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It's not everyday that you come across a blues music legend who has featured on television programmes, films and even has a selection of instruments dedicated to them... well step forward Otis Taylor. The 66-year old is indeed a very talented musician, having been known to pluck the guitar and banjo as well as blow on the harmonica in a tuneful manner. Otis has released 13 albums in total, the most recent of which made its début in February 2013 entitled 'My World Is Gone'. The man himself played the Philadelphia Folk Festival in the same year and introduced himself with the song Ran So Hard, which contained one of the funkiest and complex repeated guitar riffs I have heard in this particular genre of music. A nice touch was also the back and forth solo playing between Otis's banjo and fiddle player Anne Harris. Despite being a pensioner, Otis easily managed to keep the energy levels up in the audience between songs by being informative and also witty. The song 10 million slaves was also a great hit, where the song had an almost psychedelic vibe due to sound of the guitar. Otis plays the guitar strings in quite a unique way, a similar style that he uses for playing the banjo, and thus produces a very upbeat and funky rhythm. My personal favourite was the song 'Hey Joe', probably most known to people for being a Jimi Hendrix hit. However, Otis put his own unique spin on the tune and made it more soulful with the assistance of a fiddle and his deep yet soothing voice. It was overall a very enjoyable performance and I can't wait to see where he will tour next!
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How to get tickets for Taylor Swift’s 2024 UK Eras Tour, including price and pre-sale details
It’s been five years since Tay last set foot on our shores
Hot Swiftie summer has been and gone, and what a summer it was! Us UK -based Taylor fans waited around for months, pouring over set lists and constantly refreshing our feeds to hear news about the star arriving on our shores. It took the meaning of FOMO to a whole other level until, finally, we were put out of our misery. UK Eras Tour dates were announced, including a total of five massive Wembley shows and support from Paramore.
As her US tour came to an end, we saw TayTay perform through a torrential storm, dive head first into the stage, partake in a short-lived (and bizarre) relationship with The 1975 frontman Matty Healy, and bring her ex Taylor Lautner out to do a few backflips. We can only hope that the UK leg will be just as exciting and spectacular.
RECOMMENDED: Everything you need to know about Taylor Swift’s 2024 London dates Expert tips to get tickets for Taylor Swift’s Eras Tour in the UK All you need to know about Pulp at Cardiff International Arena
Securing tickets to this tour takes military level planning and strategy (you can check out our top tips here ). Not only are there different age restrictions for different venues (you’ll want to check that out on the individual venue websites), there are also different sale dates for different cities. There may be some technical issues involved too. Presale for the US tour crashed the Ticketmaster website due to ‘historically unprecedented demand’ and the general sale was cancelled due to ‘insufficient ticket inventory’ to meet ‘extraordinarily high demands’. Eek.
Solidarity, Swifties. Here’s everything we know about Taylor Swift’s 2024 UK tour.
Is Taylor Swift going on a UK tour in 2024?
We now know for sure that Taylor is going on tour in the UK and dates have finally been announced.
Taylor Swift’s ‘The Eras Tour kicked off in the US on March 17, 2023. Announcing the tour, she said: ‘I’m enchanted to announce my next tour: Taylor Swift | The Eras Tour, a journey through the musical eras of my career (past & present!) The first leg of the tour will be in stadiums across the US, with international dates to be announced as soon as we can!’
When do Taylor Swift Eras tickets go on sale in the UK?
There were different sale dates for different cities. Edinburgh tickets went on sale on Wednesday, July 19 at 2pm. Liverpool and Cardiff tickets went on sale on Thursday, July 20 at 2pm. London tickets went on sale on Tuesday, July 18 at 2pm.
How do the Ticketmaster on-sale codes work?
On July 5, fans were contacted by Ticketmaster to let them know if they’ve received an ‘on-sale code’ or have been placed on a waiting list.
The ticketing platform stressed that tickets would be provided on a first come, first serve basis, meaning that not everyone who registered in advance will receive an on-sale code. If you were lucky enough to get one, it included timing details and a link to where the on-sale would occur, as well as a unique, non-transferable access code. However, the code did not guarantee that you would secure a ticket.
Fans who did not receive an email were placed on a waiting list until a later date when further tickets become available. Fingers crossed for you.
How can I register for tickets?
To help tickets reach the hands of fans who want to attend the shows, there was the opportunity to register for tickets. Registration closed on Thursday, June 22 at 11.59pm (local time) in the UK, and on Friday, June 23 at 11.59pm (local time) in Ireland and Europe.
Registered fans who received a unique code were able to use them to buy tickets in each city at specified dates and times. Fans who wanted an opportunity to access ticket sales in multiple cities needed to register once for each city they wanted to attend.
Was there any presale?
Fans who participated in the Taylor Swift UK store ‘Midnights’ album pre-order offer qualified for special pre-sale access to all UK and Ireland shows.
The first of those presales was on July 10 at 10am, which was for the London dates and some of the Edinburgh ones. More than 40,000 Swifties joined an online queue in an attempt to snap up tickets before the general sale. Other presales took place on July 11 (for Edinburgh and Dublin) and July 12 (Cardiff and Liverpool).
Unfortunately, if you missed out on pre-ordering the album, you had to wait for general sale to be in with a chance of grabbing tickets.
How much are Taylor Swift tickets in the UK?
For the London and Edinburgh date presales, tickets ranged in price from around £59 (for partial or obstructed view tickets) to £110 for general admission standing. Front standing was priced at about £172, while seated tickets went up to £194.
If you’re after VIP packages, the prices apparently went all the way up to £662.40. And that’s per person . Damn.
What UK dates have been confirmed for the Eras Tour?
June 7 2024, Edinburgh – BT Murrayfield Stadium. Sale date: Wednesday July 19, 2pm . June 8 2024, Edinburgh – BT Murrayfield Stadium. Sale date: Wednesday July 19, 2pm. June 9 2024, Edinburgh – BT Murrayfield Stadium. Sale date: Monday July 17, 3pm. June 13 2024, Liverpool – Anfield Stadium. Sale date: Tuesday July 18, 11am. June 14 2024, Liverpool – Anfield Stadium. Sale date: Tuesday July 18, 1pm. June 15 2024, Liverpool – Anfield Stadium. Sale date: Tuesday July 18, 3pm . June 18 2024, Cardiff – Principality Stadium. Sale date: Wednesday July 19, 3pm June 21 2024, London – Wembley Stadium. Sale date: Monday July 17, 11am June 22 2024, London – Wembley Stadium. Sale date: Tuesday July 18, 1pm . June 23 2024, London – Wembley Stadium. Sale date: Wednesday July 19, 11am. August 15 2024, London – Wembley Stadium. Sale date: Monday July 17 , 1pm. August 16 2024, London – Wembley Stadium. Sale date: Tuesday July 18, 1pm . August 17 2024, London – Wembley Stadium. Sale date: Wednesday July 19 , 1pm . August 18 2024, London – Wembley Stadium. Sale date: Tuesday July 18, 1pm .
What’s going on with resale tickets?
With tickets as precious as these, it’s no wonder that they’re already being resold at extortionate prices. Despite a four ticket limit per buyer, resale sites Viagogo and Stubhub already have tickets being resold. Some are listed for as high as £6,000.
Needless to say, you should be especially careful when buying anything on resale and only buy from official resale websites.
What’s been said about the tour so far?
Taylor Swift kickstarted her tour at Arizona’s State Farm Stadium in March, where she debuted a mega three-hour set playing songs from across her career.
The production includes 16 dancers and many set and costume changes, as well as a moment where the singer appears to ‘dive’ into the stage.
At her show in Arlington, Texas, Swift teased the crowd saying: ‘One thing we said about the Eras Tour: you think you can just go online, you think you can just scroll and know the setlist?
‘Let it be said about the Eras Tour , we’re tricksy. That’s what we are [and] we enjoy a good, healthy setlist hijinks.'
Translation? Expect the unexpected.
What’s the current setlist for her Eras Tour?
The show is made up of an epic 44-song setlist divided up according to the singer’s ten ‘eras’, which each refer to one of her albums.
The songs included ‘ Miss Americana & the Heartbreak Prince’, ‘Cruel Summer’, ‘The Man’, ‘You Need to Calm Down’, ‘Lover’, ‘The Archer’, ‘Fearless’, ‘You Belong With Me,’ ‘Love Story’, ‘Tis The Damn Season’, ‘Don’t Blame Me’, ‘22’, ‘We Are Never Ever Getting Back Together’, ‘I Knew You Were Trouble’, ‘Shake it Off’, ‘Anti-Hero’, ‘Mastermind’ and ‘Karma’.
She also performs two different surprise acoustic songs each night and has invited other musicians to perform with her on stage including Phoebe Bridgers and The National’s Aaron Dessner.
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The duo have also announced their first U.K. headlining tour, kicking off at London’s Lafayette on January 2024.
Following the release of their new single “Starlight,” duo Michael Fox and Michelle Dockery today announce their new EP, the intimate ‘Don’t Go Alone’, set for release on December 8 via Decca Records . In addition, Michael & Michelle have announced their first UK headline tour, which includes a show at London’s Lafayette on January 22.
On the ‘Don’t Go Alone’ songs, the pair are once again joined by Chris Maas ( Mumford and Sons ) on percussion, Tommy Heap (Willy Mason) on piano and drums and Carlos Garcia (Dermot Kennedy, Paolo Nutini, John Newman) on guitar. Recorded at the London’s Church Studios in Crouch End the four original songs have been produced by Ian Grimble (Bears Den, Daughter and Catfish And The Bottlemen). You can hear the track “Dark Water” from the EP below.
Talking about the EP, Michael & Michelle explain “We wanted to stretch ourselves a little more with this EP. We were influenced by delta blues when writing some of the songs with images of the endless expanse along those great American roads. Otis Taylor, and Robert Plant and Alison Krauss’ album Raising Sand were influences for “Starlight” and “Little Life,” and Sufjan Stevens for “Back on my feet.” Always with one ear on the live element, our songs have grown and evolved and we’ve enjoyed exploring a much bigger sound for this EP.”
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Last June, Michael & Michelle performed their first ever official public show at a sold-out Omeara in London. Next January they will start their first UK headline, hitting stages in Manchester, Leeds, Glasgow, Belfast, Stroud, and finally the iconic London’s Lafayette. Tickets will be available for pre-order on October 18 – 10.00AM and general sale on October 19.
Michael Fox and Michelle Dockery first met on the set of hit TV period drama Downton Abbey , and soon discovered their shared passion for music. This led to a casual jam, in between shooting scenes. Connecting immediately, both on voice and guitar, Michael & Michelle started playing regularly as a duo. Fast forward six years and they made it official, with a record deal and release of their debut EP, ‘The Watching Silence’, released via Decca.
Both of them were looking for a new way of expressing themselves – and music runs in their blood. Growing up, Fox had always been in bands, cutting his teeth through a range of styles from indie to folktronica while writing his own songs. Dockery grew up in a noisy household on a diet of Joni Mitchell, Alison Krauss and Indigo Girls – she sang on various London stages before acting took the front seat.
From sharing scripts to weaving tunes, Michael Fox and Michelle Dockery take to the stage on their own terms as Michael & Michelle, and continue scripting the plotline of their epic musical saga with their new EP ‘Don’t Go Alone.’
Pre-order ‘Don’t Go Alone’ EP .
Michael & Michelle play the following U.K. shows in 2024:
Monday 22 January – London, Lafayette Tuesday 23 January – Manchester, Band on the wall Wednesday 24 January – Leeds, Brudenell Social Club Thursday 25 January – Glasgow, Celtic Connections Festival @ Oran Mor Sunday 28th January – Belfast, The Deers Head Thursday 1 February – Stroud, Subscription Rooms.
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Taylor Swift: The Eras Tour (2023)
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Americana singer-songwriter Taylor McCall to support Robert Plant at his Cambridge gig
Posted: November 8, 2023 | Last updated: November 8, 2023
South Carolina native Taylor McCall is supporting Robert Plant on the Led Zeppelin singer’s UK tour, which is titled ‘Robert Plant’s Saving Grace featuring Suzi Dian’.
Taylor also has a headline show at The Troubadour in London tomorrow (November 9). He said: “To have my first international tour to be opening up for an actual legend, in Robert Plant, is a dream come true.
“The venues we’re playing are absolutely historic and beautiful and I can’t wait to make my own history in them with Robert.”
The singer-songwriter will be performing songs from his debut EPs, which feature on a new CD titled Taylor McCall .
Taylor will be opening for Robert Plant at the Cambridge Corn Exchange on Friday, November 17. Tickets, priced £33, £43, £58, are available at cornex.co.uk . For more on Taylor, go to taylormccall.com .
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Taylor swift has set the stage for a concert film boom.
After a history of what sources call “poor execution” in the space, concert films that fill a need for "alternative content" in theaters are a hot commodity — from big contemporary stars to posthumous performances like a rumored 1970s David Bowie concert.
By Mia Galuppo
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To get this out of the way up top: No one is Taylor Swift .
This was the unanimous refrain among players who make and distribute concert films and music documentaries when asked what Taylor Swift: The Eras Tour means for the space. Nonetheless, insiders note that Swift’s is a rising tide that lifts all boats, with artists and their teams already making calls and taking cues from Swift’s Eras deal, which sees her keep an outsized portion of the film’s $160.4 million global haul after its second weekend in release.
Taylor swift episode of 'dancing with the stars' announced, taylor swift breaks her own record with '1989 (taylor's version)'.
“Concert films were ruined by poor execution,” says RadicalMedia co-founder Jon Kamen, who has long worked in the space. Kamen’s credits range from Concert for George , the 2003 film of the George Harrison tribute concert at Royal Albert Hall, to the filmed Hamilton Broadway production that landed on Disney+ in a significant deal in 2020. He adds, “They were once produced as cheaply as they could be produced with the minimum number of cameras that you could afford.”
By comparison, The Eras Tour , directed by Sam Wrench, is a spectacle in and of itself. Filmed over multiple nights during Swift’s shows at Los Angeles’ So-Fi stadium, it used 40 camera operators and employed an armada of camera tech. “She set the bar very very high,” says National Association of Theatre Owners head Michael O’Leary of the production.
Still, it is important to differentiate between a concert film and a music doc, with the two getting conflated in the media in the lead-up to the Eras theatrical release. Eras is a straight concert film, with no other docu-style elements (see: talking head interviews, behind-the-scenes or archival footage, etc.). The general thinking has been concert films lend themselves to a theatrical experience, whereas music docs can be top performers for streaming.
Concert or live event films still do find homes at streamers, often as a part of larger deals with the artist. That was the case with Elton John’s concert film Farewell From Dodger Stadium , which was livestreamed onto Disney+ and now lives on the streamer as a stand-alone title. The concert film landed on the streamer as a part of the deal for the more traditional John-focused doc Goodbye Yellow Brick Road.
Theatrically, Fathom Events has long been a major player in the live performance space, working with a range of musicians on one-night-only screenings or rereleases. Since Swift’s Eras film was announced, Fathom CEO Ray Nutt says “phones are ringing off the hook” with inquiries from labels, reps and artists themselves. Nutt has fielded questions like, “Is there an audience? And what does the distribution look like?”
Fathom does not acquire content, instead opting for a box office revenue share, and offering marketing, theatrical booking and revenue collection for artists. “Content is going to come out of the woodwork and audiences are going to come out of the woodwork,” says Nutt of a potential post- Eras concert film boom. “Some of the content is good and some is not so good, but that is our job as a distributor, to filter that.”
But insiders in the filmed concert production space note that, following the Eras Tour announcement, traditional Hollywood studios have been reaching out in earnest, looking for partnerships. Studios argue that they have the distribution and marketing infrastructure in place to successfully launch a feature, but observers note anyone near Swift’s level is unlikely to be wooed. (For Swift, partnering with AMC meant 57 percent of ticket sales would be shared by Swift and AMC — with the majority going to Swift. The other 43 percent goes to the theaters.)
“Why, if you’re Taylor Swift, would you want a company inserting themselves into that model and taking a percentage of your money if you don’t need to do that?” points out one dealmaker who works in the space. As for what model to go with — straight-to-steaming or a possible theatrical release in more of a Swift model — they add, “The artist has to decide: Do they want this upfront talent fee, or do they want to take the risk on the money down the road?”
Music stars can capitalize on both theatrical and streaming deals. BTS was in theaters with the Yet to Come concert film via Trafalgar Releasing in a limited release at the top of year, earning $8 million at the domestic box office and over $20 million internationally. Last week, it was announced that the film would be streaming on Prime Video in November.
And not everyone needs Swift’s levels of stardom — Swift’s Eras Tour is expected to gross well over $1 billion in North American ticket sales — to make a concert film worthwhile. Bands with strong followings could supplement their touring revenue with a theatrical release. “If you are going to parallel that with movies, you have the huge tentpole blockbusters, but then you have films that are more niche-y,” explains O’Leary. “We should be creating different types of content that draws varied audiences.”
Another consideration is the posthumous concert film, where estates can dig into archives and unearth never-released concert footage. Following the 2022 release of Moonage Daydream — the Live Nation Productions title earned an impressive $13 million in theaters — there have been rumors of a David Bowie concert film from the ’70s ready for potential distribution. The Last Waltz , the famed Martin Scorsese-directed The Band concert film, will be rereleased by Fathom on Nov. 5 for its 45 th anniversary, with an introduction by the late Band member Robbie Robertson.
Following the success of The Eras Tour , Kamen has said Radical has been rethinking release strategies for in-the-works productions, less encumbered by traditional means of distribution. And he thinks greater Hollywood is likely to follow suit. Prior to The Eras Tour , says Kamen, “Classic Hollywood would’ve all said, ‘No, no, no, no, no.’ And then they see [ The Eras Tour ] and it’s like, ‘What do you have?’ A couple of years ago, you were told before you went into any pitch: ‘Don’t even think about Westerns.’ And then Yellowstone happens.”
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See COREY TAYLOR cover BLACK SABBATH's "Fairies Wear Boots" at U.K. tour kickoff
Last night (November 8th), Corey Taylor kicked off his fall U.K. and European solo tour with a headlining gig at the O2 Academy in Leeds. In addition to playing songs from across his three main projects, Slipknot Stone Sour and solo (see the full setlist below, courtesy of Setlist.fm ), Taylor closed the show with a rollicking rendition of Black Sabbath 's "Fairies Wear Boots." Watch fan-shot footage above.
The trek continues tonight in Wolverhampton, U.K. Taylor's second solo album, CMF2 , is out now.
Corey Taylor 11/08/23 setlist: Post Traumatic Blues Tumult (Stone Sour song) Black Eyes Blue We Are the Rest Song #3 (Stone Sour song) Beyond Before I Forget (Slipknot song) SpongeBob SquarePants Theme Snuff (Slipknot song) 30/30-150 (Stone Sour song) Talk Sick Midnight (live debut) Through Glass (Stone Sour song)
Encore: Duality (Slipknot song) Fairies Wear Boots (Black Sabbath cover)
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Gary Moore Tour Dates
Gary Moore was a blues and rock guitarist formerly of Skid Row, Thin Lizzy, Colosseum II and G Force. He passed away in 2011, at the age of 58.
Official website gary-moore.com
Here are the most recent UK tour dates we had listed for Gary Moore. Were you there?
- Apr 15 2022 Southampton, Hanger Farm Arts Centre Gary Moore Blues Experience
- Apr 06 2010 London, Charlotte Street Blues Club Gary Moore
- Dec 02 2009 London, O2 Academy Islington Gary Moore
- Nov 16 2009 Brighton, Concorde 2 Gary Moore
- Nov 01 2009 London, O2 Shepherd's Bush Empire Gary Moore
- Oct 30 2009 Aberdeen Music Hall Gary Moore, Otis Taylor
- Oct 29 2009 Edinburgh, Caley Picture House Gary Moore, Otis Taylor
- Oct 26 2009 Cardiff, St David's Hall Gary Moore
- Oct 24 2009 O2 Academy Bournemouth Gary Moore
- Oct 23 2009 O2 Academy Liverpool Gary Moore