don’t Wanna Live Forever,” Swift’s 50 Shades  duet with Zayn .

#reptourmanchester surprise song!! pic.twitter.com/XxZ51pM4Z6 — Beth-blogger (@BookLoverx) June 9, 2018

Playing “Mean” live is a sure crowd-pleaser, and Swift did just that at the first of two headlining shows in Dublin. Although the song was a mainstay back in her days touring in support of Speak Now and Red , this date marked the debut of “Mean” seeing the Reputation Stadium Tour stage.

“How You Get the Girl” Dublin, Ireland, June 16

“If you want to sing along, that would be absolutely glorious,” Swift encouraged the crowd at her second night at Croke Park. She then smiled her way through a rare, acoustic performance of the 1989 track.

“So It Goes…” London, England, June 22

Reputation album track “So It Goes…” has been noticeably absent from this tour’s set list, making Swift’s surprise addition to her Wembley Stadium set all the more special. With this acoustic treat, she perhaps hinted at what the song sounded like when she first wrote it.

“Fifteen” London, England, June 23

June 23 marked Swift’s fifteenth show on the Reputation Stadium Tour, so what better song to play? The country-pop  Fearless single was an early hit for her — and based on the crowd’s reaction, it’s still holds a place in fans’ hearts.

“Mine” Louisville, Ky., June 30

The opening track of Speak Now wrapped the June leg of Swift’s Reputation Stadium Tour. “I haven’t played this song in so many years, and you’re singing it so loud,” she beamed from the B-stage. 

I was WEAK when #TaylorSwift sang MINE at #repTourLouisville #reptour pic.twitter.com/AFrxTNOVgF — EMY (@MusicOfEmy) July 1, 2018

Keeping in the tradition of Speak Now , Swift moved onto the pop-country album’s second track at her next tour stop. The song, about a classic crush that’s so clearly a “bad idea,” was written when the singer was a teenager but held its own in a 2018 Taylor Swift set list.

“State of Grace” Landover, Md., July 10

For the first of two nights in Maryland, Swift harkened back to the “golden age of something good and right and real” and the acoustic guitar beginnings of “State of Grace,” the opening track on her Red album.

State of Grace + lights ??– pic.twitter.com/EgJKAnTX6q — reptourpics (@reptourpics) July 11, 2018

“Haunted” Landover, Md., July 11

The second Reputation Tour set in Maryland delivered a rare, understated performance of “Haunted,” a Speak Now track that hasn’t seen Swift’s stage much since 2011/2012 — back when she gave it a decidedly more dramatic treatment.

“Never Grow Up” Philadelphia, Pa., July 13

Before strumming the chords of “Never Grow Up,”  Swift explained that she’d just gone back to visit the nearby farm where she had actually grown up. “I got especially emotional when I walked into my old bedroom,” she admitted. She hinted she’d be playing the song with picture of herself in her childhood room on Instagram  earlier in the day, and the performance that night took on an especially sentimental tone.

“Treacherous”  Philadelphia, Pa., July 14

After some technical difficulties that temporarily left Swift stranded at the main stage rather than floating in her cage over the crowd to the B-stage, she bestowed fans with a highlight from her Red album.

— | Another clip of Taylor singing Treacherous as the surprise song #repTourPhilly (via @lysst_ ) pic.twitter.com/Vx0RBjKXra — Taylor Swift News (@TSwiftNZBU) July 15, 2018

“Babe” Cleveland, Ohio, July 17

A concert in Cleveland brought Swift’s live debut of “Babe,” the Red -era-turned-2018-country-single she penned (with Train’s Pat Monahan) that got away — er, was given away, to Sugarland for their latest album.

HER FIRST TIME SINGING BABE LIVE!!!! #repTourCleveland @taylornation13 @taylorswift13 @Swiftness13 pic.twitter.com/dO5vtofGcn — Meg (@Megan_Scheibs) July 18, 2018

“Welcome to New York” East Rutherford, N.J., July 20

It was Swift’s first show in New Jersey on this tour, but she gave a little shout-out to its neighbor New York with her ode to the loud sounds, bright lights and new beginnings that the big city brings.

Twitter is going to ruin the quality, but here’s welcome to New York! @taylorswift13 @taylornation13 pic.twitter.com/2tqifzR42K — Bekah (@volcanicheartt) July 21, 2018

“Fearless” East Rutherford, N.J., July 21

There’s somethin’ bout the way a Taylor Swift show feels in the rain, or so they say. Singing in the rain, Swift happily performed the title track of her second album while dancing “in a storm in my best dress, fearless.”

Fearless in the rain is the most magical thing ? pic.twitter.com/IaD5r16dxA — taylor videos (@swiftvids_) July 22, 2018

“Enchanted” East Rutherford, N.J., July 22

During her third night at MetLife Stadium, Swift left fans “Enchanted” as they sang along to her acoustic take on the  Speak Now  track. First released in 2010, the song has rarely seen the live stage since 2011, when she was on her tour in support of that album.

This night is sparkling, don’t you let it go –? #repTourMetlife pic.twitter.com/pDEaDyBmxx — daniela — (@InviernoDe1989) July 23, 2018

“Change” Foxborough, Mass., July 27

At the second of three nights playing Gillette Stadium — which is where Swift had her first-ever stadium concert, back on the Fearless Tour in 2010 — the star of the show dedicated “Change” to a fan she’d met at her meet and greet. That fan had told the singer how much the song meant to her, and it just so happened that Swift had already been thinking of adding it into her set. The stars aligned on this Friday night as the crowd was treated to a song that hasn’t been performed live in years.

taylor swift singing Change and THRIVING ? #reptourgillette pic.twitter.com/5pjFGNlOx8 — melissa ?? (@swiftlymelissa) July 28, 2018

Swift whipped out another rarity as the surprise B-stage song for her third and final show at Gillette Stadium: “Ours.” This concert date marked her tenth time performing at the stadium, where she was also the first female to ever to headline three shows in a row.

‘Ours’ is the surprise B-Stage song at #repTourFoxborough Night 3! @taylorswift13 @taylornation13 pic.twitter.com/Og5n0XsJhb — Andy Serrato (@theAndySerrato) July 29, 2018

“Out of the Woods” Toronto, Aug. 3

For its tour debut, Swift introduced an emotional second bridge to her acoustic performance of 1989 standout “Out of the Woods.” “Remember when we hit the brakes too soon?” she called out again. “Twenty stitches in a hospital room. You started crying, I did too.”

her out of the woods vocals paid all my bills pic.twitter.com/LqZzCJoYF4 — SARAH —- // taylor swift — (@swiftismydrug) August 4, 2018

“Come Back… Be Here” Toronto, Aug. 4

Not only did Toronto get a surprise “Summer of 69” duet between Swift and Bryan Adams, but the crowd also got what was seemingly the singer’s first-ever live performance of “Come Back… Be Here,” an underrated Red  album bonus track.

So if we stop with all the drama for one sec: SHE SANG SO IT GOES!!!!!!! SHE SANG COME BACK BE HERE CAN YOU EVEN BELIEVE THAT WE PRAYED for this one for YEARS plus she brought BRYAN ADAMS WE REALLY ARE BLESSED skajjs think about all the good things———- #comebackbehere pic.twitter.com/ryLf1BL8od — noa/ london night 1 (@swiftienoa) August 5, 2018

“A Place in This World” Pittsburgh, Pa., Aug. 7

Swift surprised fans in her home state with a performance of her Pennsylvanian-written song “A Place in this World” — a rare album cut from her 2006 debut album,  Taylor Swift . This special throwback quickly become a favorite out of all the unexpected songs Swift has performed thus far.

A place in this world — it was absolutely amazing to watch her perform this so close to us @taylorswift13 @taylorswift13 #taylornation #taylorswift #reptourPittsburgh pic.twitter.com/UV5BFt1Kxb — Kelly Nicholson Reptour 8/7/18 — (@Kelbe114) August 9, 2018

“This Love” Atlanta, Ga., Aug. 10

During the first of a two-night stint in Atlanta, Swift admitted it was the first time she’d ever performed an acoustic cut of “This Love,” which she once said was the one 1989 track she kept listening “back to, over and over and over again.” In the interview, the singer added, “It’s kind of like hypnotic in a way, and it kind of is somewhat romantic and wistful and relaxing.”

an acoustic version of this love is the best thing that’s ever happened to me pic.twitter.com/Lmcu3jP6v1 — crystal– (@swiftsmicheIe) August 11, 2018

“The Lucky One” Atlanta, Ga., Aug. 11

It was back to the era of  Red  at Swift’s second show in Atlanta, where she played “The Lucky One” on the B-stage. The song, about the highs and lows of fame, hasn’t been heard live recently, though it was a mainstay on the Red Tour.

Taylor singing The Lucky One #repTourAtlanta @taylorswift13 you were amazing last night . ??—- pic.twitter.com/y2AEUstTZm — CelebSheep (@CelebSheep) August 12, 2018

“Invisible” Tampa, Fla., Aug. 14

Bringing “Invisible” to the stage in 2018 is about as unheard of as it gets from the canon of Taylor Swift. Not only is the song from the era of Swift’s debut album, but it’s a bonus track from the deluxe version of that album. She reportedly brought “Invisible” back to life on a Tuesday in August for a fan who told her the song helped him come out when he was a teenager.

taylor swift singing invisible in 2018 i’m so blessed pic.twitter.com/gFD0Qsanrc — taylor swift vocals (@tswiftvocals) August 15, 2018

“Breathe” Miami, Fla., Aug. 18

“I’m 99 percent sure I’ve never played this song live,” Swift admitted before performing “Breathe,” a deep cut from her Fearless album. The album recording of the country-pop ballad features vocals from Colbie Caillat, meaning this live solo surprise was a one-of-a-kind thing for fans to experience.

Taylor singing “Breathe” on the b-stage! #repTourMiami pic.twitter.com/7sMth3ubpB — Taylor Swift Updates (@TSwiftLAMedia) August 19, 2018

“Better Man” Nashville, Aug. 25

Swift says she wanted “Better Man” to “have its own moment,” and it certainly did — at the Grammys, the CMAs  and at Nashville’s Bridgestone Arena, where she treated the crowd to a rare solo performance of the beautiful song that was written by her, but recorded by country group Little Big Town.

I wish you were a Better Man… #repTourNashville pic.twitter.com/NIYJLy1POU — Taylor Nation (@taylornation13) August 26, 2018

“Jump Then Fall” Detroit, Mich., Aug. 28

Don’t be afraid to jump then fall… #repTourDetriot pic.twitter.com/HLf1e6DC0l — Taylor Nation (@taylornation13) August 29, 2018

“Begin Again” Minneapolis, Minn., Aug. 31

In another return to her country roots, Swift strummed a pretty “Begin Again” at the first of two nights at U.S. Bank Stadium, the tour stop where she played the closing track from her Red album for the first time in 2018.

Aug 31 2018 Rep Tour Minneapolis (Night 1). ? Begin Again. pic.twitter.com/aBWTRGN68e — bru — (@wildest_dr) September 1, 2018

“Tied Together With a Smile” Minneapolis, Minn., Sept. 1

For some reason Swift seemed surprised at the number of people in the crowd who knew the words to this “really, really old” song, found on her first album. “One thing I have noticed in my life is you can never judge what somebody else is going through,even if they seem like they have it all together,” she said while introducing the track that probably hasn’t been played live in more than 10 years.

Tied together with a smile. One of my favorites!! #repTourMinneapolis #TaylorSwift pic.twitter.com/NHpFjYFmZU — Lisa C…yourself to a Taylor show | 08/31 & 09/01 (@creek22) September 2, 2018

“The Story of Us” Kansas City, Mo., Sept. 8

“There’s a song that I haven’t played since the Speak Now Tour,” Swift teased just before thrilling her longtime fans with an acoustic rendition of “The Story of Us,” a song she wrote about an awkward run-in with an ex for 2010’s Speak Now . 

Taylor Swift’s Story of Us throwback last night in Kansas City hitting me with A L L the feels —- pic.twitter.com/hp22mFygIQ — Emily (@EmilyKae_) September 10, 2018

“Forever & Always” Indianapolis, Ind., Sept. 15

In what amounted to a passion-filled sing-along, the country-turned-pop star offered the Fearless  album track “Forever & Always,” a song she recalled writing around the age of 18, as her acoustic surprise on the B-stage in Indianapolis.

HEARING FOREVER AND FOR ALWAYS LIVE FEELS LIKE THE DEFINITION OF A DREAM.  @taylorswift13   #RepTourIndy   #REPTOURINDIANAPOLIS   pic.twitter.com/28Q4zuoNBD — Ashley King(REP TOUR 18X TIM ES—-‍??–) (@Ashzash)  September 16, 2018

“Hey Stephen” St. Louis, Mo., Sept. 18

Swift rarely performs this  Fearless  album oldie from 2008, but decided to throw it back as she took to the B-stage of her Reputation Tour stop in Missouri.

I got a front row seat for “Hey, Stephen” and I cried so many happy tears. She really has been my inspiration since I was little, and I love her more than words can say. Thank you, Taylor — #repTourSTL pic.twitter.com/cGnKTJyRsy — h — (@vHannahGraycev) September 19, 2018

“I’ve never actually interrupted a wedding,” Swift assured the crowd in New Orleans, teasing the next song on her set list, the title track of her 2010 album. Before bringing “Speak Now” to the B-stage that night, the pop star explained that many of her early songs were written about imaginary scenarios.

— | Taylor singing ‘Speak Now’ as the surprise song #repTourNOLA (via tanyacstipe on Insta) pic.twitter.com/iUZMPk3MA6 — Taylor Swift News (@TSwiftNZMedia) September 23, 2018

“Wonderland” Houston, Texas, Sept. 29

“Wonderland” is a track that appeared only on the deluxe version of Swift’s 1989 album, and it’s one that Swift hasn’t performed live all that often. Still, she shouldn’t have been surprised that her fans would be singing right along with her, loud and clear.

@taylorswift13 SANG WONDERLAND LAST NIGHT AND IM HAVING MAJOR FOMO THAT I WAS NOT THERE TO WITNESS THIS MAJESTIC SONG LIVE —-‍??–‍??——?——– #RepTourHouston pic.twitter.com/b5NLzW91ze — Michelle (@MichelleOB13) September 30, 2018

“White Horse” Arlington, Texas, Oct. 5

Watch the clip below and you’ll see it’s safe to say most of the crowd at this show knew the words to the Fearless classic “White Horse,” Swift’s surprise acoustic song of the night. (Those at the show were lucky enough to get another treat on the main stage, too: Maren Morris joined the superstar  for a duet of “The Middle.”)

So taylor sang white horse last night — pic.twitter.com/811EJZPVLy — It’s Celeste 🙂 (@CelesteJade30) October 6, 2018

“I Knew You Were Trouble” Perth, Australia, Oct. 19

Swift harkened back to past times in Perth with a special acoustic performance of “I Knew You Were Trouble,” a song that was part of her Red Tour set list. The pop star played in the city back in 2013.

The surprise song tonight is I knew you were trouble. Can we appreciate Tays vocals though———————-??—- @taylorswift13 @taylornation13 #taylorswift #swifties pic.twitter.com/U7fGBxeusn — elainelovestaylor13 (@elainelovestay1) October 19, 2018

“I’m Only Me When I’m With You” Melbourne, Australia, Oct. 26

“I wrote this song when I was 13 years old, and it was a bonus track on my first album,” Swift said before launching into a performance of the track from her self-titled 2006 debut. The song is reportedly about her friend Abigail Anderson, and Swift later was a bridesmaid in her wedding .

Taylor singing “I’m Only Me When I’m With You” on the b-stage! #repTourMelbourne pic.twitter.com/YViF9YWddl — Taylor Swift Updates (@TSwiftLAMedia) October 26, 2018

“Starlight” Brisbane, Australia, Nov. 6

Swift brought out “Starlight” — from her 2012 AOTY-nominated  Red  — on her third date in Australia. She has previously noted that the song was largely inspired by Ethel and Bobby Kennedy’s young romance. 

Taylor singing “Starlight” on the b-stage — #repTourBrisbane pic.twitter.com/qPsuWxJpay — Taylor Swift Updates (@TSwiftLAMedia) November 6, 2018

“Out of the Woods” Auckland, New Zealand, Nov. 9

Co-written by Jack Antonoff, “Out of the Woods” was the sixth official single from  1989  and later peaked at No. 18 on the  Billboard  Hot 100. Strumming away, Swift showcases her impressive vocal in the acoustic rendition of the track. 

we love NZ anthem #RepTourAuckland pic.twitter.com/SdaCKq7YxN — Anna? (@swiftdisney_) November 9, 2018

“I Know Places” Tokyo, Japan, Nov. 20

Taking another cut from  1989 , Swift most recently debuted “I Know Places” as the surprise b-stage track. The song addresses the difficulties of maintaining any sort of privacy in her relationships, especially with media outlets waiting at every corner.

Taylor singing “I Know Places” as the surprise b-stage song #repTourTokyo pic.twitter.com/nyvPjoIFKf — Taylor Swift Updates (@TSwiftLAMedia) November 20, 2018

This list will be updated as the Reputation Stadium Tour goes on.

Get weekly rundowns straight to your inbox

Want to know what everyone in the music business is talking about?

Get in the know on.

Billboard is a part of Penske Media Corporation. © 2024 Billboard Media, LLC. All Rights Reserved.

optional screen reader

Charts expand charts menu.

• Billboard Hot 100™
• Billboard 200™
• Hits Of The World™
• TikTok Billboard Top 50
• Songs Of The Summer
• Song Breaker
• Year-End Charts
• Decade-End Charts

Music Expand music menu

• R&B/Hip-Hop

Videos Expand videos menu

Culture expand culture menu, media expand media menu, business expand business menu.

• Business News
• Record Labels
• View All Pro

Pro Tools Expand pro-tools menu

• Songwriters & Producers
• Artist Index
• Royalty Calculator
• Market Watch
• Industry Events Calendar

Billboard Español Expand billboard-espanol menu

• Cultura y Entretenimiento

Get Up Anthems by Tres Expand get-up-anthems-by-tres menu

Honda music expand honda-music menu.

Taylor Swift Fans Think An Eras Tour Malfunction Was A Reputation (TV) Clue

“This cannot have been an accident!”

Taylor Swift fans think an Eras Tour glitch might’ve been intentional.

During the singer’s sold-out show at London’s Wembley Stadium on June 22, a big screen at the venue briefly malfunctioned , showing a frozen frame of Swift performing in an eerie black-and-white hue.

The technical mishap soon caught the attention of Swifties online, who pointed out that the freeze frame was “ Reputation -era coded.” Many fans have since theorized that the apparent glitch was purposeful on Swift’s part, and a subtle hint that Reputation (Taylor’s Version) is on the horizon.

“This cannot have been an accident?!” one fan wrote on X (formerly Twitter). “ Rep TV is coming,” another commented , while one Swiftie also joked , “ Reputation is sabotaging the tour trying to come out of the vault.”

Reputation (Taylor’s Version) is expected to become the fifth re-recorded album released by the singer, following 2021’s Fearless (TV) and Red (TV) , and 2023’s Speak Now (TV) and 1989 (TV) .

More Reputation (TV) Theories

A previous fan theory made the rounds online in January, when Swifties were convinced the singer had dropped possible Reputation (TV) Easter eggs in her Eras Tour setlist .

As one fan pointed out, the order of Swift’s eras on the setlist seemed to correspond with the months she announced her “Taylor’s Version” albums. This left many fans convinced Rep (TV) was coming in April 2024. However, the theory was ultimately proved incorrect.

Fans also theorized that her Eras Tour costumes might hint at the re-recorded album’s release. During the singer’s May 24 show in Lisbon, Portugal, Swift changed into her black Reputation bodysuit embroidered with red snakes, designed by Roberto Cavalli.

However, eagle-eyed Swifties pointed out that some of the snakes’ sequins had started to come undone, or were “shedding” like an actual snake’s skin would, in preparation for Reputation (TV) .

Fans also speculated that Swift would finally announce Rep (TV) at London’s Wembley Stadium after the singer’s boyfriend, Travis Kelce, seemed especially excited about the U.K. tour dates.

However, after Swift’s London concert on June 23, it became clear the Kansas City Chiefs star was particularly hyped up due to his surprise appearance, in which he appeared onstage for the Tortured Poets Department track “I Can Do It With a Broken Heart.”

Activists targeting Taylor Swift’s jet vandalize planes with paint. Hers wasn’t there

• Copy Link URL Copied!

Two climate activists in the United Kingdom threw orange paint at private jets at an airport Thursday — an action specifically targeting Taylor Swift.

Alas, her jet wasn’t there.

The activists are part of Just Stop Oil, a coalition of organizations demanding that the British government create a treaty that would “end the extraction and burning of oil, gas and coal by 2030.”

Cole Macdonald and Jennifer Kowalski were arrested on suspicion of criminal damage, police told BBC News . Stanstead Airport confirmed to the outlet that Swift’s jet wasn’t present.

The two individuals chose that airport, in Essex, because they believed Swift’s plane was stationed there, the group said in a release . The singer has been criticized for the carbon dioxide emissions from her globe-trotting affairs.

Entertainment & Arts

Taylor Swift’s rep calls private jet report ‘blatantly incorrect’ amid backlash

A report deemed Taylor Swift the No. 1 celebrity ‘offender’ when it comes to carbon emissions because of her allegedly excessive private jet usage.

July 31, 2022

In a statement released through the group, Macdonald condemned billionaires for living in luxury while others reside in “unlivable conditions.”

Swift’s representatives did not immediately respond to a request for comment.

A spokesperson for the airport told BBC News that the demonstration briefly suspended runway operations, but that no flights were disrupted. The airport has since continued operating as normal.

Taylor Swift’s new album has a few guests. A student tracking her flights isn’t one of them

Taylor Swift has bad blood with the Florida student who created social media accounts to track celebrity flights and their emissions. ‘It is a life-or-death-matter for our Client,’ her attorneys said.

Feb. 7, 2024

In December, Swift served a cease-and-desist letter to a Florida college student who runs a social media account publishing information about the whereabouts of the pop star’s jet.

“While this may be a game to you, or an avenue that you hope will earn you wealth or fame, it is a life-or-death-matter for our Client,” said the letter, reviewed by The Times. “Ms. Swift has dealt with stalkers and other individuals who wish her harm since she was a teenager.”

Jack Sweeney, who runs the account, told the Washington Post that he obtains the information from public records and that he would not be intimidated from sharing the data.

“This information is already out there,” Sweeney said. . “Her team thinks they can control the world.”

Swift is in London for her Eras Tour concert, which has international dates throughout the year.

More to Read

Climate protesters spray Stonehenge monument with orange paint; two arrested

June 19, 2024

Nicki Minaj alleges racism and a conspiracy against her after drug arrest in Amsterdam

May 30, 2024

If Taylor Swift broke Ticketmaster, why does DOJ’s Live Nation lawsuit invoke a little déjà vu?

May 23, 2024

The biggest entertainment stories

Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.

You may occasionally receive promotional content from the Los Angeles Times.

Angie Orellana Hernandez is a 2023-24 reporting fellow at the Los Angeles Times. She previously worked at The Times as an arts and entertainment intern. She graduated from USC, where she studied journalism and Spanish. Prior to joining The Times, she covered entertainment, as well as human interest, legal and crime stories at E! News. Her writing can also be found in USA Today, the Boston Globe, CNN and KCRA3.

More From the Los Angeles Times

Ducks bring back classic logo and Kings embrace Gretzky era as teams unveil new looks

‘Kind of bunk’: A closer look at the controversial case against a top L.A. D.A. official

Jonathan Van Ness insists they aren’t the hypocritical ‘monster’ crew members described

McDonald’s plant-based burger fizzles out — even in San Francisco, company says

• Entertainment
• Celebrities
• Ticket Sales

trending now in Entertainment

Christina Applegate announces daughter Sadie, 13, was diagnosed...

Prince Harry and Meghan Markle are 'desperate' to reconnect with...

Poor Jennifer Garner continues to have to tend to her bratty...

'Multiple people' may be charged in Matthew Perry's ketamine...

Embarrassed 'Jeopardy!’ contestant speaks out after earning...

Travis Kelce didn't bow to 'coolest motherf--ker' Prince William...

Jennifer Lopez, worth $400 million, takes commercial flight...

‘Horizon: An American Saga - Chapter 1’ review: Kevin Costner...

‘fleabag’ stars reunite at taylor swift eras tour as they dash to vip tent to dance.

Thanks for contacting us. We've received your submission.

Fleabag and the Hot Priest, together once more!

Former  Fleabag  co-stars Phoebe Waller-Bridge and Andrew Scott were spotted in the crowd at a recent London date of Taylor Swift’s Eras tour, having a moment that will be very relatable to any concertgoer.

The pair, who played forbidden love interests in Waller-Bridge’s hit TV show, were seen leaving the VIP tent on the stadium floor during the show.

They were presumably dipping out for a tactical bathroom / bar break during the epic three-and-a-half hour performance, but as they headed for the exits, suddenly, the opening notes of a Swift classic rang out:  Style , a single from Swift’s 2014 pop opus,  1989.

Suddenly, all plans were abandoned, as the pair clutched each other and sprinted back to the VIP tent for a dance – stopping only to quickly exchange a Swift friendship bracelet with a fan.

The former TV co-stars are among a bevy of big celebs who’ve been spotted at Swift’s London shows, which took over Wembley Stadium over the past few days.

Stars Tom Cruise, Liam Hemsworth, Hugh Grant, Ashton Kutcher, Mila Kunis along with Swift’s boyfriend Travis Kelce were  all spotted dancing  along to  Shake It Off  from the confines of the VIP tent at Wembley Stadium.

In  another clip,  a happy-looking Cruise exchanged friendship bracelets with fans.

And Swift even bought her football star boyfriend on stage for the third night of her Wembley Stadium stop.

In a sweet moment, the Super Bowl champ  carried his girlfriend on stage  before she performed the new song  I Can Do It With a Broken Heart .

Kelce was also spotted in the VIP tent at one of Swift’s Sydney shows during the Eras tour’s visit down under earlier this year. That was a similarly star-studded affair, with Katy Perry, Rita Ora, Baz Luhrmann and Toni Collette among the celebs  crowding into the VIP area  to watch the show.

But they don’t get much more famous than the very VIP guests Swift  took a selfie with backstage  in London: the future King of England himself, Prince William, who took children Prince George and Princess Charlotte for a night out at the concert.

However, a royal insider told  Hello magazine  that there was actually chaos behind the scenes ahead of backstage snap.

“They [the royals] had a nightmare getting in, they were running really late but they had planned to get there earlier so they could have the meet and greet with Taylor beforehand because they knew they wanted to leave early,” the source said.

They also claimed that the Prince of Wales and his two eldest children had attempted to keep a low profile by staying toward the back of their box – but a clip of William enthusiastically dancing to  Shake It Off  managed to go viral anyway.

Share this article:

Advertisement

• Election 2024
• Entertainment
• Newsletters
• Photography
• Personal Finance
• AP Investigations
• AP Buyline Personal Finance
• AP Buyline Shopping
• Press Releases
• Israel-Hamas War
• Russia-Ukraine War
• Global elections
• Asia Pacific
• Latin America
• Middle East
• Election Results
• Delegate Tracker
• AP & Elections
• Auto Racing
• 2024 Paris Olympic Games
• Movie reviews
• Book reviews
• Financial Markets
• Business Highlights
• Financial wellness
• Artificial Intelligence
• Social Media

Taylor Swift brings out Travis Kelce at London Eras Tour date

Travis Kelce suited up for his first appearance on the Eras Tour stage, joining Taylor Swift in London for a skit in which he carried her and danced a little jig.

Taylor Swift performs at Wembley Stadium as part of her Eras Tour on Friday, June 21, 2024 in London. (Photo by Scott A Garfitt/Invision/AP)

• Copy Link copied

Taylor Swift had a surprise for fans attending her Eras Tour at London’s Wembley Stadium on Sunday: her boyfriend and tight end for the Super Bowl-winning Kansas City Chiefs, Travis Kelce .

Dressed in a tuxedo with a tailcoat and top hat, Kelce joined Swift on stage for a transitional sketch that leads into the song “I Can Do It With a Broken Heart.” In fan videos, he’s seen carrying Swift, urging her into a costume change. He fanned and powdered her face as part of the act.

Last month, in her first Eras Tour concert since the release of “The Tortured Poets Department,” Swift shook up her setlist. At the La Défense Arena in Paris, fans were treated to the inclusion of new songs from the record-breaking album released in April.

The billion-dollar Eras Tour is meant to be a career retrospective, with Swift performing more than 40 tracks reflecting 17 years of recorded music. “The Tortured Poets Department” was her first brand-new release since the tour’s start.

Taylor Swift fans scrambling as Aer Lingus pilot strike coincides with Dublin concert dates

Taylor Swift's concert dates in Dublin this weekend are coinciding with an Aer Lingus pilot strike that's resulted in more than 200 canceled flights, and Swift's traveling fans don't want to miss her like this.

The Irish Air Line Pilots’ Association is pushing for a 12.25 percent pay increase from the airline and workers are striking to pressure Aer Lingus. Pilots are refusing overtime work and have an 8-hour strike planned for Saturday, among other actions, according to The Irish Times .

Aer Lingus flights between Wednesday and July 2 are impacted, although the airline is working to reschedule flights and offering refunds to customers. There have been around 270 flight cancelations impacting more than 35,000 travelers, the Irish Times reported.

"Aer Lingus fully understands the anxiety being experienced by customers given the uncertainty caused by IALPA’s industrial action and is giving customers as many options as possible, should they wish to change their plans," the company said in a statement.

Despite the options provided by Aer Lingus, some dedicated Swifties will now not be able to make it to the Ireland shows.

Margot, a France-based fan, resold her tickets via Ticketmaster after her Aer Lingus flight to Dublin was canceled. She also offered up her hotel accommodations on social media to anyone who might need to stay.

"Due to flights being cancelled (down bad; crying on the floor) I won’t be able to make it but I’m happy to transfer the room to anyone who would need it room booked from Saturday to Monday morning," she wrote in a post.

One fan, Chrissy, wrote on X that Aer Lingus moved their flight from Saturday to Friday, but "since we have to work on that day we won’t be able to make it to the Eras Tour."

James Oaks, whose X account says he’s based in Kansas City, Missouri, posted Monday that his flight to Dublin for the show was canceled. He didn’t immediately respond to a request to speak to NBC News.

“Shout out to @TicketmasterUK for refusing to allow us to resale our tickets to see @taylorswift13 in Dublin when our trip was cancelled due to an airline strike last minute,” Oaks wrote.

Another fan tagged Aer Lingus in a post that if their family were unable to make the show because of the labor action, the pilots would be "the least of your problems."

"You do not want a teenage girl as an enemy," the user wrote. "They are the scariest people on earth."

Meanwhile, some other fans are hoping to cash in on the unfortunate circumstances by asking to buy tickets from anyone unable to make the shows.

"yo if any americans can’t make it to the dublin eras tour because aer lingus screwed you over im here to take your ticket so it doesn’t go to waste," one X user wrote .

Representatives from both Aer Lingus and the IALPA had separate meetings with Ireland's Labour Court, but the airline said Tuesday that the court determined that "it is unable to assist in the dispute at this time."

The IALPA did not immediately return a request for comment from NBC News.

Doha Madani is a senior breaking news reporter for NBC News. Pronouns: she/her.

Taylor Swift's economic clout has now come for Europe

• Taylor Swift's economic impact boosted the US economy by billions.
• Now, she might do the same thing in Europe on the latest leg of her Eras Tour.
• In Italy, some hotel prices are up 45% during the dates of Swift's shows, one tourist company said.

"Baby, let the games begin."

The lyrics from Taylor Swift's "…Ready For It?" might be ringing through Europe's hospitality industry as " Swiftonomics " bears down on Europe.

Over the last year, Swift's Eras Tour and its affiliated film cemented her economic prowess in the United States , injecting billions into the economy.

Now, she's bringing that power to the European leg of her worldwide tour, during which she will perform in at least 18 cities.

Local businesses are seeing Swift's impact weeks ahead of her concerts. Swift doesn't perform in Italy until mid-July, but hotels are already booked and busy.

"Our analysis and data shows that hotel prices in Milan are on average 45% higher for the nights of Taylor Swift's shows in the city in July 2024, compared to the weeks before and after the show," Ben Julius, the founder of a tourism company called Tourist Italy , told Business Insider.

Related stories

Julius added that the concertgoers only stay for an average of two nights, but the mass demand is "creating a wider tourism trickle-down effect" as the rising costs of travel and lodging push other tourists to find other places to stay.

European economists monitoring inflation rates in the service sector are examining Swift's tour to see what impact it will have on Europe's economy.

Officials at the European Central Bank cut interest rates this month after inflation slowed, but there are concerns that Swift's arrival in different cities could cause a new uptick.

Because when Swift comes to town, she rallies tens of thousands of fans who will spend money on a bevy of services like restaurants, lodging, and local attractions. Some Swifties will travel hours — and across countries — to attend a concert, which puts a demand on airfare and other transportation options.

Barclays' Consumer Spend research found that Swift's tour is expected to boost the UK economy by £997 million ($1.26 billion).

Central bankers told The New York Times that even small changes to data could affect their decision to continue cutting rates.

"All those tiny quirks are going to matter a lot," TD Securities strategist Lucas Krishan told the outlet.

Krishan added that the service inflation rate could rise in August when Swift returns to London. Her tour dates — August 15 to August 20 — overlap with the day Europe's statistics agency records price data.

If the data shows too much increase, the Bank of England could theoretically pause plans to lower rates in September.

Economist George Moran told the Times, however, that he thinks it's unlikely Swift will impact decision-making at the Bank of England.

"Taylor Swift is unlikely to be affecting central bank policy. She's unlikely to be affecting government policy," Moran, who works for Nomura, said. "And I don't think it's a sustainable option for growth in a country to rely on having superstar concerts."

He told the Times the impact would likely be "more local than macro."

"Taylor Swift is obviously a massive phenomenon, and the areas that she's visiting is causing a big buzz in the hospitality sector," he said.

Representatives for Swift did not respond to a request for comment from Business Insider.

Watch: Marriott International's Tina Edmundson tells Insider that the travel mindset has changed since the pandemic

• Main content