the grand tour piano chords

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Classic Country Music Lyrics home | George Jones Song Lyrics

I'd like to see more artists from other genres record a few classic country songs like Aaron Neville did this one, he did a super job with it. George Jones has been recording for a half century so he has hundreds of songs to choose from. Copy The Grand Tour lyrics and chords so you can learn to pick and sing this super classic.

Grand Tour Chords

George jones.

Capo 2nd fret

Standard (EADGBE)

Step right up come on in if you'd G like to take the grand tour

Of a C lonely house that once was home sweet G home

I have nothing here to sell you just some things that I will tell you

Some A7 things I know will chill you to the D bone

Over there sits the chair where she'd G bring the paper to G7 me

And sit C down on my knee and whisper oh I G love you

D But now she's gone forever and G this old house will C never

Be the G same without the D love that we onc G e knew

Straight ahead that's the bed where we G lay and love together

And C lord knows we had a good thing going G here

See her picture on the table don't it look like she'd be able

Just A7 to touch me and say good morning D dear

There's her rings all her things and her G cloths are in the G7 closet

Just like C she left them when she tore my world G apart

As you D leave you'll see the nursery oh sh G e left me withou C t mercy

Taking G nothing but our D baby and m G y heart

Step right up come on in

The Grand Tour chords

George Jones

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The Grand Tour

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The Grand Tour chords

• Tuning E B G D A E
• Capo No capo
• Release year 1974
• Genre C ountry
• Guitar Simplified Original

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The Grand Tour George Jones & More On The Acoustic

Here on The Grand Tour George Jones page are several great tunes you can easily learn on the acoustic guitar. I'll be adding more number from The Possum as time goes by.

There are also free chord sheets to accompany the free demos. If you require a more in-depth full instructional tutorial lesson, those are available for a small fee and even cheaper

if purchased in bulk (see homepage for discounts).

Sep 12th, 1931 – Apr 26th, 2013 (Age 81)

Jump links to quickly access the sections.

The Grand Tour George Jones & More Chord, Lyrics, Demos, Tutorials

1. a good year for the roses.

A Good Year For The Roses  was a #2 hit for George Jones back in 1970.

The track can be found on his album The Best Of George Jones.

• Drop D Tuning: No
• Capo: 2nd fret
• Rhythm: root up down up and repeat
• Picking: No
• Chords:  G, C, G6, Am, D

2. A Picture Of Me Without You

A Picture Of Me Without You  hails from the album of the same name and was released in 1972. The two writers wrote this song specifically for George.

He scored a #5 hit with his release. Lorrie Morgan also covered the song in 1993.

• Drop D Tuning: Yes
• Rhythm: root up down up root up down up and repeat
• Picking: Yes
• Chords: G, C, D, G7, D7

4. He Stopped Lovin Her Today

5. i don't need your rockin chair.

I Dont Need Your Rockin Chair info soon

• Drop D Tuning = No
• Rhythm = root down up root up down up
• Picking = Yes
• Chords = G, C, D, D7

6. I'm A One Woman Man

I'm A One Woman Man  is of course a Johnny Horton song which Horton recorded and released back in 1956 and scored a #7 hit. Jones released a version in 1960 but it was his 1988 version which hit #5 on the country charts in Canada and the US.

The song hails from the album "One Woman Man".

• Rhythm: down up down up down up and repeat
• Chords: G, C, D

7. Just A Girl I Used To Know

8. lone ranger, 9. lonesome valley, 10. me and jesus.

Me And Jesus  is a song written by Tom T Hall and recorded by George Jones for his album Hallelujah Weekend released in the spring on 1990.

The song was never released as a single.

• Rhythm: root down root up down up and repeat

11. Once You've Had The Best

12. she loved a lot in her time.

She Loved A Lot In Her Time  was a single released in 1992. Unfortunately Jones stopped producing hit songs in the late 1980s but still managed to get onto the country charts right up until 2002. This song peaked at #55 in the US.

You'll find the track on the album "And Along Came Jones".

• Capo: 3rd fret
• Rhythm: root down root  up down up and some some root up down up
• Chords: D, G, Em, A7sus, A7, Bm, D/Gb, D7, Gmaj7

13. She Thinks I Still Care

14. tagging along, 15. take these chains from my heart, 16. tennessee whiskey.

Tennessee Whiskey  hit #1 in Canada and #2 in the US country market back in 1983. David Allan Coe first recorded this one in 1977 but never had a successful version reaching #77.

You'll find this track on George's album Shine On.

• Rhythm: root down up root up down up and repeat
• Picking: Yes a little

17. The Grand Tour

The Grand Tour  was a #1 hit when it saturated the airwaves back in 1974. It's one of the most famous divorce songs ever written.

It hails from the album of the same name.

• Picking: a few riffs
• Chords: G, C, D, G7, A7, D7

18. The King Is Gone

19. the one i loved back then.

The One I Loved Back Then  a.k.a. The Corvette Song, came out as a single in 1985. The song peaked at #3 on the US country charts and #2 in Canada.

It can be found on the album Who's Gonna Fill Their Shoes.

• Chords: D, G, D7, A7

20. The Race Is On

21. the window up above, 22. walk through this world with me.

Walk Through This World With Me  was a #1 hit for George Jones back in 1967. George had 57 songs on the charts by this time in his career and this was hit 4th chart topper.

The song can be found on the album "We Found Heaven Right Here On Earth At 4033".

• Chords: G, C, D, D7

23. White Lightning

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The Grand Tour Chords & Lyrics Artist: George Jones

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Frank Wakefield, Who Expanded the Mandolin’s Range, Dies at 89

A bluegrass innovator, he recorded numerous albums as a leader, and his list of collaborators included both Leonard Bernstein and Jerry Garcia.

By Bill Friskics-Warren

Bill Friskics-Warren reports on country music from Nashville for The New York Times.

Frank Wakefield, an innovative bluegrass mandolinist whose sweeping musicality led to collaborations with the New York Philharmonic and Jerry Garcia, and whose unique voicings and technique expanded the parameters of his instrument, died on Friday at his home in Saratoga Springs, N.Y. He was 89.

Marsha Sprintz, his companion of 47 years, said the cause was complications of chronic obstructive pulmonary disease.

In a career that spanned seven decades, Mr. Wakefield played with a host of bluegrass luminaries, including Jimmy Martin and the Stanley Brothers.

He first made his mark in the early 1950s after joining a band led by the singer and guitarist Red Allen as a vocalist and mandolin player. Working in Ohio and the Upper Midwest and, by 1960, the Baltimore-Washington area, the band developed a hard-driving, harmony-rich brand of bluegrass that inspired not only other musicians in the genre, but also bluegrass-inclined rock bands like New Riders of the Purple Sage.

While still a teenager, Mr. Wakefield mastered the heavily syncopated “chop” chord of the bluegrass pioneer Bill Monroe, whom he met in 1961 and who immediately recognized Mr. Wakefield’s prowess as a mandolinist.

“You can play like me as good — or near as good — as I can,” Mr. Wakefield, in a 2022 interview with the Hudson Valley Bluegrass Association , recalled Mr. Monroe saying at their initial meeting. “Now you’ve got to go out and find your own style.”

Heeding Mr. Monroe’s advice, Mr. Wakefield did exactly that. He devised his own sound by alternating up and down strokes on his instrument with equal force to produce a clear, ringing tone and sustained rhythm, which he likened to a sledgehammer striking a steel rail in a 1998 interview with the bluegrass website Candlewater.com .

At other times, plucking the strings with multiple fingers, he produced a richly textured effect suggestive of two or three mandolins playing together.

David Grisman, a student of Mr. Wakefield’s and a mandolin virtuoso in his own right, said in an often quoted passage from Frets magazine that Mr. Wakefield had “split the bluegrass mandolin atom” by taking the instrument beyond where Mr. Monroe had.

“Bluegrass,” the album that Mr. Wakefield made with Mr. Allen for Folkways Records in 1964 (and that a 19-year-old Mr. Grisman produced), proved ample confirmation of that claim: It featured versions of two of Mr. Wakefield’s most enduring originals, “New Camptown Races” and “Catnip,” both of which, with their developments in melody, tunings and chord changes, pushed the limits of what then constituted bluegrass.

Mr. Wakefield’s innovations didn’t stop there, though. By the mid-1960s he had begun composing sonatas for the mandolin and arranging classical pieces for traditional bluegrass ensembles. He performed with Leonard Bernstein and the New York Philharmonic at Carnegie Hall in 1967 and made a guest appearance with the Boston Pops orchestra the next year.

Mr. Wakefield’s forays outside bluegrass extended into pop territory as well, including a mid-1960s stint with the Greenbriar Boys, an urban folk revivalist group. During this period, he also performed with country bluesmen like Lightnin’ Hopkins and Son House and, later, rock acts like the Grateful Dead.

Franklin Delano Roosevelt Wakefield was born on June 26, 1934, in the Emory Gap enclave of Harriman, Tenn., the 10th of 12 children of Simpson and Bertie (Isham) Wakefield. Growing up poor, he was forced to leave school after second grade to help work on the family farm.

Enthralled by DeFord Bailey’s performances on “The Grand Ole Opry,” young Frank took up the harmonica at an early age and soon also became adept at playing the guitar.

His father, who worked as a brakeman to supplement the family income, froze to death in a local railyard when Frank was 13. Several of his sisters moved 300 miles north to Dayton, Ohio, as part of a Depression-era migration. Frank and his brother, Ralph, were left to move between orphanages until Frank finally ran away to join his sisters in Dayton, where a brother-in-law introduced him to the mandolin.

Billing themselves as the Wakefield Brothers, Frank and Ralph, who played guitar, made their first public appearances at house parties and on local radio in 1960. Two years later, Frank joined Red Allen’s band, and his path as a musician was set.

However, his tenure with Mr. Allen was fraught with conflict, much of it brought on by Mr. Allen’s abusive behavior, especially when he was drinking. Nevertheless, apart from a period with the Detroit-based Chain Mountain Boys in the mid-1950s, Mr. Wakefield persevered with him until 1965, when he joined the Greenbriar Boys to replace Ralph Rinzler, who had left the band to become Bill Monroe’s manager.

After recovering from a near-fatal automobile accident in the late 1960s, Mr. Wakefield moved to Saratoga Springs and embarked on a solo career. Over the next five decades, he released albums for a variety of bluegrass-aligned record labels, including Takoma, Flying Fish and Patuxent Music. His 1972 Rounder album, called simply “Frank Wakefield” and featuring the New York bluegrass band Country Cooking, is widely regarded as a touchstone of the movement known as newgrass, which incorporated elements of rock, jazz and classical music into traditional bluegrass.

Despite suffering from emphysema for years, Mr. Wakefield continued to tour nationally and to record well into the 2000s.

Besides Ms. Sprintz, Mr. Wakefield’s survivors include a sister, Susie Norton; a son, Greg Wakefield; and numerous grandchildren and great-grandchildren.

Despite his musically omnivorous appetites, Mr. Wakefield was unfamiliar with Mr. Garcia, who would later produce the 1976 album “Pistol Packin’ Mama,” a string-band collaboration between Mr. Wakefield and others, when they started playing shows together.

“Whenever Garcia played with me and David,” Mr. Wakefield explained, referring to David Nelson of New Riders of the Purple Sage in a 2006 interview with candlewater.com, “we would always have a full house. I thought it was because of me.”

“It took me a while,” he added, “to realize that people were coming to the shows because Jerry was playing with us.”

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Nicki Minaj Brings Out Cyndi Lauper for 'Pink Friday Girls' Duet

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Nicki minaj & cyndi lauper pink friday girls ... just wanna have fun 💞.

Nicki Minaj pulled out all the stops with surprise guests at her New York homecoming 'Pink Friday 2' tour stop but no one expected her grand reveal -- the one and only Cyndi Lauper !!!

The iconic singer shocked the Barclays Center, full of Barbs on Wednesday night, as Nicki brought the house down performing “Pink Friday Girls.”

Cyndi’s style is still as eclectic as ever … she hit the stage with a multi-colored graffiti jacket and her signature spiky hairdo.

Nicki’s record samples Cyndi’s classic “Girls Just Wanna Have Fun,” and it was a once-in-a-lifetime moment to see her step in with her own golden vocals!!!

When it was all said and done, both artists shared a big hug and a moment of mutual respect and appreciation ... but, ultimately, Nicki bowed graciously to thank her special guest for joining her onstage. She also told the crowd what an inspiration Cyndi had been to her.

Young M.A. , Kai Cenat and Pepa from Salt N Pepa were also in the building.

A great night for Gag City!!!

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Billie Eilish Reveals ‘Hit Me Hard and Soft’ World Tour, Starting in September

By Ellise Shafer

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Billie Eilish is embarking on a world tour in support of her forthcoming third album, “ Hit Me Hard and Soft ,” set for release on May 17.

The Live Nation-produced tour will kick off in September in Quebec and continue through North America until December. In February 2025, Eilish will hit Australia, followed by Europe, the U.K. and Ireland from April to late July.

Tickets will be available for presale for American Express cardholders on April 30, with additional presales running throughout the week. General tickets go on sale May 3 through Ticketmaster .

Popular on Variety

See the full tour dates below.

North America

Tue Feb 18, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Wed Feb 19, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Fri Feb 21, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Sat Feb 22, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Mon Feb 24, 2025 – Sydney, Australia – Qudos Bank Arena Tue Feb 25, 2025 – Sydney, Australia – Qudos Bank Arena Thu Feb 27, 2025 – Sydney, Australia – Qudos Bank Arena Fri Feb 28, 2025 – Sydney, Australia – Qudos Bank Arena Tue Mar 4, 2025 –Melbourne, Australia – Rod Laver Arena Wed Mar 5, 2025 – Melbourne, Australia – Rod Laver Arena Fri Mar 7, 2025 – Melbourne, Australia – Rod Laver Arena Sat Mar 8, 2025 – Melbourne, Australia – Rod Laver Arena

Europe/U.K./Ireland Wed Apr 23, 2025 – Stockholm, Sweden – Avicii Arena

Thu Apr 24, 2025 – Stockholm, Sweden – Avicii Arena

Sat Apr 26, 2025 – Oslo, Norway – Telenor Arena Mon Apr 28, 2025 – Copenhagen, Denmark – Royal Arena Tue Apr 29, 2025 – Copenhagen, Denmark – Royal Arena

Fri May 2, 2025 – Hannover, Germany – ZAG Arena Sun May 4, 2025 – Amsterdam, Netherlands – Ziggo Dome Mon May 5, 2025 – Amsterdam, Netherlands – Ziggo Dome Wed May 7, 2025 – Amsterdam, Netherlands – Ziggo Dome Fri May 9, 2025 – Berlin, Germany – Uber Arena Thu May 29, 2025 – Cologne, Germany – Lanxess Arena Fri May 30, 2025 – Cologne, Germany – Lanxess Arena Sun June 1, 2025 – Prague, Czech Republic – O2 Arena Tue June 3, 2025 – Kraków, Poland – Tauron Arena Wed June 4, 2025 – Kraków, Poland – Tauron Arena Fri June 6, 2025 – Vienna, Austria – Stadthalle Sun June 8, 2025 – Bologna, Italy – Unipol Arena Tue June 10, 2025 – Paris, France – Accor Arena Wed June 11, 2025 – Paris, France – Accor Arena Sat June 14, 2025 – Barcelona, Spain – Palau Sant Jordi Sun June 15, 2025 –Barcelona, Spain – Palau Sant Jordi

Mon Jul 7, 2025 – Glasgow, UK – OVO Hydro Tue Jul 8, 2025 – Glasgow, UK – OVO Hydro Thu Jul 10, 2025 – London, UK – The O2 Fri Jul 11, 2025 –London, UK – The O2 Sun Jul 13, 2025 – London, UK – The O2 Mon Jul 14, 2025 – London, UK – The O2 Wed Jul 16, 2025 – London, UK – The O2 Thu Jul 17, 2025 – London, UK – The O2 Sat Jul 19, 2025 – Manchester, UK – Co-op Live Sun Jul 20, 2025 – Manchester, UK – Co-op Live Tue Jul 22, 2025 – Manchester, UK – Co-op Live Wed Jul 23, 2025 – Manchester, UK – Co-op Live Sat Jul 26, 2025 – Dublin, Ireland – 3Arena Sun Jul 27, 2025 – Dublin, Ireland – 3Arena

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