jack white melbourne tour

Jack White on having nine (actual) siblings, building new guitars, and why he wants to lock up your phone

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The Saboteurs (known as The Raconteurs everywhere but Australia) have just announced the details for their third album Help Us Stranger , their first recording in 11 years, out this June.

We’d say the release long-awaited, but the truth is that no one was really sure whether we’d ever get a new LP from the group. That includes its members; Jack White, Brendan Benson, and Patrick Keeler and Jack Lawrence of Cincinnati band The Greenhornes.

“You never know with those sort of things,” White told Double J’s Zan Rowe about reactivating the slumbering supergroup. “You just go in and see how it's going to be.

“Everybody brought a lot of creativity back to the room, so it was very refreshing. I love when that happens, you know you're in a good place. Very quickly we started playing music that everyone really liked the sound of.”

Listen to Zan's chat with Jack White above

Jack White is a man with many projects. While they all linger somewhere in the rock’n’roll universe, there are distinct differences to each of his projects that allow him the space to stretch out creatively.

For White, The Saboteurs is an exercise in abundance. This is significant for an artist who, for decades, has been one of the most high-profile exponents of musical minimalism.

“Before [Benson] and I started working together I was very much part of this really simplistic De Stijl kind of art movement with The White Stripes; insanely simplistic. Small elements. Trying to keep things as minimal as possible.

“To work together with him was a great opportunity to expand and do gigantic things with multiple members in the band who were all incredible musicians. That was a big thing for me when we started The Raconteurs, it helped me be able to write in a bigger way.”

Collaboration is one of the greatest challenges to the creative process but can also offer the greatest rewards. A healthy sense of competition exists between White and Benson when it comes to writing songs, but White said that’s just one aspect of collaborative writing.

“It would be nice to have a bit more of a competition, but I think it's good to have everything in moderation; a little bit of [competition], a little bit of inspiration, a little bit of standing your ground and not wanting to change certain things,” he said.

“You have to kind of balance all those different feelings and emotions.

“It's kind of strange, it's almost like painting a painting with two painters. What you might think would be a good thing to put in a certain place, the other person might not. You have to pick your battles and figure out a cool medium. That's what's good about it, you do things you wouldn't normally be doing.”

And there are clear differences in the songwriting styles of the group’s two core creative forces.

“Brendan is bringing different ideas to what I am,” White said. “He writes a little bit more about his own world and his own life.

“There's a song on there called 'Only Child', and he is an only child, whereas I'm the youngest of ten kids. So, I'm maybe a good yin-yang person to work with.”

Yes, that’s right, Jack White is the youngest of ten children.

“My Mum was about 45 when she had me too,” White said. “It was way at the end of this gigantic family.”

So, does a childhood in a busy house make you a better collaborator in adulthood?

“A big part of who I am is from the environment I grew up in, for sure,” White said.

“We were talking about that when we were working on this song, all the things that come up. You don't have to share when you're an only child. You have to share whether you like it or not if you have as many brothers and sisters as I have. Sometimes that's a good thing, sometimes it's not.

“It's really great when you're an artist how much your environment influences you and when you're able to step outside of it and look at the elements that have influenced different parts of your life, it's really interesting.”

The J Files: 4 sides to Jack White

Given it’s been a long time since the band played shows, White suggests that there’ll be some changes to the way they present the material from the first couple of records when they come to Australia this month.

“We're re-looking at older songs and putting them in a different light,” he said. “Changing the rhythms and structures of them. I'm not too big on nostalgia, so I'm not too big on playing things exactly as they were on the record.

“I always hope, when we get on the road, there'll be more and more changes as time goes on. It'll be great to start doing that in Australia, start amping them up and see where they take us.”

Part of that process of sonic evolution comes through the implementation of new musical equipment. For White, that means one thing: new guitars.

“Back when I was in The White Stripes, I think I only had three guitars in that band. I kept it very, very simple,” White said. “In a band like Raconteurs, or when I'm going solo, I get to explore.

“I love guitars that can do different tricks. That have gadgetry and mechanical parts to them. I've been working with guitar makers this past couple of months, trying to find interesting contraptions to put together.

“I'll have a bunch of guitars I've never played with before, so I'm hoping it will change my guitar playing style. To use different guitars with this mechanics on them. Hopefully it goes well, if not I'll have to sell them all and go back to my old standards, I guess.”

Another point of difference on this tour is Jack White’s recent decision to ban mobile phones from his concerts.

“We did that last year,” White said, referring to his dates in support of 2018’s Boarding House Reach .

“Chris Rock, the comedian, came and performed at Third Man [Records - White's Nashville-based label and creative headquarters], and he used these bags that everyone put their phones in. You keep them in your pocket.

“It was so interesting. It was such a beautiful experience. Everyone was just in the moment.”

Rock sent him the details of the company responsible for the bags in question, and White tasked them with providing a phone-free solution for his own shows.

“I thought, 'I doubt it's gonna last long, probably a week or two. Everyone's gonna be really upset. Everyone's glued to their phones nowadays, so I doubt this will work',” he said.

“But everyone loved it. It was amazing. The shows were so much better. So, we kept doing it. People were super positive and loved the experience.

“Maybe Australians will love it? Maybe I'll get kicked off the island and sent home? I don't know!”

Jack White’s track record in rock’n’roll is practically unparalleled; The Raconteurs, The Dead Weather, The White Stripes, Third Man Records and a stellar solo career all helping to make him one of the most revered musicians on the planet.

For him, it’s all about growth and embracing new challenges.

“It's been incredible,” he said. “I can't believe how many things I've been able to do. How many things that have just happened by accident.

“I didn't really plan most of those things, they just naturally occurred. They've all really helped me get further and further as a musician, a songwriter, an artist, whatever it is that I am.

“The Raconteurs especially, as a songwriter and as a guitar player, it took me to places I've never been before. It's very exciting that it's still happening. That I'm still able to write with this band and get to some place new. Get to songwriting techniques I've never used before. It's very cool.”

The Saboteurs play the following shows:

Thursday 18 April – Regent Theatre, Melbourne Saturday 20 April – Big Top Luna Park, Sydney Monday 22 April – Bluesfest

Jack White Announces The Supply Chain Issues Tour

TICKETS ON SALE FRIDAY, DECEMBER 17 AT 10AM LOCAL TIME

Pre-sale tickets available starting monday, december 13, fear of the dawn  &  entering heaven alive  available for pre-order now.

Jack White  has announced the first dates of The Supply Chain Issues Tour with shows in North America, Europe, and the United Kingdom. The tour produced by Live Nation — which includes White’s first headline shows in four years — will begin with two special  FEAR OF THE DAWN  album release shows on April 8 & 9, 2022 at Detroit’s Masonic Temple Theatre and continue through August 29 in Kansas City (full list of dates below). Third Man Records Vault Members will have access to first pre-sale tickets beginning Monday, December 13 at 10am local time. Additionally, Citi is the official card of Jack White’s Supply Chain Issues Tour. Citi cardmembers will have access to presale tickets for US shows beginning Tuesday, December 14 at 10am local time until Thursday, December 16 at 10pm local time through the Citi Entertainment program – for complete Citi presale details visit  www.citientertainment.com .Fans can also register for a Thursday, December 16 pre-sale by saving “Taking Me Back”  HERE . Tickets go on sale to the general public at 10am local time on Friday, December 17. A limited number of VIP packages will be available for each show as well (check ticket listings for details). For tickets and more information, visit  https://jackwhiteiii.com/tour-dates/ . 

The tour will celebrate the upcoming release of two brand new Jack White albums;  FEAR OF THE DAWN arrives everywhere via Third Man Records on April 8, 2022, and  ENTERING HEAVEN ALIVE  will follow on July 22, 2022.  FEAR OF THE DAWN  and  ENTERING HEAVEN ALIVE  are available for pre-order on vinyl and CD now. In addition to the standard black vinyl version of  FEAR OF THE DAWN , five limited edition vinyl variants have been announced and are also available for pre-order. The variants include a midnight blue vinyl version with a screen printed jacket available to Third Man Records Vault Members in the  Vault Novelties store , astronomical blue vinyl at  select independent record stores , moon glow white vinyl at  Target , and a split moon glow white & astronomical blue LP with an 11”x11” screen printed poster and Third Man Records compilation CD at  Rough Trade Records . An exclusive slip mat is also available with the album only at  Urban Outfitters . Details on digital pre-orders for both albums and vinyl variants for  ENTERING HEAVEN ALIVE  will be announced at a later date.

PRE-ORDER   FEAR OF THE DAWN

PRE-ORDER  ENTERING HEAVEN ALIVE

FEAR OF THE DAWN  was first heralded by “Taking Me Back,” hailed by  PASTE  as “ a return to White’s sweet spot ” and joined by an official music video – directed by Jack White and co-directed by Lauren Dunn (Megan Thee Stallion, Kali Uchis) – streaming now on Jack White’s YouTube channel. A limited edition tri-color 7-inch of “Taking Me Back” has also been announced and will be available exclusively at Third Man Records’ Nashville, Cass Corridor, and London stores tomorrow, December 11. 

WATCH  “TAKING ME BACK” OFFICIAL VIDEO

JACK WHITE 2022 WORLD TOUR

* Festival Performance 

April 08 – Detroit, MI – Masonic Temple Theatre

April 09 – Detroit, MI – Masonic Temple Theatre

April 10 – Grand Rapids, MI – Van Andel Arena

April 12 – Chicago, IL – Credit Union 1 Arena

April 13 – Cincinnati, OH – The Andrew J Brady ICON Music Center

April 14 – Pittsburgh, PA – Petersen Events Center

April 16 – Laval, QC – Place Bell

April 17 – Boston, MA – Agganis Arena

April 19 – Washington, DC – The Anthem

April 21 – Brooklyn, NY – Barclays Center

April 23 – Portsmouth, VA – Atlantic Union Bank Pavilion 

April 24 – North Charleston, SC – High Water Festival *

April 26 – Atlanta, GA – Tabernacle

April 27 – Atlanta, GA – Tabernacle

April 28 – Atlanta, GA – Tabernacle

April 30 – Nashville, TN – Ascend Amphitheater

May 01 – Nashville, TN – Ascend Amphitheater

May 23 – Irving, TX – The Pavilion at Toyota Music Factory

May 24 – Tulsa, OK – BOK Center

May 25 – Austin, TX – Moody Center

May 27 – El Paso, TX – El Paso County Coliseum

May 28 – Phoenix, AZ – Arizona Federal Theatre

May 29 – Las Vegas, NV – The Chelsea at The Cosmopolitan

May 31 – Los Angeles, CA – YouTube Theater

June 01 – Los Angeles, CA – YouTube Theater

June 03 – Reno, NV – Reno Events Center

June 04 – Mountain View, CA – Shoreline Amphitheatre

June 06 – Portland, OR – Moda Center

June 07 – Vancouver, BC – Pacific Coliseum

June 08 – Seattle, WA – Climate Pledge Arena

June 10 – Salt Lake City, UT – USANA Amphitheatre

June 11 – Broomfield, CO – 1STBANK Center

June 27 – London, UK – Eventim Apollo 

June 28 – London, UK – Eventim Apollo 

June 30 – Cologne, Germany – Palladium

July 01 – Amsterdam, Netherlands – AFAS Live

July 02 – Leipzig, Germany – Haus Auensee

July 04 – Berlin, Germany – Verti Music Hall

July 07 – Lyon, France – Le Radiant

July 10 – Madrid, Spain – Mad Cool Festival * 

July 14 – Zurich, Switzerland – Samsung Hall

July 15 – Frankfurt, Germany – Jahrhunderthalle

July 16 – Brussels, Belgium – Forest National

July 18 – Paris, France – L’Olympia

July 19 – Paris, France – L’Olympia

July 20 – Paris, France – L’Olympia

August 13 – Minneapolis, MN – Armory

August 16 – Milwaukee, WI – UWM Panther Arena

August 17 – Indianapolis, IN – TCU Amphitheater at White River State Park

August 19 – Toronto, ON – Budweiser Stage

August 21 – Lewiston, NY – Artpark

August 23 – Portland, ME – Cross Insurance Arena

August 24 – Baltimore, MD – Pier Six Pavilion

August 25 – Charlotte, NC – Charlotte Metro Credit Union Amphitheatre

August 27 – Huntsville, AL – Orion Amphitheater

August 28 – St. Louis, MO – Saint Louis Music Park

August 29 – Kansas City, MO – Starlight Theatre

FEAR OF THE DAWN

(Third Man Records)

Release Date: April 8, 2022

1. TAKING ME BACK

2. FEAR OF THE DAWN

3. THE WHITE RAVEN

4. HI-DE-HO (W/ Q-TIP)

5. EOSOPHOBIA

6. INTO THE TWILIGHT

8. WHAT’S THE TRICK?

9. THAT WAS THEN, THIS IS NOW

10. EOSOPHOBIA (REPRISE)

11. MORNING, NOON AND NIGHT

12. SHEDDING MY VELVET

ENTERING HEAVEN ALIVE

Release Date: July 22, 2022

1. A TIP FROM YOU TO ME

2. ALL ALONG THE WAY

3. HELP ME ALONG

4. LOVE IS SELFISH

5. I’VE GOT YOU SURROUNDED (WITH MY LOVE)

6. QUEEN OF THE BEES

7. A TREE ON FIRE FROM WITHIN

8. IF I DIE TOMORROW

9. PLEASE GOD, DON’T TELL ANYONE

10. A MADMAN FROM MANHATTAN

11. TAKING ME BACK (GENTLY)

FOLLOW JACK WHITE:

JACKWHITEIII.COM  |  FACEBOOK  |  TWITTER  |  INSTAGRAM  |  YOUTUBE

THIRDMANRECORDS.COM

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit  www.livenationentertainment.com .

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Monique Sowinksi |  [email protected]

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• Consequence

Jack White Announces Huge 2022 Tour

The 57-date outing comes in support of White's pair of upcoming albums

In 2022, Jack White will hit the road for the first time in four years for a massive tour in support of his upcoming albums ,  Fear of the Dawn  and  Entering Heaven Alive .

“The Supply Chain Issues Tour” consists of 57 shows taking place in North America, the United Kingdom, and Europe between April and August 2022.

In the US specifically, White will kick off the jaunt with a pair of shows at the Masonic Temple Theatre in his hometown of Detroit, Michigan. He’ll also play multiple nights in Atlanta, Nashville, and Los Angeles. Other cities on the itinerary include Chicago, Pittsburgh, Brooklyn, Austin, Baltimore, and St. Louis.

Third Man Records Vault Members will have access to first pre-sale tickets beginning Monday, December 13 at 10:00 a.m. local time. A second pre-sale is set for Thursday, December 16th and can be accessed by saving White’s new single, “Taking Me Back.” Tickets will go on sale to the general public at 10:00 a.m. local time on Friday, December 17th via Ticketmaster .

White is also set to headline the High Water Festival in North Charleston, South Carolina, and the Mad Cool Festival in Madrid, Spain.

Jack White in 10 Songs

Marking White’s first new solo records in four years, Fear of the Dawn  and  Entering Heaven Alive  will be released on April 8th and July 22nd, respectively.

Jack White 2022 Tour Dates: 04/08 – Detroit, MI @ Masonic Temple Theatre 04/09 – Detroit, MI @ Masonic Temple Theatre 04/10 – Grand Rapids, MI @ Van Andel Arena 04/12 – Chicago, IL @ Credit Union 1 Arena 04/13 – Cincinnati, OH @ The Andrew J Brady ICON Music Center 04/14 – Pittsburgh, PA @ Petersen Events Center 04/16 – Laval, QC @ Place Bell 04/17 – Boston, MA @ Agganis Arena 04/19 – Washington, DC @ The Anthem 04/21 – Brooklyn, NY @ Barclays Center 04/23 – Portsmouth, VA @ Atlantic Union Bank Pavilion 04/24 – North Charleston, SC @ High Water Festival 04/26 – Atlanta, GA @ Tabernacle 04/27 – Atlanta, GA @ Tabernacle 04/28 – Atlanta, GA @ Tabernacle 04/30 – Nashville, TN @ Ascend Amphitheater 05/01 – Nashville, TN @ Ascend Amphitheater 05/23 – Irving, TX @ The Pavilion at Toyota Music Factory 05/24 – Tulsa, OK @ BOK Center 05/25 – Austin, TX @ Moody Center 05/27 – El Paso, TX @ El Paso County Coliseum 05/28 – Phoenix, AZ @ Arizona Federal Theatre 05/29 – Las Vegas, NV @ The Chelsea at The Cosmopolitan 05/31 – Los Angeles, CA @ YouTube Theater 06/01 – Los Angeles, CA @ YouTube Theater 06/03 – Reno, NV @ Reno Events Center 06/04 – Mountain View, CA @ Shoreline Amphitheatre 06/06 – Portland, OR @ Moda Center 06/07 – Vancouver, BC @ Pacific Coliseum 06/08 – Seattle, WA @ Climate Pledge Arena 06/10 – Salt Lake City, UT @ USANA Amphitheatre 06/11 – Broomfield, CO @ 1STBANK Center 06/27 – London, UK @ Eventim Apollo 06/28 – London, UK @ Eventim Apollo 06/30 – Cologne, DE @ Palladium 07/01 – Amsterdam, NL @ AFAS Live 07/02 – Leipzig, DE @ Haus Auensee 07/04 – Berlin, DE @ Verti Music Hall 07/07 – Lyon, FR @ Le Radiant 07/10 – Madrid, ES @ Mad Cool Festival 07/14 – Zurich, CH @ Samsung Hall 07/15 – Frankfurt, DE @ Jahrhunderthalle 07/16 – Brussels, BE @ Forest National 07/18 – Paris, FR @ L’Olympia 07/19 – Paris, FR @ L’Olympia 07/20 – Paris, FR @ L’Olympia 08/13 – Minneapolis, MN @ Armory 08/16 – Milwaukee, WI @ UWM Panther Arena 08/17 – Indianapolis, IN @ TCU Amphitheater at White River State Park 08/19 – Toronto, ON @ Budweiser Stage 08/21 – Lewiston, NY @ Artpark 08/23 – Portland, ME @ Cross Insurance Arena 08/24 – Baltimore, MD @ Pier Six Pavilion 08/25 – Charlotte, NC @ Charlotte Metro Credit Union Amphitheatre 08/27 – Huntsville, AL @ Orion Amphitheater 08/28 – St. Louis, MO @ Saint Louis Music Park 08/29 – Kansas City, MO @ Starlight Theatre

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Jack White Announces 2022 Headline Tour Dates

Tickets will go on sale December 13.

Jack White has announced the first dates of The Supply Chain Issues Tour with shows in North America, Europe, and the United Kingdom. The tour produced by Live Nation -- which includes White's first headline shows in four years -- will begin with two special FEAR OF THE DAWN album release shows on April 8 & 9, 2022 at Detroit's Masonic Temple Theatre and continue through August 29 in Kansas City (full list of dates below).

Third Man Records Vault Members will have access to first presale tickets beginning Monday, December 13 at 10am local time. Additionally, Citi is the official card of Jack White's Supply Chain Issues Tour. Citi cardmembers will have access to presale tickets for US shows beginning Tuesday, December 14 at 10am local time until Thursday, December 16 at 10pm local time through the Citi Entertainment program - for complete Citi presale details visit www.citientertainment.com. Fans can also register for a Thursday, December 16 presale by saving "Taking Me Back" HERE. Tickets go on sale to the general public at 10am local time on Friday, December 17. A limited number of VIP packages will be available for each show. Check ticket listings for more details. For tickets click here .

The tour will celebrate the upcoming release of two brand new Jack White albums; FEAR OF THE DAWN arrives everywhere via Third Man Records on April 8, 2022, and ENTERING HEAVEN ALIVE will follow on July 22, 2022. FEAR OF THE DAWN and ENTERING HEAVEN ALIVE are available for pre-order on vinyl and CD now. In addition to the standard black vinyl version of FEAR OF THE DAWN, five limited edition vinyl variants have been announced and are also available for pre-order.

The variants include a midnight blue vinyl version with a screen printed jacket available to Third Man Records Vault Members in the Vault Novelties store, astronomical blue vinyl at select independent record stores, moon glow white vinyl at Target, and a split moon glow white & astronomical blue LP with an 11"x11" screen printed poster and Third Man Records compilation CD at Rough Trade Records. An exclusive slip mat is also available with the album only at Urban Outfitters. Details on digital pre-orders for both albums and vinyl variants for ENTERING HEAVEN ALIVE will be announced at a later date.

FEAR OF THE DAWN was first heralded by "Taking Me Back," hailed by PASTE as "a return to White's sweet spot" and joined by an official music video - directed by Jack White and co-directed by Lauren Dunn (Megan Thee Stallion, Kali Uchis) - streaming now on Jack White's YouTube channel. A limited edition tri-color 7-inch of "Taking Me Back" has also been announced and will be available exclusively at Third Man Records' Nashville, Cass Corridor, and London stores tomorrow, December 11.

April 08 - Detroit, MI - Masonic Temple Theatre April 09 - Detroit, MI - Masonic Temple Theatre April 10 - Grand Rapids, MI - Van Andel Arena April 12 - Chicago, IL - Credit Union 1 Arena April 13 - Cincinnati, OH - The Andrew J Brady ICON Music Center April 14 - Pittsburgh, PA - Petersen Events Center April 16 - Laval, QC - Place Bell April 17 - Boston, MA - Agganis Arena April 19 - Washington, DC - The Anthem April 21 - Brooklyn, NY - Barclays Center April 23 - Portsmouth, VA - Atlantic Union Bank Pavilion April 24 - North Charleston, SC - High Water Festival * April 26 - Atlanta, GA - Tabernacle April 27 - Atlanta, GA - Tabernacle April 28 - Atlanta, GA - Tabernacle April 30 - Nashville, TN - Ascend Amphitheater May 01 - Nashville, TN - Ascend Amphitheater May 23 - Irving, TX - The Pavilion at Toyota Music Factory May 24 - Tulsa, OK - BOK Center May 25 - Austin, TX - Moody Center May 27 - El Paso, TX - El Paso County Coliseum May 28 - Phoenix, AZ - Arizona Federal Theatre May 29 - Las Vegas, NV - The Chelsea at The Cosmopolitan May 31 - Los Angeles, CA - YouTube Theater June 01 - Los Angeles, CA - YouTube Theater June 03 - Reno, NV - Reno Events Center June 04 - Mountain View, CA - Shoreline Amphitheatre June 06 - Portland, OR - Moda Center June 07 - Vancouver, BC - Pacific Coliseum June 08 - Seattle, WA - Climate Pledge Arena June 10 - Salt Lake City, UT - USANA Amphitheatre June 11 - Broomfield, CO - 1STBANK Center June 27 - London, UK - Eventim Apollo June 28 - London, UK - Eventim Apollo June 30 - Cologne, Germany - Palladium July 01 - Amsterdam, Netherlands - AFAS Live July 02 - Leipzig, Germany - Haus Auensee July 04 - Berlin, Germany - Verti Music Hall July 07 - Lyon, France - Le Radiant July 10 - Madrid, Spain - Mad Cool Festival * July 14 - Zurich, Switzerland - Samsung Hall July 15 - Frankfurt, Germany - Jahrhunderthalle July 16 - Brussels, Belgium - Forest National July 18 - Paris, France - L'Olympia July 19 - Paris, France - L'Olympia July 20 - Paris, France - L'Olympia August 13 - Minneapolis, MN - Armory August 16 - Milwaukee, WI - UWM Panther Arena August 17 - Indianapolis, IN - TCU Amphitheater at White River State Park August 19 - Toronto, ON - Budweiser Stage August 21 - Lewiston, NY - Artpark August 23 - Portland, ME - Cross Insurance Arena August 24 - Baltimore, MD - Pier Six Pavilion August 25 - Charlotte, NC - Charlotte Metro Credit Union Amphitheatre August 27 - Huntsville, AL - Orion Amphitheater August 28 - St. Louis, MO - Saint Louis Music Park August 29 - Kansas City, MO - Starlight Theatre

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Australian young-gun Jack White is commencing his 2nd of a 3-year deal with United. Despite a series of major injuries in his first season, White emerged as an NBL Champion in 2021.

The Victorian-born forward has most recently been part of the world renowned highly successful basketball program at Duke University, where he captained the team for the last two seasons.

White achieved multiple accolades during his time with the Blue Devils, including being named in the All-ACC Academic team two years in a row.

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Jack White Announces New Live Album Recorded During Current Tour

By Madison Bloom

Jack White has announced a new live album from his ongoing 2022 trek . Jack White Live: The Supply Chain Issues Tour is available for vault subscribers through October 31 at midnight Central. The deluxe set is being released by White’s own Third Man Records , marking the 54th installment of the Vault Package subscription service.

The set includes three LPs—one blue, one black, and one white—featuring live recordings from White’s current tour, as well as a glittery blue 7" with a demo version of “A Tip From You to Me,” which appears on White’s latest album Entering Heaven Alive . Take a look at the full Vault Package set below.

Disc one of Jack White Live: The Supply Chain Issues Tour includes stage renditions of Fear of the Dawn tracks such as “Taking Me Back” and “The White Raven,” while disc two features White’s entire concert at Union Chapel in London, where he performed “Help Me Along,” “I’ve Got You Surrounded (With My Love),” and “Taking Me Back (Gently)” live for the first time.

The third LP features onstage covers of Johnny Cash’s “Wayfaring Stranger,” the Stooges’ “I Wanna Be Your Dog,” the Monks’ “I Hate You,” and more. White’s 2022 tour is currently scheduled to run through October 16.

Revisit “ Inside Jack White’s New Third Man Pressing Plant ” on the Pitch.

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By Jazz Monroe

By Matthew Strauss

By Nina Corcoran

Getting to know Melbourne United rookie Jack White

It’s been a long wait for jack white. after having the final year of his college career with the duke blue devils cut short in march due to covid-19, white ultimately decided that a return to australia to start his pro career with melbourne united was the right move..

Jack White Source: Getty Images

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Jack White  

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Jack White is an American musician and producer who found fame as frontman of alternative rock band The White Stripes.

Real name John Anthony Gillis was born in Detroit, Michigan and is the youngest of ten siblings. His earliest musical influences came from his brothers and he began playing drums at the age of sixteen after finding an old discarded kit in his attic. He began listening to iconic artists such as The Doors and Led Zepplin at an incredibly young age before finding a love of blues and 1960s rock in his teenage years which would go on to inspire the sounds for The White Stripes. He met future collaborator and wife Megan White in a restaurant that she worked in when he was a senior at college, they began a courtship and quickly married.

Whilst finding his way in the music world, Jack was running an upholstery company called 'Your Furniture isn't Dead' during the day and moonlighting in local bands in the evenings to gain live experience and debut some of his solo material. It was only by chance that White began to play the drums yet after the couple branded themselves The White Stripes they scored their first live gig just two months later.

The pair publicly presented themselves as a brother/sister duo and kept a monochromatic theme whilst performing live, only wearing white, black and red. Jack enjoyed huge successes with the White Stripes, winning a handful of Grammy awards, critical acclaim for their revolutionary sounds and numerous sell out worldwide tours along with a prestigious headline slot at the 2005 Glastonbury Festival. In 2011 the band announced they would be splitting "mostly to preserve what is beautiful and special about the band". Due to the successes of his work with White Stripes, Jack White had the chance to collaborate with many esteemed artists on his debut 'Blunderbuss' which was a huge success worldwide charting atop UK and US album charts and performed all over the world with his promotional campaign.

Still working on experimental blues rock, his 2014 LP 'Lazaretto' was another huge success and was applauded by critics for the intelligent minimalist style that has been consistent through his career. Jack White is an eccentric, mysterious artist who has kept the music at the heart of everything he has done.

Live reviews

Pace: blistering. Face: melted. Embrace: a seminal musician and his hometown. Jack White's relationship with Detroit is a complex one, but any remaining ill will between city and native son served only to fuel the fire Wednesday night, as White and his band unleashed a ferocious, nearly three-hour barrage of musical magnificence, peppering in a few delightful surprises along the way. This week, upwards of 4,500 fans packed the Masonic Temple--a building White saved last year via of an anonymous donation to avoid foreclosure. The crowd first exploded as a figure began to rustle the pale blue curtain obscuring the stage, only to be greeted by a request to keep their cell phones holstered and enjoy the performance as it was meant to be enjoyed: live. Nearly fifteen additional minutes would pass before perhaps the night's most exciting minute, White's opening number, a fast and forceful rendition of "Fell in Love With a Girl," the track that first broadened The White Stripes' audience. The band spent the majority of the next three hours tearing through White's extensive catalogue, delighting the pulsating audience with selections from the aforementioned White Stripes, The Raconteurs, The Dead Weather, and White's solo work, ranging from instantly-recognizable favorites like "Icky Thump" and "Steady As She Goes" to cult classics like "Astro" and "Screwdriver" to live rarities like "The Big Three Killed My Baby," "Apple Blossom," and "I Fought Piranhas." The biggest surprise of the night came in the form of an impromptu Dead Weather performance of "I Cut Like a Buffalo," as frontwoman Alison Mosshart and guitarist Dean Ferita joined Jack's band on stage, White twirling Mosshart around his person--"Thanks for the lift jack!!"--as she bid farewell to the electrified crowd. Despite the raucous nature of the performance, the finer points were not lost on the crowd, as the band worked in riffs from Led Zeppelin, covers from Beck and Hank Williams, and dedications to some of Detroit's musical greats. Moreover, White's band was impeccable, both riffing off one another and adjusting to White's direction on the fly. The blues/garage/grunge sound White has long been known for still manages to shine through in his performances though his older works have largely been fleshed out for a five-piece band employing a variety of instruments including keys, violin, pedal steel, and even a theremin. The result is no less an assault on the soul than on the senses, as White's emotion is amplified by his precise yet remarkably improvisational performance. Jack White has a long history of celebrated live performances, particularly in his hometown, but July 30, 2014 at the Masonic Temple will stand out even among his best. Tickets were hard to come by for this show, and the music fans who managed to secure them were handsomely rewarded. White's donation put his name on the venue's smaller theater. Performances like this leave no doubt that this, too, is Jack White's theater.

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So after a four week gap between gigs we are back in the swing of things at the hallowed venue, Hammersmith Odeon. It was the scene of my first ever gig, Whitesnake in 1981 and indeed 18 of next 25 gigs I ever went to were here. It may have changed its name many times in the past 30 years but it will still be Hammy O to me. This year’s moniker is the Eventim Apollo (WTF) and it welcomes Mr Jack White. I have seen Jack in many of his guises, The White Stripes, The Raconteurs and solo and he has never failed to deliver so expectations were high. It’s hot and sweaty outside but that feels positively balmy compared to the heat generated by the 5000 souls inside. There’s a feeling that Jack is a little unhinged at the moment playing a secret gig the night before with the audience dressed in hospital gowns and he being pushed away in a hospital bed. This on top of his falling into the drum kit at Glasto. I dunno but have always felt that he’s a man on the edge and that’s probably what makes him so interesting creatively much like Ryan Adams and Conor Oberst. I won’t bore you with running through the set but for me there were obvious highlights, Three Women, Hotel Yorba, Ball and Biscuit and a different take on Steady as She Goes. Working without a setlist he went wherever the mood took him supported by a superb band led by the charismatic drummer who can’t sit for too long, has his drums pointing in a jaunty angle and has a penchant for the cow bell. The violinist is accomplished and can actually be heard amongst the electric mayhem going on and has a unique high pitched voice that compliments Jack’s well. This complemented by Mandolin, Theremin, pedal steel, organ, keyboard, upright base. All that’s missing is Evelyn Glennie and her glockenspiel. The night moves from acoustic albeit heavily amplified with mandolin to full on delta blues taking in Rock/Rap. Indeed a lot of the songs especially the new ones are delivered in a real punchy staccato style, the lyrics spat out in a Rage against the Machine mode which for this young listener aint a bad thing. It’s an energetic show and Jack does his best rock god impressions that don’t look cheesy or contrived. He’s obviously enjoying this and makes some barbed comments about Glastonbury and distance to the audience. Two hours later it’s all over closing with the football terrace friendly Seven Nation Army. We leave and I’m in desperate need of rehydration and some new ear drums please. Five stars to wake up London on a hot steamy night. Sleep comes much later thanks to the ringing in the ears

Jack White is sure to melt your face off with his his thrashing guitar and raw energy on stage. My heart always feels like it's going to explode in a Jack White mosh pit.....and trust me, it's in a good way.

Although Jack toured with two entirely different bands on his last tour, one made up of all females (the Peacocks), and one made up of all males (the Buzzards), his tour this summer is a collaboration of the two (along with some new faces).

Jack likes to keep it real on stage by not dedicating himself to any particular setlist, but instead calling out which song to play next on a whim. This keeps things fresh as neither him nor his band know what song is coming next until it is time to play it (although there does seem to be a rotating list of songs you can count on hearing!).

One of the other things I really love about seeing Jack live is his interplay with the crowd. I like how chatty he is with the crowd, and he doesn't just run down the same old spiel every time. Jack's level of energy is always matched by the crowd, so if the crowd is amped, he will rock the roof off.

Songs you can (probably) count on hearing: --"Steady as she goes" by The Raconteurs, --"Top Yourself" by The Dead Weather --"I Can Tell That We Are Going To Be Friends" by The White Stripes, --"Hotel Yorba" by The White Stripes, and you can definitely count on hearing --"Seven Nation Army" by The White Stripes as the encore finale.

The best part about seeing Jack again and again is that Jack and his band play all of your favorite White Stripes, Dead Weather, Raconteurs, and his solo work a little differently every time. Some other interesting things to note about his current tour: --Theremin solos!! (Get ready to have your mind blown) --Jack has been playing some covers, which is something I have not really known him to do in the past. So far, he has played songs by Metallica ("Enter Sandman"), The Police ("Message in a Bottle"), Talking Heads ("Psycho Killer"), Bob Dylan ("Isis"), and even Kanye West ("Black Skinhead"). Jack makes it his mission that fans that come to his shows will not be getting the same thing every time, so do yourself a favor, and find a Jack White tour date near you!

Jack White is a Stakhanovist. Ever since the White Stripes, has he been behind the drums, producing artists or hammering his guitar, the man has lived for and through music. Actually, I can't think of anybody else embodying music like he does. That's why seeing him live is an unmissable opportunity. Paris, L'Olympia. June, the 29th. I'm sweating, sipping my beer. A man in a black suit comes on stage to deliver a message from the prophete : please, don't take any photos, including with your phones, for tonight's gonna be a real live experience. The man has guts, and i'm feeling terrible for the two lads taking selfies over there. But i'm feeling confident and i have the feeling that an electric rock'n'roll storm is going to hit the venue.

Light's down, show's on. Everything goes UNDER CONTROL as "Dead Leaves and the Dirty Ground" opens the gig. It's a simple deal : you don't take photos, just enjoy this moment of total rock'n'roll, and i'm going to give you what you've come for : music thrills.

I've been to pretty much any sort of concert, but i think i've never seen a band who enjoyed the moment like they did. It felt just like you were witnessing a jam between incredible musicians, including sensational drummer and pianist. From The White Stripes to his current project, through The Raconteurs, everything Jack White has done is reviewed and corrected, Nashville Tennessee Style (yeah, that means violin and slide guitar on Seven Nation Army). After nearly two hours of music, you come home and know that what you've just seen can be depicted as one of these musical moments one can't forget (even though you haven't taken any pictures).

Oh boy, music isn't dead. It's in a pretty amazing shape !

Jack White completely empties his tank for 2 solid hours at the Fox Theatre. He leaves the crowd satisfied, but of course we want more. His passion for sharing his craft and electric aura whipped through the venue. His performance covered many popular White Stripes songs to the Dead Weather, and both Blunderbuss, and Lazaretto Albums. It seemed like he played both in their entirety. Each song was extended by Jack falling in love with multiple guitars, and getting lost in a stream of riffs that blended into other songs. There were moments where the guitar jams didn't seem like they would ever end (no complaints) and then he would quickly switch to parts of another song and go back to the original one he was playing. He took us through his music timeline and added some surprise songs as well and even a little hip hop. Yeah that's right! Tonight he chose the male band to play with and they were all in sync with Jacks electric generosity. He is genuine, held nothing back, and was very present. He brings a newness and rebirth to rock, blues, country, and mixes it into his own style. You can definitely hear the Zeppelin influence, but he pulls it off without appearing as if he's ripping it off. This show was worth every mile travelled and every penny spent! There are no photos of the show because we all agreed as per Jacks request that we watch in it's entirety in the moment and share with our friends as a memory. It was refreshing to only see a number of phones capturing footage (I guess they didn't hear the message) but overall everyone was left wowed!

Jack White from the Jack White Theater in Detroit? Who could say no? The Masonic Temple was clearly buzzing and couldn't wait for White, the hometown hero of rock. And clearly, White couldn't wait for Detroit. A three hour set spanning his entire discography, including a surprise reunion with his Dead Weather mates, and bookended by White Stripes cuts (some very deep), delighted the packed house. White's surreal guitar artistry shone through as he shredded early, following with a mix of newer solo material, covers of Hank Williams and Led Zeppelin, and many of his most popular songs across his work (the only major omission being the White Stripes' "Blue Orchid"). In control the entire time, White gestured and conducted his five-piece accompaniment, featuring drums, bass (electric and stand-up), violin/fiddle, keyboards, and steel guitar. With his children looking on from the side of the stage, White energetically and raucously bounded across the stage, at times standing on the drumset, at other times recklessly knocking down cymbals and microphones as the cacophony of his guitar solos overtook him. The crowd serenaded him with a roaring chant of his anthemic riff from "Seven Nation Army" before his return for a 10-song encore, closing with four White Stripes tracks, during which he invited three fans on stage to help sing "My Doorbell." With faded blue hues washing over him as seems to be his solo act's theme, White ended an exhausting yet deeply satisfying show on "Seven Nation Army," calling triumphantly "Now THAT'S the Detroit I know!"

The Jack White show in Frankfurt was the best concert I saw in recent years, definitely one of the "most-rocking shows" ever!! Venue and acoustics were great, and Jack & Crew burned up a firework of songs. Aside from "The Man" himself, Lillie Mae Rische on violin/fiddle, manolin and backing vocals was awesome. I'm still buffled by her talent, voice, and looks :) Her voice was blending with Jack White's (when they had lyrics together) so perfectly, it was simply awesome! Just too bad the studio album(s) don't even sound a fraction as good as the live show... as I had to find out when listening to some of the songs again at home. I just hope Jack White will bring out a live album of the Lazaretto tour; I'd be the first in line to get it, no matter what! What else is there to say...? Jack White & Gang were simply spectacular, and I just wish I had the necessary $$ (or better, €€ :) ) to see a couple more of their shows in Europe. They are THAT good & so worth it; yes! You have got to see them if you can, you won't regret it!!!

Jack White brings the ruckus, period. He opened up the show with "Fell In Love With A Girl," running around the stage while simultaneously egging the crowd on to finish the lyrics for him. It didn't take long for everyone to catch on, and right off the bat the show was electric. Immediately following that were two early White Stripes favorites, "Cannon" and "Astro."

Although I preferred the scuzzed-out minimalist blues that he and Meg gave us with The White Stripes, seeing him with one of his many backing bands was still a life-changing experience. He always rewards the die-hard Stripes fans for coming out by playing at least a handful of early favorites from his back catalog, not afraid of going all the way back to The White Stripes self-titled debut.

The highlight for me was when he turned out one of my all time favorites, Ball and Biscuit. My friends and I traveled 3 hours to get our faces properly melted, and melt they did.

What else can be said about Jack White that hasn't already been said ? He continues his never ending crusade to bring a highly entertaining and satisfying rock show to his audience. He doesn't simply want to show up and play, far from it. Instead, Jack brings his expansive catalog of rock riffs and hits straight to your face and asks you to accept the challenge. For those fortunate enough to attend you were not left dissapointed with the way he kept bringing the rock. This is my first time seeing him as a solo act and he obviously enjoys the freedom. He played many of the songs that made him popular with the white stripes and sprinkled in his other projects throughout the show. The only disappointing part of the experience was that it had to end. If Jack is ever anywhere near a venue that is not more than 5 hours away, I will gladly make the trek.

I have never seen an artist enjoy their own concert as much as Jack White. He was talking and interacting with the crowd and cracking jokes with band members. You can tell he truly loves putting on concerts for fans. Everyone at the show had a great time. The music was about half Jack's solo stuff and half White Stripes with a Dead Weather song in there and some jam sessions. He also revamped a couple of songs like 'Missing Pieces' such that they sounded completely different and it was so cool to experience! There's some different instrumentation in a couple songs that makes going to the live show so worth it. Any time you have a theremin solo it's a good time! The venue, Jacobs Pavilion at Nautica, was just excellent. At one point a large ship about as tall as a 10 story building cruised behind the stage. Beautiful view of downtown skyline too.

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New US Tour Dates

Jack is excited to announce more tour dates in the US this Fall. On Wednesday, August 29th a limited number of tickets will be be available for pre-sale to members of the Vault starting at 10 am local time. Tickets go on sale to the public at 10 am local time on Friday, August 31st.

September 27: nTelos Wireless Pavilion in Charlottesville, VA October 8: LC Pavilion Outdoor Amphitheatre in Columbus, OH October 9: Fox Theatre in Atlanta, GA October 10: Carl Perkins Civic Center in Jackson, TN October 12: Cain’s Ballroom in Tulsa, OK

Additionally, due to unforeseen circumstances, Jack will be now playing at Razzmatazz in Barcelona, Spain on September 2nd instead of Sant Jordi. All tickets to Sant Jordi will be honored at Razzmatazz. Tickets are available for purchase here .

Razzmatazz Almogàvers, 122/ Pamplona 88 08018, Barcelona, Spain