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Faces are an English rock band formed in 1969 by members of the Small Faces after Steve Marriott left that group to form Humble Pie. The remaining Small Faces - Ian McLagan (keyboards), Ronnie Lane (bass) and Kenney Jones (drums & percussion) - were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from The Jeff Beck Group, and the new line-up was renamed Faces.

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When Steve Marriot left the Small Faces 1969 its must have been hard to imagine what was to come of the iconic British band. In many people eyes Steve Marriot was a one off! A special talent, and I, myself, have to agree.

Who would have thought that spilt helped create two new and equally formidable bands. Steve Marriot joined up with Peter Frampton and to create the band Humble Pie. And the remaining ‘Small Faces’ teamed up with Rod Stewart and Ronnie Wood to become reincarnated as ‘The Faces’. An appropriate change considering the average height of the band had risen a good few inches with their arrival.

The band became a huge success and were one of the biggest grossing acts in the early 70’s, They had a string of hits such as, ”Had Me a Real Good Time”, "Stay with Me", "Cindy Incidentally" and "Pool Hall Richard”. Despite their success, relationships within the band became strained by the mid 70’s, many fans believe his was largely down to Rod Stewarts solo success. By 1975 the band went their separate ways.

Luckily for us there are many rumours about an upcoming reunion! Imagine that after 30 or so years! Great songs, Ronnie Woods jamming rhythm and blues riffs and Rod Stewards belting out his husky voice! If Carlsberg made bands……. it would possible be The Faces!

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The Faces are an English rock band, formed back in 1969 by members of the Small Faces after Steve Marriott left the group to form Humble Pie. The remaining Small Faces – Ronnie Lane (bass), Ian McLagan (keyboards) and Kenney Jones (drums and percussion) – were joined by Ronnie Wood on guitar and Rod Stewart on lead vocals, both from the Jeff Beck Group, and the new line up was renamed The Faces.

The Faces released four studio albums and toured regularly until the autumn of 1975, although Stewart simultaneously pursued a solo recording career, and during the band’s final year Wood also toured with The Rolling Stones, whom he later joined. Wood and Stewart parted ways with Beck and joined Lane, McLagan and Jones full time. With the addition of Stewart and Wood, the ‘Small’ part of the original band name was dropped, partly because the two newcomers (at 5’8” and 5.9” respectively) were significantly taller than the three former Small Faces.

The Faces, 1970

The Faces, 1973

Hoping to capitalize on the Small Faces earlier success, record company executives wanted the band to keep their old name; however, the band objected, arguing the personal changes resulted in a group very different from the Small Faces. As a compromise, in the US their debut album was credited to the Small Faces, while subsequent albums appeared under their new name. The group regularly toured Britain, Europe and the United States from 1970 to 1975, and were among the top-grossing live acts in that period. In 1974 their touring also encompassed Australia, New Zealand and Japan. Among their most successful songs were ‘Had Me a Real Good Time’, ‘Cindy Incidentally’, ‘Pool Hall Richard’ and their breakthrough UK hit ‘Stay With Me’.

In 2012 the band was inducted into the prestigious Rock n Roll Hall of Fame alongside the Small Faces.

2015 saw Kenney Jones, Ronnie Wood and Rod Stewart get back together for a reunion concert at Kenney’s polo club in aid of Prostate Cancer UK.

The band are currently working on a number of re-releases.

Ronnie, Kenney & Rod, 2015

Copyright FameFlynet UK 2015

Rod Stewart

Ronnie wood, kenney jones, ian mclagan, ronnie lane.

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50 Years Ago: The Faces Play Their Final Concert

At one point, you'd have been hard pressed to find a better rock and roll band than the Faces . Unfortunately, Rod Stewart and company came apart after one final early-'70s member defection. Their final concert was on Nov. 1, 1975 at the Labor Temple in Minneapolis.

In truth, even when the Faces' 1975 tour began in August, all parties must have had a sense that the end was near. After all, Stewart's tandem solo career had taken off, and Ron Wood had already taken a second gig with Rolling Stones .

They hadn't recorded an album since 1973's ragged-but-right Ooh La La , which Stewart described as "a bloody mess." Founding bassist Ronnie Lane had been gone since the summer of 1973, too. Then came a stop in Minnesota, and the official end of a group whose records were as pure and genuine as could be – and whose live shows were a joyous, often-inebriated celebration.

The Faces had grown out of the dissolution of the Small Faces in 1969, when singer/guitarist Steve Marriott 's left for Humble Pie . Lane, drummer Kenney Jones and the late keyboardist Ian McLagan then joined with frontman Stewart and guitarist Wood to begin anew. But the newly rechristened Faces' ragged, raunchy rock and roll ride was immediately beset with trouble.

Stewart had started solo work before joining the Faces. By 1971, he was selling millions of records thanks to the hit single "Maggie May," and the album Every Picture Tells A Story . "Before long, I was accused of keeping the best songs for myself," Stewart said in his autobiography Rod . "That was never the case and, logically, it couldn't have been because I didn't write songs all the time, like a proper songwriter."

The late Lane was replaced by Tetsu Yamauchi, but the Faces never caught fire the way Stewart did as a solo act. Their 1974 single "You Can Make Me Dance, Sing or Anything," the sole studio output from this lineup, reached No. 12 in the U.K. but failed to chart at all in the U.S.

Then the Rolling Stones came calling, after splitting with Mick Taylor . "The Stones had courted Woody for ages, and their interest in him was no secret," Stewart remembered in Rod . "I don't think anyone was surprised that eventually he couldn't resist, or blamed him for succumbing. How many guitarists wouldn't have wanted to join the Rolling Stones?"

Wood at first played in both bands, touring across America twice in the summer of '75. When the guitarist finally settled on his new gig, the Faces were no more.

See Where Rod Stewart Ranks Among Classic Rock’s Top Acts

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Meet Kiki Wong: The Latest Addition to The Smashing Pumpkins as Touring Guitarist

R enowned for their influential role in the 1990s rock scene, THE SMASHING Pumpkins have continued to evolve through various lineup changes over the years. In 2024, the band introduced a fresh face to their lineup.

The iconic rock ensemble has welcomed a new guitarist who is set to join them on their upcoming tour dates.

Introducing Kiki Wong: The Smashing Pumpkins’ New Touring Guitarist

In early 2024, the Smashing Pumpkins opened the opportunity for a new touring guitarist to join them. By April 26, the highly-anticipated new member was revealed as Kiki Wong, a Los Angeles-based musician with an impressive resume.

Prior to joining the band, Kiki Wong made her mark as a guitarist with Vigil of War and even graced the stage performing drums with Taylor Swift at the 2014 MTV Video Music Awards.

Celebrating the announcement on Instagram, Wong expressed her gratitude and excitement by stating, “It’s been an absolute wild ride…to perform alongside some of rock’s greatest and most influential musicians of all time…hard work and perseverance truly pays off…I am so grateful for this opportunity…can’t wait to share the stage with the legendary Smashing Pumpkins!”

What Do The Smashing Pumpkins Have to Say About Kiki Wong?

Billy Corgan, the charismatic lead singer and co-founder of the band, greeted Kiki Wong with warm praises. He admired her musical skills even before her addition to the band, affirming his excitement to welcome her into their “touring family” for the upcoming shows.

Corgan’s statement highlighted his recognition of Kiki’s talent, “I was a fan of Kiki’s before she submitted her name…and it’s great that someone of her acumen will be part of our touring family…It’s definitely an exciting moment for the Smashing Pumpkins to be this busy with touring in 2024. We’ll see you all this summer!”

Tour Details for The Smashing Pumpkins

Excitement is mounting for The Smashing Pumpkins’ 2024 tour, which kicks off June 7 in the United Kingdom. After spanning across Europe, with their final show there on July 16 in Greece, they will embark on their North American leg beginning July 29 in Washington DC and concluding on September 28 in San Diego, California. Owing to the high interest from fans, there’s potential for additional dates. Check out their website for the latest updates.

FAQs About Kiki Wong and The Smashing Pumpkins Tour

Kiki Wong is the new touring guitarist for The Smashing Pumpkins. She is a Los Angeles-based musician, former guitarist for Vigil of War, and a performer with Taylor Swift.

Kiki Wong joined the band following a public call for a new touring guitarist in early 2024. She was officially announced as the new member on April 26.

The tour starts on June 7, 2024, in the United Kingdom and will include dates across Europe and North America, ending on September 28, 2024, in San Diego, California.

Due to the demand, there is a possibility that The Smashing Pumpkins will add more tour dates. Fans are advised to stay updated by checking the band’s official website.

The addition of Kiki Wong to The Smashing Pumpkins is a significant moment for the band and fans alike. Her diverse talent and prior experience with notable artists suggest she will bring an invigorating dynamic to the group’s performances. The forthcoming tour presents an excellent opportunity for admirers to witness the electrifying synergy of the new lineup, and anticipation is understandably high for what’s poised to be a memorable series of shows.

LACMA’s big (risky?) bet in Vegas, new stuff at the Getty and your guide to L.A. culture this week

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Welcome to another edition of the Essential Arts newsletter. As the warm weather turns up the heat on L.A., we take it as a sign to do the same by firing up a new week in review of art and culture around town, sparking curiosity of what’s out there to experience this weekend and maybe roasting a museum and a bad play or two for your cackling enjoyment. Let’s dive into what we wrote about on the arts beat this week...

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1. “John Valadez: Chaos Anime” A leading figure in the Chicano Arts Movement launched in the 1970s, Valadez is among the finest socially engaged figurative painters working in Los Angeles. His debut with the Luis de Jesus gallery opens Saturday and will include a mural-scaled painting, “Chaos,” that press materials say seeks to unravel common cliches around the “haves and have-nots.” Through June 8. Luis de Jesus, 1110 Matteo St., L.A. luisdejesus.com — Christopher Knight

2. “Projecting L.A. 2024” The power of photojournalism will be on display in a most unusual way Saturday: projected at a scale of 80 feet wide and three stories tall. The work of documentarians, street photographers and photojournalists (including Times photographers) forms an hour-long video with images accompanied by music. Gates open at 6 p.m., first screening at 7:30 p.m., second screening at 8:45 p.m. 713 N. Hill St., L.A. thelaproject.org — Jessica Gelt

3. “Ghost Waltz” Five years ago I caught the Latino Theater Company production of “The Mother of Henry,” which sticks in my memory as glorious proof of the power of song to lift theater. Now the company is back with a new play by Oliver Mayer that celebrates the underappreciated life and work of Mexican composer Juventino Rosas, with a cast that includes vocalist and violinist Quetzal Guerrero, Madonna’s touring keyboardist Ric’Key Pageot and Latin Grammy nominee Nathalie Peña-Comas. Previews through Friday , opening night May 4, runs through June 2. Los Angeles Theatre Center, 514 S. Spring St., L.A. latinotheaterco.org — Craig Nakano

4. Big Mouth at the Greek Nick Kroll and the Emmy Award-winning cast of “Big Mouth” bring their hilarious voices and cartoon visuals of the popular animated Netflix show to the Greek as part of this year’s Netflix Is a Joke Fest. Merging the world of TV, comedy and middle school hormones, this is sure to be an awkwardly amazing night of laughter. Thursday, 8 p.m., Greek Theater, netflixisajokefest.com — Nate Jackson

5. Beach Life Festival The return of this weekend seaside bash in Redondo Beach features rock stars for various waves of sound including rock, indie, soul, Americana and adult contemporary. Headlined by Sting, Incubus and My Morning Jacket, the fest masters the balance of raucous moments and chill vibes from classic acts like Seal, Devo and ZZ Top alongside a list of eclectic acts like Dirty Heads, Local Natives and Courtney Barnett that will surely turn up to show fans different slices of adventurous sound for this outdoor fest against a backdrop of surf and sun. 1.p.m.-10:30 p.m. Friday, 239 N. Harbor Drive, Redondo Beach, beachlifefestival.com —N.J.

The week ahead: A curated calendar

Lee Chang- d ong This American Cinematheque retrospective of the acclaimed South Korean filmmaker’s work includes new 4K restorations of “Green Fish,” “Poetry,” “Peppermint Candy” and “Oasis.” Through May 19. Egyptian Theatre, 6712 Hollywood Blvd., Hollywood; Los Feliz Theatre, 1822 N. Vermont Ave., Los Feliz. americancinematheque.com

Really Big Show: How Ed Sullivan Changed America Every Sunday Night Muse/Ique celebrates “The Ed Sullivan Show” and the groundbreaking ways its on-air talent reflected the true diversity of the American public during the 1950s and ‘60s. 7:30 p.m. Tuesday-Wednesday, the Huntington, 1151 Oxford Road, San Marino; 3 and 7:30 p.m. May 5, Skirball Cultural Center 2701 N. Sepulveda Blvd., Los Angeles. muse-ique.com

Netflix I s a Joke The Olympics of comedy comes to town for shows ranging from clubs to stadiums. (See our guide, to the 25 must-see shows ) Wednesday-May 12. Various venues. netflixisajokefest.com

Broadway @ the Wallis The concert series ends its season with an evening hosted and music-directed by Seth Rudetsky, featuring Norm Lewis performing works from his career on the Great White Way. 7:30 p.m. Thursday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

“Macbeth” Ralph Fiennes and Indira Varma star in William Shakespeare’s stage tragedy directed by Simon Godwin and captured for the cinema. Thursday and May 5 in limited theatrical release. macbeththeshow.com/macbeth-in-cinemas

L.A. County Fair Sporting a theme of “Stars, Strikes and Fun,” the annual event offers 16 days of exhibits, carnival attractions, corn dogs, funnel cakes and music. LACMA shares its collection of works by acclaimed 20th century Mexican artist Rufino Tamayo at the Millard Sheets Art Center; concert headliners include Nelly, Ramón Ayala and Pat Benatar & Neil Giraldo. Thursdays through Sundays, plus Memorial Day, through May 27. Fairplex, 1101 W. McKinley Ave. Pomona. lacountyfair.com

“The Fall Guy” Ryan Gosling and Emily Blunt, who demonstrated abundant chemistry at this year’s Oscars, star in this action-comedy-romance about an aging stuntman. Starts Friday (with Thursday previews) in theaters. thefallguymovie.com

Pacific Playwrights Festival The annual celebration that has launched 150 new works since 1998 presents seven plays in three days. Friday-May 5. South Coast Repertory, Emmes/Benson Theatre Center, 655 Town Center Drive, Costa Mesa. scr.org

“Star Wars: Episode I — The Phantom Menace” Young Anakin Skywalker, Padawan Obi-Wan Kenobi, Jedi Master Qui-Gon Jinn and Queen Padmé Amidala are back on the big screen to face Darth Sidious and Darth Maul in this rerelease of the first entry in George Lucas’ prequel trilogy. Also features an exclusive look at “The Acolyte,” the upcoming Disney+ Star Wars High Republic series. Starts Friday (with Thursday previews) in theaters. starwars.com

Aventura After calling it quits in 2021, the influential bachata band from the Bronx — an inspiration to the likes of Bad Bunny and Drake — is back on the road for what it says will be its final tour. 8 p.m. Saturday- May 5 . Crypto.com Arena, 1111 S. Figueroa St., downtown L.A. cryptoarena.com

Jiji + Vivaldi Guitarist Jiji and musicians from the Los Angeles Chamber Orchestra perform masterworks from the Italian Baroque and contemporary music inspired by the era from Caroline Shaw and Max Richter. 7:30 p.m. Saturday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills; 7:30 p.m. May 5 . The Huntington, Rothenberg Hall, 1151 Oxford Road, San Marino. laco.org

“The Lords of Flatbush” A 50th anniversary screening of this loose-limbed drama set in 1958 Brooklyn, which helped launch the careers of Perry King, Sylvester Stallone, Susan Blakely and Henry Winkler. 6:30 p.m. May 5. New Beverly Cinema, 7165 Beverly Blvd., Los Angeles. thenewbev.com

The biggest L.A. culture news

Theater Critic Charles McNulty reviews “Illinoise,” a hallucinatory dance musical based on Sufjan Stevens’ 2005 concept album “Illinois,” which offers a fitting end to a Broadway season that seemed happiest when operating beyond conventional assumptions and practices.

Staff writer Ashley Lee takes a look into “Galilee, 34,” a controversial new play about Jesus running through May 12 at Costa Mesa’s South Coast Repertory . The play takes place months after the crucifixion, when Jesus’ family and followers are trying to figure out how to proceed after the death of their leader.

Art Critic Christopher Knight launches some heat-seeking missles at LACMA’s plans to unveil a new (ill-advised) satellite museum in Las Vegas.

Staff writer Jireh Deng covered Pulitzer Prize-winning author David Mamet slamming Hollywood’s “garbage” DEI initiatives at the LA Times Festival of Books.

Assuming he missed Knight’s less-than-glowing thoughts on LACMA’s new Vegas location, museum director Michael Govan sat down with staff writer Jessica Gelt to talk about LACMA’s goals to develop a “strategic plan of regional partnerships” with museums — large and small — in order to pull more of its collection out of storage, and make it accessible to as many people as possible.

Charles McNulty files his roasty review of Broadway’s latest woefully underwhelming version of “ Cabaret” that can’t be saved, even by its awkwardly dressed star Eddie Redmayne.

More culture news, briefly ...

The recipients of the 2024 Doris Duke Artist Awards have been announced, and the winners are: Nataki Garrett (theater), Shamel Pitts (dance), Acosia Red Elk (dance), Esperanza Spalding (jazz), Chay Yew (theater), and Miguel Zenón (jazz). Now in its 11th year, the awards come with an unrestricted cash prize of $525,000 per artist, and up to $25,000 in retirement funds.

The Getty has returned an ancient bronze head to Türkiye (formerly Turkey). The head of a young man was acquired by the museum in 1971 and dates to c. 100 BCE–100 CE. While the body of the figure has not been identified, the head has been traced to the archaeological site of Bubon, in the Burdur province of southwestern Turkey — an area known for illegal excavations in the 1960s.

The Segerstrom Center for the Arts has announced its 2024-25 Family Series filled with programming suited for people big and small. The lineup includes the world-premiere of the Musicians of Bremen Live , as well as puppet play titled “Somebody Loves You, Mr. Hatch,” based on the book by Eileen Spinelli.

Geffen Playhouse’s new artistic director, playwright Tarell Alvin McCraney, has been elected as a new member of the American Academy of Arts & Sciences. The academy recognizes and honors the artistic excellence of its members, and also serves as a research center where accomplished individuals across disciplines can come together in search of answers to complex problems facing various communities and society at large.

The Getty’s PST ART is coming back this September with a theme of “art & science collide.” Facets of the programming began rolling out this week as the Getty inaugurated its PST Climate Impact Program aimed at bringing together PST’s 60-plus participating institutions around issues of climate action and sustainable exhibition practices.

— Jessica Gelt

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Last but not least

It’s not every day that we get to a) interview Jon Bon Jovi and b) end that interview by him telling the writer to “Go f— yourself. ” Not a bad way to promote a new, very entertaining Bon Jovi documentary. Most of us (aside from our recently cussed-out pop critic Mikael Wood ) haven’t seen it yet. We’re living on a prayer that it’s as good as his JBJ interview.

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Jessica Gelt is an arts and culture writer for the Los Angeles Times.

Los Angeles Times art critic Christopher Knight won the 2020 Pulitzer Prize for criticism (he was a finalist for the prize in 1991, 2001 and 2007). In 2020, he also received the Lifetime Achievement Award in Art Journalism from the Rabkin Foundation.

Nate Jackson is a deputy editor for Entertainment and Arts. Previously, he served as a news editor for the Wrap and the music editor for OC Weekly. He returns to The Times after being both a Metpro and a staff writer in Calendar from 2009 to 2012.

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