beyonce tour set up

Why Beyoncé’s ‘Renaissance’ Tour Is a Stadium-Shaking Triumph

By Brian Hiatt

Brian Hiatt

Beyoncé ‘s Renaissance tour , a stadium-shaking dance party built around last year’s album of the same name , won’t begin its U.S. run until a July 12 show in Philadelphia, but thanks to TikTok and YouTube, stateside fans already have a decent sense of the show. It begins with Beyoncé essentially serving as her own opening act via a mini set of ballads before exploding into a show built around the Renaissance album, with songs from her previous albums worked in among the new hits (or in some cases, as with a taste of “Sweet Dreams” in “Alien Superstar,” during them).

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In the episode, Brittany Spanos joins host Brian Hiatt to discuss the discourse around and experience of the tour on TikTok and elsewhere, while Daily Telegraph music critic Neil McCormick — who just gave five stars to Beyoncé’s performance in the Welsh capital of Cardiff — offers a firsthand look at the tour. “Beyoncé has spent 25 years doing what she does at an incredibly high level and always trying to up up the ante,” says McCormick. “This is Beyoncé showing who’s the queen, and it’s at the top level of where a show has ever, ever been.”

Download and subscribe to Rolling Stone’ s weekly podcast, Rolling Stone Music Now, hosted by Brian Hiatt, on Apple Podcasts or Spotify (or wherever you get your podcasts). Check out six years’ worth of episodes in the archive, including in-depth, career-spanning interviews with Bruce Springsteen, Mariah Carey, Halsey, Neil Young, Snoop Dogg, Brandi Carlile, Phoebe Bridgers, Rick Ross, Alicia Keys, the National, Ice Cube, Taylor Hawkins, Willow, Keith Richards, Robert Plant, Dua Lipa, Questlove, Killer Mike, Julian Casablancas, Sheryl Crow, Johnny Marr, Scott Weiland, Liam Gallagher, Alice Cooper, Fleetwood Mac, Elvis Costello, John Legend, Donald Fagen, Charlie Puth, Phil Collins, Justin Townes Earle, Stephen Malkmus, Sebastian Bach, Tom Petty, Eddie Van Halen, Kelly Clarkson, Pete Townshend, Bob Seger, the Zombies, Gary Clark Jr., and many others. Plus, there are dozens of episodes featuring genre-spanning discussions, debates, and explainers with Rolling Stone’ s critics and reporters.

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Beyoncé Renaissance Tour: The Full Setlist From Opening Night

By Thania Garcia

Thania Garcia

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It’s time. Beyoncé ‘s Renaissance World Tour — her first jaunt in nearly five years — has officially kicked off at Stockholm’s Friends Arena where she’s set to perform for nearly three hours at the Swedish capital.

The stadium trek will continue across Europe through June, with the North American leg kicking off in Toronto on July 8. Club Renaissance will run for at least 40 dates, mainly in stadiums, and make stops at the MetLife Stadium in New Jersey (July 29) and at the SoFi Stadium in Inglewood, Calif. (Sept. 2) amid dates in Chicago, Philadelphia, Toronto, Atlanta, Phoenix and Miami.

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ELA TEM O POVO! E ainda tá chegando mais… #RenaissanceWorldTour https://t.co/C2u6Wsb0KL — Beyoncé Access (@beyonceaccess) May 10, 2023

Beyoncé performed her first full concert in four years  in January at the new Atlantis Royal Resort in Dubai. It was an elaborate and highly theatrical performance — for which sources say she was paid some $24 million — with an all-female orchestra, a battery of dancers, a small lake, fireworks, a 50-foot hydraulic platform, three costume changes for the singer and a guest appearance from her and Jay-Z’s daughter Blue Ivy, but no songs at all from “Renaissance.”

Her last official tour was the “On the Run II” tour with Jay in 2018, which was tied to their joint album, “Everything Is Love,” by the duo billed as the Carters. That same year, she headlined the Coachella Valley Music and Arts Festival but her last solo trek was behind her previous solo album, “Lemonade,” in 2016.

See the full setlist for opening night of the Renaissance tour below (updating live).

Opening Act

“Dangerously In Love 2″

“Flaws and All”

“1+1”

“I’m Goin’ Down” (Mary J. Blige cover)

“I Care”

Renaissance

“I’m That Girl”

“Cozy”

“Alien Superstar”

“Lift Off” (Jay-Z and Kanye West cover)

Motherboard

“Energy”

“Break My Soul”

“Formation”

“Diva”

“Run the World (Girls)”

“My Power”

“Black Parade”

“Savage” (Remix)

“Partition”

“Church Girl”

“Get Me Bodied”

“Before I Let Go”

“Rather Die Young”

“Love On Top”

“Crazy In Love”

Anointed Pt. 2

“Love Hangover” (Diana Ross cover sung by choir)

“Plastic Off The Sofa”

“Virgo’s Groove”

“Naughty Girl”

“Move”

“Heated”

“Thique”

“All Up in Your Mind”

“Drunk in Love”

Mind Control

“America Has a Problem”

“Pure/Honey”

“Summer Renaissance”

* Throughout the setlist, Beyoncé incorporated songs from her older discography including “Sweet Dreams,” “Say My Name,” and more.

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Beyonce's Renaissance Tour setlist: Every song she sang at her Phoenix concert

Hours before Beyoncé hit the stage at State Farm Stadium in Glendale, Arizona, Billboard magazine revealed that her Renaissance World Tour had earned the biggest one-month gross in Billboard Boxscore history after raking in $127.6 million in July with just 11 shows.

That’s how an icon does it.

And the fact that she’s been out there breaking records on a tour that puts the focus squarely on her latest album only makes it that much more of a Beyoncé-level mic drop.

It helps, of course, that “Renaissance” is a brilliant effort, channeling the sound and spirit of the disco years in an intoxicating blend of joy and artistry to help listeners shake off the pandemic isolation blues.

That’s why the album ended 2022 at No. 1 on critics’ lists from Rolling Stone to Entertainment Weekly, Pitchfork, Vulture, NPR, the Guardian and more. It was the most acclaimed release of 2022 by far, despite the Grammys being dumb.

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Why she's the Queen B: Beyonce shined in silver, and fans left her metro Phoenix concert Crazy in Love

Beyoncé Renaissance Tour setlist: Every song she played in Phoenix

She’s been performing all the songs from "Renaissance" in order, interspersed with highlights spanning her career, going back to her days as the leader of Destiny’s Child, whose first concert in Phoenix was on the rotating stage of the 2,650-capacity Celebrity Theatre.

It’s a 2½-hour marathon, divided into six distinct acts. Here’s the setlist from Beyoncé's show on Thursday, Aug. 24, in Glendale, Arizona. It started late and technical difficulties forced her to restart one song after stopping the show to get the problem sorted, but fans still got the full Beyoncé treatment.

Opening Act

• "The Signboard" video introduction
• "Dangerously in Love" (Destiny’s Child song)
• "Flaws and All" (containing elements of "Adventures in the Land of Music" by Dynasty
• "I'm Going Down" (Rose Royce cover)
• "River Deep, Mountain High" (Tina Turner tribute)

Renaissance

• "Renaissance" video interlude containing elements of "Where U At” & “Delresto (Echoes)”
• "I'm That Girl" (containing elements of "Ape...")
• "Alien Superstar" (containing elements of "Sweet Dreams;" restarted due to sound malfunction)
• "Lift Off" (Jay Z/Kanye West cover)
• "7/11" recording; Les Twins dance break

Motherboard

• "Motherboard" video interlude containing elements of “Beat That B...”, "Work It To The Bone" and “Percolator”
• "Cuff It" (containing elements of "Cuff It (Wetter Remix)", "A Night To Remember" and "Love You Down")
• "Energy" (containing elements of "End of Time" and "Countdown")
• "Break My Soul" (containing elements of "Break My Soul (The Queens Remix)" and "Shake Your Body" by the Jacksons
• "Opulence" video interlude containing elements of "No Angel", "Pure/Honey" and "Ghost"
• "Formation"
• "Diva" (containing elements of "Just Wanna Rock" by Lil Uzi Vert)
• "Run the World (Girls)"
• "My Power" (containing elements of "Tanzania" and "Alright", including dance featuring Blue Ivy Carter)
• "Black Parade" (containing elements of "Formation" and "Alright" by Kendrick Lamar)
• "Savage (Remix)" (Megan Thee Stallion cover containing elements of "Yoncé")
• "Partition"
• "Anointed" video interlude containing elements of "Yoncé" and "Family Feud"
• "Church Girl"
• "Get Me Bodied"
• "Before I Let Go" (Maze featuring Frankie Beverly cover containing elements of "Freakum Dress")
• "Rather Die Young"
• "Love on Top" (containing elements of "I Want You Back" by the Jackson 5)
• "Crazy in Love"

Anointed Pt. 2

• "Love Hangover" (Diana Ross song; background singers intermission)
• "Plastic Off the Sofa"
• "Virgo's Groove" (containing elements of "Speechless," " Rocket," "Cater 2 U," "Signs," "Dance for You" and "Say My Name"
• "Naughty Girl" (containing elements of "Virgo's Groove" and "Love to Love You Baby" by Donna Summer)
• "Move" (containing elements of "Move Ya Body" by Nina Sky and “Free Mind” by Tems)
• "Already" (Les Twins dance break)

Mind Control

• "Mind Control" video interlude containing elements of "Ghost," "Bootylicious" and "Single Ladies"
• "America Has a Problem"
• "Pure/Honey" (containing elements of "Blow")
• "Summer Renaissance"

When Phoenix met Beyoncé: Her first concert here in 1999 proved she was a force

Reach the reporter at  [email protected]  or 602-444-4495. Follow him on X, formerly Twitter  @EdMasley .

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Renaissance World Tour setlist: This is what Beyoncé played at Levi's Stadium show

SANTA CLARA, Calif. (KGO) -- Beyoncé's Renaissance World Tour lit up Levi's Stadium Wednesday night as fans packed in to see the 32-time Grammy Award-winning singer.

If you were there and want a recap, or if you weren't able to make it and want to see which hits she played, we have you covered. Here is her full setlist she performed Wednesday, courtesy of setlist.fm .

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PHOTOS: Beyoncé fans wear silver for Renaissance World Tour at Levi's Stadium

Opening Act

• "The Signboard" (video introduction)
• "Dangerously in Love"
• "Flaws and All"
• "1+1"
• "I'm Going Down" (Rose Royce cover)
• "I Care"
• "River Deep, Mountain High" (Tina Turner tribute)

Renaissance

• "I'm That Girl" (contains elements of "Apes-")
• "Cozy"
• "Alien Superstar" (contains elements of "Sweet Dreams")
• "Lift Off" (JAY Z & Kanye West cover) (shortened)
• "7/11" (Les Twins dance break)

Motherboard

• "Cuff It" (contains elements of "A Night To Remember" and "Love You Down")
• "Energy" (contains elements of "End of Time" and "Countdown")
• "Break My Soul" (contains elements of "Shake Your Body" by the Jacksons)
• "Formation"
• "Diva" (contains elements of "Just Wanna Rock" by Lil Uzi Vert)
• "Run The World (Girls)"
• "My Power" (contains elements of "Tanzania" and "Alright")
• "Black Parade"
• "Savage (Remix)" (Megan Thee Stallion cover)
• "Partition"
• "Church Girl"
• "Get Me Bodied"
• "Before I Let Go" (Maze featuring Frankie Beverly cover, with elements of "Freakum Dress")
• "Rather Die Young"
• "Love on Top" (contains elements of "I Want You Back" by The Jackson 5)
• "Crazy in Love"

Anointed - Pt. 2

• "Plastic Off the Sofa"
• "Virgo's Groove" (contains elements of multiple tracks)
• "Naughty Girl" (contains elements of "Love to Love You Baby" by Donna Summer)
• "Move" (contains elements of "Move Ya Body" by Nina Sky)
• "Heated"
• "Thique"
• "All Up In Your Mind"
• "Drunk In Love"

Mind Control

• "America Has a Problem"
• "Pure/Honey"
• "Summer Renaissance"

Now that you know what the setlist will be, go here for everything you need to know before Beyoncé's concert at Levi's Stadium .

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The Dream Setlist for Beyoncé’s Renaissance World Tour

With Queen Bey about to hit the road on her long-anticipated Renaissance trek, here's how we visualize the ideal version of the show going down.

By J'na Jefferson

J'na Jefferson

Contributor

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If the reported millions of fans registered for ticket queues is any indication, Beyoncé’s Renaissance World Tour is going to be one for the books.The Queen’s first solo all-stadium show since 2016’s Formation World Tour was announced Wednesday (Feb. 1) after several days of speculation and reported venue location leaks. She’ll hit up Europe first in May, and will perform in North America beginning in early July. 

There have been so many changes in the world since the last time Beyoncé performed a headlining show — and in her own life and career. Her family with husband Jay-Z grew by two, while she became the most-nominated artist in Grammys history and also garnered an Academy Award nomination. Considering the magnitude of her artistic growth since 2016 — coupled with the deep musical layers informing the RENAISSANCE era of her career — there is absolutely no telling what songs might comprise this tour’s setlist.

Beyoncé has never been a one-trick performer, and she consistently keeps fans on their toes with innovative ideas, fresh choreography and endearing song mashups. Now that she’s long beyond icon status, she has earned the liberty of continuing to do whatever the heck she feels like doing.

Where do you even start when thinking of the ideal setlist for an act as significant as Beyoncé, during a tour as massive as this one is expected to be? Will she pull deep cuts out of the vault? Will she hit every album era? Well, you won’t have to think too hard about all of that, because we have you covered.

Below is our dream setlist for Bey’s Renaissance World Tour. The setlist covers Beyoncé’s discography, keeps her past tour tendencies in mind, and also hearkens back to the beginnings of dance and house music, as Renaissance (and much of modern music as we know it) would hardly exist without them. We’re hoping that the show runs for a reasonable two-and-a-half hours — which would be fair, considering it’s her first trek in nearly seven years!

ACT 1: RENAISSANCE

The lights cut out, prompting all eyes to be planted on the stage. A low hum hits the atmosphere, sort of like singing, but mostly like the muffled sound of a club you can hear from only the outside. The hum gets clearer after about a minute passes, and it becomes evident that it’s the opening song from Renaissance . We’re about to enter the club.

"I'm That Girl" (Video Intro)

The Tommy Wright- and Princess Loko-sampling intro is the only possible track to truly start the night’s festivities off on the correct foot. Several screens showcasing that nearly-six-month-old video teaser light up the arena, while the obvious disco ball-shaped catwalk enveloping “Club Renaissance” ticket holders shines brightly. 

Beyoncé’s silhouette emerges from a shadowy backdrop to the roar of the crowd, as she welcomes them to the Renaissance World Tour. She steps into the light and continues to sing. Dancers take their places behind her and groove to the music, which cuts out as soon as T.S. Madison’s voice is heard on the track, saying, “b–ch, I’m Black.” During those lyrics, the entire arena goes black.

"Be Alive" (Interlude)

Here, we see home videos of Beyoncé and her family, set to the tune of her Oscar-nominated song from King Richard . This highlights the central theme of Black joy and love that Beyoncé aims to portray in her work. (Plus, it’s been a while since we’ve gotten a glimpse at Rumi and Sir!) The video ends just as the drums before the first verse kick in, the crowd is still seeing black.

"Alien Superstar"

“Please do not be alarmed, remain calm,” a voice says as “Alien Superstar” begins and flashing lights engulf the stage. Pandemonium ensues as the lights come back up and the song plays in its entirety. Beyoncé and her dancers are performing a synchronized routine. 

"Cuff It" / "Another Star" (Outro)

While the idea of playing her latest LP in its entirety is appealing to some, when it comes to Big B (both “Brother” and Beyoncé), you must expect the unexpected. Legendary percussionist Sheila E — who is heard on this track — pops out to slay a drum solo. Beyoncé ends the act by mashing up “CUFF IT” with Stevie Wonder’s disco fever dream “Another Star.” Sheila is playing the iconic outro on the drums as Bey’s vocals and the crowd are going crazy. 

ACT 2: THE VOCAL SHOWDOWN

While Bey leaves stage to change costume, a sultry video intro featuring the downtempo version of Deena Jones/Effie White’s “One Night Only” from Dreamgirls plays on a screen. It keeps in theme with Renaissance ’s disco influences while bringing back memories of the lauded, Bey-starring film. Dancers clad in nightgowns perform a contemporary dance routine on stage, disrobing to reveal form-fitting sequin bodysuits and lingerie.

"Love Drought"

One of the internet’s favorite Lemonade songs comes in slowly as the energy on stage shifts towards a dazzlingly dressed Beyoncé, who sits center stage as the dancers start to surround her. The choreography includes isolations, ripple effects and stunning visual formations, while hazy green and yellow lights illuminate the stadium.

"Love to Love You Baby" / "Naughty Girl"

As a sexy mashup of the 2004 hit from her debut solo album and the Donna Summer classic it prominently references plays, Beyoncé addresses the crowd, asking them how they’re doing — to uproarious applause. She then explains that the Renaissance album is about love at the core. “Tonight is all about loving who you are,” she says with a smile. “No one can tell you how to love or who to love.”

"Plastic Off the Sofa" / "Rather Die Young"

She adds that love is “meant to be fun” — and that even if you find yourself in a relationship for a long time, “flirting is still necessary!” She coos along to “Plastic Off the Sofa.” Later, she ties in “Rather Die Young” from 4 , before ending with the challenging vocal runs from “Sofa,” keeping the production from “Young” intact.

"Virgo's Groove"

The “Club Renaissance” disco ball catwalk shines light blue as dancers return in their best silk nightgowns, performing to the seductive song while Beyoncé joins them. All eyes (and ears) are waiting for her impressive vocal gymnastics to close out the song — which, of course, sound better than in the recorded version. The crowd cheers, and the lights dim.

ACT 3: LET’S DANCE

As ‘Fame’ is one of the most quintessential dance films, it would be a total miss to not include snippets of Beyoncé and her dancers gettin’ down to the title theme, performed by the late legend, Irene Cara. The song is also mashed up with B’Day ’s underrated bop, “Green Light,” and interweaves lyrics from 4 ’s “Dance For You.” It’s evident that the audience is in for a particular treat with this section. 

"Move" / "My Power" / "Mine"

The Grace Jones and Tems-assisted “Move” kicks off the section, much to the fans’ delight. Beyoncé and her dancers perform “ayyy”-inducing, African-influenced choreography with ease. “My Power” from The Lion King: The Gift kicks in near the “Move” climax, and later ties in Drake’s “do you wanna roll with a good girl?” query from “Mine” (off her self-titled album) for an iconic dance breakdown. Throughout, the choreography gets more raucous, and the crowd is rightfully, predictably losing their s–t.

"Crazy in Love" / "America Has a Problem"

Of course, Beyoncé has to tie in her first solo Billboard Hot 100 No. 1 hit, which features one of her most-anticipated dance breaks. This time around, the famed “uh-oh” twerk section pays homage to her days in the hip-hop, rappin’ group Girlz Tyme, tying in a breakdown that seamlessly flows into Renaissance ‘s “America Has a Problem.” She and her dancers bring the crowd back to the ‘80s and ‘90s — there’s even some breakdancers showing everyone how it’s done on stage. The choreo is very Janet-like, which is fitting, since Bey is obviously inspired by the Jacksons. 

"Energy" / "Baby Boy"

This is where the dancehall vibes truly come out to play, both sonically and visually. As Beyoncé and her dancers whine their waists to “Energy,” the crowd’s energy in turn ramps up. The outro for “Energy” smoothly turns into “Baby Boy,” tying in one of the most-anticipated dance breaks during her shows with a new dance jam, to make an unforgettable stage moment. There are several island-tinged tie-ins with the music here, such as Sean Paul’s “Get Busy” and Sister Nancy/Jay-Z and Damien Marley’s “Bam Bam.” Considering BEAM, the featured voice on “Energy,” is of Jamaican descent, it all feels very appropriate, and the audience is loving every moment. 

"Break My Soul"

This is the culmination of every dance party you’ve ever attended (the good ones) rolled into one. There’s ‘90s moves, there’s hip-shaking, there’s jumping, and there’s moments of smoothness in the choreography. There’s some shouting as well — especially as the crowd, in unison, emphatically shouts “AND WE BACK OUTSIDE” as though the exhaustion from several years of health-centered headlines has finally reached its peak. You’ve never heard cheers and clapping quite like this.

ACT 4: DIRTY SOUTH FLAVOR

“All Up in Your Mind” serves as the background song, while the chorus of Mike Jones’ “Still Tippin’” overlays and blares through the stadium. Echoes of the line “I’m goin’ back to the South” from “Black Parade” and lyrics from her verse in Megan Thee Stallion’s “Savage (Remix)” reverberate. Black and white visuals play of Beyoncé dismounting her trusted ‘Renaissance’ horse (Reneigh) wearing chaps, and her mirrorball cowgirl hat catches the lens as she struts into the distance. The crowd is at a fever pitch.

"Formation" / "Soldier" Mashup

Never one to forget to remind us where she came from, Beyoncé opens the section with “Formation,” performing the video’s much-emulated choreography with her backup dancers. The vibe switches with the simple lyric “we like them boys up top from the BK,” signaling the 2005 Destiny’s Child hit “Soldier” will begin. (Who wouldn’t go nuts after hearing Destiny’s Child?!)

"Let Me Try" (Interlude)

The synth-only version of the song by Kaleidoscope and Frank Tirado (used in “Freedom”) plays in the background as Beyoncé preaches to the audience about the importance of never forgetting where you come from. There’s a church organ and several colloquialisms and words of affirmation coming from her background singers and dancers. She begins to discuss her roots in the church, and how her faith has kept her afloat during so many challenging moments in her life.

"Church Girl" / "Diva"

Renaissance ’s bounce track gets the crowd hype, as Bey’s vocals and dance moves are on full display. She later ties in a bounce version of “Diva,” one of the live show’s biggest crowd pleasers. The dance break just keeps elevating from show to show, and this version within this performance era is no different. 

"Get Me Bodied" / "Stomp"

The bounce and church vibes continue, as Beyoncé wildly blends her B’Day dance hit “Get Me Bodied” with Kirk Franklin and God’s Property’s ’90s gospel classic “Stomp.” We weren’t kidding when we said to expect the unexpected! 

ACT 5: CLUB KID

“End Of Time (Revel/Super Bowl 2013 mix)” serves as this section’s background music. The sound of hands clapping and fans clacking create the beat’s build, while some affirming catchphrases often heard in queer spaces (“you betta work!” “slay!” “yaas!”) further the scene. Chopped video snippets from the first teaser of the Renaissance album fill the screen, showcasing Beyoncé in a cowboy hat in what appears to be an underground club. 

Beyoncé’s background singers begin a slow chant of “Uncle Jonny” to commemorate her deceased “fairy godmother,” before the stage opens up to reveal various ballroom-style scenes, including voguing, duckwalking and strutting. There are so many unique talents on stage that it’s hard to pin down where to look, because everything is so eye-catching. The song is performed in its entirety, with Beyoncé urging the crowd to scream the last chant so loudly that Uncle Jonny can hear them in Heaven.

"Work It Out" / "Blow" (Interlude)

This last interlude allows Beyoncé to talk about her queer fans, her relationship to the LGBTQ+ community and how disco would be nothing without them. “This is for you” she shouts to applause and adoration.

"Pure/Honey" / "You Make Me Feel (Mighty Real)"

The dancers truly take center stage here with some fabulous synchronized choreography, showcasing the hallmarks of ballroom dance culture. Fans are living for Bey’s outfit, as cheers of “mother!” come from them and the people on stage. She ties in Sylvester’s 1979 floor-filling classic “You Make Me Feel (Mighty Real)” — which, like the other mashups before it, goes off without a hitch.

"Summer Renaissance" / "Survivor" / "I Will Survive"

The album’s (and the show’s) finale, “SUMMER RENAISSANCE” closes with a renaissance of both Black music and Beyoncé’s legacy. Bey melds together Gloria Gaynor’s disco/queer liberation anthem “I Will Survive” with Destiny’s Child’s “Survivor” to really drive home the attributes of the project home, and leave the audience feeling satisfied after several years without seeing this icon in the flesh. It takes approximately four hours to get out of the area due to the influx of traffic, but it only allows more time for everyone to reminisce on the magic that just occurred.

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Beyoncé’s Renaissance Tour Set List 2023: All the Songs You Can Expect to Hear

By Lian Brooks

Beyoncé's Renaissance tour kicked off in May , and we couldn't be more excited. Having already graced the UK for her five dates at Tottenham Hotspur Stadium, she's now off to bless the rest of Europe with the music event of the year. So if you're one of the lucky few who managed to bag tickets to see Beyoncé in all her glory, these are the songs you can expect during the almost three-hour extravaganza. Don't tell us Queen B doesn't give you value for your money.

From timeless classics like “Crazy in Love” to new faves such as "Break My Soul, ” the queen is spoiling us with a 40-song list of her best hits. The last time Beyoncé performed was in Dubai for her first full concert in four years , but she made sure to save her Renaissance tracks exclusively for her 2023 world tour.

These are the songs Beyoncé's Renaissance tour will feature, whether you're prepping to see her or are reminiscing over what is sure to have been one of the most memorable nights of your life.

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Beyoncé's Renaissance tour set list

1. “Dangerously in Love”

2. “Flaws and All”

4. “I Care / I'm Goin' Down (Mary J. Blige cover)”

5. “I'M THAT GIRL”

7. “ALIEN SUPERSTAR / Sweet Dreams (Medley)”

8. “Lift Off (from Jay-Z and Kanye West's WATCH THE THRONE)”

9. “7/11 (Interlude)”

10. “CUFF IT / CUFF IT - WETTER REMIX”

11. “ENERGY (ft. Beam)”

12. “BREAK MY SOUL / BREAK MY SOUL - THE QUEENS REMIX (ft. Madonna)”

13. “No Angel”

14. “Haunted”

15. “Formation”

17. “Run the World (Girls)”

18. “MY POWER (from The Lion King: The Gift )”

19. “BLACK PARADE”

20. “Savage Remix (Megan Thee Stallion ft. Beyonce)”

21. “Partition”

22. “Yonce”

23. “CHURCH GIRL”

24. “Get Me Bodied / Freakum Dress”

25. “Before I Let Go”

26. “Rather Die Young”

27. “Love on Top”

28. “Crazy in Love (ft. Jay-Z)”

29. “PLASTIC OFF THE SOFA”

30. “VIRGO'S GROOVE”

31. “Naughty Girl”

32. “MOVE (ft. Grace Jones)”

33. “HEATED”

34. “THIQUE”

35. “ALL UP IN YOUR MIND”

36. “Drunk in Love”

37. “AMERICA HAS A PROBLEM”

38. “PURE/HONEY”

40. “SUMMER RENAISSANCE”

Beyoncé's Renaissance Tour in Stockholm, Sweden

Beyoncé's Renaissance Tour Europe dates

• May 10–11  - Friends Arena, Stockholm
• May 14 - King Baudoudin Stadium, Brussels
• May 17 - Principality Stadium, Cardiff, Wales
• May 20 - BT Murrayfield Stadium, Edinburgh
• May 23 - Stadium of Light, Sunderland, England
• May 26 - Stade de France, Saint-Denis, France
• May 29–30, June 1, 3–4 - Tottenham Hotspur Stadium, London
• June 8 - Estadi Olimpic Lluis Companys, Barcelona
• June 11 - Orange Velodrome, Marseille, France
• June 15 - RheinEnergieStadion, Cologne, Germany
• June 17–18 - Johan Cruyff Arena, Amsterdam
• June 21 - Volksparkstadion, Hamburg, Germany
• June 24 - Deutsche Bank Park, Frankfurt
• June 27–28 - PGE Narodowy, Warsaw

Beyoncé's Renaissance Tour North America Dates

• July 8–9 - Rogers Centre, Toronto
• July 12 - Lincoln Financial Field, Philadelphia
• July 15 - Nissan Stadium, Nashville
• July 17 - L&N Federal Credit Union Stadium, Louisville, Kentucky
• July 20 - Huntington Bank Stadium, Minneapolis
• July 22–23 - Soldier Field, Chicago
• July 26 - Ford Field, Detroit
• July 29–30 - MetLife Stadium, East Rutherford, New Jersey
• August 1 - Gillette Stadium, Foxborough, Massachusetts 
• August 3 - Acrisure Stadium, Pittsburgh
• August 5–6 - FedExField, Summerfield, Maryland
• August 9 - Bank of America Stadium, Charlotte, North Carolina
• August 11–12, 14 - Mercedes-Benz Stadium, Atlanta
• August 16 - Raymond James Stadium, Tampa
• August 18 - Hard Rock Stadium, Miami Gardens, Florida
• August 21 - The Dome at America's Center, St. Louis
• August 24 - State Farm Stadium, Glendale, Arizona
• August 26–27 - Allegiant Stadium, Paradise, Nevada
• August 30 - Levi's Stadium, Santa Clara, California
• September 1–2, 4 - SoFi Stadium, Inglewood, California
• September 11 - BC Place, Vancouver
• September 13 - Lumen Field, Seattle
• September 18 - GEHA Field at Arrowhead Stadium, Kansas City, Missouri
• September 21 - AT&T Stadium, Arlington, Texas
• September 23–24 NRG Stadium, Houston
• September 27 - Caesars Superdome, New Orleans 

By Kathleen Walsh

By Sam Reed

By Héloïse Salessy

This post was originally published in Glamour UK.

By Emily Tannenbaum

By Elizabeth Logan

Beyoncé's Set Designer Breaks Down Epic Renaissance Tour Staging

Contributor

Just when we all thought Beyoncé ’s Renaissance World Tour couldn’t get any more mind-blowing, her set designer has shared just how the impressive production came together.

The spectacular set of shows, which kicked off in Sweden earlier this month , are already sending social media into a frenzy, with the Break My Soul hitmaker delighting fans by inviting her daughter Blue out on stage in recent days .

But now an eye-opening Instagram post from Beyoncé’s set designer Es Delvin has given the worldwide tour a whole new meaning.

The artist shared enlightening insight into the creation of the Renaissance tour set design, revealing that a creative team spent almost two years transforming Beyoncé’s poetry into art.

And if you haven’t seen pictures already, the stage itself is pretty inspiring, boasting a giant screen containing a large “portal” right in the centre.

View this post on Instagram

Taking to the social media app, Es shared sketches coming to life, showing how ideas on paper came to life.

Captioning the post, she wrote: “ Beyoncé’s LA studio reminds me of Andy Warhol’s Factory: her endlessly curious creative team, Parkwood, are there all year round, helping Beyoncé to translate her poetry and scripts into films and artworks.

“We had meetings at the studio and on zoom between September 2021 and March 2023 – constantly sketching the evolving ideas for the Renaissance Tour."

“As Beyoncé read her poetic lockdown film scripts to us, the show’s three-hour, six-act structure began to emerge,” she continued.

Es explained that Beyoncé’s range of references are broad and include “redlining” – which is the denial of loans and mortgages in Black residential areas – reclamation of rodeo culture for Black Americans and the echo chambers of surveillance capitalism.

She revealed that those three themes were “all shot through with the silver-sequinned joy, liberty and luminosity of LGBTQ+ Ball culture”.

Concluding the post, Es added: “Working closely with the architects from Stufish, we envisaged a stadium sized ‘film with a hole’.

“Ed Burke and Andrew Makadsi from Beyoncé’s Parkwood team curated the vast perforated LED sculpture into a euphoric three-hour kinetic painting made of light, Fatima Robinson directed the choreography, James Merryman the cameras, and Tobias Rylander the light .”

Es’s work on the Renaissance tour has been branded “out of this planet” and “genius” by mind-blown fans.

“As an architect I’m in awe of the design’s fruition and the hard work that must’ve gone on behind the scenes,” another said. “I love how it seamlessly blends into the crowd and not isolate the performer from the audience. Easily one of the best stage designs of all time! ’

This isn’t the first time Es has worked with Beyoncé either, having previously designed the set for the record-breaking Grammy winner’s Formation stadium tour back in 2016.

Es has helped a plethora of huge names bring their stage shows to life, including the likes of Adele , The Weeknd and Lady Gaga .

Beyoncé’s Renaissance World Tour is currently on its five-date London leg, with the whole of June dedicated to European dates.

The tour will run until September, with New Orleans marking the closing concert.

More In Entertainment

Beyoncé’s Renaissance Tour Set Is a Dazzling-Disco Afro-Futuristic, Queer Fantasy Brought Center Stage

Design mastermind Es Devlin has done it again.

Queen Bey’s Renaissance world tour kicked off May 10 in Stockholm, following her album’s release last July (the tour is currently on its final leg in the states, where it will run until the end of September). It’s the megastar’s first solo tour in seven years, and the performance—the singer-songwriter’s biggest-budget touring set yet, which Forbes predicts could bring in as much as $2.1 billion—took Devlin and her team almost two years to complete. It was worth the wait.

The arena is befitted with a massive, stadium-size green screen, with a giant circular stage portal in the center. The whole structure is further perforated by LED lights that transform the stage into a fully immersive kinetic light show. And that’s just the framework. Over the course of the show’s three-hour, six-act structure, the stage is transformed into a glitzy disco cowboy wonderland (you couldn’t count all the sequins in just one sitting), a hypnotic lipstick-red universe, and an intergalactic sphere of otherworldly forms and metallic hues.

“Beyoncé’s L.A. studio reminds me of Andy Warhol’s factory,” wrote Devlin in a since-deleted Instagram post, according to Huffington Post . All of which was “shot through with the silver-sequinned joy, liberty, and luminosity of LGBTQ+ ball culture.”

The props, too, are absurdly—ludicrously—fantastical. During her performance of the song “Cozy,” Beyoncé is accompanied by two massive dancing robot arms that tower over her, a nod to the face-framing ’80s dance move. That’s followed by a large chrome tank vehicle that the megastar sits atop, performing her 2020 remix of Megan Thee Stallion’s “Savage” while anchored to a pole. At one point, campy set pieces like massive cyborg boobs and gigantic robot legs in spread-eagle position make an appearance.

The show then shifts pace as Beyoncé sits perched like Aphrodite in a life-size, rotating translucent seashell. And then there’s the unforgettable finale that nearly broke the internet: Beyoncé straddles a disco-ball-sparkly horse (reminiscent of the one seen in the cover art of her Renaissance album) that lifts off from the main stage to hover above the nearest seating area. All the while, she’s belting her Grammy-award-winning “Summer Renaissance” ballad. It’s the ultimate Afro-futuristic fantasy.

Beyond the show’s larger-than-life props, it’s the set, ultimately, that plays the biggest role in the production. The massive circular stage at the center of the stadium operates at a scale so large that concert attendees in the nosebleed seats are also having an immersive experience. But of course, that’s exactly what you might expect from Devlin.

You’ve undoubtedly seen a Devlin design, even if you didn’t recognize it. The British designer who got her start in theater design in the mid-1990s has worked on an estimated 380 projects, masterminding the stage for Adele, Lady Gaga, and the Weeknd, as well as sets for the Royal Opera House in London, displays at the Super Bowl, and installations for Cartier and Saint Laurent.

Devlin wrote on Instagram that, working alongside Parkwood Entertainment , an entertainment and management company founded by Beyoncé herself, they spent more than a year and a half “constantly sketching the evolving ideas for the Renaissance tour.” Then, meeting with Beyoncé, she recalls how their creative vision further evolved. “As Beyoncé read her poetic lockdown film scripts to us, the show’s three-hour, six-act structure began to emerge,” she wrote.

As with much of Devlin’s work, her vision lies in translating Beyoncé’s words and music into visuals that transcend the dancehall energy of the starlet’s iconic ballads through a range of references. Whether it’s the reclamation of rodeo culture for Black Americans through metallic cowboy garb or a critique of surveillance capitalism via robotic props—or the hardly subtle, gloriously bedazzling optics that are bursting with queer joy—it’s clear that Beyoncé sees her art as a way to do more than make catchy music. And when it comes to translating that to a broad audience, Devlin certainly knows how to bring that center stage.

Rachel Silva, the Assistant Digital Editor at ELLE DECOR, covers design, architecture, trends, and anything to do with haute couture. She has previously written for Time, The Wall Street Journal, and Citywire.

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Beyonce RENAISSANCE Tour setlist 2023 in full: What songs does Beyonce sing at stadium concerts, what time is she on stage in Barcelona Spain and who is the support act?

The wait is finally over. Beyonc é 's much-anticipated RENAISSANCE World Tour is officially under way, with the superstar having kicking things off at the Friends Arena in Stockholm, Sweden.

Set to perform classics from her back catalogue, and tracks from Number 1 album RENAISSANCE including Top 20 hits BREAK MY SOUL, CUFF IT and ALIEN SUPERSTAR, the concert marks Bey's first solo world tour since 2016's The Formation World Tour. In 2018, she joined husband Jay-Z on their On The Run II Tour.

If you're going along to one of Beyoncé's shows across Europe and the UK, check out the full setlist below.

Beyonce's next RENAISSANCE Tour concert is RheinEnergieStadion, Cologne, Germany on June 15.

MORE: See where every Beyoncé song and album charted in the UK

Beyonce setlist 2023: renaissance tour songs for rheinenergiestadion, cologne, germany on june 15th:, 1. dangerously in love, 2. flaws and all, 4. i care / i'm goin' down (mary j. blige cover), 5. i'm that girl, 7. alien superstar / sweet dreams (medley), 8. lift off (from jay-z and kanye west's watch the throne), 9. 7/11 (interlude), 10. cuff it / cuff it - wetter remix, 11. energy (ft. beam), 12. break my soul / break my soul - the queens remix (ft. madonna), 13. no angel, 14. haunted, 15. formation, 17. run the world (girls), 18. my power (from the lion king: the gift), 19. black parade, 20. savage remix (megan thee stallion ft. beyonce), 21. partition, 23. church girl, 24. get me bodied / freakum dress, 25. before i let go, 26. rather die young, 27. love on top, 28. crazy in love (ft. jay-z), 29. plastic off the sofa, 30. virgo's groove, 31. naughty girl, 32. move (ft. grace jones), 35. all up in your mind, 36. drunk in love (first date only), 37. america has a problem, 38. pure/honey, 40. summer renaissance.

What are Beyonce's RENAISSANCE UK and Europe tour dates?

May 10 & 11 2023: friends arena, stockholm, sweden, may 14 2023: king baudoudin stadium, brussels, belgium, may 17 2023: principality stadium, cardiff, wales, may 20 2023: bt murrayfield stadium, edinburgh, scotland, may 23 2023: stadium of light, sunderland, england, may 26 2023: stade de france, saint-denis, france, may 29 & 30 and june 1, 3 & 4 2023: tottenham hotspur stadium, london, england, june 8 2023: estadi olimpic lluis companys, barcelona, spain, june 11 2023: orange velodrome, marseille, france, june 15 2023: rheinenergiestadion, cologne, germany, june 17 & 18 2023: johan cruyff arena, amsterdam, netherlands, june 21 2023: volksparkstadion, hamburg, germany, june 24 2023: deutsche bank park, frankfurt, germany, june 27 & 28 2023: pge narodowy, warsaw, poland.

MORE: Beyoncé's biggest songs in the UK

What does beyonce's renaissance tour stage look like.

Fans have been posting photos from their spots in the crowd on social media, and it's safe to say the stage is *huge*.

Vai começar o primeiro show da nova turnê da Beyonce!!! SOS #RenaissanceWorldTour pic.twitter.com/sZIcIvtJWi — roodx (@rodtuita) May 10, 2023

What time is Beyonce on stage in London on the RENAISSANCE Tour?

Beyonc é is expected on stage at around 7:00 PM.

Where is Beyonce playing a concert on the RENAISSANCE Tour next?

Beyonce's next show will be at RheinEnergieStadion, Cologne, Germany on June 15 2023 .

Are tickets still available to buy for Beyonce's RENAISSANCE Tour?

Tickets are very nearly sold out, but there's limited availability for the UK dates at Ticketmaster .

Who is Beyonce's RENAISSANCE Tour support act?

Beyonc é doesn't have a support act on this tour (but she does have an amazing pre-show playlist including such bops as Ariana Grande 's Into You ).

Oh, and she's also joked she's her own opening act with the ballad segment at the start of the setlist. Queen.

Where to buy Beyonce RENAISSANCE Tour merch:

Official RENAISSANCE Tour merchandise can be purchased from the designated stands at each venue.

Article images: Andrew White / Mason Poole

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Beyoncé Renaissance Tour Set List—See if Your Favorite Song Made the Cut

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Whether you managed to score tickets or just want to live vicariously through those that did, Beyoncé ‘s Renaissance tour setlist is one for the ages. Beyoncé —whose full name is Beyoncé Giselle Knowles-Carter—debuted with the girl group Destiny’s Child in 1996 along with fellow members Kelly Rowland, LaTavia Roberson and LeToya Luckett. The band—whose final line-up consisted of Beyoncé, Rowland and Michelle Williams—went on to sell more than 60 million records worldwide and become of the most successful artists of the 2000s for hits like “Survivor,” “Independent Women,” “Bootylicious,” “Bills, Bills, Bills” and “Say My Name.”

Beyoncé  made her solo debut in 2003 with her first single “Crazy in Love” featuring her now-husband, Jay-Z. The song, which was featured on Beyoncé’s debut album  Dangerously in Love , reached number one on the Billboard Hot 100 chart and led to other hits like “Check on It,” “Deja Vu” and “Me, Myself and I.” Since  Dangerously in Love , Beyoncé has released six more albums: 2006’s  B’Day , 2008’s  I Am… Sasha Fierce , 2011’s  4 , 2013’s  Beyoncé , 2016’s  Lemonade  and 2022’s  Renaissance.

The album—also titled  Act I: Renaissance —is the first act of a trilogy project Beyoncé started during the COVID-19 pandemic. “Creating this album allowed me a place to dream and to find escape during a scary time for the world. It allowed me to feel free and adventurous in a time when little else was moving,” Beyoncé explained in an Instagram post on June 30, 2022. “My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking. A place to scream, release, feel freedom. It was a beautiful journey of exploration. I hope you find joy in this music. I hope it inspires you to release the wiggle. Ha! And to feel as unique, strong, and sexy as you are.”

Beyoncé’s Renaissance World Tour Set List

Beyoncé’s Renaissance tour setlist comprises 36 songs total—if there’s no divergence from the setlist that she performed to open the tour in Sweden on May 10, 2023. They’re broken up into acts with video introductions acting as bookends so that the set—and Queen Bey—can change. As Rolling Stone ‘s review of the Stockholm show noted: Beyoncé “perfectly broke up  Renaissance  — and played the album in full, as many had hoped — creating mini-worlds around them.” The setlist is below, according to Setlist.fm .

Opening Act

Dangerously in Love 2 Flaws and All 1+1 I’m Going Down (Rose Royce cover) I Care

Renaissance

I’M THAT GIRL COZY ALIEN SUPERSTAR Lift Off (JAY Z & Kanye West cover) 7/11

Motherboard

CUFF IT ENERGY BREAK MY SOUL

Formation Diva Run The World (Girls) MY POWER BLACK PARADE Savage (remix) Partition

CHURCH GIRL Get Me Bodied Before I Let Go (Maze featuring Frankie Beverly cover) Rather Die Young Love on Top Crazy in Love

Anointed Pt. 2

PLASTIC OFF THE SOFA VIRGO’S GROOVE Naughty Girl MOVE HEATED THIQUE ALL UP IN YOUR MIND Drunk in Love Mind Control AMERICA HAS A PROBLEM PURE/HONEY SUMMER RENAISSANCE

What are Beyoncé’s Renaissance World Tour dates?

What are Beyoncé’s Renaissance World Tour dates? Beyoncé’s Renaissance World Tour starts in North America at the Rogers Centre in Toronto, Ontario, Canada, on July 8, 2023, and ends at the Caesars Superdome in New Orleans, Louisiana, on September 27, 2023. See Beyoncé’s North America Renaissance World Tour dates below.

July 8, 2023  – Toronto, Ontario, Canada @ Rogers Centre July 9, 2023 – Toronto, Ontario, Canada @ Rogers Centre July 12, 2023 – Philadelphia, Pennsylvania @ Lincoln Financial Field July 15, 2023 – Nashville, Tennessee @ Nissan Stadium July 17, 2023 – Louisville, Kentucky @ Cardinal Stadium July 20, 2023 – Minneapolis, Minnesota @ Huntington Bank Stadium July 22, 2023 – Chicago, Illinois @ Soldier Field July 23, 2023 – Chicago, Illinois @ Soldier Field Stadium July 26, 2023 – Detroit, Michigan @ Ford Field July 29, 2023 – East Rutherford, New Jersey @ MetLife Stadium July 30, 2023 – East Rutherford, New Jersey @ MetLife Stadium August 1, 2023 – Boston, Massachusetts @ Gillette Stadium August 3, 2023 – Pittsburgh, PA @ Heinz Field August 5, 2023 – Washington, DC @ Fedex Field August 6, 2023 – Washington, DC @ FedEx Field August 9, 2023 – Charlotte, NC @ Bank Of America Stadium August 11, 2023 – Atlanta, GA @ Mercedes-Benz Stadium August 12, 2023 – Atlanta, GA @ Mercedes-Benz Stadium August 16, 2023 – Tampa, FL @ Raymond James Stadium August 18, 2023 – Miami, FL @ Hard Rock Stadium August 21, 2023 – St. Louis, MI @ Dome at America’s Center August 24, 2023 – Phoenix, AZ @ State Farm Stadium August 26, 2023 – Las Vegas, NV @ Allegiant Stadium August 30, 2023 – San Francisco, CA @ Levi’s Stadium September 2, 2023 – Los Angeles, CA @ SoFi Stadium September 3, 2023 – Inglewood, CA @ SoFi Stadium September 11, 2023 – Vancouver, CA @ BC Place September 13, 2023 – Seattle, WA @ Lumen Field September 18, 2023 – Kansas City, MO @ Arrowhead Stadium September 21, 2023 – Dallas, TX @ AT&T Stadium September 23, 2023 – Houston, TX @ NRG Stadium September 24, 2023 – Houston, TX @ NRG Stadium September 27, 2023 – New Orleans, LA @ Caesars Superdome

Who is Beyoncé’s Renaissance World Tour opening act?

Who is Beyoncé’s Renaissance World Tour opening act? Rolling Stone ‘s review of the Stockholm show revealed that the show jumps straight into Beyoncé’s performance: “The show had a twist start: Instead of throwing a Studio 54-esque party right off the bat, Yoncé arrived on stage in a gold suit with her band, a giant, heavenly cloud scene on the stage-wide screen behind her. She sang “Dangerously in Love,” a song she hasn’t performed live since 2009, and a ballad,” the writer wrote. “It was like she was her own opening act (there were no other opening acts, for the record)”. However, The New York Post reported in February 2023 that there were rumors singer and model Grace Jones would join her on tour. Jones has modeled for fashion brands like Yves St. Laurent and Kenzo, as well as magazines like Elle and Vogue. She’s also a new-wave singer best known for songs like “Private Life,” “Pull up to the Bumper,” “I’ve Seen That Face Before” and “Slave to the Rhythm.” Jones is also featured on Beyoncé’s song “Move” from her 2022 album, Renaissance .

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Beyoncé dances with giant robot arms on opening night of Renaissance World Tour

May 10, 2023 / 8:44 PM EDT / CBS News

Beyoncé kicked off her 57-date Renaissance World Tour in Stockholm, Sweden, on Wednesday with futuristic panache. 

The set design on the opening night of the global superstar's second all-stadium solo tour appeared to be her most ambitious to date. Videos posted on social media showed pyrotechnics, disco balls, giant moving robots , and even a shiny, metallic tank that Beyoncé rode while singing.

The tour is in support of Beyoncé's seventh solo studio album, "Renaissance. It is her first solo tour in nearly seven years. The Formation World Tour in 2016 supported her album "Lemonade." 

Beyoncé sang all 16 songs from "Renaissance" at the tour's opening show, marking the first time she'd performed any of them live. Several older songs from her expansive catalog made their live debuts as well, including the Grammy-winning "Black Parade," "Lift Off" and "Savage Remix," her number-one hit with Megan Thee Stallion. 

Beyoncé started the show with four straight ballads, including her 2003 "Dangerously In Love 2," an unconventional move by a singer known to open her concerts with fast-paced smash hits like "Crazy In Love," "Run the World (Girls)," and "Formation." 

Beyoncé then launched into songs from "Renaissance," with performances replete with a futuristic set design — including those robotic arms — and queer, Black and trans-inspired choreography that evoked the themes and tenor of her latest acclaimed album. 

Dancing energetically alongside a legion of backup dancers wearing blonde wigs and glitzy silver leotards, the 41-year-old mother of three sang (and rapped) with the power and pristineness that's put her in a distinct category of pop performers. Her athleticism doesn't seem to have waned since her astonishingly aerobic headlining sets at Coachella in 2018. 

The performers' outfits were as outlandish and ultramodernist as the show's set design, ranging from a gold bodysuit inspired by Loewe's Fall 2022 collection to a giant bee costume — a sartorial embrace of her designation as "Queen Bey." Another outfit appeared to be transformed by UV light while she was wearing it. 

Beyoncé ended the show with a performance of the album's final track, "Summer Renaissance," while perched atop a gleaming, crystalline horse — evoking the "Renaissance" album cover — and later being hoisted above the crowd  amid a cloud of glittery confetti.  

Wednesday marked just the second live performance for Beyonce in nearly three years. Before her January show at the opening of Atlantis The Royal hotel in Dubai, Beyoncé hadn't performed in front of a live audience since she sang at Kobe Bryant's memorial in February 2020. She co-headlined her last world tour with her husband, Jay-Z, in 2018. 

Forbes on Monday predicted the Renaissance World Tour could earn nearly $2.1 billion — $500 million more than Taylor Swift's "Eras" world tour is expected to make and more than the revenue from all of Beyoncé's previous concerts combined. 

Beyoncé has announced that she will provide support for students and entrepreneurs throughout the Renaissance World Tour by giving out a total of $2 million through her BeyGOOD Foundation . The foundation's BeyGOOD initiative, founded in 2013, has undertaken various philanthropic endeavors in the U.S. and worldwide, including providing aid to communities affected by natural disasters, promoting education and supporting programs that address issues such as housing scarcity and mental health. It has also provided grants to small, Black-owned businesses — a focus since the start of the COVID-19 pandemic.

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S. Dev is a news editor for CBSNews.com.

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Beyoncé Concert Setlists & Tour Dates

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Beyoncé at GEHA Field at Arrowhead Stadium, Kansas City, MO, USA

• The Signboard
• Dangerously in Love
• Flaws and All
• I'm Going Down
• River Deep, Mountain High
• RENAISSANCE
• I'M THAT GIRL
• ALIEN SUPERSTAR

Beyoncé at Caesars Superdome, New Orleans, LA, USA

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Beyoncé raises – and clears – her own ambitious bar at Renaissance tour US opener

PHILADELPHIA – Two  Beyoncé s come to play on her Renaissance World Tour .

There is the understated Beyoncé  of the opening segment, her creme brulee -colored hair blowing delicately as she vocalizes intently through “Dangerously in Love,” sits elegantly atop a sliver baby grand piano for “1+1” and thanks the crowd for their loyalty (“You are the reason I’m standing on this stage”).

Then there is the Beyoncé of the other five segments of the show, with themes such as “Renaissance,” “Opulence” and “Motherboard.”

This Beyoncé is an unstoppable force of precise movement and vocal dynamics, a superstar who, two months shy of turning 42 and in the where-did-the-time-go third decade of her career, has raised – and cleared – her own ambitious bar yet again.

At Philadelphia’s Lincoln Financial Field Wednesday, Beyoncé finally unveiled her colossal, eye-popping production in the U.S. She’s already played for a million-plus fans since launching the world tour in Sweden in May, allowing her time to perfect every second of this polished, 2 ½-hour spectacle that will play nearly two dozen stadiums through October.

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Though a tiny, taut figure on a stage designed with ramps, staircases and catwalks, Beyoncé loomed magnificently on a video screen wall, her doe-eyed beauty and trademark snarls amplified to reach the farthest cranny of the venue.

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The dazzling concept videos that ushered in each changeover – particularly, the futuristic visual feast that created a Bey-bot for the “Renaissance” segment – captivated, never feeling like costume-change filler or a glitzy stall tactic.

Of course, there is no stalling in Beyoncé’s universe . The blizzard of beats powering “I’m That Girl” and “Cozy” was complemented by rigidly snapped elbows, severe shoulder shrugs and cocked hips by Beyoncé and her cadre of 10 female dancers.

Her ode to house music, punctuated by “Cuff It” and “Break My Soul” – standout tracks from last summer’s “Renaissance” album – pulsed accordingly, with lights attacking from every angle of the stadium.

Clad in a Barbie-pink gown with more slits than material, Beyoncé radiated glam-infused confidence. When her sunglasses slid down her nose one too many times, they were brusquely tossed offstage. No errant eyewear will impede her rhythm.

A hearty rump shake at the start of “Break My Soul” sent the sold-out crowd into spasms, but it was the midsong interpolation of Madonna’s “Vogue” that further encouraged their glee as Beyoncé name-checked Lizzo, Nina Simone, Solange Knowles and Jilly From Philly in her recitation.

By now, the Beyhive knew to expect an appearance by Blue Ivy, the 11-year-old daughter of Beyoncé and husband Jay-Z (aka Shawn Carter), who started joining the team on stage in Europe. But even with advanced knowledge, the crowd erupted when the preteen arrived during “My Power,” leading the dance crew down a ramp while Mom followed atop a glistening tank-like vehicle.

Blue Ivy ably kept pace with the fleet feet around her, ending “Black Parade” with her fist in the air. As the audience showered the young Carter with more whoops of appreciation, Beyoncé’s game face melted into a proud smile, leading to one of the most memorable snapshots of the night.

The tour set list draws heavily from “Renaissance” as expected, but Beyoncé sprinkles in hits – though maybe not enough for some fans – from her robust catalog, including “Naughty Girl” and “Formation.”

A musical highlight landed with the double punch of classics “Love on Top” and “Crazy In Love.” With her male dancers lined up behind mic stands, Beyoncé humorously led the crowd through the escalating key changes in “Love on Top” before the delectable groove of the song dovetailed into the snaky bass line of The Jackson 5’s “I Want You Back,” complete with throwback choreography.

It was a moment of unadulterated joy that remained through the sizzle of “Crazy in Love,” which included a fabulous coda by her hardworking band.

The tempo of the show decelerated a bit as Beyoncé entered the homestretch in her already-famous Loewe bodysuit designed with strategically placed handprints. “Plastic Off the Sofa” and “Virgo’s Groove” didn’t have the audience as adrenalized as intensely as other selections from “Renaissance.” But by the time she reemerged for the encore sporting a yellow-and-black headdress and offering a powerful missive with “America Has a Problem,” attentions were rapt again.

Soaring balladeer and poetic messenger. Refined couture and sequined camouflage. Warm smiles and dramatic sneers.

Beyoncé delivers all of it, with excellence.

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Every Look From Beyoncé’s Renaissance Tour, From Custom Catsuits to Disco-Inspired Couture

Beyoncé’s Renaissance tour began with a bang in Stockholm and it hasn't slowed down since. The highly-anticipated show has featured inventive set design, a decades-spanning setlist, and a plethora of standout style moments—from to archival pieces to custom looks and nearly everything in between. The star’s wardrobe has combined her signature style with the visual ethos of the album Renaissance ( think lots of sequins, silver, catsuits, and the occasional bee-inspired look). Beyoncé has also been wearing looks from brands specific to the city she’s performing in—for the UK leg of her tour she wore picks from the London-based Mary Katrantzou and Robert Wun while in Marseille, France she opted for a look by designer Simon Porte Jacquemus.

The singer has donned looks from both established brands—Valentino, Mugler, lots of Alexander McQueen, among others—as well as smaller labels like Anrealage and Brandon Blackwood. Balmain catsuits and mini dresses have been a constant throughout her tour wardrobe (in March, she partnered with creative director Olivier Rousteing to design a Renaissance couture line for the brand ) as well as imaginative pieces from Loewe. Beyoncé began the tour in Europe which has seen her in London, Paris, and other cities with the last being Warsaw, Poland on June 28th. She will then head to North America with her last date coming in New Orleans, Louisiana on September 27th. Needless to say, there will be countless more style moments to come—so, to make sure you don’t miss one look, keep checking back here as we keep track of everything Beyoncé has worn during the Renaissance world tour.

Beyoncé certainly made a splash for her final Renaissance show in Kansas City, Missouri. To open the concert, the star wore a custom Balenciaga gown, embroidered with over 8000 crystal rhinestones, and black opera gloves.

The star also brought out a black, latex version of a previous Ivy Park bodysuit and cropped jacket for her final show.

It’s fitting that perhaps the most memorable look from Beyoncé’s tour, a crystalized Loewe bodysuit, came in not one, not two, but three color ways.

At Beyoncé’s Houston show, Meghan Thee Stallion hit the stage to perform the “Savage” remix live for the first time. Naturally, then, the singer made sure to bring out a handful of major looks for such an occasion, including this dramatic black-and-white Balmain gown.

For another Houston ensemble, Beyoncé went with a black number by British maestro Gareth Pugh that was trimmed with reflective detailing.

Lingerie powerhouse Agent Provocateur designed this fringed, metallic piece for the singer’s Houston Renaissance stop.

American designer Rick Owens’ first custom look for Beyoncé’s tour came in the form of this plunging, sculptural bodysuit that she paired with silver cut-out boots and shield sunglasses.

The Carters have a song called “Boss,” but it was Beyoncé who looked in control wearing this full look from, yes, Boss. Silver was again the color of choice for the star—opting for slouchy boots, a form-fitting bodysuit, and cropped statement jacket.

Beyoncé donned her mermaid best while in Dallas, Texas with this custom Georges Hobeika couture look. The gown, which took over 300 hours to make, is embroidered with layers of Swarovski crystals and features a dramatic head veil.

This custom look from Milanese house Del Core featured pink garter boots and a sculptural bodysuit complete with statement shoulders. Plus, some very “Alien Superstar” sunglasses to match.

Despite saying her “Telfar bag imported,” it took Beyoncé until her tour’s Seattle stop to sport a look from the New York brand . The red, sequined cut-out bodysuit was certainly worth the wait, though (Blue Ivy also had a matching look from Telfar).

For her show in Seattle, Washington, Beyoncé donned lots of denim in the form of this Diesel bodysuit moment complete with a blue overcoat.

The star pulled out this crystallized, sheer Elie Saab couture look complete with a dramatic hood and feathered train.

This sequined Vera Wang bodysuit was taken to the next level with layers of blue chiffon that moved gracefully while the singer performed in Vancouver, Canada.

For her first Renaissance concert up North in Vancouver, Canada, Beyoncé pulled out a few new looks like this custom Ivy Park gear that featured intricate embroidery throughout. She added a matching top hat, overcoat, and silver above-the-knee boots to complete the ensemble.

Brazilian brand PatBO brought the sparkle (and fringe) with this eye-catching, hand-beaded number they designed for the singer’s Vancouver, Canada concert.

This is the second flame bodysuit that Roberto Cavalli has designed for the singer. This time, though, the look was even more fiery thanks to dozens of red and orange Swarovski crystals lining the piece.

Beyoncé made this barely-there lingerie look by Agent Provocateur stage-ready by adding fringed boots and a sparkly overcoat.

Like many a pop star, it’s no secret that Beyoncé loves a Mugler bodysuit. Here, the star wore a strappy silver version that she styled with metallic boots and shield sunglasses.

Beyoncé pulled out all types of looks for her Los Angeles show, which also happened to fall on her 42nd birthday. In one of many new looks during the night, she rocked this embroidered Givenchy bodysuit with a cropped black jacket and patent heels.

Beyoncé went big for her first Versace look during her Renaissance tour. She wore a skin-hugging mini dress and over-the knee boots designed in the Italian brand’s signature Medusa print.

The star opted for a lace Dolce & Gabbana look consisting of a corseted bodice and a dramatic off-the-shoulder train.

A vision in red, Beyoncé wore a ruched Balmain top that she paired with latex, cargo-style pants and opera-length gloves. To round out the look, she wore a Ruslan Baginskiy hat and Thierry Lasry sunglasses.

Pucci is known for their statement prints, so it’s no surprise this bodysuit was heavy on all sorts of colors. The look featured the Italian brand’s archival "Giardino” print as well as crystal embellishments and a sparkling body chain.

Loewe may have created the most memorable look from Beyoncé’s tour thus far with their “hands” bodysuit. For her Los Angeles show, the singer wore another anatomy-focused look from the Spanish brand, this one, in black and red.

This pink Gucci look consisted of pleated satin and a handful of pearl and crystal embellishments. The star added in velvet gloves, a wide-brimmed hat, and a pair of bedazzled binoculars for good measure.

For the opening portion of her Los Angeles show, Beyoncé donned this rose pink Tamara Ralph gown that featured ruching at the side and feathered sleeves.

While she may have been hidden underneath a sculptural headpiece, this ivory Danielle Frankel look certainly spoke for itself.

Australian designer Tamara Ralph created this velvet gown, complete with shimmering details at the bodice, for Beyoncé’s Los Angeles show. She paired the dramatic piece with a black top hat and Alaïa heels.

The singer looked in control with a custom A-Morir cane that she wore with a bedazzled bodysuit by Prada inspired by their spring/summer 2012 collection.

Instead of her usual over-the-knee stilettos, Beyoncé opted for a towering pair of Marc Jacobs “Kiki” boots. She also wore a custom iteration of a look from the American brand’s fall/winter 2023 collection that featured a glittering red scarf.

This custom Alexander McQeen number, which featured an embellished mini dress and sculptural headpiece, was inspired by the brand’s fall/winter 2013 couture collection.

Sarah Diouf, the designer behind African brand Tongoro, designed this black-and-white motif bodysuit, gloves, and boots for the singer’s Santa Clara, California show.

The star looked presidential in another Ralph Lauren look, this one, a tuxedo-style bodysuit that she paired with a feather boa, bedazzled cane, and black boots.

In an ensemble that would make her song “Telephone” proud, Beyoncé donned a custom bodysuit by Lou de Bètoly made from recycled phones, chargers, and crystals.

Yes, that is Beyoncé hidden under all of that silver fringe. During her Las Vegas show, she certainly made a statement in this silver Jacquemus look.

Even when hidden underneath a red top hat, Beyoncé looked Renaissance -ready in this silver mini dress by Ukrainian brand Frolov.

Beyoncé opted for another printed Marine Serre ensemble, this time, a silver bodysuit layered with a red cut-out dress.

Cult-favorite lingerie brand Agent Provocateur designed this metallic bodysuit, completed with cut-out detailing, for the singer’s Las Vegas show.

Leave it to Beyoncé to make newsboy caps look cool. Here, she paired the accessory with a latex and fishnet look from Dundas.

The star spiced things up with a sheer, crystalized bodysuit by Bronx and Banco that she wore with a white feather overcoat.

Beyoncé donned another Givenchy look during her Glendale, Arizona stop–this one a form-fitting suit dress complete with gold accents along the waist and arms.

British brand Gareth Pugh designed this sculptural metallic bodysuit for the singer, which she paired with over-the-knee boots and flashy opera gloves.

The star swapped out her Loewe “hands” bodysuit for an equally as flashy look from the Spanish brand in the form of a black long sleeve, high-low dress.

Beyoncé looked ravishing in red when she wore this Atelier Zuhra look composed of a glittering bodysuit and a statement-making, sculptural train.

This very “Alien Superstar” ensemble by Zigman featured a semi-sheer bodysuit, metallic knee-high boots, and antena-like wings that doubled as a train.

Georgian brand Situationist and Ukrainian label Yaspis came together to create this custom metallic look for Beyoncé’s Phoenix, Arizona show. The dress featured a criss-cross halter bodice and an asymmetrical draped skirt with a daring slit up to her waist. To finish things off, the star added in a pair of opera-length gloves and a crystal mesh bodysuit.

The superstar, who celebrates her birthday September 4, recently posted a request to her fans via Instagram. “Virgo season is upon us,” she wrote. “This tour has been such a joy and as we approach the last month, my birthday wish is to celebrate with you wearing your most fabulous silver fashions to the show 8.23 – 9.22.”

Beyoncé has long been a fan of Lebanese designer Nicolas Jebran, so it’s only fitting that he crafted one of her buzziest Renaissance World Tour ensembles yet. The custom yellow bodysuit, which took over 200 hour s to make, was paired with beaded opera gloves and knee-high boots. Of course, the star rounded things out with antenna-like shield glasses.

London-based Alessandra Rich designed this shimmering ensemble for Beyoncé’s St. Louis, Missouri stop. The look featured a semi-sheer crystal net bodysuit complete with patent detailing at the midsection and sleeves. Prior to showing off the form-fitting catsuit, she wore a vinyl trench coat and coordinating top hat.

Beyoncé celebrated the arrival of Virgo season with this custom Loewe look that she wore for her St. Louis, Missouri show. She paired the look, which consisted of a metallic sculptural top and black maxi skirt, with sparkly heels from The Attico. The singer also announced that she wants her fans to wear their “most fabulous silver fashions” for the remaining month of her Renaissance tour, which concludes on September 22nd. “We’ll surround ourselves in a shimmering human disco ball each night,” she said in a statement.

The singer previously wore a similar swirl motif mini dress from David Koma earlier on in her tour. This time, though, she paired the piece with an asymmetrical leather jacket, patent cowboy boots, and sleek silver sunglasses.

Beyoncé definitely brought the heat to Miami in this sparkling custom Gucci look. The Italian brand created a corseted bodysuit draped with strands of silver fabric for the singer, which she paired with over-the-knee fringe boots.

Though this custom Valdrin Sahiti bodysuit followed a similar silhouette to many of Beyoncé’s form-fitting looks, its dramatic tulle shoulders and flowing train certainly spiced things up a bit. The singer rounded out the look with a pair of cat eye sunglasses and PVC heels by Mach and Mach.

Unlike her Marni look which was heavy on mixed metals, this custom Missoni ensemble was pure silver. The Italian house designed a patterned form-fitting dress (complete with a leg-baring) slit that the singer unveiled during her Tampa, Florida show. She also wore a silver long sleeve top with built-in gloves underneath, Amina Muaddi heels, and custom Tiffany & Co. glasses.

Patchwork like never before. The singer donned this custom Marni look, composed of a cropped puffer jacket, bodysuit, and boots, for her Atlanta show. The silver and gold pieces were made of leather and fragmented crystals for some extra shine.

Rounding out a pair of Gaurav Gupta looks in Atlanta, Beyoncé chose this show-stopping hooded gown for her final show in the city. The sparkling number is from the brand’s fall/winter 2023 collection and featured a one-sleeve silhouette and a trio of cut-out details.

Beyoncé turned up the heat in this blue flame bodysuit by Roberto Cavalli. The brand’s creative director Fausto Puglisi created the trompe l’oeil ensemble with a slew of Swarovski crystals and even added in a dazzling cowboy hat and gloves to finish off the look.

Even Beyoncé got in on fashion’s sheer obsession with this statement-making Dolce & Gabbana look. She paired the bodysuit, which featured sprawling crystal embroidery, with a pair of fringe sunglasses.

If anyone can make a newsboy cap work, it’s certainly Beyoncé. She accessorized this fitted, embroidered bodysuit from Self-Portrait with a matching hat and strappy heels.

Alberta Ferretti has been a constant throughout Beyoncé’s Renaissance wardrobe. So, naturally, the singer chose a scarlet bodysuit, complete with a sculpted bodice and plenty of crystals, for her Atlanta show.

The star opted for another Gaurav Gupta look, this one, from the brand’s fall/winter 2023 collection. Like her previous ensemble from the brand, the green dress featured an array of smartly placed cut-outs and a thigh-high slit.

If this Carolina Herrera ensemble looks familiar, that’s because Beyoncé previously wore a red version earlier on in her tour. Like the last wear, this one was made complete with a dramatic headpiece and opera-style gloves. The star also tied in a pair of Alaïa cabaret sandals, a pari she’s taken a liking to throughout her time on the road.

The star chose a Barbie pink look from Lapointe during her show in Charlotte, North Carolina. The curve-hugging mini dress featured a one-side feather sleeve and a draped train at the side. Of course, she had to add in a pair of sequined knee-high boots and fringe sunglasses from A-Morir for good measure.

This Gaurav Gupta bodysuit may be Beyoncé’s most detailed one to date—the piece featured elaborate infinity draping that cascaded throughout the look. She then paired the top half with garter-inspired crystal leggings that transitioned into boots.

Beyoncé dazzled in this custom Ralph Lauren satin gown and feather shawl for her Washington, D.C. show (which drew heavyweight guests like Solange Knowles, the Obamas, and Kamala Harris).

Tinsel chic? Beyoncé’s latest custom Gucci look (a fringe bodysuit, sculptural hat, boots, and overcoat) turned heads for all the right reasons at her D.C. show.

Nina Ricci designer Harris Reed created this crystal and velvet bodysuit inspired by the brand’s archival couture gowns. Beyoncé accessorized the look with custom drop earrings and an Elsa Peretti diamond ring from Tiffany & Co.

Beyoncé went with this custom royal blue look from Off-White (she wore a similar red version earlier on in her tour) for her show in the nation’s capital.

Self-Portrait creative director Han Chong custom designed this glittering mesh bodysuit and matching skirt for the star’s Washington, D.C. show. The sequined piece featured a diamond cut-out at the midsection and dramatic feather cuffs.

For her Boston show, Beyoncé dazzled in this reflective silver ensemblefrom Peter Dundas’s namesake brand. The look featured a form-fitting mini dress, oversized trench coat, ankle boots, and a coordinating hat.

Beyoncé got in on the lingerie dressing fad with this sultry custom look from Spanish-born, Paris-based designer Arturo Obegero.

Israeli designer Alon Livné designed this sheer catsuit, complete with intricately placed cut-outs, and ruffled cape for the singer’s Boston show.

Beyoncé looked straight out of a sci-fi thriller in this custom Demobaza look which featured a color blocked bodysuit, harness, and white boots.

Jean Paul Gaultier is known for their trippy prints, so it’s no surprise then that the bending motif was the focal point of this custom bodysuit.

The debate is still out on whether this look should be classified as Barbie pink or Valentino pink. Regardless, Beyoncé nailed this custom look from the Italian brand. She paired the form-fitting bodysuit (which was layered under a cape) with knee-high boots and feathered shield sunglasses.

For her New York show, Beyoncé, fittingly, wore one of the city’s favorite designers. Her custom Marc Jacobs gown featured a dramatic slit, bending black and white stripes, and a slew of dazzling Swarovski crystals.

This Alexander McQueen may look familiar. The singer wore a similar version just a few stops ago in Minneapolis, Minnesota. This one, however, featured a slightly different color way in bronze and silver and was accented by a dramatic reflective cape.

The singer looked ethereal in this semi-sheer Georges Hobeika gown. The piece featured delicate embroidery throughout and a strappy neckline at the bodice. Her sheer headpiece was crafted with 3D embroidered flowers and her opera gloves were trimmed with train-like pieces of fabric.

Beyoncé donned another custom Ivy Park look for her New Jersey show. This one kept up the camouflage theme with another pair of slouchy knee-high boots. Instead of a form-fitting bodysuit like she’s worn in the past, her jersey-style long sleeve was decidedly more casual (yet still packed a punch with crystal embroidery). Blue Ivy had on a matching jersey, too.

Sparkles and (faux) fur took center stage in this Philosophy di Lorenzo Serafini look. Her long sleeve bodysuit was embellished with Swarovski crystals and layered perfectly beneath the apricot coat.

The singer packed on the sparkle in this Miu Miu look during her stop in East Rutherford, New Jersey. The tank and cut-off shorts were embroidered with rhinestones and crystals as were her fringed knee-high boots, naturally. She paired the set with a custom Tiffany & Co. silver peephole cowboy hat and HardWear drop earrings.

Louis Vuitton’s newly appointed creative director of menswear, Pharrell Williams, designed this glittering catsuit for Beyoncé’s Detroit, Michigan concert. The two have quite the history as long time friends and collaborators—Williams has produced songs for Beyoncé in the past and she recently attended his debut runway show for the French brand earlier this year. The custom bodysuit put a spin on the brand’s famed Damier check through glittering crystal embroidery. Williams also created custom ensembles for Blue Ivy and Beyoncé’s backup dancers.

Beyoncé looked like liquid gold in this hooded mesh gown from Ivy Park. The piece featured slight ruching at the waist and a dramatic side slit which showed off her daring footwear choice—a pair of Alaïa cabaret heels. The patent calfskin choice are from the brand’s spring/summer 2023 collection in which the heel is designed to mimick the shape of two legs.

This silver cut-out number may just be Beyoncé’s most disco-ready jumpsuit yet. Custom designed by Lanvin, the piece featured the brand’s signature gold hardware as well as ruching throughout. To round things out, Beyoncé accessorized the look with equally as flashy opera gloves and above-the-knee boots.

Beyoncé traded her tour wardrobe of silver and gold for some Tiffany blue while in Chicago, Illinois. The look was created in partnership with designer Giles Deacon and featured a sculptural bodice and sheer organza gloves. She paired the dress with, of course, a custom Tiffany & Co. Twister Collar Necklace.

Beyoncé’s Acne Studios ensemble may have nailed the Barbie pink look, but it certainly did not disappoint during her Minneapolis show. She paired her reflective mini shorts and bustier with an oversized jacket and sparkling thigh-high boots.

Beyoncé’s Renaissance wardrobe isn’t just limited to bodysuits—she’s also been incorporating dramatic ensembles like this custom Schiaparelli mini dress and shawl. The strapless piece featured white feathered detailing which she paired with simple Dolce & Gabbana heels.

Balmain has been a focal point of Beyoncé’s Renaissance wardrobe and things got taken up a notch during her stop in Minneapolis. The singer opted for a sculptural latex bodysuit that she accessorized with knee-high boots, shield sunglasses, and a brimmed top hat.

Beyoncé stunned in silver with this custom Marine Serre look. The star wore a fitted bodysuit, complete with the brand’s signature moon motif, as well as chain undergarments layered on top. She added in a brimmed hat and silver boots for good measure, too.

This custom Alexander McQueen bodysuit is a riff on a similar look from the brand’s fall/winter 2016 collection. The semi-sheer piece features sequin horse embroidery and a tulle base.

It’s no secret that Beyoncé has been all in on the bodysuit style throughout her tour. But this custom Diesel look for her Louisville, Kentucky show may just be one of her most unique styles thus far. The trompe l’oeil look featured a print mimicking denim and grey crystals throughout. And to round things out, the piece’s boots and gloves were connected to the main portion of the ensemble.

Pulling out the sequins in Louisville, Beyoncé dazzled in this custom mini dress by Raisa Vanessa. The dress took nearly six months to make and featured a plunging neckline and two slits on either side. The singer rounded out the look with glittering knee-high boots and goggle-style sunglasses.

Beyoncé donned this Dsquared2 bodysuit—complete with layers of dazzling embellishments and a plunging neckline—for the opening act of her Louisville concert.

Alexander McQueen was a staple throughout Beyoncé’s European performances, so it’s no surprise that she’s returned to the British brand when stateside. During her Nashville concert, the singer wore a custom bodysuit, gloves, and boots complete with crystal embroidery. She stopped it off with a UFO-shaped chapeau appropriate for an alien superstar. The outfit seemed to be a shorter version of a look she wore earlier on in the tour.

The singer opted for another dazzling custom look from David Koma. Unlike her previous printed mini dress from the British designer, this red number had plenty of sequins throughout as well as an asymmetrical train detail. She rounded things out with patent leather boots, a ruby belt, and pendant necklace.

The McQueen look wasn’t the only repurposed silhouette Beyoncé wore in Nashville. She opted for a pink Ivy Park jacket, halter top, and shorts that are, again, a shorter iteration of a similar bodysuit she previously wore in Europe. She also mixed in a pair of custom Tiffany & Co. sunglasses and Gedebe boots to make things even more Renaissance worthy.

Beyoncé certainly leaned into some drama (and disco) with this custom Valentino look in Philadelphia. The focal point was the seemingly never-ending sequined train that connected to the pouf bodice of the bodysuit. She paired the flashy piece with coordinating boots, and towards the end of the show, she flew above the crowd in this look while mounted on a horse.

The singer mixed in some more sequins in Philadelphia with this custom Givenchy mini dress. The piece featured intricately placed cut-outs as well as fringe throughout the dress. She rounded things out with strappy heels and sheer black opera gloves. She, of course, also had on diamonds from Tiffany & Co. in the form of a ring, drop earrings, and a tennis bracelet.

Beyoncé went with another camouflage look from her label Ivy Park, this one a two-piece set. The crop top had built in sleeve-gloves and the mini shorts also featured chaps-like detailing that extended into her boots.

Beyoncé has been wearing plenty of Tiffany & Co. jewelry throughout her tour, but she took it to another level for her first North American stop in Toronto, Canada. The singer donned a dazzling bespoke mini dress from the brand complete with layers of chains and stones. The mesh look of the piece was inspired by the designs of Elsa Peretti and took nearly 200 hours to make. Beyoncé paired the piece with custom Malone Souliers heels as well as vintage earrings and an anklet both from Tiffany & Co.

Also while in Toronto, the singer traded her layered mini dress for a dazzling custom Fendi gown. The piece is a riff on a similar look from the brand’s spring/summer 2021 couture collection and features a daring slit as well as crystal embroidery meant to imitate the appearance of honeycombs. She rounded out the look with another pair of clear heels and statement tassel earrings.

Leave it Beyoncé to make comouflage cool. During the Toronto stop of her tour, the singer wore a fully patterned ensemble from her brand Ivy Park. The look featured a cropped jacket, over-the-knee boots and a plunging bodysuit.

For the final stop of the European leg, Beyoncé went with a slew of sequined and silver ensembles while performing in Warsaw, Poland. This look, by Balmain’s Olivier Rousteing, featured a dramatic bodice that cascaded down her side as well as a daring slit at the skirt. The singer rounded out her look with velvet gloves and a pair of Manolo Blahnik heels.

While Beyoncé has had some pretty avant-garde outfits, this Richard Quinn number may be her most “Alien Superstar” yet. The look featured legging-style pants with large crystal embellishments as well as a peplum-inspired top finished with similar adornments. However, the focal point of the ensemble is certainly the UFO-like headpiece that obscured everything but the singer’s eyes.

Outfitting an entire crew and Beyoncé is certainly no small feat, but global brand Daily Paper seemed to be up for the task. During the "Opulence" section of her concert in Warsaw, Beyoncé donned an embellished black jumpsuit and reflective track jacket from the brand—which she paired with knee-high boots and one of her signature top hats. In addition to Beyoncé’s look, Daily Paper designed over 100 custom tracksuits for her crew and dancers, mostly in silver reflective nylon.

Just one night after sporting a similar hooded piece while in Paris, Beyoncé went with another veiled look, this time, for her concert in Hamburg, Germany. The ensemble is designed by Carolina Herrera creative director Wes Gordon and features a plunging bodysuit, sheer red tights, and a silk hood that connects at the head and arms. Of course, the singer also had on her signature opera gloves and glitzy earrings to round out the look.

Again in Hamburg, the singer chose a look from Ivy Park—one of a wider selection of pieces from an upcoming collection between her brand and Adidas. Naturally, backup dancer’s leotards matched her ruched mini dress and knee-high boots.

Ferragamo’s creative director Maximillian Davis designed this red glittering gown for the singer’s show in Amsterdam. In honor of Juneteenth, Davis was one of several Black designers that Beyoncé wore throughout the show.

This robo-couture custom Balmain look featured silver-plated detailing that paneled the singer’s bodysuit. She paired the piece, which drifted into gloves, with a pair of knee-high boots.

“In the industry where we have to all fight, I want to thank [Beyoncé’s] support last night [to] all the Black designers that had created their own space in this tough industry,” Balmain designer Olivier Rousteing said . “This was the celebration.”

This is the second all-red Off-White look worn by Beyoncé during her tour. Her second version, however, featured a shortened silhouette and an accompanying top hat that was designed by the brand’s art and image director Ibrahim Kamara.

For her second Balmain look in Amsterdam, Beyoncé went with another iteration of the bee-inspired catsuits we’ve seen repeatedly on her tour thus far. This time, she paired the ensemble with a coordinating top hat rather than her infamous insect-like antena.

New York designer LaQuan Smith crafted this silver, shattered glass bodysuit for the singer’s Amsterdam stop. She paired the plunging piece with an equally as disco-worthy cape and heels.

London-based brand Feben outfitted Beyoncé in a color-blocked catsuit. “Thank you for inviting me into your world,” the designer wrote on Instagram . “What an incredible moment to be a part of, and a pivotal one for myself, and my inner child. It means the world to be supported and seen as a Black female designer in the industry.”

This deep silver mini dress was the second look from Ferragamo the singer wore in Amsterdam. The look featured ruched detailing that drifted into a train and above-knee boots.

While Beyoncé has, seemingly, unlimited access to a never-ending roster of designers, she went with her own label Ivy Park for this pink look in Amsterdam—and rightly so. Designed by the star herself, the piece featured daring slits, opera-style gloves, and a halter neckline.

“I started designing this collection over a year ago,” she said on Instagram . “I was so engulfed in all things Renaissance and was inspired by Studio 54, Bob Mackie, and the disco era.”

In Amsterdam, the singer went with a custom Gucci corseted leotard. The glitzy piece featured sheer detailing and draped crystal fringe that fell across the bodice area.

Naturally, Dutch designer Iris van Herpen was a standout of Beyoncé’s wardrobe for her first night in Amsterdam. The custom look, which took over 700 hours to make, featured a flowing train paired with a sculptural mini dress.

Yes, you can always count on Beyoncé to wear a form-fitting catsuit. But this one by Lebanese designer had a handful of eye-catching details. The bodice was composed of various strands of rhinestones and crystals and the sheer portion wrapped entirely around her body (even down to her boots).

French designer Simon Porte Jacquemus is from Marseille, France so it’s fitting that he outfitted the singer for her tour stop there. Jacquemus, who attended the concert, designed a form-ftting mini dress, boots, and gloves that featured disco ball-esque paillettes.

“[Beyoncé] is the first singer I saw live in Marseille 15 years ago,” he wrote on Instagram . “I’m so happy and proud. What a night in Provence, means a lot.”

This custom gown by Alebrta Ferretti has an embroidered leotard and a gold draped train that cascades down the singer’s side. Beyoncé wore the eye-catching piece with matching knee-high boots and black opera gloves (which have been a running theme in many of her looks throughout the tour thus far).

Beyoncé went with a sparkling, disco-inspired Stella McCartney dress and stirrup leggings for her concert in Barcelona, Spain. The custom look was made of environmentally friendly materials such as silver lead-free crystals.

“It is a life moment to dress someone as iconic and inspiring as Beyoncé—a visionary pioneer, disruptor, and artist who has worked tirelessly to make the world a better place,” the British designer said. A pair of clear Amina Muaddi heels rounded out the ensemble.

The star wore a custom Fendi leather intarsia catsuit for her show in the Spanish city. It was paired with over-the-knee boots, matching gloves, and an upcycled fur cape inspired by illustrations by Antonio Lopez as seen in Fendi’s spring 2022 collection.

For her fifth and final show in London, Beyoncé wore a custom Mary Katrantzou surrealist mini dress with black and gold detailing. The look, meant to resemble a perfume bottle, also featured a custom Stephen Jones bottle top headpiece, latex boots, and gloves.

The 41-year-old singer opted for a dramatic “Black Blossom” Robert Wun look. The form-fitting ensemble featured a plunging blazer accented by ruffled sleeves and asymmetrical pleated detailing.

Beyoncé again went with another British label for her third London show, this time a custom Andreas Kronthaler for Vivienne Westwood look. The mini latex dress features corset-style detailing and sheer spiral sleeves.

Beyoncé wore a custom royal blue Roksanda number for her London show. The piece is a riff of a similar dress from the brand’s fall/winter 2023 collection.

Alexander McQueen has been a staple of Beyoncé’s Renaissance wardrobe thus far. Here, she wore a custom deep red embroidered dress with coordinating boots and opera gloves—an iteration of a similar look from their fall/winter 2023 collection.

The signature silver paillettes of Paco Rabanne fit perfectly into the visual aesthetic of Renaissance, so its no surprise the star opted for a piece from the brand. She wore a glitzy custom gown for her show in Paris.

The 41-year-old looked ethereal in a custom light blue gown by New York brand Brandon Blackwood. She paired the off-the-shoulder number with coordinating opera gloves and silver jewels.

Beyoncé chose a statement-making Off-White look for her London show. The red bodysuit features a bustier-style top and 40,000 red hotfix crystals throughout.

Ditching the catsuits that fill the latter half of her concert, Beyoncé has chosen a series of stunning gowns for the opening segment of her show. Here, she wore a white Valentino dress complete with a train and coordinating opera gloves.

The singer was worn several looks from London-based brand David Koma over the course of her tour—one of them being this asymmetrical mini dress that features glittering fringe and wide shoulders.

The star has worn a silver two piece set from Loewe for several of her tour stops. On top of the long sleeve, she layered a molded breastplate and rounded out the look will silver boots.

This custom Dolce & Gabbana bodysuit is one of many bee-themed looks that Beyoncé has worn (there’s a reason she’s referred to as the Queen B after all). The piece features black and yellow embroidery as well as coordinating opera gloves.

Beyoncé continued her longstanding relationship with Balmain’s Olivier Rousteing—here, she wore an silver asymmetrical mini dress, thigh high boots, and wraparound sunglasses.

Beyoncé kept the bee theme rolling at the opening night of her tour in Stockholm. She wore a custom Mugler catsuit complete with towering antennas and bug-like sunglasses.

This custom look from Alexander McQueen features bugle bead and crystal anatomical embroidery. Beyoncé wore the piece during the opening night in Stockholm.

This trompe l’oeil Loewe catsuit has become a fan favorite throughout the star’s tour. The piece was custom made by the brand’s creative director Jonathan Anderson and is a play on a similar dress that recently went down the runway.

Beyoncé has worn this silver cutout bodysuit from French brand Courrèges several times thus far.

Beyoncé and her dancers wore colorful David Koma looks for opening night. The ruched dress, which she wore with a reflective jacket, is inspired by the brand’s Spring/Summer 2023 collection.

Beyoncé wore another custom Balmain look, a catsuit complete with the brand’s signature silver embroidery.

Beyoncé donned a color changing robe by Japanese brand Anrealage in what was one of the more experimental looks of the tour. The piece changed colors when exposed to UV lights and revealed a stained glass-like pattern.

This article was originally published on May 31, 2023

One Year Since The Renaissance Began: Reflecting on Our Favorite Moments from Beyoncé’s Historic Tour

A year has passed since Beyoncé’s Renaissance tour launched on May 10, 2023. This critically acclaimed tour, which spanned 59 dates across 39 cities and wrapped up on October 1, 2023, is still a hot topic online. Featuring a metallic, ’70s dance theme, the tour not only brought in a staggering $579 million, making it Beyoncé’s highest-grossing tour but also set records as the highest-grossing tour for both an R&B artist and a black female musician.

Fans continue to relive these incredible moments through stunning personal videos and a concert film released in theaters the same month the tour concluded. “Renaissance: A Film by Beyoncé” was a massive success, offering those who couldn’t attend a behind-the-scenes look at the makings of this phenomenal show. Now, rumors suggest Beyoncé might soon embark on another tour for her newly released album, “Cowboy Carter.” While we wait for confirmation, let’s revisit some of the most unforgettable moments from the Renaissance tour.

Blue Ivy Carter’s On-Stage Debut

Although fans were excited to see Beyoncé perform, her daughter, Blue Ivy Carter, stole the show as a surprise guest during the Paris stop. At just 12 years old, Blue Ivy joined Beyoncé and the ensemble of dancers for performances of “My Power” and “Black Parade,” marking her stage debut.

Beyoncé Named Honorary Mayor of Santa Clara

On August 30, 2023, the city of Santa Clara, California, declared Beyoncé honorary mayor for the day, coinciding with her concert there. She received the key to the city and celebrated the occasion with her fans. “You know today is special because today I am the mayor,” Beyoncé announced, prompting cheers from the audience.

The “Everybody on Mute” Challenge

A standout tradition of the Renaissance tour was the “Everybody on Mute” challenge. Each time Beyoncé performed her single “Energy,” she instructed the crowd to fall completely silent when she sang, “Look around everyone on mute.” While all cities participated enthusiastically, Atlanta was notably the most successful, achieving near-perfect silence.

The Iconic “Bee” Outfit

One of the tour’s most memorable visuals was Beyoncé’s “Bee” costume. As she performed “America Has a Problem,” she donned a striking yellow and black Mugler bodysuit complete with an antenna headpiece, making a buzzing statement.

Megan Thee Stallion Joins Beyoncé in Houston

In a special hometown performance, Megan Thee Stallion joined Beyoncé in Houston to perform their hit “Savage.” The duo donned matching camouflage outfits, energizing the crowd with their dynamic collaboration.

These moments are just a few highlights from the Renaissance tour that continue to resonate with fans. As we reminisce about these spectacular events, we eagerly anticipate what Beyoncé will bring next. Share your favorite Renaissance memories with us as we look forward to potentially more exciting tours from Queen Bey.

Donald Glover announces new Childish Gambino tour, releases 'Atavista'

"Atavista" is a reimagining of the rapper's "3.15.20" album.

Childish Gambino, the music persona of actor Donald Glover, is getting ready to hit the road -- but that isn't the only surprise he has in store for fans.

The rapper announced dates for The New World Tour, his first tour since 2019, on Monday.

1st look at star-studded 'Mufasa: The Lion King' trailer: Watch here

The 33-city North American tour, featuring special guest WILLOW, is set to kick off Aug. 11 in Oklahoma City, Oklahoma, and wrap Oct. 3 in Chicago. The tour hits such cities as Philadelphia, Atlanta, Boston, Nashville, and Seattle, with two-night stands in Brooklyn and Los Angeles.

He’s also set to bring the tour to Europe and the U.K. starting Oct. 31 in Lyon, France, and then heads to Australia and New Zealand, starting Jan. 28, 2025, in Auckland, New Zealand. Both legs will feature special guest Amaarae.

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Tickets go on sale Friday, May 17, at 10 a.m., although fans can sign up for early access at thenewworldtour.com .

Glover also surprised fans with the announcement of "Atavista," a reimagining of his musical persona's "3.15.20" LP, which features two new tracks, "Atavista" and "Human Sacrifice." It is available now on all digital outlets.

He also released the official music video for "Little Foot Big Foot," featuring Young Nudy.

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• How Taylor Swift Includes <i>The Tortured Poets Department</i> in the Eras Tour

How Taylor Swift Includes The Tortured Poets Department in the Eras Tour

A fter a two-month hiatus, Taylor Swift returned to the stage today, embarking on the European leg of the Eras Tour . Swift performed the first of four nights in Paris, about three weeks after she released her latest album, The Tortured Poets Department .

Soon after the album’s release, fans were convinced Swift would add The Tortured Poets Department to the Eras Tour, based on the star’s social media activity. On April 25, Swift posted a YouTube Short video of her rehearsing for the tour, in which the album’s opening song “Fortnight” could be heard. The caption read: “A fortnight til Paris.”

In an interview with Radio France , Swift’s French tour promoter said she would be including new songs from the album on the next leg of the Eras Tour. “We are going to discover a slightly modified show since she has released a new album,” he said.

As the show kicked off in Paris on Thursday evening, all signs pointed to The Tortured Poets Department 's inclusion on the setlist. Fans noted that it was included in the tour intro:

🏟️| Tortured Poets Department added after 1989 and before Red in the #ParisTSTheErasTour intro!! pic.twitter.com/XyaHZyzsVH — Taylor Swift Updates 🩶 (@swifferupdates) May 9, 2024

Taylor Swift makes changes to the Eras Tour set in Paris

Swift added The Tortured Poets Department to the Eras Tour intro and reordered the setlist on the first night in Paris. The "Lover" portion of the show previously ended with the song "The Archer," but on Thursday, Swift skipped it, going from "Lover" to "Fearless." After the "Fearless" era, Swift went right into the "Red" era instead of "Evermore," and followed that up with songs from Speak Now and Reputation . Fans noted that Swift skipped performing "Long Live" from Speak Now , which she added to the setlist last July.

🚨| New "Lover" era setlist for Taylor Swift's 'The Eras Tour'! - Miss Americana & The Heartbreak Prince - Cruel Summer - The Man - You Need To Calm Down - Lover pic.twitter.com/YT7ZqXL8iK — The Eras Tour (@tswifterastour) May 9, 2024

Other changes followed when Swift went into the "Folklore" era. While the "Evermore" and "Folklore" eras typically occurred at different parts of the show, in Paris, Swift announced she was combining them, since they are "sister albums."

"On the Eras Tour, we have now reunited the sisters, combined them into one chapter. You can call it "Folkmore," you can call it "Everlore," she said, before performing "Champagne Problems" (from Evermore ) followed by "August" (from Folklore ).

🚨| TAYLOR SWIFT HAS WALKED OVER TO THE EVERMORE PIANO AFTER PERFORMING BETTY — The Eras Tour (@tswifterastour) May 9, 2024

According to Pollstar , in December 2023, the Eras Tour became the highest-grossing tour of all time and the first-ever tour to gross over $1 billion.

Read More: All the Song Mashups Taylor Swift Has Played During the Eras Tour

How The Tortured Poets Department is included in the Eras Tour

Swift introduced the "Tortured Poets" section of the Eras Tour after a performance of "Bad Blood," with the set turning into an image of a long road. She opened the new era with a performance of "But Daddy I Love Him."

The second song in the "Tortured Poets" era was a shortened version of "So High School," followed by a performance of "Who's Afraid of Little Old Me?"

🚨| TAYLOR SWIFT IS CURRENTLY PERFORMING BUT DADDY I LOVE HIM AS THE FIRST SONG OF THE TTPD SET ON THE ERAS TOUR IN A WHITE DRESS! #ParisTSTheErasTour pic.twitter.com/g6knNCKrAf — The Eras Tour (@tswifterastour) May 9, 2024

Swift then sang "Down Bad," as an image of a UFO flew above her, before performing the album's opening track, "Fortnight." The next song from Tortured Poets was "The Smallest Man Who Ever Lived."

Then, Swift changed into a gold jacket, while a jazzy tune played, before singing "I Can Do It With a Broken Heart."

Taylor Swift's outfit change between "The Smallest Man Who Ever Lived" and "I Can Do It With a Broken Heart" during her Paris Eras Tour show. pic.twitter.com/rdwTqL0M3y — Variety (@Variety) May 9, 2024

But the "Tortured Poets" era wasn't over. After "Paris," Swift performed the melancholy "loml," track 12 from the new album, before diving in to the "Midnights" section of the show with "Lavender Haze."

The Tortured Poets Department made history as the most streamed album in a single day, accumulating over 300 million streams—beating out the previous record holder: Beyoncé’s Cowboy Carter . It also became the fastest album to amass over one billion streams in just five days, making it the most streamed album in a week with over 799 million streams. The album debuted at No. 1 on the Billboard Hot 100 with 2.61 million equivalent album units (this includes vinyls, CDs, cassettes, and digital album downloads). Swift celebrated the album’s success with a post to Instagram sharing photos of her and her collaborators making the project.

View this post on Instagram A post shared by Taylor Swift (@taylorswift)

The caption reads, “2.6 million ARE YOU ACTUALLY SERIOUS?? Thank you for listening, streaming, and welcoming Tortured Poets into your life. Feeling completely overwhelmed,” she writes. “I was already so fired up to get back to the tour but you doing THIS?? May 9th can’t come soon enough.”

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K-Pop Summer 2024 Guide: ATEEZ, IU, TXT & More Live In Concert & On Tour

Whether you want to have your Head in the Clouds, go over the moon at KCON or head Towards the Light, plan out your summer with these K-pop events and tours featuring TWICE, LE SSERAFIM, Stray Kids and more.

2024 has had a handful of memorable K-pop moments in North America so far. From boy group ONEUS's La Dolce Vita tour to TWICE 's one-night-only show at Las Vegas' Allegiant Stadium in March, the industry has kept a steady flow of entertainment for lovers of Korean music and culture. Last month, ATEEZ , LE SSERAFIM , and indie band The Rose also left their mark at Coachella Festival in California, proving that K-pop acts at major festivals are a rising trend.

With summer right around the corner, even more tours, festivals, and conventions are set to pop up across the U.S., Canada, and Mexico. From mid-May to September, whether on weekdays or weekends, there will always be something to do or someone to see. Among the most-awaited events are singer IU 's first world tour and ATEEZ's massive trek in July, as well as Stray Kids , IVE , and VCHA 's performances at Chicago's Lollapalooza Festival.

To help you enjoy the most out of this busy season, GRAMMY.com assembled a list of all the K-pop concerts and events happening in the next few months below.

CIX: 0 or 1 in North America

Boy group CIX will be back in North America for their third tour this May. Named after single album 0 or 1 , the stint will cover eight cities across the U.S., Mexico, and Canada, starting in Chicago, IL and wrapping it up in Los Angeles, CA. The quintet will likely perform hits like "Cinema" and "Movie Star," as well as their latest single, "Lovers or Enemies," and celebrate their upcoming fifth anniversary.

Head in the Clouds Festival

Forest Hills, New York

Following the success of last year's edition in Queens, New York, Head in the Clouds Festival returns to the big apple in 2024. In their mission to spread Asian diaspora talent, the lineup for this year enlists (G)I-DLE to headline on Saturday and singer BIBI on Sunday, along other names like ATARASHII GAKKO! and Joji. Korean acts Balming Tiger, Wave to Earth, and newcomer girl group Young Posse will also join them. HITC Festival is usually based in Los Angeles, but this year's L.A. edition has yet to be announced.

BM (KARD): After the After Party Tour

Hailing from co-ed group KARD , Korean-American singer BM will kick off his first U.S. solo tour in mid-May. After the After Party Tour was inspired by the track "ATAP (After the After Party)," off his December single album, Lowkey . BM will perform in six cities across the country, including Los Angeles, Chicago, and New York. He also teased an EP soon, and stated that he will be "taking new music on this tour."

P1Harmony: P1ustage H : UTOP1A Tour

May 14 - Jun. 16

Boy band P1Harmony is also returning to North America with their third tour, P1ustage H: UTOP1A. Beginning in Houston, TX, on May 14, it will follow with shows in Chicago, Boston, Los Angeles, and more — including a prestigious performance on June 8 at New York City's Governors Ball Music Festival 2024 . The sextet released their first studio album, Killin' It , in February of this year.

Tomorrow X Together (TXT): ACT : PROMISE World Tour

May 14 - Jun. 8

A TXT tour in the U.S. has become an annual event: following 2022's ACT : LOVESICK and 2023's ACT : SWEET MIRAGE, 2024 welcomes ACT : PROMISE. Featuring 11 shows across the country, the boy group will play in Houston, Atlanta, Los Angeles, and more. They will also perform two nights at New York's legendary Madison Square Garden before heading to the Japanese leg of the tour in July.

Wheein (MAMAMOO): Whee In The Mood [Beyond] World Tour

May 17 - Jun. 4

Powerhouse vocalists MAMAMOO hit stateside last year with their MY CON World Tour, a first for the group. Now, it's member Wheein's turn to celebrate her solo career with Whee In The Mood [Beyond] World Tour, inspired by her first LP, 2023's In The Mood . After a slew of shows in Asia and Europe, the singer will head to San Francisco, CA, for the first out of eight concerts in the U.S. Other cities include Dallas, Orlando, Los Angeles, and New York.

RIIZE: RIIZING Day Fan-Con World Tour

Los Angeles, California

SM Entertainment's freshest rookies RIIZE announced their first fan-con, RIIZING Day, to take place from May to August in various cities across the globe. After playing in Seoul, Tokyo, and Mexico City, the boyband will come to Los Angeles for a single performance at the Peacock Theater on May 20. RIIZE are expected to play their compact yet dynamic discography, including singles "Get A Guitar," "Talk Saxy," and "Impossible."

Purple Kiss: 2024 BXX Tour

June 2 - July 2

It's not even been a year since Purple Kiss toured the U.S. with their The Festa Tour in fall 2023, but they're already gearing to come back. Starting June 2 in Oceanside, CA, the 2024 BXX Tour will take the girl group to seven cities in the U.S. and nine cities in Canada, closing it off in Halifax, Nova Scotia, on July 2. This is a big chance for fans who missed their performances last year, or simply to those who want to see singles like "Zombie" and "Sweet Juice" live again.

ITZY: Born to Be World Tour

Girl group ITZY has spent the majority of 2024 bringing their second world tour, Born to Be, across Oceania, Asia, Latin America, and Europe. In June, they will finally step in North America for a 10-stop stint, including cities like Seattle, Los Angeles, Newark, Fairfax, Toronto, and more. Despite featuring only four out of five members while vocalist Lia is currently on hiatus due to health reasons, they promise to set the stages on fire with their high-energy discography.

VERIVERY: Go On Fan-meeting Tour

Starting June 14, boyband VERIVERY will kick off their Go On Fan-meeting Tour in New York at Brooklyn Steel. Then, they will head to Chicago, Minneapolis, Atlanta, Fort Worth, and finally Los Angeles for a last performance at Vermont Hollywood. The seven-member group is currently a quartet, as member Dongheon is currently enlisted in the military, and members Minchan and Hoyoung are on hiatus due to health concerns. VERIVERY's latest release was 2023's EP, Liminality .

A.C.E: 2024 REWIND_US U.S. Tour

Jun. 19 - July 18

February marked the much-anticipated comeback of boy group A.C.E with the EP My Girl: My Choice . It was their first release in three years, and to rejoice further, the quintet announced an extensive 14-date tour throughout the U.S. and Puerto Rico. Starting June 19 in Madison, WI and closing off on July 18 in San Juan, PR, A.C.E will also perform in Los Angeles, Nashville, New York, and more.

HYO: Milwaukee Summerfest

Milwaukee, WI

HYO , also known as Hyoyeon from Girls' Generation, will be showcasing her DJ chops on June 28 at Milwaukee Summerfest. The performance will happen just months after HYO held her 2024 Spring U.S. Tour, Cherry Blossom, which spanned seven cities across the country. In the setlist, fans can expect hits like "Dessert" and "Deep," but also some innovative remixes of other artists' songs, like GALA's "Freed From Desire" and Girls' Generation's "Gee."

AB6IX: Find You Fan Concert Tour

Another boy group to embark on a North American tour this year, AB6IX will bring their Find You Fan Concert across nine stops in the U.S., Mexico, and Canada. Starting off in the cities of Toronto and Montreal, they will then head to New York, Mexico City, Miami, Denver, and more, before wrapping it up in Los Angeles. The tour title was inspired by their latest release, January's EP The Future is Ours: Found .

ATEEZ: Towards the Light: Will to Power 2024 World Tour

Jul. 14 - Aug. 11

Performance kings ATEEZ never stop. After the release of their EP, Golden Hour: Part. 1 on May 31, the eight-member group will head to North America for their Towards the Light: Will to Power 2024 World Tour. Kicking off on July 14 in Tacoma, Washington, the boyband will also play in the cities of Los Angeles, Arlington, Washington, D.C., Toronto, New York, and more. The tour supports ATEEZ's December 2023 LP, The World EP.Fin: Will , but hopefully the setlist will include surprises as new music comes out.

IU: HEREH World Tour

Jul. 15 - Aug. 2

One of the most important artists to come from South Korea, IU (born Lee Ji-eun) has been shaping the country's music industry since 2008 with her unique voice, sensitive songwriting, and sharp mind. Given her journey, it's almost absurd that her first world tour is only happening in 2024 — but better late than never. After stops in Asia and Europe, IU will head to the U.S. for six sold-out concerts, beginning on July 15 at Prudential Center in Newark, NJ, and concluding on August 2 at Kia Forum in Los Angeles, CA.

The Boyz: Zeneration II World Tour

Following their 2023 Zeneration Tour, which featured 24 stops across Asia, 11-member group The Boyz are now bringing its sequel worldwide. After a 3-day July stint in Seoul, South Korea, the Zeneration II tour will head to the U.S. for five shows in New York, Atlanta, Dallas, Los Angeles, and San Jose. Throughout August, The Boyz will segue onto the Asian leg of the tour, wrapping it up with a few European dates in September.

KCON Los Angeles 2024

Known as the largest Korean culture and music festival in North America, KCON has a decade-long legacy of serving as a bridge for "all things Hallyu." Held at the Los Angeles Convention Center and Crypto.com Arena, the festival includes a two-night concert, fan signings, food and merch stalls, panels with professionals in the industry, and many other attractions. KCON hasn't announced its official lineup yet, but attendees can expect it to maintain the same excellence of past years.

Secret Number: The 1st U.S. Tour 2024 Unlock

Jul. 26 - Aug. 10

Girl group Secret Number debuted amidst the chaos of 2020's COVID-19 pandemic, therefore falling short of live experiences with their fans. As they enter their fourth year together, they will finally meet North American fans with their 2024 Unlock tour this summer. Kicking off on July 26 in Chicago, the sextet will then head to Minneapolis, Charlotte, Houston, Denver, Phoenix, Seattle, and Los Angeles for a final show on August 10.

Stray Kids, IVE, VCHA: Lollapalooza Chicago 2024

K-pop's presence on Lollapalooza continues to expand. This year, Stray Kids is set to headline on Friday, Aug. 2, alongside singer SZA . It's the boyband's second appearance at the festival, following their 2023 show at Lollapalooza Paris. On that same day, U.S.-based, K-pop-trained girl group VCHA, formed by JYP Entertainment in partnership with Republic Records, will also make their first performance at the festival. To close it off, Saturday will feature the captivating girl group IVE.

I.M (Monsta X): Off The Beat 2024 World Tour

Monsta X 's maknae (youngest member) I.M has been building a prolific solo career while his teammates are enlisted in the military. Accompanying his third EP, Off The Beat , the singer announced an eponymous world tour, featuring 19 stops in Asia, North America, and Europe. He will play seven dates In the U.S. and two in Canada, including New York, Boston, Toronto, and more.

ARTMS: 2024 Moonshot World Tour

Aug. 16 - Sept. 10

Formed by five LOONA members (Kim Lip, Choerry, JinSoul, HaSeul, and HeeJin), girl group ARTMS was one of 2023's most-awaited debuts. Their first studio album, Devine All Love & Live , is set to drop on May 31, and the quintet will celebrate with a string of concerts across South Korea, Japan, and the U.S. Starting August 16 in New York, the tour will cross Atlanta, Orlando, Los Angeles, and more cities before wrapping up on September 10 in Chicago.

11 Rookie K-Pop Acts To Know In 2024: NCT Wish, RIIZE, Kiss Of Life & More

Photos: KQ Entertainment; KATO SHUMPEI; Vittorio Zunino Celotto/Getty Images; Medios y Media/Getty Images; Presley Ann/Getty Images for Coachella; Lauren Kim

Leap Into AAPI Month 2024 With A Playlist Featuring Laufey, Diljit Dosanjh, & Peggy Gou

Celebrate AAPI artists this May with a genre-spanning playlist spotlighting festival headliners and up-and-coming musicians. From Korean hip-hop to Icelandic jazz-pop, listen to some of the most exciting artists from the Asian diaspora.

With spring just around the corner, it’s time to welcome AAPI Month in full blossom. From rising musical artists to inspiring community leaders, it’s essential to recognize AAPI members of the artistic world and their achievements.

While AAPI Month is a U.S. holiday, the Recording Academy takes a global approach in celebrating artists and creators from across the Asian and Asian American diaspora. This aligns with the Recording Academy's growing mission to expand its reach on a global scale and celebrate international creators outside of the U.S.  

Musicians of Asian American, Native Hawaiian and Pacific Islander heritage have not only helped establish the music industry, but have transformed it. From Diljit Dosanjh being the first artist to play a Coachella set entirely in Punjabi to Laufey winning a GRAMMY for her jazz-inspired pop, AAPI artists continue to influence music by both honoring tradition and reshaping modern standards.

It’s thrilling to see AAPI musicians continue to take centerstage — from Atarashi Gakko! to Tiger JK ’s memorable sets at Coachella, to surprise appearances from Olivia Rodrigo , Dominic Fike , and Towa Bird. As festival season gets underway, examples of the AAPI starpower from every corner of the world abound.

As one of many ways to celebrate AAPI Month, listen to the GRAMMY.com playlist below — as a reminder to give AAPI musicians not just their May flowers, but their flowers all year-round!

Photo: MORE VISION

Chung Ha Returns: On 'EENIE MEENIE,' The K-Pop Soloist Is Ready To Step Back Into The Spotlight

Chung Ha was one of K-pop’s most promising soloists, but decided to step back from the industry. Upon her return, Chung Ha wants to tell her fans "that they have the freedom to choose."

It takes courage to become a soloist in K-pop — a scene largely dominated by girl groups and boy groups of the most varied sizes — but more than that, it takes verve. Singer, dancer, and songwriter Chung Ha, 28 years old, knows it better than anyone.

Born in Seoul, South Korea but raised in Dallas, Texas, she first rose to stardom in 2016, after  returning to her home country and participating in Mnet’s trainee competition show "Produce 101." There, Chung Ha caught the eyes of judges and viewers alike for her sharp movements and innate charisma. She placed fourth on the finale, and became a member of I.O.I — the show’s resulting temporary girl group.

While I.O.I and its 11 members found great success, when the group disbanded in early 2017, Chung Ha decided to challenge herself further. In June of that year, she released her solo debut EP, Hands On Me . 

Soon, Chung Ha became one of K-pop’s most promising (and somewhat unexpected) soloists — not only did she prove to be an exceptional dancer, but a smooth vocalist as well, full of style and star power. On stage, she commands performances with surgical precision, yet flows with breathtaking grace. She proved her versatility with a string of captivating singles, like the ice-cold "Snapping" and the bewitching "Gotta Go," which reached No.1 on Billboard’s K-pop Hot 100 chart in 2019. Her first studio album, 2021’s Querencia , blended R&B, EDM, reggaeton and even bossa nova with finesse.

But amidst all the success, Chung Ha took a break. She decided not to renew the contract with her previous label, spent more than a year on a hiatus, and even considered abandoning the music industry, as revealed on the YouTube talk show "Gabee’s Rising Star "

Luckily, Chung Ha changed her mind. She signed with MORE VISION, a label founded by singer and rapper Jay Park, and will drop the single album EENIE MEENIE on March 11. 

GRAMMY.com caught up with Chung Ha via Zoom to learn more about her comeback — and to dive into her creative process, how she sees herself, and who she wants to be.

You spent more than a year on a hiatus, and even left your previous company. What made you sign with MORE VISION for this new phase of your career?

Jay [Park] reached out to me often. When I talked to the other co-workers at the company, their vision really aligned with mine. I think that was a crucial reason.

For example, I've never toured. I want to start out in small venues, and if I do have a chance I want to make it bigger. I want to work on more collaborations and try different genres of music like [on] "EENIE MEENIE," and they're aligned with me on that.

On "Gabee’s Rising Star," you said that you wanted to study abroad during your hiatus, and that being a celebrity is "just a job." What made you want to come back to music?

I was always interested in psychology. Working in this industry, it's a little chaotic, so I tried to maintain my mental health by [attending] counseling, and then I felt like I wanted to maintain my mental health on my own.

And growing up in Texas, I always had my Mexican friends with me, but I was the only one unable to understand Spanish. I was always interested, but [the break] felt like it was the right time to embrace Spanish more. I wanted to dive into the culture and the language, but at the end of the day, it was all about me maintaining my mental health because I wanted to be in this industry. Me wanting to explore Spanish because I wanted to engage more with my fans. I just realized, Oh, it was all about music. Okay. [ Laughs. ]

Since your last comeback, in what areas do you think you have improved or evolved?

Um… I don't know. I'm gonna need to have a real [live] stage for that. I think that's the kind of question I want to ask my fans to see what gradual changes that they notice, because for me, I feel like I'm still the same. But I want to tap myself [on the back] for trying new genres and being brave about getting out of my comfort zone.

What did you have in mind when you started producing this new album? What's the story behind it?

I was really confused. I was asking people, like, "I don't know what to do. I don't know what's next for me."I feel like I've tried different genres of music and different colors of myself, like "Bicycle," "Play," "Love U," and "Roller Coaster."

I didn't know what to do, so I decided to show both sides of myself. A new [side] with MORE VISION, and the one people are always eager to see, like [on] "Stay Tonight" and "Dream Of You." Those were some of the biggest [songs] that I saw people commenting on. So, the familiar side of me and a new side of me are both in the album, and I'm pretty confident [about it].

You collaborated with Hongjoong from ATEEZ in the lead track "EENIE MEENIE," which represents that new side of yourself. How was that experience?

I have followed ATEEZ since the beginning of their career. Their performance is so mind-blowing, they have that special energy that only they can give, so I was always inspired by them.

And then, on "EENIE MEENIE" there is a rap part, so when I heard the track I was like, Oh, I am not rapping . [ Laughs .] That's just too new for me. I sing-rap in "EENIE MEENIE," but that’s about it. So, I needed a real rapper and a real captain on my side and I thought Hongjoong was a perfect fit. After I heard his verse, it was so great, more than I ever expected. He definitely gave that final touch.

The other song on your album, "I’m Ready," represents your familiar side with driving house beats and a mesmerizing atmosphere, almost like a sequel to "Stay Tonight" and "Dream of You." As for the title, what are you ready for?

I guess I'm navigating through new things, and I don't know how it's gonna come out. [People] might say it's a failure, they might say it's a success, they might say I'm brave to challenge myself, but I'm just ready to face all that. 

Even though someone might say, "Oh, I don't think it's the right fit for Chung Ha" or "I liked the old Chung Ha better," I don't think I'm afraid of getting judged, or getting rates on anything. I'm just ready to be more adventurous. Being too nervous might drag you into this anxiety space, but just being nervous in general with music and releasing new things is what makes me keep going.

I think people need that nervous feeling, being out of their comfort zone. You never know how you're going to feel, how the outcome is going to be. 

Do you remember any specific experiences where you were trying something new and it turned out better than expected?

Oh, "Stay Tonight"was one of them. When I first heard the track, I was like, U m… this is too high. I don't know if K-pop lovers will like this song , because it was more [Western] pop than K-pop. It was right after I dropped "Snapping"and "Gotta Go," so I was like, Are my fans ready for this?  

But [I thought] hey, you know what, let's just have fun. Let's just try new things. Let's vogue. [ Laughs ] I've always wanted to vogue, so I did that, and it became one of my epic pieces of performance. It didn’t go big in the charts or anything, but it became a real standout from a more artistic point of view.

EENIE MEENIE represents a new start for you, and both songs in the album talk about trusting yourself and your choices. Since you participated in the songwriting, is that what you have been experiencing lately? How do you recognize what feels right for you?

I feel like you never know what's right, but for me, I decide [something] when it keeps on popping in my head. Like, I would just be calm and see where my mind goes and what my [fandom] HAART keeps on telling me. 

If your heart moves that way, I’d rather just do it and regret, than not do it and regret. That’s how I trust my instincts, listening to what I really want.

You mentioned that you see K-pop and Western pop as one. What do you think about the global growth of K-pop, and Western artists trying K-pop, or artists collaborating?

I think it's wonderful. I mean, the only difference is the culture and the language, and how we make our music with different rules and stuff. And it's really awesome [to see] other artists trying out Korean, trying out the marketing strategy of what we have always done. But it's the same with Korean artists, they try to go abroad and then try Western music.

Trying different cultures is getting more natural than splitting what's K-pop and what’s pop. I think it's all gathering into one because music is one, and we love music.

Is it easier for you to see everything as one because you are Korean, but you lived in America for so many years?

Yes, I think it was more natural for me to try different things. It was fun to get to know things like, Oh, this is Western style music, Western marketing strategy, or Western businesses, it goes on like this, and then Korean businesses go on like this . So it's all about learning.

You mentioned in an interview with Teen Vogue that you like to portray characters in your songs, but recently you have been telling your own story in them as well. How do you find the balance between those two possibilities?

I don't initially choose what to do before I hear the music. I hear it first, and then decide, like Oh, I want to share a story of mine, because I have this experience and my current state of mind is this, but sometimes it's just Oh, this is a new character I've never tried before. I want to be her, or I want to be him, or whatever. Let me try that out, let me see what it tastes like. [ Laughs. ] When new music comes to me, whatever character, whatever story comes up first, I would go with that.

And for this album, are you a character or are you portraying your life story?

I’m portraying my life story in both songs. I had a lot of choices to make throughout the beginning of my new career [after leaving my former company], like choosing a label, choosing a new logo, choosing songs, and other things, but in the end I just like what I like to do. 

I came back to the music industry, and I really want people to embrace whatever they want to do. To tell them that they have the freedom to choose more than predetermined answers. I wanted to encourage that.

In another moment of your interview on "Gabee’s Rising Star," you said "When people think of Chung Ha, all that comes to mind is ‘Gotta Go’."Do you still believe in that?

Yes, and no. But I’m very grateful, because that song is what elevated me to the next step, and it gave me the courage to try different genres of music. But "Stay Tonight" and other pieces of music also identify me in different ways.

Who is Chung Ha, then? How would you like to be recognized?

Definitely not "Gotta Go." [ Laughs. ] I'm not that person now. I'm just a girl who loves music, and I'm just grateful and thankful, always. As much as I was diligent before, I want to keep on doing that, and I want to meet my fans more.

As Chung Ha, I want to ask my fans who they think I am, because I try to be as authentic as possible with music and my personality. Also I'm an adventurous person. Love to challenge myself. And I’m ready to go.

It Goes To 11: Meet J.Fla's "Best Friend," Her Acoustic Taylor Guitar

Photos (clockwise, from top left): Emma McIntyre/Getty Images for Coachella, Paras Griffin/Getty Images, Lufre, MATT WINKELMEYER/GETTY IMAGES FOR THE RECORDING ACADEMY, Paras Griffin/Getty Images, JOHN SHEARER/GETTY IMAGES FOR THE RECORDING ACADEMY, Kevin Mazur/Getty Images for The Recording Academy

Listen: GRAMMY.com's Women's History Month 2024 Playlist: Female Empowerment Anthems From Beyoncé, Ariana Grande, Jennie & More

This March, the Recording Academy celebrates Women's History Month with pride and joy. Press play on this official playlist that highlights uplifting songs from Taylor Swift, Victoria Monét, Anitta and more.

From commanding stages to blasting through stereos, countless women have globally graced the music industry with their creativity. And though they've long been underrepresented , tides are changing: in just the last few years, female musicians have been smashing records left and right, conquering top song and album charts and selling sold-out massive tours .

This year, Women's History Month follows a particularly historic 66th GRAMMY Awards , which reflected the upward swing of female musicians dominating music across the board. Along with spearheading the majority of the ceremony's performances, women scored bigtime in the General Field awards — with wins including Best New Artist , Record Of The Year , Song Of The Year , and Album Of The Year .

Female empowerment anthems, in particular, took home major GRAMMY gold. Miley Cyrus ' "Flowers" took home two awards , while Victoria Monét was crowned Best New Artist thanks to the success of her album Jaguar II and its hit single "On My Mama." As those two songs alone indicate, female empowerment takes many different shapes in music — whether it's moving on from a relationship by celebrating self-love or rediscovering identity through motherhood.

The recent successes of women in music is a testament to the trailblazing artists who have made space for themselves in a male-dominated industry — from the liberating female jazz revolution of the '20s to the riot grrl movement of the '90s. Across genres and decades, the classic female empowerment anthem has strikingly metamorphosed into diverse forms of defiance, confidence and resilience.

No matter how Women's History Month is celebrated, it's about women expressing themselves, wholeheartedly and artistically, and having the arena to do so . And in the month of March and beyond, women in the music industry deserve to be recognized not only for their talent, but ambition and perseverance — whether they're working behind the stage or front-and-center behind the mic.

From Aretha Franklin 's "RESPECT" to Beyoncé 's "Run the World (Girls)," there's no shortage of female empowerment anthems to celebrate women's accomplishments in the music industry. Listen to GRAMMY.com's 2024 Women's History Month playlist on streaming services below.

9 Ways Women Dominated The 2024 GRAMMYs

Photo: Emma McIntyre/Getty Images for The Recording Academy

9 Essential K-Pop/Western Collabs: From BTS And Megan Thee Stallion, To IVE And Saweetie

From Jungkook and Usher's tribute to their shared musical idol, to BLACKPINK and Selena Gomez' sugary sweet collab, K-pop and Western artists of all genres are joining forces to create killer hits.

It’s impossible to ignore the growing global popularity of K-pop. Although Korean pop has been around for decades, the genre's meteoric worldwide success over the past 10 years is reminiscent of Beatlemania and the early 2000s American boy band craze. With a steady increase year-over-year in album sales and K-pop groups touring the U.S. and Europe, interest in K-pop shows no signs of slowing down .

Initially launched in South Korea as a music subgenre with Western pop, R&B and hip-hop influences in the '90s, the K-pop industry is valued at around $10 billion .

Given the worldwide appetite for K-pop, several Western musicians are keen to partner with K-pop acts crossing over into more international markets, often with songs sung partially or entirely in English. While K-pop artists do not need Western artists to be successful — BTS sold out London’s Wembley stadium in under 90 minutes back in 2019, and BLACKPINK made Coachella history twice with performances in 2019 and 2023 — K-pop's massive fanbase and multi-genre influence make it an ideal collaboration for everyone from rappers and singers to electronic DJs.

But don’t take our word for it. Here are nine of the most iconic K-Pop/Western collaborations (not in any order; they are all great songs!).

Usher and Jungkook - "Standing Next to You (Usher Remix)" (2024)

The maknae (the youngest member of the group) of global K-pop superstars BTS and the King of R&B are both having banner years: Jungkook released his debut solo album, and Usher just performed at the Super Bowl . 

The Bangtan Boys have cited Usher as a significant influence (even singing a callback to his 2001 hit "U Got It Bad" in their No. 1 song, "Butter"), so BTS fans were delighted when the Jungkook tapped Usher for a remix of "Standing Next to You." The song marks the fourth single from his Billboard 200 chart-topping debut album, Golden . 

Both singers count Michael Jackson as a major influence. In their collaboration video, Usher and Jungkook pay tribute to the King of Pop as they slide, pop, and lock across the slick floor of an abandoned warehouse. 

John Legend and Wendy of Red Velvet - "Written in the Stars" (2018)

R&B singer/pianist John Legend was the perfect choice for an R&B ballad with Wendy, the main vocalist of K-pop quintet Red Velvet. The final song on the five-track SM Station x 0 , a digital music project, "Written in the Stars," is a beautiful, mid-tempo love song. A bit of a departure from K-pop’s typical upbeat sound, Wendy and Legend are in perfect harmony over a warm yet melancholic rhythm.

As Red Velvet’s main vocalist, Wendy was the ideal voice for this collaboration. Additionally, she split her childhood between Canada and the U.S., and has been comfortable singing in English since Red Velvet debuted in 2014. This wasn't her first collab with a Western artist: In 2017, she released an English-language version of the pop ballad " Vente Pa’Ca " with Ricky Martin . 

BLACKPINK and Selena Gomez - "Ice Cream" (2020)

A powerhouse debut single, BLACKPINK collaborated with pop royalty Selena Gomez on the massive 2020 hit "Ice Cream."

An electropop-bubblegum fusion filled with dairy double entendres, "Ice Cream" was an enormous success for both Gomez and the BLACKPINK girls. The track peaked at No. 13 on the Billboard Hot 100 and has racked up nearly 900 million YouTube views to date. 

Written by a consortium of hitmakers, including Ariana Grande and BLACKPINK’s longtime songwriter and producer Teddy Park (a former K-pop idol himself), "Ice Cream" shows that YG Entertainment’s golden foursome and Gomez were the correct partnership for this track. The pop-trap bop marked the first time a K-pop girl group broke the Top 20 on the Billboard Hot 100 chart and immediately solidified BLACKPINK as global superstars. 

Snoop Dogg and Monsta X - "How We Do" (2022)

West Coast rap godfather Snoop Dogg has quietly become one of the go-to Western acts for K-pop collabs, working with Psy, BTS, Girls’ Generation and 2NE1. K-pop is the Dogg Father's "guilty pleasure, " and he performed at the Mnet Asian Music Awards with Dr. Dre in 2011. Without Snoop's love of K-pop, the world might not have gotten this fun and energetic collaboration with Snoop and Monsta X, a five-member boy group under Starship Entertainment.

The song appears in The Spongebob Movie: Sponge On The Run in a dance segment where Snoop, decked out in a pink and purple Western suit, is accompanied by zombie dancers. Though we do not see the members of Monsta X, their harmonious crooning is the perfect accent to Snoop Dogg’s trademark casual West Coast flow.

BTS and Steven Aoki - "MIC Drop (Steve Aoki remix)" (2017)

No K-pop list is complete with a nod to the magnificent seven, and "MIC Drop" is one of their catchiest Western collabs to date. 

"Mic Drop" is quintessential BTS: a nod to hip-hop with a heavy bass line and fun choreography. While the original version of "MIC Drop" is excellent, the remix with EDM superstar DJ Steve Aoki and rapper Desiigner cracked the Top 40 on the Billboard Hot 100 — the first of many hits for the Bulletproof Boy Scouts. 

Released at a time when BTS were just starting their ascent to chart-topping Western dominance, the track's boastful lyrics and tension-building electro-trap production offered an excellent introduction to the group that would soon become international superstars. 

JYJ, Kanye West and Malik Yusef - "Ayyy Girl" (2010)

A truly deep K-pop cut, you’d be hard-pressed to find many people who know that Kanye West collaborated with a first-generation K-pop group over 13 years ago. Released as the lead single on JYJ’s English-language album The Beginning , West’s signature bravado and wordplay are on full display over a track that sounds like the Neptunes produced it.

The song garnered attention in the U.S., but after a string of bad luck (including a severely delayed U.S. visa process and issues with their management company, SM Entertainment), JYJ could not capitalize on their American success. The group continued to see success in Korea and Japan in the early 2010s but never made a splash in the Western market again.

IVE and Saweetie - "All Night" (2024)

A reimagining of Icona Pop’s 2013 song of the same name, "All Night," sees fourth-generation K-pop girl group IVE partner with rap’s resident glamor girl Saweetie for a funky, electronic-infused pop song that’s perfect for dancing from dusk till dawn. 

"All Night" is the first English song for the Starship Entertainment-backed group. Interestingly, none of the members of IVE have individual lines in the song, choosing instead to sing the lyrics in a six-part harmony. This choice is exciting but fun, giving listeners the feeling that they are more than welcome to sing along. 

The girl group embarked on their first 24-date world tour in January 2024, with stops in the U.S., Asia, Europe and South America. Given their quest for global dominance, there’s a good chance "All Night" won’t be IVE's last English-language release.

BTS and Megan Thee Stallion - "Butter (Remix)" (2021)

BTS’ "Butter" had already spent three weeks atop the Billboard charts and was declared the "song of the summer" when the group’s label announced Houston rapper Megan Thee Stallion as the guest star for the song’s remix in late August 2021. The GRAMMY-nominated septet is no stranger to collaborating with Western musicians, having worked with Halsey , Jason Derulo, and Coldplay . 

Though only slightly altered from the original (Megan’s verse was added in place of the song’s second original verse, along with several ad-libs), the remix was praised by both fans and critics alike, catapulting the song’s return back to the No. 1. Although the collaborators did not release a new music video featuring the group and the self-proclaimed "Hot Girl Coach," three members of BTS’ "dance line" (members J-Hope , Jungkook and Jimin ) released a specially choreographed dance video . Additionally, Megan was a surprise guest during BTS’ record-breaking Permission to Dance LA concert in November of the same year.

LE SSERAFIM and Niles Rodgers - "Unforgiven" (2023)

GRAMMY Lifetime Achievement Award recipient Nile Rodgers ' first foray into K-pop was a partnership with LE SSERAFIM , a fourth-gen girl group from the same parent company behind BTS. "Unforgiven" was released earlier this year as the lead single from the group’s debut album of the same name. 

A darker take on the familiar K-pop formula with A Western feel and look (the young quintuplet dons cowboy hats, boots and bolo ties in the song’s accompanying music video), "Unforgiven" is about rebellion and being a fierce, strong and independent risk taker. That riskiness drew Rodgers' ear. 

"It seems like a lot of the K-pop that I'm hearing lately, the…chord changes are a lot more interesting than what's been happening [in other music fields] over the last few years," he told GRAMMY.com in 2023. "I come from a jazz background, so to hear chord changes like that is really cool. They’re not afraid, which is great to me."

15 K-Pop Songs That Took 2023 By Storm: From Seventeen’s "Super (손오공)" to NewJeans' "Super Shy"

• 1 K-Pop Summer 2024 Guide: ATEEZ, IU, TXT & More Live In Concert & On Tour
• 2 Leap Into AAPI Month 2024 With A Playlist Featuring Laufey, Diljit Dosanjh, & Peggy Gou
• 3 Chung Ha Returns: On 'EENIE MEENIE,' The K-Pop Soloist Is Ready To Step Back Into The Spotlight
• 4 Listen: GRAMMY.com's Women's History Month 2024 Playlist: Female Empowerment Anthems From Beyoncé, Ariana Grande, Jennie & More
• 5 9 Essential K-Pop/Western Collabs: From BTS And Megan Thee Stallion, To IVE And Saweetie

Taylor Swift's Eras Tour might be about to do for Europe what it did for America

• The European leg of Taylor Swift's record-breaking Eras Tour kicked off on Thursday.
• The Eras tour  is the first concert tour to gross over $1 billion, estimates showed.
• She's crossing the Atlantic at a time when several of the continent's economies are struggling.

The European leg of Taylor Swift's Eras Tour kicked off in Paris on Thursday.

Last summer, the "Tortured Poets Department" singer's concerts helped boost the US economy, driving up spending on everything from restaurants to hotels across the country.

Estimates showed that the Eras tour is the first concert tour to gross over $1 billion.

In 2023, the research firm QuestionPro estimated that the Eras Tour would boost US consumer spending by an eye-popping $4.6 billion . Meanwhile, key business figurers ranging from Uber CEO Dara Khosrowshahi to policymakers at the Federal Reserve have noted the positive impact Swift's concerts have had on business.

Economists have even coined new phrases like " Swiftonomics " and " funflation " to refer to the idea that in the aftermath of the pandemic, Americans are more willing to splash the cash on live events that might lead to once-in-a-lifetime opportunities.

Now, after quick pit stops in Singapore — where Swift's big-money shows made the country mountains of money and sparked concert envy among its Southeast Asian neighbors — and Australia , Swift is set to embark on an 18-city European tour.

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She could be set to give the continent's economy a similar boost.

Planeloads of American fans have followed her across the Atlantic, The Associated Press reported on Thursday, which is likely to fuel an uplift in spending.

When Beyoncé came to Sweden's capital, Stockholm, last summer, economists noted that her fans had spent so much on hotels and meals that they'd triggered a slight bump in inflation. This summer, the city is expecting 10,000 extra concertgoers to fly over from the US to see Swift.

Hotel booking statistics also help to capture the sense of how in-demand Eras Tour tickets are.

By August 2023, hotels in Cardiff and Liverpool in the UK — where Swift will be stopping in June — had already reached occupancy levels of more than 50% for her tour dates, hotel research firm STR reported, with rooms in Cardiff going for $230 more than they typically do.

In December, vacation rental data firm AirDNA found that demand for short-term rentals during Swift's tour dates in Vienna, Austria, and Warsaw, Poland, had already surged by around 2,000%.

The economies of Europe arguably need that boost in spending even more than the US did. The ongoing war in Ukraine has hammered the continent, with one country where Swift will play — Ireland — which was in a technical recession as of late last year — and several others, including the UK, having only just exited a period of negative growth.

Perhaps that means it's the perfect time to welcome back Miss Americana.

Watch: While Delta's business is 'extremely robust,' the airline's marketing chief stays focused on the data

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