trek classic font

If you’ve ever tried to faithfully recreate the graphics seen on Star Trek , you know that the distinctive typography requires just the right fonts. I’ve found quite a few useful ones at various websites over the years. Whether it’s a movie title, a computer interface, or an alien script you’re looking to illustrate, there’s probably a font here to get you started. The fonts collected below aren’t supposed to be a complete archive of every font available, but rather a source for the best and most useful versions that are out there.

I’ve used many of these fonts to create various graphics for Star Trek Minutiae over the years, from the You’re the Admiral! maps to that time this site was assimilated by the Borg . I hope you find these useful, too!

Archivist’s Note: These fonts have been obtained through various free download websites. All fonts are copyrighted by their original creators.

Title Fonts

Download All

Alien Fonts

External Links

• Memory Alpha’s list of Star Trek fonts
• Star Trek Fonts from FontSpace
• Star Trek Fonts from MyFonts
• Typography: The Final Frontier from FontShop

Trek Classic Credits: Free Font Download

Trek Classic Credits font free download. A great choice for highlighting your design elements. See how to download Trek Classic Credits for free!

Font Trek Classic Credits

Trek Classic Credits is the perfect font for all your fun designs. The font subfamily is Regular .

Font style Trek Classic Credits

The font style may vary depending on the letters chosen. Some fonts do not accept special characters or were created for a one-off action. Through the image below, you can see the concept of each letter. Also, you can check the typography of all the letters below or take the test online before downloading the font.

Click to show the lettertype

To learn more about the font and typography of the Trek Classic Credits font, simply enter the text in the field below and click GENERATE . The online preview allows you to know the fonts without the need to download and install the font. Also, choose the font color and size. You can also save the generated image by clicking on it after viewing. Finally, understand if the font meets your expectations and then download and install it on your computer.

Trek Classic Credits is the perfect font for all your fun designs. The font family is Trek . The font subfamily is Regular . Click the download button to download the compressed file in .ZIP format. Don't worry, our files are safe from malware or viruses.

About the font Trek Classic Credits

Be aware that the Trek Classic Credits font is free for personal knowledge and use only. However, you need to contact the author for commercial use or for any support.

You can use the Trek Classic Credits to create interesting designs, covers, shop and store name and logos.

Also, the Trek Classic Credits font is perfect for branding projects, housewares designs, product packaging, or simply as a stylish text overlay on any background image.

Typography Trek Classic Credits

To evaluate the typeface, in this section there is a preview of which we select 31 special characters or with accents, 26 letters of the alphabet in upper and lower case and the numbering from 0 to 10. The letters will be the same after installed in your operating system, either for viewing or for printing.

Trek Classic Credits font author

Furthermore, about all the content of this font, we also provide some additional information from the author and/or company. Therefore, if you need to clarify doubts about the license for personal or commercial use, please contact the author.

Author not found.

License information

The Trek Classic Credits font provided is for typography style knowledge only. The download is completely free for personal use and the font cannot be used for commercial purposes.

Therefore, if you wish to use this font for commercial purposes, you must purchase a license or contact the author for permission to use it.

How to install the Trek Classic Credits font

You can install the Trek Classic Credits font on any operating system. For safety and to ensure that there is no Malware or malicious software , downloading the font file é compressed in ZIP format. Fonts are in OTF ( OpenType ) or TTF ( TrueType ) format.

• Click here to install the font on Microsoft Windows (all versions) .
• Click here to install the font on MAC OS .

Download variations of Trek Classic Credits

According to the Trek Classic Credits font family , below, we have listed other fonts that may be useful for your project. We have made an improved selection especially for you.

Leave your feedback for the Trek Classic Credits font

Finally, it's very important that we know your feedback about the Trek Classic Credits font. Also tell us what type of project you used. Sharing your opinion and ideas will help many other participants in the MaisFontes community to improve the arts. Also take the opportunity to share on social networks or click SAVE to keep this font in your fonts panel in the User Portal. Create a free account on MaisFontes by clicking here .

Cloud words: Trek Classic Credits

Comentários.

©MaisFontes 2014-2024

Trek Classic Credits Font

Character map.

Basic font information

Extended font information, platforms supported, font details.

This package contains true type and open type Star Trek fonts.

Installation

Install trekfont from CRAN with

Install the development version from GitHub with

trekfonts contains one dataset, trekfonts , which is just a character vector of all 107 available font files.

Font files can be installed using the sysfonts package.

Here are some examples, leveraging sysfonts and showtext .

Use base graphics…

or ggplot2…

Did you ever think you would be annotating your plots in Vulcan and Klingon?

The rtrek package does not import trekfont , but it does provide a convenient wrapper function, rtrek::st_font , for previewing the various fonts if trekfont is installed. This is the example plot shown at the top.

Packages in the trekverse

rtrek : The core Star Trek package

Datasets related to Star Trek, API wrappers to external data sources, and more.

lcars : LCARS aesthetic for Shiny

Create Shiny apps based on the Library Computer Access/Retrieval System (LCARS).

trekcolors : A color palette package

Predefined and customizable Star Trek themed color palettes and related functions.

trekfont : A fonts package

True (Trek) type fonts to style your Star Trek themed graphics text.

Matthew Leonawicz (2021). trekfont: Star Trek Fonts Collection. R package version 0.9.5. https://CRAN.R-project.org/package=trekfont

Contributions are welcome. Contribute through GitHub via pull request. Please create an issue first if it is regarding any substantive feature add or change.

Please note that the trekfont project is released with a Contributor Code of Conduct . By contributing to this project, you agree to abide by its terms.

• Download from CRAN at https://​cloud.r-project.org/​package=trekfont
• Browse source code at https://​github.com/​leonawicz/​trekfont/​
• Report a bug at https://​github.com/​leonawicz/​trekfont/​issues
• Full license
• Code of conduct
• Matthew Leonawicz Author, maintainer

• Commercial Fonts
• 3D Fonts 299
• 50s Fonts 38
• 60s Fonts 5
• 80s Fonts 5
• 90s Fonts 1
• Antiques Fonts 47
• Art Deco Fonts 25
• Art Nouveau Fonts 2
• Asian Fonts 555
• Basic Fonts 287
• Broken Fonts 298
• Calligraphic Fonts 272
• Capitals Fonts 668
• Cars Fonts 27
• Cartoon Fonts 4093
• Christmas (Xmas) Fonts 76
• Classic Fonts 38
• Comic Fonts 1755
• Computer Fonts 61
• Crazy Fonts 1060
• Curly Fonts 343
• Decorative Fonts 5223
• Dingbats Fonts 2304
• Distorted Eroded Fonts 2325
• Dotted Fonts 296
• Easter Fonts 26
• Entertainment Fonts 2
• Famous Fonts 77
• Fancy Fonts 776
• Farsi Fonts 24948
• Foreign Fonts 15
• Formal Fonts 437
• Funky Fonts 6
• Futuristic Fonts 2099
• Gothic Fonts 1139
• Graffiti Fonts 265
• Halloween Fonts 200
• Handwritten Fonts 4155
• Hi-tech Fonts 8
• Hindi Fonts 55
• Holiday Fonts 20
• Horror Fonts 561
• Images & Symbols Fonts 764
• Industrial Fonts 11
• Kids Fonts 235
• Liquid Fonts 2
• Messy Fonts 28
• Military Fonts 190
• Miscellaneous Fonts 7
• Modern Fonts 453
• Movie Fonts 58
• Musical Fonts 11
• Non-Latin Fonts 37
• Old fashioned Fonts 208
• Outline Fonts 619
• Pixel Fonts 839
• Professional Fonts 15
• Quirky Fonts 499
• Regular Fonts 15647
• Retro Fonts 714
• Rock Fonts 2
• Round Fonts 116
• Sans Serif Fonts 2070
• Sci-fi Fonts 1895
• Script Fonts 1457
• Serif Fonts 956
• Stencil Fonts 176
• Stylish Fonts 8
• Technical Fonts 38
• Texture Fonts 2
• Thick Fonts 1
• TV show Fonts 21
• Typewriter Fonts 681
• Uncategorized Fonts 64176
• Valentine Fonts 173
• Wavy Fonts 9
• Web 2.0 Fonts 55
• Western Fonts 101
• Wild Fonts 4
• Wood Fonts 12

New Free Fonts

•   158,275 Fonts
•   110,340,459 Downloads
• New Free Fonts         
• Top Fonts         
• Commercial Fonts         
• Submit Your Fonts
• What Font Is
• ♥ Instagram Fonts
•   Bhel Puri
•   Power Smurf
•   Dogfiles
•   Lunch Fox
•   Paratha
•   Bedmi Puri
•   Masala Puri
•   Jhal Muri
•   Dimsum Week
•   TOTALLY TYPOLITHIC
•   SMITUK
•   Wood-Chop
•   Bloopers
•   Creative Genius DEMO
•   Ohyou
•   Gemes Font
•   Cute Easter - Personal Use
•   Rock Pile Crack

Free Fonts / Uncategorized / Trek Classic Credits

Trek classic credits font.

Added Dec 19 2010

General information

• Downloads: 6,779
• TKCLSCRD.TTF
• Font: Trek Classic Credits
• Weight: Regular
• Version: Version v1.0
• No. of Characters:: 88
• Encoding Scheme:
• Is Fixed Pitch: No

Glyphs ! # $ % ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; = ? A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ ] a b c d

• fontspecific
• uncategorized

OTHER CHARS

Gallery Examples

Download Free Fonts

Roddenberry.

Starfleet Normal

Commercial Fonts Fonts

Horizon Regular

Fonts / Commercial Fonts

Hotsy totsy mvb hilite commercial fonts.

COMMERCIAL Added on Nov 09 2020

Magnolia MVB Regular Commercial Fonts

Mascot MVB Rough 2 Commercial Fonts

Mascot MVB Rough 1 Commercial Fonts

Mascot MVB Regular Commercial Fonts

Peccadillo MVB Twenty Four Regular Commercial Fonts

Peccadillo MVB Ninety Six Regular Commercial Fonts

Peccadillo MVB Eight Regular Commercial Fonts

Pedestria MVB Bold Commercial Fonts

Rooney Regular Italic Commercial Fonts

Storefront Pro Regular Commercial Fonts

Amatic SC Bold Commercial Fonts

Megrim Medium Commercial Fonts

Barbieri Thin Commercial Fonts

Barbieri Light Commercial Fonts

IvyPresto Text Thin Commercial Fonts

IvyPresto Text Thin Italic Commercial Fonts

IvyPresto Text SemiBold Commercial Fonts

Star Trek fonts

• View history

The following is a list of fonts used in the different Star Trek series categorized by the companies that hold the rights to them.

• 1 Bitstream
• 3 Mark Simonson Studio
• 4 MicroProse
• 6 Further reading

Bitstream [ ]

Horizon font sample

Galaxy font sample

Millennium font sample

Sonic font sample

Swiss 911 Ultra Compressed font sample

There were at least two Li'l Bits packages released by Bitstream , one for Star Trek: The Original Series and a second for fonts from Star Trek: The Next Generation .

Linotype [ ]

Mark simonson studio [ ], microprose [ ].

With the game Star Trek: The Next Generation - Klingon Honor Guard by MicroProse , the company offered a couple of Klingon -like fonts from the game:

Jefferies Extended font sample

The following is a list of fonts that can be used to achieve lettering as used in the series.

Further reading [ ]

• Dave Addey, Typeset in the Future: Typography and Design in Science Fiction Movies . Abrams, 2018, ISBN 978 -1-4197-2714-6, pp. 80-117.
• 3 Ancient humanoid

Star Trek Font: A Guide to Its Origins and Usage

Star Trek, the iconic science fiction franchise that has captivated audiences for over five decades, is popular for its innovative and futuristic storytelling and distinctive visual style. One element contributing to the show’s unique aesthetic is its font, commonly called the “Star Trek font.” This bold and futuristic typeface has become synonymous with the franchise and is instantly recognizable to fans worldwide. However, this font’s origin has been a debate among Trekkies.

We will delve into the history of the Star Trek font, exploring its creation, evolution, and the controversy surrounding its use. From its early appearances in the original series to its prominent role in modern adaptations, we will uncover the truth behind this iconic font and its enduring impact on the Star Trek universe.

Table of Contents

What Is Star Trek Font?

Star Trek Font refers to the typography used in the iconic Star Trek franchise. The font is popular for its futuristic and sleek appearance, reflecting the sci-fi theme of the series. Clean lines, sharp angles, and a modern aesthetic often characterize it.

The Star Trek Font has become popular among fans and designers, who use it to create various Star Trek-themed graphics, merchandise, and promotional materials. Whether you’re a die-hard Trekkie or simply appreciate the unique style of the font, incorporating it into your designs can add an extra touch of intergalactic flair.

History Of The Font

The Star Trek font has become iconic in popular culture and instantly recognizable to fans of the beloved science fiction franchise. The font used in the Star Trek logo and title sequences is popular as “Helvetica Inserat” and was chosen for its futuristic and sleek appearance.

Created by Swiss typeface designer Max Miedinger in 1957, Helvetica Inserat is a bold and attention-grabbing font that perfectly captures the spirit of exploration and adventure that Star Trek represents. Over the years, the font has undergone minor modifications to enhance legibility and maintain its modern aesthetic. Today, it continues to symbolize the enduring legacy of Star Trek and its impact on popular culture.

Creative Steps To Incorporate The Star Trek Font In Design Projects

The Star Trek font is a beloved and iconic typeface that instantly evokes feelings of adventure and exploration. If you’re looking to incorporate this iconic font into your design projects, there are several creative steps. Incorporating the Star Trek font into design projects can add a touch of sci-fi and nostalgia. Remember to use the font sparingly and ensure it complements other design elements for a cohesive and visually appealing result. Here are some creative steps to use the Star Trek font in your designs:

1. Logo Design: Use the Star Trek font to create a logo for a sci-fi-themed event or business. The bold and futuristic look of the font can instantly convey the theme and attract attention. 2. Poster Design: Incorporate the Star Trek font in poster designs for sci-fi conventions or movie screenings. It can help capture the essence of the Star Trek universe and appeal to fans. 3. Website Design: Use the Star Trek font for headings or titles on a website dedicated to science fiction, space exploration, or technology. It can give a futuristic vibe and enhance the overall visual experience. 4. Social Media Graphics: Create eye-catching graphics using the Star Trek font to promote sci-fi-related content, events, or products.

The Font Used In The Star Trek Wordmark

The Star Trek wordmark’s font is “Star Trek Font.” This font was specifically created for the Star Trek franchise and is designed to resemble the lettering used in the official Star Trek logo. It features angular, futuristic letters that convey a sense of technology and adventure. The Star Trek Font has become iconic and instantly recognizable to the series’ fans.

Many graphic designers and Star Trek enthusiasts enjoy using this font to create their own Star Trek-inspired designs, whether it be for fan art, merchandise, or promotional materials.

How To Download And Use The Font

If you’re a Star Trek fan and want to add a touch of sci-fi to your design projects, you might be interested in using the Star Trek font. Remember to check if there are any usage restrictions or licensing requirements associated with the Star Trek font before using it commercially or for public distribution. Enjoy adding intergalactic flair to your designs with the iconic Star Trek font. To download and use the font, follow these simple steps:

1. Search for a trusted website that offers free Star Trek fonts. There are various websites where you can find and download font for free.

2. Once you’ve found a reliable source, click the download button or link to start the download process. Make sure to save the file in a location on your computer that is easily accessible.

3. After downloading the font file, locate it on your computer and open it. You may need to extract the files from a zip folder before proceeding.

4. Install the font onto your computer by double-clicking on the font file and selecting “Install” when prompted. This will add the Star Trek font to your system’s font library.

5. Now that the font is installed, you can use it in various design software applications such as Adobe Photoshop, Microsoft Word, or any other program that allows you to select custom fonts.

Repurposing Fonts For Commercial Purposes

Repurposing fonts for commercial purposes can be a creative and cost-effective way to enhance your branding and marketing materials. However, ensuring that you have the appropriate licensing rights to use the font in a commercial setting is important. Many fonts are protected by copyright laws, meaning you may need permission from the font creator or purchase a license to use the font commercially.

Additionally, it is important to consider the terms of use for the font, as some creators may have specific restrictions on how their fonts can be handy. By knowing these considerations and obtaining the necessary permissions or licenses, you can confidently incorporate repurposed fonts into your commercial endeavours.

How To Design Your Font

Designing your own Star Trek font can be a fun and creative project. Whether you’re a fan of the iconic Star Trek series or just looking to add a unique touch to your design work, creating a custom font can help you stand out. Here are some steps to help you get started:

1. Research Star Trek fonts: Before designing your font, it’s important to familiarize yourself with existing ones. Look at different variations used in TV shows and movies to get an idea of the aesthetic you want to achieve.

2. Sketch out your ideas: Start by sketching out different letterforms and symbols that reflect the essence of Star Trek. Experiment with different shapes, angles, and proportions to find a style that resonates with you.

3. Digitize your sketches: Once you’re happy with your hand-drawn designs, it’s time to digitize them using graphic design software such as Adobe Illustrator or FontForge. Create vector outlines of each character and refine them until they match your vision.

4. Test and refine: After digitizing your designs, testing them in various contexts and sizes is crucial to ensure legibility and consistency. Make any necessary adjustments or refinements until you satisfy with the result.

5. Convert into a usable font file: To use your custom Star Trek font, you’ll need to convert it into a usable font file format such as TrueType or OpenType. There are online tools and software available that can assist with this process.

Remember, designing a font requires patience and attention to detail. Experiment with different styles and iterations until you achieve the desired outcome for your Star Trek-inspired font. May the font be with you.

Copyright And Legal

Being aware of copyright and legal considerations is important when using the Star Trek font. The Star Trek font, or “Starfleet,” is a proprietary font owned by CBS Studios Inc. and can only be used with proper permission or licensing. Unauthorized use of the font can lead to copyright infringement and legal consequences.

If you plan on using the Star Trek font for commercial purposes. It is recommended to seek permission from CBS Studios Inc. or explore licensing options to ensure compliance with copyright laws. It is always best to consult a legal professional for guidance on the appropriate and legal use of copyrighted material like the Star Trek font.

 Tips For Using The Star Trek Font Effectively And Legibly

Using the Star Trek font can be a fun and creative way to add a touch of sci-fi to your designs. However, using the font effectively and legibly is important to ensure your message is clear. Here are some tips for using the Star Trek font:

• Choose the right size: Make sure that your font size is large enough to be easily read, especially if you’re using it for headings or titles.
• Use appropriate spacing: Give your text enough breathing room by adjusting the line and letter spacing. This will help improve readability and prevent the text from appearing too crowded.
• Consider contrast: If you’re using the Star Trek font on a background image or pattern, make sure there is enough contrast between the text and the background to be easily readable.
• Keep it simple: Avoid using excessive special effects or decorative elements with the font, as this can make it difficult to read. Stick to clean lines and simple designs to ensure legibility.

By following these tips, you can ensure that your use of the Star Trek font is effective, legible, and adds just the right amount of sci-fi flair to your designs.

The Star Trek font is a unique and recognizable typeface that has become iconic in popular culture. It is instantly associated with the beloved science fiction franchise and holds a special place in the hearts of fans worldwide.

Whether you’re creating fan art, designing a Star Trek-themed website, or simply wanting to add a touch of sci-fi flair to your projects, the Star Trek font will make a bold statement. Embrace the spirit of exploration and adventure with this distinctive typeface, and let your creativity soar among the stars. Live long and prosper.

Frequently Asked Questions

What is the star trek font, and what does it look like.

The Star Trek font is a modified typeface of Futura that was first used in the episode “The Naked Time.” People typically use it to represent futuristic technology in the show.

How Did This Font Come About, And How Long Has It Been Around?

The font “Star Trek” was created for the show in the 1957s. However, developers have used it in various movies, books, and other media.

Recently, Star Trek fans have started to resurrect the font’s usage on various online platforms like Tumblr and deviantART.

What Is The Font handy In The Star Trek Wordmark, And Why Is It Good?

The font used in Star Trek’s wordmark is Futura. From books to ads to movies. In 1966, the TV show Star Trek used this typeface as its main wordmark.

What Is The Font Handy In The Star Trek Wordmark?

The font used for the wordmark for Star Trek is called Futura and was created by Lucida Grande. It was originally designed for movie posters and advertisements in the 1960s. But its popularity led to its use on television series like Star Trek and Doctor Who.

How Did The Star Trek Font Come To Be handy In The Show?

The Star Trek font was for a movie poster and later handy in the show. Its creators, Roger Linn and Michael de Castro, wanted to create a typeface that would be “iconic” and reflect the futuristic nature of Star Trek. The font has since been widely popular with both believers and non-believers of the show alike. You may have even seen it on products like T-shirts or stickers in your home.

David Egee, the visionary Founder of FontSaga, is renowned for his font expertise and mentorship in online communities. With over 12 years of formal font review experience and study of 400+ fonts, David blends reviews with educational content and scripting skills. Armed with a Bachelor’s Degree in Graphic Design and a Master’s in Typography and Type Design from California State University, David’s journey from freelance lettering artist to font Specialist and then the FontSaga’s inception reflects his commitment to typography excellence.

In the context of font reviews, David specializes in creative typography for logo design and lettering. He aims to provide a diverse range of content and resources to cater to a broad audience. His passion for typography shines through in every aspect of FontSaga, inspiring creativity and fostering a deeper appreciation for the art of lettering and calligraphy.

Related posts:

• How To Use Font Awesome Icons: A Beginner’s Guide Font Awesome icons are a popular and versatile tool that can add visual interest and functionality to your website or design project. With over 1,500 icons, Font Awesome offers designers and developers a wide range of options. These icons  you...
• A Comprehensive Guide To Font In Latex When it comes to typesetting documents, the choice of font can play a significant role in the overall look and feel of the finished product. In LaTeX, there are a variety of fonts to choose from, ranging from classic serif...
• Embed Font CSS: Best Practices For Optimal Web Performance Embedding fonts in design projects is important to ensure your text displays correctly across different devices and platforms. Did you know that the font you choose for your website can impact its overall performance? Embedding fonts using CSS (Cascading Style...
• How To Use Awesome Font PNG For Stunning Designs – A Guide For Beginners In today’s digital era, design is critical in marketing and branding. Every designer continually looks for ways to make their designs unique, eye-catching, and memorable. One tool that can significantly impact your design is how to use awesome font PNG....

Leave a Comment Cancel reply

Save my name, email, and website in this browser for the next time I comment.

• Submit Free Fonts

Trek Classic Credits

Trek Classic Credits Character Map

Browse Free Fonts

Free font categories.

• Army-Stencil
• Bitmap-Pixel
• Calligraphy
• Greek-Roman
• Handwriting
• Logo-Design
• Old English
• Privacy Policy
• Report Copyright Violation

© 2011-2022 FontPalace. All rights reserved.

Disclaimer: We are checking periodically that all the fonts which can be downloaded from FontPalace.com are either shareware, freeware or come under an open source license. All the fonts on this website are their authors' property, If no designer or license is mentioned that's because we don't have information, that doesn't mean it's free. If you find any fonts on our website that are not come under aforementioned types, please report copyright violation immediately.

• Text Effects
• Freebies FREE
• Testimonials

Star Trek Font

What Font Was Used in Star Trek Logo and Posters?

“Federation Classic”  is the font used in the series Star Trek. You can use the font in your personal projects. Simply download it from the link below.

About Star Trek Series

Star Trek is a science fiction movie directed by J. J. Abrams based on a screenplay written by Roberto Orci and Alex Kurtzman and they were inspired by novels and graduate school dissertations. In this film, the title characters of the Star Trek TV series are featured and portrayed by a new cast. This film is the 11th installment in the Star Trek franchise and in it the United Federation of Planets is threatened by Romulan and James T. Kirk and Spock are fighting it.

This film stars Chris Pine, Zachary Quinto, and Simon Pegg. Paramount Pictures decided to continue the franchise through a feature film after the original television series was canceled in 1969 and Paramount Pictures also decided to return the franchise to its roots and planned to make a Star Trek film. The principal photography began in 2007 and filming took place in different locations.

The film was released on May 8, 2009, and it was highly praised for the character development, plot, direction, action sequences, and effects. The film was a box office success too and grossed over $385.7 million in total. Star Trek was nominated for different Academy Awards at different categories and it was the first Star Trek film that won an Academy Award. The film holds an approval rating of 94% with an average rating of 8.1/10 on the Rotten Tomatoes website.

Your email address will not be published. Required fields are marked *

you must Log in So you can post a comment.

• Privacy Policy

© 2012 - 2024 Hyperpix Productions. All rights reserved.

Forget Password

Lost your password? Please enter your email address. You will receive mail with link to set new password.

Back to login

• Chalk Crayon
• Runes, Elvish
• Typerwriter
• View all Hashtag
• Calligraphy
• Grunge/Trash
• Handwritten
• Stencil, Army
• Pixel / Bitmap
• Can Syllabics
• Central Europe
• Submit font

• Character Maps

Trek - 91 chars | View charmap

• Free for Personal Use
• Free for Commercial Use
• Modification Allowed
• Redistribution Allowed

Captain Comic

Designed by patrick griffin . from canada type ..

• Similar to {{variation['original_font']['name']}}

Captain Comic is very loosely based on lettering from 1967 to the early 1970s found in the very first Star Trek comic series ever published. Most letter shapes were changed, rounded and tweaked for a more contemporary comic text look.

Canada Type

Canada Type is an independent digital lettering and font development studio based in Toronto since 2004. Their versatile catalogue helps many designers bring international attention to their talents in the constantly changing and increasingly competitive world of type design. Their daily work is really the bespoke services they provide to companies across many fields on local, national and global levels, ranging from the marketing, financial and service industries to government agencies, film and gaming studios, software corporations, and telecom/broadcast outfits.

Visit foundry page

As with everything from Adobe Fonts, you can use these fonts for:

Design projects, create images or vector artwork, including logos, website publishing, create a web project to add any font from our service to your website, embed fonts in pdfs for viewing and printing, video and broadcast, use fonts to create in-house or commercial video content, visit the adobe fonts licensing   faq for full details.

You may encounter slight variations in the name of this font, depending on where you use it. Here’s what to look for.

In application font menus, this font will display:

To use this font on your website, use the following CSS:

Glyph Support & Stylistic Filters

Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.

Learn more about language support

Learn more about OpenType features

Language Support

Trek Classic Ship Hull font

See the font with your own custom text.

WhatFontIs Blog

The designer's comprehensive handbook for font licensing.

Latest from the WhatFontIs Forum

Help your fellow font-seekers if you think you can recognize the font. Earn some good karma by doing it :-) Answer & Help

Yet sometimes the images are very complex, so other users need a bit of help. If you recognize the font from the samples posted here don't be shy and help a fellow designer.

Thousands of designers (famous or not) use the image font detection system to find a font or similar free fonts from an image. Although we have the largest database of fonts, the search for a font from an image gets mixed results like the image above.

Recognize the font?

What Font Is the best font finder for you!

MEMBER BENEFITS

• Unlimited Access: Unlock a treasure trove of font possibilities
• Custom Text Preview: Visualize fonts effortlessly with your desired text
• Google Fonts Search: Discover free alternatives to pricey fonts
• Ad-Free Experience: Navigate and explore without distractions
• PRO Search: Precision and accuracy in your font hunt
• Advanced Filtering: Tailor your search by price and foundry
• Auto Character Recognition: Effortlessly identify fonts from any image
• Rich Results: Access a curated list of 100 fonts for each search
• Save Results: Keep track of your discoveries for future reference
• Forum Support: Connect, learn, and share experiences with fellow font enthusiasts

• Popular Fonts
• Upload Font

Trek Classic Ship Hull

Browse by categories listings

• Architecture Fonts
• Brandname Fonts
• Bubble Style Fonts
• Celtic Fonts
• Curly Fonts
• Cutesy Fonts
• Cyrillic Fonts
• Digital Fonts
• Dingbats Fonts
• Eroded Fonts
• Fancy Fonts
• Foreign Fonts
• Gothic Fonts
• Graffiti Fonts
• Groovy Fonts
• Handwriting Fonts
• Letter Bats Fonts
• Outline Fonts
• Pixel Fonts
• Rounded Fonts
• Sans Serif Fonts
• Script Fonts
• Serif Fonts
• Shadow Fonts
• Slab Serif Fonts
• Standard Fonts
• Stencil Fonts
• Techno Fonts
• Typewriter Fonts
• Unusual Fonts
• Western Fonts

The Future of ‘Star Trek’: From ‘Starfleet Academy’ to New Movies and Michelle Yeoh, How the 58-Year-Old Franchise Is Planning for the Next Generation of Fans

“I can’t believe I get to play the captain of the Enterprise.”

“Strange New Worlds” is the 12th “Star Trek” TV show since the original series debuted on NBC in 1966, introducing Gene Roddenberry’s vision of a hopeful future for humanity. In the 58 years since, the “Star Trek” galaxy has logged 900 television episodes and 13 feature films, amounting to 668 hours — nearly 28 days — of content to date. Even compared with “Star Wars” and the Marvel Cinematic Universe, “Star Trek” stands as the only storytelling venture to deliver a single narrative experience for this long across TV and film.

In other words, “Star Trek” is not just a franchise. As Alex Kurtzman , who oversees all “Star Trek” TV production, puts it, “‘Star Trek’ is an institution.”

Without a steady infusion of new blood, though, institutions have a way of fading into oblivion (see soap operas, MySpace, Blockbuster Video). To keep “Star Trek” thriving has meant charting a precarious course to satisfy the fans who have fueled it for decades while also discovering innovative ways to get new audiences on board.

“Doing ‘Star Trek’ means that you have to deliver something that’s entirely familiar and entirely fresh at the same time,” Kurtzman says.

The franchise has certainly weathered its share of fallow periods, most recently after “Nemesis” bombed in theaters in 2002 and UPN canceled “Enterprise” in 2005. It took 12 years for “Star Trek” to return to television with the premiere of “Discovery” in 2017; since then, however, there has been more “Star Trek” on TV than ever: The adventure series “Strange New Worlds,” the animated comedy “Lower Decks” and the kids series “Prodigy” are all in various stages of production, and the serialized thriller “Picard” concluded last year, when it ranked, along with “Strange New Worlds,” among Nielsen’s 10 most-watched streaming original series for multiple weeks. Nearly one in five Paramount+ subscribers in the U.S. is watching at least one “Star Trek” series, according to the company, and more than 50% of fans watching one of the new “Trek” shows also watch at least two others. The new shows air in 200 international markets and are dubbed into 35 languages. As “Discovery” launches its fifth and final season in April, “Star Trek” is in many ways stronger than it’s ever been.

“’Star Trek’s fans have kept it alive more times than seems possible,” says Eugene Roddenberry, Jr., who executive produces the TV series through Roddenberry Entertainment. “While many shows rightfully thank their fans for supporting them, we literally wouldn’t be here without them.”

But the depth of fan devotion to “Star Trek” also belies a curious paradox about its enduring success: “It’s not the largest fan base,” says Akiva Goldsman, “Strange New Worlds” executive producer and co-showrunner. “It’s not ‘Star Wars.’ It’s certainly not Marvel.”

When J.J. Abrams rebooted “Star Trek” in 2009 — with Chris Pine, Zachary Quinto and Zoe Saldaña playing Kirk, Spock and Uhura — the movie grossed more than any previous “Star Trek” film by a comfortable margin. But neither that film nor its two sequels broke $500 million in global grosses, a hurdle every other top-tier franchise can clear without breaking a sweat.

There’s also the fact that “Star Trek” fans are aging. I ask “The Next Generation” star Jonathan Frakes, who’s acted in or directed more versions of “Star Trek” than any other person alive, how often he meets fans for whom the new “Star Trek” shows are their first. “Of the fans who come to talk to me, I would say very, very few,” he says. “‘Star Trek’ fans, as we know, are very, very, very loyal — and not very young.”

As Stapf puts it: “There’s a tried and true ‘Trek’ fan that is probably going to come to every ‘Star Trek,’ no matter what it is — and we want to expand the universe.”

Every single person I spoke to for this story talked about “Star Trek” with a joyful earnestness as rare in the industry as (nerd alert) a Klingon pacifist.

“When I’m meeting fans, sometimes they’re coming to be confirmed, like I’m kind of a priest,” Ethan Peck says during a break in filming on the “Strange New Worlds” set. He’s in full Spock regalia — pointy ears, severe eyebrows, bowl haircut — and when asked about his earliest memories of “Star Trek,” he stares off into space in what looks like Vulcan contemplation. “I remember being on the playground in second or third grade and doing the Vulcan salute, not really knowing where it came from,” he says. “When I thought of ‘Star Trek,’ I thought of Spock. And now I’m him. It’s crazy.”

To love “Star Trek” is to love abstruse science and cowboy diplomacy, complex moral dilemmas and questions about the meaning of existence. “It’s ultimately a show with the most amazing vision of optimism, I think, ever put on-screen in science fiction,” says Kurtzman, who is 50. “All you need is two minutes on the news to feel hopeless now. ‘Star Trek’ is honestly the best balm you could ever hope for.”

I’m getting a tour of the USS Enterprise from Scotty — or, rather, “Strange New World” production designer Jonathan Lee, who is gushing in his native Scottish burr as we step into the starship’s transporter room. “I got such a buzzer from doing this, I can’t tell you,” he says. “I actually designed four versions of it.”

Lee is especially proud of the walkway he created to run behind the transporter pads — an innovation that allows the production to shoot the characters from a brand-new set of angles as they beam up from a far-flung planet. It’s one of the countless ways that this show has been engineered to be as cinematic as possible, part of Kurtzman’s overall vision to make “Star Trek” on TV feel like “a movie every week.”

Kurtzman’s tenure with “Star Trek” began with co-writing the screenplay for Abrams’ 2009 movie, which was suffused with a fast-paced visual style that was new to the franchise. When CBS Studios approached Kurtzman in the mid-2010s about bringing “Star Trek” back to TV, he knew instinctively that it needed to be just as exciting as that film.

“The scope was so much different than anything we had ever done on ‘Next Gen,’” says Frakes, who’s helmed two feature films with the “Next Generation” cast and directed episodes of almost every live-action “Trek” TV series, including “Discovery” and “Strange New Worlds.” “Every department has the resources to create.”

A new science lab set for Season 3, for example, boasts a transparent floor atop a four-foot pool of water that swirls underneath the central workbench, and the surrounding walls sport a half dozen viewscreens with live schematics custom designed by a six-person team. “I like being able to paint on a really big canvas,” Kurtzman says. “The biggest challenge is always making sure that no matter how big something gets, you’re never losing focus on that tiny little emotional story.”

At this point, is there a genre that “Strange New Worlds” can’t do? “As long as we’re in storytelling that is cogent and sure handed, I’m not sure there is,” Goldsman says with an impish smile. “Could it do Muppets? Sure. Could it do black and white, silent, slapstick? Maybe!”

This approach is also meant to appeal to people who might want to watch “Star Trek” but regard those 668 hours of backstory as an insurmountable burden. “You shouldn’t have to watch a ‘previously on’ to follow our show,” Myers says.

To achieve so many hairpin shifts in tone and setting while maintaining Kurtzman’s cinematic mandate, “Strange New Worlds” has embraced one of the newest innovations in visual effects: virtual production. First popularized on the “Star Wars” series “The Mandalorian,” the technology — called the AR wall — involves a towering circular partition of LED screens projecting a highly detailed, computer-generated backdrop. Rather than act against a greenscreen, the actors can see whatever fantastical surroundings their characters are inhabiting, lending a richer level of verisimilitude to the show.

But there is a catch. While the technology is calibrated to maintain a proper sense of three-dimensional perspective through the camera lens, it can be a bit dizzying for anyone standing on the set. “The images on the walls start to move in a way that makes no sense,” says Mount. “You end up having to focus on something that’s right in front of you so you don’t fall down.”

And yet, even as he’s talking about it, Mount can’t help but break into a boyish grin. “Sometimes we call it the holodeck,” he says. In fact, the pathway to the AR wall on the set is dotted with posters of the virtual reality room from “The Next Generation” and the words “Enter Holodeck” in a classic “Trek” font.

“I want to take one of those home with me,” Peck says. Does the AR wall also affect him? “I don’t really get disoriented by it. Spock would not get ill, so I’m Method acting.”

I’m on the set of the “Star Trek” TV movie “Section 31,” seated in an opulent nightclub with a view of a brilliant, swirling nebula, watching Yeoh rehearse with director Olatunde Osunsanmi and her castmates. Originally, the project was announced as a TV series centered on Philippa Georgiou, the semi-reformed tyrant Yeoh originated on “Discovery.” But between COVID delays and the phenomenon of “Everything Everywhere All at Once,” there wasn’t room in the veteran actress’s schedule to fit a season of television. Yeoh was undaunted.

“We’d never let go of her,” she says of her character. “I was just blown away by all the different things I could do with her. Honestly, it was like, ‘Let’s just get it done, because I believe in this.’”

If that means nothing to you, don’t worry: The enormity of the revelation that Garrett is being brought back is meant only for fans. If you don’t know who the character is, you’re not missing anything.

“It was always my goal to deliver an entertaining experience that is true to the universe but appeals to newcomers,” says screenwriter Craig Sweeny. “I wanted a low barrier of entry so that anybody could enjoy it.”

Nevertheless, including Garrett on the show is exactly the kind of gasp-worthy detail meant to flood “Star Trek” fans with geeky good feeling.

“You cannot create new fans to the exclusion of old fans,” Kurtzman says. “You must serve your primary fan base first and you must keep them happy. That is one of the most important steps to building new fans.”

On its face, that maxim would make “Section 31” a genuine risk. The titular black-ops organization has been controversial with “Star Trek” fans since it was introduced in the 1990s. “The concept is almost antagonistic to some of the values of ‘Star Trek,’” Sweeny says. But he still saw “Section 31” as an opportunity to broaden what a “Star Trek” project could be while embracing the radical inclusivity at the heart of the franchise’s appeal.

“Famously, there’s a spot for everybody in Roddenberry’s utopia, so I was like, ‘Well, who would be the people who don’t quite fit in?’” he says. “I didn’t want to make the John le Carré version, where you’re in the headquarters and it’s backbiting and shades of gray. I wanted to do the people who were at the edges, out in the field. These are not people who necessarily work together the way you would see on a ‘Star Trek’ bridge.”

For Osunsanmi, who grew up watching “The Next Generation” with his father, it boils down to a simple question: “Is it putting good into the world?” he asks. “Are these characters ultimately putting good into the world? And, taking a step back, are we putting good into the world? Are we inspiring humans watching this to be good? That’s for me what I’ve always admired about ‘Star Trek.’”

Should “Section 31” prove successful, Yeoh says she’s game for a sequel. And Kurtzman is already eyeing more opportunities for TV movies, including a possible follow-up to “Picard.” The franchise’s gung-ho sojourn into streaming movies, however, stands in awkward contrast to the persistent difficulty Paramount Pictures and Abrams’ production company Bad Robot have had making a feature film following 2016’s “Star Trek Beyond” — the longest theaters have gone without a “Star Trek” movie since Paramount started making them.

First, a movie reuniting Pine’s Capt. Kirk with his late father — played in the 2009 “Star Trek” by Chris Hemsworth — fell apart in 2018. Around the same time, Quentin Tarantino publicly flirted with, then walked away from, directing a “Star Trek” movie with a 1930s gangster backdrop. Noah Hawley was well into preproduction on a “Star Trek” movie with a brand-new cast, until then-studio chief Emma Watts abruptly shelved it in 2020. And four months after Abrams announced at Paramount’s 2022 shareholders meeting that his 2009 cast would return for a movie directed by Matt Shakman (“WandaVision”), Shakman left the project to make “The Fantastic Four” for Marvel. (It probably didn’t help that none of the cast had been approached before Abrams made his announcement.)

The studio still intends to make what it’s dubbed the “final chapter” for the Pine-Quinto-Saldaña cast, and Steve Yockey (“The Flight Attendant”) is writing a new draft of the script. Even further along is another prospective “Star Trek” film written by Seth Grahame-Smith (“Abraham Lincoln: Vampire Hunter”) and to be directed by Toby Haynes (“Andor,” “Black Mirror: USS Callister”) that studio insiders say is on track to start preproduction by the end of the year. That project will serve as an origin story of sorts for the main timeline of the entire franchise. In both cases, the studio is said to be focused on rightsizing the budgets to fit within the clear box office ceiling for “Star Trek” feature films.

Far from complaining, everyone seems to relish the challenge. Visual effects supervisor Jason Zimmerman says that “working with Alex, the references are always at least $100 million movies, if not more, so we just kind of reverse engineer how do we do that without having to spend the same amount of money and time.”

The workload doesn’t seem to faze him either. “Visual effects people are a big, big ‘Star Trek’ fandom,” he says. “You naturally just get all these people who go a little bit above and beyond, and you can’t trade that for anything.”

In one of Kurtzman’s several production offices in Toronto, he and production designer Matthew Davies are scrutinizing a series of concept drawings for the newest “Star Trek” show, “Starfleet Academy.” A bit earlier, they showed me their plans for the series’ central academic atrium, a sprawling, two-story structure that will include a mess hall, amphitheater, trees, catwalks, multiple classrooms and a striking view of the Golden Gate Bridge in a single, contiguous space. To fit it all, they plan to use every inch of Pinewood Toronto’s 45,900 square foot soundstage, the largest in Canada.

But this is a “Star Trek” show, so there do need to be starships, and Kurtzman is discussing with Davies about how one of them should look. The issue is that “Starfleet Academy” is set in the 32nd century, an era so far into the future Kurtzman and his team need to invent much of its design language.

“For me, this design is almost too Klingon,” Kurtzman says. “I want to see the outline and instinctively, on a blink, recognize it as a Federation ship.”

The time period was first introduced on Season 3 of “Discovery,” when the lead character, Michael Burnham (Sonequa Martin-Green), transported the namesake starship and its crew there from the 23rd century. “It was exciting, because every time we would make a decision, we would say, ‘And now that’s canon,’” says Martin-Green.

“We listened to a lot of it,” Kurtzman says. “I think I’ve been able to separate the toxic fandom from really true fans who love ‘Star Trek’ and want you to hear what they have to say about what they would like to see.”

By Season 2, the “Discovery” writers pivoted from its dour, war-torn first season and sent the show on its trajectory 900-plus years into the future. “We had to be very aware of making sure that Spock was in the right place and that Burnham’s existence was explained properly, because she was never mentioned in the original series,” says executive producer and showrunner Michelle Paradise. “What was fun about jumping into the future is that it was very much fresh snow.”

That freedom affords “Starfleet Academy” far more creative latitude while also dramatically reducing how much the show’s target audience of tweens and teens needs to know about “Star Trek” before watching — which puts them on the same footing as the students depicted in the show. “These are kids who’ve never had a red alert before,” Noga Landau, executive producer and co-showrunner, says. “They never had to operate a transporter or be in a phaser fight.”

In the “Starfleet Academy” writers’ room in Secret Hideout’s Santa Monica offices, Kurtzman tells the staff — a mix of “Star Trek” die-hards, part-time fans and total newbies — that he wants to take a 30,000-foot view for a moment. “I think we need to ground in science more throughout the show,” he says, a giant framed photograph of Spock ears just over his shoulder. “The kids need to use science more to solve problems.”

Immediately, one of the writers brightens. “Are you saying we can amp up the techno-babble?” she says. “I’m just excited I get to use my computer science degree.”

After they break for lunch, Kurtzman is asked how much longer he plans to keep making “Star Trek.” 

“The minute I fall out of love with it is the minute that it’s not for me anymore. I’m not there yet,” he says. “To be able to build in this universe to tell stories that are fundamentally about optimism and a better future at a time when the world seems to be falling apart — it’s a really powerful place to live every day.”

More From Our Brands

Fred goldman on o.j. simpson’s death: ‘the only thing that is important today are the victims’, this luxe 157-foot catamaran lets you explore the galápagos with a personal butler, ncaa men’s final ratings can’t match women amid uconn routs, the best loofahs and body scrubbers, according to dermatologists, the night manager seasons 2 and 3 ordered at amazon; tom hiddleston set to return, verify it's you, please log in.