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Voyage of Time: Life's Journey

An exploration into our planetary past and a search for humanity's place in the future. With narration by Cate Blanchett. An exploration into our planetary past and a search for humanity's place in the future. With narration by Cate Blanchett. An exploration into our planetary past and a search for humanity's place in the future. With narration by Cate Blanchett.

• Terrence Malick
• Cate Blanchett
• Jamal Cavil
• Maisha Diatta
• 33 User reviews
• 52 Critic reviews
• 68 Metascore
• 2 wins & 5 nominations

• Early Human

• (as Theophilus Bongani Ndyalvane)
• All cast & crew
• Production, box office & more at IMDbPro

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• Trivia Terrence Malick has been designing and working on the film with large-format cameras for over thirty years.

[repeated line]

Narrator : Mother.

• Alternate versions A 46-minute version of the film, Voyage of Time (2016) , with narration by Brad Pitt , was produced in a 3.6:1 aspect ratio for IMAX projection.
• Connections Referenced in WatchMojo: Top 10 Great Movies You Missed This Fall (2016)
• Soundtracks Symphony No. 9 in D Minor ('Choral') Composed Ludwig van Beethoven Performed by Nicolaus Esterházy Sinfonia and Chorus Conducted by Bela Drahos Courtesy of Naxos By arrangement with Source/Q

User reviews 33

• CinemaClown
• Sep 17, 2017
• How long is Voyage of Time: Life's Journey? Powered by Alexa
• May 4, 2017 (France)
• United States
• Official site
• Official site (Japan)
• Voyage of Time
• Sophisticated Films
• Plan B Entertainment
• LSG Productions
• See more company credits at IMDbPro

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• Runtime 1 hour 30 minutes
• Dolby Digital
• Dolby Atmos

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Voyage of Time: An IMAX Documentary

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Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, voyage of time: the imax experience.

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In 2003, noted author (and personal hero) Harlan Ellison chided me for saying that the reprinting of some of his short stories was "awesome." "The Grand Canyon is 'awesome,'" he shouted theatrically. "The Heavenly Cosmos are 'awesome!' This? Maybe interesting. But definitely not 'awesome!'"

I thought about that definition of "awesome" as I watched the 45-minute cut of writer/director Terrence Malick's cosmic nature documentary "Voyage of Time: The IMAX Experience." Malick's film, a combination of gorgeous documentary footage and vividly detailed computer-generated imagery, is majestic but so broad in its scope that I left it feeling like I'd seen something beautiful whose spark of genius only lasted as long as it was in front of my eyes. Malick's idiosyncratic marriage of spiritual speculation and nature photography is frequently amazing. But altogether awesome? Not quite.

Narrated throughout by Brad Pitt , "Voyage of Time" starts at the beginning of time and ends with the demise of the world as we know it. We see swirling nebulae, smoky volcanoes and multiplying bacteria while Pitt tells us about the "restless" character of life. 

Malick has an elemental view of life's origins, so Pitt offers general poetic speculations instead of specific information about what we're looking at. He suggests, in his placating authorial whisper, that "Nature" is constantly perfecting life on Earth. "Death" pushes Life along towards "Perfection." "Community" leads to the individual "Self," and we witness a vast array of crabs piling onto and climbing over each other. Life teems with mysterious "Goodness" as translucent white jellyfish float gently towards the water's surface.

There's something fundamentally sanitized about this dreamy, placid view of life. Ellison once said that life was a series of confrontations. But Love unites Malick's world, as we see when two blue whales hover near each other. And we are just like the dinosaurs, since we also have the capacity to feel affection for each other and, yes, to feel awe. 

But there is no violence in Malick's world, just a cycle of becoming that comes to an end for one large fish after he's bitten by a sea lion. Herons dive deep into the ocean and pick at a school of fish, who rally in unison to escape. Life thrives, just as Malick insists that "dark" is necessarily "bound" to "light." We see humanity in a flurry of images at the end of this cut of "Voyage of Time," because our story is the same as the story of growing trees, cooling Earth, and the catastrophic meteor that salted the Earth with plant-killing ash. Or at least, that's what an introductory scrolling text suggests when it tells us that we are seeing ourselves when we examine the objects and animals in the film.

I struggle with Malick's expressive, supra-human vision of life because its philosophy is bound up in its simultaneously pat and viscerally enchanting expression. I knew something was off when footage of computer-generated dinosaurs left me cold. Similar dino footage used in Malick's majestic " The Tree of Life ," a superior companion film that shares footage and a general outlook with "Voyage of Time," felt genuinely mysterious because of contextualizing footage. The narration is similarly nuanced in that earlier film while it is purposefully simplified in "Voyage of Time." These two films provide fundamentally different viewing experiences: "The Tree of Life" pulls you along with the speed and variety of life as it's experienced from a God's eye view while "Voyage of Time" summarizes that perspective, putting it in terms that a "child" could understand. We are all "children of the Good," we are told, because we are just another part of Nature's constant yearning for Perfection. 

Still, it is exciting to see such a personal theological vision writ large on an IMAX screen. Who else but Malick could make me puzzle over the meaning of a description of a "pre-mammalian" quadruped lizard creature? What other documentarian would revel in the unfathomable passage of time while also presuming to speak of a Natural plan? What other storyteller would have the audacity to make a cinematic poem that's largely comprised of documentary footage, and bookended by simulated versions of the Big Bang and Earth's destruction? What's my problem anyway?

I don't know how to answer that last question, but I can tell you something Ellison wrote, this time in a 1980 issue of  Future Life . In a column later anthologized in his  An Edge in My Voice  essay collection, Ellison rhapsodizes eloquently about the Voyager I mission. He was awed, then crestfallen at the thought of the news cycle concentrating on the war between Iran and Iraq, and not NASA's latest photographs and speculations about the spokes on Saturn's rings. "Ain't we a wonderful species," he muses sarcastically after reveling for thousands of words in the thrill of discovery, and the shock of the new provided by NASA's scientists. I didn't need "Voyage of Time" to confirm my spiritual point-of-view to be great: I just wish it were a little less flat. As it is, Malick's film feels incomplete, like a sampler platter version of a hearty meal. Awesome? Maybe not. But intriguing? Oh my yes.

Simon Abrams

Simon Abrams is a native New Yorker and freelance film critic whose work has been featured in  The New York Times ,  Vanity Fair ,  The Village Voice,  and elsewhere.

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Film credits.

Voyage of Time: The IMAX Experience (2016)

Brad Pitt as Narrator (voice)

• Terrence Malick
• Rehman Nizar Ali

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Voyage of Time: Life's Journey

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Voyage of Time: Life's Journey

Cast & crew.

Cate Blanchett

Terrence Malick

Dede Gardner

Nicolas Gonda

• DOCUMENTARY
• Average 6.7

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Voyage of time: the imax experience.

2016 Directed by Terrence Malick

The story of our universe.

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.

Brad Pitt Jamal Cavil Maisha Diatta Yagazie Emezi Daryl James Harris II Sebastian Jackson Abraham Kosgei Runa Lucienne Theo Bongani Ndyalvane Jejuan Plair Gabi Rojas Shaun Ross Mechelle Tunstall Sanetra Stewart Blane E. Warrior II

Director Director

Terrence Malick

Producers Producers

Brad Pitt Grant Hill Sarah Green Dede Gardner Bill Pohlad Sophokles Tasioulis Nicolas Gonda Hans Graffunder Jini Durr Elizabeth Lodge Stepp Dan Glass Morgan Pollitt Tyler Savage

Writer Writer

Casting casting.

Sarah Dowling

Editors Editors

Keith Fraase Rehman Nizar Ali

Cinematography Cinematography

Paul Atkins Tom Debenham Mark Miks

Executive Producers Exec. Producers

Jacques Perrin Yves Chevalier Christos V. Konstantakopoulos Tanner Beard Donald Rosenfeld Asher Goldstein Gabriel Hammond Mary Bing Victor Moyers Daniel Hammond Ryan Rettig

Camera Operators Camera Operators

Mark Gerasimenko Julio Quintana

Additional Photography Add. Photography

Tom Löwe Victor Bruno Chris Mierzwinski Mike Goveia Eric Hines Dustin Kukuk Josh Owens Nilo Merino Recalde

Production Design Production Design

Art direction art direction.

Ruth De Jong

Special Effects Special Effects

Visual effects visual effects.

Joseph Batten Lisa Goldberg Brett Dowler Tom Debenham V.W. Scheich Bruce Woloshyn Ann Podlozny Erik De Boer Dan Glass Owen Hammer Leila Nicotera Chaya Feiner Daniel Rauchwerger Chris Parks Brian Delmonico Olivier Dumont Brett Harding Matt Pulliam

Choreography Choreography

Jennifer Hamilton

Sound Sound

Goro Koyama Andy Malcolm Don White Hamilton Sterling Joel Dougherty P.K. Hooker Jared Marshack Justin M. Davey Dwight Chalmers Jack Heeren Stephen Muir Christopher Cody Flick

Costume Design Costume Design

Tom Macdonald

Makeup Makeup

Matthew W. Mungle John E. Jackson

Broad Green Pictures IMAX Sophisticated Films

Releases by Date

10 sep 2016, 07 oct 2016, 17 dec 2021, releases by country.

• Premiere Toronto International Film Festival
• Digital MUBI
• Theatrical G IMAX

45 mins   More at IMDb TMDb Report this page

Popular reviews

Review by reibureibu 5

Malick's style of finding the sublime in the everyday is a wonderful double-edged sword. The images he captures are truly extraordinary and are suffused with a spirituality that's so rarely found, and at the same time I find it can be quite exhausting as well: for how gorgeous that shot of wheat field is, there's only so many shots of wheat fields I can see before I start getting a little restless.

Voyage of Time: The IMAX Experience (what a name) may not necessarily be Malick at his peak, but it's a work that surprisingly curbs all the subjective weaknesses I have with him. The shortness of its length admittedly leaves a lot to be desired (something that wasn't an…

Review by Héctor ★★★★

This movie is a landmark vision...it's pure poetry, hypnotic in its beauty. I read that every scene was created in consultation with scientists expert in those fields and it shows.

Review by Hutch ★★½ 4

This is Terrence Malick in full wonder mode, and while I can’t vouch for its effectiveness or otherwise on the IMAX scale, I certainly struggled with it on my merely human scale. It starts with abstract space spunk before leading into heavily CGI’d approximations of reality, mixed in with shots of real reality at its most infernally spectacular and preternaturally beautiful. The beauty of nature in Malick’s lens is overwhelming. Even the primitive humans have got perfect teeth*. Rising above its immaculate conception hovers a whispering Brad Pitt uttering banalities. This is surely the ultimate in dreadful voiceovers, operating to the logic of a random awestruck word generator. There is some great music in here by the likes of Mahler, Beethoven, Bach, Pärt, Poulenc and Kancheli, but it’s all somehow made to sound less great. 

Terrence Malick Ranked

* Milo has kindly pointed out that bad teeth are more of a modern phenomenon.

Review by Brendan Michaels ★★★★ 9

That was me for the entirety of Terrence Malick's Voyage of Time: An IMAX Experience. I hope the Life's Journey cut comes out soon because I'm only hungry for more after seeing this. Imagine the creation sequence from The Tree of Life but into a 40 minute documentary. Brad Pitt's narration is so soothing it has the fatherly touch most Malick's films have. Visually stunning in every regard, Malick brings beauty to every moment and wastes no time in sharing the world with us. Magnificent in execution Voyage of Time  left me wanting more which I hope Life's Journey fills in December. I am blown away as I usually am with Malick's work and I hope you all get a chance to see this beauty on the big screen. All I am left with is that Voyage of Time is magnificent.

Review by Sudhakar Kumar ★★★★★ 3

An immersive one-of-a-kind celebration.

This IMAX version of the picture, a 45-minute examination of the known universe, is a sprawling, meditative, and visually beautiful magical history tour filled with inspiring sights and profound observations. Malick has created something both distinctly his own and wholly singular.

Voyage of Time is pure visual poetry. But it’s also beautifully written and narrated. Brad Pitt brings a sense of gravitas to Malick’s words, which observe the universe with childlike wonder. It tells the story of our world from the Big Bang all the way through to the present day and beyond. Pitt’s raspy voiceover gives them a precise meaning.

The movie unfolds like a letter to someone discovering the mysteries of the universe for…

Review by Viktor 5

Such a beautiful breathtaking experience

Review by ndc32002 ★★★★½

watch if you want brad pitt to talk to you like he's your daddy

Review by Jordan Raup ★★★★ 1

I haven't seen Life's Journey yet, but there's a lot to admire in this shorter, 45-minute IMAX version. Aside from being stunned by every shot, I found Malick's framing device to be affecting. The introductory text is omniscient and Brad Pitt's narration is inquisitive, then Malick's recurring cuts to a child place the entire journey as if we're seeing it through their eyes. It's a humbling perspective to behold as we elegantly glide through, well, everything , strengthened by the staggering clarity in each frame. Malick's entire career has been showing the beauty all around us, but Voyage of Time is his most direct plea that we don't take it for granted. While I look forward to seeing the 90-minute version, this one, at the very least, should be required viewing for kids. If you're not one, it strikes the difficult balance of making one feel infinitesimal and integral at the same time.

Review by Paul Thomas ★★★½

Malick's eye and the elements of cinematic composition he brings makes this a step above other imax experiences.

A beautiful historical view of the univeral shows time from the beginning into the far future. It's like science's answer to Mother!

Review by Robert Franco

1. Regardless of whether they were aware of it or not, it warmed my heart to see parents taking their kids to the Science Center to see a Terrence Malick film. 2. Malick should start writing children's books. 3. See this in IMAX or don't see it at all. 4. Malick knows.

Review by Tyler Ward ★★★★★

After five years of being basically inaccessible to American audiences outside of a few select IMAX screenings across the country, MUBI has finally made Terrence Malick's Voyage of Time widely available for the first time. It's worth noting, for those who don't know, that there are actually two versions of this film: a feature-length version featuring narration by Cate Blanchett, and a shorter, 45-minute version designed to be shown in IMAX theaters in science centers and other institutions, narrated by Brad Pitt. It's the latter version of this documentary that is currently streaming on MUBI.

But really, the term "documentary" is a bit of a misnomer here. While Voyage of Time certainly isn't a narrative film, it's also far removed…

Review by williamfaeleith ★★

Pretty pictures, pretentious words.

Watched on MUBI.

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A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet. (Wide release version with narration by Cate Blanchett.)

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Voyage of Time

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• AV Club Noel Murray What Malick has created here is, on balance, a marvel, and one that deserves to be widely seen.
• Entertainment Weekly Kevin P. Sullivan Voyage of Time is a beautiful diversion, but almost entirely empty, even in its inquisitive big swings for profundity.
• Seattle Times Soren Andersen The trippiest, most visually mind-blowing motion picture since Stanley Kubrick's "2001: A Space Odyssey."
• RogerEbert.com Simon Abrams Awesome? Maybe not. But intriguing? Oh my yes.
• New York Times A.O. Scott Before your eyes is a kind of miracle, a fusion of digital imagery and photographic imagination that seems at once utterly natural and completely impossible.
• Village Voice Bilge Ebiri Full of overwhelming beauty, and ready to set the curious viewer's mind aflame.
• indieWire Eric Kohn "Voyage of Time: The IMAX Experience" foregrounds the incredible collage of awe-inspiring effects that recreate the birth of the universe, life on Earth, and eventually humankind. It also has a very clear sense of purpose.
• Los Angeles Times Justin Chang "Voyage of Time: The Imax Experience" is a glorious cosmic reverie, a feast for the eyes and a balm for the soul in these angry, contentious times.
• Hollywood Reporter Deborah Young After all the comparisons have been made, this is a magnificent documentary that is going to set the benchmark for history-of-the-universe films in the years to come.
• Slant Magazine Christopher Gray Explicitly addressed to a child, the film can't help but feel like lovingly assembled kiddie fare, a primer for what's said to be a more ambitious and intellectually speculative vision.
• National Review Armond White Malick the animist moves into abstraction, like Kubrick's 2001: A Space Odyssey F/X, but he ends with amazement, like Godard's late spiritual films. And this isn't just IMAX novelty...Malick brings cinema back to its phenomenological beginning.
• Austin American-Statesman Joe Gross Every frame of this 45-minute Imax film is worth hanging on a wall.
• City Pages, Minneapolis/St. Paul Michael Nordine Rarely has an argument for the interconnectedness of all things been so fleet of foot and ambitious all at once.
• Metro Matt Prigge What would an educational movie about the history of the universe made by Terrence Malick look like? Now we know.
• The Playlist Jordan Ruimy A tone poem that not only pays tribute to planet Earth and the life that inhabits it, but marvels at how this miracle was created.
• JoBlo's Movie Network JimmyO VOYAGE OF TIME: THE IMAX EXPERIENCE is a gorgeous documentary that is a must see on the biggest screen possible...
• Brooklyn Magazine Benjamin Mercer Voyage of Time constitutes something more audacious than a call to action. First and foremost, it sets out to model an ethic of wonder.
• Forbes Scott Mendelson A sprawling, meditative, and visually beautiful magical history tour filled with inspiring sights and profound observations.
• Film Journal International Daniel Eagan Visually sumptuous, but prone to overstatement, it's the opposite of a kid-friendly IMAX nature documentary.
• The Young Folks Josh Cabrita Voyage of Time, in both versions, is the first time a Malick film is caged within itself, the soul never quite reaching the liberated transcendence that all of his characters are so desperately looking for.

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