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Phil Collins  

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Traveling to the nation's capital to see a concert is not something I would do for any live act except Phil Collins. Many lifelong Phil fans who have had the opportunity to see him live in his prime say that their time and money would not be worth the effort now that he is unable to stand for prolonged periods of time or play instruments. I reply to that by saying that I have never stood or played an instrument in my life, but if I could sing like Phil Collins, none of that would matter.

It certainly made no difference in the quality of the show that the 67-year-old rock star produced at the Capital One Arena to a packed house of more than 23,000 fans. My wife and I sat in the $94 nosebleed section four stories up, feeling like the two most privileged people there, just to be in the building. We have seen many shows by many high-quality acts, but the two hours offered by the incomparable performer and his fantastic band was one of the most exciting shows we have ever seen in our lives.

His touring band included his 17-year-old son, Nicholas, filling in for his dad on the drums and sounding every bit like the powerhouse percussionist his father had once been. His guitarist of four decades, Daryl Stuermer, and his bassist of more than thirty years, Leland Sklar, helped ensure the Phil Collins sound was not lost with age. The Vine Street Horns, which were most notably used on Collins’ 1996 album, Dance Into the Light, were a driving force behind the success of the show.

Collins performed the title track from that album as well as such high energy numbers as “Hang in Long Enough,” “You Can’t Hurry Love,” “Something Happened On the Way to Heaven,” “I Missed Again,” and “Sussudio,” which kept the audience on the edge of excitement. Another surprise addition to the setlist was “You'll Be in My Heart,” Collins's Oscar-winning hit from the Disney animated film Tarzan.

Speaking of surprises, the highlight of the show came midway when, after Nicholas Collins performed his amazing five-minute drum solo, Phil himself, who had not publicly played the drums in about eight years, joined with Nicholas and percussionist Ritchie Garcia in an incredible drum trio tune, pounded out on the back of guitars and wooden crates. I was in awe that I actually had the opportunity to see him play the drums. It may not have been as he could once do, but it was proof that he still had the beat of the drum in his blood. It was a moment worthy of blurry eyes.

Collins also paid homage to his fifty year partnership with Mike Rutherford and Tony Banks in the legendary rock group Genesis by performing three of their more popular songs, “Throwing It All Away,” “Invisible Touch,” and “Follow You, Follow Me,” during which a montage of Genesis’s best video moments played across the giant arena screen.

Bridgette Bryant and Amy Keys, two beautiful and talented backup singers that I remember from the Going Back show, were on hand to perform with Collins on such duets as “Easy Lover” and “Separate Lives.” A particularly touching duet featured Collins singing with son Nicholas on the piano to “You Know What I Mean,” from his 1981 debut solo album, Face Value. A personal favorite, it was one of the lesser-known tunes offered in the nineteen-song setlist, but equally as adored by die-hard fans like me. Phil Collins could not turn out a song that I wouldn't know by heart. The people in the seats next to me were impressed that I knew the song and they didn’t. Other lesser-known songs included the rousing, horn-driven “Who Said I Would” from No Jacket Required, and the ballad, “Can't Turn Back the Years” from Both Sides.

Of course, no Phil Collins set would be complete without such standards as “In the Air Tonight,” “Against All Odds,” and “Another Day in Paradise,” the latter of which was written nearly three decades ago when Collins was passing through Washington DC on tour and noticed all the homeless people along the streets. The powerful song resonated with my wife and me as we saw the same thing during our trip. He closed the show with his trademark finale hit, “Take Me Home,” which was met with the last of many standing ovations during the night.

Collins made no effort to hide his physical impairment, which had no bearing whatsoever on the quality of his voice and the audience remained eternally grateful for his efforts. For my wife and me, my lifelong hero turned what would have otherwise been a miserable trip to Washington DC into an unforgettable memory that would have been forever regretted had it been missed.

The fact that I didn't go to the Genesis performance in that same venue eleven years ago remains one of the biggest regrets of my life is a testament to this. I also regret then I didn't do more to try to meet him when his assistant led me into the now extinct Roseland Ballroom in New York City eight years ago. I had a copy of my book A Real Life Fairy Tale, in which I detailed my New York City adventure, signed and ready to present to him just in case. It didn't happen even by a long shot. Nevertheless, it was an unforgettable and incredible experience. Had he been in his prime, he could not have achieved a better goal. He made us forget our troubles entirely for those two hours.

I was very thrilled to see many people of all ages eager to see Collins at the Washington show. Many came from our area, including people from such cities as Roanoke, Charlotte, NC, and Goldsboro, NC. I was especially refreshed to meet one man who flew in from Indiana with his wife to attend the show. He had seen Collins before and said he was just as good that night as he was in his prime, which helped me to affirm that my trip was worth it. October 7, 2018 will be a day forever etched in my mind as one of the happiest memories I've ever had.

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It’s been 25 years since Phil Collins graced Charlotte, NC with his presence. The last time was in December 1994 during his Both Sides tour. I was 9 years old and my mother couldn’t afford to let me go. This time, she was more generous than ever to foot the nearly $400 bill, including fees and ticket insurance, for my wife and I to see my lifelong hero in his triumphant return to our part of the country.

Against all odds, if you’ll pardon the pun, the experience was more than worth it. It was my mom, after all, who turned me onto his music from the womb. My five-year-old daughter is a third-generation fan. In the dozens of times I have been to Charlotte to see many wonderful acts, no matter how exciting they were, I secretly wished it were Phil I was going to see.

Anyone who is acquainted with me at all knows I’ve gone to ridiculously strenuous efforts to see Phil Collins twice before, in New York City in 2010 and Washington DC last year. The show was every bit as good as last year’s Washington concert, with the slight exception that “You’ll Be in My Heart” was omitted from the Charlotte show, the anthem between my daughter and me. The obscure “Can’t Turn Back the Years” was replaced by the classic hit, “Don’t Lose My Number,” an upgrade from last year.

Phil’s voice appeared to be even better than last time despite his physical disability. His son Nicholas, 18, had sharpened his skills on the drums as well, which were already flawless. His dad, whose multiple back surgeries and numb extremities have prevented him from playing any instrument for more than a decade, is getting better on his part of the “Drum Trio” portion of the show as well.

Collins, 68, beat machine gun-paced rhythms on guitar back alongside his son and percussionist Ritchie Garcia. This succeed at 10-minute drum duet between Garcia and the younger Collins that had the audience so enthralled that many, including my wife and me, did not notice the elder Collins falling backward, having missed the chair in which he was supposed to have sat. A TMZ video reveals fans gasping and two assistant rushing to his aide. Obviously, it did nothing to diminish his performance, as the second half of the show was just as good, if not better, than the first. It wouldn’t surprise me if he made it back behind the drum kit once again after all.

The Rock and Roll Hall of Famer was backed by his longtime band including several 30 and 40-year veterans such as electric guitarists Daryl Stuermer, bassist Leland Sklar, and keyboardist Brad Cole, all greeted by the audience as old friends. Aside from father and son, the Vine Street Horns were the centerpiece of the show with moves as slick as their notes. Saxophonist George Shelby was cooler than ever on his solo during “I Missed Again.” Acoustic guitarist Ronnie Caryl was introduced as Collins’ best friend and band mate of more than 50 years.

Backup singers Amy Keys and Arnold McCullough were in rare form as the pretended to vie for Phil’s affections during “Easy Lover” by rubbing his bald head. Along with Lamont Van Hood, they were all stars in their own right. However, it was Bridgette Bryant who owned the night, getting her own standing ovation for her powerful duet with Phil on “Separate Lives.”

The rest of the two-hour set list was packed with favorites including “Against All Odds,” “Hang in Long Enough,” “Something Happened on the Way to Heaven,” “Who Said I Would,” “Dance Into the Light,” “You Can’t Hurry Love,” “Sussudio,” and “Take Me Home,” the customary encore. The entire crowd was on their feet before “In the Air Tonight” had even started. Phil stood for this one, too.

Three Genesis songs, “Invisible Touch,” “Throwing It All Away,” and “Follow You, Follow Me,” were also offered.

“We’re all still great friends,” Collins said of his Genesis band mates. “So, you never know.”

At the idea of Genesis touring again and especially of them coming to Charlotte, I and the rest of the sold-out crowd of 16,000 roared our cheers of approval. Collins responded by throwing an imaginary fishing pole and reeling us all in with anticipation.

Perhaps the most touching point of the show came when Phil joined his son at the piano to sing “You Know What I Mean,” Nicholas’s favorite of his dad’s repertoire.

“He taught himself how to play it because I couldn’t remember and I taught myself the words again,” Collins said of the track from his 1981 solo debut Face Value. “In case you don’t like it, it’s a short song. So, it will be over quickly.”

Everyone obviously felt to the contrary, cheering heartily as the song ended with a touching embrace between father and son.

My cousin Jessi Hines designed T-shirts for us that good enough for two people to stop us on the street to inquire where we purchased them. While I didn’t get to meet him as I had dreamed, I did manage to come away with two shirts, a program as well as a VIP placard and commemorative pillow in a plastic tote, given to me by a kind woman who had an extra VIP ticket.

Best of all, I brought along the two books I had written featuring my two previous Phil Collins concert experiences with the hopes of presenting them to him. They were given to the man himself, thanks to Rowanda and the superb staff at Spectrum Center. This was the best staff encounter I have ever experienced. I feel truly blessed. The capacity crowd at Charlotte was as eager as me to see Phil and he certainly made worth the quarter-century wait.

I may be young, and missed the chance to have seen Phil Collins in his prime; but that man can still perform just as well as all the youtube performances I’ve seen from when he was younger.

I had gone to the show with my dad, who wasn’t entirely the biggest fan of Phil Collins, but had been given the opportunity for this live show. As expected, most of the crowd was my dad’s age, leaving me feeling extremely out of place; but the age made no difference. The crowd was super energetic and before the show started you could feel the excitement and anticipation. It was really interesting to see the difference in atmosphere with a completely different age group, as well as the uniquely Phil Collins atmosphere. When he took the stage there was definitely more applause, with the scattered whistling, than screaming and shouting.

The quality of his music is great live as well. His voice has very little difference to his early albums, and the added effect of live instrumentation always adds more. Due to a lack of familiarity with majority of his music, I was able to simply sit back and enjoy the sounds. The crowd on the other hand was singing along to every word of each song. It may not have been my scene, but it was definitely a great experience.

He may be older, he may be sitting, but considering this was his first full concert in 12 years or so, he did amazingly well - and ably supported on the drums by his 16 (!) year old son, Nicholas - a real chip off the old block. He did his dad proud.

As a die-hard Collins fan since the beginning of his solo career, then being hooked by Genesis too, I was a little nervous about what to expect. Would memories of earlier concerts be erased by disappointment and pity by this return? Not at all - ok some of the high notes weren't there, and voices change with age, But it didn't matter - the audience supported ably. I for one throughly enjoyed the journey through the favourites that had been put together. The roof was raised so many times and the singing rang out around the arena. There were some touching moments, especially when Nick played the piano while they sat together and Phil sang 'You Know What I Mean.' An emotional evening as it was the first of the tour - the crowd welcomed him and, I hope, made him feel that the return was well worth it.

It was so good to see the familiar faces supporting too - Daryl Stuermer, Leland Sklar, Brad Cole, Harry Kim and Bridgette Bryant.

Not Dead Yet.... He certainly isn't.

You are going to love it. Amazing show of the old man. The voice remains the same. Very good band. Even sitting still in that English mood and I thought there was still plenty of gas. The name of the tour says it all: I have not died yet. He touched several successes. Only him, Michael Jackson and Paul Macartney sold, as solo artists, over 100 million "records." It's one of the geniuses of pop music. Too bad you can not enjoy the fantastic drummer. But the son seems to have inherited his talent. Best music: the first, Against all Odds. It's creepy. He stopped playing a few hits from Genesis and the song that won the Oscar, but what he played shows the hitmaker he is. It was really good to be there. The atmosphere was peaceful. Many families: from grandmas to grandchildren.

Phil Collins... what a show! Hij had zoveel aan zijn heup, nekwervel, etc. Maar hij was er! Nog steeds aan het touren op 68-jarige leeftijd! Zijn zoon achter de drums. Phil zingt nog steeds fantastisch goed! De hoge noten haalde hij soms niet, maar had het opgelost met inval van het “koortje” wat hij had meegenomen. Het hele podium stond vol met artiesten. In the air tonight, de drum! Dat vond ik geweldig! Sussudio was heel goed opgepakt door het publiek en iedereen ging los! Het einde met het lied take me home pakte mij wel. Dit is de eerste en de laatste keer dat ik deze kans had om hem live te zien! Echt een fantastische show heeft deze man neergezet!

what can I say now. It was one of the best experiences any one could bare witness too, for a man who’s almost 70 he hasn’t lost any ability what so ever, still making & producing unbelievable memories for everyone.

If anyone has any doubts about going to see him, I suggest putting the doubts to bed, because he, his son, his crew were out of this world, he gets the crowds involved in everything he does, along with producing moments where people can danceabout & sing-along.

Phil Collins is not one you want to miss, well worth every penny.

I am a first timer, even if I know well majority of his songs I didn't follow his personal life so I did not know that I would see him prostrated in a chair for the whole concert... Well I guess are things of the age, nevertheless his voice and his band really amazing (including his very talented own son at the drums ;-) ) , just in Prague it seems that they had troubles with the sound sometimes (pretty noticeable if you have more than less trainer ear).. But I am quite happy that I went, and I would give him 7 over 10 :)

I don't know where to start! From start to finish this was THE best concert I have seen all year. He started off with Against All Odds and it was on fast forward from that point on! He stood to sing In the Air Tonight but sat for the rest. His voice is still very strong and the band was awesome. His son Nick is a huge chip off the old block! He wowed everyone with his drum and piano playing. Phil only played a few concerts in the states and I feel fortunate to have seen him for the first and maybe the only time.

Let me start by saying I love Phil Collins. His voice was right on and hasn't diminished at all over the years. But I do have to say that it was sad to see him come limping out with a cane and sitting for 95 percent of the show. That being said the highlights we're Phil hand drumming on a box, his son Nick playing drums as well as Phil and Nick sitting next to Phil at the piano playing on of Nick's favorite Phil songs. Great show, hope it's not the last for Phil and hope to see more of Nick Collins soon!

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Concert review: Genesis resonates on final tour with decades of songs, spectacular visuals

WASHINGTON – When the end is near, everything resonates a little deeper.

That feeling of finality shadowed Genesis' performance at Capital One Arena in D.C. on Thursday, the second city on the band's North American tour, which launched earlier in the week with a pair of shows in Chicago.

But with a 50-plus-year career on their resume, there is still plenty to celebrate as Genesis takes its final lap around the country , armed with spectacular lights and video to complement their kaleidoscopic catalog.

Co-founders Mike Rutherford and Tony Banks told USA TODAY that "The Last Domino?" outing will indeed be the end of the road for the band. Currently, the tour is slated to wrap with a few makeup dates (COVID, naturally) in London March 24-26.

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The health of singer Phil Collins , 70, has been at the forefront of this tour – Genesis' first since a 2007 reunion – and his initial appearance may have caused some concern in the sold-out arena.

Looking a bit frail and pallid, Collins, who suffers from degenerative nerve damage, clasped a cane and walked gingerly to his swiveling throne, where he would stay seated most of the next two-plus hours.

But remaining stationary didn't quell his charisma.

His 20-year-old son, Nic, perched behind him on the drum riser to assume the rhythm duties that Collins so memorably wove into Genesis' sound since 1970.

As columns of white lights polka-dotted the stage and a high-def screen flashed close-ups of the trio, they slithered through the taut instrumentals "Behind the Lines" and "Duke's End."

A muddy sound mix clouded "Turn it On Again," but cleared up for the ominous "Mama." Lava-red splashes oozed across the screens as Collins dug into his theatrical leanings to sneer and grimace through the lyrics, punctuating them with the song's trademark reptilian cackle.

"It's been an interesting couple of years, but we're here tonight," Collins said from his chair, one of several times he addressed the crowd in efforts to engage.

He noted that "Land of Confusion," Genesis' 1986 hit packed with political undertones, was "written about something else," but still resounds (the song's video, featuring satirical puppets of the band members and a Ronald Reagan caricature, is among MTV's most memorable offerings).

In this version, marching masses in masks and raining rolls of toilet paper projected the modern-day point of the song, which benefited from the crunchy licks the willowy Rutherford spun from his guitar.

The band's set list has remained mostly unchanged since the September tour launch in Europe. But the D.C. crowd did experience one mid-set swap: "Duchess" from 1980's "Duke" album, replaced "Misunderstanding," from the same release. It was a curious move since Genesis had just debuted their Top 20 hit in Chicago.

But what is still one of the most impressive elements of Genesis is its broad musicianship. The 23 songs cherry-picked for the tour seesaw between the complicated prog-rock of the band's '70s output (much of it initially fronted by Peter Gabriel) and their omnipresent radio hits of the '80s and '90s, which were bathed in pop, but still retained much lyrical bite.

From 1973's "The Cinema Show," which showcased Nic Collins' wiry strength while his dad air-drummed from his seat, to the set-ending "Invisible Touch," its slick drum patterns endemic of its 1986 birthdate, Genesis seamlessly knitted decades.

Rutherford even donned his specialty double-neck guitar and bass for "Fading Lights," which took on a new poignancy as Collins sang, "Another time it might have been so different/Oh, if only we could do it all again. But now it’s just another fading memory/Out of focus, though the outline still remains."

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The quiet part of the show, when Rutherford, Banks, Collins the younger and longtime guitarist Daryl Stuermer all sat around Phil Collins for stripped versions of several songs, allowed a few moments to absorb the music without the flash. "That’s All" – with Rutherford steering with a pumping bass line – coasted on its easy groove, while a recast "The Lamb Lies Down on Broadway" and relaxed "Follow You Follow Me" appealed to the multiple generations in the crowd.

Banks, who always conducts himself with elegance behind his altar of keyboards, navigated "Firth of Fifth" with Nic Collins, whose playing on the instrumental projected the uncanny sound that his dad created, before riding the tricky time changes of "I Know What I Like (In Your Wardrobe)."

Through the musical calisthenics of "Domino," accompanied by high-kicking lights, and the beauty and sadness of "Throwing it All Away," with Rutherford picking out the melody on electric guitar, Genesis flourished.

But how else would this band say goodbye if not with expert musicianship and a smorgasbord of songs.

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Phil Collins

Phil Collins emotionally says goodbye to fans as he announces his final ever live show due to ill health

27 March 2022, 17:43 | Updated: 17 March 2023, 10:33

Lily Collins enjoys her father Phil Collins' last-ever show in London

By Tom Eames

Phil Collins has announced that he has played his final ever live show with Genesis - and potentially as a solo artist too - at the band's latest gig.

The 71-year-old music icon made the announcement as he performed with Genesis at the O2 Arena in London on Saturday (March 26).

Phil Collins - who recently said that he can no longer hold a drumstick after surgery on his back - said goodbye to his fans and told the crowd he will now have to get a "real job".

• Phil Collins' Genesis bandmate gives update on star's health: 'Much more immobile than he used to be'
• The 10 greatest Phil Collins-era Genesis songs, ranked
• How Phil Collins' 20-year-old son Nicholas took over as Genesis drummer

Genesis have reunited for their Last Domino? world tour, and had to cancel a series of gigs last year due to a Covid outbreak in the band.

Phil Collins declares this to be the last [ever] Genesis show - O2 Arena, London, 26/3/22

Phil's daughter - actor Lily Collins - paid tribute to her father after watching the gig.

She wrote on Instagram: "Tonite [sic] marks the end of an era. To have witnessed this last show was truly the memory of a lifetime and an event I shall hold in my heart forever. Endlessly grateful doesn’t begin to do it justice.

"So much love was left on that O2 stage and an even bigger amount shared between an audience who didn’t want it to end. Thank you @genesis_band for the memories, thank you dad for being such an inspiration and thank you @nic_collins for making me the proudest sister there is. 50 years of songs later and still generations more to celebrate you long after this tour has finished."

View this post on Instagram A post shared by Lily Collins (@lilyjcollins)

Phil has been forced to sit down on a char as he performed with Tony Banks and Mike Rutherford for their first live dates in 14 years.

The singer and drummer's nerve damage has stopped him being able to play the drums, and he has also had to walk with a stick.

He recently told The Guardian : "I don’t do anything at all. I don’t practise singing at home, not at all. Rehearsing is the practice.

"These guys are always having a go at me for not, but I have to do it this way. Of course, my health does change things, doing the show seated changes things.

"But I actually found on my recent solo tours, it didn’t get in the way; the audience were still listening and responding. It’s not the way I would have written it, but it’s the way that it is."

Phil Collins' health has been declining over the last 15 years. He suffered an injured vertebra in his upper neck, and has also battled acute pancreatitis.

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The phil collins experience closes out the 2022 season at knuckleheads as has become tradition. come for the epic show in our hometown and stay for the after party with kansas city groove therapy..

September  23, 2022

We return to the amazing arcada theatre for an encore performance.  this venue is incredible for fans and artists alike., the amphitheater at kroger conner prairie is home to the indianapolis symphony.  we are honored to play our first date at this venue. , july  30, 2022, river view park resort blair ne, may 14, 2022, macken park,  north kansas city, mo, may 7, 2022, our debut performance at the incredible arcada theatre in st. charles, il, may  6, 2022, diamond music hall st. peters, mo.

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Phil Collins's Greatest Live Performances Through the Years

Corey Deiterman November 4, 2015 4:00AM

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Watch Genesis Play ‘Tonight Tonight Tonight’ at Final Tour Kickoff

By Andy Greene

Andy Greene

Genesis played their first concert of 2022 Monday night at the Mercedes-Benz Arena in Berlin, Germany. It’s the start of a 14-show European run that the group says will be the last gigs they’ll ever play.

“When we do the final show next year, that will be it,” keyboardist Tony Banks told USA Today in September 2021. “So I’d say if you want to see Genesis, don’t put it off ‘til the next one. We’re not like the [Rolling] Stones.”

The setlist was identical to the one they played last year, mixing hits like “I Can’t Dance,” “That’s All,” and “Land of Confusion” with fan favorites like “Duchess” and Domino” and a handful of tunes from the Peter Gabriel era like “I Know What I Like,” “The Lamb Lies Down on Broadway,” and “The Carpet Crawlers.”

Here’s a fan-shot video of “Tonight Tonight Tonight” and “Invisible Touch.” (As has been the case since 1992, they only play the first half of “Tonight Tonight Tonight.” They haven’t done the full song since the Invisible Touch tour of 1986/87.)

The Last Domino? tour hit arenas in America late last year, but the band never went anywhere further west than Chicago. That meant much of the country didn’t get near a Genesis show. They have a nice consolation prize coming in a few weeks when prog-era guitarist Steve Hackett brings his Genesis Revisited tour to North America for an extensive run of shows that’ll feature a complete performance of the band’s 1977 double live album Seconds Out at every stop.

The Genesis tour wraps up on March 26th at the 02 Arena in London. They reserve the right to change their mind and keep touring, especially since they haven’t announced a single show in Italy where they’ve enjoyed an enormous audience for over 50 years. But Phil Collins has significant health issues and is probably anxious to wrap up his touring career. That will be a sad day for Genesis fans, but at least he gathered up the strength for this last run.

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Phil Collins North America Tour 2024

Phil Collins is still alive and well. Thus, he’s expanded his “Still Not Dead Yet Tour” with a new leg of US tour dates for this fall. The Genesis legend will embark on the 15-date jaunt beginning September 23rd in Dallas. The itinerary also includes stops in Tampa, Atlanta, Detroit, New York, Denver, and San Francisco before concluding on October 19th in Las Vegas.

Now, due to popular demand, Phil Collins has announced that he will return to North America for another run of dates in 2020. The new 15-stop 2022 tour, aptly named Phil Collins: Still Not Dead Yet, Live!, will once again take Collins around the U.S. this fall. The name of Phil Collins’ 2020 and 2022 tours is taken from the title of his bestselling 2016 memoir, Not Dead Yet. In June, the former Genesis drummer/singer will play a number of dates in Europe.

Tickets officially go on sale Friday, March 30th, but there are a couple of presales launching next week, too. People with Citi credit cards will be able to buy tickets on the 26th, and “Verified Fans” may start buying them on the 29th.

Phil Collins Tour Dates 2024:

September 23 – Dallas, TX @ American Airlines Center September 24 – Houston, TX @ Toyota Center September 26 – Tampa, FL @ Amalie Arena September 28 – Atlanta, GA @ Infinite Energy Center September 29 – Charlotte, NC @ Spectrum Center October 1 – Detroit, MI @ Little Caesars Arena October 2 – Pittsburgh, PA @ PPG Paints Arena October 4 – Buffalo, NY @ KeyBank Center October 6 – New York, NY @ Madison Square Garden October 9 – Louisville, KY @ KFC Yum! Center October 11 – Omaha, NE @ CHI Health Center October 13 – Denver, CO @ Pepsi Center October 15 – Phoenix, AZ @ Talking Stick Resort Arena October 17 – San Francisco, CA @ Chase Center October 19 – Las Vegas, NV @ T-Mobile Arena

Phil Collins Tickets & Tour Dates 2024

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Mike + The Mechanics to “play all the hits and drift into Genesis” on 2025 UK tour

The band, led by Genesis' Mike Rutherford, will play 30 dates across the country in early 2025

Mike + The Mechanics have announced a 2025 UK tour, on which they will “play all the hits” as well as “drift into Genesis ”. See all the dates below.

The shows, titled ‘Looking Back – Living The Years 2025 Tour’, will kick off on March 3 next year in Glasgow’s Royal Concert Hall, and run for a total of 30 nights, concluding at London’s Royal Albert Hall on April 14. You can get your tickets here .

The band were formed in 1985 by guitarist and bassist Mike Rutherford as a side project to Genesis, and originally featured vocalists Paul Young and Paul Carrack. After achieving commercial success, they separated in 2004 after Young’s death, before reuniting in 2010 with new vocalists Andrew Roachford and Tim Howar.

Speaking about the new tour, Rutherford has said: “It’s exciting to announce that we will be touring The Mechanics again. Getting back on the road with the guys last year was a real pleasure. Even though it had been four years, we slotted back into the old ways, the old jokes and the camaraderie like it had been a day!”

Referring to their 2023 ‘Refuelled!’ tour, he added: “We had so much fun on the last tour and the audiences were so gracious and warm, when we played the final show in Dusseldorf we all agreed then that we wanted to do it all again. We can’t wait to see you.”

Mike + The Mechanics will play: 

MARCH 3 – Glasgow, Royal Concert Hall 4 – Aberdeen, Music Hall 5 – Edinburgh, Usher Hall 7 – Perth, Concert Hall 8 – Stockton, Globe Theatre 9 – Manchester, Bridgewater Hall 11 – Nottingham, Royal Concert Hall 12 – Stoke, Victoria Halls 14 – York, Barbican 15 – Ipswich, Regent Theatre 17 – Cambridge, Corn Exchange 18 – Sheffield, City Hall 20 – Halifax, Victoria Halls 22 – Gateshead, Glasshouse 23 – Llandudno, Venue Cymru 24 – Liverpool, Philharmonic Hall 26 – Leicester, De Montfort Hall 27 – Basingstoke, Anvil 29 – Bournemouth, Pavilion 30 – Portsmouth, Guildhall 

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APRIL 1 – Southend, Cliffs Pavilion 2 – Northampton, Derngate 4 – Birmingham, Symphony Hall 5 – Eastbourne, Congress Theatre 6 – Oxford, New Theatre 8 – Guildford, G Live 10 – Bristol, Beacon 11 – Swansea, Arena 12 – Plymouth, Pavilions 14 – London, Royal Albert Hall 

Genesis played their last show together in March 2022 at London’s O2 Arena. Rutherford later described the gig as “bizarre” and “emotional” .

“It was nice afterwards when everybody, including Peter [Gabriel] and Richard McPhail [tour manager from the seventies], were together in the dressing room,” he said. “Apart from that we kept backstage closed off.”

“But the actual show felt bizarre. I was kind of okay until I saw on my setlist that there were just four songs left. Seeing that in print made me emotional, but having got through all of the problems with Covid, it felt very good to see things through.”

Playing 23 tracks in total, Genesis ran through a long list of their biggest hits including ‘I Can’t Dance’, ‘Mama’, ‘Turn It On Again’, ‘No Son Of Mine’ and ‘Invisible Touch’.

Before playing ‘Land Of Confusion’, Phil Collins addressed the crowd and announced that it would be Genesis’ final show. As the crowd applauded the band, Collins sat looking thoughtful, seemingly taking in the fact that it was the last hoorah. He then quipped: “After tonight we’ve all gotta get real jobs.”

Collins performed that show in a wheelchair, after a period of health problems relating to damaged vertebrae in his neck.

Rutherford later offered an update on Collins’ condition , saying: “He’s much more immobile than he used to be, which is a shame, but at the tour, he was in good spirits.

“He’s fine now at home, enjoying life. He’s worked so hard over the years. I think he’s enjoying his time at home.”

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