journey don't stop believin' composer

• Behind the Song

Behind The Song Lyrics: “Don’t Stop Believin'” by Journey

by Jacob Uitti December 15, 2021, 9:19 am

What if I told you the world’s favorite 1:58 AM song—“Don’t Stop Believin’”—came from a conversation between a dejected musician and his supportive parent?

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Well, that’s exactly what happened with the tune and the writer of its famous chorus, Jonathan Cain, the now-71-year-old musician and longtime keyboard player and writer of the American rock band Journey.

Sing it with us now:

Don’t Stop! Believin’! Hold on to that feelin’ Streetlight, people Don’t stop, believin’ Hold on Streetlights, people

The song, which was released on the band’s sophomore album, Escape , in 1981, later hit the Billboard and the U.K. charts at various points in its long lifespan. Later, Rolling Stone named it No. 133 of its best 500 songs.

We caught up with Cain to talk about the origins of the lyrics, which includes a phone call with his father. As Cain says, he remembers writing it like it was yesterday.

American Songwriter: Do you remember writing “Don’t Stop Believin’”?

Jon Cain: Like it was yesterday. Yeah, I remember like it was yesterday. Basically, we had one more song—[former Journey lead singer] Steve Perry said, “I think we need one more, let’s write one more song.” He said, “There must be something in that lyric book.” Because I had several spiral notebooks full of ideas and lyrics. I’m writing lyrics all the time. Even back in those days, I was working on it. I believe you use it or lose it when you’re writing lyrics.

AS: Absolutely.

JC: So, I had this idea. My dad and I had this conversation. In the 70s, I was kind of on my down and out phase. I’d lost my record deal with Warner Bros. and I had a day job and then my dog got hit by a car and I had a $1,000 vet bill. And I had called for money and I said, “Maybe I should give up on this thing dad, and come home to Chicago.” And he said, “No. You stay where you are.”

He said, “Your biggest breakthrough is right around the corner. It seems bad right now but there’s something coming and I feel it and don’t stop believing, Jon. That’s all I can say to you, don’t stop believing.” So, I wrote it and as I was talking to my father, he said, “I’ll send that money, you can pay me back someday, don’t worry about it. But your greatest breakthrough is right around the corner, just stay with it.”

JC: So, I did. And I wrote down don’t stop believing. And that was five years before Journey called me to join. So, I had this in my notebook. And we had finished all these songs and when I went home that night, I saw the title, “Don’t Stop Believin’” and I said, “That’s it!” And so, I immediately jumped on my little Wurlitzer and came up with a chorus. I mean, in about 20 minutes I had it.

And I brought it in and all I had was chords. And when I played it for the guys, they were like, “This is a great chorus.” So, we beat it around a little bit, and then Steve said, “I got an idea, why don’t we use your chords for the chorus, same ones.” He said, “Don’t change them. They’re great chords, just change the way you do it. Just do that rolling thing you did in the bass, that eighth note feel.”

And then Neil [Schon] came up with the bassline—doo-doo-doo-doo—and he showed that to Ross [Valory] and then he came up with the B-section, the “strangers waiting up and down…” Interestingly enough, musically there’s a tension and release that is constant. It’s like a theme in the song. It sort of goes to the chorus and then releases. Tension and release, tension and release.

Then we ended up with this musical version of “Don’t Stop Believin’” and interestingly enough, the chorus was introduced by Neal’s guitar. Neal just came right out and played that melody before we sing it. Which breaks all the rules. And I kept saying to Steve in the rehearsal room, are we going to go to the chorus? And he said, “No, we’re going to save it to the end. And we’re going to make them want to play it over and over again. It’s only going to be one time, they’re going to hear it and it’s going to be gone and they’re going to want to play it again.”  

I liked that philosophy, I said that was a good strategy, let’s go with it. So, we did. And we didn’t have the lyric yet for the verse and I went to Steve’s house there and it reminded me—Neal had played that interlude that sounded like a train. It was these little staccato things—diggy-diggy-diggy—it sounded like a train going down the track. And I listened to it. We had a cassette and a little blaster and I said, “This sounds like a train, Steve.”

And I said, “You know that song, ‘ Midnight train to Georgia ’ [by Gladys Knight & The Pips]? What about a midnight train going anywhere?” And he’s like, “Yeah!” and then he looked at me and he said, “That Jack and Jill song about the guy and a girl, what if we plug that concept in?” I said, “Yeah, that’s a good idea.” And then “small-town girl living in a lonely world,” you know? And then we had this little movie of these two meeting somewhere.

And I said, “They’re going to meet on Sunset Boulevard.” Because I lived right above Sunset Boulevard in Laurel Canyon and I described what Friday night looked like on Sunset Boulevard in 1974. It was a menagerie of all these people from all walks of life. Rock stars, actresses, hustlers, you name it. They were all meeting on Sunset Boulevard on Friday night to check it out. And it was this big cruise thing where the cars would be there and people would be walking up and down the street, from every different place.

I mean, L.A. in 1974 was the heart of rock and roll, it really was, on Sunset Boulevard. You had the Whiskey-a Go Go. Van Halen playing at Gazzarri’s. You had Aerosmith playing at the Starwood. You had David Bowie with his Diamond Dogs thing. All of that. It was the heart of rock and roll. So, Steve said, “Yeah!” So, strangers waiting up and down the boulevard, their shadows… ” That was Sunset Boulevard. And he totally got the movie.

JC: We saw the movie together. Now, he hadn’t been there, but I’d described the movie well enough that he was like, “Let’s do this.” And we wrote about Vegas. Paying anything to roll the dice one more time. That’s it and that’s dreaming. Like, I’m going to win, I’m not stuck where I am. I think we wanted to write that song to say it’s okay to dream, it’s okay to get out. You’re not stuck where you are. You can go somewhere and take that midnight train.

And the “South Detroit” thing I got a lot of flack for. Because there was no South Detroit. And I said, “Because it’s a mystical place, it doesn’t exist!” It’s the city of possibilities in your mind. That’s what South Detroit is. So, leave it alone. And that’s really it.

AS: And how about the chords, the keys part you play?

JC: Oh, that was just kind of leftover from The Babys, I think [Cains band before he joined Journey]. Again, it’s tension and release. So, we’re playing a sort of an augmented 3rd to a 3rd and even the B-section has tension and release to it. So, we broke the rules with the form on that because it’s ABABC, you know?

Very seldom are you going to see a song like that. And that was just the way Steve Perry was wired. When we put the song together in the studio, it was obvious that it was going to open up the Escape album. It was the one that led fans into the new sound of Journey. They hired me to change their sound [in 1980] and I did. I helped them—we all did it together. And they were very brave to take a chance on me and I’ll be forever grateful that I was able to put my signature on that album.

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Don't Stop Believin' by Journey

Songfacts®:

• Journey's most enduring song, this track has a unique structure, which helps it stick in your mind. Where most songs have a chorus that's repeated several times, "Don't Stop Believin'" brings in its chorus (and title) only at the end - about 3:20 into the song. The structure goes: instrumental, first verse, instrumental, second verse, first pre-chorus, instrumental, third verse, second pre-chorus, instrumental, and then finally the chorus until fade-out. It was not their biggest chart hit (that would be " Open Arms "), but is by far Journey's most famous song, thanks to a resurgence in the '00s.
• The line, "Strangers waiting, up and down the Boulevard" is a reference to Sunset Boulevard in Hollywood, where dreams are made. Keyboard player Jonathan Cain got the idea for the song when he went there to pursue his career. In his Songfacts interview , Cain said: "The song began with the chorus. My father had coached me. I was in Hollywood, struggling with my career, kind of lost. I was asking him, 'Should I come back to Chicago and just give up on this dream?' And he said, 'No, son. Stay the course. We have a vision. It's gonna happen. Don't stop believin'.'" Cain's dream came true when he joined a group called The Babys with John Waite. In 1980, he joined Journey in San Francisco, and this song took shape. He told Steve Perry about his idea for placing the song in Sunset Boulevard, and Perry had him describe it. "I described the menagerie of people who would show up on a Friday night," Cain said. "All the dreamers that had dreams to become actors. Producers, artists, lawyers, anything... they were all there on a Friday night."
• Journey lead singer Steve Perry, keyboard player Jonathan Cain and guitarist Neal Schon are the credited songwriters on this one, but the entire band contributed. In the Time3 compilation, the genesis of this song is explained: "At the band's Oakland warehouse, this song bubbled out of a rehearsal. Schon developed the bass riff, the chugging guitar line and the sweeping chords on the chorus. Steve Smith built the song around a pattern featuring a lot of tom-toms, anchoring the number to a rich drum figure. Perry and Cain drew from their experiences with the Sunset Strip street scene for the lyrics, 'streetlight people.'"
• Speaking with New York Magazine , Perry explained that the song originated during a series of gigs in Detroit when he found himself in a hotel room unable to sleep, staring out of the window: Strangers waiting, up and down the boulevard Their shadows searching in the night Streetlight people, living just to find emotion Hiding, somewhere in the night "I was digging the idea of how the lights were facing down, so that you couldn't see anything," he recalled. "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing."
• The popular resurgence of this song can be traced to its use in the 2003 movie Monster , which was based on the true story of the female serial killer Aileen Wuornos. The film was not widely seen but drew critical raves and a Best Actress Oscar for Charlize Theron, who portrayed Wuornos. In the movie, the song comes on when Wuornos and Selby Wall (played by Christina Ricci) are skating to it in a roller rink. They mention how they love the song, and as it builds, so does their passion, and they end up kissing outside the rink. The use of "Don't Stop Believin'" in this critically adored scene got the attention of the Hollywood community, who saw the emotion the song could bring out and no longer thought of it as a nostalgia track. Requests started pouring in to use the song in a variety of movies and TV shows, and soon another generation was familiar with the song. So how did it get in Monster in the first place? The film's director Patty Jenkins used it when they shot the scene and knew it fit perfectly. She sent the band members viewing copies of the film and asked permission to use it on a short budget. Perry called her back and not only gave approval, but helped her select music for the rest of the film; he's credited as a music consultant.
• The song was written to give the audience a connection with the band, a goal it achieved. Jonathan Cain told Songfacts: "It was the first attempt to bring an audience into the band's world. We're singing for you. We're singing about your world now. So, it was a departure from what they had been doing before. What I wanted to do was get a little Bruce Springsteen going on. Bruce was the master of that, bringing his audience into his songs. I was a huge fan of Bruce's."
• Speaking with the British radio station Planet Rock in 2010, Steve Perry said of this song: "Personally, it's something that means a lot to me. Everybody has emotional issues and problems, and the song has helped me personally to not give up, and I'm finding a lot of people feel that."
• This is the first track on Journey's seventh album, Escape . It was chosen to lead the album because, according to Cain, "With that piano line, it just sounds like a book opening up."
• The song got a boost when it was used as the closing number in Rock of Ages , a jukebox musical featuring hits of the '80s. The show ran on Broadway from 2009-2015, and in 2012 was made into a movie starring Tom Cruise. It's an appropriate choice, as Rock of Ages takes place on Sunset Boulevard, which is also the primary setting for the song.
• In the last ever episode of the TV show The Sopranos , which aired June 10, 2007, Tony Soprano plays this song on a jukebox during the final scene. The episode abruptly ends with the lyrics "Don't Stop" as the scene cuts to black. Steve Perry said in People magazine June 13, 2007: "I needed to know how this song was going to be used. I didn't want the song to be part of a blood-bath, if that was going to be the closing moment. In order for me to feel good about approving the song use, they had to tell me what happened. And they made me swear that I would not tell anybody."
• This was featured in an episode of the TV show Scrubs called "My Journey." Other television series and films to use "Don't Stop Believin'" include South Park , The Wedding Singer , Shrek the Halls , Bedtime Stories , Yes Dear , King of the Hill , The Comebacks , View from the Top , Cold Case , CSI: Crime Scene Investigation , My Name Is Earl , Just Shoot Me and Laguna Beach .
• In November 2008 it was announced that this track had become the first song available in the pre-digital era to sell more than 2 million downloads through iTunes. The track's popularity increased significantly after its appearance in the final episode of The Sopranos . It also became one of the most popular karaoke songs in America in the late '00s.
• In May 2009 a remake by the cast of the Fox TV musical comedy Glee debuted at #4 on the Billboard Hot 100, five places higher than Journey's version ever reached. It was performed in the season pilot and became part of the soundtrack album Glee: The Music, Volume 1 . By the end of 2009, the digital download had earned 500,000 digital sales. The Glee version was performed on Sesame Street with monsters portraying the cast. The bit featured the letter G, so the lyrics were adapted to "Don't stop G-ing."
• Believing in yourself and following your passion are ideals Steve Perry holds dear. When Randy Jackson, who used to play bass with Journey, was a judge on the singing competition American Idol , he asked Perry to come on as a guest judge. Perry turned him down, saying, "I don't feel good about sitting in judgment of anyone's honest passion to perform or their talent. If someone has a passion to perform, they should do it no matter what anyone says." Perry added: "I was passed on in the music business many, many times before Herbie [Journey manager Walter Herbert] heard my demo and believed in me. That was the moment that changed my life and I'm still forever grateful to him for believing in me. The hardest part is to keep believing in what you love when others tell you that you are not good at it."
• MTV went on the air shortly before this song was released. The band made a Spartan performance video for it in an empty arena, apparently at a soundcheck. They made a better one with footage from a Houston stop on their Escape tour, which became the official video that shows up on their VEVO account. Neither video got much love on MTV, which preferred concept videos.
• In the UK, this song peaked at #62 when it was first released. In November 2009, it was rereleased after Joe McEldry sang it on the TV show X-Factor , and this time, it climbed to #19. Joe McElderry won the competition, and franchise boss Simon Cowell wanted to release his version of the song as the single in the aftermath of the teenage singer's victory. However, Journey declined and Cowell instead arranged for McElderry to cover Miley Cyrus' track " The Climb ." Guitarist Neal Schon explained to The Sun : "We knew about Joe's version because Simon had contacted our management. He wanted to re-do the song with a different arrangement. We listened to it. We declined. There was nothing wrong with the original version - if it's not busted, let's not fix it." Schon added that Journey were aware they were possibly passing up a UK #1 hit. "Randy Jackson, who was on American Idol with Simon, was stressing that we should let him do it because it would probably go to #1. But we stuck to our decision."
• In the UK, the Glee Cast version debuted at #5 on the UK singles chart dated January 17, 2010, one place above Journey's original recording. It was the first instance of two versions of the same song sitting at back to back positions on the chart since December 2008 when Alexandra Burke's take on " Hallelujah " was at #1 with Jeff Buckley's version one place behind.
• The song starts with Perry singing about a young couple from two different backgrounds: Just a small town girl, livin' in a lonely world She took the midnight train goin' anywhere Just a city boy, born and raised in south Detroit He took the midnight train goin' anywhere But hang on a sec, any good Motor City citizen will tell you, there is no location called South Detroit; Detroit, Michigan, distinguishes only between an East Side and a West Side. If you go south in Detroit ("down-river"), you end up in Canada. Perry admitted to New York Magazine that he wasn't overly concerned with being geographically accurate. "I ran the phonetics of east, west, and north, but nothing sounded as good or emotionally true to me as South Detroit," he said. "The syntax just sounded right. I fell in love with the line. It's only been in the last few years that I've learned that there is no South Detroit. But it doesn't matter."
• This was used in the 1982 Atari video game Journey Escape . The song played in the background while you controlled various band members, helping them find the space ship while avoiding groupies and evil promoters. Computer graphics were pretty bad back then, so the groupies were represented as hearts with legs, and the promoters were floating heads. In fact, the very game was created to be based on the band Journey and the album Escape .
• This was one of the first Journey songs on which keyboard player Jonathan Cain played. He replaced Gregg Rolle for the Escape album.
• Lady Gaga, Elton John, Bruce Springsteen, Sting, Blondie and Shirley Bassey performed this at the finale of a Rainforest Fund benefit at Carnegie Hall in May 2010.
• This song was used in a 2005 episode of animated TV series Family Guy where Peter, Joe, Cleveland, and Quagmire did a drunken karaoke rendition of the song. ITunes was catching on at this point, and after this episode aired there was a spike in download sales of the song. >> Suggestion credit : Bert - Pueblo, NM
• Journey toured to support this album, but they interrupted their tour to open for The Rolling Stones in Philadelphia on September 25, 1981. It was The Stones first show on their North American tour.
• This became the anthem of the Chicago White Sox during their 2005 season in which they won the World Series. Steve Perry attended the last game of the Series and sang the song at their victory parade. Perry's allegiance though, is to his hometown team the San Francisco Giants. He was often seen supporting the team when they won World Series titles in 2010, 2012 and 2014. Perry would sometimes lead the crowd in singing along to "Don't Stop Believin'" when it was played between innings at games.
• Steve Perry severed ties with Journey in 1998 when he needed hip replacement surgery and couldn't give his bandmates a return date. Anxious to tour, they replaced him with the similar sounding Steve Augeri, and later with Arnel Pineda. For Journey fans, a dream scenario finds Perry reuniting with the band, triumphantly taking the helm on "Don't Stop Believin'" in an affirmation of unity and faith. But every year, they scenario seems less likely. In 2017 when they were inducted into the Rock and Roll Hall of Fame, Perry attended but didn't perform with the band, which did three songs (including this one) with Pineda. When Perry emerged with a solo album, Traces , in 2018, he offered some insight into his split with the band and his absence. "My love for music had suddenly left me," he said. "If music was ever to return to my heart, then and only then I would figure out what to do. If not... so be it, for I had already lived the dream of dreams." Journey first fractured in 1987 after touring for their Raised On Radio album. This was Perry's doing, as he was burned out and worried about keeping his voice healthy. But it was Perry who initiated their return, calling Cain in 1995 to talk about getting back together. This resulted in the 1996 album Trial by Fire ; Perry's hip condition emerged after it was finished.
• "Don't Stop Believin'" powered Journey's 1988 Greatest Hits album to a whopping 15 million in US sales ( Escape sold 9 million), making it one of the best-selling compilation albums in history. In 2001, they released another compilation, The Essential Journey , which sold another 2 million.
• During the 2020 pandemic, some hospitals used the song as a rallying call for patients recovering from COVID-19 and those treating them. The New York-Presbyterian Queens Hospital, for instance, played "Don't Stop Believin'" throughout the building each time they discharged a coronavirus patient.
• In 2020, Ladbaby, a UK duo comprising YouTuber Mark Hoyle and his wife Roxanne, released a playful twist on this song titled " Don't Stop Me Eatin' ." Recorded to raise money for foodbank charity The Trussell Trust, Ladbaby's single was the UK's Official Christmas #1 that year.
• "Don't Stop Believin'" was honored by the Library of Congress, which added it to the National Recording Registry in 2022. Steve Perry said: "That song, over the years, has become something that has a life of its own. It's about the people who've embraced it and found the lyrics to be something they can relate to and hold onto and sing."
• On January 26, 2024, the RIAA certified "Don't Stop Believin'" at 18x Platinum, a jump from 5x Platinum in 2013. The new certification reflects streaming, and signals that the song is immensely popular across generations. Other songs to reach that milestone are all far more recent, like " Sunflower " by Post Malone. Based on these figures, it's safe to say that "Don't Stop Believin'" is the most widely popular song of all-time in America. You can play it to anyone and they'll certainly recognize the song and probably like it. The next-closest song from the pre-streaming era is Mariah Carey's " All I Want For Christmas Is You ," with a 14x Platinum certification in 2024.
• More songs from Journey
• More songs about perseverance
• More songs used in TV shows
• More songs used in movies
• More popular Karaoke songs
• More songs that were hits for more than one artist
• More songs covered by the Glee cast
• More songs that are discussed in movies
• More songs popular during the coronavirus pandemic
• More motivational songs
• More songs from 1981
• Lyrics to Don't Stop Believin'
• Journey Artistfacts

Comments: 119

• Chad Eicher from Apple Creek, Ohio This song has got to be one of the greatest hit songs that I knew the words to. The cast of the Fox television show "Glee" did their version of that hit song. It just blew me away.
• Rw Cain, at a songwriters festival in 2014, explained some parts of the song. The girl and guy story is like a version of Jack And Diane; they may not be real people. The trains moving at midnight is inspired by the song Midnight Train To Georgia. Live versions of the song, depending on the main vocalist, may change South Detroit to whatever city the band is playing in at that moment.
• Soulsoldseparately from Buffalo, Ny Does "city boy born and raised in South Detroit" refer to an actual person?
• Seventh Mist from 7th Heaven My daughter's favorite song. She often used it as inspiration once she was on her own and (seemingly) facing a new challenge every day. She never stopped believing.
• Susan from Illinois Question-asker from A Train Going Anywhere, I think the lyric means ourselves. The movie is our lives. I believe our lives on this planet will end, but our souls will live on and on in another place.
• Ronsha from New Jersey OMG. This song is so dang famous! People everywhere know this song. I swear to God it's even growing on the younger generations, including me. I used to hate it and think it's overrated, but deep down I always thought, oh darn, this song's catchy, who am I kidding? I'm 13 now and Don't Stop Believin' is one of the most uplifting songs I've ever heard. Not only the sound, but also the lyrics are beautiful. Good song to make you feel strong, nostalgic... it could make you cry too.
• Brett from Mason Whether we choose to hear Streetlight People for street lights, people Steve Perry came right out and said after a concert in Detroit he is looking out from his hotel room down on the street and there we're people just wandering around the street. Not necessarily prostitutes or any other specific type of people. More or less aimlessly wandering around Under The Lights doing nothing. Mendez for the South Detroit I don't think he was intending to give a geography lesson. He was making a song sound the best it could possibly be
• Mckinzie from United States This is my all time favorite song, I say that this is my song because I could relate to this song so much.
• Nick from Ohio This is the most played classic hit of all time. Who would have thought that a song that peaked at #9 would become the undisputed biggest song in history.
• Badintense from Erie Pa This song has crossed all generations and ethnicities as a beloved song. Last summer (2019) in my neighborhood a group of young black teens were hauling their giant boom box down the street blaring this song and singing the words perfectly as if they were in an adult karaoke bar. It actually brought a tear to my eye since I was a teen when this song first came out in 1981. Journey's music has really brought people together into a common bond no matter what the media tries to push on people.
• Question-asker from A Train Going Anywhere what does the lyric "Oh, the movie never ends It goes on and on, and on, and on" mean in this song?
• Seventhmist from 7th Heaven I recently took a long trip and played a Journey collection in my car, downloaded from a phone app. It contained a live version of this song, performed in Houston, that I hadn’t heard before. When Perry reached line about the boy, he sang, “Just a city boy, born and raised right here in Houston!” That definitely caught me by surprise.
• Jodie from Xx I'm pretty sure he's saying "streetlights, people". Not "streetlight people".
• Steve from Albany, Ny And the nonsense about Windsor being "considered" south Detroit continues to stick to the Wiki page like doodoo. LOL It's been said by many that you should never rely on Wiki as a source of reliable / accurate information. Very true.
• Charles from Charlotte The stuff about lowlife killer Eileen Wuernos kissing her female lover just sullies the discussion of a great American pop song. Wish Perry & Co, had said NO!! to that.
• Leonardo from Connecticut I would argue that the Sopranos season finale repopularized the song, not Monster...
• Tony from San Diego Steve Smith plays an amazing drum pattern during the choruses.
• Steve from Albany, Ny The info on the Wikipedia page for this song is inaccurate. And some moderator is allowing it to be there. I guess the following from John Cafferty & The Beaver Brown Band's song C-I-T-Y was actually referring to Windsor too: "On the South side of Detroit city I'm working all night on the line" Yep, definitely referring to Windsor, Ontario because everyone knows Windsor, Ontario is "considered" south Detroit. Right. LOL
• Steve from Albany, Ny Regarding "south Detroit", I'm simply going to paste in what I just got done explaining to a mod at Wiki who is apparently bent on leaving misinformation on the Wiki page for this song. Sorry but this is pretty simple stuff and anyone who doesn't get it is an imbecile. ........................ I'm guessing / just realizing that you're a type of moderator here. If you in fact have control over what info is on the page in question, it would be a HUGE wrong to leave in the very misleading entry you've re-submitted. Windsor, Ontario is south _OF_ Detroit, Michigan. Detroit, Michigan is the city that NUMEROUS bands would make reference to in their songs. Especially rock bands and especially during the 70s into the 80s. Not Windsor and not any other suburbs of Detroit that also lie south of Detroit (or "downriver"). The song simply makes reference to the south SIDE of Detroit. The quote by Perry makes it clear that the word south was only added because... well, try singing it without south and just a long INNNN in it's place. As the quote makes clear, the song would not have sounded right without south (or something) before the word Detroit. Not that it's is needed for most to understand that the song is referencing Detroit and only Detroit but there is also a quote by Perry in which he stated that Detroit was very much in their (the writers) minds as they wrote the song. Windsor is not a part of Detroit. The song makes reference to the south side of Detroit. If the entry about Windsor is left on the page, so be it, but it is completely misleading and wrong.
• John from Chino, Ca This song is played during the final minutes of Detroit Red Wings home games where it seems evident that the team will win. Played over the PA system, the song is muted so the crowd can sing the verse, "Born and raised in South Detroit."
• Barry from Sauquoit, Ny On December 13th 1981 "Don't Stop Believin'" by Journey peaked at #9 (for 3 weeks) on Billboard's Hot Top 100 chart; it had entered the chart on October 25th and spent 9 weeks on the Top 100... It reached #2 in Canada and #6 in the U.K. Was one of four tracks from the group's 1981 album 'Escape' to make the Top 100 (the others were "Who's Crying Now" (4), "Still They Ride" (#19) and "Open Arms" (#2)... And on September 12th, 1981 the album peaked at #1 (for 1 week) on Billboard's Top 200 Albums chart.
• Steve from Albany, Ny Some of the comments here regarding this song and it's mentioning of south Detroit are ridiculous. Saying there is no south Detroit is funny enough (there is a south side of any city and I was born and raised in SW Detroit myself) but I especially get a kick out of the people who say the song is referring to Windsor. If the following Steve Perry quote is accurate, "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing.", then the ONLY city being referenced in the song is Detroit. If by chance the lyrics were written as "South Detroit" as opposed to "south Detroit", I suppose that could indicate that Perry/ the writers were thinking of some area of Detroit or evena separate town with that name but it's not likely and that capital S is the only error here. There's nothing complicated here, the song simply refers to the south side of Detroit.
• Jay from Centereach, Long Island, Ny I am surprised that the "South Detroit" line is so controversial. As a New Yorker, and not wholly familiar with the local geography or the neighborhood names of Detroit, I always thought South Detroit simply meant the southern part of Detroit, much like the South Bronx is the southern part of the Bronx. But who cares? This is a great song; no one should be concerned about a geographic error.
• Deethewriter from Saint Petersburg, Russia Federation Neal Schon told RAW RAWK RU NEWS 2011-10-24 that the recent resurgence of "Don't Stop Believin'" after appearing on The Sopranos and Glee -- as well as becoming the first iTunes song to reach two million downloads -- is beyond his comprehension: "When the record came out, there were other songs that were actually bigger than that off it on radio. Y'know, to have it this many years later just come out and be bombastic (laughs) like never before, just like all over the place and just keep on . . . It just keeps on going. Y'know, it's just pretty amazing."
• Terry from Grafon, Wi This song should be the national anthem of the United States.
• Willie from Scottsdale, Az Bwaaahahaha! Now Michelle "White House Crasher" Salahi is shacking up with Neal Schon. Priceless.
• Ken from San Mateo, Ca Since last year's World Series victory, I will always associate this song to the Giants and the Bay Area. Absolutely one of the best songs!!!!
• Hannah from Gustavus, Oh I'm graduating this coming Sunday (May 29, 2011) and I couldn't be more thrilled that this was voted in as our class song. When they announced it at school you could hear people cheering. I think the reason it's such an enduring song for graduation is that unlike most of the class themes that get picked ("Good Riddance," "Here's to the Night," etc.) it's not about looking back and being sad it's over, but rather looking forward and realizing there is indeed life afterward. It's about living life to the fullest (the first verse) and how even though life is difficult ("some are born to sing the blues"), the important thing is to at least take chances and try ("roll the dice just one more time") - and of course, to not give up no matter what may happen, because everything will turn out just fine in the end.
• Michael from Cincinnati, Oh Journey's 1982 album "Eascape was made into a video game titled "Escape".It was produced by Atari for the 2600 model.It was made by Data Age in San Jose,Cal.The Object of the game was to help the band members "Escape" the fans chasing them around.Pretty cool game at the time.
• Steppy from Detroit, Mi *South Detroit Debate* I'm from metro Detroit (as well as a giant Journey fan) and had always wondered about the reference to South Detroit. I heard and interview a year or so ago with Steve Perry, where he addressed the issue. I listened to it online, maybe Youtube?, so the interview may have been old. At any rate, he said that after a concert in Detroit, he was sitting in his hotel room, very late, working on this song. The room was on a high floor and he was watching the people standing under the lights and pondering their lives ("streetlight people"). While he realized that South Detroit didn't really exist, he used a bit of artistic license, because it flowed better than East Detroit.
• Megan from Stevenson, Al Tell me why this is AMAZING?! lol This song is on a totally different level. Awesome.
• Jim from Long Beach, Ca Great song. South Detroit=Winsor,Ontario,Canada.....
• Jay from St Paul, Mn I listened to a few interviews Steve has given. He said he used South Detroit because it sounded better than North, East or West. He said he didn't realize there was no South Detroit. He jokingly said he found out South Detroit was actually Windsor. As far as streetlight people, he said it's something that he noticed when he looked out of a hotel window. If you Youtube it, you can find the interviews. Very worth while.
• Ken from San Mateo, Ca What a song...Like the Chisox, this also became a tribute song for the 2010 World Champion San Francisco Giants! And Journey is from this area, so it makes better sense.
• Bobby from Belleville, Nj While Journey's version is a classic, back in 2008 before it was used in Sopranos, freestyle artist George LaMond remade the song into a pop/dance version. And a very good one, I might add.
• Barry from Sauquoit, Ny Five years before Journey's "Don't Stop Believin'" Olivia Newton-John had a completely different record with the same title, it peaked at No. 33...
• Bd from Vienna, Va Probably worth noting in the brouhaha about Journey turning down a cover of this song is that Randy Jackson was in the band for a while in the mid-80s before their first breakup.
• Rob from Fredericton, Nb One of the many anthems most prominiately found in the 80s hall of great music. For every song played on the radio, this one song sticks out the most when I use to go to a carnival in my hometown. With the smell of fries, hotdogs and other foods lingering in the air, you could always hear a Journey tune blaring in the background while everyone enjoyed riding the many rides at this carnival. So when you take an experience, like a carnival, and feature all of it's pleasantries you soon inaugurate any song from the 80s, namely a Journey tune, and the picture is complete. Such a great band and such a great song.
• Sara from Detroit, Mi And for those of you that want to split hairs, Look on the map of Detroit. Melvindale, Ecorse, Lincoln Park, Ecorse, Delray, Allen Park, Southgate, Taylor, River Rouge, Wyandotte. These are all blue collar or very poor areas, and most people worked for the Big 3 auto companies. This area is called "Downriver" as it is south of Detroit. Detroit itself is a pretty small city. What most people think is Detroit is any one of the suburbs that lies within or outside of Detroit's city limits. Oak Park, Hazel Park, Highland Park, and Hamtramck, are all INSIDE the City Limits. Where as Dearborn, Dearborn Heights, Southfield, Eastpointe, are OUTSIDE of Detroit's City Limits...yet most people consider it part of the greater metro area. When the word METRO is used by itself all over the country it means DETROIT METRO. We were the first place to use the term "Metro" as a colloquial term for a specific large area, as Detroit was the first city in the country to spread out that fast with that large of a population. The city of Detroit itself, is small.
• Sara from Detroit, Mi You are all VERY WRONG about the South Detroit explanation. To those of us who are FROM Detroit and GREW UP THERE....SOUTH DETROIT IS ANYTHING SOUTH OF I-96...a.k.a "Downriver" ....There has NEVER been a place CALLED South Detroit. It's like being in any big city, the term is more loosely used, than say "South Philly", "South-Central L.A." "Southside Of Chicago". Yes Eastpointe was East Detroit but that has absolutely NOTHING to do with this, you don't see a "West Detroit" on the map do you? As for the lyrics it IS in fact "Streetlights, People". It's amazing how many Americans struggle with their own native language!
• Carrie from Roanoke, Va Petra Haden does a cover version of this song.
• Karen from Manchester, Nh I have loved this song for years...until I heard that it was the closing song on the piece of filth that is titled "The Sopranos".
• Jose from Brisbane, Australia Please tour Australia! I know it's hard because for some reason, Australia never really got into Journey... sad lot we are.
• Nikki from Yamba, Australia greta song... love that it has on family guy.. scrubs... the sapranos... the wedding singer and love when LC and stephen sing it on the second series of laguna beach!
• Ellen from Chicago, Il A great song. See Wikipedia's article (search the song title) for additional details as to what exactly is meant by "South Detroit" - in the section called "Sports".
• Rahul from Chennai, India absolutely beautiful song....
• Stu from Philly, Pa They've been quoted as saying "it's streetlight people, we're talking about prostitutes." At any rate, check the lyrics book that came with the album. One of the greatest songs of all time, it was a real treat to see the cast of Glee perform it on that new TV show. One of the best non-Journey renditions of it. My band Raised On Radio usually starts our sets with this song.
• Mike from Brighton, Ma To answer the age old question, "South Detroit" actually refers Southfield, Michigan. (Southfield, ironcally is north of Detroit.) In the 1980s, Journey played many charity soft ball games with WRIF-FM (The Riff).
• Brendan from Cape Town, South Africa The line after "streetlights, people" sounds like "heaven just a fun emotion" Any other suggestions?
• Allen from Knoxville, Tn On the University Of Tennessee campus, somebody has spray painted on the stop signs "dont STOP believin'" Great song, even 27 years after it was released!
• Katie from St. Paul, Mn The lyrics say "Streetlights, people...", not "Streetlight people".
• Josh from Indianapolis, In Journey Rocks Big Time!!!!!!!!!!!!! thers not a song by them i dont like> Rock on!
• Bob from Dumbsville, Belarus Wow this song is beautiful! Everytime I'm down, I listen to it and it gets me back on my feet again. This song just defines 80s music. Journey will just never be the same without Steve Perry leading their crusade.
• Morten from Sydney, Australia I'm an 80's music tragic but suprisingly had never heard of this song! Thanks to Family Guy for introducing me to this gem! -Morten, Sydney, Australia
• Dean from Windsor, On I would just like to inform all those people who say this song isn't about Windsor. When "South Detroit" is mentioned the city of Windsor is what they are talking about. Windsor is actually SOUTH of Detroit. If your ever around my town and stand at the river your compass will point north. Enjoy!
• Julie from Taylor, Tx When this song comes on...me and best friend victoria go crazy! it's their best song. Classic 80's!
• Melanie from Seattle, Wa Scott from Boston - what a cool story! Haha I want to go write that on a stop sign now! :D This song is sooo good. Journey's best IMO. Steve's voice is amazing.
• Neil from Ottawa, Canada This song was sung by the football team in the 2007 film "The Comebacks". One of the players starts singing it in the change-room, and it turns in to a full-stage concert. It mocks the sports movie cliche of teams turning it around with an uplifting theme song, and also references the Chicago White Sox World Series.
• Liquid Len from Ottawa, Canada What a great song! The only song Journey did in the 80s that wasn't horrid!
• Fredrik from Stockholm, Sweden This song was also featured in the South Park episode "tsst" when Cartman is plugging in his X-Box. He sings the lines "Don't stop believing, hold on to your feelings"
• Krista from Elyria, Oh I love Journey! And I love it when ametuers sing the lyrics! But I HATE baseball cards...
• Scott from Boston, Ma During cross country last year there was a stop sign we always ran by during practice and it said "don't" above it and "believing" below it. It became our team's song and we often sang it very out of tune during runs. Also, that Family Guy episode is awesome (as most are). "Oh my god, that is Journey!"
• Michael from San Diego, Ca One of the most beautiful songs of all time...if this song doesn't get to you, then you may need to check your pulse!
• Richie from Sedalia, Mo Edgar, Kings Park, NY Better luck next time!!
• Edgar from Kings Park, Ny This song reminds me of my failed suicide attempt. Well... there's always next time.
• Brian from Portage, Mi Yes, Detroit is an East/West city, but no matter where an area is, there is still four cardinal directions.
• Brian from Detroit, Mi Anyone from Detroit will know what i am saying, but "south detroit" refers tothe area south of Outer Drive, Detroiters refer to the area as "downriver." i Just want to clear the confusion. It ISINT canada, it ISINT eastpointe, NOR groose pointe.
• Eamon from Motherwell, Scotland THis inspirational song was played every night in a juke by me when I was teaching summer camp in up state New York back in 1980. Being from Scotland, I loved the American rock scene and this classic just typifyies it. 27 years later, I play the Journey live DVD while I work out every other night and never tire of hearing it, it is in my blood. I had the pleasure of seeing Journey in Glasgow earlier this year and it was a real highlight. One question - I have heard different lyrics for this some say "Heaven is a funky mouse?" Any comments guys and girls? Eamon.Motherwell. Scotland.
• Sergio from Miami, Fl I have been listening to this song for a long time now. I grew up listening to it and I admit, its my all time favorite. It is so cool now to see a new generation fall in love with it thanks to Family Guy, Scrubs and Sopranos. I dont think it matters if South Detroit is correct or not cause whenever they performed it live with Steve Perry he always replaced Detroit with the city they were in at the moment. I always thought that was a nice touch and he always got a cheap pop for it. I know I will always love this song and just dont get sick or hearing it. Journey was a fantastic band with some great musicians.
• Mary from Canyon, Tx This song was my junior class song way back when in ancient times, not too long after it was first released. EVen I know Windsor, ON is south of Detroit! (Southeast to be exact.)
• Mark from Glassboro, Nj This song was used in the very end of The Soprano's Final Episode. The song is cut short and the screen goes to blank.
• Missy from Ann Arbor, Mi You may not belive this but 'Don't stop Belivin' was my senior class song...I love it and so did my class...we were a pretty small class and we were all ubsessed with soft and classic rock...the good stuff...Whenever I hear those first few piano keys play, I will alway go back to my high school gym, on a hot june day, walking to the stage to graduate...Good Times, Great Memories and GREAT SONG!!!
• Mike from Hueytown , Al I love the 80's on VH1 ripped this song apart.
• Mark from Des Moines, Ia I can't help but think of the CHICAGO WHITE SOX and their magical run to the World Series title in 2005. What a great season!!! What a great song!!!
• Maria from Houston , Tx I agree with most, his voice is awesome!!!!
• Kara from Cadillac, Mi Artists magic is what happens when you take a group of extraordinarily talented people and put them together, allowing them each to do what they do best. Journey is what happens when it all fits together and creates something wonderful. They're not just a band- they're an era. Neal Schon is with out a doubt one of the most gifted guitarists ever. His knowledge and presentation of his craft are nothing short of brilliant. Steve Perry's vocals are masterful. They, along with Schon's guitar work, gave Journey a distintive sound. Jonathan Cain - a perfect fit, though I admit I've always liked Greg Rolle too. I have a Journey album that was made prior to Steve Perry's joining and listening to that makes me know that Journey would have been great no matter what because they had the talent to be great. I know there were changes in the lineup, but Ross Valory's bass playing was also part of what made Journey what it is to me. I loved Steve Smith on the drums, but as with Rolle, I was sad to see Aynsley Dunbar go. Journey was a concept, a feeling, a part of life, an important accent to memories in my life and continues to contribute to important events in the lives of my kids. Two of my sons play guitar and are greatly influenced by Neal Schon. One of them is currently overseas serving in the millitary- he will marry his high school sweetheart when he returns and their wedding song will be "Open Arms". The two sons that I have at home have recently been getting into Journey - "Generations" and I have found that I love their music now as much as I ever did. It never mattered to me that Steve Perry said "South Detroit" - I lived in Ann Arbor/Ypsilanti for many years and I never could keep the suburbs or other offspring areas of Detroit straight anyway. I lived in San Francisco too and always knew that "Lights" was about that city - even if it was written in (or partially in) L.A. - Who cares? Does anybody ever question why "Still They Ride" has traffic lights in it? No. Why? Because it's a truly amazing song about times changing before people are ready for them to with an outstanding guitar lead and excellent vocals. Get over the details. This is legendary music by exceptional musicians. Just enjoy it.
• J from Boston, Ma and I mean (in the last comment) in the chorus part at the end.
• J from Boston, Ma About the streetlight line, I think the first time the line is done, it sort of sounds like streetlight with a little extra sound on it. However, the second time the line is sung, he definetly says streetlights. As the song fades out, I think he says streetlight.
• Jack from London, England Coming from England I had never heard this song on the radio before I heard it on Family Guy. I then heard the song during an episode of Scrubs Season 3 called "My Journey" and decided I had to download it. JOURNEY KICK ASS
• Nathan from From The Country Of, Canada I always heard this song on the radio, but it wasn't until its appearance on Family Guy's kareokee episode that i realized how good the song actually is.
• Peter from Detroit, Mi No matter what, at least once a month I hear this song at the bar. My friends and I are from Dearborn Heights, MI and I like to replace south detroit with "dearborn heights" while belting the lyrics to the annoyance of my girlfriend...she thinks I'm cute so it's cool. Rock on Journey!
• Tom from Vashon, Wa This is an amazing song. It is so sweet. I love it. I think that it has a great message that we can all relate to. Wether we are living on the streets or we are just having problems with our closest friend. You can never stop believing.
• Dave from Beamsville, Canada If you listen closely, you will hear a rendition of this song during the first wedding ceremony on 'The Wedding Singer' when Adam Sandler gets stood up at the alter.
• Allan from Calgary, Canada At The Den (the on-campus bar at the University of Calgary) this song has been the last song every weekend night for the last 10 years. All the regulars drop their pants and do the "no pants dance" Quite a good time and a great way to end the night at a great bar.
• Zeke from Washington, Dc All the lyrics say that the line is "Streetlight, people..." but if you listen to the song it DEFINITELY sings "Streetlights, people." Which do you think it is?
• Kevin from Grosse Pointe, Mi Yeah, but who calls Windsor "South Detroit"? Nobody. I love this song, but that line always bugs me. Why not say "Just a city boy, born and raised in East Detroit" East Detroit is the former name of Easpointe, Michigan. Also, East Detroit is just considered the East side of Metro Detriot, so he could be from the eastern part of the city of Detroit or from any one of the suburbs that is considered East Detroit (Harper Woods, Roseville, Clinton Township, St. Clair Shores)
• Emma from Palm Beach, Australia This song was performed in episode 403 of "The Family Guy" entitled "Don't Make Me Over" (original air date 06/05/05) by Peter, Cleveland, Quagmire and Joe. It's an enjoyable rendition, with pall bearers even dropping a coffin in order to hit "The Drunken Clam" to check out the performance.
• Matt from Haddon Hieghts, Nj This song is great and i got my whole family to love this song its Steve Perrys voice thats just awesome and its one of my fav
• Cindi from Vancouver, Canada OMG WHO care weather it is North, South. East or West it is a great song.....I can think about better things to debate than which way is up, down or left or right....I agree with who ever said there is N,S, E or West every where just get a compass and stand outside this isn't rocket science it's a Rock song.
• Zeke from Washington, Dc Actually, Canada IS south of Detroit. The southern part of Ontario is actually south of Detroit. Check your map Jon from Regina.
• Justin from Monson, Ma I think Journey's song "Don't stop Believin" is the greatest song in the world. I love it so much. Each time it comes on the radio, I turn it up loud. By the way, why does anyone care about how the city of Detroit is used in the song. The song's great!!!!!!!! -Justin Dubois,Monson,MA
• Matthew from East Brunswick, Nj Great song, Journey is a godsend of the 80's!
• Anwiya from Sterling Heights, Mi Hey John from Canada, you know nothing. A portion of Canada (city name: WINDSOR) is south of Detroit.
• Sara Mackenzie from Middle Of Nowhere, Fl white sox have used it for their theme song, omg!! at least it kept them going on to believe that they could win, and they did, so this song is like, an inspiration.
• Christa from Aurora, Il This was the song the white sox used for inspiration to win the world series 2005!
• Jeff from Sothington, Ct this is an inspirational song that has a good guitar part in it...the family guy episode was funny and the fact that i knew this girl that would sing this song and now everytime i hear it i see her singing it..but i still see myslef playing guitar...nice solo though
• David from Yosemite, Ca I heard this song sung a few weeks ago in San Francisco's North Beach--I was trying to sleep in the GreenTortoise hostel in the room above the lounge--and a chorus of girls was singing it. It must have been Kerioki night, but it was lovely. I couldn't recall the group (Journey), but heard a bit on the radio, and googled the lyrics. I've been googling lyrics all weekend--Napster's having free downloads, which brought me here--nice site.. I wish I could have recorded the girls singing. David Yosemite Sept. 4, 2005
• Chase from Pasadena, Ca Most of the memories posted on this website are by a girl named "Stephanie."
• Stephanie from Ellicott City, Md this song brings back some great memories .... reminds me of being just over the edge of 17, vacationing in Florida with my family. we were staying at this resort, and i was hanging out in the game room. i had been pretty bored, and i met this guy about 2 years younger than me. he was from a small town in Maine, while i was from the big city in Maryland. i was grateful to find someone close to my age, and we played airhockey, with us deciding to make a friendly bet, the terms to be determined after the game. he let me win, and the term of the bet was decided to be a kiss. we ended up making out for awhile, and when we parted for the night, we shared no pretense that we'd ever meet again. the next night, i heard this song, and it made me think of him - although it was reversed, he was the small town boy and i was the city girl, for a smile we shared the night, and the memories go on and on. i had been feeling pretty low about myself at this time, and feeling undesirable, and he made me feel like, hey, maybe there is something desirable about me after all. so, Matt from Maine, thank you.
• Ryan from Windsor, Canada Amazing song, one of the best from the 80's. oh and Jon from Regina, check your map bro. I'm from Windsor, Ontario Canada and to go to Detroit I'd have to travel North, not South (one of those "tricky" geography catches).
• Jev from Marietta, Ga Well does anyone know where I can get a good ringtone of this song period.
• Patrick from Charlotte, Nc no.
• Jev from Marietta, Ga Does anybody know where I can get a Don't Stop Believin ringtone that is reliable?
• Jon from Regina, Canada This is a great song. By the way, who really cares if they say South Detroit? It's not the end of the world. And John from Scottsdale, I thought most people knew this, but Canada is NORTH of Detroit, not south.
• Matthew from Marquette, Mi Ok... I don't know how many of you really know Geography, but there is a North, South, East and West of EVERYTHING! There is South America, Southern US, Southern California, South Detroit, my dorm room even has a southern part. While you may not find South Detroit on a map, there is in fact a South Detroit. The guy probably grew up near Michigan Avenue. As for the song... GREAT EFFIN' SONG!
• Tatem from San Diego, Ca No matter the radio station I'm listening to, you can always tell that distinctive Journey-Steve Perry sound and instantly know a Journey song regardless of your knowledge of their song list. Steve Perry gave Journey their uniqueness. I had heard about the Monster movie thing, never saw the movie though. It's hard to believe how old these guys are now. Steve Perry was a hottie. Aging happens to the best of us!!
• Perviz from Cochin, India Words can't describe the kind of feeling you get on hearing this song. Truly a masterpiece!!
• Perviz from Cochin, India This is truly a super duper song. Thanx a million Journey.
• Kevin from Grosse Pointe, Mi Yeah the whole South Detroit thing always bugged me too. Detroit is an East Side/West Side city, not a North Side/South Side city like Chicago. If the lyrics had said "East Detroit" it would have made more sense.
• Ryan from Lansing, Mi There is no East Detroit however as everyone should know, they changed there name to Eastpointe. But yeah he should really have said southren Detroit.
• John from Scottsdale, Az When I ever hear this song, I have to say "you've got it wrong, Steve, and sing "There ain't no such place as South Detroit." I grew up in Detroit. There's an east side and a west side. The dividing line is Woodward Avenue. South Detroit is..uh... Canada. Stand on the plaza in downtown Detroit, and look south. Oh, Canada. Otherwise, I like the song, but Steve and his buddies should hvae stuck to San Francisco or looked at a map
• Tom from Alma, Ga Ack! Another cookie-cutter corporate rock band. Being a child of the 80's, however, they did have some good stuff.
• Dawn from Highlands Ranch, Co Well, Neal Schon, Steve Perry and Jon Cain I think all take credit for the genesis of this song, which probably explains part of why they're not together anymore. But actress Charlize Theron really wanted this song for a scene in her movie Monster, so she and director/writer Patty Jenkins wrote a letter to Steve Perry begging him to allow them to use the song. He saw the scene they wanted it for, said it was perfect, through Sony contacts asked Jon and Neal if they were ok with it, they said yes, and Steve became musical consultant for the film, as well as the song being in the film. Steve is still traveling around the US and Canada with Patty helping her promote the movie and accepting awards for it.
• Mooler from Detroit, Mi Nora hit the nail right on the head. South Detroit is just referring to the southern part of the city just as south west detroit or west side or east side or northeast detroit...etc etc. I should know...im from north east detroit. 7 and gratiot.
• Paul from Greenwood, Sc Just a couple tidbits...in live shows, Journey frontman Steve Perry would insert the name of whatever city that would be hosting them, evidenced by the NFL films documentary of them from the late 80's where they are playing in Philly..."Born and raised in Phil-a-del-phia!"...also the guitar break between the first and second verse spotlights Schon at what he did best. Neil Schon was discovered by Carlos Santana and was playing on stage at the age of 15. He is incredibly fast and it shows on this classic.
• Larry from Artesia, Ca Streetlight people, living just to find emotion Hiding, somewhere in the night
• Angela from Santa Fe, Tx Does anyone know the lyrics to this song? I know most of them, however, there is one line in there where I can't seem to catch all the words. It is right after the line in the chorus "Streetlife people". Can anyone help me? Thanks.
• Nora from Richfield, Mn The lyrics didn't say 'south OF Detroit', it said South Detroit. Big difference

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The improbable story of the Journey classic that keeps coming back to life

From Mafia finales to Arnold Schwarzenegger: the brilliant and often bizarre and afterlife of Journey’s Don't Stop Believin'

When the screen cut abruptly to black and the strains of Journey ’s Don’t Stop Believin’ went silent at the finale of iconic TV show The Sopranos in 2007, it might have symbolised the death of Tony Soprano, but it began a new life for Journey’s enduring classic.

The song’s revival provided an extraordinary new chapter in a fairytale story that began back in 1981 and continues to this day. After its Sopranos -assisted revival, the song became a belated UK Top 10 hit in 2009 (it limped to a paltry No.62 when it was originally released), been streamed almost half a billion times on Spotify and been covered by everyone from Steel Panther to erstwhile teenyboppers Hanson. These days, Don’t Stop Believin’ is a kind of unofficial American national anthem – and it’s thanks in a large part to Tony Soprano. 

“That’s the incredible power of mixing music and images,” explains Gary Calamar, whose job as one of Hollywood’s top music supervisors is to find that perfect mix. “That Sopranos scene was incredible, the final scene of one of the best TV shows ever. There was a huge audience with big expectations for the finale. Plus, the song is a great mix of heavy whack hairband rock with Steve Perry wailing his heartfelt and, dare I say, inspiring lyrics.”

Calamar compares the use of Don’t Stop Believin’ with other memorable scenes involving specific songs: Night Ranger 's Sister Christian in Boogie Nights , Stealers Wheel's Stuck In The Middle With You in Reservoir Dogs , Sia’s Breathe Me in Six Feet Under . “When you have a big music scene like that it has a massive impact,” he says. “It really gets under your skin and sticks with you.”

“I think the song’s continued popularity goes back to its core meaning,” says Kara Wright, the A&R coordinator with publishing company Peer Music. “ Don’t Stop Believin’ carries a timeless message that says don’t stop believing in you – don’t stop believing in the world – don’t stop believing in anything. Life goes on (and on and on) regardless whether you’re a small-town girl, a city boy, the Sopranos or a member of your high-school glee club.”

The public’s insatiable appetite for Don’t Stop Believin’ was underlined just two years after its use on The Sopranos when it featured in the pilot episode of the TV show Glee in May 2009. The cast’s version of Don’t Stop Believin’ topped that of Journey’s original, reaching No.4 in the US Top 100 and echoed the digital download success of the original, going gold in the US with sales of over 500,000. The Glee cast later covered the song again, resulting in combined sales of 973,000 for both versions. It fared equally well in Britain where the Glee cast’s recording debuted at No.5.

To further emphasise the seemingly limitless affection for the song, in addition to its high-profile inclusion on The Sopranos and Glee , versions of Don’t Stop Believin’ have appeared in – deep breath – Family Guy, Scrubs, South Park, My Name Is Earl, Just Shoot Me, Benidorm, Eastenders, TV Burp , countless editions of The X-Factor and American Idol, Swedish Idol, Australian Idol … you get the picture.

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While Don’t Stop Believin’ ’s 2007 inclusion on The Sopranos is considered by many to mark the beginning of its latest wave of popularity, in an article in the LA Times, Journey’s Jonathan Cain – who wrote the song along with Steve Perry and Neal Schon – cited its use in the 1998 Adam Sandler comedy The Wedding Singer as the spark. Though Gary Calamar, who is also a DJ on LA-based radio station KCRW, begs to differ. “For better or worse I don’t think Don’t Stop Believin’ ever went away. I’ve always felt its cheesy presence.”

Ten years later Sandler and Don’t Stop Believin’ were reunited in Bedtime Stories . In the interim it featured in the 2003 drama Monster starring Charlize Theron. The actress, who was also the film’s producer, had been so keen to include the track that she personally wrote a letter to Steve Perry. After viewing the proposed scene, Perry agreed to the song’s use and even became the film’s music consultant.

The song is in the title of the Journey documentary Don’t Stop Believin’: Everyman’s Journey , while other films to feature it include View From The Top, The Comebacks, Cloudy With A Chance Of Meatballs and The Losers .

Gary Calamar, whose list of credits includes House, Dexter and After The Sunset , understands why the song is featured so regularly. “In a way, using these songs is like batting practice for a music supervisor, you know you have a good chance of hitting it out of the park with one of these old power ballads and a big, over the top scene.”

“It’s a feelgood song with a positive message and a memorable melody,” says Kara Wright, “and it’s an anthem that can be accepted and applied to any kind of situation.”

To back her words, scour Spotify and you’ll come across a dizzying list of artists who have covered the track in all manner of styles, from symphonic metallers Northern Kings to dungaree-clad downhome rockers Hayseed Dixie. There are classical versions, bluegrass versions, acapella versions, dance versions and lounge jazz versions. Scour YouTube and you’ll even come across a reggae cover alongside versions by Panic! At The Disco’s Brendan Urie, John Mayer, Stashrip and even audio of a workout set to the tune by none other than Arnold Schwarzenegger.

Don’t Stop Believin’ is a perennial live favourite, and not just for Journey. During its lifespan it’s been covered by an array of artists. Notable among recent live performances was its inclusion on Kanye West’s set list during his 2008 Glow In The Dark tour while a charity event for the Rainforest Fund at Carnegie Hall in May brought together the unlikely combination of Lady Gaga, Bruce Springsteen , Elton John , Sting, Debbie Harry and Shirley Bassey for an encore of the song.

 “I think the revival of Don’t Stop Believin’ can be greatly attributed to the exposure and emphasis that entertainment platforms such as TV, video games and advertising now offer to music – an ideal medium that works well for current and classic titles,” says Kara Wright.

The song’s inspirational message has made it a favourite with sports teams, never with greater impact than with the Chicago White Sox. During the 2005 season the hapless baseball team adopted Don’t Stop Believin’ as their rally cry. The team duly went on to reach the World Series for the first time in 80 years with Steve Perry being invited to attend as they swept the Houston Astros in four games.”

It’s hard to go anywhere these days without being exposed to the song in some form. All across America innocent ‘Stop’ signs have been transformed into Journey tributes with the simple addition of two words.

Wherever you do go, you can even be wearing your Don’t Stop Believin’ knickers or clutching your Don’t Stop Believin’ teddy bear. Its omnipresence is why Kara Wright feels Don’t Stop Believin’ is “at the forefront of other songs decades old being revitalised and reintroduced to popular culture.”

Wright believes the song’s success paved the way for others. Absolutely, given the digital revolution and multimedia phenomenon, I think it’s an extraordinary time for classic rock songs to find new leases on life. In this way, long-forgotten music will continue to be revived as younger audiences gain new found appreciation for rock history. The universe of catalogues yet to be unleashed is thrilling.”

And what of the men who wrote it? Unsurprisingly, the song closes every Journey show these days, though given its popularity, it would probably induce riots if it didn’t.

Former singer Steve Perry has a more complicated relationship with song. The only times Perry has sung onstage since he stepped away from music in 1995 came when he made guest appearances at three shows with the band Eels in 2014. And while he did sing Journey songs with the group, Don’t Stop Believin’ wasn’t one of them.

The original version of this article appeared in Classic Rock issue 153

Kevin Murphy is a writer, journalist and presenter who's written for the Daily Telegraph, Independent On Sunday, Sounds, Record Mirror, Kerrang!, Metal Hammer, Noise, Select and Event. He's also written about film for Empire, Total Film and Directors Guild of America Magazine.

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Story Behind the Song: 'Don't Stop Believin' '

The words "Don't Stop Believin' " have served Jonathan Cain well in his lifetime. First, they were the words of encouragement he heard from his father, when the younger Cain wasn't sure he'd make it as a musician in Hollywood.

Later, when he joined the ranks of Journey, it became the title and refrain of "Don't Stop Believin'." Released in 1981, it wasn't the band's biggest hit at first, but it's gone on to become its signature, and one of the most popular rock songs of all time.

Cain told the story behind the song to Bart Herbison of Nashville Songwriters Association International.

BH: "Don't Stop Believin'." One of the greatest songs ever written. I'd love to make the case for that. ... I can tell you this: It's the most contagious song ever written because you can be in the worst mood ever — in a place (where) you don't want anybody to talk to. And that (song) comes on, and you just start moving with it.

JC: It’s got a groove to it, it does. It's got something. And it was all based on some advice my father had given me back when I was struggling in Hollywood. My dog got hit by a car and I had to put her back together. And it was a $900 vet bill, and I’m barely making my rent. I call my dad up and said, "I need a loan. ... Am I just dreaming? Should I just come back to Chicago?"

He said, "I’ll give you the loan, you gotta stay put." ... And he said, “Son, don’t stop believin'.”

I was like, "That’s beautiful, Dad." I had my little lyric book, and I’m doodling "Don’t stop believin'." 

BH: But it's a while before you write it.

JC: Mm-hmm. This is in the '70s. ... I took my lyric books with me and my spirals with me all up to San Fran and (had them) when (Journey) asked me to join ...

BH: Journey asked you to join?

JC: We're going to start on this album called “Escape.” I had played hardly a note with them. We jammed some in the clubs, and then I'm asked to make this record. ... (Steve) Perry looks at me and says the producer wants one more tune.

And I’m like, "Well, we already gave him 17." And he goes, "I don’t care, we need one more. What do you got? Go home and see what you got. I know you've got something."

Pressure's on. I go home, and there's my little Wurlitzer piano sitting there, the same one I wrote “Open Arms” and all this stuff on. I go in my book and I see it, "Don’t Stop Believin'."

BH: Did you know right then?

JC: I said, “Steve Perry will sing this. Now, John you've got to write some kind of chorus where he can soar."

... All I had was “Don’t stop believin’, hold on to that feeling.”

I went (back to the band) with those two lines. That’s it. And the chords! Perry said, "Man, those chords are great.' ... He just had an engineer's (mindset). ... This was a much different situation than (writing) "Faithfully." This was an improv by all. ... We still haven’t played a chorus yet. And I kept looking at Steve: "Chorus now?" And he goes, "Oh no." So we haven’t sung it yet. And this was all Steve leading the thing, being Steve. Because he’s just so musical! I mean because he played bass and drums, and he understood. He was like a real mechanic, understood how all the parts fit. ... So here he is yodeling this stuff. And all we got is this yodel and this great track.

I take it home on my cassette. I go to his house the next day, the very next day, in his little flat, and then we got to write the lyrics. I always listened to what he scatted for clues. ... I said, "Well, it sounds like (he sang) 'lonely world.' That (word) sounds like 'anywhere.' "

I said, "What if it's like 'Jack and Diane,' you know? Kind of, "Just a small-town girl." He goes, "Livin’ in a lonely world." 

Now we're in the movie, and the movie goes on and on and on. I said, "I'll tell you where the location is. This sounds like Sunset Boulevard in the '70s, where I lived, and it sounds like Friday night." I was explaining to them how everybody would cruise up and down the boulevard. I mean, the hustlers, the dreamers, the producers, the actors, the actresses, the wannabe starlets, the wannabe anybodies were all on Sunset, cruising, driving, looking for their hookup, their something.

(After we recorded the instruments,) I called Steve and said, "We did it. It’s killer. You’re going to love this track." So he came in the next week to lay down the vocal in, I think, two takes. I’m serious. Two takes. Three takes at the most. And then I said, "Man, I’m hearing all of these background (vocals)." So we went out and we did all the background parts, and the whole band is singing in one mic. Then Mike Stone mixes the heck out of it. ... And when we heard that (finished) record, me and Perry, we lost our mind.

BH: Still one of the great ones.

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Here’s The Story Behind 'Don’t Stop Believin’,’ The Song That Keeps On Giving

There’s no denying it: Rarely a wedding or party goes by without Journey’s “Don’t Stop Believin’” being played.

Released in June 1981, the song appeared on the rock band’s seventh album, “Escape.” Although it never made it to No. 1 on the charts, “Don’t Stop Believin’” has seeped into our culture in countless ways. The “Sopranos” series finale . That memorable “Glee” pilot episode. Broadway’s “Rock of Ages” musical. Your karaoke night. You probably know the words by heart, but you may not know the details behind the making of the song.

Journey keyboardist Jonathan Cain tells the story of the tune’s genesis in his new memoir, Don’t Stop Believin’: The Man, the Band and the Song That Inspired Generations .

In the 1970s, Cain ― then an aspiring musician ― left his hometown of Chicago for Los Angeles in hopes of landing his big break. When things didn’t go as planned, he phoned his father for some help. It turned out to be a fateful call.

“My dog got hit by a car, and I was in Hollywood, and I had to pay the vet bill. And luckily they saved her life,” Cain told HuffPost at Build Series . “I had called him for some money, for another loan. And I hated calling my dad for a loan. I said, ‘Dad, should I just give up on this thing and come home? It seems like I might be pushing it back to Chicago.’ ‘No, no, don’t come home. Stick to your guns. Don’t stop believin’. I went, ‘OK.’ Everything he would say to me somehow I would just doodle in my little notebook that I wrote songs in. That’s basically what happened. He had said to me, ‘Don’t stop believin’,’ and I took it to heart. He sent me the money, and great things started to happen.”

In 1980, Cain left his previous group, the Babys, to join Journey, replacing Gregg Rolie on keyboards. While writing songs for “Escape” with Journey singer Steve Perry and guitarist Neal Schon, Cain began to flip through his notebook.

“Steve Perry asked me, ‘Is there another idea around? We need one more song.’ And when I looked in the back of the spiral notebook, there was ‘Don’t stop believin’’ ... and I thought, ‘Well, Steve Perry would sing this if I can bring in a chorus of some kind,’” Cain said. “So I wrote this chorus, and I brought it in, and all of us together finished the song in a room. It was magical.”

Cain said they could feel the momentum of the song, particularly after recording it in the studio.

“Workin’ hard to get my fill. Everybody wants a thrill, payin’ anything to roll the dice just one more time.” - “Don’t Stop Believin’”

“I think when we finally heard the final mix, Neal looked at me, and he said, ‘There’s something special about this.’ And I said, ‘Let’s make it the first song on the album, because it sounds like it draws a listener in. Let’s make it Track 1.’ So that’s how we sequenced the album,” Cain said.

“Don’t Stop Believin’” reached No. 9 on the Billboard singles chart, but he said he doesn’t recall that it was “a huge hit.”

Years after the release of “Don’t Stop Believin,’” Perry ― the voice behind the song ― parted ways with Journey, leaving a big hole to fill. After a couple of other frontmen, the group secured a steady lead singer in Arnel Pineda , who joined in 2008.

Last year Journey was inducted into the Rock & Roll Hall of Fame. Although Perry attended the ceremony, he didn’t perform with the the band. Still, Cain thinks Perry enjoyed the moment.

“He seemed very, very vibrant and proud to be standing there with us,” Cain said. “He lives a very private life, and he chooses to keep it that way. Whenever I see him at these events, he seems very, very happy, content with his life. I know he’s gone through some troubles, like we all have. But he’s moved on.”

Cain has moved on too. He said he hopes to work on some new music with Journey soon. And you can count on the band performing “Don’t Stop Believin’” on tour this summer.

“I don’t ever get tired of it,” he said. “For me, it’s an honor to have a song that’s loved by three, four generations by now … Anyone who gets tired of a song is working off their own ego. When we’re in Journey, we check our egos at the door.”

And as for the future of “Don’t Stop Believin’”?

“It’s like Thomas the train. It keeps chugging along,” Cain said.

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American Anthem

'don't stop believin" goes on and on, because we need it to.

Roben Farzad

Steve Perry performs with Journey at a Chicago-area concert in 1981. Paul Natkin/Getty Images hide caption

Steve Perry performs with Journey at a Chicago-area concert in 1981.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem .

It's midnight on a Tuesday in Richmond, Va. At Sticky Rice, a sushi joint that hosts this college town's most raucous karaoke night, the crowd is already at fire-code capacity, and would-be crooners are forming a line outside. At around 12:30 a.m., a set of famous piano chords begins to play, and the place explodes. Friends stand together on tables; the people stuck in line outside press against the windows. For a fleeting moment, everyone's on the same midnight train going anywhere.

Twenty-somethings Matt Malone and Shilpa Gangisetty are tonight's lucky performers of Journey's " Don't Stop Believin' ," for which the DJ has received as many as five requests — though you can't exactly hear their singing beneath the overflowing crowd shouting along. When they're done, Gangisetty, who is Indian American, says she loves the song because it's something she can enjoy with her immigrant parents.

"This came out right before my parents came to this country," she says. "There aren't too many cultural things that we can relate on."

"It's like the 'Itsy Bitsy Spider' of, like, middle school," Malone chimes in. "You have to know it. Everyone hates to love it."

Thirty-eight years after it debuted on the album Escape, "Don't Stop Believin'" is the go-to anthem for perseverance that has itself persevered, successfully riding wave after new wave of media. Though born in the era of rock radio and cassette mixtapes, the song found its real glory at the dawn of binge TV and the smartphone, and it has woven its way into weddings, bar mitzvahs, graduations, the 2005 World Series, The Sopranos and Glee .

Its fate was hardly a given. Critic Deborah Frost didn't even mention "Don't Stop Believin'" by name in her October 1981 review of Escape in Rolling Stone, which gave the album two out of five stars. "Maybe," she wrote, "there really are a lot of 'streetlight people' out there. If so, my guess is that they'll soon glow out of it." They didn't: According to Nielsen Music, "Don't Stop Believin'" holds the record as the most downloaded 20th-century song, and it has nearly 700 million streams on Spotify, at last count. What is it about this track that just won't stop?

The story of the song itself begins with Journey keyboardist Jonathan Cain. In the late 1970s, he was a struggling rocker who was ready to quit SoCal and move back to Chicago. Cain says everything had been going wrong: He and his girlfriend had split up, and he'd had to pay a costly vet bill to save his dog after it was hit by a car.

"I called my father for some money," he says. "I said, 'Dad, I'm out of cash here. ... Should I come home? Is this thing just not, you know, panning out?' And he told me, 'We've always had a vision, son. Don't stop believing.' I had a lyric book next to me, and I wrote it down."

Things started looking up for the musician after that. Cain found himself in a band opening up for mega-act Journey. Then, Journey itself poached him.

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In 1981, when the band was recording Escape, lead singer Steve Perry asked Cain to come up with a final track. Cain still had his dad's advice in the dog-eared lyric book and from it drew inspiration for the pedaled, keep-the-faith piano part that builds and releases over and over until the phrase itself arrives in the chorus, more than three-quarters of the way into the track.

The characters introduced in the first verse, a small-town girl and a South Detroit city boy, are familiar by now — enough so that it's rarely addressed that there is no such neighborhood as South Detroit, apart from Perry needing an extra syllable. As for the singer in the smoky room with wine and cheap perfume, that tableau evokes the desperation Cain says he felt at the Sunset Strip's Whisky a Go Go during his rough Los Angeles days.

"I really believe this song is about wanting to make it," he says, "Where you think you're stuck in life — that you're able to get out, the same way I got out of Chicago."

The fictional William McKinley High School's glee club sang "Don't Stop Believin'" in a 2009 episode of Fox's Glee . FOX Image Collection/Getty Images hide caption

By the late 1990s, Perry had left Journey, and the band's career was in the wilderness. But the requests for "Don't Stop Believin'" kept coming.

Charlize Theron roller-skated to the song in her Oscar-winning turn as a serial killer in 2003's Monster . Four years later, The Sopranos ended its pioneering six-season run on HBO with — spoiler alert — a tense sequence involving a diner and parallel parking, soundtracked by "Don't Stop Believin'." Downloads of the track on iTunes soared. In 2009, the earnest high school show choir on Glee covered the song for the first of several times throughout the series' run, sending its download numbers through the roof again.

"Don't Stop Believin'" has been heard on Scrubs, South Park and Family Guy. A string ensemble played it in the Adam Sandler comedy The Wedding Singer. It was the rally song for the Chicago White Sox in the team's 2005 World Series run, and it was the climax of the hit Broadway jukebox musical Rock of Ages. On social media, you can find plenty of photos of stop signs playfully defaced with the title exhortation.

For all its new success, Journey still needed a new lead singer who had something approximating Perry's trademark high tenor altino . Desperate, guitarist Neal Schon turned to searching for singers on YouTube — where, late one night, he discovered Arnel Pineda, a formerly homeless kid in the Philippines who was covering the band's ballads at smoky venues that reeked of wine and cheap perfume.

In 2007, Journey flew him to the U.S. for a tryout and hired him — a fairy-tale story chronicled in the 2009 documentary Don't Stop Believin': Everyman's Journey .

Pineda told CBS News in 2012, "Even before I discovered 'Don't Stop Believin,' it has been my motto — you know, to never stop believing in myself. The life that I've gone through, all those hardships, I never stopped believing that someday there is something magical that will happen in my life."

As for Frost — the critic who originally panned Escape in Rolling Stone — she tells NPR that four decades later she's still not a fan but that maybe those streetlight people might — might — have a point.

"You know, I think maybe it helps them celebrate their high school years — or their hopes," she says. "And if it does, what can I tell you? Good for them."

Roben Farzad is the host of Full Disclosure on NPR member station VPM.

Walter Ray Watson produced this story for broadcast. Daoud Tyler-Ameen adapted it for the Web.

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Don't Stop Believin': the power ballad that refused to die

"Just a small town girl …"

When was the last time you heard Don't Stop Believin'? Was it on the radio or in the pub? At a festival or a wedding? Was it sung by Journey themselves, the cast of Glee , a fan on YouTube, a choir of schoolchildren or a drunk friend on a karaoke machine? Boxfresh pop songs such as Tinie Tempah's Pass Out might have a decent claim on being the sound of Britain in 2010 but nothing has wriggled its way into every corner of the culture quite like a slow-burning power ballad that's about to celebrate its 30th birthday.

Let's take some figures. The year began with the curious sight of Journey's song at No 6, with the Glee version at No 5, and it has barely left the top 75 since. In the US, download sales have passed 4m, making it by far the biggest-selling 20th-century catalogue track. Americans have had longer to live with it. It was a hit there back in 1981, and it's had so many phases that even its comebacks have had comebacks. But over here it stalled at No 62 on its first release in February 1982 and didn't begin to register in the pop psyche until relatively recently. Its path from obscurity to ubiquity mirrors its unorthodox structure: the slow build towards the last-minute eruption.

"A singer in a smoky room …"

It was a song inspired by failure. Journey started life as a jazz-rock band in San Francisco in 1973, but they were floundering and hitless when, four years later, they recruited singer Steve Perry, who was having little luck himself. Their fortunes drastically improved, but the sentiments of Don't Stop Believin' harked back to the lean years. Before keyboardist Jonathan Cain joined in 1980, he was also struggling while living on LA's Sunset Boulevard. Each time he called home in despair, his dad would tell him: "Don't stop believing or you're done, dude."

The song was written backwards. Cain had nothing but the climactic chorus when he brought the stub of a song to Perry and guitarist Neal Schon, and they worked together on how to get to that moment. They all liked the concept of two lovers fleeing their hometowns by train (a reverse homage to Gladys Knight's Midnight Train to Georgia), and Cain told Perry about his time in LA, hence the "strangers waiting up and down the boulevard" line. "I [saw] that every night in Hollywood," Cain told The Mix magazine. "People coming to LA looking for their dream. We felt that every young person has a dream and sometimes where you grow up isn't where you're destined to be."

"Some will win, some will lose …"

In Britain, Don't Stop Believin' flopped, despite being Kerrang!'s single of the year for 1982. In the US, however, it was a substantial hit, the first of many from 1981's multi-platinum Escape album. "Everyone in an American high school in the early 80s probably had a Journey cassette," says Brian Raftery, author of Don't Stop Believin': How Karaoke Conquered the World and Changed My Life. "But then in the early 90s all the cheesy 80s music got rejected and it basically disappeared. Journey were seen as the kind of overblown arena act that grunge and hip-hop were meant to obliterate."

The band weren't best-placed to argue otherwise. Perry left in 1987, and then again after a brief reunion in the mid-90s, confirming the sense that Journey were yesterday's men. But a few years ago, Raftery started noticing younger people singing Don't Stop Believin' at karaoke. "It amazed me," he says. "First of all, how did they hear this song? And secondly, why? I think that younger people aren't aware of the stigma. They just think it's another awesomely cheesy anthem."

Cain dates the song's resurgence back to its tongue-in-cheek cameo in the 1998 Adam Sandler comedy The Wedding Singer. After that, other soundtrack co-ordinators turned to Journey for a song that was both humorously retro and genuinely stirring. It appeared in a pivotal montage in Scrubs (2003) and a karaoke scene in Family Guy (2005). And then, in 2007, came The Sopranos.

Series creator David Chase has never explained why he wanted Don't Stop Believin' for the last-ever episode, but it was a song that would have resonated with every member of the Soprano clan – for Tony and Carmella it was the sound of their youth, for Meadow and AJ a new discovery at college or high school. But when Chase first sought permission from the songwriters, Perry demurred because, he later explained, "I was not excited about the Soprano family being whacked to Don't Stop Believin'". He withheld consent until three days before the episode aired, when Chase agreed to tell him (three-year-old spoiler alert!) that the ending was ambiguous. And so 12 million viewers were left hanging with Journey ringing in their ears.

That's how a song that was already slowly re-entering the culture reached the tipping point. Kanye West sang along to it, in a kind of gauche superstar karaoke, on his 2008 tour. The Broadway musical Rock of Ages climaxed with a massed rendition. The LA Dodgers adopted it as their theme song. Just when it could hardly get more popular, it appeared, cleverly rearranged, in the pilot episode of Glee and wooed an even younger generation. "I think that helped stymie Don't Stop Believin' fatigue," says Raftery. "They managed to make a song that was very easy to sing along to even more accessible." In Britain, Joe McElderry's version on The X-Factor provided the final shove.

But this cultural carpet-bombing can only explain why people have heard it, not why they love it. What exactly is the unrelenting appeal of Don't Stop Believin'?

"It goes on and on and on and on …"

Raftery has a suggestion: "It's the kind of song you can wink at, but at the same time it's very emotional. You can have it both ways." Like Bon Jovi's Livin' on a Prayer, Don't Stop Believin' is inspirational kitsch, taking the borderline corny, ordinary-Joe heroism of Springsteen circa Born to Run and pushing it way over the top. But whereas Springsteen is more likely to focus on the smalltown world being left behind, Perry and Cain are all about where their heroes are going. The characters' self-image is shaped by rock music and cinema: "Oh, the movie never ends …"

The lyric is just specific enough not to be woolly but vague enough to apply to any situation in which not stopping believin' is important. If you're a sports fan, it says you may still get to the finals. If you're an aspiring musician, on Sunset Boulevard in the 70s or on The X Factor today, it says you may yet see your name in lights. And if you're just young and think you could do better, well then it's a song for you as well. No wonder its self-mythologising resonates at a time when nothing is more important than "following your dreams". "This song has helped me personally to not give up, and I'm finding that goes for a lot of people out there," Perry told Planet Rock radio in February.

"As cheesy as it is, it's pretty convincing," says Raftery. "Here are these kids, they've gone through some hard times, but you know what? You gotta keep pushing through it. Which is the story, for better or worse, of America: don't look back, don't let your past drag you down, just keep pushing forward."

And that's what the song does on a structural level – it pushes forward. It is that midnight train, steadily gathering speed, and as a listener you want to stay on until it reaches its destination. "It's like a wave about to happen," Cain told the LA Times. "The anticipation of something happening, a change in your life."

According to Will Byers, a music teacher and former host of the Guardian's School of Rock blog, the structure is the key. Yes, Cain's opening piano chords are potent – as Australian comedy trio Axis of Awesome have demonstrated in a much-watched clip , it's the same chord sequence (I, V, vi, IV) that appears in Take On Me, Under the Bridge, You're Beautiful and Let It Be, the minor vi adding just a touch of yearning. And yes, as Byers points out, each new guitar chord appears on the last quaver of the bar, giving the song an extra push. But these are common strategies. It's the slow burn that makes Don't Stop Believin' so unusually compelling.

"Over time, we learn to appreciate these songs that don't offload all they've got in the first minute – Elton John's Tiny Dancer being another one," says Byers. "You invest some emotion in bothering to listen all the way through."

You have to wait a full 80 seconds before the drums come in properly, and the chorus only arrives less than a minute before the end. It generates not just momentum but, as Chase recognised, suspense. It contains the possibility of failure ("Some will win, some will lose") until the last surge of indomitable optimism. The opposing vision of Midnight Train to Georgia, about someone who leaves LA after discovering that "dreams don't always come true", lurks in the shadows. It's no lyrical masterpiece, but it is a hugely effective bit of storytelling.

"It's the sense of theatre," says Byers, who has coached several students to sing it in the past year. "You can get away with a song building in a musical. In a way, it lends itself more to being placed in a narrative than it does to being a radio hit."

"Hold on to the feelin' …"

Glee dissolves the wall between star and fan, between professional performance and karaoke, making it an ideal vehicle to promote Don't Stop Believin' as a song for anyone to perform. "It's one of the most perfect karaoke songs ever," says Raftery. "I doubt anyone who works in a karaoke bar goes three hours without hearing it."

The song gives you license to overact, especially if you don't have a voice half as supple and precise as Perry's and you need to compensate with sheer gusto. In that context, it's both heroic and daft, narcissistic and communal. It's appropriate that Journey's current frontman, Arnel Pineda, was recruited after the band saw him performing Don't Stop Believin' on YouTube with his previous band. Perry made it great, but the song has now eclipsed the singer.

So first it was a normal song, then a forgotten one, then an ironic reference, then a genuine comeback, then a phenomenon, and now it's just there, like the sun or gravity or Hey Jude.

"I used to love that song and I'm so sick of it now," says Raftery. "The minute that piano starts I'm like, 'oh my God.' It won't go away. I feel like in a year and a half you guys will be where we are – please don't put on Don't Stop Believin'! But," he sighs, "it is fun. You can't deny how fun it is."

Don't Stop Believin' is out now and until the end of time on iTunes.

• Pop and rock
• The Sopranos
• Adam Sandler
• US television

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Don’t Stop Believin’: A Journey Through Time with Journey’s Timeless Anthem

A Timeless Anthem of Perseverance: Unraveling Journey’s Magnum Opus

“journey’s ‘don’t stop believin’: a timeless anthem of perseverance – captivating generations & defying boundaries of time and genre”.

Few bands have made as significant an impact on the rock music scene as the iconic San Francisco-based group, Journey. Formed in 1973, Journey consists of a lineup that has evolved over the years, featuring some of the most talented musicians in the industry. The band’s signature sound is defined by the soaring vocals of Steve Perry, the driving guitar riffs of Neal Schon, and the skilled keyboard work of Jonathan Cain, Ross Valory on bass, and drummer Steve Smith. Throughout their career, Journey has received several accolades, including a star on the Hollywood Walk of Fame and an induction into the Rock and Roll Hall of Fame in 2017.

Arguably the most memorable song in the band’s repertoire is the timeless anthem, “Don’t Stop Believin’.” The song first appeared on Journey’s 1981 album, “Escape,” which also happens to be the band’s most successful studio release. “Don’t Stop Believin'” has captivated generations with its unforgettable melody and inspirational lyrics, a testament to the songwriting prowess of Perry, Schon, and Cain. The track has achieved a unique kind of immortality, touching the hearts of listeners around the world and transcending the boundaries of time and genre. It has been covered by countless artists, featured in numerous film and television soundtracks , and even served as the soundtrack for many a sporting event.

As with any long-lasting musical act, Journey has faced its share of challenges and controversies. Perhaps the most notable among these is the departure of lead singer Steve Perry in 1998 due to health issues, which led to a rotating cast of vocalists over the years. However, the band’s resilience and adaptability have allowed them to continue producing quality music and performing in sold-out venues worldwide. With current vocalist Arnel Pineda, Journey has managed to retain its signature sound and captivate audiences with their powerful live performances.

One cannot deny the cultural significance of Journey’s “Don’t Stop Believin’,” as it remains a cherished musical treasure to this day. The song serves as a powerful reminder of the importance of perseverance and holding on to one’s dreams, a message that resonates with listeners from all walks of life. Despite some turbulence in the band’s history, the legacy of Journey and their unwavering dedication to their craft is a testament to the enduring power of exceptional music that transcends generations.

Charting the Journey of a Timeless Classic

Journey’s “don’t stop believin'” proves its timeless appeal, climbing charts and breaking records decades after release, thanks to unforgettable tv moments and a universally uplifting message..

“Don’t Stop Believin'” was released as a single off Journey’s 1981 album, ‘Escape’, on October 6th, 1981. The song’s initial chart performance was decent, but it was not an instant classic that shot to the top of the charts. On its first release, the song peaked at #9 on the US Billboard Hot 100, spending a total of 16 weeks on the chart. Additionally, it performed moderately well on the Canadian RPM Top Singles, where it reached #11.

What’s fascinating about “Don’t Stop Believin'” is its enduring appeal and resurgence, as it experienced a significant boost in popularity and chart success years after its initial release. In fact, one might argue that it has aged like a fine wine.

The song’s chart resurgence began in 2007, thanks to its inclusion in the final scene of the hit TV series, ‘The Sopranos’. This sparked renewed interest in the track, leading to its re-entry on the UK Singles Chart at #25. The following year, “Don’t Stop Believin'” experienced another boost when it was featured in the pilot episode of ‘Glee’, a show that broke records with its covers of popular songs. The ‘Glee’ cast’s version of “Don’t Stop Believin'” reached #2 on the UK Singles Chart and #4 on the US Billboard Hot 100, surpassing the original’s peak position in the US.

As a result of its multiple appearances in popular culture, the song has achieved great commercial success, which is well deserved for its uplifting and timeless message. In 2009, “Don’t Stop Believin'” became the top-selling catalog track in iTunes history. Then, in 2011, it was certified 6x Platinum in the United States for sales of over six million digital downloads. In the UK, it reached Platinum status in 2010, and its cumulative sales have exceeded one million.

Overall, “Don’t Stop Believin'” has cemented its place in music history through its chart performance, which is nothing short of remarkable. The song’s longevity is a testament to the power of music to remain relevant and inspiring across generations.

Unraveling the Timeless Message of Don’t Stop Believin’

Just a city boy Born and raised in South Detroit He took the midnight train goin’ anywhere

A singer in a smoky room The smell of wine and cheap perfume For a smile, they can share the night It goes on and on and on and on

Strangers waiting Up and down the boulevard Their shadows searching in the night Streetlights, people Livin’ just to find emotion Hidin’ somewhere in the night

In the late 1970s and early 1980s, the United States was going through a period of economic uncertainty with high inflation rates, unemployment, and an energy crisis. It was in this context that Journey’s iconic song “Don’t Stop Believin'” was written, with lyrics that would soon resonate with listeners from all walks of life.

The lyrics of the song paint a vivid picture of two individuals, a small-town girl and a city boy, who take a leap of faith by boarding a midnight train to an unknown destination. This sense of uncertainty and adventure captures the spirit of the time, as people were searching for their own paths and a better life during those tumultuous years.

Furthermore, the song’s chorus of “Don’t stop believin’, hold on to that feeling” serves as an anthem of hope and perseverance for its listeners. Amid the chaos and confusion of the era, Journey’s message urged people to keep believing in themselves and their dreams, despite the challenges they faced. This powerful sentiment resonated with many individuals who were trying to make ends meet, find love, or simply find their way in the world.

The song’s description of “strangers waiting, up and down the boulevard, their shadows searching in the night” is a metaphor for the many people who were seeking solace and connection during this time. They were “living just to find emotion,” trying to feel alive and find a sense of purpose in the darkness. With its inspiring lyrics and catchy melody, “Don’t Stop Believin'” became a rallying cry for people to hold onto hope and never give up, a message that remains relevant and timeless even today.

A Journey Through the Visuals: “Don’t Stop Believin'”

Dive into the fan-driven visual world of journey’s timeless anthem, “don’t stop believin'”, as the song perseveres through fan-made videos, tv performances, and live concert clips, defying the need for an official music video..

Though “Don’t Stop Believin'” by Journey never had an official music video, the song’s immense popularity has spawned a multitude of fan-made videos and tributes on platforms like YouTube. This iconic song, with its memorable melody and inspiring lyrics, has been etched in pop culture, making the absence of an official video only a minor setback for fans.

Many fan-made music videos for “Don’t Stop Believin'” can be found on YouTube, some of which have garnered millions of views. These amateur creations range from basic lyric videos, where fans can sing along with the song, to full-blown productions with storylines and professional editing. It’s evident that Journey’s message of hope and perseverance has resonated with fans, who have taken the initiative to create their own visual interpretations of the hit song.

In addition to fan-made music videos, “Don’t Stop Believin'” has been used and covered in various television shows and films, most notably in the pilot episode of the popular TV series Glee. The show featured a stunning performance of the song by the cast, which led to a resurgence of its popularity in 2009. This cover not only introduced the song to a new generation but added a modern touch with its own unique, high-energy choreography.

Moreover, some videos focus on the band’s live performances of “Don’t Stop Believin'”, showcasing the energy and charisma of Journey’s legendary frontman, Steve Perry. Clips from their concerts during the 1980s, when the song was first released, transport viewers back in time to experience the excitement first-hand. These live performance videos remind us of the timeless appeal of Journey and the powerful emotions evoked by “Don’t Stop Believin'”.

Despite the lack of an official music video, “Don’t Stop Believin'” remains a cherished song in popular culture. The creativity of fans, who have filled the void with their own visual interpretations, is a testament to the song’s lasting impact. As a music blogger, it’s fascinating to see how “Don’t Stop Believin'” continues to inspire generations of listeners with its uplifting message and unforgettable melody.

The Composer Behind Journey’s Timeless Classic

When discussing the genius behind “Don’t Stop Believin’,” it’s impossible not to mention Jonathan Cain, the composer responsible for infusing the song with its undeniable power and resonance. Cain, who joined Journey in 1980, played an instrumental role in defining the band’s sound and catapulting them to superstardom. Apart from “Don’t Stop Believin’,” Cain is also credited with co-writing other notable Journey hits such as “Open Arms,” “Faithfully,” and “Who’s Crying Now.” These tracks are just a few shining examples of the brilliance that Jonathan Cain has brought to Journey’s music, showcasing his unparalleled ability to convey emotion and captivate listeners through his compositions.

The Legacy Continues

“don’t stop believin'”: a timeless anthem transcending generations, conquering popular culture, and breathing new life through diverse, contemporary renditions..

“Don’t Stop Believin'” remains one of the most iconic songs of all time, spanning generations and delighting fans around the world. The song’s timeless appeal has earned it numerous awards and accolades over the years. It was inducted into the GRAMMY Hall of Fame in 2009, recognizing its cultural and historical significance. Additionally, it reached the prestigious Diamond certification from the RIAA, boasting over 10 million sales and streams in the United States alone.

Apart from its commercial success, the song has made its mark on popular culture through various appearances in movies, television shows, and even video games. One of its most notable placements was in the 2007 finale of the hit HBO series “The Sopranos,” where the song played out the final scene. The song also made its presence known in the world of cinema, featuring in movies like “Rock of Ages” (2012), “Monster” (2003), and “Bedtime Stories” (2008).

“Don’t Stop Believin'” has transcended the realm of television and movies, making its way into the world of video games. The song is a popular choice for karaoke video games such as “Rock Band” and “Karaoke Revolution,” and featured in “Guitar Hero: World Tour” and “Glee: The Music, Volume 1” video games, further solidifying its status as a beloved anthem.

Cover versions of the song are a testament to its enduring popularity. From emerging artists to established stars, many talented musicians have put their own spin on this classic rock anthem. Some notable covers include the rendition by the cast of “Glee” in 2009, which charted in the top 10 of the Billboard Hot 100 and fueled the song’s resurgence in pop culture. Additionally, international sensations like British pop group Northern Kings and Swedish metal band Pain of Salvation have also offered their unique takes on the song, bringing it to new audiences and showcasing its versatility.

In summary, the impact of “Don’t Stop Believin'” on the music industry and popular culture can’t be overstated. From prestigious awards to its continued presence in various forms of media and inspiring artists to create their own renditions, the legacy of this iconic song shows no signs of stopping.

Diving into the Musical Structure

“Don’t Stop Believin'” is a musical masterpiece, with many intricacies that contribute to its timeless charm. At its core, the song is written in the key of E major, which gives it a bright and uplifting tonality. The tempo is set at a steady 118 beats per minute (BPM), providing a moderate pace that’s perfect for both dancing and singing along.

The song begins with an iconic piano riff that uses sustained chords, creating an air of anticipation. The chords used in the intro are B, G#m, A, F#m, and E/G#. As the intro progresses, the bass guitar joins in with a syncopated rhythm that adds depth and energy to the song’s foundation.

As we move into the verse, the chord progression shifts to C#m, A, E, and B, providing a sense of movement and contrast. The verse is built on a 4/4 time signature, which is common in pop and rock music, giving the song a familiar and accessible feel. The melody in the verse is mostly diatonic, meaning it stays within the E major scale, which contributes to the song’s catchy and memorable nature.

The pre-chorus introduces a new chord progression, A, E, A, and C#m, adding a touch of tension before the triumphant chorus. The chorus itself is characterized by its strong and anthemic melody, with the chords E, B, C#m, and A providing a powerful and uplifting harmony. The chorus is also the section where the song’s title and main message, “Don’t Stop Believin'”, makes its debut, driving home the theme of perseverance and hope.

Throughout the song, the use of various instruments such as electric guitars, keyboards, and drums adds layers of complexity and texture to the overall sound. The guitar solo, in particular, stands out as a memorable and expressive moment, showcasing the band’s musicianship and skill.

One fascinating aspect of “Don’t Stop Believin'” is its unconventional song structure. Unlike many popular songs that follow a verse-chorus-verse-chorus-bridge-chorus format, Journey’s hit deviates from this norm. The first chorus doesn’t appear until more than halfway through the track, while the song concludes with an extended instrumental outro. This unique structure contributes to the song’s distinctiveness and enduring appeal.

Overall, “Don’t Stop Believin'” is a masterclass in songwriting, blending accessible melodies with intricate musical elements that continue to captivate listeners to this day. Its blend of memorable hooks, dynamic instrumentals, and heartfelt message make it a true classic in the world of rock and pop music.

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Journey's 'Don’t Stop Believin' named as the biggest song of all time

An extremely bold claim

Journey ’s colossal 1981 rock anthem ‘ Don’t Stop Believin ’ has been named as the biggest song of all time.

American business magazine Forbes has published an article proclaiming that the ubiquitous track is now officially the “biggest song” ever.

‘Don’t Stop Believin’ was officially certified 18-times Platinum in the US in May 2023, meaning that it has shifted more than 18 million chart units digitally. It’s estimated it has also sold 1.5 million physical copies.

It’s one of only two tracks to go 18 times platinum in America alongside Post Malone and Swae Lee’s ‘Sunflower.’

A true international smash, ‘Don’t Stop Believin’ has also sold more than 3 million copies in the UK across multiple formats.

Journey co-founder and lead guitarist Neal Schon has shared a press release promoting Forbes’ article, and the blurb boldly states that ‘Don’t Stop Believin’ has been “likely heard by everyone around the world.”

Schon wrote: “We now officially have the biggest song in the world ever in the history of music! Congratulations to all.”

In 2022, ‘Don’t Stop Believin’ was selected by the Library of Congress for preservation in the United States National Recording Registry as being "culturally, historically, or aesthetically significant.”

The song, which was penned by Jonathan Cain, Steve Perry, Neal Schon, is also 10 x Platinum in Australia, 7 x Platinum in New Zealand, and 2 x Platinum in Denmark.

In 2021, Rolling Stone ranked it Number 133 on their 500 Greatest Songs of All Time countdown and it received the GRAMMY Hall of Fame award in the same year.

Firmly entrenched in popular culture, Journey’s original song was used in the famous final scene of The Sopranos series finale in 2007 and it’s played at various sporting events around the globe.

The track enjoyed a fresh wave of popularity in 2009 when it was covered on the hit TV show Glee.

Last year, Planet Rock listeners voted for The Greatest Rock Song of All Time. You can find out where ‘Don’t Stop Believin’ came below.

Journey will embark on their first UK and Ireland tour in over a decade in October and November 2024, with special guests Cheap Trick. Tickets are on sale from Planet Rock Tickets now.

Journey and Cheap Trick’s UK tour dates:

OCTOBER 2024

Cardiff Utilita Arena – Wed 30th

Nottingham Motorpoint Arena – Thu 31st

NOVEMBER 2024

Glasgow OVO Hydro – Sat 2nd

Belfast SSE Arena – Mon 4th

Dublin 3Arena – Tue 5th

Manchester AO Arena – Fri 8th

Leeds First Direct Arena - Sat 9th

Liverpool M & S Bank Arena – Mon 11th

Birmingham Utilita Arena – Wed 13th

Newcastle Utilita Arena – Sat 16th

London The O2 – Sun 17th

Buy Journey and Cheap Trick tickets

The greatest rock songs of all time:, 70) thin lizzy – ‘emerald’ (1976).

The 70 Greatest Rock Songs of All Time

69) Rush - ‘2112’ (1976)

68) pink floyd - ‘wish you were here’ (1975), 67) pink floyd – ‘time’ (1973), 66) led zeppelin – ‘when the levee breaks’ (1971), 65) led zeppelin – ‘since i’ve been loving you’ (1970), 64) journey – ‘don’t stop believin’ (1981), 63) def leppard – ‘pour some sugar on me’ (1987), 62) van halen – ‘jump’ (1983), 61) ufo – ‘rock bottom’ (1974), 60) the cult – ‘she sells sanctuary’ (1985), 59) rush – ‘xanadu’ (1977), 58) jimi hendrix – ‘voodoo chile (slight return)’ (1968), 57) aerosmith – ‘dream on’ (1973), 56) ufo – ‘love to love’ (1977), 55) black sabbath – ‘black sabbath’ (1970), 54) ac/dc – ‘for those about to rock (we salute you)’ (1981), 53) thin lizzy – ‘the boys are back in town’ (1976), 52) ufo – ‘doctor doctor’ (1974), 51) iron maiden – ‘fear of the dark’ (1992), 50) boston – ‘more than a feeling’ (1976), 49) blue öyster cult – ‘(don’t fear) the reaper’ (1976), 48) ac/dc – ‘you shook me all night long’ (1980), 47) iron maiden – ‘run to the hills’ (1982), 46) gun n’ roses – ‘november rain’ (1991), 45) pink floyd – ‘shine on you crazy diamond’ (1975), 44) gun n’ roses – ‘welcome to the jungle’ (1987), 43) rush – ‘tom sawyer’ (1981), 42) metallica – ‘one’ (1988), 41) metallica – ‘master of puppets’ (1986), 40) jimi hendrix – ‘all along the watchtower’ (1968), 39) gun n’ roses – ‘paradise city’ (1987), 38) the rolling stones – ‘gimme shelter’ (1969), 37) deep purple – ‘burn’ (1974), 36) bruce springsteen – ‘born to run’ (1975), 35) foo fighters – ‘everlong’ (1997), 34) metallica – ‘nothing else matters’ (1991), 33) eagles – ‘hotel california’ (1976), 32) deep purple – ‘highway star’ (1972), 31) black sabbath – ‘heaven and hell’ (1980), 30) iron maiden – ‘the number of the beast’ (1982), 29) tenacious d – ‘tribute’ (2002), 28) rush – ‘the spirit of radio’ (1980), 27) bon jovi – ‘livin’ on a prayer’ (1986), 26) ac/dc – ‘let there be rock’ (1977), 25) free – ‘all right now’ (1970), 24) black sabbath – ‘war pigs’ (1970), 23) led zeppelin – ‘rock and roll’ (1971), 22) iron maiden – ‘the trooper’ (1983), 21) black sabbath – ‘paranoid’ (1970), 20) the who – ‘won’t get fooled again’ (1971).

A Top 10 hit upon its release in 1971 as a trimmed down three-minute single, to truly understand the brilliance of 'Won't Get Fooled Again' you have to listen to the sprawling eight-and-a-half-minute album version. Pete Townshend wrote 'Won't Get Fooled Again' as a critique about power and revolution, and the song is loosely broken down into three thematic parts – the uprising in the first verse, the overthrow of power in the middle, and the new regime being a replica of the old regime later in the song, hence lines like "Meet the new boss, same as the old boss."

19) Deep Purple – ‘Child in Time’ (1970)

Loosely inspired by the Cold War and themes of inhumanity, Deep Purple's progressive rock opus is a musical odyssey of the highest calibre. Embracing the quiet/loud dynamic, throughout the all-too-short 10 minutes each band member is at the top of the game - from Ritchie Blackmore's searing riffs to Ian Gillan's emotionally wrought (and oft screeching) vocals to Jon Lord's ominous organs to the pulsing rhythms of Roger Glover and Ian Paice. A monumental and magnificent rock epic.

18) Metallica – ‘Enter Sandman’ (1991)

The opening track and lead single from Metallica's 1991 self-titled album (aka 'The Black Album'), 'Enter Sandman' opens with Kirk Hammett's plaintive guitar playing before crushing guitars and sonic fury are unleashed on the listener. True it's not as raw as some of Metallica's earlier songs, but 'Enter Sandman' is a heavy metal masterclass that fuses nightmarish lyrics with thunderous music and searing riffs.

17) Led Zeppelin – ‘Whole Lotta Love’ (1969)

Colossal sounding, dirty-as-hell, gloriously lewd and sonically experimental, 'Whole Lotta Love' needs very little introduction. Jimmy Page's iconic riff is one of the purest and most timeless riffs he ever created with Led Zeppelin, while John Paul Jones and John Bonham give the track poise, rhythm and muscle. However, it's Robert Plant who manages to grab the headlines with his sexually charged and highly lascivious lines like "Way down inside", "I'm gonna give you every inch of my love" and, of course, "I wanna be your backdoor man!"

16) Motörhead – ‘Ace of Spades’ (1980)

Motörhead purists might argue that there are better songs in the band's formidable musical arsenal, but 'Ace of Spades' is easily Lemmy, Phil "Philthy Animal" Taylor and "Fast" Eddie Clarke's most popular and enduring tracks. Pure musical alchemy, 'Ace of Spades' opens with Lemmy's pummelling bass intro before crashing drums and whirring guitars enter the fray and Mr Kilmeister spouts gambling themed lyrics in his idiosyncratic guttural growl. Exhilarating and electric.

15) AC/DC – ‘Highway to Hell’ (1979)

The second highest placing Bon Scott-era AC/DC song on our countdown, 'Highway to Hell' is three-and-a-half minutes of primal, powerful and perfect guitar-drive rock. Like so many riffs in AC/DC's legendary repertoire, Angus Young's riff is truly timeless, while Bon Scott is at his commanding best. With 'Highway to Hell', AC/DC once again proved that simplicity is often the key to rock n' roll brilliance.

14) AC/DC – ‘Thunderstruck’ (1990)

Powered by scintillating riffs from Angus and Malcolm Young, rabble-rousing chants, screeching vocals from Brian Johnson and muscular rhythms from Chris Slade and Cliff Williams, 'Thunderstruck' is the sound of AC/DC at their most electrifying and one of the standout moments of the post-Bon Scott era. Such is its popularity, 'Thunderstruck' was the first AC/DC track to surpass one billion views on YouTube.

13) Gun N’ Roses – ‘Sweet Child O’ Mine’ (1987)

Of course, it wouldn't be a Greatest Rock Song poll without Gun N' Roses' signature song 'Sweet Child O' Mine' rearing its head. The 'Appetite for Destruction' anthem is so all-pervading and ubiquitous that even Slash says he "cringes" when he hears his iconic riff in public, however, ignoring the over-exposure, there's no doubt that 'Sweet Child O' Mine' is a rock classic.

12) Iron Maiden – ‘Hallowed Be Thy Name’ (1982)

Iron Maiden's fifth song to appear on our countdown is 'The Number of the Beast' classic 'Hallowed Be Thy Name'. Performed on every Iron Maiden tour – except the Maiden England World Tour and The Book of Souls World Tour – for the past four decades, the Steve Harris penned seven-minute epic details the macabre story of a prisoner about the be hanged. Not only is it one of Iron Maiden's greatest songs from their legendary back catalogue, it's also one of the greatest rock songs of all time.

11) Deep Purple – ‘Smoke on the Water’ (1972)

Ritchie Blackmore's instantly recognisable guitar riff on 'Smoke on the Water' was voted the Greatest Rock Riff of All Time by Planet Rock listeners five years ago, and the seminal song has duly been voted into the Top 20 on our new poll. Blackmore noted years later that he took inspiration from Symphony No. 5 by Ludwig van Beethoven, and he owes the deceased composer a lot of money. Thematically, 'Smoke on the Water' was inspired by the devastating fire at the Montreux Casino in Switzerland in December 1971 where the band had decamped to record what would become their sixth album, 'Machine Head.'

10) Meat Loaf – ‘Bat Out of Hell’ (1977)

The opening track on Meat Loaf's debut album of the same name, as statements of intent go, they don't get much better than 'Bat Out of Hell.' The brilliantly bombastic track's lyrics were described as "a rock 'n roll sci-fi version of Peter Pan" by songwriter Jim Steinman, while musically it's gloriously overblown and the perfect vehicle for the late-great Meat Loaf's theatrical and impossibly powerful voice. An irrefutable rock magnum opus.

9) AC/DC – ‘Back in Black’ (1980)

Opening with one of the greatest riffs in rock history, AC/DC's title track from their blockbuster 'Back in Black' album was written in response to the death of Bon Scott. New frontman Brian Johnson was asking not to be morbid when penning the lyrics, and, duly, the track is a celebration of the rock legend. Johnson noted years later: "I just wrote what came into my head, which at the time seemed like mumbo, jumbo. 'Nine lives. Cats eyes. Abusing every one of them and running wild.' The boys got it though. They saw Bon's life in that lyric."

8) AC/DC – ‘Whole Lotta Rosie’ (1977)

The seventh AC/DC song to feature in our Top 70 is the band's riff-heavy hard rock anthem 'Whole Lotta Rosie.' Written by Angus Young, Bon Scott, Malcolm Young, 'Whole Lotta Rosie' details a mind-blowing one-night stand Scott had with a Tasmanian woman called Rosie. A mainstay of AC/DC's live shows since it was released (only 'The Jack' has been performed live more), more recent performances of 'Whole Lotta Rosie' have featured a giant inflatable Rosie on the stage's backdrop.

7) Alter Bridge - ‘Blackbird’ (2007)

The only song from the 21st Century to feature in our Top 20, 'Blackbird' is the crowning glory of Alter Bridge's second studio album and arguably the highpoint of their illustrious career so far. Lyrically poignant, Myles Kennedy wrote the lyrics for 'Blackbird' about the death of his close friend Mark Morse. Kennedy said: "It's really about seeing the suffering he was going through and hoping he would find his solace soon and be free from all of that." The eight-minute track also features a colossal guitar solo from both Myles Kennedy and Mark Tremonti that was voted the third greatest guitar solo ever by Planet Rock listeners in 2019.

6) Led Zeppelin – ‘Kashmir’ (1975)

The towering musical behemoth that is 'Kashmir' is Led Zeppelin's second-highest polling song from their fabled back catalogue. A track so good that it has you thumbing at the thesaurus looking for suitable superlatives, it's no surprise that the surviving members of Led Zeppelin regard 'Kashmir' as one of their career zeniths. Jimmy Page said of the track: "The intensity of 'Kashmir' was such that when we had it completed, we knew there was something really hypnotic to it, we couldn't even describe such a quality…. It sounded so frightening at first."

5) Pink Floyd - ‘Comfortably Numb’ (1979)

David Gilmour's transcendental playing on Pink Floyd's 'Comfortably Numb' was voted the Greatest Guitar Solo of All Time by Planet Rock listeners in 2019, and the song itself is rightfully in the upper echelons of our Greatest Rock Songs poll at Number 5. Penned by Roger Waters and David Gilmour, 'Comfortably Numb' is one of the defining moments of their songwriting partnership, yet such was the friction between the two during the recording process that Gilmour later noted it represents "the last embers of mine and Roger's ability to work collaboratively together." Poignantly, 'Comfortably Numb' was the last song Roger Waters, David Gilmour, Nick Mason and the late-great Richard Wright performed together at Live Aid in 2005.

4) Lynyrd Skynyrd – ‘Free Bird’ (1973)

The only Lynyrd Skynyrd to make our Top 70, the Ronnie Van Zant and Allen Collins penned 'Free Bird' is the band's signature song and truly one of the finest tracks in rock history. Delivered in Van Zant's trademark southern rock drawl, the track opens with him singing "If I leave here tomorrow, would you still remember me?", hinting at a man unable to settle down. Just past the midway point, 'Free Bird' morphs into a crescendo of glorious guitar solos and frenetic instrumentation – an life-affirming aural onslaught that still sounds as fresh now as it did almost half a century ago.

3) Rainbow – ‘Stargazer’ (1976)

The standout song from Rainbow's seminal 'Rising' album, 'Stargazer' sees the inimitable, late-great Ronnie James Dio narrate the ominous story of a wizard whose attempt to fly by constructing a tower to the stars leads to the enslavement of countless people. A musically complex, powerful and majestic heavy metal tour-de-force, 'Stargazer' flaunts the imperious talents of the respective Rainbow band members, from Dio's astonishing pipes to Cozy Powell's titanic drums to Ritchie Blackmore's mercurial guitar playing. Nothing short of a masterpiece.

2) Led Zeppelin – ‘Stairway To Heaven’ (1971)

Number 2 on our Greatest Led Zeppelin Songs poll in September 2018 to mark the band's 50th anniversary, 'Stairway To Heaven' is also at No.2 in our Greatest Rock Song poll. Clocking in at just over eight minutes, every second of 'Stairway To Heaven' is iconic; from the opening, Renaissance-tinged finger-picked guitars and recorders to Jimmy Page's legendary solo and right through to Robert Plant's ultimate, plaintive "and she's buying the stairway to heaven" refrain. A true timeless classic that will be listened to in centuries to come.

1) Queen – ‘Bohemian Rhapsody’ (1975)

Having previously finished at No.2 in our previous Greatest Rock Song poll a decade ago , Queen's timeless and ubiquitous rock epic 'Bohemian Rhapsody' has climbed to Number 1 in 2022. Multi-layered and ambitious in musical scope, the Freddie Mercury penned 'Bohemian Rhapsody' has topped the charts twice in the UK and has been introduced to new generations of fans via 1992's Wayne's World and the 2018 Queen biopic of the same name, Bohemian Rhapsody.

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Neal Schon Hints Journey Could Be Planning a Las Vegas Residency at Sphere

J ourney’s Neal Schon is hinting that his famous band may be one of the next artists to schedule play a residency at the new Sphere venue in Las Vegas.

Schon posted a message on his social media sites that reads, “How many [of] you would like [to see] a Journey Through Time Type concept concert playing our music spanning from beginning to now at Sphere?” His post also links to an article about jam band Phish’s recent Sphere residency, which features photos of the impressive multimedia presentation that accompanied those shows.

[Buy Journey Concert Tickets]

In a separate note, Schon wrote, “I called this a long [time] ago after evaluating Sphere. The whole thing is built for a jam band. I see … Journey doing it as I did with Journey [Through Time.] all that early material would be explosive with the hits.”

When one fan asked Schon on Facebook, “[I]s this a hint?” the guitarist responded, “[Y]es to Sphere.”

[RELATED: Don’t Stop Believin’: Journey Greatest Hits Album Reaches Rare Milestone]

About Journey Through Time

Schon’s mention of Journey Through Time is a reference to the short-lived group he put together a few years ago that focused on material from Journey’s early albums. The band, which also included founding Journey singer/keyboardist Gregg Rolie, current Journey drummer Deen Castronovo, and veteran rock bassist Marco Mendoza, that played a handful of shows in 2018 and 2019.

Fans Respond to Schon’s Sphere Residency Tease

Schon’s post garnered positive responses from plenty of fans, who posted their reactions in the comments section of his Facebook message .

“Me!!!!!!!!” one fan enthused. “We saw U2 there & after their short residency, I said, ‘We need an epic band to come play here, like JOURNEY!!’ Boy, I hope this is true!!!”

Another wrote, “I would absolutely love that idea!!!!! I wasn’t able to see [Journey Through Time] and I have never heard some of the songs that were sung there live before.”

A third fan commented, “Wish you would bring back the Journey Thru Time lineup w Rolie and make it a full blown tour!”

New Journey Photo Shoot

In other Journey news, Schon revealed that the group was in New York City on April 21 shooting new band photos with Prince’s main photographer, Brian Ach.

“We did 8 locations in 6 hours!” Schon reported. He added, “We are excited to play our last 4 shows with [Toto] before our [co-headlining] tour with [Def Leppard].”

Journey’s Upcoming Tour Plans

The current North American leg of Journey’s 50th anniversary tour, which features Toto as the opening, is mapped out through an April 29 show in Bridgeport, Connecticut.

In early June, the band will head to Scandinavia for a series of shows.

After that, Journey will team up with Def Leppard for The Summer Stadium Tour. The expansive North American trek runs from a July 6 concert in St. Louis through a September 8 performance in Denver. Cheap Trick, the Steve Miller Band, and Heart also will perform on select dates.

Journey will finish the year with a series of October shows in Japan, followed by a fall tour of Ireland and the U.K.

Tickets to Journey’s 2024 concerts are available now via various outlets, including StubHub .

When you purchase through links on our site, we may earn an affiliate commission.

The post Neal Schon Hints Journey Could Be Planning a Las Vegas Residency at Sphere appeared first on American Songwriter .

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