bengal tourism logo

The best tourist board logos

Ready to travel? Here are the best tourist board logos.

Tourist boards play a vital role in inspiring travellers to visit their destination, whether they’re telling you about the hottest new festivals and bars, or working with celebrities, writers and influencers to spread the word. In order to stand out and represent their country, city or region, they need an eye-catching logo: something that fits the destination and feels modern. It then gets plastered over all kinds of promotional materials, from pens and memory sticks to t-shirts and posters. 

Sometimes, they firmly fit the trends of their launch period, perhaps having a distinct ‘ iconic 80s logos ’ feel, but other times they remain relevant for decades to come – see New York or Rotterdam for proof.

We’ve picked the best tourist board logos to give you wanderlust; we looked for the best logos that feel custom-made for the destination, do something a bit different, and would look just as good on a keyring as on a billboard, whether they’re made by the best logo designer or not.

01. PROMPERU (Peru)

This South American country is best known for its archaeology: Machu Picchu, the mysterious Nazca lines, the circular Incan terraces of Moray, and the Temple of the Sun in Cusco. That’s why we’re not surprised to see a hand-drawn wordmark that echoes the creativity of Peru, and has been in place since 2011, courtesy of Futurebrand , for use in tourism and trade. The circular pattern on the letter ‘P’ could also make you think of a fossil, or the curve of a clay pot.

So, what else could they have chosen to incorporate? Peru’s food scene is also increasingly popular, with visitors flocking to taste ceviche (fish cooked in lime juice) and Pisco sours (cocktails with egg white), but let’s face it: those wouldn’t really work in a logo, especially if you’re trying to appeal to vegans. We’re glad they stuck to the archaeological theme and kept it simple.

02. Brand Colombia

Remarketing a country that has had political struggles isn’t easy, but Brand Colombia may have cracked it from a design perspective – this major tourism and business campaign launched in 2012, with a logo that mirrors the country’s eclectic mix. Colombian companies Sancho BBDO and Señor López were behind the identity, whilst advertising partners included JWT . 

At the time of the launch, Claudia Hoyos, from Marca País Colombia , said: "Our greatest strength is in our megadiversity… we have many regions, cultures, accents and dialects, many landscapes and different climates."

Get the Creative Bloq Newsletter

Daily design news, reviews, how-tos and more, as picked by the editors.

Therefore, there are different coloured versions of the logo; as Hoyos puts it, "violet represents the variety of flowers we have, especially the orchid, our national symbol," with each region and theme represented by simple geometrical shapes, like a drum for music. Reducing Colombia to 'CO' isn’t just a case of saving space: it shows the ISO country code, recognised all over the world. However, travel industry website Skift didn’t approve, saying the new identity was "all over the place".

03. Turespaña (Spain)

This logo for Turespaña is very much a product of its time, so it doesn’t look as effective today, but we couldn’t resist adding it to the mix – Spain even commissioned artist Joan Miró to design it in 1983. Art tourism is a huge part of Spain’s appeal, with visitors drawn to works by Picasso, Velazquez, Dali and many others, but it was a coup to get Miró on board.

Sadly, Miró was too ill to create a brand new work, so he incorporated elements of other designs to get this result, known as The Sun of Miró, which was revealed to the public in 1984 and has been used ever since. The colourway harks back to the red and yellow of the Spanish flag, while the sun emblem certainly fits the Mediterranean climate. Both the sun and the star were taken from a much earlier poster which – whisper it – was for an art museum in France. If you're in need of an art fix, don't miss our round-up of the best art books .

04. Belize Tourist Board

How does a small central American country make its mark? With a rainbow of colour and nature-inspired details, thanks to Studio MPLS . Here, Belize uses some curved serifs at the top of its letterforms, mirrored by the diagonal first stroke of the 'e'. The overall rounded lettering mimics the number of circles the designers found in their research across the country’s wildlife, landscapes and culture. A toucan perches on the letter 'z', adding character without making the word illegible. As with Colombia, the icon is interchangeable for different regions, which have their own colour palettes; others include a lighthouse (for the Central Coast) and a tropical fish (for the reef).

The typeface has a slightly worn feel, thanks to little inner streaks letting the background show through. The logo can also be presented with the toucan seen separately, and its body and beak has some of those well-worn streaks. This rustic feel fits Belize’s nature-driven tourism, which often includes visits to the jungle and rainforests, and also the "hand-painted weathered signs" that Mike Fetrow, one of the designers, noted.

05. Tourism Fiji

The current version of Fiji’s logo is a vast improvement on its 2013 attempt (which was overly simplistic, forgettable, and burdened with the bland tagline ‘Where happiness finds you’). This much more inventive wordmark, from Australian agency Host/Havas , includes repeated traditional patterns seen on Masi fabric, a Fijian craft. Each motif symbolises a village, family or community.

The Prussian blue also makes this stand out from many other logos – though tourist boards love a bit of blue, this rich shade has real depth. The designs were created by Wati Maraiwai Talavutu, a Masi artist . 

The national airline, Fiji Airways, worked with Masi artist Makereta Matmosi to revamp its logo in 2012 when it rebranded from Air Pacific. If this gives you the urge to fly, take a look at our round-up of airline logos . 

06. New York Board of Tourism (USA)

It wouldn’t be fair to exclude the most iconic tourist board logo in the world. Milton Glaser’s design for New York has been replicated countless times, even though it says nothing about the city or its unique selling points – it’s simply about loving the place. There’s no trace of the skyline or attractions here; not even a nod to the city’s ‘Big Apple ’ nickname (unless the red heart reminds you of a red apple, in which case you’re probably just hungry). The lettering is set in American Typewriter, which has rounded slab serifs and feels suitably casual for the city that never sleeps. Glaser drew the sketch in red crayon back in 1976, and the original drawing can be found at New York’s Museum of Modern Art.

After 9/11, the logo was adjusted by Glaser to remind residents and tourists how strong New Yorkers can be; he changed the text to read ‘I [heart] NY more than ever’ , and gave one edge of the heart a small scorch mark; you can find this emotive design at the 9/11 Memorial and Museum. 

Glaser died in 2020, but this year we saw the logo morphed into ‘We [heart] NY’ thanks to Graham Clifford Design. We weren’t the only ones disturbed by the new look, with its cheap-looking 3D heart and thick sans-serif lettering – a misstep that Glaser thankfully never saw.

07. Experience Bengal (India)

Bengal’s wordmark has a similar feel to Belize – thankfully, there are thousands of miles between the two, as this one is in India. However, there are some precise details that mark this logo as a little bit different. The East Indian state has an incredibly colourful and modern logo that flows well and makes its mark against its competitors. It might remind you of a paint chart or a colour wheel, as each letter contains various fragmented shades.  The sloping arcs of the 'n', 'a' and 'l' stems nicely elevate the logo by dropping below the baseline, moving it away from a boring straight line to something more inventive.

So, why should Bengal be seen as colourful? In parts of West Bengal, the soil is red; meanwhile, the tea plantations and the Himalayas create dramatic scenery. The state also has its own distinct style of weaving, which appears on saris, and its own art movement, known as the Bengal School, in the early 20th century, as well as a history of Patachitra painting. If you want to apply the chosen slogan, ‘the sweetest part of India’, to Bengali food, that’s pretty colourful too – speciality desserts include amriti, which are spirals of sweet dough fried in ghee.

08. City of Rotterdam (Holland)

Did you guess that Rotterdam is a riverside city and also a port? This logo, covering the wider Rotterdam area, depicts a flowing river bursting through the letter 'R'. What was almost a 2D logo has been enhanced with a drop shadow on the lettering, in the same dark blue as the water, making the green façade of the letter really stand out. It has been in place since 1999, but by 2017, politician Sven de Langen called for this logo to be replaced with the city’s coat of arms and its original motto, 'Strong through struggle'. Thankfully for design lovers and modernists, this has not come to pass.

So, why else is the water theme relevant here? Rotterdam has the largest port in Europe, so water is the key to trade. Plus, many cities in the Netherlands are passionate about sustainability, and Rotterdam is no exception. There’s even a self-sufficient floating farm on the water, home to a herd of dairy cows, which attracted press coverage worldwide; plus, this year, an exhibition called Water Cities Rotterdam , developed by the Niewe Instituut and the architecture firm NLÉ. Whilst the tourism logo lettering is placed in the river rather than floating on top, it definitely shows that water is a key part of life in the city, and this design wasn’t plucked out of thin air.

For more on logos, see our best simple logos , best 20th century logos and best 90s logos roundups.

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Polly Allen is a freelance journalist and marketer based in Bristol. She specialises in travel and lifestyle journalism, including art reviews. As a marketer, she has worked for the charity sector, the travel industry, the museum sector, and healthcare organisations. 

Related articles

West Bengal Tourism

About this app

Data safety.

What's new

App support, more by department of tourism, govt. of west bengal.

Revamping heritage brand: a case of Murshidabad, West Bengal, India

• Published: 16 March 2021
• Volume 18 , pages 190–200, ( 2022 )

Cite this article

• Saikat Banerjee   ORCID: orcid.org/0000-0001-8883-0903 1 &
• Paroma Mitra Mukherjee 2  

186 Accesses

1 Altmetric

Explore all metrics

In the recent past, city and state branding became essential to the respective state officials in different parts of the world. However, in the unorganized tourism market of India, the primary challenge is to create brand differentiation. Heritage tourism is one of the important models of India's tourism industry, and Murshidabad brand is positioned as a heritage brand as the place is famous for its history for years. Murshidabad district of West Bengal, India, was famous for its heritage sites and culture of Nawabs of Bengal. In pre-independence time, Murshidabad, during the era of Nawabs of Bengal, was the most critical place of economic activities of the state. The case study dealt with the branding initiatives of the state of West Bengal to make Murshidabad a heritage brand in the tourism market. It touched on the difficulties faced by the Government to maintain sustainable brand-building initiatives and maintaining the same for long-run success. The study explained the underlying issues confronted by the place and the brand and how they were addressed. The current study's focus is to explain place branding strategies that marketers may adopt to create heritage brands in the tourism market. Besides, it touches on the difficulties faced by the Government to maintain sustainable brand-building initiatives and maintaining the same for long-run success.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price includes VAT (Russian Federation)

Instant access to the full article PDF.

Rent this article via DeepDyve

Institutional subscriptions

Source: Author)

Similar content being viewed by others

Branding the Image of Religious Heritage in India

Branding a place through its historical and cultural heritage: The branding project of Tofu Village in China

Branded as a World Heritage city: The politics afterwards

Shevren Lai & Can-Seng Ooi

Muxudabad, Mukhsusabad, Muksudabad, Moorshoodabad, Moorsheedabad, Moorsbedabad, Moorshidabad, and Murshidabad are some of the forms of the name which the city has borne, and the current name is Murshidabad. Source: http://www.murshidabad.gov.in/History.aspx and http://murshidabad.net/history/history/murshidabad.htm .

https://www.mintageworld.com/media/detail/2961-shashanka-the-lord-of-gauda-kingdom/ .

Emperor Aurangzeb sent his Dewan Kartalab Khan at Murshisadabad for the collection of revenue during his regime. Emperor became delighted with Kartalab Khan for his performance and named him as Murshid Kuli Khan. He is the first Nawab of the Nasiri dynasty. Source: http://www.history/history-topic-murshid-quli-khan.htm.

http://murshidabad.net/history/history-topic-siraj-ud-daulla .

Murshidabad is one of the five districts of West Bengal identified as ‘Backward’ by NITI Aayog.

https://pmawards.gov.in/public/List-of-Backward-Districts.pdf .

http://www.asikolkata.in/monuments.aspx .

https://www.wbtourismgov.in/destination/district/murshidabad .

https://www.wbtdcl.com/ .

http://www.mhds.in/ .

https://www.wb.gov.in/portal/web/guest/murshidabad# .

http://www.biswabangla.in/ .

http://www.biswabangla.in/sarees/2015/7/5/baluchari .

http://www.biswabangla.in/pro-spc-club-muslin/2015/8/17/balaposh .

http://www.biswabangla.in/handicraft-traditional-metalware/2016/6/4/kaansha-or-bell-metal .

http://www.biswabangla.in/handicraft-hands-on-nature/2016/6/4/shola .

http://www.biswabangla.in/handicraft-natural-fiber/2016/6/4/jute .

https://www.ndtv.com/india-news/west-bengal-government-seeks-gi-tag-for-kohitur-mango-1872342 .

http://www.msmetfc.in/murshidabad .

http://www.festivalasia.in/2012/09/bera-utsav-bera-utsav-date-about-bera.html .

http://www.hotelsunshine3star.com/festivals-murshidabad.php .

http://www.motijheelpark.com/ .

http://tourism.gov.in/sites/default/files/Other/Tourism%20Survey%20final%20%20Report%20-%20West%20Bengal%28%20April%202014-March%202015%29.pdf .

https://www.aai.aero/sites/default/files/national-register/Behrampur%20Report.pdf .

http://www.tourism.gov.in/ganga-heritage-river-cruise-circuit .

Asprogerakas, E. 2007. City competition and urban marketing: The case of tourism industry in Athens. TOURISMOS Journal 2 (1): 89–114.

Google Scholar  

Cleave, E., A. Godwin, S. Richard, and G. Jason. 2016. The role of place branding in local and regional economic development: Bridging the gap between policy and practicality. Regional Studies, Regional Science 3 (1): 207–228.

Article   Google Scholar  

Ham, P. 2008. Place branding: The state of the art. The Annals of the American Academy of Political and Social Science 616 (1): 126–149.

Kavaratzis, M., and G.J. Ashworth. 2005. City branding: An effective assertion of identity or a transitory marketing trick? Tijdschrift voor Economische en Sociale Geografie 96 (5): 506–514.

Kotler, P., and D. Gertner. 2002. Country as brand, product, and beyond: A place marketing and brand management perspective. Journal of Brand Management 9 (4/5): 249–261.

Medway, D., K. Swanson, D.L. Neirotti, C. Pasquinelli, and S. Zenker. 2015. Place branding: Are we wasting our time? Report of an AMA special session. Journal of Place Management and Development 8 (1): 63–68.

Mueller, A., and M. Schade. 2012. Symbols and place identity: A semiotic approach to internal place branding–case study Bremen (Germany). Journal of Place Management and Development 5 (1): 81–92.

Pasquinelli, C., and T. Jukka. 2013. Branding knowledge-intensive regions: A comparative study of Pisa and Oulu high-tech brands. European Planning Studies 21 (10): 1611–1629.

Scaramanga, M. 2012. Talking about art(s). Journal of Place Management and Development 5 (1): 70–80.

Van den Berg, L., and E. Braun. 1999. Urban competitiveness, marketing, and the need for organizing capacity. Urban Studies 36 (5/6): 987–999.

Download references

Author information

Authors and affiliations.

Indian Institute of Foreign Trade (IIFT-Deemed University Under Ministry of Commerce & Industry, GOI), 1583, Madurdaha, Chowbaga Road, Anandapur Road, Kolkata, 700 107, India

Saikat Banerjee

Management Development Institute (MDI), Sakim-Katnai, Kulori, P.O. – Uttar Ramna, P.S. –Raghunathganj, Murshidabad, West Bengal, 742235, India

Paroma Mitra Mukherjee

You can also search for this author in PubMed   Google Scholar

Corresponding author

Correspondence to Saikat Banerjee .

Ethics declarations

Conflict of interest.

On behalf of all authors, the corresponding author states that there is no conflict of interest.

Additional information

Publisher's note.

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Appendix 1: Evolution of the Heritage: Murshidabad

According to archeological excavation sums, Murshidabad's history started before the sixth century BC when the Bimbisara Mauryans dynasty conquered the Gouda. During the sixth century BC (540–424 BC), the Nandas conquered many places of Rarh or Radha and Bagdi areas of Murshidabad and established their supremacy in the entire area. Chandragupta Maurya (324–300 BC) defeated Nandas and established the Maurya Empire. Guptas tried to conquer Gauda, but the power of the Guptas exhausted after a long war with Maukharis and the ruler of Kamarupa. Sasanka, a vassal chief of the Gupta kingdom, took the opportunity to build his kingdom at Gauda. Sasanka integrated his Empire of Gaur and established his capital at Karnasuvarna. That era was known as the golden age in Indian history. Though Sashanka faced joint attacks by Harshavardhana, the great king of Northern India, and Bhashkara Varman, the king of Kamarupa, after his death (630–637 AD), they occupied Gouda.

After a hundred years of chaos in Bengal, Gopala, in 760 AD, became the king of Gauda, who introduced the Pala king Mahipala at village Mahipal in Jangipur Sub-division. The significant parts of Murshidabad came under the rule of the Senas and continued to the last Hindu ruler before Muslim rule started in Bengal. They were the worshiper of Lord Vishnu. Hemanta Sena, then his son Vijaya Sena, and grandson Ballal Sena became king of Bengal and conquered Guada. They ruled near sixty years. The 4th ruler Lakshman Sena, the last Hindu king of Bengal, who had his capital in Navadwip, was defeated by the Turks (Musalman), the "Ajani Lambit Bahu." Bengal became a Sultanate under Fakir-Ud-Din Mubarak Shah (1338–1349AD), and the Sultanate continued for a long time under different dynasties. The greatest of the Sultans of Gour was Hussein Shah (1493 AD–1519 AD). Sher Shah established Afghan rule in Bengal by killing Mahmud Shah in 1538 and occupying the throne. Sher Shah later proceeded to become the emperor of India by defeating the Mughal monarch Humayun. The last Afghan Sultan of Bengal was defeated and killed by the Mughals.

In 1700, Dewan Kartalab Khan (later Murshid Quli Khan) shifted Dewankhana from Dhaka to Maksudabad. In 1704 he renamed Maksudabad as Murshidabad. The first Nawab of Bengal, Murshid Kuli Khan (1706–1725 AD), being a Subedar of Bengal, reigned over states of Bengal, Bihar, and Orissa from his capital city Murshidabad. Suja-ud-Din (1725–1739 AD) alias Suja Khan, son-in-law of Murshid Quli Khan, became the next Nawab. Sarafraz Khan ascended the throne from (1739–1740 AD) and was a man of velour and religious temperament. Alivardi Khan (1740–1756 AD), who was Governor of Patna, got the Sanad as Subedar of Sube Bangla and became the Nawab by defeating and killing Sarfaraz in1740 AD and ruled for sixteen years after that.

During (1756–57 AD), Siraj-ud-Doula, the favorite grandchild of Alivardi, was the next Nawab. The young Sultan faced the two-pronged trouble of the increasingly powerful British's ambitions and the conspiracy of his dissatisfied relatives and bureaucrats. He tried to encounter those by first robbing his intriguing aunt, Begum Ghasiti, of her wealth and reducing the rank of the Commander-in-Chief (Bakshi) of the royal army, Mir-Jafar. On the May 24, 1756 AD, Siraj occupied the Cossimbazar factory of the British. Then he went on to occupy Calcutta in June 1756. However, then he had to go to Purnea, Bihar, to satisfy the rebellion of Cousin Shaukat Jang, a pretender to the throne. Taking advantage of this situation, the British amassed forces and re-conquered Calcutta in February 1757 AD and then struck a secret treaty with Mir-Jafar. The British captured the French factory at Chandannagar. On June 23, 1757, in Plassey's battle, under Robert Clive, the British army defeated Siraj-Ud-Dulla and killed him. Mir-Jafar ascended Bengal's throne, but he was an incompetent ruler and was a puppet of the British ruler. The British replaced him with his son-in-law Mir-Qasim in 1760 AD on account of non-payment of dues. Mir-Qasim paid the dues off but started to show signs of independence. He shifted his capital to Monghyr in Bihar and tried to reorganize his army. The British disapproved of this and defeated Mir-Qasim in the Battle of Buxar in 1764 AD. In 1765 AD, the East India Company obtained the Dewani of Sube Bangla from the Mughal Emperor Shah Alam and started spreading their wings slowly to rule India. Post the Nawab era, Murshidabad witnessed the beginning of the British era.

In the nineteenth century, all communities joined forces for independence from British rule. Murshidabad also took contributions like other districts of Bengal in the freedom struggle. In 1921, the Murshidabad District Committee of the Indian National Congress was formed. Many revolutionaries like Surya Sen and Niranjan Sen spent their college days in the Krishnanath College of Berhampore. Netaji Subhas Chandra Bose and Kazi Nazrul Islam spent some of their prison days in Berhampore Central Jail. The well-known figures of freedom struggle Mahatma Gandhi, Dr. Rajendraprasad, C. R. Das, and Netaji had also visited the district during the freedom struggle days. In 1937, Nawab Wasif Ali Mirza formed the Hindu Muslim Unity Association, which was also noteworthy. After India's independence on August 15, 1947, then be divided into two nations, viz India and Pakistan, Murshidabad (based on the fact that Muslims were a majority) was a part of (East) Pakistan for two days. Then it became part of India based on the final award of the Radcliffe Commission.

Socioeconomic Profile of the State

Murshidabad district was surrounded by Malda district, Sahebganj district of Jharkhand, Birbhum, Bhardhaman district, Nadia district, and finally, bounded Rajshahi division of Bangladesh as the international border in North, North West, West, South West, South, and East. This district comprised two distinct regions separated by Bhagirathi, the Bagri region in the east, and the Rarh or Radha region. As per Census Report 2011, the state's total population was 71 02,430, which counted 8.46% of West Bengal's total population. The demographic profile defined 51.10% male and 48.9% female population. The total geographical area was 5324 Sq Km, with a population density of 1334/km square. The state literacy rate was 63.88%, and the urban to rural population division was 19.78% and 80.22%, respectively.

More than three hundred years ago, Manikchand, a Jain merchant who had come from Rajasthan's deserts to Bengal's fertile lands, encouraged Murshid Quli Khan to shift from Dhaka to Maksudabad (now Murshidabad) in the bank of Hoogly. Manikchand was the personal banker of Nawab. He was entitled to "Jagat Seth" (bankers of the world). From that time, Sheherwali (the itinerant traders who moved from town to town) culture began. He invited several Jain merchant families to Murshidabad, and most of them located in Azimganj and Ziaganjj. Thus, the Duggar, Dudhoria, Nahar, Nowlakha, Singhi, Kothari, and many such families settled in the region and started adopting the local ways of living, including food, attire, customs, and language, evolving as a community distinct from the Marwaris. They built fourteen Jain temples in Murshidabad, constructed by the members of the community. They were mainly bankers who introduced a transaction system with hundis, or promissory notes, instead of actual money. In the Mughal period, the most prosperous province was Bengal, and its entire revenue was sent to the Mughal emperor through such hundis and was worth twenty million silver coins. Manikchand, in that process, made much money. Their homes were grand mansions designed by architects from England and France.

The economy of the Murshidabad district was fundamentally agriculture-based. Due to the lack of essential minerals and proper infrastructure, the growth of industries was significantly less. Hence, agriculture and supported by the cottage industry shaped the economy of this district. As river Ganga and her tributaries surrounded Murshidabad, the land was very fertile for crops like rice, wheat, cereals, mustards, sugarcane, jute, and plants like mango, lichi, coconut. The cottage industry supplemented a considerable proportion of the economy. Silk weaving was another primary source of income in this place. The livestock served the district's rural economy. The ivory industry in Murshidabad was the only one in West Bengal. The other small-scale industries like bidi making, the bell metal and brass utensils, carpentry, earthenware making, smithy, and pottery served the economy. The district people mainly depended on agriculture for their livelihood. There were some silk sarees handlooms, but slowly, they were fading out due to modern industrialization.

Rights and permissions

Reprints and permissions

About this article

Banerjee, S., Mukherjee, P.M. Revamping heritage brand: a case of Murshidabad, West Bengal, India. Place Brand Public Dipl 18 , 190–200 (2022). https://doi.org/10.1057/s41254-021-00202-w

Download citation

Revised : 18 December 2020

Accepted : 02 March 2021

Published : 16 March 2021

Issue Date : June 2022

DOI : https://doi.org/10.1057/s41254-021-00202-w

Share this article

Anyone you share the following link with will be able to read this content:

Sorry, a shareable link is not currently available for this article.

Provided by the Springer Nature SharedIt content-sharing initiative

• Place branding
• Heritage brand
• Murshidabad
• Find a journal
• Publish with us
• Track your research

West Bengal Tourism

• View history

2011–2016 [ ]

2016–present [ ]

Bengaluru Now Has A Logo Of Its Own. This Is How It Looks Like

With a logo of its own - crowdsourced through a contest which is part in english and part in kannada - it capital bengaluru has joined international cities like new york and amsterdam..

Bengaluru logo was launched during Bengaluru Habba- a open street festival.

Bengaluru logo in red and white is an initiative of tourism department.

Promoted Listen to the latest songs, only on JioSaavn.com

Track Budget 2023 and get Latest News Live on NDTV.com.

Track Latest News Live on NDTV.com and get news updates from India and around the world .

India Elections | Read Latest News on Lok Sabha Elections 2024 Live on NDTV.com . Get Election Schedule , information on candidates, in-depth ground reports and more - #ElectionsWithNDTV

Watch Live News: