black sabbath tour 2022 uk

Birmingham Royal Ballet

Black sabbath – the ballet: international tour.

Carlos Acosta is turning up the volume on Birmingham’s musical legacy. Original Heavy Metal heroes, Black Sabbath, provide the soundtrack for Black Sabbath - The Ballet .

Rotterdam, Luxembourg, Hamburg and Washington DC

• Cast & Credits

About Black Sabbath – The Ballet: International Tour

After its successful world premiere and UK tour in 2023, Black Sabbath – The Ballet returns for an international tour in 2024 and 2025.

Black Sabbath forged their unique sound in Birmingham Royal Ballet’s home city. In Black Sabbath – The Ballet expect a spectacular theatrical evening featuring thrilling dance alongside full orchestrations of legendary Black Sabbath tracks such as Paranoid and Iron Man , as well as new orchestral works inspired by their music - all performed live by the Royal Ballet Sinfonia.

Image: Sofia Liñares. © Perou.

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Black Sabbath – The Ballet

Yaoqian Shang and Javier Rojas, Black Sabbath – The Ballet

Riku Ito, Black Sabbath – The Ballet

Kit Holder, Black Sabbath – The Ballet

In the second of three Birmingham-focussed commissions, Carlos Acosta was drawn to both the band’s work and its musical legacy as the originators of Heavy Metal. This full-evening ballet promises to be a unique undertaking with three composers and three choreographers, led by renowned Choreographer Pontus Lidberg (whose work has been performed by the Swedish Royal Ballet and the Paris Opera Ballet) and Composer Chris Austin (whose work includes orchestrating the White Stripes music for Wayne McGregor’s Chroma ) working alongside award-winning writer Richard Thomas ( Jerry Springer, The Opera ) to create an extraordinary metal symphony over three acts. Black Sabbath themselves have been closely involved in developing this unique collaboration.

Sparks fly in this intriguing new response to Black Sabbath’s music and legacy – the first true heavy metal ballet experience.

Find out more...

Home of metal join the black sabbath – the ballet creative team, what the audience thought.

Black Sabbath – The Ballet is a Ballet Now commission. Ballet Now is generously supported by Oak Foundation’s Special Interest Programme. We are also grateful to the John S Cohen Foundation, the John Feeney Charitable Trust, the H Steven and P E Wood Charitable Trust, the Oakley Charitable Trust, and The Owen Family Trust for their support of Black Sabbath – The Ballet .

BRB’s 2025 USA tour has been made possible by the support of Alan and Caroline Howard.

Black Sabbath

Christopher Austin

Marko Nyberg

Pontus Lidberg

Raúl Reinoso

Cassi Abranches

Alexandre Arrechea

Richard Thomas

Dates & Times

Luxor theatre, rotterdam.

Wed 12 – Sat 15 Jun 2024

Grand Théâtre de la Ville de Luxembourg

Wed 19 & Thu 20 Jun 2024

Staatsoper Hamburg

Tue 9 & Wed 10 Jul 2024

The Kennedy Center Opera House

Wed 4 – Sun 8 Jun 2025

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Sabbath Bloody Sabbath. “Can you believe we’ve been doing this for 45 fucking years?”, frontman Ozzy Osbourne said with disbelief on the penultimate date of their tour in Birmingham; no one can quite believe it. The release of their 19th album ‘13’ earlier this year marked 35 years since the last studio album with Ozzy – ‘Never Say Die!’ – and with reaching No.1 showing their long lasting popularity. First to grace the LG Arena’s stage were Cambridge’s long haired, suit wearing Uncle Acid & the Deadbeats. It’s not an envious job opening up for Black Sabbath with the early-comers mostly not knowing who they are but introducing themselves with overdriven guitars, harmonious vocals and just psychedelic-inspired rock it was hard not to become more open to them. Although not always with a perfectly flawless sound they made up for it with their Sabbath-esque riffs being a quick crowd-pleaser. The first sign of life from Black Sabbath was an almost chilling outcry from Ozzy whose figure flickered behind a curtain joined with the wailing of sirens which caused the double denim and leather clothed crowd to be sent wild. Opener ‘War Pigs’ got things going with the repetitive cry of “let’s go fucking crazy” from the overexcited looking frontman. Tony Iommi worked his magic on his famous red SG; Geezer Butler effortlessly strummed along and tour drummer Tommy Clufetos seemed as if he’d been a part since the beginning when laying down the beats. Age can’t beat Sabbath. They might be old enough to get a free bus pass but they can still lay down perfectly executed tracks with ease. Butler’s solo during ‘N.I.B’ would make even the most skilled of bass players envious of the skill he possesses and Iommi just sauntered around whilst pulling out solo after solo and riff after riff. When they fitted these in together, you couldn’t help but be glad that the Brummie guys were back together. Clearly glad to be home, Ozzy adopted the classic ‘we’re not worthy’ Wayne’s World pose while shouting “you’re number one.” What else do you expect from the manic frontman? He even drenched a couple of security men with a bucketful of water whilst running up and down the breadth of the stage getting the crowd to join in with waving and jumping. His stage presence resembled something a hyper 5-year old would do (minus the “let’s go fucking nuts” of course) but when you get to hear those renowned wailing vocals live it makes up for it. When they reached ‘Rat Salad’ we finally got to see the pure talent coming from drummer Tommy Clufetos and wow. Just wow. Nearing 10 minutes worth of awe-inducing frenzied drumming Clufetos had without a doubt won over the crowd. At the end he brought it down to just a single beat which then grew to the opening of ‘Iron Man’ with the entrance of Ozzy, Iommi and Butler. Joining in by singing the legendary opening riff was surprisingly Ozzy who along with the crowd seemed overexcited to hear it himself. Brandishing another first-rate solo was Tony Iommi; how does he even do it? Definitely the coolest guy in metal. The first we heard of 13 was ‘God is Dead’ and live, it fitted in perfectly with the old material no problem. Other newbies ‘Age of Reason’ and ‘End of the Beginning’ earlier on in the set wouldn’t be recognisable as new and fresh either if you didn’t know already. Constantly throwing out intense riffs, imposing bass lines, pounding drums and those unsettling vocals; everything those legends do is right. Threatening to end the show with an enthralling performance of ‘Children of the Grave’ the crowd were reluctant to let them leave by following Ozzy’s instructions to once again go “fucking crazy because it’s Christmas.” This paid off well as everyone got treated to ‘Paranoid’ with a small intro of ‘Sabbath Bloody Sabbath’ and now got told to go “ape-shit” which was aided by the falling of confetti and balloons. Their heydays may have been back in the 70s but the diverse range of ages in the LG Arena showed how Sabbath are still one of the leading and best bands ever to come out of Birmingham. Let’s hope they don’t have any more fallings out or legal disputes and stay together because we can’t have another period with no sign of Black Sabbath.

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Sunday 29th January. The O2. Black Sabbath. So I first saw Black Sabbath 35 years ago to the month in January 1982 with Dio on vocals, Vinny Appice on drums, Geezer, Tony and the recently departed Geoff Nicholls on keys. Tonight it’s nearly the original line up with Ozzy, Geezer and Tony Iommi but with Tommy Clufetos on sticks instead of the contract disputed Bill Ward.

The shows starts with an impressive opening cinematic experience unleashing the beast that is Black Sabbath and we’re straight into their eponymous track. Its sets the scene for the next 100 minutes with the musical onslaught of power riffs, throbbing bass, pounding drums, Ozzy’s voice (still really strong) and an amazing light show.

What you notice with Sabbath songs is that’s there at least one other song buried in there too with alternative riffs and charges of pace throughout. The set tonight unchanged throughout the tour mainly draws from the first four albums and each one is introduced by just its name. There’s little banter from Ozzy apart from encouraging the fans to clap their hands, make some noise and go crazy which we duly oblige.

Considering their years the noise is relentless. Iommi proving what a master guitarist he is, switching pace multiple times though a song with his precise style providing those well-known riffs to the classics. Butler’s fingers don’t stop moving through the show on the bass. There’s no plectrum in sight as he finger picks and his short solo makes great use of the effects pedal to showcase the outer limits of the instrument. Clufetos on drums is a nonstop Tasmanian devil of a drummer with a sound that suggests at least four hands are on the kit coupled with his double bass drums too. His extended drum solo is impressive, allows the three old timers a much needed few minutes rest and is suitably lit with strobing lights. I was breathless just watching.

The highlight for me of which there were many was ‘War Pigs’. It’s a classic but brought to life with a fantastic light show. The set ends as you expect with ‘Paranoid’ but the band are obscured for the most part with some unnecessary balloons and ticker tape.

Great to see them again after all these years as I rolled back to my fifteen year old self reminding me of why I got into music originally, kick ass rock n roll. As a show and spectacular it was incredible filling the behemoth of the O2 with both sound and light.

Keep on heavy metal rockin’ y’all.

Well this was it, folks; the beginning of the end. Ozzy said it himself, and surely seemed to mean it. And so, opening with their eponymous song, Black Sabbath kicked off the first show of the tour that will be their last one ever.

The set list was stellar. "Fairies Wear Boots," "Tomorrow’s Dream," "Snowblind," the iconic "War Pigs"...classic after classic was delivered with tightness, precision, and seeming ease. An early highlight, however, was "Into the Void," which found Tony Iommi's guitar becoming heavier and more insistent, as this brilliant song demands. A crushing tune on all accounts.

"Behind the Wall of Sleep" was an unexpected and most welcome surprise to my ears, and Geezer Butler even slipped in the lines from "Bassically" before they went into "N.I.B" -- just like on the album! Brilliant.

Unfortunately, after this point Ozzy's voice faltered and seemed like it may be done for the night. "Hand of Doom" is one of my all-time favorite Sab tracks, but the Ozzman was severely off key at times. He had been doing alright before that, but he lost his mojo here and it took some energy out of the room. "Iron Man," as a result, seemed to lack some punch, but by "Children of the Grave" the band got back up to speed and delivered this rocker well. "Dirty Women" was the penultimate song before the requisite closer "Paranoid," during which gobs of purple confetti fell from the ceiling, followed later by a shower of sparks.

And speaking of pyrotechnics, there were several to be found throughout the set, including flames atop the amps during the opener and fireballs during "Children of the Grave." These, combined with cool video effects (such as psychedelic patterns, flames licking at the edges, and various grisly images) on the stage screen made for entertaining visuals.

Overall the band sounded good, and despite Ozzy's occasional struggles, he performed well and worked the crowd. It was a fitting end for a seminal group that birthed heavy metal, changing the music scene forever. Their influence will never be forgotten.

January 20th 2016 was the first date of The End Tour. The whole show was amazing. Rival Sons opened the show and they were very good. This is a band a lot of people are not aware of. They have been around a few years.They have a sound that is influinced by Led Zeppelin The Doors and a few others yet have their own style. All I know is I like them and think others will if they listen to them. Now on to Black Sabbath if you are a Sabbath fan my advice to you is get tickets while you can. They being Black Sabbath put on a show that I will never forget. It is the best I have ever seen them. Thier sound was spot on and the visual effects were amazing and the music was even more amazing. Ozzy is and will always be my favirot front man in a band. His vocals were damn good for the Godfather of heavy metal. Tony Iommi gutiar playing has only gotten better with age. Geezer Butler was on fire on bass as well. Their drummer for this touris an animal. Just one hell of a drummer and his solo kicks serious ass. Well what are you waiting for go get your tickets now. Or not and miss the Best Sabbath show you could hope to see. They played some songs I haven't herd them play since the early 70's. So if you miss this tour then you won't ever get to see Black Sabbath ever. My advice is get your ticket while you can.

Black Sabbath was an unforgettable show. The opportunity arose to see them last summer outside of San Francisco and of course I had to be there. Black Sabbath is classic and has stood the test of time. The crowd proves that with young kids dressed in all black to happy middle aged couples in their Sabbath tees from the 70s. Their music still speaks to a broad range of people, youth and adults alike. The outdoor venue was a perfect spot to see Ozzy and the band. He has recently gotten sober and sounds leaps and bounds better than ten years ago. His voice has some serious power behind it. The band played phenomenally as well. They played all their staples from War Pigs to Paranoid. The entire crowd was pumped up. Everyone was moving and singing along. The energy was just right. It's important to remember that these guys started in 1969 and they are still killing it.

By the end of the show no one was ready to go home. Sabbath proves that they still know how to get a crowd wild, even if they left some of their old antics in the past. As long as Black Sabbath is touring it is a show worth seeing. They are unforgettable. The 'Prince of Darkness' still knows how to rock.

Saw Black Sabbath "The End" show for the second time at Jiffy Lube Live in Virginia. I saw the beginning of this tour in December, 2013 in the Czech Republic. This show was very good. The lights and big screens did well to give the audience the experience that only Black Sabbath can bring. Ozzy was good and never seems to tire. Tony was outstanding and with his recent cancer I am amazed. Tony is a machine! Geezer was his heavy bass self and can still tear it up. I think I am more impressed by the drummer now then I was the first time I saw him. He is incredible! This show was all old Sabbath and it really struck me how some of these songs we pushing 50 years and still just as fresh and heavy as the day they were recorded. I only wish they had played some of 13 at this show. They played 14 songs verse the 16 they did during the first bit of this extended tour. I will have to concede it was nice to hear some deeper tracks. All in all another great Sabbath show!! how many more do they have, is this really the END?

This is the first time I've seen Black Sabbath. Although, I've listened to this group for 43 years. There is not one moment I did not enjoy. Ozzy was extremely friendly with his audience and had all of us involved. He still has a lot of rock and roll in him. You will be amazed and awe struck by the drum solo that went on forever. Amazing, totally amazing. Great old songs, fantastic light show. I still can't believe I was there. You will be sorry if you don't see "The End". Very hard to say goodbye to this iconic band. Thanks Ozzy and the rest of the guys for a show well done. The critics aren't beating Ozzy up but pointing out he can't sing the high notes any more. They should be reviewing what is now and not what 50 years ago was. We all age and things change. For a 67 year old man, Ozzy rocked the hell out of the crowd. I think he wore us out before they wore out. Magnificent show. Don't miss it.

Absolutely first class! Ozzy still sounded like he did in 1970 and can still get the crowds adrenaline going. Having seen a number of bands and artists of legendary status, including the amazing Jerry Lee Lewis, I never thought I'd see someone who held a crowd any better ... until I saw Black Sabbath.

Tony Iommi and Geezer Butler, the same as Ozzy, still had that same talent and ability to entertain as they did 47 years ago.

However, the drummer, Tony, really stole the show with the mid-show drum solo! That's a drum solo that I don't think ANYONE could match!

Probably the greatest gig I'll ever have the joy of seeing and without a doubt one I'll never ever forget! A great crown in Glasgow for the greatest band in the world!

First time seeing Sabbath and I have to admit the opening band, which was Rival Sons, were pretty good. As for Black Sabbath, they absolutely blew the crowd away. The weight of Iommi's riffs cannot be described, the new drummer that replaced Bill Ward was also experienced and skilled. Butler's delicious bass solos during certain songs really contributed to the creation of the feeling you get when you're listening to Black Sabbath. Ozzy didn't exactly sound the way he sounded 40 years ago (at least not vocally), but his voice had the same effect on the crowd. His energetic cheering also motivated the crowd and made everyone go nuts. Overall probably one of the best concerts I've ever been to.

What an excellent gig, but I have one major complaint.

The band was brilliant, Tony and Geezer played fantastic, Ozzy's was excellent, his voice is still superb. The support band Rival Sons where great, the 3Arena is an excellent venue, with excellent staff.

What almost ruined it for me were all the people with their mobile phones, recording the show. I was fairly close to the front but I still had to keep moving to be able to avoid mobile phones obscuring my view.

I see people are streaming the show live... That really is annoying and basically spoils a live show for me.

I might not bother doing big gigs, rather go to smaller ones where there is not such a problem with mobile phones.

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An Intro by Rob Dwyer

Welcome to the Tour Date Archive!

Our mission here is to document every known gig date that Black Sabbath performed from their earliest incarnations as Polka Tulk and Earth to their most recent and sadly final THE END tour in 2017.  This has proved to be a challenging project requiring at least a decade of research that is still very much ongoing.  It is by no means 100% complete or accurate, nor will it probably ever be.  Still, it is our aim to provide the most accurate and useful database for Black Sabbath’s history anywhere on the Internet.

If you do happen to notice any missing or incorrect information on these pages, please feel free to send us an e-mail.  Since we need to confirm any new information for inclusion, please provide any supporting evidence you might have, such as scans of ticket stubs, handbills, posters or any other items that supports your claim.  You are also welcome to share your memories or even reviews of these concerts, since some facts may be impossible to provide in a tangible form.

That said, I do try my give each and every contribution my undivided attention when research time avails itself to me.  I have greatly appreciated the input of everyone who has contributed to this research and will make those acknowledgements elsewhere in his section very soon.

Please be aware that your submissions and corrections will not immediately appear on these pages.  Due to the nature of our new database system, we must process these updates in batches.  I wish there were an easier way for us to do this, but unfortunately it’s the nature of the beast we’re working with (Gigpress).  Each update requires a coordinated effort between myself and Joe which is fairly time consuming for each of us.  Additionally, I’m still in the midst of converting my data over to this new system.  Once this conversion has been completed, future updates should be a bit more frequent and less painless for us to do.

Now for the good news!  We will be doing a fairly comprehensive update of the entire tour dates section in 2018!!  It’s been many years since we’ve made any revisions in this section.  Over the past year, I’ve added countless gigs, updates and corrections to the information we originally had.  We will also be adding additional show data (ticket prices, venue information, sold out show info) that wasn’t included with prior versions of these tour listings.

Thank you for your patience with us and for all of the great help we’ve received.  Cheers!

We’re always on the lookout for more materials.  If you have concert pictures, ticket stubs, or tour advertisements, I’d love to see them and use them here.  Send materials to [email protected] – we can handle just about any kind of file attachment.  One small favor if you send something via email.  Send two emails.  One with the attachment, and another letting us know you’re sending it (that way I can check my spam software filters – frequently file attachment emails get killed, and I need to rescue them).

P.S. – DO NOT INQUIRE ABOUT ANY NEW TOUR DATES!  As of 2017, Black Sabbath has already announced they will no longer be playing any more concert tours.  If there any exceptions along the way, they probably be mentioned on the News page first, as this section will not be updated on a frequent or regular basis.  Any inquiries about new shows will simply be ignored, so please don’t waste your time or our time in asking that question.

MOBILE DEVICE NOTE: The actual pages of dates might look really strange on your device, depending on what it is.  Given the current nature of this data, there’s no easy fix at this time for that.  Please use a desktop browser to make use of the tour archives if what you see on your mobile looks strange.

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Black Sabbath announce final tour for 2024

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They said it was The End in 2017 but it would appear that only death will be the true end for the Godfathers of heavy metal! Today, it’s been announced that Black Sabbath will reunite for one final tour in 2024. There’s no word on venues, cities or even countries but we’d imagine it will be less expansive than The End tour and will be taking place in arenas, if not stadiums. Could we even see them at the odd festival or two?

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There’s also no confirmation on who will be sitting behind the drum kit, if Bill Ward will have a chance to say goodbye in the live arena like Ozzy Osbourne, Toni Iommi and Geezer Butler did during 2016 and 2017. Given Ozzy’s recent announcement of returning to performing live with LA’s Power Trip festival and him collaborating with Iommi on his most recent solo album, as well as no band truly retiring (see: Mötley Crüe), this news doesn’t come as too much of a surprise.

Check out o ur review of the “final” Birmingham show from 2017 and you’ll get an idea of how emotional it will be for everyone involved.

But don’t just take it from us, let’s hear it straight from the band themselves whilst we wait for more news to come.

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Published by Ross

Described as a gig junkie, can be seen at anything from the Quireboys to Black Label Society and everything in between. View all posts by Ross

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Aw, you hardly know me

You have no soul.

There’s no such thing as a soul, so I’m cool with that.

I’ll never forgive you for this

…I’m not looking for forgiveness?

Sabbath are no strangers to love.

They know the rules (and so do I).

Zakk Sabbath Tour Dates:

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About Black Sabbath

Black Sabbath were an English rock band formed in Birmingham in 1968 by guitarist Tony Iommi, drummer Bill Ward, bassist Geezer Butler and vocalist Ozzy Osbourne. They are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970), and Master of Reality (1971). The band had multiple line-up changes following Osbourne's departure in 1979, with Iommi being the only constant member throughout its history.

After previous iterations of the group called the Polka Tulk Blues Band and Earth, the band settled on the name Black Sabbath in 1969. They distinguished themselves through occult themes with horror-inspired lyrics and tuned-down guitars. Signing to Philips Records in November 1969, they released their first single, "Evil Woman" in January 1970. Their debut album, Black Sabbath , was released the following month. Though it received a negative critical response, the album was a commercial success, leading to a follow-up record, Paranoid , later in 1970. The band's popularity grew, and by 1973's Sabbath Bloody Sabbath , critics were starting to respond favourably.

Osbourne's excessive substance abuse led to his firing in 1979. He was replaced by former Rainbow vocalist Ronnie James Dio. Following two albums with Dio, Black Sabbath endured many personnel changes in the 1980s and 1990s that included vocalists Ian Gillan, Glenn Hughes, Ray Gillen and Tony Martin, as well as several drummers and bassists. Martin, who replaced Gillen in 1987, was the second longest serving vocalist and recorded three albums with Black Sabbath before his dismissal in 1991. That same year, Iommi and Butler were rejoined by Dio and drummer Vinny Appice to record Dehumanizer (1992). After two more studio albums with Martin, who replaced Dio in 1993, the band's original line-up reunited in 1997 and released a live album Reunion the following year; they continued to tour occasionally until 2005. Other than various back catalogue reissues and compilation albums, and the Mob Rules -era lineup reunited as Heaven & Hell, there was no further activity under the Black Sabbath name for six years. They reunited in 2011 and released their final studio album and nineteenth overall, 13 (2013), which features all of the original members except Ward. During their farewell tour, the band played their final concert in their home city of Birmingham on 4 February 2017.

Black Sabbath have sold over 70 million records worldwide as of 2013, making them one of the most commercially successful heavy metal bands. They were ranked by MTV as the "Greatest Metal Band" of all time, and placed second in VH1's "100 Greatest Artists of Hard Rock" list. Rolling Stone magazine ranked them number 85 on their "100 Greatest Artists of All Time". Black Sabbath were inducted into the UK Music Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2006. They have also won two Grammy Awards for Best Metal Performance, and in 2019 the band were presented a Grammy Lifetime Achievement Award.

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Mike + The Mechanics announce 30-date UK greatest hits tour for 2025

Mike + The Mechanics will hit the road for widespread tour billed as featuring "all the hits and a drift into Genesis"

Mike Rutherford has announced a 30-date Mike + The Mechanics UK tour for 2025.

The widespread run of shows is billed as the 'Looking Back – Living the Years 2025 Tour' and a promotional poster promises "all the hits and a drift into Genesis."

The shows kick off at the Royal Concert Hall in Glasgow on March 3, wrapping up with a date at London's Royal Albert Hall on April 14. See the full list of dates below.

Tickets are available now from the band's website.

Mike & The Mechanics released their latest album, called  Out Of The Blue, in 2019.

Mike + The Mechanics Looking Back – Living the Years 2025 UK Tour

Mar 03: Glasgow Royal Concert Hall Mar 04: Aberdeen Music Hall Mar 05: Edinburgh Usher Hall Mar 07: Perth Concert Hall Mar 08: Stockton Globe Theatre Mar 09: Manchester Bridgewater Hall Mar 11: Nottingham Royal Concert Hall Mar 12: Stoke Victoria Halls Mar 14: York Barbican Mar 15: Ipswich Regent Theatre Mar 17: Cambridge Corn Exchange Mar 18: Sheffield City Hall Mar 20: Halifax Victoria Halls Mar 22: Gateshead Glasshouse Mar 23: Llandudno Venue Cymru Mar 24: Liverpool Philharmonic Hall Mar 26: Leicester De Montford Hall Mar 27: Basingstoke Anvil Mar 29: Bournemouth Pavilion Mar 30: Portsmouth Guildhall Apr 01: Southend Cliffs Pavilion Apr 02: Northampton Derngate April 04: Birmingham Symphony Hall April 05: Eastbourne Congress Theatre Apr 06: Oxford New Theatre Apr 08: Guildford G Live Apr 10: Bristol Beacon Apr 11: Swansea Arena Apr 12: Plymouth Pavilions Apr 14: London Royal Albert Hall

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Stef wrote close to 5,000 stories during his time as assistant online news editor and later as online news editor between 2014-2016. An accomplished reporter and journalist, Stef has written extensively for a number of UK newspapers and also played bass with UK rock favourites Logan. His favourite bands are Pixies and Clap Your Hands Say Yeah. Stef left the world of rock'n'roll news behind when he moved to his beloved Canada in 2016, but he started on his next 5000 stories in 2022. 

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Blakk Sabbath

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