de la tour

Georges de La Tour

French Artist

Summary of Georges de La Tour

One of the greatest exponents of 17 th century Baroque painting, La Tour's mastery of chiaroscuro was such that he is often named as Caravaggio's natural successor. But La Tour's paintings, although relatively small in number, stand on their own terms for an economy of styling that charge his brooding candlelit scenes with a sense of enigmatic tranquility. La Tour's oeuvre shows a steady progression towards a uniquely minimalist style that would touch upon elements of symmetrical abstraction. Indeed, several historians have championed la Tour as the true progenitor of the Cubist movement. Although he was much admired in his own day, La Tour joins the exalted company of Piero della Francesca and Vermeer as canonical artists whose names and works had fallen into obscurity (and in La Tour's case, misattributed) before being rediscovered (and re-championed) by historians in the 20 th century.

Accomplishments

• La Tour's distinguished himself from others working in the Baroque style through a series of works that feature figures lit dramatically by the soft glow of a single light source. La Tour became increasingly drawn to candlelight scenes - often featuring a young boy or girl absorbed in an everyday task, whereby the flame spreads an atmosphere of otherworldly calm across the whole canvas. As his style evolved, La Tour's works would become increasingly sparse, with his masses reduced to simple, almost geometrical, dimensions. This technique imbues his works with a somewhat modern appearance that has provided a significant addition to the catalogue of 17th century French art.
• La Tour is sometimes referred to as a realist on the grounds that his works addressed the lives and experiences of the "common folk" of his hometown of Lorraine. But La Tour was not a naturalist. For his "real-life" works he achieved a sober, but meditative, quality. Indeed, rather than fixate the picturesque style that was prevalent in Northern Europe at the time, La Tour turned to the Caravaggesque realist approach since it provided the best means of representing "the soul of man".
• La Tour's sparsely populated pictures are rendered in "anonymous" locations with the absence of setting or scenery. His subjects never pose in front of architectural backgrounds or landscapes, with borders and boundaries delineated typically through partitioning devices such as walls. He omitted subsidiary figures with incidental accessories kept to the bare minimum (even his saints and angels were without haloes and wings). This technique, which brought a sense of silent calm, contributed to the enigmatic quality that has come to distinguish his work.
• La Tour's paintings, almost exclusively genre and religious works, can be divided between daytime and night-time scenes. Whereas the latter are defined by artificial light and a near elimination of color, the former, such as The Cheat with the Ace of Diamonds (c. 1635) and The Fortune-Teller (undated, c.1630-34), are distinguished by for their sharp, clear lighting, and a precision of brushwork. La Tour's works from this phase already indicate something of his individuality in their exquisite ornamentations and rendering of textures.

The Life of Georges de La Tour

According to author Christopher Wright, La Tour, "was seen as the great master of candlelight paintings, set apart from his contemporaries, by a near magical approach, both in subject matter and technique".

Important Art by Georges de La Tour

The Payment of Taxes

An important early work by La Tour, it shows an elderly man paying a tax (or debt) to group of men. The scene carries an element of threat in that the taxpayer seems as if he is being intimidated by the group. Author Philip Conisbee says of the work, "It has been convincingly suggested that its source lies in the tradition of tax-paying scenes, a well-established theme in Netherlandish art since the sixteenth century". Yet the painting carries a certain ambiguity in that, what might be on surface level a generic peasant scene of the powerful subjugating the meek, could be a modern reinterpretation of the biblical story of the "Calling of Matthew" (the tax collector who became a disciple) if, as some historians believe, it was painted during the earliest period of his career when he was chiefly engaged in painting the saints. In either case, this work offers confirmation of La Tour's skill at creating complex group compositions. According to Conisbee, here "La Tour employs a crowded space, somewhat awkward, eccentric poses, and a self-conscious use of artificial light to create the atmosphere of a silent and unsettling drama. Every feature of the painting - gestures, expressions, enigmatic poses, the play of light and shade - works to produce a tense, concentrated mood. Even the elevated viewpoint adds to the tension we experience from this encounter. [Even though early in his career, it] is already characteristic of La Tour's approach to painting: he rarely chooses an innovative subject, but he meditates on it deeply and presents it in a highly focused or concentrated way. There is no visual distraction, no ornament for ornament's sake. Forms are reduced to essentials, as are the gestures and expressions of his actors, establishing in this case a threatening mood".

Oil on canvas - Museum of Fine Arts, Lviv, Ukraine

Old Peasant Couple Eating

This painting is one of La Tour's key early works. It amply demonstrates his flair for capturing the mood of his subjects. As author Vittorio Maria de Bonis notes, the couple "ignore each other and instead sink their melancholy gaze into the eyes of the viewer as they angrily and greedily eat spoonfuls of the bright peas inside chipped, rough terracotta bowls". The mature figures are desperately hungry and they might easily symbolize the population of Lorraine (in Northeastern France) who had grown exhausted through war and famine. The bleak mood is reinforced through the dramatic Baroque style that sets the figures, whose faces and figures are cast in shadows, against a dour, featureless, background. De Bonis calls the painting, "one of the most eloquently desolate images of hunger and poverty ever painted". This work is also interesting because, unlike the artist's later pieces, it is not obvious to the viewer what message La Tour was trying to communicate. According to author Philip Conisbee, the work, "presents something of a dilemma for the modern viewer, for there are no clues about how the artist and his public understood such a picture: should we pity their plight, look down on them, or just savor their picturesqueness?". Conisbee suggests that La Tour invests his subjects "with a certain dignity, which perhaps means we should admire them as 'salt of the earth'". It is this fascinating element of ambiguity that contributed to the painters soaring reputation amongst 20 th century historians.

Oil on canvas - Gemäldegalerie, Berlin, Germany

The Fortune-Teller

Art historian Deanna MacDonald writes, "This painting is full of enigmas relating to its painter, subject and provenance. Signed in Latin in its top right corner 'G. de La Tour Fecit Luneuilla Lothar' (made by G. de La Tour, Lunéville Lorraine), this is one of the few daylight paintings by an artist who specialised in nocturnal scenes". In this narrative work, a well-to-do young man looks questioningly at the toothless old woman on the far right of the canvas as she holds out a coin. While focused on whatever tale she is spinning, he fails to realize that the other women standing around him, in cahoots with the older woman who has distracted him, are in the act of picking his pockets. MacDonald observes, "There is no indication of setting, though all wear colourful costumes. Are they in a brothel? Are the robbers gypsies? As it has a theatrical air, could it be a scene from a play, such as the parable of the prodigal son? But la Tour does not play the scene for comedy or eroticism. Sideways glances, expressive hand gestures and a mix of shadow and crisp daylight create an atmosphere ripe with tension: what will happen next? Details are meticulously rendered; from the patterns on the colourful fabrics to the words AMOR (love) and FIDES (faith) written minutely on the young man's watch chain. Despite the moralising theme, the artist seems to imbue each character with humanity: the foppish youth seems more naïve than dissolute and there is a sense of sadness and peril about the thieves (punishments for stealing in the 17th century included cutting off an ear, branding or death). The picture seems to warn of the dangers for all in a world of deceit and greed". MacDonald also introduces an interesting historical caveat into readings of the painting. In 1984 the art historian Christopher Wright published a book in which he claimed that all of La Tour's daylight pictures were in fact forgeries. MacDonald observes, "Wright, who as a young scholar had been involved in La Tour authentications, said that he had been pressured to pronounce the work genuine by powerful figures such as Sir Anthony Blunt, the famed art expert/spy. Wright even suggested that a French restorer (who died in 1954) named Delobre who worked for Wildenstein in the USA had painted them. Many have dismissed Wright's claims, including the Met [Museum of Art] but an aura of mystery remains".

Oil on canvas - Metropolitan Museum of Art, New York, USA

The Penitent Magdalen

The Penitent Magdalen is rich in the type of religious symbolism that would have been easily understood by audiences of La Tour's day. As the Metropolitan Museum of Art explains, "the quiet atmosphere of this painting perfectly fits the subject, Mary Magdalen, who renounced the pleasures of the flesh for a life of penance and contemplation. She is shown with a mirror, symbol of vanity; a skull, emblem of mortality; and a candle that probably references her spiritual enlightenment". Here, as in his others works in this style, La Tour uses heightened chiaroscuro - or tenebrism - to underscore the mood and/or motivation of his subject. Conisbee writes, "At its most basic level the darkened interior enabled the artist to play on the theme of light and reflected light in contrast with the surrounding obscurity. It could set a mood conducive to contemplation and meditation, both for the actors in his pictures and for the participating spectator. Light and darkness had symbolic values on several levels: most obviously in the contrast between the spiritual darkness of our mortal world, illuminated by the light of the divine". Indeed, Mary Magdalene is a fitting subject for La Tour's Baroque treatment. The candle, which was widely interpreted as a symbol of Christ's presence, features here to connote an act of meditation and Magdalen's new faith (in Jesus) that will lead her away from a life of sin. But perhaps the most striking stylistic feature of this work is the reflection of the candle in the mirror. As Conisbee explains, "The two flames really dominate the picture, not only because they are the source of light, illuminating the figure of the Magdalene, but also because the repeated image of the flame and its reflection are so compelling; we can see both sides of the candle, and the far side best because it is illuminated by the reflected light. Only the skull on Magdalene's lap suggests that she may be pondering the earthly reality of our mortality and the eternal truth of the spiritual life, while deciding to abandon the blandishments of the material world".

Saint Joseph in the Carpenter's Shop

A rarely depicted subject, La Tour has shown Jesus as a young boy in the workshop of his carpenter father. Joseph dominates the scene and is bent down over a piece of wood, which he is working with a tool. Jesus holds a candle to help his father to see, effectively bathing his whole face in light. Joseph's eyes seem to be turned upward towards his son, suggesting they are in conversation. In fact this could be read as a humble familial scene were it not for the painting's title. La Tour's nocturne painting shows how he used lighting effects to elevate drama over naturalism. As authors Claudio Falcucci and Simona Rinaldi write, "one example of the extent to which what is portrayed in his paintings can be divorced from reality is visible in the Child's hand hiding the candle [...]. It is commonly known that light transmitted across a hand with its fingers closed produces a bright red colour, which is at its brightest where the fingers touch one another, and darker where the hand is thicker. In no case do we ever observe a white contour around the fingers, especially when they slightly overlap as they do in the representation. [...] Indeed, a constant element in La Tour's canvases seems to be his moving beyond the mere description of the physical phenomenon of the light released by the candle in the name of a more highly symbolic value".

Oil on canvas - Louvre Museum, Paris, France

The Choirboy

This work is characteristic of La Tour's penetrating application of the Baroque style. To enhance the drama of his scenes, and demonstrating his sophisticated handling of chiaroscuro that expresses itself in sharp tenebrism, he allowed his figures, in this case a solitary choirboy wearing a plumb colored alb with a delicately embroidered collar, to be illuminated by the light of a single candle. What is perhaps most interesting about this work from a compositional point of view is that the candle is not visible; rather it is hidden behind the hymn book that the boy holds. Only the tip of the flame and the base of the candle in the boy's hand is peeking out from behind the book. La Tour's clever composition reinforces the dedication of the boy to the task at hand while perhaps allowing the viewer to contemplate their own faith and devotion. Art critic Laura Cumming offers this reading of the painting: "La Tour must have seen a Caravaggio somewhere, if only as a print - but nobody has ever put such emphasis on the behaviour of candlelight. The way it strokes surfaces, sends out showers of highlights, gives warmth as well as light while casting everything beyond its ambit into blackness. His figures appear spellbound by the magical flame, seized with its mystery; only the candlelight shifts. He often achieves this by hiding the light source itself. [Here a] choirboy holds a candle up to his hymns but we only see the tip of the flame above a book that's as black as night. All that is visible, in fact, in this cave of seething darkness are the fingers, the face and this mesmerising flicker, giving the queer sense of a soul in trance. And what a serene mask the boy has, radically simplified and slightly oriental like many of de La Tour's characters. His candlelight seems to sheer away irregularities like a laser, polishing skin and making diamonds of eyes".

Oil on canvas - Leicester Museum and Art Gallery, Leicester, England

The Adoration of the Shepherds

In La Tour's nativity painting, the Christ child, swaddled in white cloth, is featured bathed in light in the center of the composition. Mary sits on the left, hands clasped in prayer while Joseph, sitting directly across from her, has his hands raised in praise. Two shepherds and a peasant girl occupy the background and look down on the baby adoringly. While the nativity has been a popular theme for artists throughout history, La Tour's approach distinguishes itself from other works in this theme. According to Conisbee, "the story lent itself to a nighttime scene, and there are countless prototypes in the sixteenth and early seventeenth centuries. La Tour has gathered a group of five sympathetically observed worshippers around the Christ Child, who seems to radiate more light than he can possibly simply reflect from the candle held by Joseph. This last detail is significant. [...] La Tour brings a sense of intimacy and tenderness to the scene, and we can admire his powers of observation in the swaddled child. [...] There is no sense of theatricality in La Tour's interpretation: no dramatic gestures or exaggerated expressions". In this example we can see a style of rendering figures that helped distinguish La Tour from the approach of Caravaggio (to whom he was/is routinely compared). As Falcucci and Rinaldi explain, "while Caravaggio tended to emphasize the sculptural qualities of his subjects by painting them before he painted the background, which he then darkened depending on what was needed, always being sure not to let the background and the subject come into pictorial contact with each other, La Tour made very distinct borders between the background colours, which he then painted independently so that the figures were transformed into shapes applied to the background, with no dialectical rapport between the two".

Biography of Georges de La Tour

Childhood and education.

There is little information about the early life of Georges de La Tour, and without a surviving self-portrait (assuming he had painted one), we do not even have an image of the artist. All that is known (rumors that he was arrogant and unpopular with his neighbors notwithstanding) is that he was the second of seven children, born in Vic-sur-Seille (Vic), a large market town in the independent duchy of Lorraine (now part of north-eastern France). His father, Jean de La Tour, was a baker, his mother, also from a family of bakers, was named Sybille de Crospaux. His baptismal certificate was registered in Vic on 14 March 1593.

Early Training

That La Tour must have had an early interest in art can be assumed given that in the seventeenth century one would not have been accepted into a workshop to study unless he or she had already demonstrated a nascent talent. Art historian Gail Feigenbaum suggests that "His apprenticeship likely began around 1605, perhaps in Vic with Alphonse de Rambervilliers, a writer and amateur engraver close to the bishop of Metz, and he very likely worked in Nancy with the painter, etcher, and draftsman Jacques Bellange". Authors Claudio Falcucci and Simona Rinaldi have also conjectured that La Tour "received his artistic education in the workshop of the Swiss painter Claude Dogoz, who was working in the lively Lorraine area at the time". And while little is known about his religious upbringing, Feigenbaum observes that his devotional paintings, such as The Repentant Magdalen (c. 1640), "demonstrate powerful introspection and intense spirituality [that] may reflect the strong Catholic sentiments of Lorraine, which bordered northern Protestant states".

The influence of the Italian Baroque style , especially in the dark and dramatic backgrounds of Caravaggio (La Tour was still a teenager when the archetypal artistic rebel died, or was killed), begs the question: where would the artist have seen and studied such paintings? As Feigenbaum writes, "there has been much unresolved discussion about a possible trip to Rome". La Tour had begun painting with Dogoz and it is thought that he could have travelled to Italy with Dogoz between 1614-16, where he discovered the paintings of Caravaggio. Feigenbaum acknowledges that "La Tour's low-life subjects and his bold tenebrist manner of painting seem to be heavily indebted to the work of Caravaggio [...] and his followers in Rome [such as Bartolomeo Manfredi]. But Caravaggio's influence was spreading throughout Europe in the second decade of the century so it was by no means necessary for La Tour to have made an Italian trip". Indeed, Gerrit van Honthorst and Dirck van Baburen were working in the Baroque style in Utrecht, while in Lorraine, Jacques Bellange and Jean Leclerc were both exploring the dramatic potential for tenebrist lighting effects.

Mature Period

La Tour was married to Diane Le Nerf, a woman of status and wealth, in 1617 (La Tour gave his profession as painter on the marriage certificate). Her family were silversmiths and her father served as the minister of finance to the Duke of Lorraine. Having lived at the Le Nerf's family residence in Vic, they settled in the city of Lunéville (15 miles south of Vic) following the birth of their first child (Philipp) in 1620. (The couple were parents to a total of nine or ten children, although only three would reach adulthood, including their son, Etienne, who was officially ennobled as a painter in 1670.) In Lunéville, La Tour joined the studio of Claude Baccarat and between 1621-24 the Duke bought two of La Tour's paintings. With his reputation secured, La Tour established his own workshop in Lunéville where he employed apprentices.

The La Tours lived through a time of great uncertainty. It was the period of the Thirty Year War (1618-48) and by the 1630s Lunéville was becoming increasingly unsafe. As historian Gabriel Diss states, "La Tour needed great determination and unflinching energy not to be crushed by the incursions of armed rabble, the hordes of poverty-stricken refugees, the state of famine and the plague that struck Lorraine three times, in 1631, 1633, and 1636. He shouldered the great responsibility of supplying the needs of a workshop and a family of nine children, a burden made still greater in 1631 when he was appointed guardian of his nephews Antoine and François Nardoyen. The records show that he performed his duties with fairness and clear-sightedness".

The independent duchy of Lorraine (now northeastern France) sat between France and the Germany of the Holy Roman Empire. The citizens of Lunéville (located within the duchy of Lorraine) were trapped in the war between these two mighty colonial powers and La Tour and his family lived with a constant fear for their safety. After his home was ransacked, and his workshop razed, during a sack of Lunéville by the French in 1638, La Tour moved his family 30km to Nancy. Despite his close friendship with the Duke of Lorraine, La Tour now pledged his loyalty to the French. With his family safely settled in Nancy, La Tour left for Paris in 1639 where he took up his most prestigious position as peintre du roi ("Painter in Ordinary to King Louis XIII of France"). He made such an impression in this role that he was granted permission to set up a living space in the Louvre a year later.

Later Period

Once Lorraine became secure again (now under control of the French) La Tour was able to return home with his family. According to records dated 1643 he established a successful new studio in Lunéville. He produced religious and domestic scenes, both genres of which were popular throughout Europe. According to author Philip Conisbee, "La Tour conducted his artistic affairs in a solidly professional way: there were contracts, agreements, and schedules of payment. We know that he ran a small studio [and engaged apprentices] who helped out in the day-to-day running of his business and learned at least the rudiments of art from him. He [also] presumably trained his son Etienne".

Feigenbaum writes that, "between 1644 and 1651, the marquis de La Ferté-Sénecterre [...] the French governor of Lorraine, received six of La Tour's paintings as tribute from the cities of the region". It was also during this period that his nocturne paintings became popular. Anchored in the Baroque style, it was through his nocturnes that La Tour distinguished himself among his peers in the subtle way he used light to dramatize the actions of his subjects. Historian Pat Bauer writes, "The paintings of La Tour's maturity [...] are marked by a startling geometric simplification of the human form and by the depiction of interior scenes lit only by the glare of candles or torches. His religious paintings done in this manner have a monumental simplicity and a stillness that expresses both contemplative quiet and wonder".

Tragically, the plague that swept through Europe in the 1650s ravaged Lorraine and it is believed to have been the cause of La Tour's wife's death in 1652. What wider success La Tour might have achieved will remain unknown as this epidemic, a possibly a deep sense of grief, most likely claimed the artist's life only two weeks after his wife's passing. La Tour was fifty-eight years old.

The Legacy of Georges de La Tour

According to the author Dimitri Salmon, "La Tour's works were seldom copied in engravings and hence little known, nor did he have a biographer to record his life for posterity. Finally, Lorraine was constantly devasted by war for three centuries, and with it not only the painter's workshop but also the churches, monasteries, castles and mansions where his paintings hung". It wasn't until the early twentieth century that art historians began to examine La Tour's work through a contemporary lens, beginning in 1915 through the writings of art historian Hermann Voss. Calling his art "one of the great rediscoveries of the 20 th century", the historian Susan Moore states, "Today it seems inconceivable that this most compelling and singular of artists, highly successful in his day, should have been almost entirely forgotten for three centuries. [...] The reconstruction and rehabilitation of his artistic career have been described as 'the triumph of art history, and its justification'".

La Tour's work has had a profound influence on subsequent generations of artists. As Salmon states, "it is the fame of these works which is taken to task by the artists of the end of the twentieth and beginning of the twenty-first century as much as their beauty and the interest they arouse. Whatever their age, their career path or their nationality, whatever their aim or their technique, in their own way, today's artists - from the Chinese artist Yin Xin to the Mexican Alejandra Figueroa, the French artists Jérome Mesnager, Gérard Collin-Thiébaut and Frédéric Coché and the Italian Gerardo Dicrola - amply illustrate the tremendous infatuation with Georges de La Tour and the fascination that his Christ with Saint Joseph in the Carpenter's Shop and Adoration of the Shepherds exert more powerfully than ever before".

Influences and Connections

Useful Resources on Georges de La Tour

• Georges de La Tour and his World Our Pick By Philip Conisbee
• Georges de La Tour By Jacques Thuillier
• Georges de La Tour and the Enigma of the Visible By Dalia Judovitz
• Georges de La Tour: The Adoration of the Shepherds Christ with Saint Joseph in the Carpenter's Shop Our Pick Edited by Valeria Merlini, Dimitri Salmon, and Daniela Storti
• Flickers of genius By Laura Cumming / The Observer / July 15, 2007
• Georges de la Tour: The Fortune Teller - c1630s By Deanna MacDonald / Great Works of Western Art
• The Fortune-Teller Metropolitan Museum of Art, New York
• A sale in Cologne turns the spotlight on Georges de La Tour By Susan Moore / Apollo Magazine / November 25, 2020
• French Paintings of the Fifteenth through the Eighteenth Century By Gail Feigenbaum / The Collections of the National Gallery of Art Systematic Catalogue, Washington, D.C. / 2009
• Georges de La Tour By Pat Bauer / Britannica.com
• Georges de La Tour's paintings in the UK: French Caravaggism in Leicester, Wiltshire and Teesside Our Pick By Christopher Wright / Art UK / January 19, 2012
• A Sale in Cologne Turns the Spotlight on Georges de La Tour By Susan Moore / Apollo Magazine / November 25, 2020
• Georges de La Tour's Penitent Magdalen | Painting of the Week Podcast | S3 EP17 This podcast provides an indepth look at Georges de La Tour's painting the Penitent Magdalen
• Lecture: Dr. Lynn Orr, Ph. D - September 28, 2019 This lecture presented at the Portland Museum of Art features Dr. Lynn Orr discussing Georges de La Tour's nocturne painting The Magdalen with the Smoking Flame
• George de La Tour National Gallery of Art

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The Fortune-Teller

Georges de La Tour French

On view at The Met Fifth Avenue in Gallery 622

Darting eyes and busy hands create a captivating narrative between otherwise staid figures, each of which is richly clothed in meticulously painted combinations of color and texture. La Tour took on a theme popularized in Northern Europe by prints and in Rome by Caravaggio: an old Roma (formerly identified with the derisive term "Gypsy") woman reads the young man’s fortune as her beautiful companions take the opportunity to rob him. This celebrated painting, which was only discovered in the mid-twentieth century, is inscribed with the name of the town where the artist lived in northeastern France, supporting the possibility that he developed such works independent of Caravaggio’s precedent.

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#5104. The Fortune Teller

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Artwork Details

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Title: The Fortune-Teller

Artist: Georges de La Tour (French, Vic-sur-Seille 1593–1652 Lunéville)

Date: probably 1630s

Medium: Oil on canvas

Dimensions: 40 1/8 x 48 5/8 in. (101.9 x 123.5 cm)

Classification: Paintings

Credit Line: Rogers Fund, 1960

Accession Number: 60.30

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In honor of Hallowen, Aliza Sena, associate coordinator for Digital Learning, shares some spooky, enchanting, and fanciful artworks in the Met's collection.

Connections : Hands

Educator Alice Schwarz ruminates about how one's hands give away information about a person.

Timeline of Art History

France, 1600-1800 a.d., related artworks.

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• In the same gallery
• By Georges de La Tour
• European Paintings
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• From France
• From A.D. 1600–1800

The Penitent Magdalen

Marie Emilie Coignet de Courson (1716–1806) with a Dog

The Abduction of the Sabine Women

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)

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ARTS & CULTURE

From darkness into light: rediscovering georges de la tour.

Long forgotten after his death in 1652, he is now embraced by the French as an icon; an exhibition touring this country shows why

Helen Dudar

It is one of the gnawing anomalies of art scholarship that Georges de La Tour was "lost" for nearly three centuries and yet with us all the time. His luminous paintings were on view in public and private spaces, wearing labels identifying them as the work of Murillo, or Velázquez or Caravaggio.

La Tour, who was born in 1593 and worked for most, if not all,of his life in Lorraine, was rediscovered at the beginning of this century. His paintings, of mendicant hurdy-gurdy players, rascally cardsharps and hypnotic holy figures, are now on view at the National Gallery of Art in Washington, D.C. "Georges de La Tour and His World," which includes 27 of the artist's 40 or so known works, will be in place until January 5, 1997; it will then travel to the Kimbell Art Museum in Fort Worth, Texas, where it will run from February 2 to May 11. La Tour created more than one painting of several of his subjects, and these "autograph versions" can be seen side by side, inviting comparison and providing context.

In the 1630s La Tour turned his attention to nocturnes — pictures of figures magically caught in the light and shadow of a flickering candle flame. The keynote work in the show, The Newborn Child , offers a young mother gazing raptly at her swaddled infant, illuminated by a candle held by an older woman. Is it a nativity scene? Scholars disagree.

La Tour died in 1652, probably of the plague. His legacy was one of enduring beauty.

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Helen Dudar | READ MORE

Georges de La Tour A Caravaggisti embraces silence

The inescapable influence of Caravaggio

When the whirlwind of violence, profanity and big art that was Caravaggio spun through Italy, he left a trail of newly-minted Baroque painters in his wake. Everyone wanted to be Caravaggio, and it was nearly impossible not to be influenced by the vehemence of his bold new style. Strong color, deep shadows, and the exquisitely rendered human form. So many imitators arose they became known as Caravaggisti . The first converts were in Italy, including Giovanni Baglione, Orazio Gentileschi, and his daughter Artemisia Gentileschi , but soon the movement spread to France, where it opened the eyes of the young Georges de la Tour.

Allowing Silence

Georges de la Tour was 17 when Caravaggio died, by murder or lead poisoning depending on who you ask, but the master’s work lived on in La Tour, and evolved in a surprising way. We don’t know where La Tour learned to paint, and it’s only speculation that he traveled through Italy as a young man. We do know that he lived with his wife in the quiet town of Lunéville in France, slowly growing a reputation as a painter of quietly powerful religious scenes, and was eventually named Painter to the King by Louis XIII.

So why do we talk about La Tour? Many painters adopted Caravaggio’s style, but La Tour evolved it. Caravaggio’s work is all about the lighting. The viewer becomes a spotlight on figures in a dark room, capturing a moment with the clarity of a camera flash. La tour reduced the dramatic light source to a pinprick—a single candle illuminating faces lost in thought. Where Caravaggio’s light exposed violence, La Tour’s candles are intimate scenes of contemplation. I love La Tour. In a race to make paintings bolder, bigger, and more dramatic, La Tour gave silence its space.

Reed Enger, "Georges de La Tour, A Caravaggisti embraces silence," in Obelisk Art History , Published May 27, 2016; last modified October 31, 2022, http://www.arthistoryproject.com/artists/georges-de-la-tour/.

Georges de La Tour was a French   Chiaroscuro Artist born on March 13, 1593. de La Tour contributed to the Baroque movement and died on January 30, 1652.

The Cheat with the Ace of Clubs 1630 – 1634

The Fortune Teller 1633 – 1639

The Magdalene with the Smoking Flame 1638 – 1640

The Newborn Christ 1640

The Penitent Magdalene 1640

The Repentant Magdalene 1635 – 1640

The Education of the Virgin 1650

Rembrandt van Rijn

Your actions leave a mark

Giovanna Garzoni

Travel, socialize, paint lemons and beans

Giulia Lama

Clara peeters, lucrina fetti, artemisia gentileschi, andreas cellarius.

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The Repentant Magdalen

Georges de la tour c. 1635/1640, national gallery of art, washington dc washington, dc, united states.

According to the tenets of the 17th–century Catholic church, Mary Magdalene was an example of the repentant sinner and consequently a symbol of the Sacrament of Penance. According to legend, Mary led a dissolute life until her sister Martha persuaded her to listen to Jesus Christ. She became one of Christ's most devoted followers and he absolved her of her former sins.

In Georges de La Tour 's somber canvas Mary is shown in profile seated at a table. A candle is the source of light in the composition, but the light also carries a spiritual meaning as it casts a golden glow on the saint's face and the objects assembled on the table. The candle light silhouettes Mary's left hand which rests on a skull that is placed on a book. The skull is reflected in a mirror. The skull and mirror are emblems of _vanitas_, implying the transience of life.

The simplification of forms, reduced palette, and attention to details evoke a haunting silence that is unique to La Tour's work. La Tour's intense naturalism rendered religious allegory accessible to every viewer. Although his work is deeply spiritual in tone, the solidity and massing of the forms reveal the same emphasis on clarity and symmetry that pervaded contemporary history painting and was a hallmark of French baroque art.

• Title: The Repentant Magdalen
• Creator: Georges de La Tour
• Date Created: c. 1635/1640
• Physical Dimensions: overall: 113 × 92.7 cm (44 1/2 × 36 1/2 in.) framed: 142.24 × 124.46 × 10.8 cm (56 × 49 × 4 1/4 in.)
• Provenance: Marquise de Caulaincourt, by 1877; by inheritance to his sister, comtesse de Andigné, by 1911.[1] art market, Paris; André Fabius, Paris, by 1936;[2] purchased 1974 by NGA. [1] On the back of the stretcher is the stencil of Etienne-François Haro (1827-1897) and his son Henri (1855-1911), important Parisian restorers and vendors of art supplies, as well as artists themselves. An entry in the Haro account book for 9 October 1877 provides the early provenance, information that was first published by Pierre Rosenberg and Jacques Thuillier, "George de La Tour," _Revue du Louvre et des Musées de France_ 22, no. 2 (1972): 161, followed, with slightly differing details, by Pierre Rosenberg and François Macé de l'Épinay, _Georges de La Tour: vie et oeuvre_, Fribourg, 1973: 140, and Benedict Nicolson and Christopher Wright, _Georges de La Tour_, London, 1974: 175. [2] The three references to the painting that discuss its provenance (see note 1) provide differing accounts of when and where Fabius acquired the painting: Rosenberg and Thuillier 1972 say 1936; Rosenberg and Macé de l'Épinay 1973 say a public sale in 1936; Nicolson and Wright 1974 say the Paris art market before 1936.
• Medium: oil on canvas

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Georges de La Tour

Georges de La Tour was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight.

Georges de La Tour was born in the town of Vic-sur-Seille in the Diocese of Metz, which was technically part of the Holy Roman Empire, but had been ruled by France since 1552. Baptism documentation revealed that he was the son of Jean de La Tour, a baker, and Sybille de La Tour, née Molian. It has been suggested that Sybille came from a partly noble family. His parents had seven children in all, with Georges being the second-born.

La Tour's educational background remains somewhat unclear, but it is assumed that he traveled either to Italy or the Netherlands early in his career. He may possibly have trained under Jacques Bellange in Nancy, the capital of Lorraine, although their styles are very different. His paintings reflect the Baroque naturalism of Caravaggio, but this probably reached him through the Dutch Caravaggisti of the Utrecht School and other Northern (French and Dutch) contemporaries. In particular, La Tour is often compared to the Dutch painter Hendrick Terbrugghen.

In 1617 he married Diane Le Nerf, from a minor noble family, and in 1620 he established his studio in her quiet provincial home-town of Lunéville, part of the independent Duchy of Lorraine which was occupied by France, during his lifetime, in the period 1641–1648. He painted mainly religious and some genre scenes. He was given the title "Painter to the King" (of France) in 1638, and he also worked for the Dukes of Lorraine in 1623–4, but the local bourgeoisie provided his main market, and he achieved a certain affluence. He is not recorded in Lunéville between 1639 and 1642, and may have traveled again; Anthony Blunt detected the influence of Gerrit van Honthorst in his paintings after this point. He was involved in a Franciscan-led religious revival in Lorraine, and over the course of his career he moved to painting almost entirely religious subjects, but in treatments with influence from genre painting.

Georges de La Tour and his family died in 1652 in an epidemic in Lunéville. His son Étienne (born 1621) was his pupil.

The Fortune-Teller (probably 1630s)

The Musicians’ Brawl (1625–1630)

The Cheat with the Ace of Clubs (c. 1630–34)

The Repentant Magdalen (c. 1635-1640)

Saint Peter Repentant (1645)

Young Virgin Mary (ca. 1640)

The Penitent Magdalen (ca. 1640)

The Magdalen with the Smoking Flame (circa 1635-37)

Saint Andrew

The Penitent St Jerome

Sort by Year - Latest Movies and TV Shows With Frances de la Tour

• Movies or TV
• IMDb Rating
• In Theaters
• Release Year

1. To the Girl I Once Knew

Pre-production

Gabi's dream life in London couldn't get any better, until her boyfriend Mike asks to move in together. Yet Gabi is hiding a secret which could now threaten everything she has built. Then someone unexpected arrives to help.

Director: Ludovica Musumeci | Stars: Amanda Abbington , Frances de la Tour , Amelia Eve , Calvin Demba

2. Professor T (2021– ) Episode: Episode #4.1

Crime, Drama, Mystery

Directors: Kaat Beels , Dries Vos | Stars: Frances de la Tour , Ben Miller , Sunetra Sarker , Juliet Stevenson

3. Professor T (2021– ) Episode: Heir to the Throne (2024)

47 min | Crime, Drama, Mystery

Professor T struggles adjusting to a hostile new environment, remand prison. While there, he still manages to get involved with the case of the murder of a car parts dealer.

Director: Maarten Moerkerke | Stars: Ben Miller , Juliet Aubrey , Lee Ross , Terence Maynard

4. Professor T (2021– ) Episode: The Perfect Picture (2024)

46 min | Crime, Drama, Mystery

A bride is found dead on her wedding night, floating in the hotel pool. The pictures give the impression of perfect happiness. But the police and Professor T. suspect owls in the bog.

Director: Maarten Moerkerke | Stars: Ben Miller , Joeravar Sangha , Isobel Laidler , Frances de la Tour

5. Professor T (2021– ) Episode: Truth and Justice (2024)

Professor T. is faced with an impossible choice in court - to save himself or his former mistress, Christina. Meanwhile, a prison guard is found dead and there is no shortage of suspects.

Director: Maarten Moerkerke | Stars: Ben Miller , Caroline Martin , Frances de la Tour , Douglas Reith

6. Professor T (2021– ) Episode: A Little Drop of Poison (2024)

After being released from prison, Professor T. feels a burning urge to resume his work at the university and with the police. They rely on the professor's insight to investigate a series of mysterious deaths.

Director: Maarten Moerkerke | Stars: Ben Miller , Chanel Fernandes , Emma Naomi , Barney White

7. Professor T (2021– ) Episode: The Conference (2024)

Professor T. attempts to solve a murder, when the man who replaced him at the university is killed at a criminology conference that they were both attending.

Director: Maarten Moerkerke | Stars: Sunetra Sarker , Ben Miller , Douglas Reith , Frances de la Tour

8. Professor T (2021– ) Episode: Attachment Issues (2024)

A woman Is found dead at the scene of a car crash, but it seems the accident didn't kill her. Examining the case, the professor finds some uncomfortable resemblances to his own situation.

Director: Maarten Moerkerke | Stars: Ben Miller , Emma Naomi , Ben Onwukwe , Ben Wilson

9. Professor T (2021– ) Episode: Ring of Fire (2022)

50 min | Crime, Drama, Mystery

In the second-season premiere, when a university student is left badly burned and in a coma after a house fire, detectives reluctantly call in the professor when it emerges that the victim was drugged and the fire was deliberate.

Director: Dries Vos | Stars: Ben Miller , Rupert Turnbull , Keith Dunphy , Connor Finch

10. Professor T (2021– ) Episode: Swansong (2022)

52 min | Crime, Drama, Mystery

After discovering the body of an undercover police officer, the CID team blunder into a Drugs Squad operation against a major trafficker that appears to implicate one of their closest colleagues.

Director: Dries Vos | Stars: Charles Sobry , Tom De Beckker , Ben Miller , Frances de la Tour

11. Professor T (2021– ) Episode: The Trial (2022)

51 min | Crime, Drama, Mystery

The professor delivers a series of lectures detailing a high-profile court case of a caretaker accused of murdering his employer. The professor is convinced the man is innocent, bringing him into conflict with the CID team.

Director: Dries Vos | Stars: Frances de la Tour , Douglas Reith , Barney White , Emma Naomi

12. Professor T (2021– ) Episode: The Mask Murders (2022)

A prominent barrister and his wife are found shot dead in a crime that has uncanny similarities to a double murder that the barrister successfully prosecuted 15 years earlier.

Director: Dries Vos | Stars: Ben Miller , Frances de la Tour , Andy Gathergood , Emma Naomi

13. Professor T (2021– ) Episode: The Family (2022)

The Professor is asked to decipher a macabre puzzle when a doctor and her family are found dead in a grisly tableau on their living room sofa, each having died by different means. But in which order and by whom?

Director: Dries Vos | Stars: Emma Naomi , Ben Onwukwe , Barney White , Juliet Stevenson

14. Professor T (2021– ) Episode: DNA of a Murderer (2022)

When an artisan baker is found dead after receiving death threats, the police appear to have an open and shut case against the son of a convicted murderer who was sent to prison thanks to the baker's testimony.

Director: Dries Vos | Stars: Zoë Thielemans , Ben Miller , Neil Ashton , Emma Naomi

15. Professor T (2021– )

Professor Jasper Tempest, a genius Cambridge University criminologist with OCD and an overbearing mother, assists the police in solving crime.

Stars: Barney White , Ben Miller , Frances de la Tour , Emma Naomi

Votes: 5,434

16. The Prince (2021)

TV-MA | 14 min | Animation, Comedy

Animated series takes a satirical look at the life of young Prince George from his time at home in the palace to primary school with commoners.

Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

Votes: 3,249

17. The Prince (2021) Episode: Unfollow (2021)

When he discovers that Kelly Ripa doesn't follow him on social media, Prince George looks to his trusty butler Owen for advice, pressuring the queen to make Ripa a dame at her upcoming investiture ceremony.

Directors: Paul Scarlata , Jack Perkins | Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

18. Professor T (2021– ) Episode: The Anatomy of a Memory (2021)

Diana Tyson was violently attacked on the university campus. DI Lisa Donckers suspects that the assault is very similar to one that occurred years beforehand, having been a previous student of Professor T's, she thinks he can help.

Director: Dries Vos | Stars: Ben Miller , Emma Naomi , Barney White , Sarah Woodward

19. Professor T (2021– ) Episode: A Fish Called Walter (2021)

The university's chief librarian dies from a glass of poisoned wine at a party attended by 115. Was he the intended target? The police asks professor T for help.

20. Professor T (2021– ) Episode: Tiger Tiger (2021)

44 min | Crime, Drama, Mystery

A jeweller is run down in the street when he crosses in a hurry. In his bag he has a collection of very valuable diamonds. The police suspect there is more to it and visit his family.

21. Professor T (2021– ) Episode: Mother Love (2021)

An au pair comes home after an evening off to find her employer unconscious in the living room. His daughter has vanished. The investigation leads the police to his business partner.

22. Professor T (2021– ) Episode: Sophie Knows (2021)

A girl with Downs Syndrome claims she knows who murdered her mother, but she doesn't want to say who it is. She only trusts the professor. Lisa is worried about her father and Dan has a surprise when he turns up for their date.

23. Professor T (2021– ) Episode: The Dutiful Child (2021)

There is a hit on prominent businessman during an official function. The shooter fails but the intended victim is found dead a few days later. A family feud reminds Jasper of his past

Director: Dries Vos | Stars: Robert Cavanah , Charlotte Timmers , Arianna D'Amato , Emma Naomi

24. The Prince (2021) Episode: Playdate (2021)

TV-MA | 13 min | Animation, Comedy

Prince George's exclusive palace playdate finds him desperate to impress his friends and keep his sister out of sight. In America, Harry pursues his dream job, while Meghan's invited to join a reality show.

Directors: Steve Robertson , Jack Perkins | Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

25. The Prince (2021) Episode: Tea (2021)

As afternoon tea service finds the palace staff scrambling to please the royals, Prince George gossips about Meghan and Harry, who are struggling to make it in Los Angeles.

Directors: Marius Alecse , Jack Perkins | Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

26. The Prince (2021) Episode: Beverly Hills (2021)

Meghan takes her new castmates on a trip to Buckingham Palace, where Prince George attempts to weasel his way into a reality TV cameo. Later, the queen throws down with one of Meghan's costars.

Directors: Neil Graf , Jack Perkins | Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

27. The Prince (2021) Episode: Charity (2021)

As the royals prepare to host a fundraiser for an elusive cause, Prince George seeks Brad Goreski's fashion advice, Kate grows resentful of her monotonous existence, and a disgruntled ex-staffer interviews for a new position at the palace.

28. The Prince (2021) Episode: Vacation (2021)

On the royals' Caribbean vacation, Prince George enlists Owen for help taking the perfect photo, Meghan promotes her new line of condiments, and Harry works on his massage therapy.

Directors: Marius Alecse , Max Martinez , Jack Perkins | Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

29. The Prince (2021) Episode: Date Night (2021)

While Charles scores a double date with his parents, the palace staff celebrates a rare night off. Prince George looks to obliterate his science fair competition. Meghan and Harry face career blows. Kate searches for new beginnings.

30. The Prince (2021) Episode: School Musical: Part 1 (2021)

Upon seizing his school musical's lead role, Prince George devolves into a bigger diva than usual. When their show is canceled, Meghan and Harry return to regular jobs, while Charles attempts to approach the queen about his future - again.

31. The Prince (2021) Episode: School Musical: Part 2 (2021)

Fresh out of options, Meghan and Harry are forced to ask for help. Prince George questions his talent, Kate prepares for her royal exit, Charlotte colludes against the family, and the queen finally comes to terms with her next move.

Directors: Max Martinez , Jack Perkins | Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

32. The Prince (2021) Episode: Owen (2021)

On his day off, Owen's attempts to find pleasure in the simple things are interrupted by a codependent Prince George. While Kate reaches her breaking point, Meghan and Harry debut a new show.

33. The Prince (2021) Episode: The Flummery Tart (2021)

When the queen suddenly requests a flummery tart, the staff goes into panic mode - and Kevin sees an opportunity to implement his plan. Charlotte receives a dreadful directive. Prince George finds himself missing Owen.

34. The Prince (2021) Episode: School Musical: Part 3 (2021)

The queen has a change of heart. Kate plots a new course of action. Meghan and Harry settle into their old stomping grounds. Prince George invites Owen to share his honest opinion.

Directors: Orlando Gumatay , Jack Perkins | Stars: Orlando Bloom , Alan Cumming , Frances de la Tour , Gary Janetti

35. Enola Holmes (2020)

PG-13 | 123 min | Action, Adventure, Crime

When Enola Holmes (Sherlock's teen sister) discovers her mother is missing, she endeavours to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy.

Director: Harry Bradbeer | Stars: Millie Bobby Brown , Henry Cavill , Sam Claflin , Helena Bonham Carter

Votes: 219,383

36. Dolittle (2020)

PG | 101 min | Adventure, Comedy, Family

A physician who can talk to animals embarks on an adventure to find a legendary island with a young apprentice and a crew of strange pets.

Director: Stephen Gaghan | Stars: Robert Downey Jr. , Antonio Banderas , Michael Sheen , Jim Broadbent

Votes: 71,323 | Gross: $77.05M

37. Vanity Fair (2018)

TV-14 | 60 min | Drama

An adaptation of the 1848 novel by William Makepeace Thackeray.

Stars: Michael Palin , Olivia Cooke , Tom Bateman , Johnny Flynn

Votes: 5,721

38. Vanity Fair (2018) Episode: In Which Battles Are Won and Lost (2018)

TV-14 | 48 min | Drama

The Battle of Waterloo gets underway with George in the thick of it. Becky spies an opportunity to profit from the war by selling Rawdon's horses to the cowardly Jos.

Director: James Strong | Stars: Michael Palin , Johnny Flynn , Jack Loxton , Charlie Rowe

39. Vanity Fair (2018) Episode: A Quarrel About an Heiress (2018)

Becky has moved in with Matilda Crawley and seems to have a bright future ahead of her. However, war is brewing which threatens the fortunes of the scheming social climber and everyone she knows.

Director: James Strong | Stars: Michael Palin , Olivia Cooke , Frances de la Tour , Felicity Montagu

40. Vanity Fair (2018) Episode: Miss Sharp Begins to Make Friends (2018)

TV-14 | 47 min | Drama

Becky is in Hampshire as governess to Sir Pitt Crawley's neglected daughters. Determined to get into his good books she quickly lands a promotion to secretary. The arrival of Crawley's sister prompts a new plan.

Director: James Strong | Stars: Michael Palin , Tom Bateman , Olivia Cooke , Niamh Durkin

41. Man in an Orange Shirt (2017)

TV-14 | 60 min | Drama, Romance

Tales of love across two films highlighting the very different challenges that face the couples, With Michael and Thomas just after WWII, and Adam and Steve in the present day.

Stars: Julian Morris , Vanessa Redgrave , Oliver Jackson-Cohen , Charlie Wernham

Votes: 4,597

42. The Highway Rat (2017 TV Movie)

25 min | Animation, Adventure, Comedy

A greedy rat travels the highway in search of other animals' food.

Director: Jeroen Jaspaert | Stars: David Tennant , Rob Brydon , Frances de la Tour , Tom Hollander

Votes: 1,177

43. Man in an Orange Shirt (2017) Episode: Episode #1.1 (2017)

TV-14 | Drama, Romance

Two separate yet entwined stories show the challenges to happiness for Michael and Thomas in the aftermath of World War 2 in time when such love was forbidden and dangerous and to Adam and Steve in the present day.

Director: Michael Samuels | Stars: Julian Morris , Vanessa Redgrave , Joanna Vanderham , Oliver Jackson-Cohen

44. Alice Through the Looking Glass (2016)

PG | 113 min | Adventure, Family, Fantasy

Alice is appointed to save her beloved Mad Hatter from deadly grief by travelling back to the past, but this means fatally harming Time himself, the noble clockwork man with the device needed to save the Hatter's family from the Red Queen.

Director: James Bobin | Stars: Mia Wasikowska , Johnny Depp , Helena Bonham Carter , Anne Hathaway

Votes: 122,175 | Gross: $77.04M

45. The Collection (2016)

TV-MA | 60 min | Drama, History, Romance

A gripping family drama and entrepreneurial fable, set in a post-war Paris fashion house. It exposes the grit behind the glamour of a rising business, spearheaded by two clashing brothers.

Stars: Richard Coyle , Mamie Gummer , Tom Riley , Alix Poisson

Votes: 2,419

46. Outlander (2014– ) Episode: Useful Occupations and Deceptions (2016)

TV-MA | 56 min | Drama, Fantasy, Romance

Claire finds an outlet for her skills at L'Hôpital des Anges treating the sick, while Jamie tries to derail the Jacobite Rebellion with the help of a pickpocket. Claire's new relationship ... See full summary  »

Director: Metin Hüseyin | Stars: Caitríona Balfe , Sam Heughan , Tobias Menzies , Duncan Lacroix

Votes: 3,394

47. Outlander (2014– ) Episode: La Dame Blanche (2016)

TV-MA | 59 min | Drama, Fantasy, Romance

Jamie has an unusual response to Claire's news, which brings about a confrontation. Louise asks Claire for assistance with a delicate situation, and friendly revelations provide disagreements at a dinner party with uninvited guests.

Director: Douglas Mackinnon | Stars: Caitríona Balfe , Sam Heughan , Duncan Lacroix , Dominique Pinon

Votes: 3,427

48. Outlander (2014– ) Episode: Best Laid Schemes... (2016)

TV-MA | 51 min | Drama, Fantasy, Romance

Jamie and Claire use Claire's medical knowledge to devise a scheme to stop a wine deal which could fill the Prince's war chest. When Claire learns Jamie has gone back on his word, the ... See full summary  »

Votes: 3,398

49. Outlander (2014– ) Episode: Faith (2016)

TV-MA | 63 min | Drama, Fantasy, Romance

Doctors at L'Hopital des Anges attempt to save the lives of Claire and her unborn baby; King Louis asks Claire to judge two men accused of engaging in the dark arts.

Director: Metin Hüseyin | Stars: Caitríona Balfe , Sam Heughan , Tobias Menzies , Dominique Pinon

Votes: 4,629

50. Vicious (2013–2016) Episode: The Finale (2016)

TV-MA | 47 min | Comedy

One year, one segment in each of the four seasons, is presented in the life of Freddie, Stuart and their friends. Spring. Freddie and Stuart are still in the flush of romantic newlywed love... See full summary  »

Director: Ben Kellett | Stars: Ian McKellen , Derek Jacobi , Frances de la Tour , Iwan Rheon

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Est-il vrai qu’il est interdit de photographier la tour Eiffel à la nuit tombée ?

Source : JT 20h Semaine

Symbole de la capitale, la tour Eiffel est sans doute l'un des monuments les plus photographiés de Paris. Chaque nuit, elle offre un spectacle scintillant dans le ciel en se parant de mille et une lumières. Une légende urbaine affirme qu'il est interdit de l'immortaliser une fois le soleil couché.

À la tombée de la nuit, la tour Eiffel se métamorphose et elle offre un spectacle somptueux dans le ciel de la capitale. La Dame de fer revêt sa plus belle robe scintillante, allume son éclairage et brille de mille feux. Évidemment, on a tous envie d’immortaliser ce moment et de le partager sur les réseaux sociaux. Mais a-t-on le droit ? Une légende urbaine coriace affirme qu’il est interdit de photographier la tour Eiffel la nuit. Qu’en est-il ?

Paris 2024 : les anneaux olympiques installés sur la tour Eiffel pour les JO

Une œuvre protégée mais…

Symbole de Paris, la tour Eiffel est l’œuvre de Gustave Eiffel. Et comme tout œuvre, elle est protégée par la loi sur la propriété intellectuelle et les droits d’auteur. De ce fait, elle bénéficie d’une protection jusqu’à 70 ans après la mort de son créateur. Gustave Eiffel est décédé en 1923. Si on calcule bien, on se rend compte que le délai est dépassé depuis 1993. La tour Eiffel est donc désormais tombée dans le domaine public. En revanche, ce n’est pas le cas de ses lumières et illuminations. En effet, l’éclairage de la Dame de fer a été imaginé par Pierre Bideau, éclairagiste attitré du monument, en 1985. C’est lui a eu l’idée d’allumer, étage par étage, face par face, et d’habiller la tour Eiffel de sa dentelle. Pierre Bideau est décédé le 24 mars 2021, ce qui signifie que les lumières du phare de la capitale sont toujours protégées !

Les photos de nuit, autorisées ou pas ?

Le site du monument a dressé la liste des 10 légendes urbaines qui entourent la Dame de fer, parmi ces légendes, on retrouve " il est illégal de photographier la tour Eiffel de nuit ". Réponse : faux, ce n’est pas interdit, mais il y a des exceptions. Ainsi, photographier la belle illuminée après minuit est possible, partager ses plus beaux clichés des cinq précieuses minutes de scintillement aussi, mais à titre personnel. Les clichés doivent être pris pour un usage privé uniquement. La Société d’Exploitation de la tour Eiffel précise " les prises de vues de la tour Eiffel de nuit pour des particuliers et pour un usage privé ne nécessitent aucun accord préalable ". En revanche, les professionnels, eux, doivent se rapprocher de la Société d’Exploitation de la tour Eiffel (SETE) pour demander une autorisation préalable. De même, l’utilisation commerciale des photographies de nuit doit être faits en accord avec la société. La SETE précise " cette exploitation est soumise au paiement de droits dont le montant est fonction de l’utilisation envisagée ".

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VIDÉO - Paris : les ailes du Moulin Rouge se sont effondrées Publié hier à 6h33

Pourquoi des avions de chasse vont survoler paris ce vendredi publié le 24 avril 2024 à 17h26, etre nu chez soi : attention ça peut vous coûter (très) cher publié le 23 avril 2024 à 18h05, "incroyable" : la surprise des touristes et des parisiens face au moulin rouge défiguré publié hier à 15h23, vidéo - la réouverture de la tour eiffel ne fait (presque) que des heureux publié le 26 février 2024 à 12h27, "ça m'a blessé" : le guinness refuse la tour eiffel en allumettes qu'il a mis 8 ans à construire publié le 5 février 2024 à 11h46, la tour eiffel fermée en raison d'une grève, le jour du centenaire de la mort de gustave eiffel publié le 27 décembre 2023 à 9h33, un immense arc-en-ciel déployé sur l'arc de triomphe publié le 2 juin 2023 à 14h51, paris : dans les années 30, un projet prévoyait-il vraiment un parking en haut de la tour eiffel publié le 19 mai 2023 à 18h00, avec une nouvelle flèche à notre-dame, les photographies seront-elles payantes publié le 21 avril 2019 à 11h00, tout tf1 info, non, vous n'avez pas le droit de garder de l'argent trouvé par terre publié hier à 21h00, kendji girac blessé par balle : alcool et cocaïne, l’enquête révèle les addictions du chanteur publié hier à 18h03, en direct - affaire kendji girac : le chanteur assume son geste "tout en le regrettant fortement" publié hier à 7h00, coût des ambulances et des taxis sanitaires : "des bons de transport qui sont prescrits ne devraient pas l'être" publié hier à 11h46, divorce : pouvez-vous toucher la pension de réversion de votre ex-mari  publié le 23 avril 2024 à 13h27, kendji girac blessé par balle : drogue, alcool, dispute et "simulation de suicide", le récit d'une soirée qui a dégénéré publié hier à 20h22, en direct - guerre en ukraine : washington annonce 6 milliards de dollars d'aide militaire à kiev publié aujourd'hui à 6h30, val-d'oise : la famille de deux délinquants expulsée d'un logement social publié le 24 avril 2024 à 23h08, "à l'aide, appelez la police" : un couple sauve une femme séquestrée... grâce à un papier trouvé par terre publié aujourd'hui à 8h44, météo : jusqu'à quand va durer l'épisode de froid publié le 24 avril 2024 à 17h12, en direct - qui va gagner "danse avec les stars" : natasha st-pier, nico capone ou inès reg suivez la finale avec nous publié aujourd'hui à 19h30, ménage écolo : peut-on utiliser le vinaigre blanc sur toutes les surfaces publié aujourd'hui à 19h00, en direct - guerre en ukraine : washington annonce 6 milliards de dollars d'aide militaire à kiev publié aujourd'hui à 18h59, on a trouvé une muraille de chine... en france publié aujourd'hui à 18h42, vidéo - déconstruction de navires de guerre : un chantier colossal lancé à bordeaux publié aujourd'hui à 18h39, vidéo - au sillon de talbert, marcher au milieu de la mer publié aujourd'hui à 18h37, jo 2024 : le nageur florent manaudou sera le premier porteur de la flamme olympique à marseille publié aujourd'hui à 18h35, européennes : le camp présidentiel à la peine auprès des jeunes publié aujourd'hui à 18h31, "on n'en dort plus" : après la faillite de constructeurs, le désarroi des clients de maisons inachevées publié aujourd'hui à 18h25, sécheresse : ces villages corses sont contraints de boire de l'eau de mer dessalée publié aujourd'hui à 18h23, "j'ai reçu un mandat pour vous contrôler" : comment les fraudes aux arrêts de travail sont traquées publié aujourd'hui à 12h27, j'habite en ville et le coq de mon voisin chante jour et nuit, que dit la loi le 13h à vos côtés publié le 23 avril 2024 à 12h08, en direct - trafic aérien : des milliers de vols annulés malgré la levée d'un préavis de grève publié hier à 6h00, victime de cyberharcèlement, miss allemagne fait front publié aujourd'hui à 15h21, chiens d'assistance : quelles races de chiens peuvent travailler publié hier à 20h00, réseaux sociaux : qu'est-ce que la "majorité numérique" qu'emmanuel macron veut instaurer en europe publié aujourd'hui à 15h04, vidéo - occupation des locaux, manifestations... que se passe-t-il à sciences po paris publié aujourd'hui à 8h15, cette solution écologique et durable pour réduire les nuisances sonores publié hier à 19h00, le muguet porte bonheur mais il est également très toxique publié hier à 12h04.

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Kid Cudi cancels tour: Ankle broken at Coachella is ‘much more serious,’ needs surgery

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Kid Cudi is canceling his upcoming Insano: Engage the Rage World Tour after finding out his broken ankle is “much more serious” than he thought.

“Guys, so, I have a broken calcaneus,” Cudi posted Wednesday on social media. “Im headed to surgery now and there’s gonna be a long recovery time. We have to cancel the tour so I can focus on getting better to be out there in top shape to rage with you all.”

Kid Cudi is ‘hoping’ his Coachella broken ankle will be healed in time for Insano tour

Kid Cudi offers an update on the ankle he broke jumping off the Sahara stage on the last day of Coachella 2024. He seems upbeat, albeit a little uncertain.

April 23, 2024

The calcaneus is more commonly known as the heel bone. While some ankle fractures can heal in weeks, a broken calcaneus has a longer recovery time. “This type of fracture commonly occurs during a high-energy event — such as a car crash or a fall from a ladder — when the heel is crushed under the weight of the body,” the American Academy of Orthopedic Surgeons says on its website . Surgery is often required to prevent heel deformity.

This, friends, is why you don’t jump off one of the tallest stages at Coachella.

“There’s just no way I can bounce back in time to give 100%,” Cudi said. “The injury is much more serious than I thought.”

The U.S. leg of the Insano tour was supposed to start June 28 in Austin, Texas, and conclude with a show in Los Angeles on Aug. 30. Kid Cudi planned to head to Europe in early 2025; it’s unclear whether that part of the tour is still on.

Drake removed from lawsuit over Astroworld crowd crush that left 10 fans dead

A judge removes Drake, who performed with Travis Scott at the 2021 Astroworld concert, from a suit filed by families of the 10 fans who died in a crowd crush.

April 12, 2024

The rapper said that ticket holders will be contacted by email and receive a full refund. Also, new tour dates will be announced as soon as possible.

In a video posted earlier this week and captured by TMZ , Kid Cudi said with a chuckle, “This is what happens when a 40-year-old man tries to prance around offstage like he’s 26, like he used to do back in the day.” He added that he was “hoping” to be healed up in time to hit the road.

So much for that idea.

“I’m so sorry fam and I love you all so much, thanks for the endless love and support. Im really disappointed as im sure you guys are too, but I will be back. Thats a promise,” the rapper wrote Wednesday.

“Im ok, just a lil soreness, but im in good spirits.”

View this post on Instagram A post shared by Willis (@kidcudi)

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Christie D’Zurilla is an assistant editor for entertainment news on the Fast Break team. A graduate of USC, she joined the Los Angeles Times in 2003 as a copy editor, started writing about celebrities in 2009 and has more than 34 years of journalism experience in Southern California.

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Prince’s ‘Musicology’ at 20: A Look at the Album, Tour and Year That Saved His Career

By Jem Aswad

Executive Editor, Music

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Prince had been at a crossroads before, but never like he was at the beginning of 2004.

So, as he had with “Diamonds and Pearls” when he was in a similar place in the early ‘90s, he decided to play the game and show everybody just who they were dealing with.

On February 8, he opened the 2004 Grammy Awards with a five-minute medley of “Purple Rain,” “Baby I’m a Star” and “Let’s Go Crazy” — with Beyonce — that may be the greatest opening to a music-awards show in television history. Two weeks later, he announced his first major tour in six years, noting that he’d be playing his hits again. “It’s older music, but it’s going to be played in a newer way,” he said, teasing that it might be the last time he played those songs in concert (it wasn’t). Then in March, he was inducted into the Rock and Roll Hall of Fame, where he played a different, much longer medley of his hits during the ceremony — but of course what everyone remembers is his show-stealing solo during the all-star George Harrison tribute, which he finished by throwing his guitar into the audience.

Musically, “Musicology” was a return to accessibility. And although it didn’t reach the peaks of his classic ‘80s material — to be fair, not much music does — it was a vivid sampler of his musical styles that marked the return of the Prince that people knew and loved. It also was a genuine hit: The ticket-CD bundle helped loft the album to No. 3 on the Billboard 200, but it was top 5 in multiple countries all over the world without that boost, even though it didn’t have a big hit single. Recorded over several years, “Musicology”’s musical baseline is the brand of lean funk Prince was raised on — he even shouts out Earth, Wind & Fire, James Brown and others in the album’s lead-off title track, which concludes with brief, scratchy recordings of some of his own hits in a mock scanning-the-radio-dial segment. There are a couple of “Do Me, Baby”-styled bedroom ballads, bombastic rock (“A Million Days”), even the new wave pop he hadn’t done since “I Could Never Take the Place of Your Man” on “Cinnamon Girl,” complete with splashes of vintage synthesizers. It winds down with a sultry, slow-burning burst of Aretha on the soulfully bluesy “On the Couch” and concludes with the breezy “Reflection.”

Even though Prince’s musicianship was at a new peak — his blazing guitar work, multi-tracked harmonies, production and arranging show an artist at the top of his craft — he was making music that was easy to like again, which isn’t to say it was simple; but even at its most sophisticated and complex (like the jazzy interlude at the end of “If I Was the Man in Ur Life”), it went down more smoothly. Indeed, the only area where “Musicology” fell flat is in the lyrics, which, like much of Prince’s later material, could be shockingly insipid. In particular, the album’s catchiest track, “Life of the Party,” is marred by lyrics so tossed-off that it sounds like they were written off the top of his head. (“So you’re havin’ a party?/ Goody for you/ All the beautiful people gonna be there/ Yeah, that’s cool.”) Even when he tried gravitas — about politics, war, global warming and moral decay on “Dear Mr. Man” — it wasn’t much better.

Prince was not an artist who’d ever lacked confidence, but by the end of 2004, the full swagger was back in his step. He’d significantly increased his wealth: The tour grossed nearly $90 million, the album was certified double platinum in the U.S. early in 2005, and it spurred sales of his entire catalog in an era when most people still bought CDs. But more importantly, it also marked the return of the Prince people knew, one who wasn’t completely refusing to be who he’d been, and not just musically: The weird outfits and otherworldly hairstyles had been replaced by sleek, classy suits and a short, trim cut.

The year’s creative efforts also gave him a model for how to pursue the rest of his career. Any time he wanted another million (or ten), he’d hit the road in some new and unusual way. Over the following years he played everything from a months-long Las Vegas residency to a premium-price one at the Roosevelt Hotel in Hollywood; from a series of 21 dates at London’s Wembley Arena to a handful of shows in specific regions of the U.S. — even the Carolinas. He played brief “Hit and Run” tours that were announced just days before they launched; and of course he staged what is universally considered to be the greatest Super Bowl Halftime performance of all time in 2007. By contrast, his last tour, shortly before his death in 2016, was just him accompanying himself on piano. He kept finding new ways to keep himself interested.

And although he wouldn’t again reach the upper echelons of the charts in his lifetime and his albums continued to be frustratingly hit-or-miss, his sense of innovation returned with “3121,” the album that followed “Musicology” — on it, fans of “Sign O’ the Times,” which many regard as the peak of his creativity, could find much to grab onto, at least for the first half of the album. Unfortunately, most of the other albums he released in these years were maddeningly inconsistent (and sometimes appallingly bad) but although you won’t find any hidden “Purple Rain”s, there are overlooked gems to be found on many of them — like “Lavaux” and “Laydown” from “20Ten” (the latter of which features the priceless line, “from the heart of Minnesota/ Here come the purple Yoda”), and “Better With Time” and especially “ Ol’ Skool Company ” from “MPLSoUND.” Every once in a while on those albums and others, the Prince you love pops up with something so great it’s as if he’d never gone anywhere. And that’s really the gift of his scattershot, impossibly vast musical output — even though he’s no longer here, there’ll always be something new to find.

“Musicology” was the end of Prince’s wilderness years, and in every way, it set him up for the remaining dozen years of his much-too-brief life.

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Brillante: Egan Bernal es el mejor colombiano en el Tour de Romandía

La segunda fracción del Tour de Romandía tuvo el retiro de un pedalista colombiano.

Egan Bernal, Vuelta a Cataluña 2024

Foto: Thomas Samson / AFP

En esta noticia

Tour de romandía 2024, egan bernal, segunda etapa, ciclistas colombianos.

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El Tour de Romandía 2024 llegó a su segunda jornada con un recorrido de 171 kilómetros entre Friburgo hasta el sector conocido como Salvan-Les Marécottes. Tras un prólogo y la primera jornada, el pelotón afrontó la primera etapa de media alta montaña con dos premios de segunda categoría, de los cuales uno estaba ubicado en los últimos kilómetros.  Con el final en alto, las escuadras empezaban a intentar hacer diferencias pensando en la clasificación general, la cual inició el día teniendo al francés Dorian Godon del Decathlon AG2R como líder. 

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Santiago Umba tuvo que retirarse del Tour de Romandía Cabe mencionar que la jornada inició con la noticia que el pedalista colombiano, Santiago Umba, quien viste el malliot del Astana, se retiró de la competencia luego de presentar un asma bronquial infecciosa.  La carrera transcurrió con normalidad hasta el último y definitivo ascenso. Al inicio, un grupo de cinco pedalistas que conformaban la fuga del día, lograron ampliar la diferencia hasta por más de dos minutos frente al pelotón.  El grupo principal impuso el ritmo en el premio de montaña y a falta de 2 kilómetros, el pedalista Lucas Plapp atacó y logró llegar hasta conectar con los escapados. Sin embargo, el ciclista Thibau Nys logró ser el más rápido y cruzó la línea de meta tras 4 horas, 2 minutos y 44 segundos. Con este triunfo, el belga se convirtió en el nuevo líder de la competencia. Así les fue a los colombianos en la segunda etapa del Tour de Romandía Egan Bernal estuvo al lado de los favoritos y llegó junto al pelotón principal a 16 segundos del ganador de la jornada, siendo el mejor colombiano ubicado cruzando en la casilla 14. Ahora, el del Ineos se ubica en la posición 18 de la general, a 35 segundos del nuevo líder.  Seguidamente, Iván Ramiro Sosa es 29 a 45 segundos de diferencia, mientras que Harold Tejada se ubica en la posición 31 a 53 segundos. Por el lado de Rigoberto Urán, ahora es 43 de la general con una diferencia de 1:18 sobre Thibau Nys.  El Tour de Romandía continuará este viernes 26 de abril con una contrarreloj individual con salida y llegada en la localidad de Oron donde los pedalistas tendrán que enfrentar un recorrido de 15.5 kilómetros. Allí, aunque los colombianos no son especialistas en esta modalidad, se espera que terminen la fracción para alistar lo que será la etapa reina a realizarse el sábado 27 en medio de la cuarta etapa. 

#ElMundoRuedaXSeñal | ¡Victoria del belga Thibau Nys! ¡Triunfo del Lidl-Trek en esta etapa montañosa! ¡Felicitaciones! Mira el #TDR2024 acá 🖥 👉 https://t.co/REiLk944pJ pic.twitter.com/EqCG9jVYOB — Señal Deportes (@SenalDeportes) April 25, 2024

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Kid cudi cancels tour after breaking foot at coachella, kid cudi gotta cancel my tour ... long recovery after foot surgery.

Kid Cudi won't be raging around the globe anytime soon ... his recently broken foot will require surgery and a recovery time that will keep him from touring, this according to him.

Cudi broke the news to fans on Wednesday -- saying that his Insano: Engage the Rage World Tour was canceled for good as he prepared to go under the knife.

He promised to revamp the tour once he returns back to health but is unsure when that will be ... apparently, the injury is more severe than he first thought.

The 40-year-old took a terrible tumble last weekend while attempting to jump off the massive Coachella stage ... and failed to complete his set, although the festival wasn't prepared for the technical difficulty and kept the live stream booming with no action.

Cudi owned up to no longer being a spring chicken once he was safe in bed -- at least he knows what stunts not to pull when the tour rolls back around.

The good news is fans who purchased tickets will get refunds. The bad news is Pusha T , Jaden Smith and Earthgang are currently SOL without a summer tour schedule!!!

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Clasificación general del Tour de Romandía, tras la etapa 3: ¿Qué pasó con Egan Bernal?

Brandon mcnulty se impuso en la contrarreloj de la tercera etapa del tour de romandía 2024, mientras que el colombiano egan bernal sufrió un poco sobre la bicicleta..

Este viernes, en la localidad de Oron, el ciclista Brandon McNulty ganó la etapa 3, la cual fue una contrarreloj. El pedalista del UAE paró el reloj en 20:06. Por los lados de los colombianos, Harold Tejada fue el mejor y Egan Bernal sufrió un poco en la primera parte de la prueba.

Desde muy temprano las nubes aparecieron en la localidad de Oron y hubo un amague de lluvia. A las 7:24 a.m. comenzó la carrera con la participación del belga Stan van Tirch, quien se puso de primero en la silla de líder de la etapa, tras marcar 23:05, en los 15,5 kilómetros de recorrido.

Sin embargo, Tirch duró muy poco arriba, puesto que Brandon McNulty, uno de los especialistas, paró el tiempo en 20:06 y se puso de primero. Poco a poco los corredores fueron tomando la partida y el primer colombiano en salir al ruedo fue Jesús David Peña, quien registró 22:17.

El siguiente turno entre los pedalistas de nuestro país fue Sergio Higuita, del Bora Hansgrohe, que luchó en todo momento y se quedó con 22:00. De ahí en adelante hubo una larga espera para los nuestros, pues a Rigoberto Urán le correspondió el turno 110. El de Urrao no la pasó bien y se le vio agotado en su llegada a meta (21:49).

A los pocos minutos, dos colombianos salieron casi que al tiempo, el primero fue Harold Tejada, que al final terminó siendo el mejor de los nuestros en la jornada con un 20:53. Luego, Iván Ramiro Sosa tuvo un mal día al cerrar su participación con un 23:10.

Sobre las 9:41 a.m., partió el más esperado, Egan Bernal. El del Ineos Grenadiers sufrió una la primera parte del trazado al estar un poco alejado respecto a sus rivales en el control intermedio. Pese a eso, se repuso, fue más constante y le alcanzó para un 21:32.

Clasificación general del Tour de Romandía, tras la etapa 3:

1. Juan Ayuso (UAE) - 8h16'26" 2. Ilan van Wilder (Soudal Quick Step) - a 7s 3. Aleksandr Vlasov (Bora Hansgrohe) - a 10s 4. Carlos Rodríguez (Ineos Grenadiers) - a 11s 5. Lenny Martínez (Groupama FDJ) - a 23s 6. Florian Lipowitz (Bora Hansgrohe) - a 32s 7. Luke Plapp (Jayco AlUla) - a 33s 8. Bruno Armirail (Decathlon AG2R La Mondiale) - a 36s 9. Yannis Voisard (Tudor) - a 36s 10. Damiano Caruso (Bahrain Victorious) - a 36s