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Commander S'Chn T'Gai Spock is the deuteragonist of Star Trek: The Original Series, its animated sequel series and the first six Star Trek motion pictures. He returns as a minor character in Star Trek: The Next Generation and a major protagonist in the prequel TV Series, Star Trek: Discovery and its spin-off, Strange New Worlds.

Spock was portrayed by the late Leonard Nimoy in the TV series Star Trek , the first six films, the 2009 film Star Trek , and in its sequel Star Trek Into Darkness . Zachary Quinto portrayed Spock's alternate reality counterpart in the 2009 film and its sequels. Ethan Peck portrayed Spock in the second season of Star Trek: Discovery and reprised the role in the series Star Trek: Strange New Worlds . In the episode Spock Amok when he and T'Pring had accidently switched bodies, Spock was portrayed by Gia Sandhu until Dr. M'Benga returned them both to their proper bodies.

• 1.1 Early Life
• 1.2 Early Career
• 1.3 2270s-2280s
• 1.4 First Death and Rebirth
• 1.5 Mid 2280s through 2300
• 1.6 24th Century
• 2.1 Kelvin Timeline
• 2.2 First Splinter Timeline
• 2.3 A Quality of Mercy
• 5 Navigation

History [ ]

Early life [ ].

Spock was a Human/Vulcan hybrid who became one of the most distinguished and respected figures in the United Federation of Planets in his lifetime. He was born on Vulcan in the Earth year 2222, the son of Sarek and Amanda Grayson. In keeping with Vulcan tradition he was born on a cave, with the priestess T'Lar attending Amanda and delivering Spock.

Grayson's family had a genetic disposition towards dyslexia. As a result Spock developed L'tak Terai as a young child, which was the Vulcan equivalent of dyslexia. While Sarek felt that Vulcan schools would help, Amanda disagreed and took it upon herself to ensure that Spock had the support he needed.

Due to his mixed Vulcan and human heritage, Spock suffered from bullying at the hands of other Vulcan children, who taunted him over his mother and human heritage. While Spock tried to not show any emotion, Amanda knew that he was deeply affected by the harassment he suffered.

At the age of seven Spock took it upon himself to perform the kahs-wan - or Vulcan test of maturity early. He was nearly killed when attacked by a le-matya, but Spock's pet sehlat I-Chaya fought the creature and both I-Chaya and Spock were saved by a man who called himself Selek - who was a future version of Spock who traveled back in time to prevent his death during the kahs-wan ritual. I-Chaya was mortally wounded and further treatment would only prolong his suffering. Rather than let I-Chaya suffer Spock made the logical decision to allow a Vulcan healer to euthanize I-Chaya. Spock brought I'Chaya back home and had him buried on the family grounds. These events marked a significant turn in Spock's development into the man he would become.

When Spock was about eight years old, Sarek and Amanda took in a human girl named Michael Burnham after her father was killed in a Klingon raid and her mother disappeared. Spock eventually warmed up to his foster sister before she intentionally broke off the relationship, feeling that in the long term it would harm him. Spock and Burnham would not resolve their differences for many years.

During Spock's childhood, Sarek and Amanda also took in Spock's half brother Sybok when Sybok's mother died. The two were raised as brothers until Sybok broke into the Hall of Ancient Thought to steal the katra of his mother and travel to Sha-ka-ree, a crime for which Sybok was forever exiled. By the mid 2250s Spock had not spoken to his brother in over a decade and did not know for sure if Sybok was even still alive or not.

Early Career [ ]

In 2249, Sarek was given a choice between having either Spock or Michael Burnham admitted to the Vulcan Expeditionary Fleet. Sarek chose Spock and told Burnham that the Vulcan fleet had rejected her. Spock turned down admission to the Vulcan fleet to pursue a career in Starfleet, leading to an 18 year rift between father and son.

Spock in 2257, following the war.

Shortly after the end of the Federation-Klingon War of 2256-57, Spock took leave from the Enterprise when the mysterious Red Angel began making its presence known to the galaxy. Soon after taking leave Spock checked himself into a psychiatric hospital on Starbase 5. Spock did not remain at the hospital long, apparently killing several people at the hospital before escaping.

Suffering from a mental breakdown due to contact with the Red Angel, Spock was hidden on Vulcan by his mother. Tracking him down, Michael took Spock to Talos IV where the Talosians were able to heal Spock. He revealed to Starfleet that something or someone was on a mission to annihilate all sentient life in the galaxy.

It was soon discovered that Section 31's Control artificial intelligence had gone rouge and was trying to evolve to become fully sentient and kill all sentient life in the galaxy. Having forgiven his foster sister, Spock worked with Burnham and Discovery to keep Control from succeeding in its goals.

Spock initially intended to travel with Burnham 930 years in to the future, to keep the data Control needed to evolve out of Control's hands. When his shuttle was damaged Spock was forced to remain in the 23rd century, and watched as his foster sister and the Discovery entered into a wormhole, disappearing from the current timeline. Before disappearing, Burnham told Spock there was a galaxy of people wanting to reach out to him, and advised him to seek out those who seemed farthest from him and let them guide him.

Spock in 2258.

Following this, Spock was debriefed by Starfleet command. Telling them that Discovery was destroyed, Spock recommended that those involved in the recent events be barred from ever speaking publicly about what happened to his foster sister and Discovery under penalty of treason. Starfleet agreed to take it under advisement. Sarek and Amanda both agreed to never speak publicly of Burnham ever again to honor the sacrifice she and Discovery's crew made.

Once Enterprise was repaired, Spock resumed his duties as science officer on board the Enterprise As a Starfleet officer in the latter half of the 23rd century, Spock served aboard the starship USS Enterprise as science officer under Captain Christopher Pike for over a decade. He then served as first officer and science officer under Captain James T. Kirk .

Briefly transported into the planet Sarpedion's past, Spock fell in love with a woman named Zarabeth - who had been exiled to the past. Their brief relationship resulted in the conception of a son, which Zarabeth had named Zar .

2270s-2280s [ ]

When the Enterprise returned to Earth in 2270 Spock resigned from Starfleet to take up a teaching position at the Vulcan Science Academy. After the death of his childhood friend Sekar at the hands of the ancient Vulcan Mind Lord Zakal Spock decided to undertake the Kolinahr discipline to purge himself of all remaining emotions. For almost three years he labored under the guidance of Master T'Sai and other Kolinahru to achieve a state of total logic. However just as he was about to achieve Kolinahr Spock felt the presence entity V'Ger. T'Sai and the other Masters felt that this was preventing Spock from achieving Kolinahr and said his answers laid elsewhere.

Spock then rendezvoused with the USS Enterprise on her mission to intercept and make contact with V'Ger before it reached Earth. Rejoining Starfleet as the science officer Spock helped Mr. Scott repair the warp drive giving the ship full warp capacity, and gave the Enterprise additional time to intercept V'Ger. As the ship approached V'Ger Spock realized that V'Ger was incomplete and was searching to know if there was more to existence than what it knew. At V'Ger's core Willard Decker merged with Lt. Iila and V'Ger to create a new entity which departed for a higher plane of existence.

After the V'Ger incident Kirk decided it was time to give the refit Enterprise a good shakedown. Mr. Scott informed Spock that they could have him back on Vulcan in four days, but Spock said it was unnecessary as his business on Vulcan was finished. Spock remained on the Enterprise as first officer and science officer for another five year mission under Admiral Kirk. By the mid 2280s the Enterprise 's was retired from active service and was assigned as a training vessel attached to Starfleet Academy. Spock served as commanding officer of the Enterprise during this time following his promotion to Captain.

First Death and Rebirth [ ]

Spock, just before his first death.

Spock met his first death in the feature film The Wrath of Khan . Spock died due to radiation poisoning he suffered in the ship's dilithium crystal chamber, bringing the warp engines back on line so the Enterprise could get out of range of the Genesis Device before it could explode. Before his first death Spock expressed that he did what he did in recognition that the lives of the many Enterprise crew members were more valuable than his own single life. Before Spock had entered the dilithium crystal chamber, he initiated a mind meld with Dr. McCoy, which he used to transfer his katra into McCoy's mind as he knew from the experience of Jonathan Archer that a human mind could temporarily house a Vulcan katra.

A funeral was held following the Battle of the Mutara Nebula a short time later. The night before the funeral Saavik went in to the ship's morgue where she kept vigil over the bodies of Spock and Peter Preston. Spock's body was placed in a torpedo casing, which was fired over the newly formed Genesis Planet. Spock had dictated in his will that his body not be returned to Vulcan if he were to die away from home, and Kirk had decided on firing his casket over the Genesis Planet with the intention that Spock's body be cremated by the heat generated by entry into the planet's atmosphere.

However the gravitational fields were in flux, and instead of crashing into the planet or burning up in the atmosphere the torpedo soft landed on the surface of the Genesis Planet. The remnants of the Genesis wave regenerated his body into that of a small child, that rapidly aged along with the planet as protomatter had been used in the matrix. David Marcus and Saavik found Spock's body on the surface and stayed with him as he rapidly aged. As Spock's body went through the ravages of pon-farr Saavik helped him get through the biochemical imbalances.

Meanwhile, on Vulcan Amanda asked Sarek to go to Kirk and see if Spock had managed to transfer his katra to Kirk before his death. Sarek doubted that his son had managed to transfer his katra given the circumstances that Kirk had described but agreed to at least go to Earth and investigate the possibility. Going to Earth and seeing the Genesis information for himself, Sarek then went to Kirk's San Francisco apartment. Mind melding with Kirk Sarek learned of his son's apparently final moments, but could not find any trace of the katra. Sarek got up to leave, prepared to accept that Spock was truly gone, but Kirk asked him to stay, thinking that it was possible Spock melded with someone else. Reviewing engine room recordings, the pair found that Spock had transferred his katra to Doctor McCoy. Sarek asked Kirk to bring Spock's body and McCoy to Vulcan so the two could "find peace."

Risking their lives and careers Spock's shipmates rescued his body from the Genesis Planet - at that point Spock's body had aged to the same point as he was before his first death.

Going to Vulcan Spock's father Sarek learned that Spock had been regenerated by the Genesis wave. With that knowledge Sarek requested Fal-Tor-Pan , the refusion. The Vulcan priestess T'Lar told Sarek that it had not been performed in many years, and that it was possibly only a legend, but Sarek was insistent. T'Lar transferred Spock's katra back into his living body, resurrecting him. Spock would later write that his own memories of the event were hazy but he remembered seeing Mount Selaya through Dr. McCoy's eyes as the party made the long and exhausting trip up the mountain, the long and hard ritual that took the entire night to transfer his katra back to his own body, and waking up in the morning back in his own body.

Spock, just after Fal-Tor-Pan was completed.

In his first moments after the Fal-Tor-Pan was completed, Spock approached Kirk to inform him that Sarek had told him that Kirk had been his friend who came back for him. He asked Kirk why he had done that, to which Kirk replied that in this case the needs of the one outweighed the needs of the many. Spock asked if the Enterprise was out of danger, to which Kirk confirmed that Spock had saved them all. He then remembered that his friend's name was Jim, and told Kirk that as the Enterprise crew gathered around their resurrected friend.

Over the next three months Spock underwent an intensive retraining program designed in part by his mother to ensure that his knowledge was intact. Because his retraining had been done in a largely Vulcan manner, he was unsure how to respond when asked how he felt by the Vulcan computers, but Amanda assured him that in time he would be able to answer the question. During this time Spock also underwent a series of mind melds with Doctor McCoy to ensure that any residual portions of his personality in McCoy's mind were transferred back to his mind, and that any parts of McCoy's mind existing in Spock's mind were transferred back to McCoy.

At the end of his retraining program Spock decided to return to Earth with his Enterprise shipmates to offer testimony on behalf of them. Enroute to Earth the Whale Probe had arrived looking for the extinct humpback whales, and when it could find none it began devastating Earth in retaliation. Deciding that they would have to travel back in time to retrieve whales, Spock calculated the equations necessary to enter a sling-shot time warp, all from memory. Back in 20th century San Francisco Spock communicated the Enterprise crew's intentions to George and Gracie, and also helped come up with a solution to the decrystalizing Klingon dilithium. The Enterprise crew was able to take George and Gracie aboard before they could be killed by whalers, and brought them back to the 23rd century.

After helping to save Earth from the effects of the probe, Spock testified at the trial held for his shipmates due to their actions in rescuing him. He later assured Doctor McCoy that the transfer of Spock's mind back to his own body was complete, but they would always be connected due to their experiences. When the time came for the Federation Council to render its judgment, Spock elected to stand with his shipmmates and face the same consequences they did. Because of their actions all but one of the charges against them were dismissed by the Federation Council. The remaining charge of disobeying a superior office was directed solely at Admiral Kirk, who was demoted to Captain as punishment. Immediately after the trial Sarek admitted to his son that he was wrong in opposing Spock's joining Starfleet, and that his associates were people of good character. When Sarek asked if he had a message for his mother, Spock said to tell her he felt fine.

Spock, back on active duty in Starfleet.

Spock then returned to active duty in Starfleet, as first officer of the new USS Enterprise under Captain James T. Kirk. Even then he was not quite sure he was ready for duty, but after single-handedly saving the Enterprise from sabotage, he realized that he was himself again and indeed ready for duty.

Mid 2280s through 2300 [ ]

The shakedown cruise did not go as well as hoped, with the new Enterprise suffering a series of system failures and other issues such as a non-operational transporter and a good percentage of the doors on the ship not working. The ship returned to spacedock for repairs and refitting, including the installation of a new bridge module. Spock was asked to help test the new brig systems to ensure people confined could not escape, and he was unable to find a way to escape from the brig. (The designers, however, failed to account for prisoners having outside assistance in escaping from their new design). He then went on leave with Kirk and McCoy, saving the life of Kirk when he fell off a mountain.

Traveling to Nimbus III as part of a mission to resolve a hostage crisis, Spock was reunited with his half-brother Sybok for the first time in many years. This caused a brief rift in the relationship between Kirk and Spock when the latter found himself unable to kill his brother and for not telling Kirk sooner about his relationship with Sybok. Put in the brig with Kirk and McCoy the three tried to escape but as Spock predicted they couldn't escape from the inside. What the designers hadn't counted on was someone using explosives from outside the brig to blast a hole in the wall, as Mr. Scott did, enabling Spock and the others to escape.

Cornered in an observation lounge after sending an emergency transmission, Sybok explored the secret pain that McCoy held of helping his father die. He then helped Spock by exploring the memories of Spock's birth. Spock noted the presence of T'Lar and thought it was appropriate that she had been present both at his birth and rebirth. Sybok revealed that Spock's secret pain had been how Sarek had said he was "so human" when presented with his new son. Despite being freed of their pain Spock and McCoy's friendship with Kirk was still stronger, with the two declining to accompany Sybok and remaining with Kirk as the ship crossed into the Great Barrier at the center of the galaxy.

Arriving at the planet Sha-ka-ree, they found the being on the world was not the God Sybok believed they would find, but a malevolent entity called The One . Spock tried to console his brother, but Sybok realized that his arrogance and vanity had led them to that moment. Sybok sacrificed himself to buy Spock and the others time to escape. Beamed back aboard the Enterprise just as the Klingon bird-of-prey that followed attacked, Spock convinced General Korrd to order the Klingon ship's Captain Klaa to stand down. Boarding the Klingon ship, Spock took the role of gunner and stunned The One before it could kill Kirk. Brought on board the Klingon ship, Kirk told Spock he thought he was going to die, but Spock told him that since he was not alone that was impossible.

For the next several years Spock continued as first officer of the Enterprise . During this time a rift developed between Spock and Saavik over Valeris . Saavik felt Valeris was bigoted and did not want to provide a recommendation to the academy on behalf of Valeris, but did so anyways out of her loyalty to Spock. She then transferred off the Enterprise to put some distance between herself and Spock. Years later, Saavik would unfortunately be proven right about Valeris.

Spock, after helping to save the Khitomer Conference.

In 2293 Spock participated in the first overtures of peace to the Klingons following the explosion of the Klingon moon Praxis. At his father's request he reached out to Chancellor Gorkon , and developed a working dialog with the Klingon leader. Gorkon was assassinated on his way to Earth by a conspiracy of individuals in the Federation, Klingon Empire, and the Romulan Empire who wanted to derail the peace process. Spock and the Enterprise-A crew defeated the conspirators and ensured the signing of the Khitomer accords.

Following his retirement from Starfleet Spock began following in his father's footsteps by focusing on diplomacy. Soon Spock became an ambassador in his own right.

24th Century [ ]

During debates over the Cardassians in 2327 Spock publicly disagreed with his father over how the Federation should proceed. Although Sarek himself did not appear offended, Sarek's new wife Perrin was offended over Spock's actions, and demanded that he either apologize or else consider himself unwelcome in Sarek's home. Spock did not back down, stating he would not trouble them by visiting again. This caused a rift that would last until Sarek's death in 2367.

In his 140s by the 2360s Spock traveled with his father to a conference held in the Neutral Zone with various Klingon , Romulan , and Cardassian diplomats and military officials to discuss the destruction of outposts along the Neutral Zone. (Later the destruction was revealed to be the work of the Borg ). He was recalled home to Vulcan to discuss a newly discovered findings on Vulcan/Romulan history contained within an telepathic recording device, and his father continued the discussions with the other officials.

A few years later Spock went to the heart of the Romulan Empire. On Romulus he helped Romulans who desired peaceful reunification with their Vulcan brethren. Still feeling responsible for what happened to Kirk, McCoy, and the others on the Enterprise-A during the initial overtures of peace to the Klingons, he was unwilling to risk anyone else's life except his own, and undertook the mission on his own.

Spock on Romulus in the 2360s.

Despite the betrayal of Pardek , who Spock had thought of as a friend, he remained committed to helping the Romulan people. He refused to return to the Federation, getting Captain Jean-Luc Picard to accept his reasons for remaining on Romulus. Spock continued to work with the Romulan dissidents in the hopes that some day the Vulcan and Romulan peoples would come together in peace. The time-displaced Montgomery Scott was happy to learn that Spock was still alive, and thought that if no one else could make peace with the Romulans, Spock would be the one person who could.

In the 2380s Spock tried to help prevent the destruction of Romulus, but the Hobrus star destroyed the planet before he could do anything. He was able to use red matter to keep the supernova from doing any more damage, but along with Nero was sucked in to the resulting black hole, which deposited him in the 23rd century.

Alternate Realities and Timelines [ ]

Kelvin timeline [ ].

Nero's actions upon arrival in the 23rd century created an alternate reality. Destroying the USS Kelvin Nero caused the death of George Samuel Kirk, Sr as his son James T. Kirk was born.

25 years after Nero arrived in the 23rd century Spock arrived and was quickly captured by Nero. Nero forced Spock to watch as he used red matter to destroy Vulcan. Afterwards Spock saved the life of a young James T. Kirk after Kirk was marooned on Delta Vega by the alternate reality Spock . Going to the local Starfleet outpost the pair met up with Montgomery Scott, and assisted them in returning to the Enterprise .

After Nero was defeated Spock returned to Earth, where he watched the young Kirk being promoted to Captain and being given command of the Enterprise . Meeting with his younger self Spock advised him to remain in Starfleet, and to become friends with Kirk. He wished the younger Spock good luck before leaving to help establish the Vulcan species on a new home world which would come to be known as New Vulcan.

Initially the Vulcans planned to settle on Ceti Alpha V. Some Vulcans blamed him for the destruction of Vulcan, but listened when he warned them to stay away from Ceti Alpha V and instead settled on the second planet of the Simon-316 star system.

Spock then took a vow to not divulge what he knew, feeling that it would interfere with the natural progression of the new reality. However the younger Spock contacted the elder Spock a year later for advice in defeating Khan Noonien Singh of that reality. Spock warned the young Vulcan that Khan was a very dangerous individual and that defeating him in the prime reality came with a great cost.

An image of Spock from shortly before his 2263 death.

Spock died on New Vulcan in March of 2263, being over 160 years old at the time. After his final death two Vulcans traveled to meet the younger Spock on Yorktown Station, to give him the news and to present him with some of Spock's personal property. Included was a picture of Spock and his shipmates taken sometime before 2293 in the prime reality.

Over the next 3,000 years, Vulcan civilization would flourish on New Vulcan, Spock would come to be revered by the Vulcan people. By the year 5259, a statute of Spock was placed on New Vulcan, unlike many of the surrounding monuments, which were larger than life, this statute was life sized. According to legend, this had been at Spock's request, as he felt a larger than life depiction of him would not be logical.

First Splinter Timeline [ ]

Owing to the Borg firing a temporal beam at the Enterprise-E during its return to the 24th century after stopping the Borg from interfering in first contact between humans and Vulcans, an alternate timeline was created in 2373. This had the side effect of making the Devidians aware of other timelines and how to collapse them to absorb neural energy.

In this timeline Spock fought to help stop the destruction of the prime reality at the hands of the Devidians, along with assisting in determining the means to stop the First Splinter Timeline from ever coming into existence. The Spock of this timeline died in 2387, shortly before Jean-Luc Picard initiated the temporal reversion that stopped the Borg carrying out their sabotage.

A Quality of Mercy [ ]

In one alternate future Pike warned others about the accident that was to happen in 2266 that would have left him totally disabled. In that timeline, when the accident took place no one was killed or even injured. Meanwhile Pike had retained command of the USS Enterprise and did not hand her over to Captain James T. Kirk the previous year. In 2266 Kirk was the commanding officer of the USS Farragut in that timeline. At some unidentified point in the future, the Pike of that reality traveled to Boreth and obtained a time crystal from the monks living there, which he used to travel back in time to warn the prime reality Pike that warning others would lead to disaster.

The future Pike used the time crystal to allow prime reality Pike to experience the disastrous contact between the Federation and the Romulans. Instead of hunting down the Romulan ship as Spock and Ortegas counseled, Pike attempted to talk his way out of the situation. This allowed an ambitious junior officer on the Romulan ship to summon the Romulan armada. Enterprise was able to escape, but it sparked a war between the Empire and the Federation that cost millions of lives. Spock - who had been working on fixing overloaded phaser control circuits - had been seriously wounded in the attack and Nurse Chapel thought even if Spock survived he would never be the same again. As a result Spock was not there in the late 23rd century to help make the initial overtures of peace to the Klingons, nor was he there in the 24th century to help the Vulcan-Romulan reunification process along, and the best chance for peace between the Federation and Romulans was lost. The future Pike warned Pike that no matter what he tried to escape his fate it would result in Spock's untimely death.

Taken back to his native time, the prime reality Pike decided not to warn the families of the cadets about what he had seen in order to preserve the time line, causing that particular alternate timeline to never come to pass.

In the prime reality, Spock was assumed to have died in 2387. Some time after his departure, the Romulan people reunified with their Vulcan cousins on Vulcan, which was eventually renamed Ni'var. By the 32nd century Vulcans and Romulans held Spock in high esteem for helping begin the process to reunify the two peoples, even though Ni'Var had left the Federation by then.

Commander Burnham, learning what became of Spock.

In 3189 Michael Burnham learned that Romulans had been an offshoot of Vulcans. She further learned that her adopted brother had been instrumental in the reunification of the two socities. For the first time she allowed herself to learn what happened to Spock in the years after she had left the 23rd century, and watched video records of Admiral Jean-Luc Picard where Spock was talking about his mission on Romulus, and why he had to help the Romulan people. Burnham was able to use her status as Spock's brother to convince the Vulcans to allow Burnham to present her case as to why Starfleet should be allowed to have their SB-19 alternate FTL system data. While Ni'var's science academy refused to give her the data, Vulcan's prime minister was impressed enough by Burnham to give her the data, which proved vital in helping uncover the cause of the Burn. Realizing that the Burn was not their fault, the people of Ni'var put out diplomatic feelers to the Federation, and in 3190 rejoined the Federation.

Gallery [ ]

Navigation [ ]

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Spock was a Starfleet science officer and ambassador who rose to fame as first officer of the U.S.S. Enterprise in the 23rd Century and Vulcan ambassador to Romulus in the 24th Century .

• 2.1 Missions formerly involved
• 3 Missions mentioned
• 5 External links

History [ | ]

Spock was born in 2230 , as son of renown Vulcan diplomat Sarek and his Human wife Amanda Grayson . In 2249 Spock decided against studying at the Vulcan Science Academy, pursuing a career in Starfleet instead.

By 2254 he was assigned to the U.S.S. Enterprise . Spock would go on to become the longest serving officer aboard the Enterprise - serving under the command of Captains Pike, Kirk and Decker until finally commanding the ship itself during the 2280s. He would go on to serve on the Enterprise -A until its decommission.

In 2368 Spock supported a movement on Romulus to reunite the Vulcan and Romulan people. D'Tan was among those he instructed. In 2387 Spock disappeared shortly after the Hobus supernova and the destruction of Romulus.

Leaving for Romulus in 2368

Meeting with Romulan leadership

Missions involved [ | ]

Spock on the bridge of the U.S.S. Enterprise in 2270

Missions formerly involved [ | ]

Missions mentioned [ | ].

Notes [ | ]

Leonard Nimoy at Cryptic Studios in 2009, recording lines for Star Trek Online .

• Spock's voice is provided by Leonard Nimoy , who also portrayed the character on screen.
• Spock's ultimate fate in the Kelvin Timeline following his disappearance in 2387 has not been acknowledged in-universe. Though there is little way for this knowledge to make its way to the original timeline's characters regardless, the real-life reason for this was Cryptic 's Star Trek license originally only allowing content to be based on the movies prior to Star Trek (2009) , thus preventing any references to the film's contents beyond the fate of Romulus. Cryptic has since been able to adapt content from the three Kelvin Timeline films, though Spock's true fate remains unelaborated.
• Spock was the first main character of The Original Series to appear in Star Trek Online . However, during the initial release of “Past Imperfect” only his voice was heard and he never appeared on screen. This was changed with the release of Season 8.5 on 30 January, 2014.
• Spock narrates the opening cinematic, as well as the level-up congratulations for Federation players. With the exception of the Romulan Republic , Delta and Gamma Quadrant sectors, he also provides the narrations for all Alpha and Beta Quadrant sector areas. A [ Data Recorder ] containing all sector space narrations can be obtained as a mission reward from “Diplomatic Orders” .
• After the death of Leonard Nimoy, the actor who portrayed Spock, memorial statues of Spock were erected on Vulcan and New Romulus . Black flags were also displayed on Earth Spacedock , First City , and New Romulus Command during a week of mourning from March 5 through 12, 2015.

External links [ | ]

• Spock at Memory Alpha , the Star Trek Wiki.
• Spock at Memory Beta , the non-canon Star Trek Wiki.
• 2 Playable starship
• 3 Infinity Prize Pack - T6 Ship

Screen Rant

Mirror universe spock’s fate in star trek: discovery explained.

Star Trek: Discovery filled in some of the gaps in Mirror Universe history and revealed the fate of Spock after Star Trek: TOS" "Mirror, Mirror."

Warning: SPOILERS for Star Trek: Discovery Season 5, Episode 5 - "Mirrors"

• Mirror Universe Spock's death led to a revolution in the Terran Empire, but ultimately couldn't prevent its downfall.
• The ISS Enterprise became a symbol of hope in the Mirror Universe, with rebels seeking freedom in the Prime Universe.
• Dr. Cho, a refugee from the Mirror Universe, rose to become a Branch Admiral in Starfleet, shaping her own future.

Star Trek: Discovery confirmed the fate of Mirror Universe Spock (Leonard Nimoy) after the events of the classic Star Trek: The Original Series episode, "Mirror, Mirror." Since its first appearance on TOS, several Star Trek series have visited the Mirror Universe, a parallel universe populated by evil versions of Star Trek's heroes. In the Mirror Universe, the xenophobic Terran Empire serves as the antithesis to the United Federation of Planets, and torture and murder are commonplace. Captain Michael Burnham (Sonequa Martin-Green) and the USS Discovery are already familiar with the Mirror Universe, as they spent some time there in Discovery season 1.

In Star Trek: Discovery season 5, episode 5 , "Mirrors," Captain Burnham and Cleveland Booker (David Ajala) follow couriers Moll (Eve Harlow) and L'ak (Elias Toufexis) into interdimensional space in search of the next clue leading to the Progenitors' treasure. Once there, they find the damaged ISS Enterprise, which holds clues about the fate of Mirror Universe Spock and his crew. In Star Trek: The Original Series season 2, episode 4, "Mirror, Mirror," Captain James T. Kirk (William Shatner) encourages Mirror Spock to initiate change, telling him: "In every revolution, there's one man with a vision." Written by Johanna Lee and Carlos Cisco, and directed by Jen McGowan, Star Trek: Discovery's "Mirrors" offers more insight into what became of that revolution.

What Happened To Mirror Universe Captain Kirk In Star Trek?

What happened to mirror universe spock revealed by star trek: discovery, spock died fighting for change..

After the events of Star Trek: The Original Series' "Mirror, Mirror," Captain Kirk left Mirror Universe Spock with a lot to think about. The goateed Vulcan apparently took Kirk's words to heart and began enacting a series of reforms to change the way things were done in the Terran Empire. Although he was attempting to prevent the collapse of the Empire, Star Trek: Discovery revealed that Spock was killed while working on his reforms. In Star Trek: Discovery season 5, episode 5, Burnham and Book explore the ISS Enterprise and discover a plaque detailing some events from the Mirror Universe.

“The light of hope shines through even the darkest of nights" became a "rallying cry" for those who opposed the violence of the Terran Empire.

Reading from the plaque, Book says that the "Terran High Chancellor was killed for trying to make reforms." Although Michael does not know that Spock was the Terran High Chancellor, the audience knows this information in Star Trek: Deep Space Nine's Mirror Universe episodes. Spock helped turn the Terran Empire into a more peaceful galactic power, and while his reforms were popular with many, some clearly opposed them. Nevertheless, Spock's dedication to logic made him less villainous than his Mirror Universe counterparts, and his words: “The light of hope shines through even the darkest of nights" became a "rallying cry" for those who opposed the violence of the Terran Empire.

Star Trek: DS9 Reveals What Happened To Mirror Universe After Spock’s Death

Spock initiated change, but couldn't prevent the fall of the terran empire..

In Star Trek: Deep Space Nine season 2, episode 23, "Crossover," Major Kira Nerys (Nana Visitor) and Dr. Julian Bashir (Alexander Siddig) find themselves in the Mirror Universe. Major Kira's Mirror Universe counterpart, Intendant Kira, runs the equivalent of Deep Space Nine (Terok Nor) as a mining station populated by Terran slaves. The Intendant reveals that Captain Kirk's visit to the Mirror Universe had a "profound influence" on Mirror Universe Spock, which led Spock to reform the Terran Empire. Unfortunately, these reforms rendered the Empire unable to defend itself when the Klingon/Cardassian Alliance decided to attack.

After conquering the Terran Empire, the Alliance proved to be just as brutal and eventually became ruled by Regent Worf (Michael Dorn).

Having been under Terran occupation for years, Bajor petitioned for entry into the Klingon/Cardassian Alliance and went on to become a major player in the Alliance. Much like Kirk's visit to the Mirror Universe affected Spock, Major Kira and Dr. Bashir's visit inspired a rebellion among the Terran slaves, which became a thorn in the side of the Alliance. Although Spock had initially been trying to prevent the fall of the Terran Empire, the Empire fell away, but some people held on to the ideals Spock had tried to spread.

Star Trek 10’s Best Mirror Universe Variants

Star trek: discovery reveals what happened to mirror universe spock’s iss enterprise, the iss enterprise became a symbol of hope and freedom..

The plaque Captain Burnham and Cleveland Booker find on the Mirror Universe's ISS Enterprise also reveals some events after Mirror Spock's death. After Spock was killed, those who believed in his reforms sought help from a "Kelpian slave turned rebel leader," aka, the Mirror Universe version of Saru (Doug Jones). Saru told these people about Star Tre k's Prime Universe, describing it as "a near perfect mirror that casts our darkness into light." While Saru stayed behind to help more people in the Mirror Universe, several rebels stole the ISS Enterprise and traveled to the Prime Universe to begin new lives.

Dr. Cho was also one of the six scientists who helped hide clues to the Progenitors' technology.

Upon returning to the USS Discovery, Michael finds proof in Federation databases that many of the refugees on the ISS Enterprise successfully made new lives for themselves in the Prime Universe . One refugee, named the Enterprise's Science Officer, Dr. Cho, joined Starfleet and eventually became a Branch Admiral. Dr. Cho was also one of the six scientists who helped hide clues to the Progenitors' technology, which remains at the center of Star Trek: Discovery season 5's quest. Michael remarks that Cho may have chosen to leave her clue on the Enterprise as a reminder that almost anyone can shape their own future, even when facing impossible odds.

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Star Trek: Discovery

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In the mid-23rd century, Spock became known as the best first officer in Starfleet while diligently serving under Captain James T. Kirk 's command on the USS Enterprise and the USS Enterprise -A , for over 30 years. By the end of the century, he was a starship commander in his own right, and quickly turned to following in his father, Sarek 's, footsteps—first, as a diplomat and special envoy, and later, as an ambassador . ( TOS ; TAS ; TOS movie , novelization & comic adaptations : The Final Frontier , The Undiscovered Country ; TNG episode & novelization : Unification )

Throughout most of the 24th century, he worked in the Federation and in the Romulan Star Empire to bring about the Reunification of Vulcan and Romulus . ( TNG episodes : " Unification ", " Face of the Enemy ", ST - Typhon Pact novels : Rough Beasts of Empire , Plagues of Night )

• 1.1 Early life
• 1.2 Education
• 1.3 Starfleet Academy
• 1.4.1 Early Voyages Begin
• 1.4.2 Vulcan's Glory
• 1.4.3 Eleven years of service
• 1.4.4 Discovery
• 1.5.1 The Five-Year Mission
• 1.6 Kolinahr
• 1.8.1 Yesterday's Son
• 1.9 Time For Yesterday
• 1.10.1 The Genesis Incident
• 1.11 The mirror universe and the Surak
• 1.12 The voyage home
• 1.13 The Enterprise -A
• 1.15 Once a hero
• 1.16 Gorkon
• 1.17 After the Enterprise-A
• 1.18 Ambassador Spock
• 1.19 Saavik
• 1.20 Romulus and Reunification
• 1.21 Romulan Supernova
• 1.22 The Kelvin timeline
• 2 Alternate timelines and realities
• 3 Starfleet service record
• 4.1 Connections
• 4.2.1 Rank insignia
• 4.3.1 Appearances
• 4.3.2 References
• 4.4 External links

Spock (meaning " uniter " in Vulcan), the son of Sarek of Vulcan and Amanda Grayson , was born deep within a cave in Vulcan's Forge on January 6 , 2230 . As is the case with most Vulcans, only his last name was used due to the difficulty non-Vulcans would have in pronouncing his full name, although on at least one occasion Spock revealed his full name. ( TOS episodes : " Journey to Babel ", " This Side of Paradise "; TAS episode : " Yesteryear "; TOS movie : The Final Frontier ; TOS novel : Ishmael ; TOS movie : Star Trek Beyond )

To avoid tissue rejection, Spock was incubated twice during his 13 months of gestation. Ordinarily a Vulcan- Human hybrid would abort in the first month, but hundreds of chemical treatments were applied during his second and third months to help the infant survive, according to Sarek. ( TOS reference : Inside Star Trek )

Spock came from a distinguished Vulcan family with a long history of involvement with Earth . His grandfather Skon had been the first to translate The Teachings of Surak into English , giving humanity access to Surak 's teachings. ( ENT episode : " Two Days and Two Nights ")

His great-grandfather Solkar had made the first official contact with Earth as captain of the T'Plana-Hath , and later served as the first ambassador of Vulcan to Earth. ( TNG movie : Star Trek: First Contact ; the Decipher CCG; ENT episode : " The Catwalk ")

His Human ancestors included Aaron Stemple , a 19th century Seattle landowner, and Jeremy Grayson , a respected 20th and 21st century peace advocate, and Jeremy's wife Dora . ( TOS novels : Ishmael , Strangers from the Sky )

Spock had a half-brother named Sybok , from Sarek's first marriage. Sybok rejected Vulcan logic and embraced his emotions. Sybok left Vulcan when Spock was very young in search of the mythical Vulcan " heaven " known as Sha Ka Ree . ( TOS novel : The Final Frontier )

Spock's parents, in accordance with Vulcan tradition, arranged for Spock to be betrothed to a Vulcan girl named T'Pring while Spock was very young. ( TOS episode : " Amok Time ")

At some point during his childhood, he used to meet with his father's friend Tarok who was like an uncle and was called "Takta" in a loving manner. He used to tell stories to young Spock of the time before the Vulcan Reformation ; some of these tales were considered inappropriate by other Vulcans. ( TOS novel : Avenger )

The seven-year-old Spock and his older self in 2237 .

At the age of seven, Spock defied his father's wishes and journeyed into the Vulcan desert known as the Forge in an attempt to complete the kahs-wan , the traditional Vulcan coming of age ritual. With the assistance of his cousin Selek (actually Spock himself from the future) and the sacrifice of Spock's pet Sehlat , I-Chaya , young Spock completed the kahs-wan ritual. It was at this time that Spock chose the Vulcan way of life over that of his human mother. ( TAS episode : " Yesteryear ")

Even after the ritual was complete, Spock would continue to defy Sarek and head into the Vulcan wilderness; Sarek would eventually track Spock on one of these journeys and Spock would explain his reasoning for his adventures. ( ST comic : " Spock: Reflections, Issue 1 ")

When Spock was a boy, he would often disappear into the mountains for days at a time. His father asked him what he had done and where he had gone but Spock refused to tell him. Sarek forbade him to go but he went regardless and endured the punishment for disobeying his father. Shortly before his death in 2368 , Sarek told Captain Jean-Luc Picard that he secretly admired "the proud core of him that would not yield." ( TNG episode : " Unification ")

Spock's parents took in orphan Michael Burnham as part of their family. Spock at first did not welcome her and retreated to his room. There, he spooked Burnham with a drawing of a dragon-like monster. Spock ignored her. Following the Logic extremists bombing of the Vulcan Learning Center , Spock was told by a Red Angel that Burnham had ran away to the outskirts of ShiKahr . ( DSC episodes : " Brother ", " Point of Light ", " If Memory Serves ")

As a child, Spock traveled with his parents as part of their duties in the Federation diplomacy services, and had occasion to be present at some key events in Federation history . When Klingon Captain Krenn visited Earth in the 2230s decade , Spock purportedly discussed games with him in an embassy meeting room, and the two had a chess match. Without mentioning Spock by name, referring to him only as the son of the Vulcan ambassador, the incident was part of a dramatized re-telling in the novel The Final Reflection decades later, of which Spock only remarked that the account was part of a fictional work. ( TOS - Worlds Apart novel : The Final Reflection )

Spock faced a great decision in his need to decide which path to follow for his higher education.

Spock's decision to attend Starfleet Academy was influenced by his interactions with B6 Blue , a Nasat scientist on Vulcan during Spock's youth. Through her, Spock learned of Starfleet's more open and adventurous approach to science. ( TOS - Constellations short story : " Devices and Desires ")

In the year 2247 , Spock befriended a human youth named David Rabin , the son of a Starfleet captain . After a harrowing encounter with a Vulcan madman named Sered in the area of the Forge called the Womb of Fire , Spock decided to again defy his father's wishes. This time, instead of joining the Vulcan Science Academy as his father wished, Spock decided to follow Rabin's lead and instead joined Starfleet Academy . ( TOS novel : Vulcan's Forge ; ST reference : The Visual Dictionary )

In 2249 , Sarek was given the choice of sponsoring either Spock or Spock's foster sister Michael Burnham for the Vulcan expeditionary fleet - they would not allow both to join the fleet. Given that choice, Sarek decided to sponsor Spock, and informed Burnham that the Vulcan fleet had rejected her candidacy. Spock decided to attend Starfleet Academy anyways the following year, rendering the sacrifice of Burnham's opportunity unnecessary. Spock's decision led to an eighteen-year rift between Spock and Sarek. ( DSC episode : " Lethe ")

Starfleet Academy

Cadet Spock.

At the Academy, Spock led his year in Astrography , Comparative xenobiology , Semiotics , Quantum mechanics , Warp engineering and four other disciplines. ( EV comic : " Flesh of My Flesh ")

Spock was friends, and often worked with, Armand St. John , who claimed Spock was the only person in the Federation capable of understanding his brilliance. Spock suspected they found something in common in that both of their respective fathers disapproved them of attending Starfleet Academy. The two often fought, as Spock found the shortcuts that St. John employed in his research to be dangerous. Spock was proved correct when St. John was expelled after one of his experiments caused extensive damage to the campus. Spock would meet St. John again years later at the Pollux II laboratory while serving aboard the USS Enterprise . ( TOS comic : " All of Me ")

Spock took the two-year Vulcan curriculum and an additional series of cadet cruises at Starfleet Academy before being commissioned as an officer at age 19, around the turn of the 2250s decade. ( TOS novel : Vulcan's Glory )

The Enterprise under Pike

Early voyages begin.

In 2253 , when Spock was still a cadet , Captain Christopher Pike of the USS Enterprise met with him with an offer; the Enterprise was about to begin a long term mission to chart the Pathiad Nebulatae , but the ship's chief science officer had been diagnosed with Virillian toxic fever . To fill the vacant position Pike offered the promising cadet Spock an internship on the Enterprise , with the rank of acting ensign . Spock accepted. ( TOS comic : " Flesh of My Flesh ")

Years later, while under the influence of a Klingon mind-sifter , Spock had a hallucinatory experience of his first day on the bridge as an ensign and acting science officer . ( TOS short story : " Chaotic Response ")

Vulcan's Glory

Lt. Spock and Captain Christopher Pike of the USS Enterprise and the Vulcan's Glory emerald.

After Spock completed a three-year tour (around the turn of the 2250s decade) as an ensign and assistant science officer aboard a cutter and a two-year tour (ending December , 2253 ) as third officer and science officer of the USS Artemis , he was promoted to full lieutenant and joined the crew of the USS Enterprise as chief science officer and second officer in 2253 , under the command of Captain Christopher Pike . At first Pike was nervous about the possibility of having a Vulcan on the bridge, feeling that Spock's Vulcan heritage would mean that he wouldn't be able to "gut out" command decisions. ( TOS novel : Vulcan's Glory )

One of Spock's first assignments on the Enterprise was to lead the landing parties to GS391 and Areta searching for the lost Vulcan treasure called Vulcan's Glory , a huge, natural, uncut emerald .

Spock became romantically involved with a Vulcan woman on his staff named T'Pris , and briefly considered dissolving his bond with his betrothed back home, T'Pring . Tragically, T'Pris was murdered by a human crewmember with one-eighth Vulcan blood named Lieutenant Daniel Reed , whose maternal great-grandmother had been disgraced when the Glory had originally been lost. ( TOS novel : Vulcan's Glory )

Eleven years of service

Spock in the 2250s .

Spock quickly became a valued member of the Enterprise crew , spending eleven years under Pike's command. ( TOS episode : " The Menagerie, Part I ")

Early in his service aboard the Enterprise , Lieutenant Spock joined Captain Pike and Lieutenant Tyler on a shuttle mission to planet Filos 4 . While evaluating Commander Knoxville 's work in developing alternative transporter technologies, a malfunction caused Spock to fall through a portal to another location, and Captain Pike jumped through after him. Following their return to the Enterprise , Spock submitted a report to Starfleet, which led them to suspend the experiments indefinitely. ( ST - Spock: Reflections comic : " Issue 2 ")

In 2254 he diagnosed, and helped to cure the vessel from a Ngultor virus . ( EV comic : " Flesh of My Flesh ")

Not long after he was among the injured during the coup on Rigel VII , he saved the Enterprise 's Nurse Gabrielle Carlotti from a Kaylar mace blow but was then thrown against a wall, damaging his leg ( EV comic : " Our Dearest Blood ")

Soon after the incident on Talos IV , the Enterprise discovered an Interspacial Rift that opened once every 33.4 years that led to the edge of the area of the galaxy known as the Gamma Quadrant .

Spock was part of a delegation that met with the Calligar , a race that lived in a series of satellites orbiting a world in flame on the other side of the rift. ( TOS novel : The Rift )

On the planetoid Darien 224 , Spock and a landing party from the Enterprise discovered the Last-of-all-Cities , a lost colony of Vulcans which crashed on the planet two millennia before, and had left Vulcan before the Time of Awakening and the logic-reformation. A splinter group from the colony (who wished to remain in isolation) had captured the USS Cortez in the hopes of using it to oppose the rest of the colony, which wished to return to Vulcan as conquerors. While Spock and the landing party did their best to keep relations with the emotional Vulcans good, Spock learned a lot about the nature of the Vulcan people. The Cortez and the colony were ultimately destroyed when they used an ancient psionic weapon. Following the incident, Spock re-assessed his way of life and underwent a purification ritual, removing what few Human emotions he did have and devoting himself fully to a life of logic and intellect, surmising to Captain Pike "Passion kills, Captain. Logic does not" . ( EV comic : " Cloak and Dagger ")

In 2255 Captain Pike informed Spock that a position had opened up on board the USS Intrepid , which was entirely crewed by Vulcans. Pike told Spock if he chose to apply for the position, he would support Spock as it would be a good career move for the Vulcan. He asked Spock to think it over and come back to him when he made a decision. A few days later the Enterprise experienced an outbreak of rigelian fever which required the ship to divert to Cypria III in order to obtain the materials to manufacture a cure. After the materials were obtained from the Cyprians and the outbreak contained Spock informed Pike that he had decided to stay on the Enterprise and not apply for the position on the Intrepid . ( TOS novel : Child of Two Worlds )

In May of 2255 , Spock, with his foster sister, the USS Shenzhou 's acting XO Lieutenant Michael Burnham entered the Juggernaut to disable it before it wipes out the colony on Sirsa III . Together, Spock and Burnham passed a number of challenges and Spock Mind melded with her to keep in contact with her. They then discovered that this ship belonged to the Turanian Empire who deemed both him and Burnham worthy of joining the Empire. However, when the Juggernaut attacks both the Enterprise and the Shenzhou , Spock and Burnham set their phasers to overload. This disabled the Juggernaut. ( DSC novel : Desperate Hours )

Following the end of the Federation-Klingon War of 2256 - 57 , Spock took a leave of absence from Starfleet due to a premonition about several Red bursts . On a unnamed planet, Spock encountered the Red Angel from his childhood. He received visions from the Red Angel that showed the destruction of Earth, Vulcan, Andor and Tellar. The encounter also caused Spock to experience time non-linearly. He decided to commit himself to the psychiatric unit on Starbase 5 . When the red bursts happened, Spock decided to leave despite his doctors' objections. He used a Vulcan nerve pinched on three of his doctors and took a shuttlecraft. ( DSC episodes : " Brother ", " New Eden ", " Point of Light ", " If Memory Serves ")

Starfleet believed that Spock had killed his doctors and was wanted for murder. Both Section 31 and the USS Discovery under Captains Leland, Georgiou and Pike searched for him and his shuttle. Eventually, Spock abandoned his shuttle and returned to Vulcan. There, his mother shielded him from everyone in a sacred crypt lined with Katra stones . Spock hid there until Burnham and Sarek discovered him and turned him over to Captain Leland in order to "repair" his mind. However, Spock and Burnham escaped to a shuttle when Georgiou warned them about the technology that would destroy his mind. ( DSC episodes : " Saints of Imperfection ", " Light and Shadows ")

Spock in 2259.

After the climactic battle with Control , Spock returned to the Enterprise and shaved his beard . Some months later, he observed the last red signal from his lost foster sister. Spock, Number One and the rest of Pike's crew continued their missions to strange new worlds. ( DSC episode : " Such Sweet Sorrow "; Strange New Worlds )

The Enterprise under Kirk

In 2264 , Pike's time as Captain of the Enterprise was coming to an end as Pike was due to be promoted to Fleet Captain . By then Pike was quite comfortable with having Spock as part of his crew. Spock was one of the few officers to remain on the Enterprise after Pike left, and Pike felt better about turning the Enterprise over to Captain James Kirk as Spock would be remaining on board, serving as both Kirk's first officer and science officer. Pike by then had come to respect Spock's dedication to logic , and felt that Spock would keep young Captain Kirk from acting rashly. ( TOS novel : Burning Dreams ; WizKids module : Attack Wing )

According to the elder Spock in TOS novelization : Star Trek , "In both our histories the same crew found its way onto the same ship in a time of ultimate crisis." This may imply that there is an untold story set in the prime timeline in which Kirk's crew faced an extremely serious challenge while still a new and untested unit.

The Five-Year Mission

Together, Spock, James T. Kirk and the crew of the Enterprise made history .

One of the first successful missions in 2265 was making first contact with the Archernarians of Archernar IV . There, Spock defused the situation was by making a screeching noise to prevent Lt. Lee Kelso from firing his phaser at the Archernarians. ( TOS comic : " Mission's End, Issue 1 ")

In 2266 , the Enterprise was the first Federation ship to officially view the true appearance of the Romulans , who looked remarkably like Vulcans. Spock confirmed that it was indeed likely that they were a war-like offshoot of the Vulcans. ( TOS episode : " Balance of Terror ")

In 2267 , Spock came to the aid of his former Captain, Christopher Pike, after Pike had become an invalid barely capable of communication after exposure to delta radiation . Spock risked the death penalty by breaking General Order 7 and returning Pike to Talos IV, where the Talosians could give Pike the illusion of a normal existence. ( TOS episode : " The Menagerie ")

Later that year, Spock felt the fires of pon farr and returned to Vulcan to wed his betrothed, T'Pring . At the ceremony, T'Pring chose instead to pit Spock against Kirk in combat while Spock was enveloped by the plak tow , or "blood fever", in order to break her engagement to Spock and wed a Vulcan named Stonn instead. ( TOS episode : " Amok Time ")

Soon after, Spock was reunited with his parents when the Enterprise escorted a complement of ambassadors , including Sarek and his wife , to a diplomatic conference on the codenamed planet Babel . During the journey, Sarek suffered a cardiac episode requiring immediate surgery. Sarek almost died when Spock's presence was required for a massive "T" negative blood transfusion, but Spock refused to relinquish his duties to the Enterprise . After Spock was relieved of duty, he reported to Dr. Leonard McCoy in sickbay and gave the transfusion, saving Sarek's life. The incident ended an eighteen-year rift between Spock and Sarek. ( TOS episode : " Journey to Babel ")

In 2268 , the Enterprise was ordered to covertly enter the Romulan Star Empire and retrieve a Romulan cloaking device . It was during this incident that Spock first met the Romulan woman known as Charvanek . ( TOS episode : " The Enterprise Incident ")

In 2269 , Spock and Dr. Leonard McCoy were sent 5,000 years into the past of the world Sarpeidon , where Spock met and became romantically involved with a woman named Zarabeth . Unbeknownst to Spock when he returned to the 23rd century , he left Zarabeth pregnant with his son, Zar . ( TOS episode : " All Our Yesterdays "; TOS novel : Yesterday's Son )

Later that year while studying Vulcan history using the Guardian of Forever , the timeline was changed, forcing Spock to travel back through the Guardian in order to preserve his own existence. Arriving in Vulcan's past, Spock posed as a cousin of Sarek named Selek . Spock saved his younger self from a le-matya attack during his younger self's kahs-wan trials. The timeline restored, Spock was returned to the Guardian's world . ( TAS episode : " Yesteryear ")

When the religious Crusaders attacked the Federation from another dimension, Spock proved vital in defeating their attempt to forcibly convert the Federation to follow their Truth and their belief that different cultures could not cooperate. By making contact with the Crown of the God-King Jaenab , which allowed him to make telepathic broadcasts to his people, while Kirk kept Jaenab occupied, Spock used a mind meld to share his own experience of different cultures interacting by using his own parents as an example, the discovery prompting Jaenab to call off his crusade and enter isolation to examine his own motives. ( TOS novel : The Weight of Worlds )

In 2270 , towards the end of the five-year mission, Spock encountered Berlis Aknista after the Enterprise rescued him. Berlis had a very powerful form of telepathy that attracted Spock and eventually led to Spock interlocking his mind with Berlis, but the connection would be broken soon after. As Spock sat in his cabin afterward he felt Berlis probing his mind and killed him in order to avoid further interference by Berlis. ( TOS novel : Troublesome Minds )

When the five-year mission of the Enterprise came to an end in 2270 , Captain Kirk recommended Spock for the command of the science vessel, the USS Grissom and the USS Enterprise . Spock turned down the offer as he believed that being in command, even of a science ship, would keep him from the scientific research that was his specialty.

Spock returned to Vulcan for six months leave with the intention of returning to Starfleet and serving again with Kirk. After Kirk accepted a promotion to Admiral , something that he swore he would never do, Spock resigned from Starfleet and took a teaching job at the Vulcan Science Academy . He soon met and became romantically involved with a Vulcan woman named T'Sura . The couple soon bonded, becoming betrothed to each other.

When the ancient katra of an unstable and very powerful Vulcan named Zakal found a host and began to terrorize the region in 2271 , Spock was drawn into the events, as were Kirk, McCoy and McCoy's friend Keridwen Llewellyn . Zakal was stopped, but at the cost of Llewellyn's life.

Spock blamed himself for Llewelyn's death, believing that it was his lack of emotional control that brought about the circumstances of her death. As a result, Spock terminated his link with T'Sura, and instead opted to become a postulate of Kolinahr in order to shed all of his remaining emotions. ( TOS novel : The Lost Years & TOS comic : " Mission's End ")

In late 2272 Spock was preparing to achieve the final stage of kolinahr by severing all ties to friends and family. Despite his efforts, feelings of friendship and affection persisted for his human friends, Kirk and McCoy, as well as the sense that his friends were in some sort of peril.

In an attempt to break his bonds to Kirk and McCoy once and for all, Spock performed the ritual of Sekhet in order to purge his remaining emotions. After the third day of motionless meditation without food or water, the sense of his friends in danger ceased.

Upon the completion of the ritual meditation Spock believed that had finally purged himself of his residual feelings for his friends, when he felt an alien presence from the depths of space . He dismissed the feeling as no more than the after-effect of his meditation ritual and thought nothing more of it. ( TOS novel : Recovery )

Several weeks later, in early 2273 , Spock was set to perform the ritual with the Vulcan masters that would indicate that he had finally achieved kolinahr , when he again felt the alien mind from across the vastness of space. It was a mind of pure logic, yet was empty, and it stirred his human emotions and blood. After being told by the masters that he had not achieved kolinahr and that his answer lay elsewhere, Spock set off in search of the source of the call from space.

Fortunately for Spock, Admiral Kirk and the Enterprise were in search of the same entity, and Spock joined the Enterprise in their search for the lifeform that became known as " V'Ger ". Spock's Starfleet commission was then reactivated and he offered his services as Chief Science Officer for the mission.

After melding with V'Ger, Spock realized that V'Ger, for all of its vast intelligence and logic, was empty, lost and devoid of further purpose. The experience made Spock realize that logic alone was not enough for the balance that he sought. Spock chose not to return to Vulcan and the study of kolinahr , choosing instead to return to Starfleet , serving on the Enterprise under Kirk in his former position. ( TOS movie , novelization & comic adaptation : The Motion Picture )

Yesterday's Son

In 2269 , Spock was sent back 5,000 years into the past of the world Sarpeidon , and had a brief but passionate relationship with Zarabeth , a woman that had been banished to live out her life alone in the barren, frozen wasteland of Sarpeidon's northern hemisphere. ( TOS episode : " All Our Yesterdays ")

A year and a half later, in late 2270 , while studying Sarpeidon's historical records, Spock found evidence in the form of a 5,000-year-old cave painting that indicated that Zarabeth had bore his child in the icy wastes.

After an appeal from T'Pau to the Federation Council, Spock obtained permission to use the Guardian of Forever to visit Sarpeidon's past and bring Zarabeth and son home with him.

Things did not go exactly as planned, and Spock, Kirk, and Dr. Leonard McCoy found themselves arriving 10 years later in Sarpeidon's past than planned. Zarabeth was dead, killed in an avalanche, and Spock's son, Zar , was nearly an adult.

Spock brought the boy back to the Enterprise with him, but their relationship was strained. Zar believed that Spock had only retrieved him out of a sense of duty, and not out of any kind of fatherly feeling. Spock, not knowing how to deal with the emotions Zar had stirred in him, had been unable to convince Zar otherwise.

Zar had unusually strong telepathic talent, even surpassing the skills of his father.

While studying Sarpeidon's history records, Zar found more evidence of his existence in his homeworld's past. In fact, he was an important historical figure whose absence would profoundly affect the timeline.

After helping Spock foil a plan by the Romulans to seize the Guardian of Forever, Zar prepared to return to Sarpeidon's past. But before he left, Spock shared a mind meld with Zar, allowing him to experience the true depths of his father's feelings for him.

Spock, his son Zar, and the Guardian of Forever.

Zar used his telepathic power to direct the Guardian to deposit him on Sarpeidon's southern continent, where he would begin his life's work. ( TOS novel : Yesterday's Son )

Time For Yesterday

Nearly fifteen years later, in early 2285 , the Guardian had seemingly malfunctioned, and was ninety days away from actually destroying the universe. After Spock was able to momentarily stabilize the portal, he jumped through with Kirk and McCoy with intent of bringing back Zar, who was the only person to successfully communicate telepathically with the Guardian.

Spock located Zar, who was at the point in the timeline where history recorded his death in battle, and explained the situation to him. But Zar refused to abandon his troops on the eve of battle and would not help with the Guardian.

It was only at the urging of Zar's new wife, Wynn , whose precognitive abilities saw this as the only way for Zar to survive the coming battle, did Zar agree to leave.

After using his powers to help the Guardian regain control of its functions, Zar returned to Sarpeidon's past to meet his fate.

Spock, however, was not willing to stand by idly and let his son die. He followed Zar back to the past, and with Spock's assistance, Zar survived the battle.

After returning to the Enterprise , Spock decided not to seek out Zar's fate in the new timeline, choosing instead to remember him as he saw him last - alive, well, and happy. ( TOS novel : Time for Yesterday )

Death and Rebirth

The genesis incident.

Spock in 2285.

By 2285 , Spock had been promoted to Captain and was assigned to Starfleet Academy, commanding the Enterprise as a teacher on a training vessel. Spock was commanding a training cruise (with an inspecting Admiral Kirk on board) when Khan Noonien Singh escaped from Ceti Alpha V with a number of his followers, who had earlier accompanied him into exile. Spock relinquished command to the senior officer, stating as a Vulcan it was clearly logical -having, "no ego to bruise." Hijacking the USS Reliant , Khan tried to avenge the death of his wife , which he blamed on Kirk. After a deadly game of " cat -and- mouse " in the Mutara Nebula , the Reliant was disabled by the Enterprise , and Khan was fatally injured. Before he died, however, Khan activated the Genesis Device that he had earlier stolen from Regula I .

The warp engine of the heavily damaged Enterprise was off-line when Khan activated the Genesis Device countdown sequence. As a result, the Enterprise would have been caught in the detonation of the device and destroyed. Realizing this, Spock went to engineering, and was about to enter the dilithium crystal chamber when stopped by McCoy . Rendering McCoy unconscious with a Vulcan nerve pinch , Spock stopped long enough to enter into a mind meld with McCoy. ( TOS movie , novelization & comic adaptation : The Wrath of Khan ) Thanks to Jonathan Archer successfully carrying Surak 's katra , Spock knew it was possible for a human brain to house a Vulcan katra , which gave him the confidence to meld with McCoy to prepare for the transfer of his katra at the end. ( TOS novel : The Autobiography of Mr. Spock )

McCoy regained consciousness a few moments later. Both he and Montgomery Scott watched in horror as Spock entered the radiation soaked chamber and began realigning the dilithium crystals. Spock succeeded in bringing the warp engines back online, and the Enterprise was able to escape the detonation of the Genesis Device. But by then, Spock had already received a fatal dose of radiation.

Summoned to engineering, Kirk was prepared to enter the chamber himself and pull Spock out. Kirk was held back by McCoy and Scott before he could flood the whole engineering section with radiation. When Kirk protested that Spock would die, Scott replied that Spock was dead already, with McCoy confirming that it was too late for Spock. The two friends spoke to each other for what was apparently the final time. Spock saw his sacrifice as his solution to the Kobayashi Maru scenario , and asked Kirk what he thought of his solution. Before dying from radiation poisoning , Spock gave Kirk the Vulcan salute, and told Kirk to, "Live long and prosper."

A short time later, a funeral was held for Spock in the torpedo bay of the Enterprise . As Captain Spock's will stated that Spock was not to be returned to Vulcan, Admiral Kirk decided to have his friend's body placed in a photon torpedo casing and fired into the space above the newly formed Genesis Planet . It was Kirk's intention that Spock's body would be cremated when the torpedo casing burned up upon entering into the atmosphere of the Genesis Planet. For the eulogy, Kirk said, "Of my friend, I can only say this: of all the souls I have encountered in my travels, his was the most... human ." ( TOS movie , novelization & comic adaptation : The Wrath of Khan )

However. the planet was still forming when the torpedo was fired from Enterprise , and the gravitational fields of the Genesis Planet were in flux at the time. As a result, instead of burning up in the atmosphere or crashing into the planet, Spock's torpedo soft-landed on the surface. Over the next few weeks, the remnants of the Genesis wave re-generated the body of Spock. His cells were regenerated as that of a child's, which began to rapidly age as the Genesis Planet aged. A survey mission from the USS Grissom soon arrived, mistaking quickly evolved microbes near Spock's landing site as the animal lifeforms detected from the Grissom . He was later discovered by Dr. David Marcus and Lieutenant Saavik . By then, Spock's body had aged to be the equivalent of eight to ten Earth years of age.

Spock undergoing Fal-tor-pan on Vulcan.

In orbit, the Grissom was destroyed by a Klingon bird-of-prey , commanded by Kruge . While Kruge's men searched for the Grissom survivors, Spock's body and the Genesis Planet were rapidly aging. As Spock's body became that of a young man and began experiencing pon farr , Saavik helped the Spock through this.

Meanwhile on Earth , Spock's father Sarek revealed to Kirk that Spock may have transferred his katra into a different mind. After failing to find the katra in Kirk's mind, the two searched through engine room recordings of Spock's final moments, finding that Spock had transferred his katra into McCoy's mind. Sarek requested that both McCoy and Spock's body be brought to Vulcan so that the two could find peace. When Starfleet refused to allow Kirk to return to the Genesis Planet, Kirk and the senior staff of the USS Enterprise stole the Enterprise and traveled to the Genesis Planet.

By the time the Enterprise arrived in orbit , Marcus, Saavik and Spock's body were captured by Kruge . Overwhelmed by the battle, the Enterprise was disabled. When Kruge's men killed Doctor Marcus, Kirk agreed to surrender the ship. Kirk and the Enterprise crew beamed down to the Genesis Planet after setting the auto-destruct device of the Enterprise . Several of Kruge's warriors beamed aboard the Enterprise and were killed when the auto-destruct device destroyed the ship.

Kruge then beamed down and confronted Kirk on the surface of Genesis. He ordered Maltz to beam everyone else except himself, Kirk, and Spock on board his ship. Kirk and Kruge fought on to the edge of a cliff overlooking a sea of lava. When Kruge tried to pull Kirk into this sea of lava, Kirk had enough and kicked Kruge away, who fell to his death. Spock's body had by now reached the same age as it was just prior to Spock's entering the dilithium crystal chamber of the Enterprise . Beaming on board the Klingon ship, the crew managed to capture the ship from Maltz - the only warrior left on the ship - and set course for Vulcan .

Arriving at Vulcan, the crew of the late Enterprise climbed the steps of Mount Seleya - where the crew of the Enterprise believed that Spock's katra would be transferred to the Hall of Ancient Thought . Upon arriving at the summit of Mt. Seleya, Sarek requested instead that fal-tor-pan , or "the refusion" of Spock's body and mind be performed. For the first time in many years, fal-tor-pan was performed by the High Priestess T'Lar , removing Spock's katra from McCoy's mind and placing it back in Spock's body. ( TOS movie , novelization & comic adaptation : The Search for Spock )

Spock would later write in his autobiography that his memories of the time were hazy, but he remembered seeing Mt. Seleya through Dr. McCoy's eyes, the long and exhausting climb up the steps, the grueling fal-tor-pan ritual that lasted throughout the night, and waking up the next morning in his own body. ( TOS novel : The Autobiography of Mr. Spock )

The mirror universe and the Surak

Soon after, Kirk and his crew took the bird-of-prey to the Regula I space station in order to have a funeral service for David Marcus with his mother, Carol while the still-unstable Spock recuperated on Vulcan.

Deadly reflection.

As his recovery seemed to take a turn for the worse, Spock was confronted in his home by a representation of himself from one of the variant mirror universes , who had come to attempt to gain the secret of the Genesis device from his counterpart's DNA .

The two Spocks mind-melded and battled on the mental plane, with the twin results of Spock's mental instability being cured, and the mirror-Spock switching sides.

The two Spocks set off for the mirror-universe, following Kirk in the bird-of-prey, who had re-commandeered the USS Excelsior from James T. Kirk , and taken her to the mirror-universe in an attempt to forestall an invasion.

Upon arrival in the mirror-universe and catching up with Kirk, the two Spocks assisted Kirk in his plans to assist the underground resistance fighting the Terran Empire led by the mirror- David Marcus .

Upon returning to Earth, it was decided by Grand Admiral Stephen Turner that while the Federation dealt with the repercussions and ramifications of the Genesis incident, Spock would command the USS Surak , a science vessel where Spock's miraculous condition could be monitored and studied. ( TOS comic : " The Mirror Universe Saga ")

During his brief command of the Surak , Spock and his crew encountered the planet Proto , where an air-borne pollen induced dream-like states in several of the crew, and faced down an attack from a Romulan invasion team that was testing new transporter technology on the planet Verdee . ( TOS comics : " Dreamworld ", " The Trouble with Transporters! ")

After the Surak encountered a derelict ship with only a sole surviving Andorian passenger, Spock's crew began to come down with a mysterious malady that struck down the entire ship's complement. Spock, infected but the only survivor, set the Surak 's course for a nearby star in hopes of eradicating the disease.

Spock was rescued from the Surak by the timely arrival of Kirk and the Excelsior . Determined to find a cure for the virus, Kirk disobeyed orders and followed the infected Andorian across the Romulan Neutral Zone . With the assistance of a Romulan commander, a cure for the virus was found using the ship's transporter as a filter.

Spock was cured of the virus, but the positive effects of Spock's mind meld with his mirror counterpart were undone, causing Spock's mind to unravel. Kirk and his command crew returned to Vulcan in the bird-of-prey, again in violation of orders, in order to get Spock the medical attention that he needed. ( TOS - The Doomsday Bug! comics : " Death Ship! ", " Stand-Off! ", " The Apocalypse Scenario! ")

The voyage home

For the next three months, the senior staff of the late Enterprise remained in exile on Vulcan . During this time Spock and McCoy each participated in mind meld sessions with T'Lar to ensure that any remaining part of Spock's mind still in McCoy's mind was transferred back to Spock. Also during this time Spock underwent a Vulcan retraining program to ensure that his knowledge was intact. Because the training was based on Vulcan logic, Spock was initially unsure of how to handle questions about how he was feeling, but his mother was confident that the feelings from his human half would resurface in time.

The voyage home.

When the Enterprise senior staff decided to return to Earth to face the consequences of their actions in early 2286 , Spock decided to travel with them to offer his own testimony. What the crew expected to be a quick voyage back to Earth and the end of their Starfleet careers was sidetracked when an alien probe arrived in Earth orbit and began damaging the planet. Spock was able to determine that the probe's transmissions were the songs sung by the extinct humpback whale species of Earth. When Admiral Kirk decided to go back in time and retrieve such whales, Spock was able to prepare the Bounty to go back in time completely from memory. He was later able to correctly guess the best course to return to the 23rd century .

After the probe had left the Sol System , the senior staff of the Enterprise stood before the Federation Council to face the consequences of rescuing Spock. Even though Spock had not been charged, he decided to stand with his shipmates. The mitigating circumstances caused by the probe 's visit to Earth prompted the Federation council to dismiss all but one of the charges - which was directed solely at Admiral Kirk. The council ordered Kirk reduced to the rank of Captain , but gave him the command of the USS Enterprise -A . Spock returned to active duty in Starfleet, assuming the role of first officer on the Enterprise . ( TOS movie , novelization & comic adaptation : The Voyage Home )

The Enterprise -A

At first, Spock harbored doubts as to whether he was fully restored and capable of performing his duties as science officer, but after he was able to quickly repair the Enterprise -A's warp core on the fly after it had been sabotaged by a religious zealot, Spock realized that he was indeed fit for duty. ( TOS comic : " Choices! ")

Devil Down Below! .

Several weeks later, the Enterprise returned to planet Gamma Trianguli VI , twenty years after Kirk destroyed the planet-controlling computer called Vaal , despite Spock's strong objections. Without Vaal's influence, Gamma Trianguli VI's indigenous people had regressed into near-savagery. Kirk was forced to admit his earlier error, and Spock managed to reactivate Vaal, even briefly "joining" with it, while still granting the local population more freedom of thought and action than was previously available under Vaal. ( TOS episode : " The Apple "; TOS comics : " Paradise Lost! ", " Past Perfect ", " Devil Down Below! ")

Soon after, when Kirk had been viciously attacked, stabbed through the heart by a mysterious assailant, Spock sensed it immediately. Spock met Dr. McCoy at the entrance of Kirk's quarters where Spock forced the door, and found the dying Kirk.

McCoy managed to save Kirk's life, and Kirk identified Ensign William Bearclaw as his attacker. Bearclaw was a discipline case that Kirk had recently put up for transfer. After being drawn into the investigation, Spock began to harbor doubts as to Bearclaw's guilt. Spock articulated his doubts to Kirk and asked him to keep an open mind just before Kirk was again attacked by the shape-shifting Garth of Izar , who had previously impersonated Bearclaw. Spock returned in time to save Kirk from Garth, dropping him with a Vulcan nerve-pinch. ( TOS comic : " Who Killed Captain Kirk? ")

The Enterprise returned to Earth in 2287 so that chief engineer Montgomery Scott could track down the numerous bugs that popped up. Spock was taking his shore leave in Yosemite National Park with Kirk and McCoy when the call about an emergency on Nimbus III (aka "The Planet of Galactic Peace") came in. The ruling council, consisting of a human, a Klingon, and a Romulan, had been taken hostage. Upon viewing the recording made by the kidnapper, Spock recognized him as his half-brother, Sybok , whom Spock had not seen since he was a child. Sybok had left Vulcan after he had rejected his culture's reliance on logic, and embraced his emotions.

The Enterprise raced to Nimbus III, only to have the ship taken by Sybok, who employed a mysterious mental power on the Enterprise crew. Sybok took the Enterprise through the barrier at the center of the galaxy, hoping to release The One , whom Sybok believed to be a God -like being from Sha Ka Ree , the Vulcan " heaven ". The One , rather than being a benevolent force, was murderous and cruel. The One killed Sybok, and was about to do the same to Kirk when Spock rescued him with the assistance of General Korrd of the Klingon Defense Force . ( TOS movie : The Final Frontier )

Once a hero

During a 2287 landing party excursion to Dinar IV in search of the missing Federation freighter Arcade , Spock became involved in a firefight against Haigy raiders who had grounded the vessel. When Security Officer Thomas Lee was fatally struck by a disruptor blast, Spock initiated a mind meld to attempt to stabilize the ensign . The damage to Lee's body was too great, and Spock only managed to calm Lee as the young man passed away. Spock later shared with Kirk that Lee's last conscious thought was that the ensign couldn't wait to go swimming again. ( TOS comic : " Once a Hero! ")

This incident was an early impetus for Spock to consider a more diplomatic role in Starfleet than a scientific one. ( ST reference : The Star Trek Encyclopedia ) The following year, when the Enterprise ferried a number of Federation diplomats to Starbase 49 for a peace summit with the Klingons, Spock engaged in several conversations with Klingon diplomatic aide Toladal , which further fueled these thoughts. ( TOS novel : In the Name of Honor )

Then in 2293 , at the behest of his father, Spock opened up talks with the Klingon Chancellor , Gorkon , following the destruction of the Klingon moon, Praxis . The destruction of Praxis had damaged the ozone layer of Qo'noS , the Klingon homeworld, and left the Empire incapable of self-sufficiency so long as hostilities with the Federation proceeded. The pair agreed to a summit between the Federation and the Empire on Earth.

Spock volunteered the services of the Enterprise on Kirk's behalf to escort the Chancellor and his party to Earth. This last mission under Kirk's command (Kirk had previously announced his retirement) went disastrously wrong when a cloaked bird-of-prey commanded by the renegade General Chang attacked Gorkon's ship, killing the Chancellor and leaving the blame with Kirk.

Kirk and McCoy were arrested and tried by the Klingons for the Chancellor's assassination and sentenced to life imprisonment at the penal colony of Rura Penthe . Spock disobeyed orders from Starfleet Command to return to Earth and devised a rescue plan.

After the rescue of Kirk and McCoy, Spock discovered that Kirk had been betrayed to the Klingons by Valeris , his own protégé . When Valeris refused to divulge the new location of the peace talks, Spock forcibly retrieved the information by establishing a mind meld with the unwilling Valeris, an action from which Valeris never fully recovered.

Soon afterward at the Khitomer conference, Kirk saved the lives of Klingon Chancellor Azetbur , Federation President Ra-ghoratreii , and uncovered a conspiracy between Chang, Starfleet Admiral Lance Cartwright , and Romulan Ambassador Nanclus to maintain the current state of hostility by assassinating the leaders suing for peace. Kirk was exonerated in the eyes of the Klingons, and a new era began between the two powers. It was here that Spock first met future Romulan Senator Pardek . ( TOS movie : The Undiscovered Country , TOS comic : " Enter the Wolves ", TNG episode : " Unification ")

After the Enterprise-A

Spock joined the Melpomene Players after the decommissioning of the USS Enterprise -A . He was a part of their production of Romeo and Juliet . He left the group shortly after a production of Hamlet in which he played Polonious in 2293 . ( TOS novel : The Fearful Summons )

After James Kirk's apparent death aboard the USS Enterprise -B , Spock gave the eulogy for his friend. In it, he mentioned "returning the favor" due to Kirk having given Spock's eulogy. ( ST reference : Federation: The First 150 Years )

In 2294 , Spock, while still holding the rank of captain, was transported by the Victory to the USS Enterprise -B. Captain John Harriman introduced himself to Spock and showed him the James T. Kirk dedication plaque in engineering . ( ST comic : " Spock: Reflections, Issue 1 ")

Ambassador Spock

Captain Spock in 2296 .

In 2296 , three years after the presumed death of James T. Kirk aboard the USS Enterprise -B , Spock was in command of the the USS Intrepid II , a science vessel.

After a reunion with David Rabin and a final confrontation with Sered on the planet Obsidian , Spock began to wonder if Starfleet was still the place for him.

Sered had believed that Vulcan and her sundered cousins needed each other, and Spock had come to the realization that he agreed. Except where Sered wanted to unite with the Romulans as conquerors, Spock felt that they must come together as allies, as brethren. Spock resigned his commission in Starfleet, and joined the Federation Diplomatic Corps , with the ultimate goal of bringing together Vulcan and Romulus.It was during this time that Spock first met his long-standing Romulan ally in his quest for reunification, Ruanek . ( TOS novel : Vulcan's Forge )

By the year 2300 , Spock had attained the rank of Ambassador , though he still found himself occasionally involved in Starfleet affairs. ( TOS novel : Cast No Shadow )

Spock soon established himself as an Ambassador of great skill, with accomplishments that rivaled even his father's.

In 2320 , Spock returned to Talos IV after being summoned to the planet by the Talosians. Having a private shuttle, Spock was able to slip away with a minimum of difficulty this time and reached Talos IV. He arrived in the Talos Star Group to find a drastically altered Talos IV. Instead of a planet with high levels of radiation and a sickly yellow appearance, now Talos IV had a healthy blue color, with radiation levels lower than that of Earth. Spock landed on the surface of the planet to find a rebuilt city. The Magistrate, or Keeper as he was originally known, had shown Spock around, and explained that Pike had recently died. He showed Spock a message Pike had recorded for Spock. Pike asked Spock to convey some of his ashes back to Earth, and to present the Talosians petition to not only repeal General Order 7 , but to join the Federation as well. ( TOS novel : Burning Dreams )

In the year 2327 , Spock and Sarek had a very public disagreement over how the Federation should shape their policy toward a new race that the Federation had contacted, the Cardassians .

Ambassadors Spock and Sarek, circa 2327.

Matters were made worse by Sarek's new wife, Perrin . Spock's mother, Amanda, died in the year 2293 of natural causes. Sarek had left his place at Amanda's deathbed when the Federation contacted him about a diplomatic emergency, knowing that he would never see his wife alive again. Spock had long harbored resentment against his father for this. ( TOS novel : Sarek )

In the years that followed Amanda's death, Sarek had found himself to be lonely, and had recently married the much younger Perrin .

Perrin angered Spock, when she drunkenly gave him an ultimatum to apologize to Sarek on the Cardassian issue, or he would no longer be welcome in Sarek's home. Spock responded by saying, "In that case, I shall not trouble you by visiting (Sarek and Perrin's home in) Shi'Kahr again". This began a new rift between Spock and Sarek that would last until Sarek's death in 2368 . ( TOS comic : " Enter the Wolves ")

Spock first met his future wife, Saavik , in 2274 , when he rescued the young Vulcan/Romulan hybrid from a barbaric existence on the Romulan border world of Hellguard .

Spock spent some time teaching Saavik Vulcan logic and discipline before bringing her to Vulcan and arranging for his parents to continue Saavik's education. When Saavik was ready, Spock sponsored her application to Starfleet Academy . ( TOS novel : The Pandora Principle )

Saavik was present on the Enterprise when Spock experienced his death rescuing the ship from Khan Noonien Singh in the Mutara Nebula , and tended to his needs after his miraculous rebirth at the Genesis Planet in 2285 . ( TOS movies : The Wrath of Khan , The Search for Spock )

Spock and Saavik remained close over the years that followed, with their relationship evolving over the years from mentor/apprentice, to shipmates, colleagues, confidants, friends, and finally something more.

The couple formally announced their betrothal, or engagement, in a formal ceremony on the planet Vulcan in the year 2328 . Among the attendees were Ambassador Sarek, Admiral Leonard McCoy and Lieutenant Jean-Luc Picard . The Lady Perrin was not in attendance.

Over the years that followed, Spock's career in diplomacy and Saavik's career in Starfleet kept them from being together for long periods or planning their wedding, but they kept in close contact.

Spock's repeated attempts over the years to convince Vulcan to look into the possibility of reunification with the Romulans met with little or no success. In this period he was given numerous, if more mundane, assignments (e.g., to Earth in 2342 , to Andor in 2343 ).

In 2344 , Spock successfully negotiated a trade agreement between Vulcan and the reclusive Federation member Oriki .

Shortly after success with the trade agreement and still on Oriki, Spock received a covert communique from Charvanek , a Romulan officer that he had met years ago during the Romulan cloaking device affair of 2269 . He left immediately for Romulus, believing that Charvanek would only summon him if the security of both The Federation and the Romulan Star Empire were at stake. When Starfleet found out what Spock had done, Captain Uhura directed Saavik to covertly extract Spock, no matter what his reason for going.

Vulcan's Heart .

On Romulus, Spock and Saavik discovered the plans of the mad Romulan Praetor Dralath to attack the Klingon civilian colony of Narendra III and use it as a staging area to attack both the Klingon Empire and the Federation.

Saavik fled Romulus in order to warn the Federation, and Spock remained behind to neutralize the threat that Dralath posed.

Saavik managed to reach the starship USS Enterprise -C , under the command of Captain Rachel Garrett . After sending Saavik off to Vulcan for medical attention, Captain Garrett took the Enterprise to Narendra III and defended the Klingon civilians from the sneak attack, at the cost of the lives of her crew and ship. To the Klingons, this was a tremendous act of honor, one that cemented the relationship between the Klingon Empire and the Federation for years to come.

On Romulus, Spock (who was suffering from the early stages of pon farr ) assisted in taking Dralath, who ordered the Narendra attack without the authorization of the Romulan Senate , into custody. A new Praetor, Narviat , took office.

Spock escaped from Romulus with the assistance of his old friend and ally from Obsidian , Ruanek. Soon after Spock's reunion with Saavik, the couple tended to the needs of Spock's Pon Farr .

Soon after, in a ceremony on Vulcan's Forge , Spock and Saavik were married. Among the attendees at this ceremony were Admiral McCoy and Captain Uhura. ( TOS novel : Vulcan's Heart )

Romulus and Reunification

Ambassador Spock in 2368.

In 2368 , Spock decided to take his re-unification effort directly to the Romulan people by re-locating himself to Romulus in order to work with Romulus' growing underground movement. This did not mean that he was through with the affairs of the Federation, as he would periodically leave Romulus for brief periods on matters of importance to the Federation.

He later admitted to Picard (working undercover with him) that his " cowboy diplomacy " he used now and in the past was viewed as "arrogant presumption" by his friend, James T. Kirk . Picard for the most part, reminded Spock of that former captain . ( TNG episode : " Unification ")

In 2371 , Spock was part of a group of Romulan dissidents rounded up by Romulan authorities on the world of Constanthus and scheduled for execution. Starfleet dispatched the USS Enterprise -D along with Admiral Leonard McCoy in an effort to retrieve the ambassador. Taking it upon himself to mount a rescue was a recent arrival to the 24th century , Montgomery Scott . Scotty commandeered the Constitution -class USS Yorktown and set off for Romulan space.

The joint rescue efforts ultimately proved successful, and Spock was recovered (exhibiting a brief display of emotion as he materialized on the Yorktown 's transporter pads and saw Scotty at the controls) and returned to Federation space. He chose, however, to return to his work on Romulus. ( TNG novel : Crossover )

In 2372 , Spock received a message on Romulus from Captain Picard, informing him of Captain Kirk's return from the Nexus and subsequent death on Veridian III . Spock soon left Romulus to see the site of his friend's death himself. He crossed the Neutral Zone aboard an Orion transport, and disembarked at Deep Space Station E-5 , where he chartered another ship, owned by the Bolian captain Moxx , to take him from there to Veridian III . ( ST comic : " Spock: Reflections ")

While on Veridian III to pay his respects at James Kirk's grave, Spock was intercepted by T'Pring (his former betrothed), who questioned him about his hopes for Romulan/Vulcan reunification. She also returned a brooch that Spock's mother had given her before the wedding that never happened. ( TOS - Strange New Worlds 9 short story : " The Smallest Choices ")

In 2373 , Spock was called in to consult on the situation in the recently fallen Thallonian Empire . Spock had been in Thallonian space a decade earlier on a fact-finding mission about the reclusive Thallonians. Despite having to cut that mission short (so he could rescue a captured Vulcan woman named Soleta , and see her safely back to Federation space by way of a freighter named Qualor's Pride ), Spock was still the Federation's greatest, living authority on Thallon , and thus his expertise was needed in the crisis. ( NF novel : House of Cards , NF short story : " Out of the Frying Pan ")

During the Dominion War , Spock used what influence he had on Romulus to convince the Romulans that it would be in their own best interests to join in the Federations war effort against the Dominion . ( ST short story : " Blood Sacrifice ")

As Starfleet's resources became lean as the Dominion War heated up, many former command officers were reactivated to active or reserve service, including Spock. Spock was re- commissioned as an admiral and met briefly with other reactivated officers aboard the USS Sovereign , including Admiral Leonard McCoy, Captain Montgomery Scott, and Captain James T. Kirk. The group was instrumental in uncovering an impostor in that action, as it was revealed that Fleet Admiral Alynna Nechayev had been replaced by her mirror universe counterpart . Ironically, the mirror Nechayev had been instrumental in reactivating Spock and Kirk before they revealed her identity. While this action was decisive in protecting Federation security, Spock did not play any further publicly known role in his service as wartime admiral. ( TOS novel : Spectre )

The Borg also attempted to assimilate Ambassador Spock in order to stop peace treaty negotiations between the Klingons and Romulans, however the timely intervention of Captain Jean-Luc Picard and the USS Enterprise -E prevented their success. Even though such an act would have been needless-given the fact that Spock's psyche still resonated fragments from a branch of the Collective -in the form of his old mind meld with V'Ger 's Ilia/probe. ( TNG video game : Armada , ST novel : The Return )

Romulan Supernova

In the early 2380s Spock left Romulus, believing there was nothing more he could achieve in the face of the predicted supernova. He was contacted by now Admiral Jean-Luc Picard when his journey brought him to an unplanned rendezvous with the USS Verity . ( PIC novel : The Last Best Hope )

In 2387 , Spock had befriended a Romulan named Nero . He also discovered a star , Hobus , had gone supernova which threatened to destroy Romulus , and attempted to intervene. Spock promised to save Romulus.

With the help of the USS Enterprise -E , Spock hoped to use Geordi La Forge 's experimental starship, the Jellyfish , to insert Red matter into the heart of the exploding star, creating a singularity to consume the star and thus saving Romulus. The ambassador piloted an advanced space craft equipped with red matter and proceeded to the star to carry out his mission, but before he could, the star's effect destroyed Romulus.

With other worlds threatened with destruction, Spock continued his mission and successfully created a black hole which consumed the supernova. Before he could escape, however, he was intercepted by the Romulan mining vessel Narada , commanded by Nero .

Nero blamed Spock for Romulus's destruction and was bent on revenge, but both the Narada and the Jellyfish were pulled into the black hole. Spock, aboard the Jellyfish , was sent to the 23rd century , as was Nero aboard the Narada , instantly creating an alternate reality . Spock was presumed to be dead in the prime reality . ( TOS comic : " Star Trek: Countdown ", TOS movie : Star Trek , ST website  : StarTrek.com )

Despite's Spock's apparent death, he became known as "The Great Spock". He was still seen as a great benefactor for the eventual reunification of the Vulcan and Romulan people when Vulcan became Ni'Var . ( PIC episode : " The End is the Beginning "; DSC episode : " Unification III ")

The Kelvin timeline

Spock emerged from the black hole in the year 2258 of an alternate reality created by the actions of Nero, who had emerged twenty-five years earlier . Nero was waiting for Spock when he arrived, and he and the Jellyfish were captured. Rather than kill Spock, Nero marooned him on Delta Vega , where he could witness the destruction of Vulcan from the planet's surface. Nero then used some of the red matter from the Jellyfish to create a black hole in Vulcan's planetary core ; Spock watched helplessly from Delta Vega as his homeworld was destroyed.

Shortly thereafter, Spock was searching an ice cave for supplies when he encountered a young Starfleet Cadet about to be eaten by a native beast . Using his torch to scare the animal off, once out of danger Spock looked at the still-shocked Human, and realized just who he had rescued: one James Tiberius Kirk , who had been marooned on the planet by that era's Spock for mutiny . The elder Spock was surprised that Kirk, who didn't believe him, (he had dismissed Spock's self-identification, and claim of lifelong friendship, as "bullshit" ) was not captain of the Enterprise - but at the mention of Nero, young Kirk decided he just might be telling the truth. Through a mind meld, Spock explained to Kirk his presence in this time period and the reasons behind Nero's history-changing actions (told that, in addition to Kirk and himself, the counterparts of Dr. McCoy , Uhura , Chekov and Sulu - all but one of the six officers who had once risked their careers to save him - were all serving aboard the Enterprise , Spock deduced that the timeline was attempting to "repair" itself). He then walked with Kirk to a nearby Federation outpost, where they met the one member of their core group not yet aboard the ship, Montgomery Scott , whom Spock had previously avoided but whose presence he now viewed as more evidence of his timeline theory. Using Scotty's equation for transwarp beaming (which Scott had not actually figured out yet), Spock was able to transport Kirk back to the Enterprise along with Scott. When asked why he would not come with them, Spock stated that his other self must not know of his existence, implying that it could cause some kind of temporal paradox.

After the Enterprise had defeated Nero, the elder Spock returned to Earth. There, he met his less-than-surprised younger self (Kirk had kept his word, but upon being recognized by the Jellyfish , the most advanced spacecraft he had ever seen, and discovering it was built in 2387, young Spock deduced who must have assisted him), convincing him to remain in Starfleet. He also explained that the reason he did not return to the Enterprise with Kirk to explain things was that he did not wish to deprive Kirk and Spock of the chance of working together and developing the friendship they were destined to have. He then wished his younger self good luck, after which he witnessed the promotion of Jim Kirk to captain of the USS Enterprise .

He left with an intention to establish a Vulcan colony . ( TOS movie : Star Trek )

With his true identity kept secret from all but a key few individuals. Although he had a brief conversation with his father during the trip, when he attempted to speak up in the council to warn them against establishing the new Vulcan on Ceti Alpha V, he was informed that, for his role in Nero's attack, he was stripped of his rights as a citizen and was therefore not considered a Vulcan by the Council. ( TOS comic : " Legacy of Spock, Part 1 ")

With Vulcan no longer an option, Spock travelled to Romulus in an attempt to initiate the peace process that he had played in back in his own reality, but was captured by the Romulans and accused of trying to destroy Romulus early based on the words of the last two survivors of Nero's crew. ( TOS comic : " Legacy of Spock, Part 2 ")

Fortunately, he was able to escape with the aid of a Romulan resistance movement led by Pardek , allowing him to make contact with the Vulcan fleet- still heading for Ceti Alpha V despite his warning- and warn them that the Romulans were coming, intending to use the last of the red matter to destroy the fleet. ( TOS comic : " Legacy of Spock, Part 3 ") The appearance of the Enterprise was enough to give the Vulcan fleet time to drive off the Romulans, with Kirk's word helping the Vulcans decide to accept Spock's advice and follow his recommendations to find a suitable planet. ( TOS comic : " Legacy of Spock, Part 4 ")

In 2259 of the alternate reality, Spock contacted the older version of himself for information regarding Khan Noonien Singh . The following year , Spock had departed New Vulcan before the Enterprise returned when the younger Spock entered Pon farr . ( TOS movie : Star Trek Into Darkness , TOS comic : " After Darkness, Part 2 ")

Spock died in January of 2263 on New Vulcan . Two Vulcans were sent to Yorktown Station to inform the younger Spock of Spock's passing, and to give him some of elder Spock's personal property. Included was a photo of Spock and his crewmates on the bridge of the prime-reality USS Enterprise -A sometime prior to 2293. ( TOS movie : Star Trek Beyond )

Vulcan civilization would thrive on New Vulcan over the next 3,000 years, and over the years Spock would become a revered figure to the Vulcan people. By approximately 5259 , a statue of Spock had been built on New Vulcan, surrounded by a number of monuments. While many of the surrounding monuments were larger than life, the monument of Spock was life size. According to legend, this had been at Spock's request, as he felt a larger than life depiction of him would not be logical. ( TOS - Legacy of Spock comic : " Part 4 ")

Alternate timelines and realities

A major tangent of the prime timeline was created in 2373 . Called the First Splinter timeline , this alternate reality 's Spock was an influential part of Federation politics and also the battle to stop the Devidian temporal apocalypse . ( Coda )

In 2269, the Romulans put their Second History project into motion, interfering in human history at a key moment, and ensuring that the United Federation of Planets never came into being. However the results were not what the Romulans intended. While the Federation did not exist in the timeline, the Vulcans were still powerful, and able to keep the Romulans in check. The Vulcans helped humanity get back on their feet following a devastating war.

Spock in this timeline was a Captain , and the commanding officer of the VSS ShiKahr , which was this timeline's version of the USS Enterprise . A number of people who served on board the Enterprise of the original timeline served on the ShiKahr , including Doctor Leonard McCoy and Montgomery Scott . James T. Kirk served on the ship as an Ensign , whose career was sidelined after he was convicted of murder while in the Academy. Additionally, Christopher Pike had served as a first officer under Spock on the ShiKahr until he was given his own command. Spock and the ShiKahr crew realized in 2269 that the Romulans had tampered in history, and he and James T. Kirk were able to stop Second History and return history to its original form. ( TOS novel : Killing Time )

Starfleet service record

• Personal log , Spock

Connections

Rank insignia.

Spock was portrayed in The Original Series as an officer with two specialties, as both the Enterprise first officer and science officer . To this end, he ended up wearing multiple uniforms over the years, as the different colored uniforms showed the different specialties.

As a science officer, Spock wore the blue tunic of a member of the sciences division in his first appearance in TOS episode : " The Cage ", but had already begun to work as an executive ( command division ) in his dual position as second officer , being third in command of the ship. By his next canon appearance in TOS episode : " Where No Man Has Gone Before ", Spock had been promoted to lieutenant commander and been made first officer of the Enterprise . To show this, he wore the verdant-gold tunic of a command division officer, even though he was still also the science officer. The uniform style of the era had no different sleeve insignia for any officer grade, so his rank stripes had not changed any by this point. In later appearances following TOS episode : " The Corbomite Maneuver ", he would switch back to his blue sciences uniform despite maintaining both the science and command positions.

The uniform style evolved into a slightly different tunic and rank stripe in the mid- 2260s with that episode, but with similar color codes, in that science officers still wore blue and commanding personnel still wore greenish-gold. Spock apparently could have worn gold but instead stayed with blue. At this point, an irregularity could be observed in Spock's uniform wear. He was referred to as a lieutenant commander for much of the first year of TOS , but he wore the insignia of a full commander. He was eventually promoted to commander and continued to wear that insignia, raising the possibility that he had received some kind of brevet or provisional promotion that became permanent, thus explaining his uniform insignia.

On at least one occasion, Gold Key Comics released an issue in their series of Star Trek comics where Spock wore the red uniform of the operations division , on the cover of TOS comic : " The Mummies of Heitius VII ". While it could be supposed that Spock could have held a third position as some sort of operations manager , it seems more likely this was a mistake based on foreign artists' unfamiliarity with the appearance of the television characters.

When Spock left Starfleet circa 2270 , the uniforms changed again, but to a similar variation. When reactivated as science officer and first officer in TOS movie : The Motion Picture , Spock's commander insignia was unchanged but worn on uniforms with color-coded patches. Spock's patches were orange to show his specialty in the sciences division, but as an executive officer he also could have worn white command division patches. When Spock was promoted to captain, he did wear the appropriate command division colors as of TOS movie : The Wrath of Khan , but he also ended up serving double duty as a science officer on occasions, meaning he very well could have opted for science services gray uniform patches, just as Scotty sometimes opted to wear a flight engineer's yellow uniform accoutrements after being promoted to captain.

Spock's Starfleet commission was inactive after his retirement following the Khitomer mission, but he was still held in reserve as an officer. By the era of the Dominion War, Spock was reactivated as an admiral. His uniform was not seen, but again, his dual divisions of service meant that he could have worn the red uniform shirt of a command officer or the blue shirt of a science officer.

Appearances and references

Appearances.

• ↑ 1.0 1.1 1.2 1.3 TOS comic : " Who's Who in Star Trek, Issue 2 ".

External links

• Spock article at Memory Alpha , the wiki for canon Star Trek .
• Spock article at Wikipedia , the free encyclopedia.
• Spock article at the Star Trek Timelines Wiki .
• 1 Ferengi Rules of Acquisition
• 2 The Chase
• 3 ISS Enterprise (NCC-1701)

• April 26, 2024 | Michael Dorn Wanted Armin Shimerman To Play The Ferengi That Worf Killed In Star Trek Picard
• April 26, 2024 | Podcast: All Access Gets To Know The Breen In ‘Star Trek: Discovery’ 505, “Mirrors”
• April 25, 2024 | Prep Begins For ‘Star Trek: Strange New Worlds’ Season 3 Finale; Cast And Directors Share BTS Images
• April 25, 2024 | Jonathan Frakes Sees Opportunities With Streaming Star Trek Movies, Weighs In On “Filler Episodes”
• April 25, 2024 | Recap/Review: ‘Star Trek: Discovery’ Reflects On Its Choices In “Mirrors”

Recap/Review: ‘Star Trek: Discovery’ Reflects On Its Choices In “Mirrors”

| April 25, 2024 | By: Anthony Pascale 110 comments so far

Star Trek: Discovery Season 5, Episode 5 – Debuted Thursday, April 25, 2024 Written by Johanna Lee & Carlos Cisco Directed by Jen McGowan

A solid episode with plenty of lore and character development gets weighed down with a bit too much exposition.

No, I didn’t kiss you in the past last week, what makes you say that?

WARNING: Spoilers below!

“Maybe we’re not so different.”

As the crew regroups following the time bug incident that lost them 6 hours, they try to trace the trail of their main rivals in the search for the Progenitor tech. Book takes this time to reflect on the choices he has made in life and how it isn’t too late for Moll; perhaps he can redeem the daughter of his mentor and namesake Cleveland Booker. Stamets and Tilly figure out the trail didn’t disappear into nowhere: Moll and L’ak went through a wormhole. The aperture isn’t big enough for the Disco, so the captain assigns herself to shuttle duty—over the objections of her new XO, who is still struggling a bit. After a little bonding over old Kellerun poetry, she leaves him with “I know you can lead this crew” and heads off with her ex. Returning to their old banter, including some teasing about what happened during her time tour last episode, Book and Michael head through the wormhole. Things get really choppy as they fly through exotic matter “deaf and blind,” losing comms with the Disco, and dodging debris. Skilled piloting and good ol’ Starfleet engineering saves them, but things aren’t so hot for Moll and L’ak, whose ship is spotted cut in half. Their only hope for survival is another relatively intact ship that looks familiar. A 24 th -century scientist hiding a clue in this pocket dimension on a shipwreck from another universe makes as much sense as anything.  It’s the ISS Enterprise—and that’s no typo. If the “Mirrors” title wasn’t clue enough, the ISS does it: Things are about to get Terran, again.

After docking, Michael and Book make their way through the mess of a ship to the bridge with more playful banter. The warp drive has been bricked and all shuttles and escape pods are gone, very out of character for ruthless Terrans. They track three quantum signatures in sickbay, but start with a trace in the transporter room, which looks more like a makeshift refugee camp. A chronicle reveals the crew mutinied after the Terran High Chancellor (aka Mirror Spock) was killed for making reforms. A certain Kelpien rebel leader (aka Mirror Action Saru) led refugees to the Prime Universe, where they abandoned ship. While Book expositions, Michael puts a piece of her badge (and its important Prime Universe quantum signature) in a locket she finds. Pay attention BTW, or you will be confused later. In sickbay, they find Moll and L’ak, Moll and L’ak, and Moll and L’ak—until they take out the holo-emitters so the four former couriers can face off for real. Book tries the “I knew your father” gambit and is immediately rebuffed by Moll’s serious daddy issues. The baddies figure they have the clue so they have all the leverage, but Michael uses that locket as a bluff, claiming she has the real clue. Still, no deal with the Federation is good enough because they need the Progenitor tech to get rid of an Erigah… a Breen blood bounty. That’s right, L’ak is Breen. Holy refrigeration helmet , Batman.

Mirror McCoy was a bit of an evil pack rat.

“You both still have choices .”

Cut to a series of Burn-era flashbacks when Moll was delivering dilithium to the Breen Imperium. The “bucket heads”  are not amused by the wisecracking courier who gets into a fight with one of them, but she turns the tables, revealing she knows he’s a disgraced member of the royal family—and she even knows his name. It’s L’ak, of course. He is intrigued by her plan to skim more latinum, getting payback for being humiliated for this cargo duty demotion. Soon enough, this unlikely pair is hooking up between cargo containers and he even takes off his helmet to show her his face, as well as his “other face.” It turns out the Breen have two: the one we have been seeing with L’ak and a glowing eyed translucent one.  Later, the star-crossed romance is threatened when Moll is drawn to the lure of even more latinum by delivering to the Emerald Chain. Before they can sort out if he should join her, Uncle A-hole shows up, not happy about his nephew’s little interspecies exchange program. He’s also not cool with L’ak using that old face and not the “evolved” glowy face. L’ak is given one chance at redemption: Kill Moll. He picks door number 2, killing some guards but sparing Primarch Ruhn, who declares the Erigah. L’ak knows this means they will never stop hunting him, but Moll is all-in on being a fugitive, so they escape together. Ah, true love.

Back on Mirror Enterprise, the standoff devolves into another quick firefight as the Breen/Human duo chooses not to take the offered off-ramp before going too far down the bad guy road. Moll and Book end up outside force fields that pop up around sickbay, so she reluctantly agrees to a ceasefire. The current Cleveland Booker tries again to connect, but Moll only has bad memories of a brutal childhood of abandonment after her Cleveland left her on her own at age 14. L’ak is all she has. L’ak feels the same about Moll, telling Michael that he would die before being separated, but seems open to the idea of them sharing a cell in the Federation pen. On the bridge, Book pivots to use his relationship with Michael to connect, but Moll’s need to get back to L’ak means no waiting for computer hacking, so she starts yanking out wires. The resulting short does lower the forcefield, but now the ship is out of control. Their shuttle is flung off with the jolt and there’s only eight minutes until the Big E is squished in the little wormhole. Book takes his final shot, handing over his phaser and telling Moll she is the only family he has left. She finally relents and they head to sickbay, where Michael and L’ak have resumed fighting. The captain gets the upper hand and ends up with the clue L’ak was holding and the Breen is left with a knife in his side, but impressed by the locket bluff. Moll arrives and is super pissed, so the Disco duo makes a quick exit before things escalate into yet another phaser fight. This former courier couple’s double date is over.

Uh, can you go back to the other face now?

“Maybe we can shape our own futures too.”

As Moll tries to patch up her boyfriend, Michael and Book work through the problem on the bridge, deciding that the tractor beam as their only hope. Over on the Disco, they detect an oscillating pattern, 3-4-1-4, which means something to Rayner. He now wants the nerds to figure out how to open the wormhole aperture big enough for a ship, offering kegs of Kellerun booze for the best idea. Adira sparks a team effort and Rayner rallies around the crowdsourced solution involving a hexagon of photon torpedoes. “We are only going to get one shot at this. I trust you will all make it count, red alert.” That’s the stuff. With what may be the last seconds of her life, Michael lets Book know she shared a “happy” moment with his past self during the whole time bug incident. Discovery fires the torpedoes and the crew is surprised to see the ISS Enterprise emerge at the last minute from the permanently collapsing wormhole. Everyone releases their tension as the captain informs her crew they saved her… but why is the Enterprise about to fire? A warp pod is launched! It’s Moll and L’ak. Before you can say “plot armor,” they escape to another episode. The captain returns to the Disco to tell Rayner she’s impressed with how he handled the crew during her time away, and he tells her how impressed he was with her subtle “3-4-1-4” message using the Kellerun “Ballad of Krull.” Alien poetry FTW!

In the background of the episode, Tilly has been noticing that Dr. Culber seems out of sorts. Everyone else leans on him, so she offers to be a friendly ear. As things wrap, Hugh takes her up on her offer over drinks at Red’s, admitting that ever since he was possessed by a Trill a few episodes back, he has been feeling a bit off, and he’s beening having some trouble coming to grips with the quest they are on with questions “so big and impossible to grasp.” He is not sure his matter-of-fact husband will understand what Tilly points out is a sort of spiritual awakening. This thread is left unresolved, unlike Adira’s mini-crisis of confidence: They were losing their science mojo due to guilt over the time bug, but got it back through Rayner’s tough love and being the one to come up with the hexagon of torpedoes solution. Things wrap up with Michael and Book looking over their prize, the latest piece of the map and a mysterious vial of liquid hidden inside, ready to set up the next episode once Stamets unlocks its secret. Burnham is starting to see a pattern with these clues and how the scientists who left them were trying to teach lessons along the way to the successful questers. The clue hidden in the ISS Enterprise came from Dr. Cho, a former Terran junior officer who later became a Starfleet Admiral. This happy ending for her and the others from Saru’s band of Mirror refugees fills them with hope as they can’t wait to find out what they will learn when they put the map together. There are just 2 more map pieces and 5 more episodes to go.

I think I have a thing for being possessed—no judgment.

Love stories

This halfway point episode is a bit of a mixed bag. Strong performances were a highlight, bringing extra life to welcome character development for both heroes and villains. But valiant attempts to expand upon franchise lore got weighed down in overly complicated exposition. And for an episode with a strong (and yes, often repeated) theme about choices, some of the directorial choices just didn’t work, potentially leaving some audience members confused or requiring a second viewing to follow the narrative. On the other hand, the episode carried on the season’s reflection on Discovery’s own lore and the evolution of its characters. David Ajala stands out as the episode MVP as he shows Book’s struggle to navigate the emotional complexities of his own choices and those of Moll while desperately trying to forge a new family connection. While some of the action scenes in this episode felt a bit perfunctory, the show is still getting better (for the most part) in finding moments for those character sidebars to talk about their emotional journeys and relationships. That was especially important in this episode, which took a closer look at how the events of the season are impacting some of the key romantic pairings of Book and Michael, Paul and Hugh, and Moll and L’ak.

Eve Harlow—and especially Elias Toufexis—stepped up to add layers and nuance to Moll and L’ak, with Discovery finally embracing how fleshing out adversaries and their motivations goes a long way towards making your plot hold together. The nicely drawn-out reflection of their love story with the rekindling one between Michael and Book adds another layer to the more obvious meaning behind the episode title “Mirrors.” Moll’s single-minded anger and L’ak’s desire for safety now all make sense, as does their unshakable bond. The episode also did a good job weaving in a handful of substories, including Rayner’s growing connection with the crew, with a nice sprinkling of Kellerun lore-building — adding some color to his character. Callum Keith Rennie continues to be a stand-out addition for the season, although Doug Jones is sorely missed, presumably not appearing in two episodes in a row for some scheduling reasons. Culber’s spiritual journey also gets just enough time, as it and these other substories all feel like they are heading somewhere without distracting or spinning their wheels, something that often weighed down mid-season Discovery episodes in past seasons.

Okay, let’s just agree we both have daddy issues.

Under the mask

The reveal that L’ak is a Breen was a surprise, but also nicely teased through the previous episodes. Fans of Deep Space Nine should relish finally getting some answers about this enigmatic race and finally having a first look under those helmets. “Mirrors” picked up on many elements from DS9, including the Breen language, refrigeration suits, neural truncheons, and the position of Thot , while adding lots to the lore, including some worldbuilding behind this new Breen Imperium and its “faction wars.”

Setting the Breen up as what appears to be the real big bads for the season involved a lot of data dump exposition here, surely keeping the editors of Memory Alpha busy for the next week. The notion that Breen have two forms with their signature suits and helmets allowing them to hold the more “evolved” form and face makes sense. If one were to get nitpicky, the Breen aren’t supposed to bleed, but perhaps that was a function of his suit; fill in your own headcanon. L’ak’s desire to hold the other, less evolved form making him a pariah in Breen society has echoes of allegorical episodes such as TNG’s “The Outcast.” That being said, the nuances are still not entirely clear, and fans who like the lore shouldn’t have to rewatch scenes to pick up the details. It feels like some details were cut, perhaps because this episode was already trying to cram in too much exposition with the Breen, Kelleruns (they boil cakes?), and the Mirror Universe.

Like the previous time travel adventure, this was a mid-season bottle show, this time using the conveniently located Strange New Worlds sets. Bringing back the ISS Enterprise was clever and fun, with the twist of how this time the Mirror Universe came to us. If you follow closely, “Mirrors” did a nice job of filling in some lore gaps and tying together the MU storylines from the first visit in “Mirror, Mirror” to follow-ups in Deep Space Nine , Enterprise , and Discovery . There is now a nice throughline from Emperor Georgiou saving Mirror Saru through to Mirror Spock, killed for the reforms he instituted after being inspired by Kirk. However, the redress of the Enterprise sets was not very inspired, with only a smattering of Terran wall sconces and some repainting, instead of demonstrating the brutality of the Empire with elements like agony booths. But what was even more missed was the promise of any character crossovers. There was a lot of talk about Mirror characters like Spock, Saru, Dr. Cho, and others, but we don’t get to see any, one of the many examples of how this episode broke the golden rule to show not tell. There were plenty of opportunities for a flashback or holo recording. Burnham longingly gazing at her brother’s science station is no substitute for Ethan Peck with a goatee.

We’re back!

Final thoughts

“Mirrors” is a decent episode, but it could have been much better with a few tweaks here and there. While not falling into the pointless plate-spinning trap of past mid-season Disco outings, it still dragged a bit for something so jam-packed with lore and revelations. Still, it provided a nice hour of entertainment, and possibly more with rewatches to catch up on the little details. The episode also continues the season’s welcome trend of weaving in the show’s own past, which makes it work better as a final season, even if they didn’t know that when they crafted it. Season 5 hits the halfway mark, and it’s still the best season yet, and hopefully the second half of the season will nail the landing.

Wait, we’re in this episode too? Anyone remember their lines?

• Like the previous episode, “Mirrors” began with a warning for flashing images.
• The episode is dedicated “to the loving memory of our friend Allan ‘Red’ Marceta ,” the lead set dresser who died in a motorcycle accident in 2022.  Presumably the USS Discovery bar “Red’s” was named in his honor.
• This is the first episode where Book’s personal log starts it off.
• Stardate: 866280.9
• Booker examined wanted notices for Moll from the Federation, Orion/Emerald Chain (who have a new logo), and the Andorian Empire.
• Tilly was able to reveal the wormhole by compensating for the “Lorentzian Coefficient,” referencing the real Lorentz Factor used in special relativity equations.
• A new ensign on the Discovery keeps a Cardassian vole as a pet.
• The ISS Enterprise was built at Tartarus Base, possibly referencing Tartarus Prime , from the TOS novel The Rings of Time .
• Moll refers to Breens as “bucketheads” (just as Reno did to Emerald Chain Regulators last episode). This could be a nod to the use of “ bucketheads ” in Star Wars as a derogatory term for stormtroopers.
• Moll’s mother died on Callor V in a mine for Rubindium , a substance first mentioned in TOS “Patterns of Force.”
• Linus can play the piano.
• Breen Primarchs may be a nod to the genetically engineered Primarchs from Warhammer 40,000 .
• How does Book know that Pike’s catchphrase is “Hit it”?
• This is the third (of five) season 5 episodes in which Oyin Oladejo and Emily Coutts do not appear, but their characters, Detmer and Owosekun, are mentioned when they get the honor of escorting the ISS Enterprise back to Starfleet HQ.
• Even though we didn’t see it warp away, presumably the missing intermix chamber was replaced, otherwise Owo and Detmer’s trip is going to take a very long time.
• Tilly says her long day makes her feel like she has been through a Gormangander’s digestive tract.

Remember when Mudd hid inside a Gormagander? Gross.

More to come

Every Friday, the TrekMovie.com All Access Star Trek Podcast  covers the latest news in the Star Trek Universe and discusses the latest episode. The podcast is available on Apple Podcasts ,  Spotify ,  Pocket Casts ,  Stitcher and is part of the TrekMovie Podcast Network.

The fifth and final season of  Discovery debuted with two episodes on Thursday, April 4 exclusively on Paramount+  in the U.S., the UK, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia, and Austria.  Discovery  will also premiere on April 4 on Paramount+ in Canada and will be broadcast on Bell Media’s CTV Sci-Fi Channel in Canada. The rest of the 10-episode final season will be available to stream weekly on Thursdays. Season 5 debuts on SkyShowtime in select European countries on April 5.

Keep up with news about the  Star Trek Universe at TrekMovie.com .

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Star Trek Into Darkness

• View history

A series of terrorist attacks on Earth places Captain James T. Kirk on a mission to deal with the culprit. Nothing is as it seems, as the Starship Enterprise is entangled in covert machinations to ignite war between the Federation and the Klingon Empire, with an ancient enemy in the mix. With alliances tested, relationships strained and differing motives clashing, how costly will the thirst for vengeance prove?

• 1.1 Prologue
• 1.2 Act One
• 1.3 Act Two
• 1.4 Act Three
• 2 Memorable quotes
• 3.1 Gathering a team
• 3.2 Story and script
• 3.4 Scene development
• 3.5.1 Principal cast
• 3.5.2 Returning guest stars
• 3.5.3 New guest stars
• 3.5.4 Extras
• 3.5.5 Rehearsals and interaction
• 3.6 Design, sets, and locations
• 3.7 Filming
• 3.8 Editing
• 3.9 Music and sound
• 3.10 Continuity
• 4.1 Publicity and marketing
• 4.2 Posters
• 4.3 Box office
• 4.4 Reception
• 4.5 Merchandise gallery
• 5 Awards and honors
• 6.1.3 Second Unit
• 6.1.4 Songs
• 6.2.2 Stunt performers
• 6.2.3 Stand-ins
• 6.2.5 Production companies
• 6.4.1 Other references
• 6.4.2 Meta references
• 6.4.3 Unreferenced material
• 6.5 External links

Summary [ ]

Prologue [ ].

The temple raided by Kirk and McCoy

During early 2259 , on the class M planet of Nibiru , Captain James T. Kirk is being chased away from a temple located at the base of an active volcano by native Nibirans . He is startled by an animal, and stuns it with his phaser . Behind the animal is an upset Leonard McCoy ; the beast Kirk has just stunned was to have been their "ride", leaving the two of them with no option but to flee on foot. Kirk has stolen a scroll sacred to the Nibirans.

Meanwhile, Hikaru Sulu is piloting a shuttlecraft into the volcano, with Spock and Nyota Uhura on board. Spock, protected by a copper-colored environmental suit , is preparing to detonate a cold fusion device inside the volcano that would stop a cataclysmic eruption from extinguishing life on the planet. Kirk tells them of their plight, using the communicator . Spock reminds Kirk about the Prime Directive , as the Nibirans are a primitive civilization . Kirk assures his first officer that he and Dr. McCoy were disguised; they were merely leading the natives further away from the volcano. With the shuttlecraft's thruster being choked by ash, Spock has to act fast. After a kiss from Uhura, he is lowered by cable into the volcano. During the descent, the shuttlecraft takes too much damage, and Sulu attempts to abort the drop. The cable Spock is hanging by abruptly snaps, suddenly dropping him into the volcano. Surprisingly, he survives the fall in his protective suit, and the cold fusion device is still operational. Sulu and Uhura are forced to abandon the shuttle; Uhura promises they will get Spock out.

Harbinger of death

Satisfied they were far enough from the volcano, Kirk hangs the scroll he stole off a tree . The Nibirans cease their pursuit, allowing Kirk and McCoy to get away, jumping off a cliff into the ocean . Using miniprops and breathing apparatuses, they swim to the Enterprise and board through an airlock on the secondary hull . Chief Engineer Montgomery Scott is still not happy that they are hiding at the bottom of an ocean, complaining that the salt water may impede their ability to launch. The officers return to the bridge. Spock arms the cold fusion device , which has a three-minute timer. The volcano has a small eruption, with pyroclastic ejecta destroying the temple in which the group of Nibirans had been worshiping. Nibiru has a very strong magnetic field that was jamming their transporters ; the only way they can save Spock is by revealing themselves to fly above the volcano, which would violate the Prime Directive.

The Enterprise surfaces from the sea

Kirk asks Dr. McCoy what Spock would do if Kirk were the one deploying the device; Bones replies that Spock would let him die. Spock was indeed prepared for that likelihood. The cold fusion device would freeze and kill him, along with freezing the volcano into dormancy. Before the device detonates, Spock closes his eyes and raises his arms to the sky above.

" You violated the Prime Directive! "

The Nibirans are shocked when they see the Enterprise rising out of the ocean and above the volcano. Right before the cold fusion device is activated, Spock is beamed aboard the Enterprise , and they make their getaway. Kirk and McCoy join him in the transporter room . Spock is shocked that Kirk has blatantly violated the Prime Directive. Uhura tells them the cold fusion device has successfully detonated, but the crew is irked by Spock's apparent lack of gratitude as the violation of the Prime Directive will be a steep price to pay. The native Nibirans begin to worship an image of the Enterprise they have drawn in the soil , accepting it as their new deity.

Act One [ ]

The stardate is 2259.55. Back on Earth , Thomas Harewood , a Starfleet officer living in London , travels with his wife to Royal Children's Hospital , where their daughter is currently in a coma with a severe illness. After visiting her, Thomas Harewood is stopped by an individual he is unfamiliar with. The newcomer says he can save Harewood's daughter.

Pike dresses down Kirk

Meanwhile, back in San Francisco , Kirk is waking up in his apartment after a night spent with a pair of Caitian women. They are annoyed when he answers a call on his communicator from Starfleet. He and Spock are summoned to the office of Admiral Pike . Kirk is convinced they are going to be given Starfleet's first five-year mission of deep space exploration, though Spock is doubtful. When they arrive, Pike reveals that there are discrepancies between the captain's log on Nibiru, and a report Spock filed about what happened there; namely being, the former said it was "uneventful", while the latter detailed a breaking of the Prime Directive. Kirk is dismayed by Spock's apparent betrayal. After a brief argument, Pike dismisses Spock, and proceeds to dress Kirk down for his lack of humility and respect for the chair. Kirk counters that Pike convinced him to join Starfleet because of his maverick attitude. However, Starfleet Command saw it differently. The head of Starfleet Command, Admiral Alexander Marcus , has formed a tribunal that did not include Admiral Pike. The tribunal has relieved Kirk of his command, ordering him to return to Starfleet Academy . Pike tells Kirk pointedly that, one day, his reckless leadership is going to get his entire crew killed.

The Kelvin Memorial Archive

Back in London, the unknown man extracts a vial of his own blood , and places it in a package along with a ring . The package goes to Harewood, who adds the vial's contents to his daughter's IV . As it begins to enter her bloodstream , her vitals return to normal. Harewood kisses his daughter's forehead in relief, knowing she will now be all right. Not long after, he goes to work at the Kelvin Memorial Archive , catching sight of the unknown man in the street immediately before entering, and takes a long elevator down below the archive. He goes to his workstation with a glass of water . After sending a message to Admiral Marcus, he drops the ring into the water, which quickly fizzes, then causes a massive explosion at the Kelvin Archive.

Pike and Kirk share a drink

Kirk is drowning his sorrows at a local bar in San Francisco. He is about to talk to another woman when Admiral Pike sits between them. Kirk is surprised he has found him; the admiral simply says he knows Kirk well, recalling a bar fight with Starfleet cadets back in Iowa before Kirk enlisted. Pike reveals Starfleet gave the Enterprise back to him. Kirk suggests that keeping Spock as first officer isn't a good idea, but he's been transferred to the USS Bradbury anyway. Pike has pulled some strings, and gotten Kirk assigned to be his first officer on the Enterprise . Kirk is speechless, something Pike says is a first. He then gets a call from Starfleet. They are summoned to a meeting in the Daystrom Conference Room at Starfleet Headquarters .

Admiral Alexander Marcus, the head of Starfleet

On their way to the conference room, Kirk meets Spock and tells him about his demotion. Spock is relieved the punishment was not more severe. Kirk is still upset that he was betrayed. Spock admits he should have warned Kirk beforehand that he would file a truthful report about the Nibiru incident. After a brief meeting with Frank Abbott , captain of the USS Bradbury , Kirk admits he'll miss Spock, though is irked when Spock is left speechless. Admiral Marcus opens the meeting. The message he received from Harewood was a confession, and informed him of who put him up to the attack: John Harrison , a Starfleet officer who has gone rogue. The officers present look over images taken of the scene after the attack, where forty-two people were killed. Kirk notices Harrison in the images with a bag, and asks Pike about it. Admiral Marcus notices their discussion and asks Kirk what the problem is. Kirk begins to express confusion as to why Harrison would target just an archive. Kirk says Harrison must have known that a terrorist attack on a Starfleet facility would result in this kind of meeting.

" CLEAR THE ROOM! "

Before Kirk can elaborate on his concerns, a jumpship appears outside their conference room, and opens fire, killing Captain Abbott and several other officers. The surviving officers take cover, and security personnel enter to combat the jumpship. Kirk takes up a phaser rifle from a fallen security officer and attacks it from the side to little effect. He sees the jumpship's engine intake, and gets an idea. He opens a fire hose unit, in a corridor of the building, and ties the hose around his rifle.

Pike is killed by Harrison

As he works, Admiral Pike is fatally shot, and Spock pulls him to safety. Kirk throws the rifle and fire hose, which get sucked into the jumpship's intake. It takes the entire hose, then yanks its base out of the wall and through the engine, disabling the ship. Kirk gets a look at Harrison as he beams out of the falling jumpship. In the meeting room, Spock forms a mind meld with Pike right before he dies. Kirk then arrives, and breaks down at the death of his mentor.

Meanwhile, Harrison materializes on a completely different planet, lifts up the hood of his longcoat, and walks away.

Act Two [ ]

Kirk and Spock meet with Marcus

Kirk is recovering emotionally from the attack alone in his apartment, when he gets a call from Spock. Scott was investigating the wreckage of Harrison's jumpship, and found a portable transwarp beaming device on board. Its destination is set somewhere they normally cannot follow. Kirk and Spock head to Starfleet Headquarters, and they tell Admiral Marcus where Harrison ended up: Qo'noS , the homeworld of the Klingon Empire . Marcus was afraid this would happen. Spock notes Harrison materialized on a nominally uninhabited province of the planet, and Kirk says he is not afraid to go after him. Marcus comes clean about the true nature of Harrison and Harewood's target. They bombed a secret facility of Section 31 , Starfleet's black ops division, which was researching weapons and tactics for a potential war with the Klingons and any other species that mean to do the Federation harm. As far as he is concerned, the war with the Klingons was already beginning. He has a new variety of advanced long-range torpedoes that Kirk can use to covertly take out Harrison. He gives Kirk back command of the Enterprise , and Kirk requests Spock be reinstated as his first officer.

Dr. "Carol Wallace" joins the crew of the Enterprise

As they prepare to return to the Enterprise on a shuttlecraft, Spock expresses his misgivings about killing Harrison without a trial , and insists Kirk take some of the travel time to reconsider. Dr. McCoy joins them, telling Kirk he missed his check-up, which he does on the shuttlecraft. They are joined by Dr. Carol Wallace , a weapons expert who Admiral Marcus has assigned to the Enterprise as an extra science officer . Spock is alarmed by this turn of events. Kirk is just as surprised but welcomes the extra help.

When they get on board the Enterprise , Spock heads immediately to the bridge , while Kirk talks with Scott in engineering . Scott is unwilling to allow the new photon torpedoes on-board, because he cannot examine the shielded devices, and the Section 31 personnel refuse to tell him what they are fueled by and will not provide detailed schematics. He does not want to risk firing unknown weapons around the warp core ; any instability could wreck it and kill everyone on board. He is also upset that his transwarp equation was appropriated by Starfleet Command, ending up in Harrison's hands for his crime spree. When Kirk insists the torpedoes be loaded in, Scott resigns, with Keenser following suit. Before he departs, Scotty begs Kirk not to use the torpedoes.

" Sometimes I want to rip the… bangs off his head. "

Kirk returns to the bridge with Uhura in a turbolift . He tells her of Scott's resignation, and his recent issues with Spock. She lets on that she and Spock have been having problems recently as well. Before they can discuss it in more detail, they arrive. Kirk promotes navigator Pavel Chekov to chief engineer , since he has been shadowing Scotty recently, and tells him to put on a red shirt and head to engineering. They depart and proceed to Qo'noS. Kirk issues an all-call with his general orders for the mission, planning to arrest John Harrison on the planet and to use the missiles only if Harrison refuses to go quietly. Spock is relieved Kirk has reconsidered Admiral Marcus' original orders, and suggests he himself could join Kirk on his mission. Spock then goes back to engineering, where he confronts Carol Wallace. The identity she presented Kirk was fake; Admiral Marcus is her father, and " Wallace " is her mother's maiden name. Her real name is Carol Marcus . He demands to know why she is really on the ship.

Before she can give her reasons and prior to the Enterprise reaching Qo'noS, the ship violently drops out of warp . Chekov has found a coolant leak in the warp core, and stopped the ship manually. They are still twenty minutes away from Qo'noS. Kirk recruits Uhura, who knows Klingon , to join him and Spock. He gives Sulu command for the first time, with orders to contact Harrison before they arrive to demand his surrender . Dr. McCoy is concerned, but Kirk is sure Sulu is up to the task. They use a vehicle they confiscated a month before, in the " Mudd Incident ". Kirk orders two other officers, including Hendorff , to remove their red shirts and change into more casual clothing ; they cannot have any obvious connection to the Federation on this mission, lest they start an interstellar war . Chekov assures Kirk he will try his best to repair the engines before they return.

Spock and Uhura quarrel

As Kirk pilots their vehicle to Harrison's location, Sulu sends his message via a targeted com burst, giving Harrison two minutes to surrender, or he will be eliminated with new, advanced weapons. Sulu's message is assertive enough that it startles the previously skeptical Dr. McCoy, who asks the helmsman to remind him " never to piss you off. "

While flying through the atmosphere of Qo'noS, Uhura and Spock begin to argue, much to Kirk's dismay. Uhura is upset at Spock's apparent lack of feelings recently, especially after his rescue at Nibiru. She also tells Spock that Kirk is upset with him too. Though Kirk doesn't want to be dragged into it, he admits that she's right. Spock tries to assure her and Kirk that they are mistaken by his attitude. He recalls his mind meld with Admiral Pike, and how he felt Pike's final emotions before his death. They reminded him of how he felt when Vulcan was destroyed. He assures Uhura that he simply does not want that kind of despair anymore, and that his feelings for her are still as strong as ever.

" Why should I care about a Human killing Humans? "

Their relief is short-lived, as their ship comes under fire from a D4-class Klingon vessel, apparently on a random patrol. Without any offensive capabilities, Kirk is given access to all the ship's fuel cells to evade the patrol's fire and try to outrun it. He finds a narrow space and squeezes the ship through it, evading capture. Kirk thinks they have escaped, but Uhura suggests the Klingons may be jamming sensors. The Starfleet officers are soon surrounded by three more D4-class ships, which order them to land. Uhura tells her shipmates they will be tortured, interrogated, and killed. She insists she be allowed to try to reason with the Klingons. The trading craft lands, and Uhura leaves the vessel, confronted by about fifteen Klingon warriors in full-face armored helmets. Spock warns Kirk not to interfere, lest he incur their wrath and Uhura's. Still, Kirk gets some phasers ready, just in case. Uhura tells the Klingon patrol that she and her allies are on the planet to arrest a criminal who has put both their planets in danger. The leader of the patrol , who removes his helmet, tells her he has little concern for Humans killing Humans. Hoping to play on the Klingons' strong traditions, she counters that the criminal has no honor. Unimpressed, however, the Klingon leader grabs Uhura by her jaw and draws a knife, prepared to kill her.

Harrison rescues the Enterprise party

Suddenly, somebody shoots down the Klingon patrol; it's Harrison, armed with a rapid-fire rifle and a larger beam cannon . The Enterprise officers attack, in a mix of phaser fire and hand-to-hand combat. Kirk has little luck physically, but is able to shoot several Klingon warriors armed with disruptors and various blade weapons, including daggers and bat'leths . Harrison proves to be incredibly adept with his phaser cannon as well as hand-to-hand. Other Klingon ships drop reinforcements, but they are killed as well. Harrison kills the last few Klingons with their own knives. He turns his cannon on Kirk, and asks how many of the advanced torpedoes he has. Spock replies after Kirk doesn't, saying they have seventy-two. Harrison immediately surrenders, unconditionally. Kirk accepts, then attempts to knock Harrison out by punching and beating him repeatedly, none of which has any effect on him whatsoever.

Kirk confronts his mysterious prisoner

Harrison is returned to the Enterprise and taken to the brig . Dr. McCoy takes a blood sample, to try to figure out the prisoner's physiology. Harrison insists that he be allowed to speak with Kirk. Spock thinks he wants to get into Kirk's head, but Kirk agrees. Harrison somehow knows about the damage to the warp core, suggesting something is amiss. He tells Kirk two things. First, Harrison gives Kirk a set of coordinates: 23-17-46-11, a point near Earth. Harrison says Kirk can find some answers there. He then insists they open one of the photon torpedoes to find out exactly what is inside.

Back on Earth, Scott is at a bar in San Francisco with Keenser, upset that Keenser allowed him to go through with resigning. Kirk contacts Scotty and gives him the coordinates Harrison gave him. He admits Scott was likely right about the torpedoes, which Scott accepts as an apology, though he cuts the conversation short. Whereas Scott is in no mood to do Kirk any favors, Keenser insists they help anyway.

" Why is there a man in that torpedo? "

The Enterprise is still hobbled, but has enough power to go to a nearby planetoid , where they can safely examine one of the photon torpedoes. Kirk assures Chekov that the engine issues are likely not his fault. They have sent a message to Admiral Marcus with news that they have captured Harrison, but have received no reply. Spock reveals the true identity of Carol Marcus, and suggests she and Dr. McCoy can try to open a photon torpedo.

Later, on the surface of the planetoid , Marcus directs McCoy in cutting a necessary wire. The moment he does, the compartment slams shut on his arm, and the torpedo arms with a thirty-second timer. Marcus disarms it with only 2.57 seconds to spare, and it opens, revealing a cryo tube with a frozen person inside.

"My name is… KHAN."

The coordinates take Scott to Jupiter , where he finds a large shipyard . Following a sortie of similar shuttlecraft, what Scott sees in the shipyard alarms him.

" My crew is my family, Kirk. Is there anything you would not do for your family? "

Back on the Enterprise , Dr. McCoy examines the cryo tube. The body preserved inside is still viable, but Humans have not needed cryogenic technology since they became warp-capable . The person inside is three hundred years old. Kirk and Spock return to Harrison for answers. He says all the torpedoes contain his old crew. He reveals himself to be Khan , a genetically engineered Human . He and his crew were exiled into space at the end of the 20th century . His cryoship was found by Admiral Marcus after the destruction of Vulcan , and he alone was awoken. Marcus wanted his savagery as well as his intellect to prepare for potential war with the Klingons. He also reveals that Marcus wanted Kirk to fire those torpedoes on Qo'noS and purposely sabotaged the Enterprise 's warp core, leaving them stranded for the Klingons to find, igniting the war that Marcus desires. Kirk refuses to accept it, but condemns Khan's actions. Khan states that Marcus held his crew hostage to force him to do his bidding. He put his crew in the torpedoes in an attempt to smuggle them to safety, but they were discovered, and he was forced to escape alone. Khan says he committed his terrorist acts on the assumption that his crew had already been killed.

The Enterprise is confronted by the USS Vengeance

A ship approaches the Enterprise , but not from Klingon space. Kirk has Khan moved to medbay under heavy guard. The ship is an enormous unmarked Starfleet vessel, the USS Vengeance . Kirk is hailed by Admiral Marcus; he has the communication broadcast throughout the ship and recorded. He tells the admiral that engine issues had prevented him from killing "Harrison", revealing he knows the man's true identity. He also suggests Marcus knows what's going on. In turn, Marcus accuses Kirk of being affected mentally by Khan, and insists Khan be killed immediately. He then orders Kirk to turn Khan over, but the Enterprise 's transporters are down. Kirk falsely tells Marcus that Khan is in engineering, before breaking communication, and asking Chekov if they can go to warp. Chekov says they can, but the warp core is still hobbled, so it's risky. They go to warp anyway, and head to Earth.

The Vengeance fires on the Enterprise …

…with devastating results

" Well, at least we're moving again, " McCoy says in the medbay. However, Khan reminds a nearby Carol Marcus they are not safe at warp speed. She runs to the bridge, and warns Kirk that the Vengeance has the ability to engage other ships at warp speed. Indeed, the Vengeance catches up with the Enterprise , and proceeds to fire on the other ship; an initial volley from the Vengeance causes a major hull breach in engineering aboard the Enterprise , killing dozens of crew members, before a second volley cripples the Enterprise 's starboard warp nacelle , causing the craft to drop out of warp between Earth and its moon . Carol Marcus tries to contact her father, skeptical he will destroy the Enterprise if he knows she is on-board. He simply beams her aboard the Vengeance . Admiral Marcus then accuses Kirk and his crew of being in league with "Harrison" and sentences them all to death; Kirk attempts to plead for the life of the Enterprise crew, but Marcus admits that he intended to destroy the Enterprise with all hands from the very start, and cuts communications.

Before the Vengeance can destroy the Enterprise , though, the Vengeance 's systems are reset; Kirk immediately receives a transmission from Scott, who has sneaked on-board the Vengeance . It will take time for its systems to restart, so they have an opening to stop Admiral Marcus. Kirk puts Spock in command of the Enterprise . Spock is resistant to this idea, but Kirk insists the Enterprise needs somebody who "knows what they're doing" in command. Kirk heads to sickbay, and asks Khan about the Vengeance 's capabilities. It is a Dreadnought -class , twice as big, three times as fast, and far more heavily armed than the Enterprise . At the same time, McCoy injects Khan's blood into a dead tribble to examine his blood's effects. Kirk asks for Khan's help, assuring him this will be his only opportunity to save his crew.

" The enemy of my enemy is my friend. "

Kirk and Khan will traverse space to board the Vengeance . The Enterprise maneuvers enough for its waste exhaust to be aligned with one of the Vengeance 's airlocks, and Scott dashes to a station where he can open it manually. Kirk and Khan don thruster-powered spacesuits and navigate the debris field, heading to the Vengeance . During the flight, Kirk's helmet is hit by a piece of debris, knocking out his heads-up display. Khan is also knocked off course, but reestablishes himself and encourages Kirk to align himself with Khan's course and enter the airlock together. Inside the Vengeance , Scott is caught by a lone security officer , but he is able to actuate the airlock, allowing Khan and Kirk in, while also blowing out the security officer.

Spock Prime warns his younger self about Khan

Spock asks Uhura to patch him through to New Vulcan and reaches his counterpart from the prime universe , Ambassador Spock . The younger Spock asks about Khan and if his elder self encountered Khan before. Although Ambassador Spock has not wanted to alter his younger self's destiny, he makes an exception in this case. He reveals that Khan is none other than Khan Noonien Singh , the most dangerous adversary ever faced by the crew of the elder Spock's Enterprise ; Khan is, according to Ambassador Spock, brilliant, ruthless, and will not hesitate to kill every single crew member. The elder Spock recalls that he and his shipmates defeated Khan, but at a terrible cost .

Act Three [ ]

Kirk, Scott, and Khan head to the bridge of the Vengeance

On the bridge of the Vengeance , Admiral Marcus confronts Carol, who simply slaps him, and expresses her shame for being his daughter. Khan, Kirk and Scott head toward the bridge on foot, with Khan navigating them through the engine compartments where weapons cannot be safely used. They succeed in one fistfight with Vengeance crew. Khan jumps ahead of them briefly. Kirk tells Scott to stun Khan the moment they secure the bridge. Spock orders all his medical and engineering personnel to the weapons bay, and asks Dr. McCoy to work on arming the torpedoes. Right when the Vengeance 's weapons come back online, Kirk and his crew make it to the bridge, and stun everyone except Admiral Marcus and Carol. Scott then stuns Khan as ordered. Kirk places Admiral Marcus under arrest, and orders him out of the chair, not wanting to take him by force in front of his daughter. However, Khan is not as stunned as they had hoped – he gets up and attacks Scott and Kirk. He then breaks Carol's leg, and crushes Admiral Marcus' skull, prompting a horrified scream from Carol.

The Vengeance detonating

Khan hails the Enterprise , and orders Spock to give him the photon torpedoes. Spock refuses, but Khan says he can get them himself, without Spock's help, by disabling the Enterprise 's life support system and waiting for the Enterprise crew to suffocate before retrieving the torpedoes himself. Since his crew is frozen, they don't need the air anyway. Spock complies, and assists Khan in locating the torpedoes. He beams them safely aboard, then beams Kirk, Scott, and Carol Marcus onto the Enterprise , before attacking it again. However, unbeknownst to him, Spock had the photon torpedoes armed before beaming them to the Vengeance . They explode, hopelessly disabling the ship and leaving Khan anguished over the apparent loss of his crew. Dr. McCoy then tells Kirk that Spock had the cryo tubes removed, and they are now safely in medbay.

The Enterprise begins to spiral down to Earth

At that point, the engines go completely down, and main power fails, with backup power severely crippled. With the ship having been station-keeping over Earth, it promptly begins to fall toward the planet. Spock orders all personnel to abandon ship, but the crew refuses, willing to go down with him. Kirk and Scott make their way to engineering, a difficult trip with the ship tumbling and artificial gravity systems failing. While there, they end up hanging from the walkways when the ship is upside down, but are saved by Chekov. When they reach the warp core, they find the injectors broken. Kirk decides to fix the warp core himself, but the chamber containing it is loaded with lethal radiation. The captain overrides objections Scott voices by knocking him out with a punch, then enters the warp core chamber. Kirk manages to knock the dislocated side of an injector back into place, and the warp core consequently fires back up, simultaneously exposing Kirk to the radiation. The ship enters Earth's atmosphere, but stops falling just below a layer of clouds, and stabilizes with multiple thrusters firing.

"I'm scared, Spock…"

"Khaaaaaaaaaaaaaaan!!"

The Enterprise 's systems gradually come back online. When he regains consciousness, Scotty calls Spock urgently to engineering. Spock goes to the door to the chamber, which Kirk is lying against. They cannot open the chamber until it is decontaminated. Spock tells Kirk he saved the ship. Kirk commends Spock's action of using what Khan wanted against him; Spock replies that it's what the captain would have done. Kirk offers that sacrificing himself to save the crew is what Spock would have done . Knowing he's going to die, Kirk tells Spock he's scared, and asks him how he is able to not feel. Spock, himself in tears, admits he doesn't know, and is failing to hold back his emotions. Kirk then begins to tell Spock why he saved his life on Nibiru, but Spock knows – "because you are my friend." After saying that, he sheds a tear. Kirk reaches out to Spock as the Vulcan presses his hand against the partition in the salute of his world . Kirk then succumbs to radiation poisoning and dies. In Spock, all the rage and hate felt towards the man he now blames for his friend's death erupts to the surface in a primal scream of Khan's name.

" Set destination: STARFLEET HEADQUARTERS! "

The Vengeance crashing into San Francisco

The Vengeance falls past the Enterprise , out of control. Khan, now bent on revenge for his crew, targets his ship on a suicide run at Starfleet Headquarters . The Vengeance crushes Alcatraz , skims across San Francisco Bay , and plows through the city, leveling everything in its path. Spock, returning to the bridge, orders Sulu and Chekov to find Khan, believing him to be capable of surviving the crash. Sensors locate him, but there is too much interference to beam him up to the Enterprise . Instead, Spock elects to beam down to Earth and take Khan out. After a chase through the chaos that has now engulfed the heart of Starfleet, Spock catches up with Khan on top of a moving garbage barge . Khan quickly relieves Spock of his phaser, leaving the two to struggle hand-to-hand.

In the Enterprise 's medbay, Kirk's body lies in an open body bag, surrounded by Dr. McCoy, Carol Marcus, Scott, and other crew members who are all saddened by the loss of their friend and captain who has just given his life to save their lives. McCoy notices the dead tribble he tested Khan's blood on is slowly regaining its life signs. Realizing the effects of the genetically enhanced blood, he orders one of Khan's people removed from its cryo tube, reanimated, and held in a medically induced coma. He freezes Kirk to preserve his brain function, but he doesn't have any more of Khan's blood – he needs Khan back alive.

Spock proves to be Khan's physical equal

Spock continues to fight with Khan in an evenly matched battle. Khan tries to jump to another garbage barge, but the Vulcan follows, proving physically to be Khan's equal. The crew cannot make contact with him, so Uhura beams to the transport vehicle. As the battle intensifies and Khan becomes dangerously close to killing Spock, she opens fire on Khan with a phaser set to stun. Although it has little to no effect on him, it serves to distract Khan enough for Spock to turn the tide. He breaks Khan's arm and starts to beat on him in a rage. Uhura screams for Spock not to kill Khan, that they need him to save Kirk. Upon realizing that Kirk can be saved, Spock regains his emotional control and finishes Khan with an uppercut, knocking him out.

Khan is returned to stasis

Two weeks later, Kirk wakes up in a hospital bed in San Francisco. Dr. McCoy has created a serum from Khan's blood to revive the captain. Kirk thanks Spock for saving his life. In turn, Spock expresses gratitude that Jim is alive. Elsewhere, Khan has been returned to his cryo tube, and he and his crew lay frozen in a darkened room.

The five-year mission begins

Nearly a year after the events, Kirk addresses a gathering at the rechristening ceremony for the USS Enterprise , which has been rebuilt. He says that Starfleet should not let enemies pull them away from their true mission of exploration. Soon after, Kirk returns to the Enterprise , where all is in order to begin their five-year mission in deep space. He relieves Sulu from the captain's chair ; Sulu admits he finds the power of command to be addictive. Dr. McCoy is dismayed by the length of their mission. Scott, who has returned to his post as chief engineer with Keenser, reports the engines are "purring like a kitten" and that the vessel is ready for a long journey. Kirk welcomes Carol Marcus aboard as part of their crew and family. Spock expresses his trust in Kirk's "good judgment" on where to begin their exploration. With that, Kirk orders Sulu to take the ship out.

Memorable quotes [ ]

" If Spock were here, and I were there, what would he do? " " He'd let you die. "

" Oh, come on Spock. They saw us. Big deal. "

" Tell me more about this volcano. The data says it was highly volatile and if it were to erupt it would wipe out the planet. " " Let's hope it doesn't, sir. " " Something tells me it won't. "

" Had the mission gone according to plan, Admiral, the indigenous species would never have been aware of our interference. " " That's a technicality. " " I am Vulcan, sir, we embrace technicality. " " Are you giving me attitude, Spock? " " I am expressing multiple attitudes simultaneously. To which are you referring? "

" Do you have any idea what a pain in the ass you are? " " I think so, sir. " " So tell what you did wrong. What's the lesson to be learned here? " " Never trust a Vulcan. "

" You think the rules don't apply to you, because you disagree with them. "

" You don't respect the chair . You know why? Because you're not ready for it. "

" That was an epic beating. " " No, it wasn't. " " You had napkins hanging out of your nose. Did you not? " " Yeah, that was a good fight. "

" What did you tell him? " " The truth. That I believe in you . That if anybody deserves a second chance, it's Jim Kirk. " " I don't know what to say. " " That IS a first… it's gonna be OK, son. "

" You got something to say Kirk, say it. Tomorrow's too late. "

" All-out war with the Klingons is inevitable, Mr. Kirk. If you ask me, it's already begun. Since we first learned of their existence, the Klingon Empire has conquered and occupied two planets that we know of, fired on our ships half a dozen times. They are coming our way. "

" Jim, for the love of God, do not use those torpedoes. "

" Wait, are you guys… are you guys fighting? " " I'd rather not talk about it, sir. " " Oh, my God! What is that even like? "

" Ears burning? "

" Go put on a red shirt . "

" Alright, let's go get this son of a bitch. Kirk out. "

" Mr. Chekov, did you break my ship? "

" Jim, you're not actually going down there are you? You don't rob a bank when the getaway car has a flat-tire. "

" Jim, wait, you just sat that man down a high-stakes poker game with no cards and told him to bluff. Now Sulu's a good man, but he is no captain. " " For the next two hours he is. And enough with the metaphors, all right? That's an order. "

" Attention John Harrison. This is Captain Hikaru Sulu of the USS Enterprise . A shuttle of highly trained officers is on its way to your location. If you do not surrender to them immediately, I will unleash the entire payload of advanced long-range torpedoes currently locked on to your location. You have two minutes to confirm your compliance. Refusal to do so will result in your obliteration. If you test me, you will fail. " " Mr. Sulu… remind me never to piss you off. "

" We’re outnumbered, outgunned. There’s no way we survive if we attack first. You brought me here because I speak Klingon. Then let me speak Klingon. "

" I am here to help you. With respect, there is a criminal hiding in these ruins. He has killed many of our people. " " Why should I care about a Human killing Humans? " " Because you care about honor. And this man has none. "

" Let me explain what's happening here. You are a criminal! I watched you murder innocent men and women; I was authorized to end you! And the only reason why you are still alive is because I am allowing it; so shut… your…mouth! " " Captain, are you going to punch me again over and over till your arm weakens? Clearly you want to so tell me: why did you allow me to live? "

" 23-17-46-11, coordinates not far from Earth . If you want to know why I did what I did, go and take a look. " " Give me one reason why I should listen to you " " I can give you 72 . And they're on board your ship, captain. They have been all along. "

" Well now, if it isn't Captain James Tiberius… 'Perfect Hair.' Did you hear that? I called him 'Perfect Hair!' Ha!'"

" What, you don't think I can remember four numbers? (chuckling) You of little faith! … What was the third one? "

"' John Harrison' was a fiction created the moment I was awoken by your Admiral Marcus to help him advance his cause – a smoke screen to conceal my true identity. My name is Khan. "

" We both know who it is. "

" Per Starfleet regulations I'm planning on returning… Khan… to Earth to stand trial. " " Well… shit… you talked to him… "

" Sir, my crew was just following my orders. I take full responsibility for my actions but they were mine and they were mine alone. If I transmit Khan's location to you now, all I ask is that you spare them. Please, sir. I'll do anything you want. Just let them live. " " That's a hell of an apology. But if it's any consolation, I was never gonna spare your crew. Fire when… "

" I'm sorry… "

" You're a miracle worker! "

" It’s not easy! Will ya give me two seconds, ya mad bastard! "

" Mr. Spock. " " Mr. Spock. "

" I will be brief. In your travels, did you ever encounter a man named Khan? " " As you know, I have made a vow never to give you information that could potentially alter your destiny. Your path is yours to walk and yours alone. That being said, Khan Noonien Singh is the most dangerous adversary the Enterprise ever faced. He is brilliant, ruthless and he will not hesitate to kill every single one of you. " " Did you defeat him? " " At great cost , yes. " " How? "

" The minute we get to the bridge, drop him. " " What, stun him? Khan? I thought he was helping us! " " I'm pretty sure we're helping him . "

" You… you should have let me sleep! "

" You betrayed us! " " Oh, you are smart, Mr. Spock. "

" Your crew requires oxygen to survive, mine does not. I will target your life support systems located behind the aft nacelle and after every single person aboard your ship suffocates, I will walk over your cold corpses to recover my people. Now… shall we begin? "

" Well Kirk, it seems apt to return you to your crew. After all… no ship should go down without her captain ! "

" The ship's dead, sir! She's gone! " " No, she's not! "

" I'm scared, Spock. Help me not be. How do you choose not to feel? " " I do not know. Right now, I am failing. " " I want you to know why I couldn't let you die… why I went back for you… " " Because you are my friend. "

" KHAAAAAAAAAAAAAAN!!! "

" Go get him. "

" Spock, stop! STOP! He's our only chance to save Kirk! "

" Oh, don't be so melodramatic. You were barely dead. "

" Tell me are you feeling, homicidal , power -mad, despotic ? " " No more than usual. "

" You saved my life. " " Uhura and I had something to do with it, too, you know. "

" It's hard to get out of it once you've had a taste, isn't that right Mr. Sulu? " " "Captain" does have a nice ring to it. Chair's all yours, sir. "

" Scotty, how's our core? " " Purring like a kitten, captain. She's ready for a long journey. "

" Five years in space … God help me! "

" Where should we go? " " As a mission of this duration has never been attempted, I defer to your good judgement, captain. "

Background information [ ]

Gathering a team [ ].

The prospect of working on this film along with J.J. Abrams , Roberto Orci , Alex Kurtzman , and Bryan Burk originally drew Damon Lindelof to the project. " The idea of doing this job with anyone other than J.J., Bob, Alex and Bryan was not appealing to me, " Lindelof admitted. " It's what made me carve out the time necessary to do this movie. " Once each of the five cleared their schedules, they began working on this sequel film. The team grew from that point on, Abrams later explaining, " Everyone, with very few exceptions, came back for the sequel. " ( Star Trek Magazine  issue 172 , pp. 72 & 14)

Scene development [ ]

A shot depicting Scott reacting in surprise to a view of a Nibiran fish was invented "just to reinforce the idea you're underwater," Visual Effects Supervisor Roger Guyett mentioned. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The story line involving the Harewood family evolved from the writers being interested in triggering human emotions in the audience shortly after the movie starts. " We discussed wanting to have something that was an emotional opening, " observed J.J. Abrams. " And so the idea was to try and find ways to make human drama, a family with a sick child, not trite, but to make it something that was surprising and to an end […] It ended up being not only a sort of unexpected way in to meet our bad guy, but also a critical setup for the end of the movie. So, this little girl, who you meet at the beginning, who is unconscious and dying, and these wildly depressed parents, who are so sad, end up really being kind of the setup for our bad guy in the film. " ("Introducing the Villain", "Featurettes", Star Trek: The Compendium Blu-ray special features)

Owing to the significance of establishing the connection between Kirk and Pike, the film's first scene that features them, in which Pike reprimands Kirk, was heavily rewritten. " There were many incarnations of that scene, " Maryann Brandon recalled. In the scene's original version, Pike himself took the Enterprise away from Kirk and then tried to be fatherly to him. This was rewritten, so that Pike relays orders from Starfleet to reassign Kirk off the ship and then implies he is unable to do anything to circumvent those instructions. The rewrite only happened after the creative personnel struck upon the thought of writing a new scene, set in a bar, later in the plot. They realized they had to split Pike's actions of firstly relaying news to Kirk that he was to be transferred off the vessel and secondly being fatherly to Kirk into two separate scenes, with the bar scene serving the latter purpose. Admiral Marcus was deliberately referenced in the debriefing scene, in order to establish the character at a relatively early point in the film. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features) The reason Kirk is judged as not being ready for captaincy, an opinion expressed directly by Pike in this scene (as well as indirectly by Admiral Marcus), was that the writers were inspired by fans repeatedly criticizing Kirk as having become captain terribly quickly in the previous film. ( SciFiNow , issue 80, p. 024)

A scripted scene straight after the one in which Pike scolds Kirk featured the introduction of Carol Marcus, with Kirk meeting her for the first time. J.J. Abrams and the film's writers, with some convincing by Maryann Brandon and Mary Jo Markey, decided the scene wasn't necessary and took it out. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The only reason the bar scene featuring Pike and Kirk was set in a bar was to remind the audience that the two officers first met in a bar, in the film Star Trek . Having Pike console Kirk in the bar scene additionally served to make Pike's death more emotionally affecting. Mary Jo Markey stated, " As a group, we weren't feeling very much about Pike's death, when it happened, and came to feel that part of the problem with it was that there was never a point in the movie where we were really on Pike's side, and this scene was kind of designed to make you feel like, 'I really care about Pike. And I remember what a great guy he is, and what a great influence he's been on Kirk, and how he's really the guy that changed Kirk's life. He's a true father figure to him.' " Maryann Brandon agreed, " We deliberately had Admiral Pike say, 'I believe in you,' so that, you know, when he gets killed, really Kirk is alone. And we really needed Kirk to go to a dark place, so that you would believe that he would risk the life of his crew to […] go into Klingon space and take revenge. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features) In Maryann Brandon's opinion, the addition of the bar scene made "a huge difference in the film." ("Unlocking the Cut", "Featurettes", Star Trek: The Compendium Blu-ray special features)

In the first scene that Admiral Marcus appears in, a speech delivered by him was rewritten several times. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features) As for the rationale behind the death of Admiral Pike, later in that sequence, Bruce Greenwood recalled something J.J. Abrams once told him; " He said, 'We felt the relationship was so strong that we decided to hang Kirk's quest on the end of that relationship.' " ( Star Trek Magazine Special 2015 , p. 21)

An initial shot of Khan on Kronos was originally not written into the film, nor was an immediately subsequent scene in which a reflective Kirk, sitting in a room at Starfleet Headquarters, answers a call from Spock. " We didn't have a moment where Kirk just lost all hope, and we felt we needed it right before he gets called to action, " Maryann Brandon remembered. There was some debate over who the caller should be. It was originally Scott before it changed to Spock. However, a scene immediately thereafter, in which Kirk is told that "Harrison" used a portable transwarp beaming device to escape, then had to be rewritten so that it's Scott who gives him that news. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

A later scene – wherein Kirk and Spock notify Admiral Marcus that "Harrison" has fled to Kronos, Marcus tells them that Starfleet is on the verge of war with the Klingons, and he finally then sends them to kill "Harrison" – was worked on a lot and was added to with some additional dialogue. " It was a question just of what it was gonna be, exactly, " Maryann Brandon recollected, " and how to show Kirk's drive for revenge without making him seem like he was only about revenge and that his feelings about Pike had been entirely pushed to the side. It was just a balancing act to try to keep all those things. We ended up writing some new dialogue that's placed on a shot that, for the most part, it was a matter of sort of shading performance and cutting some of the scene out. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The shuttlecraft journey that takes Kirk, Spock, and Carol Marcus to the Enterprise was rewritten a few times. Objections voiced by Spock to Kirk, regarding their mission, were reworked. " Although this stuff was in the original scene, " stated Maryann Brandon, " they were more implied and referred to than just boldly stated [in the way they ended up being] […] But I think it was really important, because it's where, again, […] we're really making clear what the themes are of the film, this idea of personal goals versus universal goals, and universal principles versus taking things into your own hands and deciding that your principles are the ones that are important. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

Some new dialogue might have been created for the scene showing Sulu, in command of the Enterprise , transmitting threats to "Harrison". " The dialogue, I think, was essentially the same. I mean, we might have given him a few new lines in there, " reckoned Mary Jo Markey. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

More definite is that the journey to Kronos in a K'normian trading ship was revised. Mary Jo Markey and Maryann Brandon felt the original scene didn't work so well for Uhura and Kirk, being less informative for them as well as the audience, regarding Spock's emotional well being. " It became a scene that was really designed to help Uhura more fully understand Spock, and then, you know, of course by extension to help us [the audience] understand Spock better, " commented Markey. " And we ended up feeling that it needed to be more about a much deeper understanding of Spock's emotional make-up, or unemotional make-up, or whatever it is exactly that a Vulcan has, where he talks about the experience of seeing his whole planet die and the existential experience of that, and how it has made him feel even more committed to the Vulcan way. " New dialogue was written for the revised version of this scene. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

J.J. Abrams was determined to include the battle sequence between the Starfleet landing party and the Klingons. " The idea of an action sequence that is harrowing, exciting, and scary, involving Klingons and our characters, was too delicious to pass up, " he remarked. ( Star Trek Magazine  issue 172 , p. 17)

A subsequent scene in which Khan, held in the Enterprise 's brig, tells Kirk and Spock about his past, revealing his name for the first time, was a result of the desire to include, in the film, exposition regarding Khan. The writers knew the line " My name is Khan " was not only a significant line in the film, but also that, if the production staff were able to get that moment right, it would elicit a mix of reactions from the audience, such as gasps, applause, and boos. A line from this scene – in which Khan asks Kirk, " Is there anything you wouldn't do for your family? " – was inspired by the motive of trying to make Khan relatable. ("The Enemy of My Enemy", "Featurettes", Star Trek: The Compendium Blu-ray special features)

Having Khan, essentially a murderous prisoner, assist Kirk was intended to be a way to make viewers feel uncertain about the character, as the writers knew the audience would have preconceived ideas about him. Despite Khan's villainy, the writers were fascinated by the idea of Kirk having no option but to partner with Khan, who Alex Kurtzman likened to Hannibal Lecter . " That was the fun of it for us; just moving right in to what the audience's expectations were with Khan, because those expectations were our expectations, " explained Kurtzman, " and if we can get ourselves to feel, to be asking those questions and to be unsure of the outcome, which was the whole point of creating an alternative timeline, then I felt we were making the right choices. " Roberto Orci added, " That's for fans. If you're not a fan, it doesn't matter; you're just watching a story of, 'Can I trust this man or can't I?', and that works on its own. But for fans, using Khan gives it a whole other layer, and we thought it was not just a homage to The Wrath of Khan , but also something for fans to play with, as evidenced by the fact that we are fans and this just tickled us. " ( SciFiNow , issue 84, pp. 042 & 043)

Devising how to quickly and covertly transfer Kirk and Khan from the Enterprise to the Vengeance turned out to be an enjoyable challenge. " So, that was one of the most, sort of, fun puzzles to put together in the movie, because we always loved the notion of their having to secretly get onto the [ Vengeance ], " J.J. Abrams explained. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

Damon Lindelof suggested that, in the resultant sequence depicting Kirk and Khan traveling through space from the Enterprise to the Vengeance , the glass in Kirk's helmet would get struck by a piece of debris. Originally, Kirk was imagined as not using a guidance system in his helmet, though this idea was altered, as was much of the sequence. " The ship-to-ship sequence […] was a constantly evolving sequence, " remarked J.J. Abrams. " There were many iterations of it […] It felt like we needed to add some elements of tension […] [and] the story needed to be a little bit more complicated. " For instance, new dialogue was written for the start of a shot in which Spock warns Kirk that there is a debris field between the two craft. The newly added dialogue allowed for the scene to be moved from during the flight to just before it. Another added concept was the idea of Sulu advising Kirk to use the compass display in his helmet. The creative team also tried to add drama to the sequence by having Kirk's guidance system break due to a bit of debris, an idea influenced by Lindelof's earlier suggestion of having the glass break. Uhura wasn't as featured in the original version of this sequence as she ended up being, as Abrams decided to focus more time on the character in these shots. He added the story point of her struggling to contact Scott. " I just knew it was crazy not to have her be a part of it, " he admitted. Kirk was originally to have been less clearly put in jeopardy. " The new idea being that if Khan gets hit and is seemingly taken out, and then Kirk's helmet goes dead, he'd be screwed, that there would be no way for him to get to the ship. And then when Khan returns and ends up helping him out, there's this weird thing that we're going for, which is what would happen if your life was in the hands of your worst enemy? And that question of, 'How do I deal with that, and do I trust him if he ends up saving my life?' It's what we were trying to add to the sequence. " Other late additions to the sequence included such moments as Spock asking Sulu if they had lost Khan, and Sulu replying with uncertainty due to the debris, as well as Sulu later advising Spock that Kirk wasn't going to make it to the Vengeance safely. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The conclusion of "the ship-to-ship sequence," where a Vengeance security guard gets blown out an airlock that Kirk and Khan fly through to gain access to the ship, was thought up by J.J. Abrams. " We were actually location scouting, and we're at a restaurant, and I remember I just doodled this idea on a napkin, " he recalled. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The writers had Spock Prime make a cameo appearance, midway through the sequence in which Khan and Kirk collaborate, as a reminder to the audience that Khan is incontrovertibly evil and untrustworthy. The writers intended for the scene to lead the audience into questioning, even more, how the alternate reality version of Khan would turn out. Alex Kurtzman referred to this scene by saying, " The bomb is symbolically put under the table. " ( SciFiNow , issue 84, pp. 042-043)

The idea of Khan commandeering the Vengeance was thought up as a way of heightening the jeopardy which the protagonists were put in. As Alex Kurtzman expressed it, " The last thing you would want would be for a ship like that to fall into the hands of someone like Khan. " ("Vengeance is Coming", "Featurettes", Star Trek: The Compendium special features)

Roberto Orci conceived the line in which McCoy refers to the members of Khan's genetically altered, cryogenically frozen crew as "Human Popsicles." Remembered Damon Lindelof, " When he first pitched it, we all got quite a laugh. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

According to Damon Lindelof, the writers had the Enterprise fall towards Earth in order to demonstrate that gravity "can be very dangerous." A section of the Enterprise 's bridge was depicted cracking, during the ship's fall, because J.J. Abrams "loves it when the hull cracks," in Lindelof's words. Later in the sequence, Chekov was tasked with running up a flight of stairs and switching a manual override, which Lindelof referred to as "some doodad," because the writing team felt they needed to give all members of the Enterprise 's senior staff something practical to do. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

Kirk sacrificing his own life in order to save the Enterprise and, in his final moments, speaking with Spock while they are on either side of a glass window was written as an homage to Star Trek II: The Wrath of Khan . It was inspired by the compulsion that the writers felt to acknowledge how the Enterprise crew had previously defeated Khan. Although referencing The Wrath of Khan in such a way was thought to be risky, the writers decided to make a big effort to do so. There was consequently a lot of discussion about Kirk going into the warp core area where he saves the ship but receives a lethal dose of radiation. " We talked a lot about the climb and wanting to make it sort of excruciating, " recollected Damon Lindelof, " and the idea that a character is sacrificing his own life for his crew, et cetera, to make it as dramatic as possible. " Thus, there was also deliberation over what obstacles Kirk had to overcome in the area. " One of the things we talked about was how can we illustrate the idea that there's lots of radiation here? " continued Lindelof. " We talked about the idea that there were sort of like heat waves that Kirk was going through, et cetera, et cetera […] I think we had no less than fifty meetings about how we could visually describe what was wrong with the core and how Kirk was gonna set it right. And then it was just simply like, 'Oh, he's just gonna kick the thing so it lines up with the other thing.' But it took about fifty meetings to get to that point. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

Despite the fact Kirk's climb inside the warp core chamber was obviously intended to be concurrent with the Enterprise free-falling towards Earth, the writers opted for Kirk's movements in the chamber not to reflect the turbulent motions of the vessel. " I do think that one of the things that we talked about, " Damon Lindelof stated, " was making sure that Kirk's travel here was fixed, that, at this point, he couldn't be spinning and sort of bonking around, even though the Enterprise was, and that's one of those little cheats that you do, filmically, to get past it. " Lindelof accounted for this by saying, " Kirk is, you know, fixed in a gravitational field, here. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The scene in which Kirk dies was deliberately concocted to feature resonances with canon. Not only was it obviously meant to reference Star Trek II: The Wrath of Khan , but it was also "in service of" what Damon Lindelof referred to as "the most, sort of, resonant aspect" of both the alternate reality version of Star Trek and the "prime" version, which was "the love story and friendship between Kirk and Spock." ("enhanced commentary", Star Trek Into Darkness (digital) & Star Trek: The Compendium special features) While writing the scene, the creative team even reused lines of dialogue from The Wrath of Khan , such as the question, " Ship, out of danger? " Commented Roberto Orci, " It feels dumb not to use the lines that apply specifically to that scenario, so instead of saying 'I'm trying to save the ship, did it work or not?' we said, 'Hey man, let's just pay homage to it and use Star Trek ' […] So sure, we debated it, and sure it was something to think about. " ( SciFiNow , issue 84, p. 042) The scene also underwent some revision, Bryan Burk noting, " [It] took a while to kind of find its rhythm and really work for us emotionally. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

According to Damon Lindelof, the climax of this movie always highlighted a confrontation between Khan and Spock, with the stakes being Kirk's life. However, there originally would have been a simultaneous subplot about a Klingon fleet heading to Earth, " only to be turned around via diplomatic intervention by Uhura, " Lindelof said. " We dropped it pretty early on, as it didn’t feel intimate, cool, or earned. " [37]

In fact, the climax was originally far different from what it became. " The original idea of the third act didn't have us landing on Earth, " explained Executive Producer Jeffrey Chernov . " J.J. said, 'Now this really excites me.' " ("Brawl by the Bay", "Featurettes", Star Trek: The Compendium special features) J.J. Abrams had the Vengeance , as it crash-lands on Earth, destroying Alcatraz as an in-joke ; he used this moment to reference the fact his production company, Bad Robot Productions , previously had a TV series called Alcatraz which had ended up being cancelled. " So, I destroyed Alcatraz, even though I love it, " he conceded. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The climactic chase sequence, with Spock pursuing Khan through the streets of San Francisco, was inspired by a shot from the film Star Trek , showing a group of shuttles leave the city. Because the footage provoked J.J. Abrams into becoming extremely interested in seeing what it would be like in the city, this film's chase sequence was put together. " The fight was originally conceived as a fight between two guys on a street, essentially, " recalled Abrams. " To make it into a fight on the garbage barge traveling through the city upped the stakes of the whole thing. It gave the thing a kind of an energy that it wouldn't have had otherwise. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

Whether to have the chase involve one or two garbage barges was the subject of considerable debate. It was finally decided that, although only one barge was necessary, two would be more exciting. " It just felt like a fun way to add another layer of, sort of, Saturday-morning-serial-now-what-ness to it, " J.J. Abrams remarked. ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

The creative team chose to factor Uhura into the end of the garbage-barge sequence. " One of the ideas that I thought, you know, was sort of fun was, how do you end the sequence? " J.J. Abrams related. " We wanted to give Uhura something great […] The idea [was] of giving her a beat that was really tough, and badass, and saving the day. There was always something Barbarella about this moment too, the way she sort of shows up wearing that uniform. " ("enhanced commentary", Star Trek Into Darkness (digital) and Star Trek: The Compendium special features)

Having Khan be returned to cryogenic freeze, alive, in the final moments of the film was done as a conclusion that was meant to be internally consistent with the rest of the plot; the writers felt this story point was "the logical and moral conclusion of the movie" and meant for Khan to be put on trial thereafter, rather than be immediately executed. The writers have been less forthcoming about whether they actually kept Khan alive as a convenient way to resolve any future narratives, Roberto Orci stating only that this "could be." ( SciFiNow , issue 84, p. 044)

Cast and characters [ ]

Principal cast [ ].

All the major actors in the first film – namely, those portraying the command officers of the USS Enterprise ( John Cho , Simon Pegg , Chris Pine , Zachary Quinto , Zoë Saldana , Karl Urban , and Anton Yelchin ) – returned for the long-awaited sequel. [38] " I think we were waiting for a homerun script, and J.J. was undecided, " explained Sulu actor John Cho. " Scheduling was tight, and it didn't really get settled until J.J. decided he could do it […] It's a longer layover than most [sequels], considering the first one did so well, and that there was sequel talk instantly. We were wondering about the second picture almost as soon as we were finished with the first, so it seemed like a long time. But in the meantime, everyone did different things. Life happened. Children were born. It felt like a long time, but when we got back to set it felt like it was an afternoon at best, because we all got right back into things. " ( Star Trek Magazine  issue 172 , p. 110)

Kirk actor Chris Pine observed it was important to make this film "as good as the first one" and ensure it lived up to the expectations of the viewers. He was aware of those expectations being higher than when the previous movie had been made. ( SciFiNow , issue 80, p. 022) As a result, Pine thought this film was slightly more nerve-wracking and therefore difficult than its immediate predecessor. As for how he followed the film's development, Pine recalled, " There were a couple years when [J.J. Abrams] went off and did other things. I would hear trickles through the information grapevine, through [writers] Damon (Lindelof) or Alex (Kurtzman), what they were thinking about for the second one. But I knew nothing until I got to read the script, under lock and key, in one of the producer's offices. " Pine felt that, once he was handed the movie's screenplay, he completely understood what it required of him. ( Star Trek Magazine  issue 172 , pp. 23 & 21)

Chris Pine was impressed by the amount of variety in this film. He remarked that the facet which initially struck him about the film was " The sheer scale of it, " and went on to comment, " It's really exciting, because in any great epic story, you want it to go from A-Z and back again, and this has so many different colors. It has the excitement, it has moments of levity, it has the romance. A big, steaming apple pie of all sorts of great things. " Pine admitted that, having seen the completed movie, what surprised him most was " probably that this film manages to fulfill people's expectations of what a tent-pole summer movie should be, which in the past five years has become quite a feat in terms of spectacle. There are certain things we had to do to satisfy a modern audience's craving for that. " ( Star Trek Magazine  issue 172 , p. 23)

Chris Pine was consequently wowed by the action sequences in this film. " There's a lot of destruction, and a lot of explosions […] I think we hit it out of the park, " he remarked. " The action sequences are spectacular. People can expect to see something fantastic. " ( Star Trek Magazine  issue 172 , p. 23)

Chris Pine also pointed out that the creators of the film "married" the action sequences with " what people love about Star Trek , which are complex, human dramas. I think we have that going for us. " ( Star Trek Magazine  issue 172 , p. 23) He elaborated, " This film deals with really archetypal, huge things about growing up, and life and death, so the characters go on an extraordinary journey. " ( SciFiNow , issue 80, p. 028) Pine said, too, that he believed the maturing of the characters "makes for an interesting story" and that he was hopeful the "friendship," "bond," and "love" between the cast members, which was genuine, came across on screen. ( Star Trek Magazine  issue 172 , p. 23)

Chris Pine additionally approved of this film as a sequel. Regarding how it measured up to the previous film, he noted, " I'd say the threat is even greater in this one. The force [the crew] are met with is much more frightening. " [39] He said further, " There's been a lot of talk about the darkness of it, which is there, but the levity from the first one is certainly there, too. I would say the scope, in terms of the visuals and the action beats, and also the characters' journeys, are much, much bigger than the first film. " ( SciFiNow , issue 80, p. 028)

Spock actor Zachary Quinto felt likewise; differences between this film and its predecessor were apparent to him as early as when he first read the script for this movie. " It was very clear to me from the beginning that it was a bigger story, there was more at stake, and there was more action, " he expressed. " You could tell from the get-go it was just bigger […] This movie has everybody in different situations and scenarios, on their own, in a way that the first movie didn't. We're all scattered and spread out in different places, yet all working together. We're not such a unified front, and we have to break into factions to get things done […] We do spend a fair amount of time together for the big action set pieces [though]. " Quinto felt certain parts of the film were personally more enjoyable than others. " There are some huge sequences that he [Spock] is a part of, that were really exciting and challenging for me, " he recalled. ( Star Trek Magazine  issue 172 , p. 39) As another highlight of the film, Quinto cited the scene in which – on the way through Kronos' atmosphere – Spock concludes an argument with Uhura by expressing how he feels about death, Quinto describing it as "a really nice moment." ( SciFiNow , issue 80, p. 027) He was also happy the cast were able to modify the script, describing this process as "great" and "exciting." ( Star Trek Magazine  issue 172 , p. 39)

McCoy actor Karl Urban enthused, " All of the characters are really pushed to the very limit in this film, and the relationships are strained and fractured. To me, that's always the mark of a great Star Trek series or film, when these characters who love each other – sometimes hate each other – have to work together to overcome a common adversary. " ( Empire , issue 287, p. 92) Urban also felt the common Star Trek dynamic of Kirk having to find the middle ground between Spock, representing logic, and McCoy, representing humanism, "definitely comes into play here." ( SciFiNow , issue 80, p. 027)

Scott actor Simon Pegg appreciated the opportunity this film gave him and the other main cast members to once again collaborate. " Having kind of eased into the roles, and all got to know each other as actors, and become friends, it was actually something we all really relished and were excited about doing, " Pegg related. " It was like a school reunion […] so to get to do it […] was a great joy […] It's most fun when we're all together, cause it's a very familiar environment. " ( Star Trek Magazine  issue 172 , pp. 80 & 82)

Simon Pegg first read the script of this movie while he was with a friend in New York, shortly before Christmas 2011. " I said [to the friend], 'Listen, I'm going to quickly go up to my room. I've got the script, I might read the first couple of pages, then I'll come down and we'll go Christmas shopping.' About five minutes later, I rang him and said I'm not coming down, " Pegg explained, laughing. " 'cause I was so gripped by the script. I remember literally leaping up and down in my hotel room at certain plot twists and revelations that were just so exciting, and so cool. " ( Star Trek Magazine  issue 172 , p. 83) Pegg also recalled squealing in delight as he read through the screenplay. ( Empire , issue 287, p. 92)

Clearly, Simon Pegg considered this "a great story." ( Star Trek Magazine  issue 172 , p. 83) He mused, " It's a modern take on terrorism, in a way […] It's not dark in the sense that it's po-faced; it still has the lightness of the first film. It just kicks off and doesn't stop for the whole movie. " ( Empire , issue 287, p. 92) Pegg commented further, " The story goes all over the place. It hits the ground running; it starts fast-paced and doesn't stop through the whole thing. I think it will be joyously exhausting to watch, but at the heart of it, it's a very human story about looking after the people you love […] and this is among all the pyrotechnics, and I'm sure all the groundbreaking special effects. At the very heart of it, it's something far more human, which is a testament to the writers. " ( SciFiNow , issue 80, p. 028)

In fact, Simon Pegg related his satisfaction with the script directly to Roberto Orci, Alex Kurtzman, and Damon Lindelof. " I wrote to them after I read the script, because there are bits in there that I really got, " Pegg reasoned, " I could see what they were doing, and there were really smart little touches that I wanted them to know that I'd got […] It's a hell of a task they've got on their hands. They've got to juggle a lot of things – they've got to please fans and entertain the uninitiated – but I think this film has all that. " ( Star Trek Magazine  issue 172 , p. 83)

Simon Pegg suspected the "very human story" at the center of this film would "resonate with the audience." ( SciFiNow , issue 80, p. 028) Contemplating more about how viewers might react to the movie, he offered, " There are so many rewards in it if you're a fan of Star Trek . You could watch this movie completely uninitiated and be thrilled by it, you don't need prior knowledge, but if you do have that prior knowledge then it's like it unlocks a whole other dimension of connection with Star Trek that you'll feel very privileged to have. " ( Star Trek Magazine  issue 172 , p. 83)

Witnessing this film come to fruition delighted Simon Pegg. " To get to shoot that, and see what J.J. came up with, the amazing work that's done by costume and props and makeup – it was all really exciting, " he reminisced. ( Star Trek Magazine  issue 172 , p. 83)

Simon Pegg considered levity to be essential to the scene in which Scotty needs to open an airlock door and does a lot of running. " If there wasn't some lightheartedness, it would probably be quite uncomfortable to watch, " Pegg reckoned, " as there's a lot riding on that moment. " ( Star Trek Magazine  issue 172 , p. 82)

Chekov actor Anton Yelchin opined, " Even though it's been four years between films, you can quickly see why. You see all of the work that's been put into it, you see the complexity of the relationships; building on what was discovered in the first one, which makes it that much more interesting. You get much more insight into these people, and then the world that you're in, the scope and the scale of the film is that much bigger. " ( SciFiNow , issue 80, p. 023)

During the extended interim which preceded the making of this film, Sulu actor John Cho was, in his own words, "preparing myself to be pleasantly surprised when I read it." He was not disappointed. ( Star Trek Magazine  issue 172 , p. 110) " I […] felt pretty confident about the script – by the time we started shooting it was in amazing shape, and the story was really fascinating. To me, the story does what all great sequels do, which is to bring back things and then complicate and darken them, " Cho mused. " I was just really excited about telling that story […] You can almost feel sorry for Sulu and all of the characters because they have to mature so quickly. They feel like children who had to take care of the house in mum and dad's absence or something. It's the crises that are so enormous, and they're so young and have had to shoulder so much. To me it feels like all the characters in this one are prematurely-mature. " ( SciFiNow , issue 80, pp. 22 & 26) He also remarked, " I felt like the themes they were trying to tackle really spoke to me. The movie is so much about morality; what the nature of good and evil is. How does that change when one grows older and is more experienced? It's tapping into the grey areas of life. As a comparison, […] the second movie is an older person [than the first film], a legitimate man, and life seems cloudier and sloppy, so decisions are harder to make. I thought that was wholly the appropriate tone for a second film. It was really fascinating to me, because in some ways you expect an interesting plot, thrilling action, and fun, but going deeper in that fashion is not necessarily expected. I thought, thematically, it was ambitious. " ( Star Trek Magazine  issue 172 , p. 111)

Uhura actress Zoë Saldana appreciated the way the film portrays Uhura's relationship with Spock being tested, enthusing, " The way it happens in this movie is one of those great twists that you love JJ for. " ( SciFiNow , issue 80, p. 027) Of the main characters in general, Saldana additionally stated, " I guess because we were going back to a familiar environment, where we knew each other, and had been through it already, we didn't waste time breaking ice. It was already melted […] It definitely felt more intense. There was a great deal of suspense and uncertainty, not as actors but for our characters. There's such an attack and infiltration into Starfleet, it makes us question how safe we really are. " Concerning the cast members who portrayed those protagonists, Saldana noted, " For this experience with Star Trek , we were very fortunate […] We're so excited to be there, and we shared that mood with each other. " ( Star Trek Magazine  issue 172 , p. 45)

Their interaction with J.J. Abrams was largely enjoyable for the main cast members. Chris Pine remarked, " There is a great amount of pressure to live up to expectations and to do justice to these characters and what was done before. But I think because of J.J.'s great skill in casting – and this goes for the newest members [of the cast] […] – it becomes so easy so quickly, and you enjoy each other's company, that you enjoy the day of work. " John Cho reflected, " I would say J.J. was a little bit more intimate with us as people this time […] I think he was more comfortable with us as people, and we were more comfortable with one another in general. You spend enough time together, I guess… " ( Empire , issue 287, pp. 90 & 91) Cho also felt he wasn't overwhelmed by expectations, mainly because of Abrams shouldering the responsibility. " I never sweated it, " related Cho. " I realised that we would have to meet certain expectations or exceed them, but I didn't emotionally sweat it, so to speak, because I felt very confident in our captain. " ( SciFiNow , issue 80, p. 022) Simon Pegg agreed that part of what made doing the film "a great joy" was getting to collaborate with Abrams. ( Star Trek Magazine  issue 172 , p. 80) The cast found Abrams' unpredictability and the amount of freedom he was allowed to make modifications in the production, which was a high degree of independence, to be impressive but daunting. " So even though it's scary for us to work with him, in some ways it's also a real opportunity, " stated Zachary Quinto. ( Empire , issue 287, p. 90) For example, the cast found Abrams was willing to allow them a lot of input. " I think a lot of us had a couple observations and notes, and J.J. was really open and encouraging for us to speak up, because we incarnated these characters in the first installment, " pondered Zoë Saldana. " Coming back to it, there were remnants of our characters in us, so if something felt unnatural or a little off, we definitely voiced it, and J.J. definitely considered it. " ( Star Trek Magazine  issue 172 , p. 45) Both the cast and their director also felt it was important to maintain humor in the script. " It was something in this new incarnation that we all talked with J.J. about, the use of levity and the fact that, as dark as some of our stuff is in this new film, we always have time to smile and make people laugh, " noted Chris Pine. It was also Abrams who gave the cast members the film's script. ( Star Trek Magazine  issue 172 , pp. 20 & 21)

One of the ways J.J. Abrams' erraticness affected the cast was in lines given to Uhura. Zoë Saldana explained, " He writes these mouthfuls of dialogue, and it's hard for me because Spanish is my first language. So there were moments, at least once a day, where we'd have to cut and he was like, 'Zoe, it's not traject-ory. It's traj-ECT-ory,' or, 'That was great, but this next take, say it all 30 per cent faster.' " Saldana laughed, then concluded, " It was a trip. " ( Empire , issue 287, p. 92)

Returning guest stars [ ]

Like Chris Pine, Bruce Greenwood could hardly wait, prior to this movie entering production, to be reunited with the Star Trek cast and crew who had worked on the previous film. In this movie, Greenwood reprised his role as Admiral Christopher Pike . He referred to the movie's script as "good." [40] Having initially hoped this film would continue the evolution of the relationship between Pike and Kirk, Greenwood was glad it does. He was also intrigued by the movie's depiction of Kirk maturing; Greenwood remarked that – because the film depicts, at least in his viewpoint, Kirk facing "a major existential crisis" – the film was more interesting for himself as an actor as well as "hopefully, for the audience." ( SciFiNow , issue 80, pp. 024 & 026)

Leonard Nimoy initially expressed that he did not expect to return as the original Spock in this movie, even going so far as to state, " I definitely will not be in Star Trek 2," and, " I think I can be definitive about the fact that I will not be in it. " ( SFX , issue #200, p. 68) However, alongside the Khan report, it was confirmed that he would indeed be returning for the sequel. [41] [42] Concerning how J.J. Abrams asked him to appear for his cameo in this film, Nimoy remembered, " He just said, 'Would you come in for a couple of days and do me a favor.' " Even though the actor had turned down an invite to make a cameo appearance in Star Trek Generations because he felt what had been written for him to play in that film was too general, Nimoy was convinced that this movie was sufficiently specific about the inclusion of Spock that he was willing to participate. Addressing why he had claimed not to be in the film, Nimoy, who was very pleased that the truth of his involvement was kept secret, initially said, " I was asked time and time again if I was in the movie, and I managed to avoid answering without lying. " He laughed, but was then reminded that he had flat-out denied being in the film and replied, " Maybe I was confused. Of course, speaking, if you’ll pardon me, logically, I wouldn’t know if I was in the movie until I saw the movie. " Nimoy enthused about the film itself, " It’s hard not to enjoy this movie. There’s so much of a thrill ride happening. The relationships between the characters are terrific. The actors are all wonderful. " [43] His cameo here marked Nimoy's final appearance as Spock and his final role overall prior to his death in February 2015 .

With the announcement of the sequel, fans once again began a campaign to bring Christopher Doohan back to the Enterprise , stating that the Enterprise needed a Doohan . Christopher Doohan did indeed receive a role in this film, appearing as a Transport Officer. Chris noted on his twitter page, @chrisdoohan, that he would not have got the part without the help of Simon Pegg and thanked fans on their Facebook page. [44]

New guest stars [ ]

On 4 November 2011 , Variety reported that Academy Award-winning actor Benicio del Toro was expected to be offered the role of the villain in the sequel. [45]

On 30 November 2011, it was announced that Alice Eve had been selected for a lead role in the film. [46] She suspected one reason she was chosen to play Carol Marcus was that Eve "naturally speaks very fast," which matched the fact J.J. Abrams has a "very quick" mind, Eve noting, " Certainly in this one it's the universe racing against the clock. " ( Empire , issue 287, p. 92) She found the experience of reading the film's screenplay for the first time was extremely pleasant. " I went and read the script at Bad Robot, and it was really a privilege to be able to read it from beginning to end [without interruption] […] It became very clear what the story was in my head, because I read it in one sitting, " Eve reminisced. ( Star Trek Magazine  issue 172 , p. 54)

On 2 December 2011 , Latino Review reported that Benicio del Toro would play Khan Noonien Singh , a report which Abrams said was "not true." [47] As was revealed merely days later, del Toro's deal had actually fallen through on 30 November 2011, "after parties couldn't come to terms over monetary issues", so he was no longer due to appear in the film. [48]

On 5 December 2011, Peter Weller was announced as having joined the cast in an unknown role. [49] Weller had previously played John Frederick Paxton on Star Trek: Enterprise .

Two days later , it was reported that the absence of an actor to play the film's main antagonist and the fact the movie was intended to enter production the next month meant J.J. Abrams and Paramount were hurrying to find a suitable actor who could portray the villain and commit to a six-month shoot, between January and June 2012 . Simultaneously reported was that Edgar Ramirez and Jordi Molla were possible replacements being considered by the film's casting team, with Ramirez as the front-runner. He was expected to test for the role via Skype either later that day or early the following day , as Abrams wanted to decide whether to cast him before the forthcoming weekend. [50]

It was in the Christmas holidays of 2011 when actor Benedict Cumberbatch recorded and submitted an audition video, on an iPhone he owned, showing himself performing two or three scenes, after which, on the evening of New Years Day, he received a call to say the part was his if he wanted it. Though Cumberbatch accepted, he was yet to see a full script of the movie. ( Star Trek Magazine  issue 172 , pp. 24 & 26) The movie's screenplay did appeal to him, though. It, along with the opportunity to work with J.J. Abrams, primarily motivated Cumberbatch into agreeing to appear in this production, though he had seen the previous film as well. ( SciFiNow , issue 80, p. 023) " It's very beautifully crafted, " he critiqued of this movie, " so you have a proper, character-driven drama that happens to have all the lure and excitement of Star Trek added with the amazing possibilities of modern film-making […] [It's] a big film but based on a very detailed, good script, with good ideas […] I think it's going to be really thrilling. I can't wait to see it. I think I'm as eager as any fan of the first film is to see how it all comes together. It's going to be a real treat. " ( Star Trek Magazine  issue 172 , pp. 27 & 29) On 4 January 2012 , Variety announced Cumberbatch would be playing the villain. [51] Regarding how Cumberbatch interpreted the part, Alex Kurtzman opined, " He brought a whole new life to it. " With a laugh, Roberto Orci added, " He was so good that we didn't have to change much. " ( Star Trek Magazine  issue 171 , pp. 32 & 33)

Also on 4 January 2012, Variety reported British actor Noel Clarke would be joining the cast as a family man with a wife and young daughter. [52] Two days later, Entertainment Weekly announced that Nazneen Contractor would be playing the wife of Clarke's character.

Benedict Cumberbatch as "John Harrison"

On 30 April 2012 , it was reported that Benedict Cumberbatch's role in the film was that of Khan Noonien Singh . [53] [54] Simon Pegg shot down this report, though, calling it "a myth." [55] Karl Urban stated, " He's awesome, he's a great addition, and I think his Gary Mitchell is going to be exemplary. " [56] However, he later said, " I did that interview after a 22-hour flight from New Zealand. I literally hopped off the plane into the interview. " [57] Roberto Orci reiterated Urban's latter statement, while confirming Cumberbatch and Alice Eve's characters had appeared in Star Trek canon. [58] When interviewed himself, Cumberbatch continued the secrecy by merely pointing to a promotional image and stating he played "that person there." ( The One Show BBC One, broadcast 24th August, 2012) On 10 December 2012 , StarTrek.com released a photo featuring Cumberbatch's character in a holding cell , with Spock and Kirk looking on from the other side. The site also reported that Cumberbatch's character was named "John Harrison", in apparent contrast to Orci's earlier comment that his character had previously appeared in Star Trek canon. [59]

Also on 10 December 2012, it was reported by TrekMovie.com that Alice Eve's character would be Carol Marcus. [60] She later remembered, " It was great for me to step on the bridge. " ( SciFiNow , issue 80, p. 023)

Michael Dorn was contacted for a role during the start of filming, and was asked to play "an officer – a soldier." Eventually, it was decided that "they didn't want to mix the old with the new": Dorn had appeared in some of the previous Star Trek films and television series, playing Worf and his grandfather . [61]

Following press screenings of the film's first thirty-eight minutes in Brazil, it was confirmed – on 7 March 2013 – that Peter Weller would appear in the film as Admiral Marcus. [62] [63] The real identity of Benedict Cumberbatch's character was revealed in late April 2013 . [64]

The scene where Kirk delivers a speech features some real-life war veterans, from a non-profit organization called The Mission Continues , which tries to help soldiers return to life after having been deployed. " When the sequel was being planned, " recalled Katie McGrath, J.J. Abrams' wife, " we thought about how to make it meaningful beyond the experience of doing it all together again. We were thinking about the themes of the film and what would resonate. And also maybe help alleviate the sort of values of the Starfleet cadets… of sacrifice, bravery and friendship. " Eric Greitens , who works as the company's CEO and makes a cameo appearance in the film himself, referred to the group cameo as " A real thrill. And it was meaningful, too. " One of the veterans who appears, Adam McCann , had been hit by a bomb exactly seven years, to the day, before participating in the scene. ( Empire , issue 287, p. 91)

On Thursday 2 February 2012 and Tuesday 7 February 2012, Headquarters Casting , owned by Carla Lewis , sought background performers for the Star Trek sequel. According to a relevant casting note, they were searching for " attractive / refined / upscale or exotic talent ages 35-55 who are well postured / athletic to thin. Men should be in good shape, ladies must not be overly busty or curvy. The wardrobe is fitted so we need performers who are in great shape and/or on the thin side. Seeking a wide array of different ethnicities for this group, including ethnically ambiguous talent. The work date(s) are TBD, but could be numerous depending on the scene you are selected for. Would require at least one wardrobe fitting. We are submitting additional photos and the photos MUST be current and representative of how you look NOW. Some of the spots that will be picture picked will be quite featured. This is background work and we are seeking both SAG & Non-Union talent. It's possible that non-union performers may need to work SAG (depending on the work day(s) they are ultimately fit for and the number of performers working that day). " The open call was held at 3108 W. Magnolia Blvd., Burbank, California 91505. [65]

Rehearsals and interaction [ ]

When the cast of this movie began rehearsals, Benedict Cumberbatch wasn't present (as he was not yet cast) but Alice Eve was. She was pleased Simon Pegg was there, because they were already familiar with each other. " Simon […] made me feel very comfortable, not that everyone else wasn't equally welcoming, " she remarked. ( Star Trek Magazine  issue 172 , p. 55)

On the contrary, Alice Eve referred to the way the cast and crew treated her as "incredibly welcoming and gracious." ( SciFiNow , issue 80, p. 023) She explained at length, " The people behind this film were all so incredible that there was no awkwardness. Everyone knew the reason they were there, and they had clear directives for fulfilling them, and it became a very collaborative process, like building a village. " ( Star Trek Magazine  issue 172 , p. 55)

Likewise, Benedict Cumberbatch relayed that the principal actors "were so respectful" of the fact that he had joined the film's cast as the main villain. " There was only one occasion where I had the discipline to pull away from their camraderie, and sit away in a corner and brood, darkly, because I had too much fun with them, " he conceded, thinking back to the making of the film. " I had so much fun with them, I hope that doesn't reflect in the film, because otherwise I'll be useless, " he laughed. Moments later, Cumberbatch said, " To work with them was just a real kick. A real kick. " After commenting positively on each of those performers, he concluded, " We had so much fun hanging out together in LA, it was genuinely a really joyous experience. I spent all my time just laughing. " ( Star Trek Magazine  issue 172 , p. 27)

The principal actors were happy to make new friends, too. " I didn't get to work this time around with people I enjoyed [last time], " Zachary Quinto observed. " I didn't get to spend much time with Simon Pegg, or even with Chris Pine this time […] But what I lost with the familiar, I gained in working with Benedict [Cumberbatch], which was significant. We got along really well, and I liked working with him. " Karl Urban enthusiastically noted, " I loved watching Chris and Benedict when they were doing scenes together, because the sparks would literally fly. " Pegg enjoyed collaborating with Pine. " We spent a lot of time working on this, " noted Pegg, " and we had a hoot […] Welcoming Alice Eve and Benedict Cumberbatch was great [too], because we wanted them to feel as welcome as we did. " John Cho likewise enjoyed getting to know Cumberbatch, whose performance impressed him, and Eve. In reference to the latter performer, Cho related, " It kept the set lively to have to get to know another person. " ( Star Trek Magazine  issue 172 , pp. 41, 56, 82, 111) Pine was wowed by the work of both Cumberbatch and Eve in this film. Concerning the interaction between Kirk and Carol Marcus, Pine stated, " When there's a beautiful blonde woman around, there's always the potential for love, and we know the story there. " ( SciFiNow , issue 80, p. 023) During their breaks from filming, the cast often played word-based board game Words with Friends . ( Star Trek Magazine  issue 172 , pp. 83 & 115)

Design, sets, and locations [ ]

A blueprint for the Enterprise sets in this film

Following the release of Super 8 , it was announced, in September 2011, that J.J. Abrams would direct this film. [66] He had quite a good idea of how he wanted this film to look. Production Designer Scott Chambliss reported about Abrams' design specifications, " On Star Trek Into Darkness he had pretty strong thoughts about more complete concepts of what he wanted than I was accustomed to. " ( Empire , issue 287, p. 96) On the other hand, the film's creation was obviously reliant on a team effort, Abrams himself remarking, " I think we all felt we have to outdo ourselves not with scale, or bombast, or pyrotechnics, but to maintain the thing we did last time. Despite it being called Star Trek , it had to be real. You had to feel it. " ( Star Trek Magazine  issue 172 , p. 14)

J.J. Abrams felt green screen was "obviously" necessary in this film. However, he explained, " One of the things we've continued from the first movie is the idea of finding locations or building sets whenever we could to create a world that isn't synthetic or sterile, but feels very, very real. " Dan Mindel agreed, " What we brought to this one was the fact that we went outside more. " ( SciFiNow , issue 80, p. 026)

For the Enterprise in this film, the creative team attempted to preserve a look of newness and cleanliness while also giving the vessel a sense of scale. " We wanted to show the audience far more of the ship and to give it more depth, " noted J.J. Abrams. ( SciFiNow , issue 80, p. 026) Due to the fact that permanent sets used for NCIS: Los Angeles were on Paramount Stages 8 and 9 , this movie was instead scheduled to film at Sony Studios in Culver City. Sony Stage 15 , which was the largest stage at Sony and was larger than the Paramount stages, enabled the filmmakers to build interconnected interiors for the Enterprise , similar to the original television show. ( SciFiNow , issue 80, p. 26; [67] ) This time, filming locations chosen to represent Enterprise interiors included not only Budweiser Brewery , which had been used for ship interiors in the previous movie, but also National Ignition Facility at the Lawrence Livermore National Laboratory in Livermore, California. ( SciFiNow , p. 026; [68] [69] )

For the garbage barge scenes, a green screen set was built in Marina del Rey , California, along Jefferson Blvd. and near Grosvenor Blvd. [70] Also, Hawaii was considered for "jungle scenes" set on Nibiru but a location in Southern California was chosen instead. [71] This was clearly a reuse of the set in Marina del Rey, complete with red prop trees. [72] The set of the Nibiran volcano also made use of a large green screen. [73] Other filming locations included Dodger Stadium , Long Beach City Hall , MCAS Tustin , and Vasquez Rocks Natural Area Park [74] as well as Crystal Cathedral in Garden Grove, California. [75] For Leonard Nimoy 's cameo, the offices of Bad Robot were selected. [76] Dan Mindel observed that the variety of locations used to film the movie "gave the huge scope it has now." ( SciFiNow , issue 80, p. 026)

Iceland was picked for the filming of some visual effects shots. J.J. Abrams had considered filming Delta Vega exterior sequences in Iceland for the previous film. [77]

Designer Neville Page said that, if there were Klingons , he would have to explore a rationale for their appearance, such as their long hair, and give their species a varied look, perhaps with different races. [78]

Industrial Light & Magic began working on visual effects in November 2011, starting with shots of outer space that would not require live-action elements. [79]

The making of this film required both Benedict Cumberbatch and Zachary Quinto to do some training. Both cast members enjoyed their training routine, which involved wire work for both the two actors. Quinto's training – which was with a stunt trainer, "for a couple months before shooting" – also included sprinting, and Cumberbatch remarked that his own routine was "for these choreographed fight scenes, stunts, […] and all sorts of fun and games." ( Star Trek Magazine  issue 172 , pp. 29 & 39)

Filming [ ]

On 23 November 2011, it was reported that this sequel would be shot in 3D for a 17 May 2013 release. [80] J.J. Abrams later clarified the film would be shot in 2D and converted into 3D during post-production. [81] He also opted to shoot the film in a hybrid mix of IMAX and Panavision anamorphic 35mm. [82] Choosing to present the film with 3D and IMAX was not a decision Abrams took lightly, as his priority was to always try to keep things in the movie authentic, regardless of the story being fantastical. The choice Abrams made was influenced by him looking closely at modern films which used the two formats. Bryan Burk stated, " We hope that the combination of the IMAX and 3D will be unlike anything audiences have seen. " [83]

As for his decision to use IMAX in particular, J.J. Abrams was inspired by having worked with Director Brad Bird on Mission: Impossible – Ghost Protocol , one of only a few recent blockbuster films which had employed IMAX. " But I'd yet to see a space adventure presented in this way, " Abrams noted. The deal was nonetheless clinched for him after Christopher Nolan kindly screened for Abrams the section of The Dark Knight Rises that uses IMAX. " Watching that incredible footage, " he related, " it made me realize if we had an opportunity to shoot some of this movie in IMAX, we'd be crazy not to. " [84] According to A-camera 1st AC Serge Nofield, one of the challenges of moving between the two formats was working in the different aspect ratios. " In an effort to bridge that difference, we didn't use the entire [1.43:1] IMAX negative – we masked it to achieve a ratio of 1.66:1, " he says. " When viewed in an IMAX theater, the movie will shift from 2.40:1 to 1.66:1. " [85]

This was the first official 3D Star Trek production and the first 3D film that Bad Robot Productions worked on. Regarding the choice of using 3D for this film, Damon Lindelof expressed, " It did not impact the writing of the script […] All of us were a little bit cynical about doing the movie in 3D […] So the 3D decision was more along the lines of like 'are we going to screw up Trek by doing this movie in 3D or is Trek ready for 3D?' Hopefully it is the latter. " J.J. Abrams and his allies were persuaded to convert the film to 3D after watching converted footage of a scene in Star Trek where the USS Enterprise arrives at Vulcan . [86] Bryan Burk later noted, " When we looked at what Star Trek is all about – epic battles, sweeping planet vistas and nail-biting action – we thought, if Star Trek isn't worthy of 3D, then what movie is? The bottom line for us was that if we were going to embrace 3D for the first time, we wanted to make it special and different […] We knew if we did this, we wanted to really go for it. " The production staff settled on the premise that simply adding 3D to the mix wouldn't be enough – it had to be used to bring more impact to the storytelling or heighten the realism of worlds which didn't exist in reality. [87]

As reported by TrekMovie, shooting of the sequel started on 12 January 2012 . [88] The first footage to be shot was on the set of the Enterprise 's bridge. " I was angry at J.J. for throwing us on to what can be a difficult set, " Chris Pine laughed. ( Empire , issue 287, p. 90) The set indeed proved troublesome, when Alice Eve initially stepped onto it. " I fell on my bum the very first time, which is a testament to how clean and shiny they kept the floors, " she reckoned. ( SciFiNow , issue 80, p. 023) On 14 January 2012, Paramount officially announced principal photography had begun. [89]

As the filming got under way, some results of the decision to shoot much of the film in IMAX proved clear to the filmmakers, giving them some mind-boggling logistical challenges. [90] " The idea of throwing the IMAX cameras around was a huge challenge, " Cinematographer Dan Mindel recollected. " J.J. stood by his commitment to use that system, but we couldn't operate the cameras the way we do normally. " The time needed for shooting in IMAX was especially hard, as IMAX cameras take a very long time to reload and run out of film extremely quickly, which caused frustration for J.J. Abrams. " So the biggest challenge for me, " continued Mindel, " was just to keep all that going and have him not lose interest in or be disappointed in the decision he made to use the system. " ( Empire , issue 287, p. 87) Abrams himself remembered, " It became a rule that when the action was outdoors, we shot using IMAX, and when we were indoors, we used anamorphic 35. " [91]

After each angle was shot, the actors had to move out of the camera's perspective, then a pass was filmed with a 3D camera which replicated the original camera moves, to help the 3D conversion process. [92] This was a new technique, which J.J. Abrams described as involving "multiple virtual cameras to push the perspective and depth in certain ways, towards how people see in 3D." The new method allowed people who didn't enjoy or perceive 3D to "get it," Abrams counting himself as one of those individuals. " That's not to say the 2D experience wasn't the primary focus, " he clarified. " All I wanted to do was make sure I made a movie that was working in 2D, but [that] if you see it in 3D you get a little more bang for your buck. " ( Star Trek Magazine  issue 172 , pp. 15 & 17) For the conversion process, the team brought in stereographer Corey Turner , who had worked on some of the biggest 3D films of the past few years, and then encouraged him to keep pushing the boundaries of visible depth and immersive detail on screen. " The process was both extremely laborious and more precise than we ever imagined, " explained Bryan Burk. " Along with Corey, we literally went through the film frame by frame, pushing every aspect of the 3D that was possible – really making objects feel as if they are coming out from the screen. We would routinely say to Corey 'let's push it further' and he would say, 'this is as far as anyone could possibly go' and we would say 'Go further! Go further!' and then he would. " [93] Damon Lindelof was a supporter of using 3D for this film. In hindsight, he suspected, " I don’t think this is going to hurt the movie. If people want to see it in 3D, they will get their money’s worth […] Based on the dailies that I have seen, I think JJ pulled it off. " [94]

In the final week of January 2012, ( citation needed • edit ) NASA astronaut and engineer Gregory Chamitoff visited the Enterprise bridge set while the Star Trek sequel was in production. He inspected some of the stations on the bridge, sat in the command chair, was announced as a "guest of honor" by J.J. Abrams, and gave a speech to the shooting company. In his speech, he commended them by saying, " You know, what you guys are doing here, it's not just an incredible, spectacular movie […] but it's also inspiring a whole new generation of kids. " ( Star Trek: Secrets of the Universe )

Recalling one example when IMAX was employed, J.J. Abrams noted, " We used it for the volcanic planet Nibiru. " [95] For the filming of the scenes in which the Enterprise is underwater, Dan Mindel softened the lights on the set of the Enterprise , making the ship's interior look "more subdued, cooler or bluer in color," as phrased by Mindel. ( SciFiNow , issue 80, p. 026)

Another usage of IMAX was for footage in the Qo'noS scenes. [96] [97] Filmmaker Edgar Wright visited the Qo'noS set and got to direct a shot for the movie. [98]

Filming the scene in which Scott runs through a long open area aboard the Vengeance was grueling for Simon Pegg. " I remember that day very clearly, " he explained, " 'cause I'd just eaten and I rocked up on set and J.J. said 'You've got to run 100 meters, really fast' […] I'd been hanging around all day on set, it was a nice shoot, I'd had a big dinner, then they say, 'OK Simon, you're up,' and I had to do this sprint. And I did it as fast as I could. I mean, I really went for it. I did the first take and everyone clapped, because I ran like I hadn't run since I was a kid. It was amazing. And then J.J. said, 'Can we do it again?' and I said, 'Yeah! No problem!' By the third take, I was, like, 'No.' So I went back to my trailer. " There, Pegg finally threw up. " Fortunately, my trailer was a simple stumble away, " he concluded. ( Star Trek Magazine  issue 172 , p. 82)

J.J. Abrams came up with a method of shooting the sequence in which the Enterprise falls toward Earth. " JJ got very interested in the idea that if you move the camera in certain ways and if people behaved in certain ways, " reported Roger Guyett , " it would really feel like everything on the ship had wrapped around upside down, and he was right. " ( SciFiNow , issue 80, p. 026)

IMAX was used "especially at the end where there's […] [a] chase through San Francisco," stated J.J. Abrams. [99]

As evidenced by photographs which were leaked online, the scene in which Spock and Khan jump from one garbage barge onto another was filmed on the garbage barge green-screen set on 23 February 2012 . [100]

Alice Eve visited a filming location where she was astounded by seeing Benedict Cumberbatch, who had been a friend of hers for almost nine or ten years beforehand, do some wire work. " I saw him flying through the air! " she exclaimed. " It was just amazing to see that. It was staggering to see your friend working in that way, with all these people around. It was dusk as well, in this weird location and I was thinking this is crazy. " Eve later cited this experience as one of her fondest memories of the shoot. ( Star Trek Magazine  issue 172 , p. 55)

The volcano sequence was first rehearsed by a stunt double. In front of the set's green screen, Zachary Quinto was then rigged to a pair of wires, lifted to a height of ten stories high, then dropped at a high rate of speed as if he was falling. [101]

As reported by Go for Location on 17 April 2012 , the Star Trek sequel filmed exterior and interior scenes all week in Downtown Los Angeles, especially Bunker Hill and the historic core areas [102] [103] and at Flower and Olympic. [104]

On Friday 20 April 2012, production filmed at 710 S. Grand Avenue, Los Angeles (7:00 am – 10:00 pm). [105] The day after , the cast and crew conducted more filming in Los Angeles. Between 6:00 am and 10:00 pm, they shot footage in the Grand Ave. crosswalk, between Cal Plaza and Wells Fargo Plaza, as well as at 350 S. Grand Ave., and at 333 S. Grand Ave. Between 7:00 am and 10:00 pm on that same day, the cast and crew filmed at 710 S. Grand Ave., 650 S. Spring St., and 523 W. 6th St. as well as returning to capture some more footage at 710 S. Grand Ave. The shooting company did even more filming at the latter address on the next day, 22 April 2012. During these dates, base camp was set up at Grand and 8th Ave. [106]

According to a crew member, the production would, after the Los Angeles shoot wrapped, head to the San Francisco area for the final week of filming. According to On Location Vacations, there was a radio casting call in San Francisco for a big motion picture and shooting was scheduled to start there on 1 May 2012 . [107] As reported by On Location Vacations just a few days later, some location filming was done at the National Ignition Facility, prior to the filming in San Francisco. [108] [109] The production unit was also scheduled to film in Pleasanton . [110]

After Leonard Nimoy drove himself to the offices of Bad Robot Productions, his cameo scene was shot there, directed by J.J. Abrams. [111]

J.J. Abrams discovered that, by attempting to push the limits of what he and the rest of the film's crew were capable of, this movie turned out to be, by far, his hardest directorial effort yet. " I think part of it was the scope of it. The scale of the movie was pretty huge, " he offered. " I think that it was also about trying to take what we did before and embrace the things that worked, and try some things that we hadn't done. Part of it was realizing there are always things [in the original] that I look at and wish I had done this or that. It's a little bit of a second chance to try and do some things that didn't quite work the way I wanted them to, and then do some things I didn't get a chance to do before. " ( Star Trek Magazine  issue 172 , p. 15) However, Abrams was typically hyperactive during the shoot. " He'd doodle a cartoon, and then turn it into a 3D printable graphic, he'd come up with an idea for Nickelodeon – this is just in the breaks between set-ups, with the IMAX being changed over, " Benedict Cumberbatch reported. " He'd beatbox, he'd play music that was comically fitting for the moment of the day. " ( Star Trek Magazine  issue 172 , p. 27)

Simon Pegg and Zachary Quinto tweeted that filming (of principal photography) wrapped on 8 May 2012. [112] The reason why Damon Lindelof, Alex Kurtzman, and Roberto Orci had advocated not rushing the making of this film was that Star Trek would naturally require intensive post-production, more so than Super 8 . [113] Following the wrap of the movie's principal photography, second unit filming began with the film's Iceland shoot. This marked the first time a Star Trek movie shot outside the United States. [114]

Editing [ ]

One shot of the Enterprise , reminiscent of the initial view of the original Enterprise in first episode " The Cage ", was planned but scrapped. Sean Hargreaves explained, " There was a shot where they were going to tilt up and the whole top [of the bridge] was going to open up […] It was very complicated mechanics, it was beautiful, and it was nixed; they didn't end up doing it, but I've always loved that. " [115]

In an October 2012 interview on the talk show Conan , J.J. Abrams stated that this film was in the editing process. [116] He was still involved in editing and tweaking the movie in late March 2013 . ( Star Trek Magazine  issue 172 , p. 6)

Khan in a shower

Responding to criticism that the scene in the Enterprise shuttlecraft in which Kirk catches a glimpse of Carol Marcus in her underwear could be viewed as sexist, J.J. Abrams revealed – during an interview on Conan on 23 May 2013 – a segment of a deleted scene from the film in which Khan is seen taking a shower. [117]

Carol Marcus is highlighted in a deleted scene explaining that her parents had separated, thus leaving Carol to be raised by her mother alone in England . The scene thereby addresses why Carol has a different accent from her prime-reality counterpart. [118] The explanatory deleted scene is the only one involving Carol Marcus. [119]

Several deleted, expanded and alternate scenes appear exclusively through the film's Xbox SmartGlass second-screen app . [120] An alternate cut of the scene where Kirk loses his command was the version in which Pike personally demotes him and takes control of the Enterprise , immediately relegating Kirk to first officer. The opening scene at Nibiru originally ended with Kirk recording a captain's log entry on the bridge, untruthfully stating that the crew never set foot on the planet's surface and that the mission was "uneventful." In the deleted scene, Kirk stated in his log:

The scene where Thomas Harewood sits as his station at the Kelvin Memorial Archive originally included a video chat in which Harewood explains to Admiral Marcus, " He [Harrison] said you'd know why he did this, " right before activating the explosive device disguised as his Starfleet Academy ring . The sequence where Harrison fires upon several Starfleet officers from a jumpship was recut: in the earlier version, Kirk witnesses Pike get shot and is by his side as Pike dies; Harrison swoops back to the scene and resumes fire, prompting Kirk to take down the ship.

Uhura's exchange with the Klingons originally involved her lying to them by stating that she was seeking out a lone Klingon who was her lover and had stolen from her. Uhura's ruse is interrupted when Kirk decides to exit the K'normian ship and attack the warriors with his crew members. The ensuing fight halts when two Klingons hold Kirk to the ground and put a rifle to his head. As Kirk's crew comes out from behind cover, the Klingon commander shouts an order and a redshirt is shot in the chest. The commander also orders Kirk to be killed, but the Klingons are shot by Harrison as he appears.

Kirk meeting the Harewoods

The scene where Scotty approaches the secret hangar containing the Vengeance included a sequence where he bluffs his way in by stating he was delivering "hull plating and the coffee cells for the food synthesizers." The end of the film originally contained a scene at the commemoration ceremony, where Kirk speaks with Rima Harewood and her daughter Lucille , the latter of whom appears to have been restored to good health.

Music and sound [ ]

Michael Giacchino confirmed he would return to compose the film's music score before filming began. [121] " One of the things I spent a lot of time thinking about on this was […] the villain, Khan […] To be able to have music that represents the wrong side of someone's decisions, but also represents sort of the buried goodness in what they want to do. " ("The Sound of Music (and FX)", "Featurettes", Star Trek: The Compendium special features) Elaborated Giacchino, " It wasn't about writing based on what the character wanted or the things he's doing; it's more about his past and the way his brain works. I found him to be very interesting, especially because it's Benedict […] I kept looking at him and saying, 'What is he thinking right now?' For me, the music was exploring that idea and the fact that what is going on is based on something that happened a while ago. Again, going to the emotional side of things is what I do. He gave me tons to play with. Hopefully, I came up with something more than just bad guy music for him. " ( SciFiNow , issue 80, p. 029) Giacchino composed new themes for not only Khan, but also Admiral Marcus, and the Klingons, as well as a more "personal" arrangement of Kirk's theme. The Klingon music incorporates Klingonese lyrics that were sung by a choir and were written by music editor Alex Levy . [122]

Matching the pace and scope of the film wasn't always easy for Michael Giacchino. " There was a point where I said, 'I'm not sure where to go now because the film has reached such heights of drama that I'm like, 'I did that and the next scene is even bigger,' " he laughed. " How do I keep jumping that hurdle each time? That was the architecture of the score, looking at it and going, 'You need to get big in the middle of the movie, but you don't want to get too big, because you know there's going to be something bigger later.' For me, it was about focusing on each character's storyline and making sure that when I'm writing for them it's appropriate, and not just me saying, 'I want to write a big piece of music' […] Hopefully, the steady ramp up for the audience is exactly that: a steady ramping up to an emotional climax. " ( SciFiNow , issue 80, p. 029)

Michael Giacchino also incorporated a theme from the TV show in this film: " I had just finished writing and shut off my computer and said I'm done done. I went downstairs and went on Twitter and someone tweeted to me 'Can you please use one of the themes from one of the old series in the new movie'… and I thought 'OK, OK' and so I went back upstairs and there was one I always particularly loved… so that will be there for you to find. " [123] The theme in particular is the "fight to the death" music from TOS : " Amok Time ", which can be heard during the climactic fight between Spock and Khan. " Amok Time " composer Gerald Fried is acknowledged in the credits for the track titled "Ritual".

At one point, a music cue that Michael Giacchino wrote for one scene had to be changed in order to account for the fact that the relevant scene had recently been edited differently. Whereas the cue may have worked perfectly well during the previous week, it had to be altered to fit with the new edit. Giacchino decided to rewrite the cue on the next morning, unsure how successful it would turn out. Even while played by an orchestra, the score was still evolving, in the concerted attempts to improve the film. ("The Sound of Music (and FX)", "Featurettes", Star Trek: The Compendium special features)

On another occasion, Orchestrator/Conductor Tim Simonec instructed all musicians who were holding a note at bar twenty-nine in one of the cues to hold the same note for another three bars. ("The Sound of Music (and FX)", "Featurettes", Star Trek: The Compendium special features)

Depending on where the film was screened, a different song was played in the scene showing Scott and Keenser at a San Francisco bar. For example, the UK edition of the film used " The Rage That's In Us All ", by Bo Bruce , while the Australian version was " The Dark Collide " by Penelope Austin . [124]

Business Wire announced that Star Trek Into Darkness would be released with Dolby Atmos " to deliver a more natural and realistic soundtrack that moves sound around and above audiences, transporting them into the outer regions of the universe. " [125] [126]

Continuity [ ]

• The writers of this film have stated it is set roughly six months to a year after the preceding film, Star Trek . Added Roberto Orci, " The idea is they've had at least a tour of duty or two, and every minute of exploring space is like five minutes of regular time here on boring Earth. " ( Star Trek Magazine  issue 171 , p. 33)
• In this film, Admiral Pike – last seen in a wheelchair at the end of the film Star Trek , after his ordeal with Nero – is shown to have regained his ability to walk and is represented using a cane.
• Star Trek Into Darkness continued to use the same stardate system devised by the screenwriters for the film Star Trek . According to Roberto Orci , in that system, stardate 2259.55 would be February 24, 2259. [127]
• Admiral Marcus' model collection includes the Ares V , the Phoenix , the USS Enterprise XCV 330 , Enterprise NX-01 , the USS Kelvin , and the Vengeance .
• Spock tells McCoy that " The needs of the many outweigh the needs of the few. " Spock Prime tells Kirk this in Star Trek II: The Wrath of Khan .
• Admiral Marcus reveals that the Kelvin Memorial Archive was really a base of Section 31 , the Starfleet Black Ops division that existed as early as 2151, when a young Malcolm Reed was recruited by them. Section 31 was first introduced during the sixth season of Star Trek: Deep Space Nine , but Section 31 agent Luther Sloan claimed that the organization had existed as a secret black ops division of Starfleet Intelligence since the founding of Starfleet. The prequel series Star Trek: Enterprise later established that this did not simply mean the beginning of the "Federation Starfleet", but the foundation of the predecessor United Earth Starfleet, which later grew into the Federation Starfleet after that organization's creation.
• En route to Kronos (Qo'noS), Spock pronounces Uhura's first name, Nyota, differently than he does in the previous film.
• Chekov, established as a "whiz kid" at the age of seventeen in the film Star Trek , continues to demonstrate his proficiency by learning enough about engineering systems to be Kirk's choice to replace Scott as chief engineer.
• The dialogue in the scene where Kirk dies in the radiation chamber uses some verbatim quotes from a very similar scene in Star Trek II: The Wrath of Khan . In that film, it is Spock, rather than Kirk, who sacrifices his life, exposing himself to radiation in a chamber of engineering in order to save the Enterprise .
• Likewise, when calling Spock down to engineering after Kirk's sacrifice, some of Scott's dialogue, such as " You better get down here, better hurry, " " You'll flood the whole compartment, " and more, is verbatim dialogue spoken by McCoy in a very similar scene in Star Trek II: The Wrath of Khan .
• The number of torpedoes containing Khan's old crew, seventy-two, is the same number of Augments that survived with Khan nearly three centuries of suspended animation when Kirk discovers the SS Botany Bay in TOS : " Space Seed ".
• Starfleet Command meets in the Daystrom Conference Room . Richard Daystrom was introduced in TOS : " The Ultimate Computer " and mentioned in other Star Trek episodes as well.
• Christine Chapel is mentioned by name as one of Kirk's former conquests, having purportedly told Carol Marcus all about him. In this film, she has apparently transferred and is now working as a nurse. The Prime Universe variant of Chapel appears as a recurring character in TOS and Star Trek: The Animated Series as well as in Star Trek: The Motion Picture and Star Trek IV: The Voyage Home .
• In the previous film, it was revealed that Uhura speaks "all three dialects" of Romulan; in this film, it is revealed that she also speaks Klingon.
• The Klingon homeworld, Kronos (Qo'noS), features the remains of the exploded moon Praxis in its orbit. This is a homage to Star Trek VI: The Undiscovered Country , in which the Klingon moon Praxis was destroyed by over-mining and insufficient safety procedures.
• The Klingon leader seen in the film has cranial ridges, despite the appearance of Klingons in Star Trek: The Original Series era; the Klingons appearing in the series Star Trek: Discovery , set in roughly the same era , also have cranial ridges. This suggests that not all Klingons were afflicted by the Klingon augment virus . ( ENT : " Affliction ")
• While Admiral Marcus was preparing for war with the Klingons, the Star Trek: Discovery shows that indeed a Federation-Klingon War has already happened in the prime universe. Ironically, this war doesn't seem to have happened in the alternate reality.
• "Cupcake" – Security Officer Hendorff – who Kirk met in the bar fight in Iowa , is still serving aboard the Enterprise and accompanies Kirk to Qo'noS.
• At one point in this movie, Khan is referred to as having sought refuge on Qo'noS in the Ketha Province . As established in DS9 : " Once More Unto the Breach ", the Ketha lowlands , in the "Prime" reality, were the birthplace of Chancellor Martok .
• The Vengeance destroys Alcatraz as it crashes to Earth. In VOY : " Endgame ", a future version of Kathryn Janeway from the year 2404 told her past self, in 2378 , that one could see Alcatraz from USS Voyager 's ready room on a clear day, because Voyager was a museum located on the Presidio in that timeline.
• In this film, McCoy refers to Khan as a superman. In "Space Seed", Spock refers to Khan and his people as supermen.
• As Kirk wakes from his coma near the end of this film, he can hear his mother and father speaking about him moments after his birth. This dialogue was reused from the film Star Trek .
• At the San Francisco bar, among the other drinks on Scott's table is a Budweiser. Uhura orders a Budweiser Classic in the previous film, and both this movie and the previous one used a Budweiser plant for scenes in engineering.
• McCoy uses his medical skills to assist Carol Marcus in performing "surgery" on a torpedo, something his prime universe counterpart assists Spock with in Star Trek VI: The Undiscovered Country .
• Scott sabotages the Starfleet prototype USS Vengeance to help save the Enterprise . His prime universe counterpart likewise sabotages the prototype USS Excelsior to help the Enterprise escape in Star Trek III: The Search for Spock .
• In San Francisco, trolley cars are shown to still be in use. The Star Trek settings they appear in date from as early as 1986, in Star Trek IV: The Voyage Home .
• In the film's London scenes, the "London Eye," a giant Ferris wheel on the South Bank of the River Thames, built in 1999 , is clearly visible and still in use.
• Among the pedestrians in San Francisco is an Orion woman .
• Pike tells Kirk that Starfleet Command returned the captaincy of the Enterprise to him by saying, " They gave her back to me, " which is also what Kirk tells Scott when he regains command of the Enterprise in Star Trek: The Motion Picture .
• The Enterprise spiraling down to Earth with the engines off-line is reminiscent of TOS : " The Naked Time ", where the prime-universe Enterprise spirals down to Psi 2000 after its engines are turned off.
• The effect of fading the screen to black but then having sounds become audible was previously used in ENT : " A Night in Sickbay " and " Regeneration ".
• Risking one's life to save the Enterprise is something not only that Kirk does here but also that his prime counterpart does in Star Trek Generations .
• This is the first Star Trek film to use the 2012-present Paramount Pictures logo.

Release [ ]

The film premiered at the George Street Event Cinema in Sydney, Australia on 23 April 2013. Additional premieres took place in Moscow (25 April), Berlin (29 April), and London (2 May), before wide release in Australia, New Zealand, and the UK on 9 May. It premiered in Los Angeles on 14 May, [128] before its release in the Philippines and North America on 16 May. [129] IMAX 3D preview screenings in North America took place on 15 May. [130] Paramount announced that the film would join its World War Z in a one-week-only "Ultimate Double Feature" from 30 August to 5 September. [131]

Publicity and marketing [ ]

Early promotional image before finalized title or release date

Bad Robot Productions made efforts to keep the story of this film secret until its release, for the benefit of the audience. Fan interest in this film, though, meant it was difficult for Bad Robot to keep hiding the plot. ( Star Trek Magazine  issue 171 , p. 6)

At the 2011 San Diego Comic-Con, Roberto Orci hinted at changes to the Enterprise design and the opening credits. [132] He commented upon commencement of filming that the engineering designs had been altered. [133]

Several photographs from behind-the-scenes appeared on the web on 24 February 2012, showing Zoë Saldana, Benedict Cumberbatch and Zachary Quinto. [134] Another batch of photos were leaked on 29 February, featuring Saldana with Chris Pine. [135] Yet more behind-the-scenes pictures were posted online on 1 March 2012. Those photos depicted stunt work being done on the garbage barge set, involving the characters of Spock and Khan. [136] On 16 April 2012, a new photo from the filming went online, showing Zachary Quinto filming the volcano sequence. [137]

The first image officially released from the film

In an October 2012 interview on the talk show Conan , J.J. Abrams debuted a three-frame clip of Spock in the Nibiran volcano. [138]

IDW Publishing solicited a four-issue prequel comic book to the film, titled Star Trek: Countdown to Darkness . Like the previous film's comic book prequel, Star Trek: Countdown , it was written by Mike Johnson and drawn by David Messina . Johnson also wrote the ongoing comic book and said the first , fourth , and twelfth issues contained hints of events in the film. " They are more retroactive, in the sense that after you see the movie you can go back and see where things were set up. Some are very direct; others are more thematic. " [139] [140]

Hasbro released Kre-O and Fighter Pods toys to promote the film. Mattel released three new Hot Wheels Star Trek Into Darkness starship models, and Quantum Mechanix announced plans to release a number of prop replicas based on historical flight models that were seen in Admiral Marcus' office. [141]

A video game, Star Trek , was released before this film. Its story and development cycle were independent of the films, but its release was delayed to promote Star Trek Into Darkness .

Alan Dean Foster wrote the novelization of this film.

The movie's soundtrack was released by Varèse Sarabande Records .

The first nine minutes of this film were shown before IMAX 3D screenings of The Hobbit: An Unexpected Journey on 14 December 2012. [142] The first trailer for Star Trek Into Darkness was shown before non-IMAX screenings of An Unexpected Journey . [143]

While showing scenes from this film at CinemaCon on 15 April 2013, members of the cast and crew expressed discomfort at promoting the film just hours after the 2013 Boston Marathon bombings . Chris Pine acknowledged the parallels between the film's plot and the real world; " Terrorism is a huge part of our lives, and we all know the effects of that. " [144] Before the film's Australian premiere, J.J. Abrams commented the parallels were " horrible and unfortunate and heartbreaking […] but I would argue that it is also one of the reasons we go to the movies – to look at our lives, to ask questions about things we are trying to figure out, to find ways to make some sense of these things. " [145]

Posters [ ]

Box office [ ]

Within hours of tickets going on sale in the UK on 9 April 2013, the London IMAX 's website crashed due to heavy traffic. [146] Following its opening in the UK, Australia, Germany, Mexico, New Zealand, Austria, and German speaking Switzerland, Star Trek Into Darkness set international records for the series with a gross of approximately $31.7 million. [147] Reports indicated ticket sales were seventy percent higher than for the last film. [148]

After tickets to the US IMAX previews sold out, the film's wide release was moved up a day from its initial 17 May date. [149] The film grossed US$81.1 million over its four-day opening, lower than Paramount's expected $100 million, but the film also already outgrossed its predecessor in markets such as Russia, Taiwan, and Mexico. [150] The film's North American opening (three-day) weekend was actually less than the US$75 million opening of the first film, while attendance by audiences under the age of twenty-five dropped ten percent to twenty-five percent. [151] The film dropped to third place during the subsequent four-day Memorial Day weekend, but grossed US$47 million. [152]

The film has grossed a total of US$458.7 million worldwide, with a domestic gross of US$228.7 million, which places it as the eleventh highest-grossing film in North America for 2013; and $231.3 million internationally, ranking it in fourteenth place worldwide, and making it the highest-grossing film of the Star Trek franchise. [153] The film was less successful than its predecessor in North America but exceeded it in other countries such as Russia and China, overall bringing the worldwide total to a larger amount than the first film a month after its release. [154] [155] Forbes argued that Star Trek Into Darkness ' disappointing performance in North America was due to J.J. Abrams' refusal to spoil that John Harrison was Khan, so Paramount was " forced to craft a generic campaign based around Benedict Cumberbatch as 'Generic Bad Guy', so the excitement never took hold […] It made fans and general moviegoers less excited about Star Trek 2 than they were four, three, or even two years ago. " [156]

Bryan Burk was extremely pleased with the film's international gross. " More than anything else, what I liked about the second film, and it sounds crass, but our box office doubled internationally [from the previous movie], " he stated, " which was really telling because people were starting to see [ Trek ] and not be afraid of it in the rest of the world. " ( SFX , issue 270, p. 71)

Reception [ ]

Roberto Orci and Alex Kurtzman were ultimately happy with this film, Kurtzman stating, " We feel, for the most part, that we accomplished everything we really wanted to. " ( SciFiNow , issue 84, p. 040)

J.J. Abrams was likewise pleased with how the film turned out. " This movie goes further than the first movie in every way, " he enthused. " There are volcanic planets, wild spaceship chases and massive effects, but there is also a more nuanced story […] The action and the scale are light years ahead. Bringing IMAX and 3D technology in gives audiences yet another level of excitement and fun to be had. " ( SciFiNow , issue 80, p. 023)

Dan Mindel was pleased with the look of this film after working on it as cinematographer. " We walked away with a really great-looking film, " he remarked, " which was necessary in order to top the first one. " ( Empire , issue 287, pp. 87-90)

Early reactions to this film were positive. The day after the end of a two-week international tour promoting this film to the world's media, Bryan Burk divulged, " I'm excited for everyone to jump onboard with this film […] From the Star Trek fans who have seen it, they all seem significantly more invested than ever, " Burk laughed. " It's funny. As I've been going around, preaching that this movie is now more accessible to non- Star Trek fans, the second they come out, I'm hearing from them it feels like it was made more for Star Trek fans, so I think it will be significantly rewarding for Trek fans. " ( Star Trek Magazine  issue 171 , p. 6)

This film has an 87% rating on Rotten Tomatoes, with an average score of 7.5/10. [157] The film has a "generally favorable" score of 72/100 on Metacritic. [158]

Among cinema goers, the film earned an "A" rating from those polled by CinemaScore. [159] The year after its release, a poll to find the 301 greatest movies of all time by Empire readers ranked the film at #245. [160]

On his twitter account, former Star Trek showrunner Rick Berman reviewed the film, saying, " Very exciting, great production and VFX. Fabulous acting. But is it a Star Trek film ? Maybe. Only time will tell. " He also contemplated how Gene Roddenberry might have reacted to the film, commenting, " At its soul, is it a movie that Gene would have given his blessings to? He very well might have. I really don't know. " [161]

Brannon Braga opined, "Into Darkness was slightly less successful [than the previous film] in that I was pining for the allegory. It was feeling like a Star Trek flavored action movie. " ( SFX , issue 270, p. 68)

LeVar Burton critiqued this film by saying, " At the end of the movie, I really care about what happens to the characters… but I’m pretty much missing Gene Roddenberry in J.J.’s interpretation… and at the end of the day, that’s just not OK for me. " [162]

Jonathan Frakes is disappointed that, despite visiting the set of this film, he wasn't permitted to participate in the making of it. Nevertheless, he approved of this movie. ( SFX , issue 270, p. 63)

Wil Wheaton wrote a positive review of this film on his blog. He summarized his opinion of the film by stating, " I loved it. I think it's my favorite Star Trek movie ever, and I can't wait to see what this crew does next. " [163]

Malcolm Reed actor Dominic Keating stated, " I went to see Into Darkness on a date and the girl I took was a Star Trek fan. Right at the end, where Spock is beating up on Benedict Cumberbatch, this little kid’s voice came screaming out from a couple of rows behind me: 'Way to go, Spock!' I turn around and it’s this kid who must have been about eight years old, and I thought to myself, 'Would you look at that. Fifty years on and they’re bringing it still. Isn’t that amazing?' " ( The Fifty-Year Mission: The Next 25 Years , p. 40)

The Wrath of Khan director Nicholas Meyer commented on the film's role reversal of a pivotal scene in that film that " You have to be flattered that somebody wants to sort of try and make your movie again. But the difference […] between a rip-off and an homage is that you are supposed to add something. " [164]

Despite the fact this film turned out to be successful both with critics and at the box office, some fans were disappointed with the movie, finding it too similar to Star Trek II: The Wrath of Khan . Abrams conceded, "We got in trouble on the second Star Trek film with some of the fans: there were too many nods to The Wrath of Khan . I'll cop to that." [165] Hollywood legend and intended Star Trek XIV writer Quentin Tarantino sided with the disenchanted fans at a later point in time, when he, a Star Trek: The Original Series fan himself, emphatically stated in a 22 July 2019 interview given to MTV's Happy Sad Confused podcast, " No, Benedict Cumberbatch, or whatever his name is, is not Khan, alright? Khan is Khan . " [166]

Tarantino and the critical fans were not alone in their assessment; despite the (cautiously) favorable reception expressed by the above quoted former Star Trek cast and crew, other former Star Trek production staffers (and Original Series fans) had already taken a slightly dimmer view on the alternate reality film franchise as well, after they had taken stock pursuant the release of Into Darkness . Doug Drexler has in 2013 put it as follows, " Technically they are beautiful… the work is stunning… however… and I hope no one will hold this against me… I did not enjoy the last two films, and honest…I really wanted to… but for me, Star Trek has to have a philosophical, humanist bend to it… always making a point, or asking a question. It should be introspective, and self examining. That's the Roddenberry factor. The new films are devoid of Gene Roddenberry , and at the end of the day, I'm not ok with that. " [167] (X)

In this Drexler was joined by former VAM Producer Roger Lay, Jr. who had stated in the same year, " Well, it’s not my Star Trek. It’s definitely not my Star Trek, it’s very different. What I love about Star Trek, sometimes it’s not really there, you know? I think they’re fun, popcorn movies… " [168] His former VAM colleague Robert Meyer Burnett was even more outspoken in his opinion when he declared in a 2017 podcast (at 00:27:00 into the interview) that he hated the alternate reality Star Trek films "to the core of my existence" for the very same reasons, even though he conceded that the films were beautifully made. [169]

Believing they had made this film sufficiently different from the earlier one, Roberto Orci and Alex Kurtzman responded by insisting that this film is not a remake and that at no point during the lead-up to it's release did they refer to it as a remake. Kurtzman remarked, " You certainly can't fault us for not taking the time to consider our choice [of whether to include Khan] – some people may disagree with the choices that we made, but we did not go into it blindly […] And people seem to like it, which is the most gratifying thing, because we made it for people. " Added Orci, " I think for some fans their preconceived notions prevented them from evaluating the fact that the movie is actually worthy on its own, and that's why they're having a slight dissonance with people who didn't know Star Trek very well and obviously had a great reaction to it. " The recycled dialogue used in this film was perhaps most disconcerting for some fans, to which Orci responded, " Put yourself in that situation [of having to write lines for the scene in question] and try and rewrite good stuff – we'd be equally harassed for, 'Oh, they tried to rewrite that scene and failed!' " Laughing, Orci likened this dilemma to the Kobayashi Maru scenario . Another debate in the fan community was about whether Khan would still have suddenly gone on the offensive if Kirk hadn't had Scott stun him once those three characters have secured the Vengeance . ( SciFiNow , issue 84, pp. 040, 041 & 042)

Merchandise gallery [ ]

Awards and honors [ ]

Star Trek Into Darkness received the following awards and honors.

Links and references [ ]

Credits [ ].

John Cho Benedict Cumberbatch Alice Eve Bruce Greenwood Simon Pegg Chris Pine Zachary Quinto Zoë Saldana Karl Urban Peter Weller Anton Yelchin

Paramount Pictures And Skydance Productions Present

A Bad Robot Production

A J.J. Abrams Film

Leonard Nimoy

• Kirk – Chris Pine
• Spock – Zachary Quinto
• Uhura – Zoë Saldana
• Bones – Karl Urban
• Scotty – Simon Pegg
• Sulu – John Cho
• Khan – Benedict Cumberbatch
• Chekov – Anton Yelchin
• Pike – Bruce Greenwood
• Marcus – Peter Weller
• Carol – Alice Eve
• Thomas Harewood – Noel Clarke
• Rima Harewood – Nazneen Contractor
• Ensign Brackett – Amanda Foreman
• Lieutenant Chapin – Jay Scully
• Ensign Froman – Jonathan H. Dixon
• Navigation Officer Darwin – Aisha Hinds
• Science Officer 0718 – Joseph Gatt
• Lead Nibiran – Jeremy Raymond
• Nibiran – Tony Guma
• Madeline – Kimberly Broumand
• Sean Blakemore ( Klingon 1 )
• Nick E. Tarabay ( Klingon 2 )
• Captain Abbott – Beau Billingslea
• Keenser – Deep Roy
• Lucille Harewood – Anjini Taneja Azhar
• Doctor – Jack Laufer
• Katie Cockrell ( Girl 1 )
• Kellie Cockrell ( Girl 2 )
• Cupcake – Jason Matthew Smith
• George Kirk – Chris Hemsworth
• Winona Kirk – Jennifer Morrison
• USS Enterprise Shuttle Ensign – Seth Ayott
• Torpedo Security – Marco Sanchez
• Uniformed Mercenary – Lee Reherman
• Scott Lawrence ( USS Vengeance Officer 1 )
• Usman Ally ( USS Vengeance Officer 2 )
• Nolan North ( USS Vengeance Bridge Officer 1 )
• James Hiroyuki Liao ( USS Vengeance Bridge Officer 2 )
• USS Vengeance Ensign – Rob Moran
• Berit Francis ( Starfleet Admiral 1 )
• Akiva Goldsman ( Starfleet Admiral 2 )
• Benjamin P. Binswanger ( Starfleet Admiral 3 )
• Transport Officer – Christopher Doohan
• Andy Demetrio ( USS Enterprise Bridge Crew 1 )
• Gianna Simone ( USS Enterprise Bridge Crew 2 )
• Rene Rosado ( USS Enterprise Bridge Crew 3 )
• Jacquelynn King ( USS Enterprise Bridge Crew 4 )
• Long Tran ( USS Enterprise Bridge Crew 5 )
• Ningning Deng ( USS Enterprise Bridge Crew 6 )
• Jodi Johnston ( USS Enterprise Bridge Crew 7 )
• Lady V – Colleen Harris
• USS Enterprise Security – Jeffrey Chase
• USS Enterprise Nurse – Monisola Akiwowo
• Shuttle Pilot – Paul K. Daniel
• USS Enterprise Red Shirt – Ser'Darius Blain
• Moto – Heather Langenkamp
• USS Enterprise Crew – David C. Waite
• Bar Girl – Melissa Paulo
• San Francisco Woman – Cynthia Addai-Robinson
• San Francisco Bar Patron – Drew Grey
• USS Vengeance Security – Douglas Weng
• Charlie Haugk ( San Francisco Resident 1 )
• Max Chernov ( San Francisco Resident 2 )
• Marc Primiani ( San Francisco Resident 3 )
• Jesper A. Inglis ( San Francisco Resident 4 )
• Jacob Rhodes ( Nibiru Child 1 )
• Kentucky Rhodes ( Nibiru Child 2 )
• Shaku – Anthony Wilson
• Eric Greitens ( Starfleet Ceremonial Guard 1 )
• Melissa Steinman ( Starfleet Ceremonial Guard 2 )
• Adam McCann ( Starfleet Ceremonial Guard 3 )
• Jon Orvasky ( Starfleet Ceremonial Guard 4 )
• Gerald W. Abrams ( Starfleet Memorial Admiral 1 )
• James H. McGrath, Jr. ( Starfleet Memorial Admiral 2 )

Second Unit [ ]

Uncredited [ ].

• D.A. as Enterprise security officer
• Henry Abrams as San Francisco resident
• Kraisit Agnew as Nikicha Tomser
• Tom Archdeacon as Ensign Spyke
• Alexandra Aristy as Starfleet HQ staff #2
• Noah Arrue as visitor
• Melissa Baldridge as Enterprise operations division officer
• Susana Basanty
• Paris Benjamin as Enterprise crew engineer
• Larry Blackman as Enterprise bridge crewmember
• Bill Blair as Chelsea civilian
• Francesca Brighty as 7 News reporter
• Jon Lee Brody as Enterprise security officer
• David Anthony Buglione as USS Enterprise medical staff
• Frank Cermak, Jr. as Starfleet officer
• Mitch Clark as Nibiran
• Alonzo Montrelle Cook
• Geryh Hurricane Curtis as Starfleet instructor
• Mike Dalager as Enterprise security officer
• Daphney Dameraux as Starfleet memorial attendee
• D'Anna Dettore as "First in Command, Cadet, Civilian"
• MaryAnn DiPietro as Starfleet office worker
• Gerald Donaldson as admiral
• Jaycie Dotin as Enterprise shuttle crewmember
• Chol Eddy as Enterprise engineer
• April Marie Eden as Orion Enterprise crewmember
• Diana Emuge as engineer
• Chris Fabregas as Enterprise security officer
• LaRaine Fisher as Chelsea civilian
• Leni Ford as Cosmoe
• Misty Franklin
• Gary-7 as Nibiran elder
• Douglas Gawoski as shuttle crewman
• Aurelien Gaya as ship engineer
• Michael Giacchino as 2 News weatherman
• Jonathon Grant
• Virginia Hankins as Enterprise crewmember
• Mark Alexander Herz as Enterprise security officer
• Ellen Ho as Starfleet cadet
• G. Malcolm Houston as Starfleet Admiral
• Ryan T. Husk as Starfleet officer
• Coy Jandreau as Nibiran
• Britanni Johnson as NYU Nurse
• Mike Kalinowski as Starfleet officer
• Robert Kane as San Francisco resident
• Elly Kaye as Starfleet officer
• Jamal Kazak as USS Vengeance security officer
• Germany Kent as Starfleet captain
• Hina Khan as cadet
• Dave Kim as Starfleet Enlisted Soldier
• Ariel D. King as Starfleet civilian
• Kasia Kowalczyk as alien Enterprise engineer
• Richard Kuhr as Enterprise crew engineer
• Shaun Kyser as security guard
• Bryan Lee as Starfleet cadet
• Xuelian Lei as San Francisco resident
• Andrew Maiorano as Starfleet HQ staff #3
• Brent McGee as Enterprise crew engineer
• Teebone Mitchell as Starfleet Headquarters officer
• Peet Montzingo as bar patron #2
• Chris Morris
• Hiram A. Murray as bar patron
• Morocco Nevlin / Reggie Melvin as civilian
• Westley Nguyen as civilian
• Brendan Norman as Enterprise crew engineer
• Celeste Octavia as nurse
• Jen Oda as female Ayt
• Laura Parker as Enterprise crewmember
• Salomon Passariello as medical technician
• Amy Pham ( unconfirmed )
• Preston Queen as bar patron #3
• David Rodriguez as Enterprise crewmember
• Ana Franchesca Rousseau as Enterprise crewmember
• Tristin Rupp
• Joel Shock as security officer
• Michael T. Stewart as Starfleet officer
• Thomas W. Stewart as Enterprise crew engineer
• Nora Sullivan as Enterprise science officer
• Vijay Suzuki as red shirt/mechanic
• Nilayana Sy as Starfleet officer
• Tala Tereze as waitress
• Perry Thackeray as Nibiran
• John Tomkins
• Fawn Tran as civilian
• Xavier Truesdell as Enterprise crewmember
• Julee Vadnais as Orion civilian
• Kyle Valle as Starfleet civilian
• Vincent van Hinte as male Ayt
• David Whitaker as Starfleet officer
• David C. White as USS Enterprise crew
• Ali Williams
• Sue Wishengrad as Captain
• Stacey Woods as "Intergalactic Woman"
• Felicity Wren as Starfleet officer
• Kerry Wynnyk as Enterprise crewmember
• Alien bar patron
• Alien Enterprise crewmember
• Enterprise command division officer
• Enterprise operations division officer
• Enterprise nurse
• Female Starfleet memorial attendee
• Five USS Vengeance security officers
• Male Starfleet memorial attendee
• Nibiran baby
• Six Starfleet officers
• Starfleet officer
• Ten bar patrons
• Three ceremonial guards
• Three Royal Children's Hospital staff members
• Two Enterprise medical staff members
• Two Enterprise security officers

Stunt performers [ ]

• John Ashker – stunts
• Maryellen Aviano – utility stunts: Starfleet official
• Krista Bell – stunts
• Jennifer Caputo – stunts
• Ilram Choi – stunt actor: Chelsea civilian
• Brian Christensen – stunt rigger
• Doug Coleman – utility stunts: Starfleet official
• Eugene Collier – stunt double: Beau Billingslea
• Tim Connolly – stunt double: Karl Urban
• George Cottle – utility stunts: ND Enterprise crew
• Brycen Counts – stunts
• Sam Creed – stunts
• Jahnel Curfman – stunts
• Max Daniels – utility stunts: Starfleet official
• Eddie Davenport – stunt actor: USS Vengeance security officer
• Mark DeAlessandro – stunt actor: Frantic Pedestrian
• Steve DeCastro – utility stunts
• Cory DeMeyers – stunts
• Kevin Derr – stunts
• Shauna Duggins – stunts
• Wade Eastwood – utility stunts: ND Enterprise crew
• Katie Eischen – utility stunts
• Robert C. Escobar – stunts
• Marie Fink – stunt double: Berit Francis
• Mark Ginther – stunt rigger/utility stunts
• Jessica Harbeck – stunts
• Zedric Harris – stunts
• Nick Hermz – stunts
• Jermaine Holt – stunt actor: Klingon
• Antal Kalik – stunt double: Lee Reherman
• Zero Kazama as USS Vengeance Bridge Officer
• Matthew S. Kennedy – stunts
• Bobby C. King – stunts: ND crewmember
• Henry Kingi, Jr. – stunts
• Hiro Koda – stunts
• Kim Robert Koscki – utility stunts: Starfleet official
• Cheryl Lewis – utility stunts: Starfleet official
• Michael Li – stunts
• Brian Machleit – stunts
• Tara Macken – stunts: Enterprise science crewmember
• Tom McComas – stunts
• Cassandra McCormick – stunt double: Alice Eve and utility stunts: Starfleet crewmember
• Rene Mousseux – stunts
• Caryn Mower – utility stunts: Starfleet official
• Michael Mukatis – stunts
• Eric Norris – stunts
• Lin Oeding – stunts
• Eddie Perez – stunts
• J.J. Perry – stunts
• Peewee Piemonte – utility stunts
• Denney Pierce – stunts
• Mark Rayner – stunts
• Kevin Reid – stunt double: Benedict Cumberbatch
• Simon Rhee – stunt actor: USS Vengeance security officer
• Larry Rippenkroeger – stunts
• Jimmy N. Roberts – stunts
• Tracey Ruggiero – utility stunts: Starfleet official
• Todd Schneider – stunts
• Courtney Schwartz – stunts
• Ray Siegle – stunts
• Caine Sinclair – stunt double: Anton Yelchin
• Paul Sklar – stunt double: Peter Weller
• Scott Sproule – utility stunts
• Aaron Toney – stunts
• Frank Torres – stunt rigger / utility stunts
• Tierre Turner – utility stunts: Starfleet official
• April Weeden Washington – stunts
• Kofi Yiadom – utility stunts: Starfleet official
• Merritt Yohnka – stunt double: Bruce Greenwood
• Omid Zader – stunt actor: Meter Maid

Stand-ins [ ]

• Ryan Babbs – stand-in for Simon Pegg
• Caleb Grant – stand-in for Benedict Cumberbatch
• James Henderson – stand-in for Chris Pine
• Jessica Hickam
• Peter Jang – stand-in for John Cho
• Linden King
• Brandon Stacy – stand-in and photo double for Zachary Quinto
• Michael T. Stewart – stand-in for Zachary Quinto
• Wilson Wang – stand-in for John Cho
• Evan Wecksell – photo double
• Robert Werner – photo double for Anton Yelchin
• Nico Abondolo – Musician: Double bass
• Eri Adachi – Compositor: Pixomondo
• Brian Adler – Digital & Visual Effects Executive Producer: Gentle Giant Studios
• Rose Adler – Matchmove Artist: Pixomondo
• Beatriz Aguilar – Intern/Production Assistant
• Daniil Alikov – Texture Artist: ILM Singapore
• Nicole Alkire – Hair Stylist
• Patrick L. Almanza – Stereoscopic Compositor/Painter
• Tom Altobello – Property Assistant
• Miriam Alvarez – Stereo Depth Artist: Stereo D
• Michael Amato – Stereoscopic Artist
• John Amorelli – Rigging Draftsman
• Pedro Andrade – Digital Compositor
• Tor Andreassen – Digital Compositor
• Tovonaina Andriamampionona – Stereoscopic Roto Artist: Stereo D
• Beverley Joy Ang – Assistant Technical Director
• Dave Anglin – Second Unit Camera Production Assistant
• Carlos Anguiano – Pipeline Developer: Pixomondo
• Jason Apperson – Additional Electrician
• Erick Aragon – Rotoscope Artist
• Ian Armstrong – Stereoscopic Depth Artist
• Shelly Armstrong – Location Coordinator/Assistant Location Manager
• Aitor Arroyo – Nuke Artist: Pixomondo
• Gustaf Aspegren – Electronic Prop Assistant
• Florian Ast – Compositing Intern: Pixomondo
• Lauren Astore – Coordinator: Digital Caliber Inc.
• Alan Au – Art Director
• Ando Avila – Compositor: Pixomondo
• Arin Babaian – Personal Trainer: Alice Eve , Zachary Quinto , Simon Pegg
• Paul A. Baccam – Stereoscopic Rotoscope Artist
• Joseph Bailey – Digital Compositor: ILM
• Justin Ball – Compositor: Pixomondo
• James Ballard – Compositor
• Frank Willis Balzer – Special Effects Assistant
• Gretchen Bangs – Stereoscopic Roto Artist: Stereo D
• Zheng Bao – Compositor: Pixomondo
• Jennifer Barnes – Musician: Alto
• K.C. Barnes – Senior Stereoscopic Artist: Stereo D
• David Baronoff – Associate Producer
• Fernando Barrios – Rigging Grip
• Jose F. Barrios – Rigging Grip Foreman
• Vatsche Barsoumian – Vocal: Bass
• Steven Barthen – CG Intern: Pixomondo
• Brandon Bartlett – Division CG Supervisor: Pixomondo
• Mark Battle – Finaling Artist: Stereo D
• Chris Basso – Generator Operator/Driver, Production Van Operator
• Fritz Beck – Lighting Artist: Pixomondo
• Julian Beeston – Utility Sound
• Harald Belker – Concept Designer
• Todd Bennett – Plasterer
• Frank Berbert – Digital Compositor: ILM
• Carina Berlin – 2nd Unit Art Department Assistant
• Jeff Berrington – Special Effects Welder
• Maxime Besner – Stereo Compositor
• James Betteridge – Stereoscopic Artist: Stereo D
• Michael Binczek – Special Effects Model Maker Gang Boss
• Adam Binder – Production Assistant
• Brian Bishop – Rigging Grip
• Anton Bitzer – Compositor
• Edward Blackford – Rotoscope Artist
• Bill Blair – Digital Double Lead
• Margaret Blakemore – Production Assistant
• Neale Blase – Driver
• Chris Bleth – Musician: Clarinet
• Daniel Blöcher – CG Artist: Pixomondo
• Ioan Boieriu – FX Artist: Pixomondo
• Jason Bomstein – Stereoscopic Artist
• Konstantin Borchert – Compositor: Pixomondo
• Cris Borgnine – Visual Effects Rigging Supervisor
• Chloe Bostian – Matte Painter: Pixomondo
• Frankie Bourne – Production Assistant
• Cindy Bourquin – Musician: Alto
• Jason Bowers – Compositor: Pixomondo
• Taylor Boyd – Key Assistant Location Manager
• Chris Bramante – Production Assistant
• Troy Bridenstine – Driver
• Maxwell Britton – Set Dresser
• Laura N. Brooks – Production Assistant
• Matt Brooks – 3D Database Developer
• Michael Broom – Conceptual Designer
• Belinda Broughton – Musician: Viola
• Elisabeth Brown – Sculptor/Model Builder
• Darlene Brumfield – Hair Stylist
• Dorothy Bulac – Specialty Costumer
• Jonathan Burdeshaw – Sculptor
• Aaron Burnitt – Systems Administrator: Pixomondo
• Alex E. Burns – Driver: Day Player
• Chris Burr – Rigging Electrician
• Daniela Cabrera – Stereoscopic Compositor: Stereo D
• Moises Flores Cabrera – Stereoscopic Compositor
• Adam Camacho – Grip
• Sue Campbell – Animator: Pixomondo
• Kevin A. Canamar – Supervising Set Medic
• Nicholas Canavan – Stereoscopic Rotoscope Artist: Stereo D
• Jay Cannavo – Splinter Unit Production Assistant
• Jake Capistron – Eclipse Technician
• Roberto Cappannelli – Sound Re-Recording Mixer
• Deborah Carlson – FX Technical Director: ILM
• Clint Carney – Concept Artist/Prop Maker
• Steve Casa – Visual Effects Photographer
• Kyle Cascadden – IT Trainee: Pixomondo
• Laura Caulfield – Production Legal
• Snata Chakraborty – Stereo Roto Artist
• Steven Chapman – Lidar Technician
• Matt Chase – Craft Service Assistant
• Peter Chase – Craft Service
• Zhongwei Chen – Matchmove Artist: Pixomondo
• Cheng Cheng – Rotoscope/Paint Artist: Pixomondo
• Tagui Chilyan – Stereo Production Assistant: Stereo D
• Christopher Chinea – Stereoscopic Artist: Stereo D
• Paul Churchill – Digital Artist: ILM
• Joseph Civitate – Senior 3D Generalist
• Sam Claitor – Compositing Trainee: Pixomondo
• Darrell Claunch – Stereoscopic Compositor
• Art Clever – Special Effects Welding Foreman
• James Clowater – Stereo Artist
• Michael Coady – Driver
• David Cohen – Mold Shop Supervisor
• Joshua E. Cohen – Visual Effects Artist
• Brian R. Cole – Sculptor
• Diane Collins – Script Supervisor
• Gus Comegys – Visual Effects Prep Colorist
• Kit Conners – Production Assistant
• Steve Constancio – Specialty Costumer
• Elliot Contreras – Senior Stereoscopic Compositor: Stereo D
• Jeremiah Cooke – Special Effects Hydraulic Foreman
• Elissa Cordero – Stereoscopic Animator
• Matt Cordero – Stereoscopic Compositor
• Jack Cornelius – Set Dresser
• Matt Corrigan – Special Effects Artist
• Trent Cotner – Special Makeup Effects Artist
• Daniel Cotroneo – 2nd Unit Lighting Technician
• Glenn Cotter – Digital Artist: ILM
• Erik Coutts – Transportation department
• David Cowles – Stereoscopic On-Line Editor
• Maurice Cox – Senior Stereoscopic Compositor
• David Crane – Stereoscopic Compositor
• Thomas Crow – 3D Artist: Stereo D
• Davide Curletti – Stereoscopic Compositor
• Brian G. Curtis – Animator: Pixomondo
• Xu Dai – Rotoscope/Paint Artist: Pixomondo
• Adam Dale – Aerial Director of Photography
• David Dame – Digital Artist
• Nicholas Daniels – Compositor
• John Daro – Senior Digital Intermediate Colorist: FotoKem
• Brad Darrow – Team Leader
• Gilbert Dawson-Kesson – CG Artist: Pixomondo
• Curtis Decker – Special Effects Machinist
• Gabe de Kelaita – Set Production Assistant
• Alfonso De La Torre – Concept Designer
• Brian Deming – Key Assistant Location Manager
• Michelle Denering – Special Makeup Effects Artist
• Mark DeSimone – ADR Mixer
• Rustin Devendorf – Stereoscopic Depth Artist: Stereo D
• Leslie Devlin – Makeup Artist
• Harish Devnani – Compositor: Pixomondo
• Amit Dhawal – Visual Effects Artist
• Allison Dillard – Production Safety Director
• Matt DiNardo – Compositor: Pixomondo
• Doris Ding – Rotoscope/Paint Artist: Pixomondo
• Lucas di Rago – Digital Compositor: Pixomondo
• Matt DiSarro – Special Effects Technician
• Gus Djuro – Senior Stereoscopic Compositor
• George Doering – Musician
• Maren Dolzmann – Visual Effects Coordinator: Pixomondo
• Hugo Dominguez – Rotoscope/Paint Artist: Pixomondo
• Don Domino – Rigging Grip
• Sebastian Domula – Lighting Artist: Pixomondo
• Christopher Dooly – Specialty Costumes
• Andrea Dopaso – Illustrator
• Dennis Drozdowski – Special Effects Technician
• Pierre Drolet – Concept Designer/Modeler: Pixomondo (pre-production)
• Mayur Duchakke – Render Wrangler
• John Dutcher – Confidentially Production Assistant
• Gregory M. Edgar – Property Assistant/Assistant Property Master
• Glen Eisner – Makeup Sculptor
• Nino Ellington – Technical Assistant
• Daniel Emmerich – CG Intern: Pixomondo
• James England – Depth Artist: Stereo D
• Rob Engle – Stereoscopic Consultant
• Juan Antonio Espigares Enriquez – Compositor: Pixomondo
• Bryan T. Evans – Matchmove Artist
• Garrett Eves – Depth Artist
• Benjamin Ey – Division Visual Effects Producer: Pixomondo
• Maeve Eydmann – Matte Painter: Pixomondo
• Paul Faeldo – Stereo Compositor: Stereo D
• Devin Fairbairn – Layout Artist: ILM
• Hsuanyi Fang – Matchmove Artist: Pixomondo
• Salina Farkas – Accounting: Pixomondo
• Junaid Farooq – FX Artist: Pixomondo
• Dean Faulder – Animator/Modeler: Pixomondo
• Ryan Faulkner – Stereoscopic Artist
• Phylicia Feldman – Compositor: Pixomondo
• Robin Pierce Ferber – Stereoscopic Conversion Artist
• Mariano Fernandez – Metal Shop Foreman
• Lauren Fernandez-Morrell – Stereo Artist
• Francesco Ferrara – Painter
• Giovanni Ferrara – Paint Foreman
• Judith Ferrer – Stereoscopic Compositor
• Mark Ferrer – Stereoscopic Roto Artist: Stereo D
• Dawn Fidrick – Stereoscopic Rotoscope Artist: Stereo D
• Claire Finbow – Assistant to Simon Pegg
• Chad Finnerty – Visual Effects Supervisor Consultant/Animator: Pixomondo
• Felix Fissel – IT Manager: Pixomondo
• Bridgette Foo – Digital Artist: ILM
• Brian Fortune – Compositor: Pixomondo
• Lucia Foster Found – Aerial Operations Coordinator
• Clayton Fowler – Grip
• Elizabeth Frank – Set Costumer
• Layne Friedman – Compositor: Pixomondo
• Josh Friz – 2nd Unit Second Assistant Camera Operator
• Maxi Fröhlich – Compositing Intern: Pixomondo
• Christopher Fulmer – Systems Administrator: Pixomondo
• Doug Gagan – Special Effects Technician
• Patrick Gagné – Visual Effects: Modeling and Texturing
• Stephen A. Gall – Stereo Rotoscope Artist
• Rick Gamez – Prop Fabricator
• Matthaeus Gamroth – Animator: Pixomondo
• Liwei Gao – CG Artist: Pixomondo
• Mark Garbarino – Special Makeup Effects Artist: Kasia Kowalczyk
• Adam Garnier – Stereoscopic Compositor: Digital Caliber Inc.
• Edgar Garrido – Roto Artist
• Lynn Garrido – Prop Electronics Technician
• Meredith Garrison – VFX Production Assistant: Stereo D
• Mark Gasbarro – Musician: Pianist
• Nancy Gassner-Clayton – Score Vocalist
• Michael Geiger – Vocal: Bass
• Mike Gerzevitz – Electrician: Fixtures
• Jackson Gichuki – Stereoscopic Rotoscope Artist
• Adrien Saint Girons – Lead Lighting Technical Director
• Jan Glöckner – Compositor: Pixomondo
• Paolo Gnoni – CG Artist: Pixomondo
• Christian Godzik – FX Artist: Pixomondo
• Daniel Goertz – Pipeline Technical Director: Pixomondo
• Harris Goldman – Musician: Viola
• Matt Goldstein – Splinter Unit Set Production Assistant
• Jerardo Gomez – Electrician
• Antoine Goncalves – ENV/DMP: ILM Singapore
• Edgar Gonzalez – Rotoscope Artist
• Azzard Gordon – Digital Artist: ILM Singapore
• Russell Gorsky – Sound Effects Designer
• Joanna N. Goslicka – Matchmove Artist: Pixomondo
• Björn Gottwald – Compositor: Pixomondo
• A.B. Govardhan – Matchmove Supervisor: Botvfx
• Matthew Gowan – Production Assistant
• Kirk Gravatt – Visual Effects Artist
• Connie Grayson Criswell – Contact Lens Technician/Wig Maker
• Renee Greathouse – Production Assistant
• Elysia Greening – Compositor: Pixomondo
• Jerry Gregoricka – Rigging Electrician
• Ashley Gressen – Additional Production Assistant
• Monica Griffin Lee – Session Singer
• Peter N. Griffith – Property Assistant
• Quinn Grove – Rigging Grip
• Nathan Grubbs – Stereo Compositor
• Jonny Gu – Compositor: Pixomondo
• Pascal Guillemard – Fixtures Technician
• Phaneedra Gullapalli – Pipeline Developer: Pixomondo
• Benson Guo – Compositor: Pixomondo
• Mansi Gupta – Stereoscopic Compositor: Stereo D
• Sandie Hall – Vocal: Soprano
• Tyler Halle – Stereo Compositor
• Thierry Hamel – Lead Matchmove and Environment TD: Pixomondo
• Ramón Hamilton – Depth Artist: Stereo D
• John H. Han – CG Supervisor
• Josh Handley – Stereoscopic Compositor
• Aisling Harbert – Stereoscopic Lead Artist: Stereo D
• Rich Hardy Jr. – Stereoscopic Compositor
• Karen Harper – Off-Camera Singer
• Walter S. Harrah – Vocal: Tenor
• Jeffrey J. Hart – Additional Set Production Assistant
• Samantha Hatch – Additional Set Production Assistant
• Ayana Haviv – Ensemble Singer/Vocalist
• Dustin Hayes – Depth Artist
• Alex Heffner – Stereoscopic Lead Artist
• David Heimerl – Compositor: Pixomondo
• Árni Björn Helgason – Unit Production Manager: Iceland
• Kelly Valentine Hendry – Casting Search
• Namjin Heo – Digital Compositor
• Andrea Hernandez – Division Lead Compositor: Pixomondo
• Daniel A. Hernandez – Video Assist
• Veronica Hernandez – Rotoscope Artist: Stereo D
• Jordan Heskett – Stereoscopic Painter/Stereoscopic Compositor
• Brent Heyning – Effects Engineer: Interior Engineering for Enterprise and Spacecraft
• Nicholas Hiegel – Compositor: Pixomondo
• Jason Hindman – Fixtures Technician
• Isaac Hingley – Animator: Pixomondo
• Sebastian Hirsch – Matte Painter: Pixomondo
• Ngoc Ho – Production Assistant
• Martin Höhnle – Matte Painter: Pixomondo
• Chris Holly – Confidentially Production Assistant
• Brian Holmes – Systems Administrator: Pixomondo
• Matt R. Hopkins – Prop Fabricator
• Paul Hormis – Pipeline Technical Director: Pixomondo
• Scott Hosfeld – Musician
• Craig Hosking – Aerial Coordinator/Pilot
• Craig Houston – Compositor: Pixomondo
• Gábor Hoványi – Compositor: Pixomondo
• Xiaoyong Hu – Matchmove Artist: Pixomondo
• Gary Huang – Render Wrangler: Pixomondo
• Xiandeng Huang – Compositor: Pixomondo
• Natapon Huangsakuncharoen – Creature Technical Director: ILM Singapore
• Ryan Huestis – Production Assistant: ILM
• Paul Huston – Digital Matte Artist
• Ali Ingham – Senior Visual Effects Production Coordinator: Pixomondo
• Florian Jackl – Systems Administrator: Pixomondo
• Robert Jackson – 2D Division Lead Compositor: Pixomondo
• Sean D. Jackson – Set Dresser
• Ryan Jacoby – Mold Shop
• Andrea Jamiel – Render Wrangler: Pixomondo
• Anine Jan – Stereo Compositor: Stereo D
• Srinivas Janapati – Production Coordinator
• Jeffrey Jasper – Technical Lead: New Deal Studios
• Jaime Jasso – Lead Digital Matte Artist
• Whan Je – i/o Coordinator: Pixomondo
• Henry Jefferson – Compositing Artist: Pixomondo
• Victor Jenkins – Casting Search
• Leo Jia – Animator/Modeler: Pixomondo
• Bess Johnson – Camera Production Assistant
• Erik Johnson – Depth Artist: Stereo D
• Jeremy Jones – Stereoscopic Artist
• Nikolce Jovanovski – Stereoscopic Compositor: Stereo D
• Soyeon Olivia Jung – Rotoscope/Paint Artist/STereo Compositor: Pixomondo
• YeYoung Jung – Animator/Modeler: Pixomondo
• Greg Junovich – ADR Mixer
• Bruce Jurgens – Visual Effects Executive Producer: Legion Entertainment
• Corey Just – Stereoscopic Depth Artist
• Aleks Justesen – Depth Artist
• Jordan C. Kadovitz – Computer Video Playback: Rigger
• Christian Kalata – CG Artist: Pixomondo
• Sandro Kath – Compositor: Pixomondo
• Prateek Kaushal – Stereoscopic Supervisor: Stereo D
• Michael Kelem – Aerial Director of Photography
• Pete Kelley – Special Effects Technician
• James Kells – Compositor: Pixomondo
• Clark Kelly – Sculptor
• Kolby Kember – Lighting and Shading Artist: Pixomondo
• Rolf John Keppler – Special Makeup Effects Artist
• Douglas Kieffer – Set Lighting Technician
• Jin Yong Kim – Layout & Matchmove Artist
• Jun Young Kim – FX Artist: Pixomondo
• Ted Moowon Kim – Hard Surface Modeler & Texturer: ILM Singapore
• Vedat Kiyici – ADR Mixer
• Dag Kjetsa – Compositor: Pixomondo
• Thomas Kleylein – FX Artist: Pixomondo
• Lena Amanda Koch – Visual Effects Assistant/Visual Effects Coordinator
• Kristofer Kody – Stereo Compositor
• Alexander Köhl – Digital Compositor: Pixomondo
• Christian Korneck – Systems Administrator: Pixomondo
• Justin Kosnikowski – Digital Artist
• Gumby Kounthong – Extras Casting
• Kyle D. Krajewski – ADR Recordist
• Sebastian Kral – Systems Administrator: Pixomondo
• David Krause – VP of Technology: Stereoscopic Conversion
• Denis Kravtsov – Pipeline Developer: Pixomondo
• Eryn Krueger Mekash – Special Makeup Effects Artist
• Lon Krung – Modeling and Texturing CG Artist: Pixomondo
• Norman Krüsmann – FX Artist: Pixomondo
• Nitesh Kumar – Stereo Roto Artist: Stereo D
• David Ladish – Set Dresser
• Steven Ladish – Set Dresser
• Dave Lajoie – Production Tools
• Heather Langenkamp – Makeup Artist
• Ruben Languren – Production Assistant
• Michael Lankes – Compositor: Pixomondo
• Don Lanning – Makeup Designer
• Chris Larsen – Set Dresser
• Daniel Lawson – Production Assistant
• Thang Le – Concept Artist: ILM
• Julius Lechner – FX Artist: Pixomondo
• Jonathan B. Lee – Stereo Production Assistant
• Kenji Lee – Animator: Pixomondo
• Melissa Lee – Compositor: Pixomondo
• SeungJoo Lee – Compositor: Pixomondo
• Stephen Lefebvre – Visual Effects Artist
• Erik Lehmann – Texturing Artist: Pixomondo
• Ellexa Lemarie – Production Assistant
• Chris Lentz – Animation Supervisor: Singapore
• C.J. LePage – i/o: Pixomondo
• Jenny Leupold – CG Artist: Pixomondo
• Mark LeVang – Musician
• Carla Lewis – Extras Casting
• Wenkang Li – Compositor: Pixomondo
• Zhunan Li – Visual Effects Coordinator: Pixomondo
• Jeff Lin – Animator: Pixomondo
• Kai Lin – Animator/Modeler: Pixomondo
• YuanJing Lin – Assistant Technical Director
• Lisardo Liriano – Visual Effects Artist: Stereo D
• Benjamin Liu – FX Artist: Pixomondo
• Heng Liu – Animator/Modeler: Pixomondo
• Sunyan Liu – FX Artist: Pixomondo
• Adam Lo – Rotoscope Artist: Stereo D
• Veronica Lorenz – Special Makeup Effects Artist
• Son Lu – Stereoscopic Lead
• Doug Luberts – Production and Technical Support: ILM
• Jacob Lundmark – Roto/Paint Artist: Pixomondo
• Rob Lutz – Stereoscopic Compositor/Painter
• Lap Van Luu – Systems Administrator: Pixomondo
• Chenchen Ma – Matchmove Artist: Pixomondo
• Zijun Ma – Roto/Paint Artist: Pixomondo
• Frank Macchia – Music Preparation
• Ali Magee – Makeup Department Production Assistant
• Michael C. Magno – Set Dresser
• Pravin Mahtani – Stereoscopic Compositor
• Uwe Majer – Compositor: Pixomondo
• Carson Majors – Stereoscopic Compositor/Painter
• Yael Majors – Stereoscopic Compositor
• Lee Philip Malin – Confidentiality Administrator
• Roy Vincent Mann – Lead Stereoscopic Compositor
• Fredrik Mannerfelt – Digital Compositor: Pixomondo
• Charana Mapatuna – Stereoscopic Compositor: Stereo D
• Pavan Maradia – Technical Assistant: Stereo D
• Artur Margiv – Compositor
• Jose Marin – Compositor: Pixomondo
• Chulev Marko – Modeler/Texture Artist: ILM
• Jeff Markwith – Set Designer
• Andrew Marquez – Stereoscopic Artist: Stereo D
• Karl J. Martin – Set Designer
• Geordie Martinez – Creature Technical Director: ILM
• Emily Mason – Stereoscopic Assistant Editor
• Dale Matasovsky – Stereo Compositor
• Joe Matke – Hair Stylist
• Colin Mayo – Lighting Technician
• Richard F. Mays – Digital Set Designer
• Kindra McCall – Depth Artist
• BJ McDonnell – 2nd Unit Additional Camera Operator
• Edward McDonough – Depth Artist: Stereo D
• Elizabeth McKinney – Stereoscopic Compositor: Digital Caliber Inc.
• David McMahon – Digital Compositor
• Christian McWilliams – Location Scout
• Jackie Medel – Production Assistant
• Shantel Medina – Finaling Artist
• Natalie Meffert – Compositor: Pixomondo
• Mike Mekash – Special Makeup Effects Artist
• Kevin Melia – Stereoscopic Roto Artist
• Lau E.H. Melvin – Visual Effects Technical Assistant
• Mariscela Beatriz Mendez – 2nd Unit Lighting Technician
• Cris Mertens – Stereoscopic Assistant Editor: Stereo D
• Jason W. Mesias – Production Assistant
• Felix Messerschmitt – Animator: Pixomondo
• Steven Messing – Concept Designer/Digital Matte Painter
• Aaron Meyer – Music Preparation
• Philip Meyer – Lighting Artist: Pixomondo
• Sebastian Meyer – Concept Artist
• Thomas Middleton – Digital Compositor: Pixomondo
• Karolis Mikalauskas – Depth Artist
• Michael Milano – Stereoscopic Depth Artist
• Brandon Miletta – Lighting Artist: Pixomondo
• Becca Miller – Specialty Costumer
• Michael Miller – ADR Mixer
• Julie Minasian – Score Vocalist
• Ed Mirassou – Prop Maker
• Bart Mixon – Special Makeup Effects Artist
• Tobias Moenninger – Systems Administrator: Pixomondo
• Andrew Moffett – Previs Artist
• Sidhartha Mohanty – Production Assistant
• Robert Molholm – Color Science/Imaging R&D
• Michael John Mollo – Electronic Music Programming
• Jacki Moonves – 2nd Unit Camera Production Assistant
• Declan Moran – Stereo Compositor: Stereo D
• Joey Moran – Rigging Electrician
• Pat Moreira – Layour Artist: ILM
• Christopher Morente – Greensman
• Immanuel Morris – Stereoscopic Artist
• Shaun Morris – Production Assistant
• Erich A. Muller – Costumer
• Sven Müller – Lighting Artist: Pixomondo
• Alexa Müller-Heyn – Animator: Pixomondo
• Andrew Mumford – Compositor: Pixomondo
• Carson Murdy – Stereoscopic Artist
• Brian Murphy – Stereoscopic Compositor
• Daniel P. Murphy – Construction Metal Fabricator
• Michael Murphy – Head of Quality Control: Stereo D
• Alex Murtaza – Matte Painter: Pixomondo
• Emmi Nakagawa – Stereoscopic Artist
• Mohan Narayanaswamy – Quality Manager
• Harindranath Narendran – Finaling Artist
• Hector Navarro – Depth Artist
• Ned Neidhardt – Special Makeup Effects Artist
• Christopher Allen Nelson – Special Makeup Effects Artist
• Rachel Elizabeth Nelson – Silicone Technician
• Zack Neuman – Production Assistant
• Christine Neumann – Animator/Modeler: Pixomondo
• Beauxregard Neylon – ADR Mixer
• Sheau Horng Ng – Digital Artist: ILM
• Giang T. Nguyen – Animator/Modeler: Pixomondo
• Kristin Nietzig – Division Accounting: Pixomondo
• Philip Nussbaumer – Division Lead Compositor: Pixomondo
• Timothy Oakley – Prop Fabricator
• David O'Brien – Stereoscopic Artist: Stereo D
• Fedor Odegov – Pipeline TD Post Production: Pixomondo
• Viktorija Ogureckaja – Visual Effects Global Production Manager: Pixomondo
• Marc Okrand – Klingon language consultant
• William J. Olsen – Production Assistant
• Osni Omena – 3D Artist/Maya Generalist
• Woon Chi Ong – Compositor: ILM Singapore
• Akira Orikasa – Visual Effects Artist: ILM
• Maria E. Ortiz – Paramount Pictures Consultant
• Nick Ostrovsky – Rigging Electrician
• Sam Page – Set Designer
• Jordan Paley – Key Production Assistant: Reshoots
• Ken Palkow – Prop Fabricator
• Alexander Panov – Art Department
• John F.K. Parenteau – VFX Executive Producer: Pixomondo
• Steve Parsons – Compositor: Pixomondo
• Dana Passarella – Stereoscopic Compositor
• Jim Passon – Color Timer
• Phil Pastuhov – Aerial Director of Photography
• Yogesh Pathak – Senior Stereo Roto Annotation Artist
• Cristina Patterson Ceret – Contact Len Designer/Painter
• Lucas Paul – Set Production Assistant
• Bethany Pederson Onstad – Visual Effects Artist: Pixomondo
• Lyndsey Pendley – Stereoscopic Paint Artist
• Daniel Perez – Stereoscopic/Roto Artist
• Diego Perez – Depth Artist
• Samuel Perez – Animator: Pixomondo
• Michael Peter – Senior Texture/Lookdev Artist: ILM Singapore
• Betsy Peters – Compositor: Pixomondo
• Binoy Peters – Senior Production Coordinator
• Kiana Petersen – Depth Artist: Stereo D
• Morten Petersen – Lighting Technician
• Hieu Phan – Roto/Paint Artist: Pixomondo
• David Philogene – Compositor
• Sara Philpott – Set Decoration Buyer
• Teddy Phuthanhdanh – Motion Capture Assistant
• Philip Pickford – Aerial Unit
• Tom Piedmont – Finaling Artist
• Johannes Pink – Pipeline Technical Director: Pixomondo
• David Pinkus – Second Assistant Director: Aerial Unit UK
• Jerome Platteaux – Digital Artist
• Leszek Plichta – Lighting Artist: Pixomondo
• Erik Ploneda – Stereoscopic Depth Artist: Stereo D
• Jason Pomerantz – Production Manager: IMAX
• Steven Porch – Specialty Costumer
• Nestor Prado – Digital Artist
• Roger Prater – Greens Gang Boss
• Margaret Prentice – Special Makeup Effects Artist: Kimberly Arland
• Eleonora Principi – Rotoscope/Paint Artist: Pixomondo
• Daniel Profus – i/o: Pixomondo
• Edward J. Protiva – Set Dresser
• Steve Prouty – Special Makeup Effects Artist
• Zhennan Quan – Matchmove Artist: Pixomondo
• Andy Quinn – Compositor: Pixomondo
• Melissa Quintas – Stereoscopic Compositor
• Sean Raffel – Animator/Modeler: Pixomondo
• Jack Rametta – ADR Mixer
• Antonio Ramos – Digital Compositor: Pixomondo
• Dan Randall – Foley Recordist
• Brody Ratsoy – ADR Engineer
• Salahuddin Razul – Compositor: Pixomondo
• William Reges – Stereoscopic Artist: Stereo D
• Sebastian Reichhold – FX Trainee: Pixomondo
• Mick Reid – Stereo Compositor
• Ari Reisner – Stereoscopic Compositor: Stereo D
• Johannes Retter – Compositing Intern: Pixomondo
• Gerard Retulla – Stereoscopic Compositor: Stereoscopic Conversion
• Todd Rex – Set Sculptor
• Aaron Richards – Set Lighting Fixtures Technician
• Grover Richardson – Stereoscopic Compositor: Stereo D
• Jason Richardson – Visual Effects Supervisor: Digital Caliber Inc.
• Bruce Richter – Construction Carpenter
• Caroline Riess – Human Resources: Pixomondo
• Guy Riessen – Digital Matte Painter: Atomic Fiction
• Raj Rihal – Concept Illustrator
• Mike Rim – Stereoscopic Compositor: Digital Caliber Inc.
• Agustin Rios – Visual Effects Artist
• Rick Rische – Matte Painter: Pixomondo
• Duncan Rochfort – Visual Effects Editor: Pixomondo
• Arturo Rodriguez – Stereoscopic Depth Artist
• Raymond Rodriguez – Stereoscopic Rotoscope Artist
• Katherine Rodtsbrooks – Stereoscopic Conversion Lead: Stereo D
• Rob S. Rogers – Stereoscopic Depth Artist
• Carlos J. Rosario – Digital Artist
• Vincent Robert Rosas – Stereoscopic Artist: Stereo D
• Marcus O. Roth – Division Visual Effects Producer: Pixomondo
• Anne Marie Rothfuss – Stereoscopic Rotoscope Artist: Stereo D
• Ryan Roundy – Special Effects Office Supervisor
• Rachel Rubenstein – Stereoscopic Roto Artist: Stereo D
• Ryan Rubi – Creature Technical Director: ILM
• Joel A. Ruiz – Rigging Electrician
• Maury Ruiz – Concept Artist
• Robert Ruiz – Assistant Camera Operator
• Alexander Rumpf – Roto/Paint Artist: Pixomondo
• Shaun Russell – Sculptor
• Matt Ryan – Set Production Assistant
• Toshihiro Sakamaki – Animator: Pixomondo
• Juan Ignacio Salgado – Division Lead Compositor: Pixomondo
• Chris Samp – Set Painter Gang Boss
• Cara Samuels – Visual Effects Coordinator: Pixomondo
• Mike Sanders – Digital Supervisor
• German Sandoval – Stereoscopic Artist
• Lukas Sarralde – Stereo Compositor
• Stephen Saunders – Rigging Electric
• Geoff Sayer – Digital Compositor: ILM
• Kai Schadwinkel – Lighting Artist: Pixomondo
• Sebastian Schäfer – FX Artist: Pixomondo
• Bill Schaeffer – Digital Compositor
• Andrea Schermoly – Assistant Choreographer
• Katja Schmidt – Division Accounting: Pixomondo
• Roman Schmidt – Division CG Supervisor: Pixomondo
• Silam Schmidt – Global Talent Manager: Pixomondo
• Skylar Schmidt – Set Dresser
• Ric Schnupp – ADR Recordist
• John Schratz – CG Artist
• Brian Schultz – Digital Compositor
• Karie Schwabl – Production Assistant: Pixomondo
• Diane Schwebs – Human Resources: Pixomondo
• Kino Scialabba – Designer: Legion Entertainment/Matte Painter: Pixomondo
• Anselm Seherr-Thoss – Visual Effects Artist
• Benjamin Seide – Division Visual Effects Supervisor: Pixomondo
• Dongjin Seo – Texture Painter/Look Development Artist: ILM Singapore
• Jack Serino – Grip
• Alex Sessing – Greens Foreman
• Daniel Sessoms – NextLab Operator
• Nick Sewatsky – Stereoscopic Artist
• Julie Shack – Set Costumer
• Shruti Shankar – Depth Artist
• V. Gouri Shankar Rao – Stereo Prep Supervisor
• Amit Sharma – Compositor: ILM Singapore
• Mark Sheffield – Sound Re-Recording Mixer
• Varghese Sherin – Stereoscopic Supervisor: Stereo D
• Marcos Shih – 3D Matte Painter/Concept Artist: Pixomondo
• Emmanuel Shiu – Concept Designer
• Brooke Shoemaker – Casting Assistant
• Jason Shulman – Animator: Pixomondo
• Jason Shupe – Flying Camera Operator
• Isaac A. Silva – Model Maker Gangboss
• Marcus Silvera – Stereoscopic Compositor
• Alexandra Simmes – Motion Graphics Artist: Pixomondo
• Stacey Simmons – Production Technology Manager: Stereo D
• Pankaj Kumar Singh – Technical Operations Lead: Stereoscopic Conversion
• Miro Skandera – Matchmove Artist: Pixomondo
• Sven Skoczylas – Lighting Artist: Pixomondo
• Ryan Slawson – Depth Artist: Stereo D
• Brett C. Smith – Set Decoration Buyer
• Cameron Smith – Fixtures Technician
• Corey Smith – Stereoscopic Compositor: Stereo D
• Dane Allan Smith – Visual Effects Producer 3D Scanning: Giant Studios
• Tammy Smith – Compositor: Pixomondo
• Wee Lian Soh – Visual Effects Artist
• Simia Song – Rotoscope/Paint Artist: Pixomondo
• Roger Sparwasser – Lighting Artist: Pixomondo
• Casey Spiegel – Paramount Pictures Executive Assistant
• Mark Spindler – Compositor: Pixomondo
• Christopher Stack – i/o Manager: Pixomondo
• Ivory Stanton – Textile Artist
• Michael Stark – FX Artist: Pixomondo
• Joe Steel – Digital Imaging Technician: Aerial Unit UK
• Rachel Steele – Extras Casting Assistant
• Andrea R. Stephens – Department Manager: Deluxe 3D
• Andy Stephens – Aerial Operations Manager
• G. Allen Stewart – Stereoscopic Compositor/Stereoscopic Painter
• John Stillman – Digital Compositor: ILM
• Tracy Stockwell – Plasterer
• Paul Stoll – Lighting Artist: Pixomondo
• Rainer Stolle – Matte Painter: Pixomondo
• George Streicher – Post Production Assistant
• Brent Studler – Electrician
• Frederick George Stuhrberg – 3D scanning
• Vladan Subotic – Animator: Pixomondo
• Haidong Sun – CG Artist: Pixomondo
• Jenna Sunde – Stereoscopic Compositor
• Kamalakar Suryavanshi – Stereo Compositor
• Jason Sutton – Hydrascope Operator
• David Swift – Digital Matte Painter: Pixomondo
• Ronald Tacsion – Stereoscopic Depth Artist
• Marc Tantin – Special Effects Technician
• Brandon Taylor – Compositor
• Randy R. Tecson – Stereoscopic Rotoscope Artist: Stereo D
• Mike Tehrani – ADR Recordist
• Michael Teixeira – Production Assistant
• Nicholas Tey Kai Guan – Modeler: ILM
• Michael Thalmann – Head of IT: Pixomondo
• Kim Thio – Paramedic: Camera Test
• Cale Thomas – Painter: Film Illusions
• Jason Thomas – Stereo Compositor
• Brian Thomason – Stereoscopic Compositor
• Kevin Tiesiera – Fixtures Technician
• Eric Timm – Stereoscopic Artist
• Paul Tirone – ADR Recordist
• Robert Tobin – Senior Depth Artist
• Derek Tracy – Stereoscopic Compositor
• Duc Minh Tran – Animator: Pixomondo
• Mark Victor Trappett – Render Technical Assistant
• Michael T. Travers – 2nd Unit Best Boy Grip
• Daniel Trebac – Stereoscopic Artist
• Chris Treichel – Stereo Production: Stereo D
• Tom Truscott – Compositor: Pixomondo
• Denis Trutanic – Senior Layout Artist: ILM
• Ervin Tuazon – Stereoscopic Artist: Stereo D
• Robert Tucker – Compositor: Pixomondo
• Ryan Tudhope – Senior Staff: Atomic Fiction
• Corey Turner – Executive Stereographer: Paramount Pictures
• Trey Turner – ADR Recordist/Assistant Sound Editor
• Jason Ullrich – Compositor: Pixomondo
• Claudius Urban – Senior Animator: Pixomondo
• Reuben Uy – Assistant Technical Director
• Dirk Valk – Animator: Pixomondo
• Tom van Dorp – Digital Compositor
• Jeremy Vanneman – Depth Artist: Stereo D
• Valentina Vee – Post Production Intern
• David Vegezzi – Interface Art Designer: OOOii
• Ricardo Velez – Rotoscope Artist: Stereo D
• Aurelio x. Vera Jr. – Visual Effects Producer: Digital Caliber Inc.
• Anthony Vlastas – Production Staff
• Garrett Vosburg – Greensman
• Ghanshyam Waghela – Finaling Artist: Stereo D
• Adam Walker – Lead Assets Artist: ILM Singapore
• Dan Wallin – Music Score Engineer
• Juliane Walther – Motion Graphics Trainee: Pixomondo
• Bill Wang – Visual Effects Coordinator: Pixomondo
• Cuiling Wang – Matchmove Artist: Pixomondo
• Huida Wang – Matte Painter: Pixomondo
• Hui Sophie Wang – Pipeline Intern: Pixomondo
• Pablo Wang – Stereo Compositor 3D Version
• Steven Wang – CG Artist: Pixomondo
• Alexander Ware – Depth Artist
• Natsuko Watanabe – Finaling Compositor: Stereo D
• John Watkins – Digital Effects Supervisor: Pixomondo
• Anastasia Watson – Stereoscopic Artist: Stereo D
• Kaifeng Wei – Rotoscope/Paint Artist: Pixomondo
• Henry Weickert – Pipeline Technical Director: Pixomondo
• Claudia Weingärtner – Accounting: Pixomondo
• Phil Weisgerber – CNC Operations
• Shannon M.E. Weiss – A.C.E. Intern
• Jay Wejebe – Makeup Artist
• Florian Werzinski – Lighting Artist: Pixomondo
• Kelly Wescott – Depth Artist: Stereo D
• Jon Wesström – Roto/Paint Artist: Pixomondo
• Jack White – Food Stylist
• Faith Whitehead – Depth Artist
• Kenneth H. Wiatrak – Stereoscopic Artist
• Ryan M. Wilson – Stereoscopic Artist
• Steve Winsett – Special Makeup Effects Artist
• Dean Winton – Driver
• Patrick Wolf – Head of Pipeline: Pixomondo
• Sascha Wolf – i/o: Pixomondo
• Marc Wolff – Aerial Coordinator
• Lonni Wong – Compositor: Pixomondo
• Jamie Wood – Lead Compositor: ILM Singapore
• Leah Woodworth – Extras Casting Assistant
• Brian Woronec – Fixtures Technician
• Carol Wu – Compositor: Pixomondo
• David Wu – Matchmove Artist: Pixomondo
• Peter M. Wu – Stereoscopic Depth Artist: Stereo D
• Runlin Xiong – Animator: Pixomondo
• Tou Yeng Xiong – Animator: Pixomondo
• Umashanker Yadav – Stereo Roto Artist: Stereo D
• Tolga Yalkir – Systems Administrator: Pixomondo
• Zhao Yang – Compositor: Pixomondo
• She Fong Yap – Production Assistant: ILM Singapore
• Seda Yilmaz – Coordination Trainee: Pixomondo
• Ben Ying – Visual Effects Compositor: Pixomondo
• Long Yinghan – Digital Artist
• Kei Yoneoka – FX Artist: Pixomondo
• Kodai Yoshizawa – Special Makeup Effects Sculptor: Kasia Kowalczyk
• Walter Yuan – Stereoscopic Compositor: Stereo D
• Elana Zaklis – Stereoscopic Artist
• Jose Zamora – Hair Stylist
• Alessandro Zanforlin – Nuke Compositor: ILM Singapore
• David Zbriger – Technical Manager of Global Production: ILM
• Aiping Zhang – Compositor: Pixomondo
• Zhuotao Zhang – Matchmove Artist: Pixomondo
• Zihao Zhang – Matchmove Artist: Pixomondo
• Bin Zheng – Compositor: Pixomondo
• Carol Zhou – Animator: Pixomondo
• Jianghong Zhu – Compositor: Pixomondo
• Huajing Zhuo – Compositor: Pixomondo
• Xinguo Zou – Compositor: Pixomondo

Production companies [ ]

• Avon Studio Transport – Vehicle Rentals
• BT Industrial Supply – Expendables
• B2FX – Special Effects Makeup Company
• CBS Studios – Star Trek and related marks and logos are trademarks of
• Chapman/Leonard Studio Equipment, Inc. – Camera Dollies, Camera Cranes, Hydrascope Telescoping Crane Arms, Stabilized Remote Camera Systems
• Codex Digital – Digital Recording Equipment
• Digital Caliber Inc. – Special Effects Company (Stereoscopic Clean-up)
• Digital Media Services – Digital marketing asset management
• Direct Tools & Fasteners – Expendables
• Dolby Laboratories – Sound Mix
• Flying Pictures – Aerial Filming Services
• Giant Studios – 3D Scanning Special Effects Company
• Headquarters Casting – Background Talent Casting
• K/O Paper Products
• Legion Entertainment – Post Production Company
• Monster Picture Crane – Stunt Rigging Crane
• Movie Movers – Cast, Hair and Makeup Trailers
• New Deal Studios – Special Visual Effects Company
• Pictorvision – Eclipse Aerial Camera System
• POP Sound – ADR Recording
• Road Rebel – Production Travel
• Saga Film – Production Services
• Star Trek Into Darkness (soundtrack)
• Star Trek Into Darkness (DVD)
• Star Trek Into Darkness (Blu-ray)
• Star Trek Into Darkness (Blu-ray 3D)
• Star Trek Into Darkness (4K Ultra HD)
• Star Trek Into Darkness (iTunes)

References [ ]

208 ; 2259 ; 2 News ; 7 News ; advanced long-range torpedo ; AF ; aircar ; Air Defense Team ; airlock ; Alcatraz ; Alpha Quadrant ; ambulance shuttle ; Andoria Prime ; Angel Island ; antimatter missile ; applied physics ; Applied Sciences Division ; Arabic ; Ares V ; arms dealer ; Armstrong -type ( starships ); artificial gravity ; ash cloud ; attending physician ; auxiliary power ; away team ; Ayt ; BA-36 ; bangs ; bank ; bathing suit ; Bay Area Rapid Transit ; beach ; bearing ; Beastie Boys ; bedside manner ; Beta Quadrant ; Biddeford , USS ; black hole ; block 27 ; blockade formation ; body bag ; " Body Movin' "; bone ; boolean gun ; bowing ; Bradbury , USS ; brig ; bus ; cable car ; Caitian ; car ; Federation cargo shuttle ( cargo shuttles ); Celsius ; Chapel, Christine ; CNN ; coconut lotion ; cold fusion ; coma ; combat ability ; Confederacy of Surak ; Coridan system ; corn ; Cormier, Roy ; corpse ; Corridor 67 ; C-section ; cryo tube ; CT ; Cyrillic alphabet ; D4-class ; DB-5 ; damage ; damage report ; dawn ; Daystrom Conference Room ; deadly force ; decontamination ; defection ; defibrillator ; Delta Team ; diburnium ; display compass ; dive ; Dock Command ; docking clamp ; doctorate ; dog ; dozen ; Dreadnought -class ; dynamite ; Enterprise NX-01 ; earrings ; " Ears (are) burning "; Earth Sector 2 ; Earth Sector 45 ; Earth Sector 49 ; engineering staff ; Enterprise (OV-101) ; Enterprise (XCV 330), USS ; emergency lockdown ; ETA ; evacuation shuttle ; evacuation shuttle bay ; " Everybody Wants to Go to Heaven "; extractor ; eye wash ; ferry ; fiberoptic cable ; fire hose ; first aid kit ; Fisherman's Wharf ; five-year mission ; Flood and Waters Subsiding ; forgery ; forklift ; fracture ; fuel cell ; Galorndon Core ; garbage barge ; Gemini capsule ; genocide ; goggles ; Golden Gate Bridge ; Gorn ; Gorn octuplets ; grid 09 ; Grubeco ; hole generator ; hospital gown ; hovercar ; hull ; ice cube ; indigenous species ( indigenous lifeform ); information ; internal manual override system ; isoton ; Io ; Io Facility ; Ito, Stephanie ; jumpship ; Jupiter ; Kelvin Memorial Archive ; Kelvin Memorial Archive personnel ; Kelvin , USS ; Ketha Province ; King, Albert ; kill zone ; kilometer ; kitten ; Klingon ; Klingon language ; K'normian ; K'normian trading ship ; knowledge ; KPMG ; Kronos ; Level 3-B ; life support center ; life support system ; lift cable ; London ; London Eye ; love song ; Luna ; magnetic field ; manager ; manhunt ; manual override ; Mayflower -type ; M-class ; melodrama ; medical staff ; Menk ; metaphor ; metaphysic shield ; meter maid ; military shuttle ; missing man formation ; mooring ; morality ; Mudd Incident ; multidimensional radar ; murder ; murderer ; nail polish ; Nelson's Column ; Neutral Zone ; New Vulcan ; Newton -type ( starships ); Nibiran ; Nibiran language ; Nibiru ; Nibiru fish ; Nibiru riding animal ; Nibiru tree creature ; name-calling ; Noah's Sacrifice and His Drunkenness ; NX Alpha ; NX-class ; Octuplets ; Office of Special Plans ; Orion ; Orion Union ; osmium ; outer frontier ; oxygen ; oyster ; payload bay ; payload bay doors ; PCAP-SYS ; Perfect Hair ; " Perspective Study of Mazzocchio "; phaser rifle ; Phoenix ; piercing ; planetoid ( unnamed ); platelet ; pointy ; poker ; popsicle ; portable transwarp beaming device ; Port of San Francisco ; Port of San Francisco bar ; powerwall ; Praxis ; Prime Directive ; prince ; projection component ; proverb ; proximate coupling beam ; proximity alert ; proximity detonation ; public record ; Qo'noS system ; quad 68 ; quadrant ; quadrant commander ; radiation poisoning ; rapping ; red cross symbol ; rescue shuttle ; resignation ; Rigel Beta ; robot ; Royal Children's Hospital ; rules of engagement ; rust ; salt water ; San Francisco Bay ; San Francisco Ferry Building ; San Francisco Metropolitan Area ; science officer ; seasickness ; search vehicle ; seat belt ; Second Street ; Sect 7XT ; Section 31 ; sector ; Sector 001 ; Sector 31 ; Sector 34 ; Sector 45 ; Sector 56 ; Sector 70 ; Sector 89 ; sector block ; senior staff ; seniority ; sentient being ; serum ; sheep ; Sherman's Planet ; shot glass ; Shuttle 1 ; Shuttle 7 ; signature ; skeleton crew ; Sol system ; space region observer ; specifications ; Spirit of St. Louis ; square meter ; stabilizer ; Starbase 1 ; Starfleet Academy ; Starfleet Engineering ; Starfleet General Orders ; St Paul's Cathedral ; stuffed animal ; stun setting ; subject ; Sue Bierman Park ; suffocation ; superman ; Surak ; Takayama ; Takayama -type shuttlecraft ( Scott's shuttle , unnamed 2 , 3 , and 4 ); technicality ; The Gateway ; Theater Commander ; thruster ; torpedo technician ; traffic light ; tram ; transfer ; transfusion ; transwarp beaming ; transwarp equation ; transwarp network ; trash exhaust ; tribble ; tribunal ; Turner, Corey ; type 2 phaser ; type 3 phaser ; UFP News ; unrest ; V-2 rocket ; VD ; VH-5 ; Vengeance , USS ; volcano ; Vostok 1 ; Vulcan ; mind meld ; war criminal ; warp core ; Warrant ; weapons bay ; web ; welding team ; Westminster Quarters ; Wright Flyer ; workbee ; wormhole ; X-15

Other references [ ]

• Kelvin Memorial Archive Directory: Cindy Jones Bar and Grill ; CJ's Coffee House ; Jorge's Steakhouse ; Luby's Pub & Grille ; Monte's Spanish Tapas & Bar ; Rudy's Sub Shop ; Simm's Pizza
• Starfleet Headquarters Directory: Bailey's Pub & Grill ; Hamburger Hemlet ; Jaleo Spanish Tapas & Bar ; King Street Blues ; Kora Restaurant ; McCormick & Schmick's ; Morton's The Steakhouse
• Powerwalls: B'omar ; chancellor ; Galorndon Core ; inbox ; Khitomer ; Pachangara, Magustav Organian peace treaty ; Risa Hedony ; Sherman's Planet ; weatherman ; weather report
• Kirk's medical status : blood pressure ; Boyce, Phil ; BPM ; HR ; name ; patient ; temperature
• Lucille Harewood's medical status' : blood pressure; critical care ; genetic material ; height ; inbox; pulse rate; temperature; weight

Meta references [ ]

Unreferenced material [ ], external links [ ].

• Star Trek Into Darkness at StarTrek.com
• Star Trek Into Darkness at Memory Beta , the wiki for licensed Star Trek works
• Star Trek into Darkness at Wikipedia
• Star Trek Into Darkness at the Internet Movie Database
• 3 ISS Enterprise (NCC-1701)