phoebe bridgers tour uk

Phoebe Bridgers announces UK and European ‘Reunion’ tour

It follows the recent news that she'll be playing this year's Glastonbury and Latitude festivals

Phoebe Bridgers has announced a new run of live shows as part of her ‘Reunion’ tour, including her first full UK tour dates since 2018. Tickets are available here .

• READ MORE: Phoebe Bridgers: “I definitely feel a lot less apologetic than I did before”

The singer-songwriter kicked off the US leg of her ‘Reunion’ tour last September, following the release of her 2020 album ‘Punisher’.

Today (March 7), she’s unveiled more US dates as well as gigs in Canada, Europe, and her first UK and Ireland dates in almost four years.

Beginning in Phoenix, Arizona on April 13, Bridgers tour will cross over to the Atlantic on June 20 for a show at Fairview Park in Dublin, Ireland. She will then take in Glasgow and Birmingham, followed by her previously announced Glastonbury performance , before heading out to mainland Europe.

Bridgers will then come back to the UK on July 22 for Latitude Festival and couple of dates in Manchester and London; she will close out the tour with a few dates back in the States.

“See you soon,” she wrote, sharing the dates on Instagram.

Tickets go on sale at 10am GMT on Friday (March 11). You can get them here and see the full list of UK, Ireland and European tour dates below.

View this post on Instagram A post shared by Phoebe Bridgers (@phoebebridgers)

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Phoebe bridgers’ upcoming tour dates:.

JUNE 2022 20 – Fairview Park, Dublin, Ireland 22 – Barrowland, Glasgow, UK 24-25 – Glastonbury, Somerset, UK 26 – O2 Academy, Birmingham, UK 30 – Roskilde Festival, Roskilde, Denmark

JULY 2022 2 – Rock Werchter Festival, Werchter, Belgium 3 – Down The Rabbit Hole Festival, Ewijk, Netherlands 5 – Carroponte, Milan, Italy 7 – Bilbao BBK Festival, Bilbao, Spain 8 – Mad Cool Festival, Madrid, Spain 9 – NOS Alive Festival, Lisbon, Portugal 14 – Colours of Ostrava, Ostrava, Czech Republic 17 – Lollapalooza Paris, Paris, France 22 – Latitude Festival, Suffolk, UK 23 – O2 Apollo, Manchester, UK 26 – O2 Academy Brixton, London, UK

With every headline show ticket sold $1.00 will be donated to The Mariposa Fund, fiscally sponsored by The West Fund, which helps pay for undocumented people trying to obtain reproductive health services, including abortion.

Meanwhile, Bridgers is the host of a new SiriusXM  radio show called ‘Saddest Factory Radio’ , named after the singer-songwriter’s label, Saddest Factory Records, which she launched last year.

The show will see her in conversation with a number of artists, including signees to her label MUNA , Sloppy Jane, Claud and more.

During the first episode of her new radio show, she delivered a cover of  Billie Eilish ’s ‘When The Party’s Over’ – you can listen to it here .

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• Phoebe Bridgers

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Phoebe Bridgers Announces Reunion Tour 2022: See the Dates

The singer's latest trek kicks off April 13 in Phoenix, Ariz.

By Glenn Rowley

Glenn Rowley

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Phoebe Bridgers is headed back on tour! On Monday (March 7), the singer-songwriter unveiled the 2022 dates of her ongoing Reunion Tour.

The North American leg of the run will kick off April 13 at Phoenix’s Arizona Federal Theatre before making stops in Las Vegas, Dallas, Atlanta and Chicago, as well as at multiple festivals throughout the summer, including Coachella, Forecastle Festival and BRIC Celebrate Brooklyn! Festival.

From there, Bridgers will hop the pond for a European dates beginning at Fairview Park in Dublin, and playing numerous fests in just as many countries — from Glastonbury and Lollapalooza Paris to Madrid’s Mad Cool Festival and Roskilde Festival in Denmark.

Phoebe Bridgers

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But that’s not all. Following shows at the O2 Apollo in Manchester and the O2 Academy Brixton in London, the singer-songwriter will actually cap off the tour back in America with a show at the Hinterland Music Festival in Iowa, and six more dates on the West Coast.

New Hits by Sabrina Carpenter, Shaboozey & Tommy Richman Shake Up the Top of the Hot 100

Registration for Ticketmaster’s Verified Fan initiative is open now , and presale for the jaunt starts Thursday (March 10) at 12 p.m. local time. According to a release, a dollar from every ticket purchased will be donated to The Mariposa Fund, a nonprofit organization dedicated to helping undocumented people pay for reproductive health services.

Trending on Billboard

Just last week, Bridgers was honored at Billboard’s Women in Music 2022 , where she accepted this year’s Trailblazer Award , performed her 2020 single “Kyoto,” and dished on the red carpet about how her recent collaboration with Taylor Swift came about for Red (Taylor’s Version) .

Check out the singer’s full run of 2022 tour dates below:

• 04/13 — Arizona Federal Theatre @ Phoenix, AZ
• 04/15 — Coachella @ Indio, CA
• 04/22 — Coachella @ Indio, CA
• 05/13 — The Amp at Craig Ranch @ Las Vegas, NV
• 05/14 — Kilby Block Party @ Salt Lake City, UT
• 05/17 — Red Rocks Amphitheatre @ Morrison, CO
• 05/19 — The Pavilion at Toyota Music Factory @ Dallas, TX
• 05/20 — Moody Amphitheater at Waterloo Park @ Austin, TX
• 05/21 — The Lawn at White Oak Music Hall @ Houston, TX
• 05/22 — Hangout Fest @ Gulf Shores, AL
• 05/24 — The Cuban Club @ Tampa, FL
• 05/25 — St Augustine Amphitheatre @ St Augustine, FL
• 05/27 — Cadence Bank Amphitheatre at Chastain Park @ Atlanta, GA
• 05/28 — Forecastle Festival @ Louisville, KY
• 05/31 — Starlight Theatre @ Kansas City, MO
• 06/01 — The Waiting Room Outdoors @ Omaha, NE
• 06/03 — BMO Harris Pavilion @ Milwaukee, WI
• 06/04 — Huntington Bank Pavilion at Northerly Island @ Chicago, IL
• 06/07 — RBC Echo Beach @ Toronto, ON
• 06/08 — MTelus @ Montreal, QC
• 06/09 — Thompson’s Point @ Portland, ME
• 06/11 — The Anthem @ Washington, DC
• 06/12 — The Anthem @ Washington, DC
• 06/13 — Stone Pony Summer Stage @ Asbury Park, NJ
• 06/15 — BRIC Celebrate Brooklyn! Festival at Prospect Park Bandshell @ Brooklyn, NY
• 06/20 — Fairview Park @ Dublin, Ireland
• 06/22 — Barrowland @ Glasgow, UK
• 06/24 — Glastonbury @ Somerset, UK
• 06/25 — Glastonbury @ Somerset, UK
• 06/26 — O2 Academy @ Birmingham, UK
• 06/30 — Roskilde Festival @ Roskilde, Denmark
• 07/02 — Rock Werchter Festival @ Werchter, Belgium
• 07/03 — Down The Rabbit Hole Festival @ Ewijk, Netherlands
• 07/05 — Carroponte @ Milan, Italy
• 07/07 — Bilbao BBK Festival @ Bilbao, Spain
• 07/08 — Mad Cool Festival @ Madrid, Spain
• 07/09 — NOS Alive Festival @ Lisbon, Portugal
• 07/14 — Colours of Ostrava @ Ostrava, Czech Republic
• 07/17 — Lollapalooza Paris @ Paris, France
• 07/22 — Latitude Festival @ Suffolk, UK
• 07/23 — O2 Apollo @ Manchester, UK
• 07/26 — O2 Academy Brixton @ London, UK
• 08/07 — Hinterland @ Saint Charles, IA
• 08/18 — Spokane Pavilion @ Spokane, WA
• 08/20 — Orpheum Theatre @ Vancouver, BC
• 08/23 — Marymoor Park @ Redmond, WA
• 08/25 — Edgefield Amphitheater @ Troutdale, OR
• 08/27 — Vina Robles Amphitheatre @ Paso Robles, CA
• 08/28 — This Ain’t No Picnic @ Los Angeles, CA

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Phoebe Bridgers tickets on sale now for ‘Reunion’ 2022 UK tour

• Harriet Flook
• Published : 9:42, 11 Mar 2022
• Updated : 9:43, 11 Mar 2022

PHOEBE Bridgers tickets are on sale now for her 'Reunion' UK tour dates and here's everything you need to know.

Following the news she'll be playing Glastonbury and Latitude Festival, it's set to be a bumper year for Bridgers.

If you click on a link in this story we may earn affiliate revenue.

• Get tickets to Phoebe Bridgers - click here

Announcing her first UK tour since 2018, it's great news for fans as the 'Reunion' tour dates will let fans see her live once more.

Tickets will be available from Ticketmaster here , and will go on sale March 11 at 10am.

Just don't hang about as these are sure to sell out fast.

Phoebe Bridgers 2022 UK Tour Dates

• June 20 – Fairview Park, Dublin, Ireland- click here
• June 22 – Barrowland, Glasgow, UK - click here
• June 24-25 – Glastonbury, Somerset, UK
• June 26 – O2 Academy, Birmingham, UK - click here
• July 22 – Latitude Festival, Suffolk, UK- - click here
• July 23 – O2 Apollo, Manchester, UK - click here
• 26 – O2 Academy Brixton, London, UK - click here

The announcement follows the release of 2020 album 'Punisher' and will see her play a host of UK gigs, as well as dates in US, Canada and Europe.

She's also performing at the one and only Glastonbury Festival, and Latitude Festival - so it's sure to be a busy year.

She'll perform in June 20 for a show at Fairview Park in Dublin, Ireland, before Glasgow and Birmingham shows and followed by a Glastonbury performance.

Following that she'll perform at Latitude on July 22, before finishing the tour in Manchester and London.

If this wasn't enough, she'll also be performing at a number of European festivals including Bilbao, Mas Cool, Lollapalooza, NOS and more.

Get tickets to see Phoebe Bridgers here.

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Phoebe Bridgers review – a truth-telling phenomenon

O2 Academy Brixton, London The adored LA singer-songwriter pairs references to the male rock pantheon with Roe v Wade in a magnetic set that cries out for festival headline billing

F ive years ago, the festival industry, prone to hand-wringing about where younger headline acts might spring from, pledged to redress the gender imbalance across their lineups. Strides have been made , notably at Latitude and Glastonbury, with a handful of smaller festivals either achieving parity or narrowing the gap substantially. A recent survey, however, found that in the UK this summer, a paltry 13% of festival headliners were female , which is just one of the many things in the world right now that makes you want to head-butt a bass bin in impotent fury.

It’s not like an indie rock phenomenon hasn’t been snowballing right under festival bookers’ noses. This summer, she has already wowed crowds at Glastonbury and Latitude. But waiting for her closeup is Phoebe Bridgers , a four-time Grammy-nominated artist who has just swiftly sold out four nights at Brixton’s generously proportioned Academy (that’s in the region of 19,600 tickets) as part of an extended European tour that included opening for the Rolling Stones in Hyde Park. Her merch queue clogs up the entire foyer, upstairs and down. Her singing – winsome, numinous, but tough at the same time – is often drowned out by the word-perfect crowd.

After making waves with her debut, 2017’s Stranger in the Alps , Bridgers’s second outing, Punisher , hit hard on release in long-ago 2020. It has only kept growing in significance, appearing on virtually every albums of the year list in 2020 and winning the LA native celebrity endorsers. Elton John said he’d “hit someone” if she didn’t win a Grammy; Taylor Swift has been effusive in her praise of Bridgers – and collaborated with her .

Bridgers’s very newest song, Sidelines , is a subtle slow-burner about the anaesthetic of depression wearing off in the face of love. It came lashed to the soundtrack for the TV serialisation of Conversations With Friends , based on the Sally Rooney novel. Stepping out with the star of Normal People , Paul Mescal , only adds to the quality-zeitgeist swirl around her.

Pretty much every Bridgers gig since Roe v Wade was overturned has found the singer talking about her own experience of abortion, furious at the impact on marginalised women who can’t afford to circumvent restrictions in their home states. Tonight is no exception. The “voice of a generation” tag is one that is probably thrown about too liberally, but in an era in which female anomie and solo female singer-songwriters are forces in the ascendant, Bridgers very much has her foot on the monitor of the well-turned melodic confessional.

“I’m actually pretty positive,” she quips, making it clear that fetishising mental ill-health is not her intention in the introduction to Funeral , a song that nailed on Bridgers’s “sad girl” maven status. (“Jesus Christ,” it goes, “I’m so blue all the time.”)

She grabs an adoring audience by the lapels from the off tonight with Motion Sickness , an old song about her power-imbalanced relationship with alt country singer Ryan Adams , 20 years her senior, who provided an “in” to the industry, but at a price. Shortly after comes a crowd-pleaser off Punisher : Kyoto is a breezy tune in which Bridgers, on tour in Japan, ponders her vexed relationship with her unimpressive father. She dedicates the song to the dads in the audience – a fan subset whose number is greater than you might have expected.

For all the generational sadness that fuels her songs, there’s a lot going on in Bridgers’s body of work that leaps demographics. With a wink, her tour is called the Reunion tour, a reference to old bands getting back together. She often hitches her melodies to churning guitars that locate her firmly in the indie rock continuum; the excellent trumpet work by JJ Kirkpatrick adds a stately lushness tonight, fleshing out her sound. Bridgers’s grasp of the wider rock canon percolates away in the background. Her songs are very contemporary, but many old dudes are here in cameo. On the lovelorn Moon Song , her characters agree about Eric Clapton and argue over John Lennon. On Smoke Signals , she references the Smiths’ How Soon Is Now?, the death of David Bowie and Thom Yorke (indirectly).

But Bridgers’s devotion to this male pantheon is not total or blind. When she theatrically smashed a guitar on Saturday Night Live in 2021 and David Crosby sniffed his disapproval, she was quick to call him a “little bitch” on Twitter, where she has long been a witty and sincere presence.

Bridgers’s devotion to Elliott Smith , the cult singer-songwriter who took his own life in 2003, does provide a bass-note thrum throughout. She multitracks her vocals, like Smith did. On Punisher ’s title track , she imagines how she would have stalked Smith, becoming one of those over-ardent superfans that artists have to politely placate or risk being labelled jerks. None of this detracts from the originality and immediacy of Bridgers’s warm, keyboard-enhanced sound tonight. The band are dressed as skeletons (a goofy, spooky Bridgers signature), while Bridgers herself is in a cream suit whose waistcoat features a tasselled design of ribs. The songs’ sadness is very much offset by the cleverness of the pop-up-book stage set. During the cathartic finale – I Know the End – Bridgers is joined by her support act, Sloppy Jane , and the 1975’s Matt Healy , screaming as the backdrop visuals burn up.

Bridgers did headline a small London festival, Mirrors, in 2018. She is due to headline a small festival in Iowa next month. But there are bigger, more parched fields crying out for her incisive singalongs and clear-eyed truth-telling.

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Phoebe Bridgers

Phoebe Bridgers is an American indie folk musician from Los Angeles. As well as her solo releases, she has released music as part of boygenius (with more...

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Phoebe Bridgers shares 2022 world tour dates

“reunion tour 2022” will cover north america, the united kingdom, and europe..

Phoebe Bridgers has unleashed a huge number of dates for "Reunion Tour 2022," a tour that will take her to the United States, Canada, the U.K., and across Europe.

The dates start in April with a show in Arizona and Bridgers' previously announced Coachella performances. After about a month off, the tour begins in earnest in Nevada followed by shows around the world until the end of August. Presale tickets will be available for Ticketmaster Verified Fans starting Thursday, March 10 at 12 PM local time. $1 from every ticket sold from Bridgers' headlining dates will be donated to The Mariposa Fund, a charity helping undocumented immigrants secure health services.

Read Next: Phoebe Bridgers says former Grammys president Neil Portnow can “rot in piss”

Find the full tour itinerary below. Bridgers recently announced the launch of Saddest Factory Radio , a SiriusXM radio program showcasing her label Saddest Factory.

Phoebe Bridgers 2020 tour dates

4/13 - Arizona Federal Theatre - Phoenix, AZ 4/15 - Coachella - Indio, CA 4/22 - Coachella - Indio, CA 5/13 - The Amp at Craig Ranch - Las Vegas, NV 5/14 - Kilby Block Party - Salt Lake City, UT 5/17 - Red Rocks Amphitheatre - Morrison, CO 5/19 - The Pavilion at Toyota Music Factory - Dallas, TX 5/20 - Moody Amphitheater at Waterloo Park - Austin, TX 5/21 - The Lawn at White Oak Music Hall - Houston, TX 5/22 - Hangout Fest - Gulf Shores, AL 5/24 - The Cuban Club - Tampa, FL 5/25 - St Augustine Amphitheatre - St Augustine, FL 5/27 - Cadence Bank Amphitheatre at Chastain Park - Atlanta, GA 5/28 - Forecastle Festival - Louisville, KY 5/31 - Starlight Theatre - Kansas City, MO 6/1 - The Waiting Room Outdoors - Omaha, NE 6/3 - BMO Harris Pavilion - Milwaukee, WI 6/4 - Huntington Bank Pavilion at Northerly Island - Chicago, IL 6/7 - RBC Echo Beach - Toronto, ON 6/8 - MTelus - Montreal, QC 6/9 - Thompson’s Point - Portland, ME 6/11 - The Anthem - Washington, DC 6/12 - The Anthem - Washington, DC 6/13 - Stone Pony Summer Stage - Asbury Park, NJ 6/15 - BRIC Celebrate Brooklyn! Festival at Prospect Park Bandshell - Brooklyn, NY 6/20 - Fairview Park - Dublin, Ireland 6/22 - Barrowland - Glasgow, UK 6/24-25 - Glastonbury - Somerset, UK 6/26 - O2 Academy - Birmingham, UK 6/30 - Roskilde Festival - Roskilde, Denmark 7/2 - Rock Werchter Festival - Werchter, Belgium 7/3 - Down The Rabbit Hole Festival - Ewijk, Netherlands 7/5 - Carroponte - Milan, Italy 7/7 - Bilbao BBK Festival - Bilbao, Spain 7/8 - Mad Cool Festival - Madrid, Spain 7/9 - NOS Alive Festival - Lisbon, Portugal 7/14 - Colours of Ostrava - Ostrava, Czech Republic 7/17 - Lollapalooza Paris - Paris, France 7/22 - Latitude Festival - Suffolk, UK 7/23 - O2 Apollo - Manchester, UK 7/26 - O2 Academy Brixton - London, UK 8/7 - Hinterland - Saint Charles, IA 8/18 - Spokane Pavilion - Spokane, WA 8/20 - Orpheum Theatre - Vancouver, BC 8/23 - Marymoor Park - Redmond, WA 8/25 - Edgefield Amphitheater - Troudale, OR 8/27 - Vina Robles Amphitheatre - Paso Robles, CA 8/28 - This Ain't No Picnic - Los Angeles, CA

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Phoebe Bridgers Announces 2022 Tour

By Matthew Strauss

Phoebe Bridgers is going back on tour. Her new run begins in April and includes two performances at the Coachella Valley Music and Arts Festival . She’ll play North American shows until mid-June when she heads overseas for a run of European and UK dates, including a stop at Glastonbury . Bridgers will return to the United States in August for more concerts. Check out her schedule below.

Phoebe Bridgers released Punisher and the Copycat Killer EP in 2020. Read about her “ I Know the End ” visual in “ The 8 Best Music Videos of July 2020 ” on the Pitch.

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Phoebe Bridgers:

04-13 Phoenix, AZ - Arizona Federal Theatre 04-15 Indio, CA - Coachella Valley Music and Arts Festival 04-22 Indio, CA - Coachella Valley Music and Arts Festival 05-13 Las Vegas, NV - The Amp at Craig Ranch 05-14 Salt Lake City, UT - Kilby Block Party 05-17 Morrison, CO - Red Rocks Amphitheatre 05-19 Dallas, TX - The Pavilion at Toyota Music Factory 05-20 Austin, TX - Moody Amphitheater at Waterloo Park 05-21 Houston, TX - The Lawn at White Oak Music Hall 05-22 Gulf Shores, AL - Hangout Fest 05-24 Tampa, FL - The Cuban Club 05-25 St Augustine, FL - St Augustine Amphitheatre 05-27 Atlanta, GA - Cadence Bank Amphitheatre at Chastain Park 05-28 Louisville, KY - Forecastle Festival 05-31 Kansas City, MO - Starlight Theatre 06-01 Omaha, NE - The Waiting Room Outdoors 06-03 Milwaukee, WI - BMO Harris Pavilion 06-04 Chicago, IL - Huntington Bank Pavilion at Northerly Island 06-07 Toronto, Ontario - RBC Echo Beach 06-08 Montreal, Quebec - M Telus 06-09 Portland, ME - Thompson’s Point 06-11 Washington, D.C. - The Anthem 06-12 Washington, D.C. - The Anthem 06-13 Asbury Park, NJ - Stone Pony Summer Stage 06-15 Brooklyn, NY - BRIC Celebrate Brooklyn! Festival at Prospect Park Bandshell 06-20 Dublin, Ireland - Fairview Park 06-22 Glasgow, Scotland -  Barrowland 06-24-25 Somerset, England - Glastonbury Festival 06-26 Birmingham, England - O2 Academy 06-30 Roskilde, Denmark - Roskilde Festival 07-02 Werchter, Belgium - Rock Werchter Festival 07-03 Ewijk, Netherlands - Down The Rabbit Hole Festival 07-05 Milan, Italy - Carroponte 07-07 Bilbao, Spain - Bilbao BBK Festival 07-08 Madrid, Spain - Mad Cool Festival 07-09 Lisbon, Portugal - NOS Alive Festival 07-14 Ostrava, Czech Republic - Colours of Ostrava 07-17 Paris, France - Lollapalooza Paris 07-22 Suffolk, England - Latitude Festival 07-23 Manchester, England - O2 Apollo 07-26 London, England - O2 Academy Brixto 08-07 Saint Charles, IA - Hinterland Music Festival 08-18 Spokane, WA - Spokane Pavilion 08-20 Vancouver, British Columbia - Orpheum Theatre 08-23 Redmond, WA - Marymoor Park 08-25 Troudale, OR - Edgefield Amphitheater 08-27 Paso Robles, CA - Vina Robles Amphitheatre 08-28 Los Angeles, CA - This Ain't No Picnic

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Phoebe Bridgers announces UK and European ‘Reunion’ tour

March 7, 2022 by Admin 0 Comments

Phoebe Bridgers has announced a new run of live shows as part of her ‘Reunion’ tour, including her first full UK tour dates since 2018.

The singer-songwriter kicked off the US leg of her ‘Reunion’ tour last September, following the release of her 2020 album ‘Punisher’.

Today (March 7), she’s unveiled more US dates as well as gigs in Canada, Europe, and her first UK and Ireland dates in almost four years.

Beginning in Phoenix, Arizona on April 13, Bridgers tour will cross over to the Atlantic on June 20 for a show at Fairview Park in Dublin, Ireland. She will then take in Glasgow and Birmingham, followed by her previously announced Glastonbury performance , before heading out to mainland Europe.

Bridgers will then come back to the UK on July 22 for Latitude Festival and couple of dates in Manchester and London; she will close out the tour with a few dates back in the States.

“See you soon,” she wrote, sharing the dates on Instagram.

Tickets go on sale at 10am GMT on Friday (March 11). You can get them here and see the full list of UK, Ireland and European tour dates below.

Phoebe Bridgers’ upcoming tour dates:

JUNE 2022 20 – Fairview Park, Dublin, Ireland 22 – Barrowland, Glasgow, UK 24-25 – Glastonbury, Somerset, UK 26 – O2 Academy, Birmingham, UK 30 – Roskilde Festival, Roskilde, Denmark

JULY 2022 2 – Rock Werchter Festival, Werchter, Belgium 3 – Down The Rabbit Hole Festival, Ewijk, Netherlands 5 – Carroponte, Milan, Italy 7 – Bilbao BBK Festival, Bilbao, Spain 8 – Mad Cool Festival, Madrid, Spain 9 – NOS Alive Festival, Lisbon, Portugal 14 – Colours of Ostrava, Ostrava, Czech Republic 17 – Lollapalooza Paris, Paris, France 22 – Latitude Festival, Suffolk, UK 23 – O2 Apollo, Manchester, UK 26 – O2 Academy Brixton, London, UK

With every headline show ticket sold $1.00 will be donated to The Mariposa Fund, fiscally sponsored by The West Fund, which helps pay for undocumented people trying to obtain reproductive health services, including abortion.

Meanwhile, Bridgers is the host of a new SiriusXM  radio show called ‘Saddest Factory Radio’ , named after the singer-songwriter’s label, Saddest Factory Records, which she launched last year.

The show will see her in conversation with a number of artists, including signees to her label MUNA , Sloppy Jane, Claud and more.

During the first episode of her new radio show, she delivered a cover of  Billie Eilish ’s ‘When The Party’s Over’ – you can listen to it here .

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Six things we learned from Phoebe Bridgers live at Glasgow Barrowland

As the singer-songwriter heads back out on tour, we find out just how cathartic it is to scream in a room full of 2,000 strangers.

Phoebe Bridgers at the Barras. Credit: Annie McNamee

Phoebe Bridgers’ long awaited debut UK tour kicked off with two nights in Glasgow’s iconic Barrowlands, and although there was a slightly disappointing lack of boyfriend and Normal People star Paul Mescal in the audience, nothing else was lacking.

So what can we learn from being right up front at Bridgers’ electric second night at the Barras? 1. Bridgers’ fans are nothing if not dedicated

Queuing for the concert began around 10am. Doors were at 7pm. There is no denying that people were desperate for a good view, and who could blame them? Bridgers’ outfit, a sparkly white two piece with beads embroidered onto the shape of a ribcage, was definitely worth seeing up close. It even had a little bow tie just as the final pièce de résistance. 2. A LOT of the fans are not keen on partners’ mothers

In the song ICU, the line: ‘I hate your mom’ was taken very personally by a lot of the crowd. It seems that enough people have dated men with Karen-esque mothers for it to be considered a fairly universal experience now. For all the girls last night who had someone in mind while they screamed that line – stay strong. There’s only so many Christmases and birthdays you have to endure.

3. Phoebe is truly for everyone

Although there were certainly just as many floral dresses as you’d expect, there were also a few outside of the box fans having just as much fun. I spotted a group of young guys who’d have looked more at home at a Metallica concert drying tears after Saviour Complex, and a dad very near the front who knew every word to Punisher. I like to think he was one of the early queuers.

4. Glasgow crowds are perfect to ease performers back into live shows after a long lay-off

After two years of staying inside and fearing crowded spaces, it’s easy to forget just how sublime being in a room full of people singing together can be. Glasgow is famous for crowds that go all in, and this was no exception. Every song was met with excitement, tears, screams, and a crowd so loud at times it was difficult to actually hear Phoebe’s voice. Even despite the nature of the songs being extremely depressing at times, everyone seemed to be having fun the entire time. Bridgers’ said that the crowd had made her laugh during a slow number because, “Usually people wave slowly for a song that’s kinda slow, but you guys were going like, super fast – it just hit me, I was laughing in my head”.

5. Screaming is a very cathartic experience

If you give people an excuse to scream as loudly as they can without consequence, they scream. During the outro of I Know The End, famous for its chaos and Bridgers screaming to see out the album, I expected people to go for it. I did not expect over a minute of 2,000 people letting out all of their pent up anger from the last decade. The Devil himself would have been slightly startled by the noise that was coming out of that room.

6. It always gets better

Critics of Bridgers often argue that she indulges in sadness, with depression, alcoholism and toxic relationships being common motifs in her music, she spoke with the crowd about how writing about these things after the fact helps her deal with what she’s been through, “I wore pyjamas for a year, in a cute way,” she explained during a monologue before Funeral. In the end, the final and most important takeaway from the concert came from Bridgers herself: “I’m never over anything, but, it gets better, is what I’m saying.”

Annie McNamee is on TikTok and Instagram

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Phoebe Bridgers and her band were amazing. She's one cool songwriter/musician. Seeing her live made me a bigger fan than I already was. I really don't think she knows how talented she is. What would have made a better experience is the fault of the venue. The Constellation Room will oversell tickets for popular acts creating an overcrowded room. If the fire marshal were to have shown up there definitely would have been a problem. There were many people in front me that left because it was too packed. Many more people tried to enter the room and turned around and left after seeing there was no way to fit one more sardine in the can. Shame on The Observatory mgmt.! This is the only knock I have on the place. I love The Observatory. Been there dozens of times. They have the best staff in the business and the amazing experiences far outnumber the not so amazing experiences.

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This concert was so beautiful. I loved every second of it. It was her last show with the band she was touring with, so she made it memorable. They ended up playing everything from Stranger in the Alps plus Steamroller and two covers. She finished with Sherly Crow's, If It Makes You Happy. The Pike room was filled with such a warm energy and it looked effortless for her to do it. I met her at the end. She had the sweetest soul. I hope she comes back to the Detroit area again! Definitely keep an eye out for this gem.

Saw Phoebe play at Bottom of the Hill and all I can say is that this was the best show I've ever been to! The talent from Phoebe and her band, as well as Lomelda and Harrison Whitford, was mindblowing! Her performance was even better than what's heard on studio recordings, and she has quite the endearing stage presence. I would jump at the chance to see her again!

Magical show. Breathtaking renditions of all her songs and hysterical commentary in between them. I can’t wait to see her again in June. Magical show. Breathtaking renditions of all her songs and hysterical commentary in between them. I can’t wait to see her again in June.

A perfect show from an amazing artist. Outstanding performance. The set + encore were perfectly planned. Between-song banter was on point. I honestly can't imagine improving this show in any way---and the opener was great too!

great show playing long good interaction with the audience

very nice voice can be good guitar

supported by good artists

jokes with the audience

highly recommended for a beautiful evening

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Arlo Parks on privacy, Phoebe Bridgers and why she cancelled her tour dates: ‘I felt my boundary and pushed past it’

The london-born singer-songwriter earned a legion of fans and the mercury prize following the release of her first album in 2021. now, after a move overseas and a self-imposed withdrawal from the limelight, she tells helen brown about her return to music, article bookmarked.

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T hat space helmet was really heavy, I was sweating!” laughs Arlo Parks. She’s recalling shooting the video for “Blades” from her second album, My Soft Machine . “We’d attached the big camera to the top to get those claustrophobic shots and all that weight was pressing down on my neck. But I’ve always loved the video for Radiohead’s “No Surprises” [in which Thom Yorke wore a helmet that gradually filled up with water] and I wanted to give a nod to that influence…”

While Yorke was singing about being trapped in “a job that slowly kills you” back in 1998, Parks’ new song finds her describing “struggling, choking on my words”. The London-born singer-songwriter – who won the Mercury Prize for her debut album, Collapsed in Sunbeams – soothed listeners through the latter days of the pandemic with gently jazzy meditations on the simple joy to be found in “feeding a cat or slicing artichoke hearts”.

But, having been so open about her personal life in her songs, she struggled with the “invasive” questions the press threw at her. “Despite me saying that I was uncomfortable, they just kept coming,” she told GQ . She was only 21 at the time, a gentle introvert who hadn’t expected the poems she’d set to music – alone, in an AirBnB – to launch her into the mainstream. Then, last September she cancelled some US shows, saying she felt “exhausted and dangerously low”. A sentiment she expands on new song, ‘I’m Sorry’ on which she complains of “working incessantly, like a wasp, feeling trapped and crazed… it’s really just hard to trust anyone”. No wonder the poor kid wanted to stick a bubble on her head and shut out the noise.

I’d expected her to be more on edge when she phones from a London hotel. But she sounds happy and relaxed to the point of sleepiness – all soft coos and downy giggles. “I’m good, so good,” she assures me, “just having a coffee…” I’ve been warned she’s “not comfortable talking about personal issues surrounding race, sexuality or mental health” and agreed to avoid those topics. So she knows she’s in a safe space. “Although I just came from LA, so I’m feeling London’s a little… grey? I need to adjust to the English spring!”

It’s been a year since Parks moved from Hammersmith (where she was raised as Anaïs Oluwatoyin Estelle Marinho, a name she still uses off stage) to the Los Angeles home she shares with her girlfriend, 27 year old rapper/singer Ashnikko, and their “adorable” black pomapoo, Wednesday. She tells me that California “feels like home – I’m missing it, missing them…” She “still connects to London” because “it’s where my family live, where I first started people-watching, writing and performing music”. But she’s enjoyed “stretching out” into California’s wide, wild horizons.

• Arlo Parks, My Soft Machine review: A loved-up and sometimes surprising follow-up from the Mercury Prize winner
• ‘Keir Starmer doesn’t inspire people’: Billy Bragg on politics, the royals, and robot songwriters
• Mae Muller: ‘Eurovision 2023 is the year of the pop girlies!’

“I felt the need for a new adventure,” she explains. “I felt a sense of curiosity, wanting to approach my creativity through a different lens. I wanted to meet new people. As a creative person you’re constantly hunting for fresh inspiration and out there I’ve been flooded with a whole new set of sensory experiences, exploring the flora and fauna of a new geography.”

Parks loves to fill her lyrics with references to fruit and flowers, creating sonic still lives – My Soft Machine will probably be 2023’s only release to give rhododendrons a shout-out. In California, she’s been enjoying the “lovely, flowing lilac” of the jacaranda blossom and the “vibrant pink” of its papery bougainvillea, which she admires for “pushing through and thriving” even among the skyscrapers of downtown LA. She’s grateful for the plant’s demonstration that gentleness still has its place.

I never expected this many people to be listening to what I have to say. I’m not the kind of person who ‘always knew this was gonna happen’, y’know?

“We’ve had more rain than is usual,” she says, “so when I was out in the desert for Coachella, the landscape was just bathed in yellow flowers, but when I looked up the mountains were covered in snow.” She pauses, realising she’s forgotten the most important thing: “And the ocean! I’ve never lived by the ocean this way. It’s amazing to swim and sit and reflect and write by the ocean…”

While fellow singer-songwriter Lewis Capaldi has spoken about the pressure of producing new material to “brand” expectations in America’s corporate songwriting rooms, Parks says she’s “not felt that at all”. Partly because she’s a “notoriously private writer”. She prefers to nurture miniature worlds to maturity – like Terraria – before sharing them. “Any feedback – positive or negative – can throw you off the essence of a song. Keeping your voice, your vision undiluted is important”. In a patriarchal culture, is it also a feminist act? “Definitely!”

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The downside of Parks’ self-contained process is that she becomes her own harshest critic. “My drive, ambition, discipline all comes from me. But also my doubt and workaholism. I’m the source of it all.” She admits that she annoys herself when she gets “too caught up in lovely words, like when I was a kid with a thesaurus. I’m always having to ask myself: what’s this song about? Where is it going?” Her conversation can feel a little like that too. The flow of her drowsy-dreamy imagery makes it hard for me to work out if she’s answering my questions.

When British artists hop across the pond, their sound often swells to scale. Does Parks think this has been the case for her? “Definitely,” she says. “[ Collapsed in Sunbeams ] had a sense of minimalism. The drums were always warm. The instrumentation was a soothing salt bath for the words to sit in. There was no abrasive sound. This time I felt a need for adventure, experimentation. I wanted to bring the instrumentation to the forefront.”

Namely, she wanted to be more blunt about her influences, such as Nineties indie and trip hop. She’s a huge fan of Portishead, Yo La Tengo and Paramore. The vibraphone melody and gauzy harmonies of “Pegasus”, featuring radically honest indie-folk superstar Phoebe Bridgers, float over a clattering beat that nods back to Massive Attack. Parks tells me she was particularly pleased with “the distorted My Bloody Valentine guitar sound we used at the end of ‘Puppy’.” It turns out that the metallic grind actually comes from a synth that her producer Buddy Ross was playing.

She says Ross – best known for his work with Frank Ocean, Haim and Bon Iver – “warped [it] to create a chaotic, frenetic balance” to her ethereal vocals. This is particularly effective as the song is addressing a friend’s grief following the death of his mother. Bereavement is one of many dark themes addressed on My Soft Machine . The album opens with a drum-backed spoken word track, over which Parks calmly states: “Almost everyone that I love has been abused/ and I am included/ I feel so much guilt that I could not guard more people from harm.” Yearning for lost innocence, she wishes she were “seven and blameless/ Going over the handlebars/ Pollen sniffling over grazes.” Against the tangy, East Asian semitone twangs of “Impurities”, she expresses gratitude for her ability to “radiate like a star” when her lover embraces “all my impurities, and I feel clean again.”

Without getting too personal, Parks says she wanted to be honest about “the grit, the things that you can’t wash off, that follow you”. But she also wanted to pay tribute to “the people who make you feel radiant, who see there is something in you that is beautiful. I wanted to capture those contrasts, the softness and the machine, the numbness and elation. I feel the polarity.”

Still identifying more as a fan than an artist, Parks admits that her rapid rise to fame has been a little disorienting. “I never expected this many people to be listening to what I have to say, so I feel very humbled by the attention. I’m not the kind of person who ‘always knew this was gonna happen’, y’know?” Backstage at festivals she initially found it “difficult being surrounded by people who inspired me. It’s difficult to feel yourself as being deserving of being among them. Especially people you’ve listened to for a long time. I’ve been listening to Phoebe Bridgers since I was 16.”

She’s recently been describing Bridgers as a big sister and is clearly awed by “the way her influence stretches into so many different pockets of music”. She gushes over the new album by boygenius, the critically adored singer-songwriter supergroup comprising Bridgers, Lucy Dacus and Julien Baker, and the female solidarity that make them a revolutionary beacon of frank friendship. Women in the music scene, after all, have too often been set up as rivals. “‘True Blue’ is definitely my favourite of their new songs,” she says. “That line: ‘I can’t hide from you like I hide from myself’ is just… sooo special. They exuded such collective prowess when I saw them at Coachella.”

Although Parks famously says she “can’t dance”, she’s filled My Soft Machine with danceable beats and even includes a line about dancing to Enya. “I still can’t dance,” she laughs. “I haven’t changed! But I love to move intuitively when I’m on stage. I don’t really think about what my body is doing.” In front of an audience, the thoughtful introvert experiences a sudden rush of energy. “I want to jump, stamp, rush up to the barrier. It’s a physical release as well as an emotional one. After a show I’m drenched in sweat and completely spent.” So that although she struggles with insomnia she always sleeps well after a gig. “I come off stage. Eat dinner. Have some tea and watch some silly telly. Then I completely crash out within half an hour.”

When it comes to touring My Soft Machine , Parks is determined to avoid another burnout. Before 2010, most musicians were expected to push through their schedules, with often disastrous consequences for their mental health. But Parks is part of a push back that has seen acts such as Wet Leg, Justin Bieber, Shawn Mendes and Sam Fender all cancel recent shows to prioritise their wellbeing.

“That last tour was too much,” she says. “I felt where my boundary was and I pushed past it. You have to be honest with yourself. If you want a long career you need to take it at the right pace.” And, while at ease with the fact that “my popularity is bound to ebb and flow”, Parks has plans for a long, creative career. “I’d like to write a film script, and a novel at some point,” she says. She wants to enjoy quality time at home, cooking with her “patient” partner then have more adventures.

Would she ever consider trying on that space helmet for real and embarking on some extra-terrestrial travel? She gasp-laughs. “No, no, no, noooo!! That would send me into an existential spiral and I would never be the same again. It sounds terrifying. No thanks. I’ll stick with the fruits and flowers of this planet!”

‘My Soft Machine’ is out now

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