anthrax tour review 2022

Empire Extreme News Feed

Anthrax 40th anniversary tour review.

Pittsburgh PA – Stage AE August 22, 2022

Kinetic energy grew as the crowd of approximately 2000 metal thrashing maniacs crammed in Stage AE on Pittsburgh’s North Side. The anticipation snapped when the house lights went down and a pre-recorded video of rock and metal legends was projected onto a giant white scrim that covered the entire front of the stage. There were clips of Kerry King (Slayer), Roberto Trujillo (Metallica) Henry Rollins (Rollins Band, Black Flag), Philip Anselmo (Pantera, Down, Superjoint Ritual), Slash , Mark Osegueda (Death Angel) Gene Simmons (Kiss), Cory Taylor (Slipknot, Stone Sour),   Chuck D (Public Enemy, Prophets of Rage), Dave Mustain (Megadeth) , Brann Dailor (Mastodon) along with comedian Brian Posehn and actors Norman Reedus and Keanu Reeves to name a few. Each artist had a brief clip about how amazing and influential Anthrax has been in their 40 years of existence.

As the video faded bright spotlights from behind the band projected silhouettes of vocalist Joe Belladonna, bassist Frank Bello and rhythm guitarist Scot Ian’s onto the white scrim while Scott repeatedly strummed the thunderous opening cords of “Among the Living” from the album of the same name. As the curtain fell reveling the band and their stage set, the band tore through the track with ease exemplifying why they are at the forefront in the genre.

With out missing a beat Anthrax jumped in to another seminal and genre defining tracks; “Caught in a Mosh” causing the circle pit that had began during the first song to expand and grow a bit more intense. The set continued with a pair of old school thrash metal classics with “Madhouse” from the band’s 1985 release Spreading the Disease and “Metal Thrashing Mad” from 1984’s Fist Full of Metal .

Keeping the energy high and the pit moving the band slammed right into “Keep it in the Family” and the 1990’s MTV hit “Antisocial”, followed by the Judge Dredd comic inspired song “I Am the Law”. Later in the set the band played the only John Bush era song “Only”, which despite its difference in style fit nicely in the mix. Next the venue latterly shook with the deafening rumble of the bass line for “Got the Time” from bassist Frank Bello.

As veterans of the stage the band knew the crowd needed a breather. The band cleared the stage and guitarist Scott Ian stepped up to the mic with a lone spot light shining on him from above. He thanked the fans supporting them over the decades and that they were her to get away from the “poli-tricks” and to listen to some “METAL!” He also relayed a story about how when they were on their very first tour that they stopped in Pittsburgh. Apparently they had been on the road for a few weeks and Frank (Bello) had not called his mom in several days. In this era before cell phones that she was so work that she had not heard for her “baby boy” that she drove all the way from New Jersey to Pittsburgh to make sure he was OK.

With that they broke into the hyper rhythm of the rap-metal hit “Bring the Noise”.  Thought they only played the one verse with Scott rapping and the chorus/hook then slide into “Indians”, once again returning to their classic album “Among the Living [1987]. This song pulled everything together, highlighting Joey’s signature vocals, the dual guitar crunch and rhythmic power of the band. Scott mid-song scream of “WAR DANCE” served to whip the natives into a frenzy.

As the song “Indians” wound down the deep pounding of the rhythmic drums began to overpower all the other instruments. Gradually drummer Charlie Benante began morphing his rhythm into another song. Soon it became apparent that he was playing the intro to Pantera’s “Domination”. Quickly the rest of the band joined in giving the crowd a sneak peak at what they can expect from the Pantera reunion tour that will feature Anthrax drummer Charlie Benante sitting in for the lat Vinnie Paul. Over all it was a great show, by a band who shows no signs of letting up in the near future. They were tight, never missed a beat and Joey’s vocals seem to get better with age. The 40 th Anniversary tour continues through the end of August with Hatebreed and Black Label Society .

About Author

Josh Drespling

Josh is the Publisher and creator of Empire Extreme and it’s sister publication Kingdom Extreme Magazine. He is an accomplished writer, photographer and graphic designer. He is always conjuring up new ideas and has a amazing passion for the music industry and all the things that surround it.

See author's posts

Share this:

• Share on Tumblr

You may like

Anthrax/Black Label Society and Exodus 2023

Anthrax/Lamb of God Fillmore Review

Interview with Julien-K

Support for Slayers’ Final Run

DropKick Murphys & Flogging Molly Pre show

Asking Alexandria Pittsburgh Show Review

You must be logged in to post a comment Login

You must be logged in to post a comment.

Ministry – HOPIUMFORTHEMASSES

As we near the collapse of mankind and the imminent doom of our political system, a perfect stage has been set for the outspoken rebels to flood the airwaves with dissident upheaval bathed in musical bliss. With the end looming, no greater landscape could welcome the reemergence of the enigmatic Al Jourgensen and company with their latest release, HOPIUMFORTHEMASSES , via Nuclear Blast Records . Scheduled for a March 1st 2024 release, Uncle Al, along with guitarist Cesar Soto , Paul D’Amour , formerly of TOOL , on bass, John Bechdel on keys, Roy Mayorga (ex- STONE SOUR ) on drums, and newly added guitarist Monte Pittman , form the current incarnation of the long-lived Ministry.

This album is an open-book commentary on our American society at large, bathed in slow-burn angst and distortion injected with punk rock/thrash riffs and samples galore.

Within the opening seconds of track one, a female voice proclaims, “What was once forbidden becomes fringe, and what was once fringe becomes mainstream.” Soon Al’s vocals take over with a distorted and effect heavy declaration of “horny little boys filled with hormones and hate, waging war on women ‘’cause they can’t get a date,” thus laying the groundwork for the entire album. As “B.D.E.” (Big Dick Energy) continues, a heavy yet simplistic guitar riff drives the song forward while increasing the energy level and tempo. Al’s vocals continue with his immediate, recognizable attitude and tone, stating, “No one can justify the toxic behavior.”

“Goddamn White Trash” is perhaps the most accessible and rythematic song on the release. It has hints of the Psalm 69 days of the band. Chants of “USA, USA” ring out along side screeching guitar noise reminiscent of Mike Scaccia ’s playing style.

Track three is titled “Just Stop Oil,” and it dives into yet another realm of political advocacy. Jourgensen delivers, “Dehumanization at a cellular level. Policy set by the corporate devils, There must be resistance, we cannot be silenced, There is the existence of possible violence” in a growled whisper.

On the track “Aryan Embarrassment,”  we are treated to a none-more-fitting guest appearance from what I believe is activist and Dead Kennedys front man Jello Biafra , who delivers a rap-style series of vocal lines backed by a driving rhythm. Jello wails, “How on Earth did all this happen? Plagues of militantly stupid” Followed by “Scamming on the punk scene.  Oi, oi, oi. Ain’t proud of you boys at all.”

Another standout track is “New Religion” which starts with a classic industrial riff and buries itself in the repetitive, slow-burn heaviness that has become the Ministry standard as of late. Followed by “It’s Not Pretty,” which opens as a haunting acoustic piece that I imagine being set in a post apocalyptic landscape with the reverberating lyrics “ It’s not pretty. This is the end of the world to me. This is the end of society.”

“Cult of Suffering” strays from the format of the balance of the album and could be firmly placed on an Alabama 3 album, and it may feel at home on a Surgical Meth Machine release.

Rounding out the album is a little ditty called “Ricky’s Hand.” This is a synth pop throwback to the early days of Ministry and leaves us longtime fans eager to hear the longtime teased rerecording of some of the very early Ministry material. This track has a Devo , Information Society , and even Depeche Mode feel to it and is a perfect bookend to a solid release from an iconic band.

Ministry will be on tour throughout the summer with Rob Zombie , Alice Cooper and Helmet .

Concert Reviews

Bloodywood: concert review pittsburgh, pa.

In a realm of modern music overflowing with musical genres, there are few bands that possess a unique sonic force that defies categorization while leaving listeners spellbound and yearning for more. One such band is Bloodywood . They are a musical force that blends cultural heritage with a relentless fusion of metal, hip-hop, and traditional Indian rhythms.

As a band, they are carving a distinctive path and leaving an indelible mark on the modern musical landscape. Their raw energy, cultural fusion, and a fearless spirit of rebellion is a testament to the transformative power of music, transcending boundaries and uniting people from all corners of the globe. With their infectious energy and thought-provoking lyrics, the band has built an ardent following, igniting a revolution that stretches far beyond the realm of music or the shores of any country.

Born in the vibrant streets of New Delhi, India, in 2016, Bloodywood showcases their unwavering commitment to pushing boundaries, both musically and socially, as they fearlessly tackle pressing issues and ignite conversations.

The sonic odyssey of Bloodywood graced the stage of the Roxian Theater in McKees Rocks, Pennsylvania, which is nestled in the shadow of Pittsburgh only a short distance down the Ohio River from the infamous Steel City.

The show opened with a blast of energy from the British duo WARGASM , whose stage presence was undeniable. Sam Matlock , Milkie Way , and company tore through an unadulterated set of nu-metal tracks tinged with punk and electronica that included “Super Fiend”, “D.R.I.L.D.O”, and “Rage All Over”. They followed up with the video sensation “Fukstar” and wound down the set with some crowd surfing and a cover of N*E*R*D’s “Lapdance” and closed out the set with the track “Spit”.

After a brief break in the mayhem, Vended made the stage rumble to life. Their agro-metal induced a great deal of similarity to early Slipknot, and that is not surprising given that frontman Griffen Taylor is the son of Slipknot’s Corey Taylor and Simon Crahan is the son of percussionist Shawn ‘Clown’ Crahan. The band sounded tight and featured competent song composition; however, the vocalist needed to learn how to work the stage. It was as if his shoes were nailed to the floor at center stage.

As stage lighting flickered to life, the crowd prepared to be immersed in a symphony of cultural fusion, electrifying riffs, and unapologetic lyrics. We all knew that we were about to experience something quite special. As the sonic saga began, drummer Vishesh Singh sat behind his kit, awash in blue and purple lights, as the anticipation grew more intense. The intro track for “Gaddaar” echoed throughout the theater before the bombastic bass, gnarly guitar riffs, and the thump of the drums shook the walls as the entire band burst onto the stage to metaphorically say, “Ladies and gentlemen, welcome to an electrifying evening filled with raw energy enshrined in a mesmerizing tapestry of sound that defies conventions.”

The crowd began losing themselves in the pounding intensity, their bodies moving in sync with each thunderous beat as Sarthak Pahwa wailed away on his dhol. The band seamlessly migrates from the thunderous “”Gaddaar” to “BSDK.exe” from their most recent release Rakshak that couples a more hip-hop vibe on the verses with a crushing guitar rhythm from Karan Katiyar throughout the rest of the track.

Adorned in their fusion of metal attire and traditional Indian clothing, twin vocalists Jayant Bhadula (vocals and growls) and Raoul Kerr (rap vocals) commanded a powerful presence as they ran through “Aaj” with its hypnotic flute licks and downright brutal lead vocals. The five minute long song pushed the audience into heightened frenzy before slapping them across the chin with “Dana Dan”. Which had Raoul Kerr rapping/screaming “I put a fist through the face of a rapist and yeah, I taped this. For the viewing pleasure of the nameless faces he disgraces.”

Up next was the more mellow and chill track “Jee Veerey” that featured more of Karan Katiyar’s enigmatic flute playing along with a more melodic yet still intense vocal delivery from Jayant Bhadula as he sang in his native tongue.

The track “Zanjeero Se” was followed by “Machi Bhasad (Expect a Riot)” which truly showcased the rhythmic prowess of drummer Vishesh Singh and dhol master Sarthak Pahwa. It was so enthralling to watch Sarthak perform on such a simplistic instrument and to make it so vibrant and energetic. His playing transports Bloodywood’s music to a completely different level.

As the set reached its crescendo, it was obvious that the sweat-drenched band had poured their hearts and souls into every note. Wrapping up their set was the sing-along inducing “Ari Ari” that left the crowd breathless and drenched in the passion that radiated from the stage.

But… There is more. As an encore, the band jumps back in to the opening track “Gaddaar” thus cranking up the mosh-pit’s intensity to eleven, causing every person down front to expel every ounce of remaining energy from their bodies.

It was incredibly refreshing to see a band that, in some magical way is able to unite people regardless of age, background, or nationality. To see people connected by their love of the music and a band. The shared experience created an atmosphere of camaraderie and acceptance, where strangers become friends, and barriers dissolve in the face of the music.

Unfortunately, this was the last stop on Bloodywood’s North American tour, save some festival dates. Hopefully, they will be returning to the states soon. If you have the opportunity to see them live, do not sleep on it. I promise you will not be disappointed.

In the meantime you can get more info at: www.bloodywood.net/

Cattle Decapitation Terrasite Album Review

Terrasite by Cattle Decapitation

Today, 05/12/2023, saw the release of the 8th studio album from San Diego’s own Cattle Decapitation. The follow up to 2019s Death Atlas, Terrasite shows how a band can grow and evolve while staying true to their roots. Starting as a grind band in the late 90s and with relentless touring and continual releases this album shows them further building upon elements of their previous albums.

The album has great production. The copy I used primarily for my review is the vinyl version which is 45 RPM and it sounds great. In particular, I think the drum production is particularly well executed. A lot of times with death metal the kick drum is either too “bassy” so it’s difficult to hear or it’s the other way and you can hear all the hits without the bass tone. This album is a great balance of the two. You can hear clearly how fast drummer, Dave McGraw, is going without losing the “thump”. The blast beats alone will rattle the brain. The guitars are grimy and dirty with some blistering leads. The bass rattles while still having a solid low end. You can really hear it in songs like “Solastalgia” which has a small bass lead in it which I didn’t see coming and was pulled off great.

The vocals, I feel compelled to say that Travis Ryan has to be one of the most underrated and versatile vocalists in metal. Highs that make the ears bleed, lows that are gurgling, wet and gross sounding. Harsh singing reminiscent of 80s thrash bands, and clean singing that are almost, but not quite, reminiscent of the late Peter Steele from Type O Negative.

Lyrically they stay on brand ranging from the end of humanity, apocalyptic themes, and mistreating humans the same way humans mistreat animals. Very dark and grotesque subject matter. When asked about the lyrics to this album Ryan states “I wanted to do the 180° opposite of Death Atlas – I wanted this to take place in the daylight. I’ve always found daytime horror to be really unsettling so I wanted to make sure what was going on on the cover took place in the light of day, which also finds its place within the lyrics.”

Tracks like “A Photic Doom” showcase traditional style death metal guitar riffing, with elements of tech death and slam. “Dead End Residents” leans into some of the darker ends of thrash metal and is reminiscent of bands like Slayer. “Scourge of the Offspring” shows an impressive command of melody without sacrificing the grime that covers the album while almost coming off as anthemic.

The album closes with the ten minute epic “Just Another Body” which begins with a piano melody that would be at home in a late 70s era horror movie while building into something that’s not quite death, not quite thrash, and not quite grind. Ryan uses the full range of his voice while there are symphonics layered in the background to keep the melody from being lost while still playing with grind based riffs and blast beats.

Overall if you’re looking for a strong contender for death metal album of the year I will highly recommend this. As of this writing I haven’t been able to stop listening to it for three days now. The album currently available on all the usual streaming platforms and physical copies can be purchased here . ( www.indiemerch.com/cattled ecap )

JJ has been a contributing writer and huge asset to Empire and Empire Extreme since the very begining. He is always digging for new bands and has a true heart and desire to see the bands grow and succeed.

INTERVIEW WITH MERCURY OF PRIEST

M3 2024 Preview

Phasers Engage: A deep dive into the debut album of inter-dimensional travelers  and the music they make.  

SCAREFIELD DEBUT ALBUM “A QUIET COUNTRY”. 

DECAPITATED & SEPTICFLESH ANNOUNCE THEIR’CANCER CULTURE OVER NORTH AMERICA 2024′ CO-BILLING TOURWITH KATAKLYSM AS DIRECT SUPPORT & ALLEGAEON 

YOU WANT BLOOD?YOU GOT BLOOD. THE BLOODIEST BAND IN THE WORLD…….GWAR

KK Priest comes to Baltimore and brings with them LA Guns and Burning Witches.  

KMFDM:Baltimore Soundstage

DROPKICK MURPHY St Patrick’s Day Tour: Warren Ohio

Alestorm – Voyage of the Dead Marauder

INTERVIEW WITH OF VIRTUE

TWIN TEMPLE BALTIMORE SHOW REVIEW

Pantera came in Baltimore and not only brought the metal they brought the legacy of Dime and Vinnie with them. 

JOURNEY ROCKS BALTIMORE

DROPKICK MURPHY 2024 Tour

Zombi release “bodies in the flotsam”.

INTERVIEW WITH TWIN TEMPLE

FIRST JASON: LOVEDRAFTS INTERVIEW

BEARTOOTH : PITTSBURGH SHOW REVIEW

NIGHTMARE AFTER XMAS 8

YEAR END BASH: TOURIST INN SHOW REVIEW

Interview with Alex Terrible of Slaughter to Prevail

Chaos and Carnage Tour 2022: Pittsburgh Review

Interview with Tawny Kitaen

John 5 and the Creatures/The Haxans MD Show Review

BlueRidge Rock Festival 2021 Preview

Interview with Little Miss Nasty

Black Crown Initiate- Violent Portraits of Doomed Escape Album Review

LIVE REVIEW: Anthrax with special guests Black Label Society and Hatebreed. Live at the Fillmore, Minneapolis, Minnesota 8/5/2022

14 August 2022 Tommy Sommers

Anthrax   came to town on their 40th anniversary tour and brought two incredible bands to support them. First one up was   Hatebreed .  The fans showed up early and the place was packed before they even went on. they are easily the heaviest band in the lineup. They worked their way through a 15-song set that included “Proven”, “This is Now”, “Empty Promises”, “Tear it Down”, “live for This”, and “I Will Be Heard”. It was an extremely solid set that really got the crowd going. They are a fantastic band with great musicianship.

Second on the bill was   Black Label Society   featuring   Zakk Wylde   on guitar. Every time I see this band, I like them more and more. The songwriting is exceptional along with the musicianship. They opened their set with “Funeral Ball” And ended with “Still Born”. They dedicated the song “In This River” to the memory of   Dimebag Darrell   and   Vinnie Paul . Rumor has it that Pantera will be going on tour next year. It’s the lineup includes   Zakk Wylde   on guitar and   Charlie Benante   from   Anthrax   on drums.

Black Label Society   played a very long set that also included “Overlord”, “Fire it Up”, “Heart of Darkness”, and “Trampled Down Below” Just to name a few. They are a solid of a band as I have ever seen. I highly recommend checking all these bands out when you get a chance.

Headliners   Anthrax   gave the fans what they were there for! A solid set of songs from their entire carrier. They opened with “Among the Living”. They played a lot of the songs you would expect them to like “Caught in a Mosh”, “I Am the Law”, “Bring the Noise”, and “Indians”. But the song that really pushed the crowd over the edge into insanity was “Madhouse”. Who doesn’t like a good mosh pit or crowd surfing? I guess the only ones that don’t are the poor security guards. But they did a great job of keeping everybody safe.

One of the many things I’ve always appreciated about   Anthrax   is how much energy they give you at every show. All five of the band members are fully present and doing everything they can to entertain that audience. I really like the setup too as far as the look of the stage for anthrax. It was colorful with some stairs and the lighting was excellent. It just added a lot to the performance. Let’s face it they are one of the BIG 4 and there’s a reason. It was just great to go to the Fillmore which is one of my favorite concert venues in Minnesota and see a sellout crowd attending something that’s not a rap concert. I stood out front after the show was over and saw fans wearing shirts from all three of these bands. Everyone was represented and it was just a great night of loud rock’n’roll music.

BLACK LABEL SOCIETY & HATEBREED

• Decibel Hall of Fame
• Justify Your Shitty Taste
• Kill Screen
• Decibel Flexi Series
• Decibel Records
• New Releases
• Demo:listen
• Decibel Magazine Metal & Beer Fest: Philadelphia
• Decibel Magazine Metal & Beer Fest: Denver
• The Decibel Magazine Tour 2024
• Decibel’s 200th Issue Show Extremely Ex-Stream
• The Decibel Store
• Back Issues
• Exclusive Vinyl
• Current Issue
•  Search

Live Review: Anthrax with Black Label Society and Exodus (Grey Eagle Events Centre, Calgary, AB: 1/22/23)

Those of you who were early thrash fans during that vaunted period known as “back in the day” will remember being pilloried by the majority of the metal world for daring to open your ears to the then-new style of sound. It was a sound that injected hardcore punk energy into metal’s thick and viscous origins and did it at velocities that had genteel segments of the metal community — fans and press included — running for the hills and screaming for vengeance. Comparing those times to today (and the genre’s heyday), it’s sometimes difficult to believe that thrash was once metal’s red-headed step-child, a bunch of fucking noise some said, that would never amount to anything. Since 1981, the year New York’s Anthrax gathered to go metal thrashing mad, even those naysayers and doubters and relics working on their ass-grooves at booths at the Rainbow have come around and 40-plus years later we’re at the stage of the game where thrash metal’s Big Four remain as successful as…blah, blah, blah.  

I’m going to hazard a guess that you don’t need to be handed a thrash history refresher, but the back of my brain still has a giddy time reconciling the genre’s scuzzy beginnings with the fact that I just witnessed 40-plus years of Anthrax in a ginormous casino concert hall/events centre festooned with carpeted floors and chintzy chandeliers where over-priced concert beers, foot-long hot dogs and gourmet burgers were as plentiful as band merch. It’s a far cry from seeing Anthrax, Exodus and the like in cramped and sweaty shit boxes back in the day. As I’m sure everyone involved is much happier at the upgrade, it’s still amazing to think that the music that was once derided as a bunch of bullshit is now hobnobbing with games of chance and still coming out as the lucky one. Then again, all it takes are a couple of fights, a couple dudes passed out in the hallway and more than a couple of spilled beers to show that the more things change the more they stay the same.

On that note, openers and ‘Big 6’ members (along with Testament) Exodus took to the stage with the same energetic vim and athletic vigor as…well, every other time I’ve seen them going back to the mid-‘80s. Possessors of arguably the most brutal and crushing guitar tone in thrash history, the Bay Area war-horses emerged from the wings like bats out of hell straddling gun powder-filled missiles. Over the course of a relatively scant 45-minutes, the legendary and notorious slay team faithfully represented their own 40+ years of existence, including showcasing the diversity available on newest album, Persona Non Grata . The band knows where their bread is buttered though, as the set leaned heavily on Bonded by Blood with stops along the way for sonic look-sees at Fabulous Disaster , Tempo of the Damned and Blood In, Blood Out . Accompanying classics like “Strike of the Beast” and “A Lesson in Violence” was their always entertaining stage presence, rife with loads of cross-stage skipping, Lee Altus miming out lyrics and singing along as much as playing guitar, a frontline of friendly violent hair whipping and neck abuse, and vocalist Zetro Sousa’s uncanny ability to engage eight different members of the front row in set-long, metal sign language conversations. Mad props should be reserved for drummer Tom Hunting for recently beating squamous cell carcinoma as hard and savagely as he knocked out the two-beats and skank patterns during “The Toxic Waltz” and “Piranha.” Fuck cancer, indeed.

The internet has informed me that Black Label Society has been a band since 1998. This means that yours truly has gone almost 25 years without (knowingly, at least) hearing this band. That particular cherry was finally popped tonight and it’s not a milestone I’m entirely happy about it. Definitely not as happy as the pure elation being expressed by the band’s devoted and faithful, but after my first experience with the band, I’m failing to understand what the big deal is. What with all the time I spent in the pre-show line surrounded by dudes in Black Label Society leather cuts, “motorcycle enthusiasts’ club” inspired merch, the band throwing around of terms like “chapter” and “family” and the reference of members as “Father so-and-so,” there’s a distinct fictitious biker gang air to all of this. Ironically enough, as a parallel, Black Label Society comes across as the Sons of Anarchy of hard rock/metal, except not nearly as entertaining and with a lot less random gun play. This can’t be the first and only time BLS and SOA have been compared/referenced/connected to/equated with one another, but witnessing the spectacle firsthand is uncanny, if not hilarious. The glaring plot holes, untenable situations, ridiculous chase scenes, comical dialogue and cartoonish violence are parallel to the unadventurous and elementary rhythmics, collection of dumbed down, pinch harmonic-peppered riffs that the likes of Pantera, The Atomic Bitchwax, Down and Monster Magnet were smart enough to discard, and Zakk Wylde’s tuneless, yet soulful vocal moan. In the end, it came across as a gathering of low common denominators that together have struck a chord with those looking for a safe expression of rebellion, intrigue and community wherein consumers look to turn their brains off for an hour or two in order to forget the day.

Full disclosure: Anthrax was always, personally, my fourth favourite of the ‘Big 4.’ That’s not to say I didn’t and don’t still get my panties in a twist whenever Fistful of Metal , Among the Living , Persistence of Time , Sound of White Noise and their various covers make their way off the shelf. But not everyone can own the podium and that a few thousand folks and I are still feeling the excitement of songs that are as much as four decades old — and that a few thousand of others are feeling that same excitement for songs that were written before they were born — is indicative of veracity, staying power and host of well-crafted numbers.

The celebration of 40 years of Anthrax began with a slickly compiled and edited video testimonial from fans across the spectrum; from Keanu Reeves, Lady Gaga and Gene Simmons to members of Death Angel, Refused, Slayer and a bevy of the usual collaborators and suspects. Once the curtain came down on the two-tiered stage and thematic, seizure-inducing light show (the red and blue cop lights during “I Am the Law” were a stellar touch) it was straight into the hits. As with Exodus, Anthrax have been doing this long enough to know the drill, how to rile up and communicate with a crowd, plus this occasion is a celebration of their career. So, as tempting as it might be to pull an Iron Maiden and bust out a set of deep cuts, Anthrax know the biggest reaction is going to come from “Among the Living,” “Caught in a Mosh,” “Metal Thrashing Mad,” “Madhouse,” “Keep in the Family,” “Indians” and their cover of Trust’s “Anti-Social,” which might as well be their own song at this stage in the game. The energy was lightning, the production value was a spectacle in and of itself and Joey Belladonna’s voice along with Scott Ian and Frank Bello’s onstage flurry of movement (and down picking) belied their chronological ages. Despite even the band themselves not seeming to be entirely convinced of much of their post-1993 output, this, as far as a exhibition lauding them for doing their thing through ups and downs over an unexpectedly vast stretch of time, they certainly brought the…ahh, you know.

Related Stories

UNDERGANG to Release Exclusive New Track, “Brusk,” via the Decibel Flexi Series

April 26, 2024

Get your deluxe Decibel subscription by Monday, May 6 to obtain this HIGHLY LIMITED flexi disc single from Danish death metal heroes Undergang .

Video Premiere: Extrema – “Paralyzed”

April 25, 2024

Thrash metallers Extrema drop a new video.

KILL SCREEN 035: Master of Horror JOHN CARPENTER Fears No Game

April 24, 2024

The renowned synth master and director praises the art of video games while sharing what truly scares him.

• [ April 27, 2024 ] Review: Billy Tibbals ‘ EP Night Life Stories Music Review
• [ April 27, 2024 ] Review: Chicago band The Outfit’s album ‘Go’ Music Review
• [ April 26, 2024 ] Review: Liv.’s single ‘Why Yet’ Music Review
• [ April 25, 2024 ] Metal Legends Saxon’s ‘Wheels of Steel’ roll into Tampa with Uriah Heep Live Review
• [ April 24, 2024 ] Review: London band Fresh’s single ‘Merch Girl’ Music Review

Anthrax 40th Anniversary tour thrashes Orlando, Florida

Live review.

By David Lucas, Rock At Night Orlando

Live Review: Anthrax with Black Label Society and Hatebreed -“40th Anniversary Tour” – House of Blues, Orlando-August 12, 2022

If you like heavy metal, power metal and thrash metal then, Friday August 12, 2022 the House of Blues in Orlando, Florida was the place to be. The doors opened at 6:00 PM and the fans started pouring in, in a race to get to the front of the stage.

7:10 PM the lights go down and Hatebreed makes their way to the stage with “Proven”. The sound was nothing short of amazing. Knowing how short some of Hatebreed’s songs are, it’s not a simple job knowing that you only have three songs to get your photos when you are also wanting to witness the metal chaos going on only feet in front of you. Needless to say, “Destroy Everything” and “A Stroke of Red” blew right by. Standing back watching the show and those in front of the stage, I realize that this is not just some opening act trying to make their way into the main stage, it is already happening. Circle pits, mosh pits, heads moving with the beat of the drums, singing word for word from what looks like most everyone in the venue. Hatebreed is an absolute must see show when they come to your town.

8:25 PM Guitar starts to the sound of “Funeral Bell” and the curtain drops with Black Label Society in full gear with Zakk Wylde center stage. The roar from the crowd nearly matches the loudness of the music coming from the stage. Zakk, being no stranger to solos and catchy guitar licks, jumps into a heavy solo to start “Heart of Darkness”. Slowing it down a bit with a tribute to Dimebag Darrell and Vinnie Paul, the band segues to “In This River”. Picking up back up, it wasn’t long before one of the best guitar duels were about to take place. Finishing “Fire It Up” both Zakk and guitarist Dario Lorina met at the center stage facing each other and holding their guitars over and behind their head while dueling it out for a little over five minutes leading into “Suicide Messiah”. Finishing the set with “Stillborn” Zakk walks over to the edge up the stage and laid his guitar down giving it a quick strum and walks away. While throwing up souvenirs to the audience, each of the band members step over to hit the guitar strings to keep the sound going until they finally exit the stage.

10:05 PM July 18, 1981 was the beginning of Anthrax. Clips from the 40th Anniversary Celebrations projected on the white curtain that is drawn across the stage. Stage spotlight opens and through the curtain, from my viewpoint I can see Scott Ian going hard on his guitar to “Among the Living” and the curtain drops… It’s Anthrax with one of the largest stage setups I have seen setup in the House of Blues Orlando. The next song up, “Caught in a Mosh”, is exactly what the floor started to look like. The mosh pits have started and kept going right into what the room was feeling like, a “Madhouse”. Listening to the vocals of Joey Belladonna sounded like back in the early days of going to see them live. Joey then asked the big question “Do any of you like thrash metal?” The audience screams and the guitars of “Metal Thrashing Mad” start up. The complete set is full of classics and later songs alike from several albums that ranging from 1984 to 2011 including Fistful of Metal, Among the Living, Attack of the Killer B’s, Sound of White Noise, Worship Music, State of Euphoria, Persistence of Time and Spreading the Disease . If you had to rate the noise level, my guess would be close if not tied between Antisocial and Indians. Anthrax is one of those bands that you can listen to on the way to see them live, watch the show and listen to them again on the way home. You just can’t get enough.

Black Label Society

• Recent Posts

• Review: Sid Stratton’s album ‘Ashes to Diamonds’ - October 12, 2023
• Flogging Molly in Orlando: truly a celebration of the tour’s end - October 5, 2023
• Nothing More in Orlando: high energy and tons of crowd surfing - September 30, 2023

Forest Live Festival – UK

Manchester Psych Fest – UK

Need Professional Marketing Help? Get Your Band’s Name Out There !

—–ALL YOUR GRAPHIC ARTS NEEDS—–Album Covers – Music Videos – Websites

August 31st – Manchester UK

Gibson Garage London

Download Fest – Donington Park, UK – June 14-16

Sad Summer Festival – US

Louder Than Life – Louisville, KY – Sept. 26-29

Upheaval – Grand Rapids, MI – July 19

Email Dingo Mick with all your music questions!

Copyright Rock At Night 2024

Music & Lyric Videos

Album/ep covers, graphic & website design.

No thanks, I'm not interested!

Have you been going the DIY route?

How's that working for ya' , it's time to call gina for help .

No thanks, I’m not interested!

REVIEW + PHOTOS: Anthrax w/ Black Label Society & Hatebreed | House of Blues Orlando 2022

by Randy Cook • August 22, 2022

Thrash metal titans Anthrax invaded the House of Blues in Orlando on Friday, August 12, 2022 , their tour celebrating forty years of their music and as expected this show was jam packed sold out. Supporting these legends were Black Label Society and Hatebreed (a stacked lineup of three of my personal favorite bands!) so it was no surprise that the line to enter not only wrapped around the side of the venue but all the way down to the shopping area of Disney Springs. Thankfully the dreaded rush hour Friday traffic on I-4 for the drive was forgiving and we made the trip over in near record time arriving with enough time to lounge outside of the venue before the show with some fellow photographer and metalhead friends.

Anthrax Orlando 2022

Entry into the venue was super easy and in no time I am joining my fellow brethren in the growing anticipation for Hatebreed to take the stage. I make my way down to the photo pit and am greeted by other fellow photographers who I have met at various shows and took a few moments of reflection as Hatebreed has always been my personal empowerment therapy. More than once in life their music and lyrical brilliance has helped me refocus through some personal issues and I knew tonight would be no different. As soon as the house lights went dark, the crowd roared our readiness and Hatebreed hit the stage.

Crushing through a thirteen song set list that ripped us apart from their musical ferocity yet brought us all together empowered as one. In between song banter had lead singer Jamey Jasta welcoming first timers seeing the band to the Hatebreed diehard family and reiterating that we were all there to have a good time, to keep each other safe and we all leave here with a smile – now open up that f*cking circle pit!!!! It was my eighth time seeing Hatebreed and this band delivers raw, in your face, brutal breakdowns, seriously crunchy riffs and the positive message to believe in yourself, to be the best person that you can be and that you can overcome any of life’s obstacles. Wow! What a great start to the evening.

Hatebreed ⭐ August 14, 2022 ⭐ House Of Blues — Orlando, FL ⭐ Photos by Randy Cook— instagram.com/horns_raised

Black Label Society was second to hit the stage and this was my third time seeing them although I had seen master axe man shredder extraordinaire Zakk Wylde once with his Zakk Sabbath project. The band is so f*cking awesome live words just do not do them justice, this is a band that if you are a heavy metal fan must be on your bucket list if you have not seen them. Mid way through their twelve song set, the band played a tribute to Dimebag and Vinnie (of Pantera) with artwork adorning each brother on the speaker stacks on both sides of the stage. Zakk mentioned how crazy and f*cked up the past couple of years have been for everyone and how good it was for the band to be able to celebrate with us, the fans, the friendship and contributions of these fallen brothers of theirs. Touching moments for sure before the volume cranked back up and our senses were back under attack from the visual and sound show before our eyes and ears. With a simple stage set up, room to roam, and small riser center stage for him to step up on and wail away for his solos, it was absolutely amazing to see this master of the guitar shred right before my eyes and lens.

Black Label Socierty ⭐ August 14, 2022 ⭐ House Of Blues — Orlando, FL ⭐ Photos by Randy Cook— instagram.com/horns_raised

Then it was time for the whole reason of the evening. Forty years of Anthrax. The lights went out as the moment arrived and from my vantage point awaiting to enter the photo pit I could see the band members at the ready while a metal celebrity tribute video played for the crowd of their four decade history that was about to be performed. This would be my fifteenth time seeing Anthrax over the years and that number gives you an indication of how much of a fan I am of theirs. I have seen them in multiple states and once on the high seas as they played on Motörhead’s Motörboat cruise a few years back.

Opening the show with Among the Living, I had to again remind myself you cannot headbang and take photos at the same time, although once that thought registered I could see that I was not alone in the photo pit waiting for a better lighting combination to start snapping away. Those first three songs that we are allowed up front always go by in the blink of any eye, much quicker when some of my favorite songs are being played by musical legends literally two feet away from me. Having to condense forty years of music over eleven studio albums the set list played as their greatest hits with no deep cut surprises. Showing the depth of the metal family, there was another touching tribute to Dimebag and Vinnie as well as Ronnie James Dio and before you know it lead singer Joey Belladonna has his headdress on and the band plays “Indians” and we as a group are called to join in and WARDANCE!!!!! Forty years on and the band sounds as kick-ass as ever! To me these songs are timeless classics and I will never tire of seeing them live as I already look forward to when I can see them again.

Anthrax ⭐ August 14, 2022 ⭐ House Of Blues — Orlando, FL ⭐ Photos by Randy Cook— instagram.com/horns_raised

Being a people watcher I was sure I would see some cross-generational groups in the crowd and I did see some younger faces in the crowd as this was an all-ages show. This leg of the tour runs through the end of August before Anthrax begins European dates. If you are at all on the fence about seeing this tour when it comes to your town, take my advice and get to this show – it was a night of high energy heavy metal and by the looks on people’s faces as we left the venue, everyone did have a smile on their face. \m/

ANTHRAX 2022 PHOTO GALLERY

Anthrax Live Review and Photos 2022 by Randy Cook.

▼ SHOWS TO GO TO ▼

Thanks to our Sponsors, Kingfish Records in Clearwater, FL!

Check out our South Florida SIGT Website! 

Shows I Go To South Florida Giveaway, Reviews, Photos, and more

Please support our  friends  who support us! Tell them Shows I Go To sends love! 🙂

• The Commission Beer Chamber
• Kingfish Records (Clearwater)
• Nora's Sugar Shack!
• Park Ave CDs  
• Montgomery Drive Presents
• RT-Art Printing
• The Mary Jane 'High-Quality' Art Gallery
• The Owl's Attic Vintage Shop
• Broken Strings Brewery
• American Combat Club
• Lazy Moon Pizza
• Ten10 Brewing
• Mutiny Ocala
• The Tipsy Skipper
• Conrad's Beer Shanty 
• AKT Shirt Printing
• Smartpunk Records & Shop
• No Clubs Presents
• DaddyKool Records
• Galactic G Skateshop

Recommended Posts

Shows I Go To Info

• Promote Your Show
• Shows I Go To Staff
• Privacy Policy

Follow Shows I Go To

Search Shows I Go To

© Copyright 2013-2024 Shows I Go To, LLC . Ten years! All rights reserved.

Concert Review: ANTHRAX and BLACK LABEL SOCIETY with HATEBREED in Kansas City

The midland theatre | kansas city, mo | 02 august 2022.

From the official tour statement: The multi-Gold and Platinum, six-time GRAMMY-nominated Anthrax spent a good portion of 2021 celebrating the band’s landmark 40th birthday. The card-carrying Big Four members’ anniversary was the subject of an 11-week series of video testimonials from artists like Chuck D., Dave Grohl, Dave Mustaine, Kerry King, Norman Reedus, Rob Zombie, Robert Trujillo, Slash, and others. Anthrax teamed up with Z-2 Comics for the “Among The Living” graphic novel that was inspired by their landmark 1987 album and released their high-end bourbon whiskey, “Anthrax XL.”  But, due to COVID, the one thing Anthrax couldn’t do, was tour, tour, tour, so the band fully intends to extend the celebration with this North American trek. Fans can expect Anthrax – Joey Belladonna/vocals, Scott Ian/rhythm guitar, Frank Bello/bass, Charlie Benante/drums, and Jon Donais/guitar – to draw from all four decades – fan favorites and deep cuts – for their nightly setlist. 

Photos by Thomas Woroniak Photography

•   1  Fillmore Auditorium, Denver, CO
•   2  Midland Theater, Kansas City, MO
•   4  Hard Rock Live Northern Indiana, Gary, IN
•   5  Oshkosh Arena, Oshkosh, WI
•   6  The Fillmore, Minneapolis, MN
•   8  Southside Ballroom, Dallas, TX**
•   9  Stubbs Waller Creek Amphitheater, Austin, TX
• 11  The Tabernacle, Atlanta, GA
• 12  House of Blues, Orlando, FL
• 13  The Fillmore, Charlotte, NC
• 15  The Andrew J Brady Music Center, Cincinnati, OH
• 16  Ryman Auditorium, Nashville, TN
• 18  The Fillmore, Silver Spring, MD
• 19  Main Street Armory, Rochester, NY
• 20  The Fillmore, Detroit, MI**
• 22  Stage AE Outside, Pittsburgh, PA
• 23  History, Toronto, ON  CANADA
• 24  Amphitheatre Cogeco, Trois Riviere/Montreal, QC
• 26  Coney Island Amphitheater, Brooklyn, NY
• 27  Tattoo The Earth Festival 2022, Worcester, MA
• 28  The Fillmore, Philadelphia, PA**

Thomas Woroniak

Preview: heilung live at red rocks amphitheatre: an immersive journey into ancient sounds, concert review: the ocean (collective) and the world is a beautiful place & i am no longer afraid to die, concert review: the blackout – o2 academy birmingham, concert review: metal allegiance at the house of blues anaheim, concert review: igorrr and melt-banana in san francisco, ca, concert review: escape the fate – los angeles, ca, concert review: guns n roses at bst – british summertime festival, concert review: goo goo dolls and those damn crows at manchester academy, concert review: lamb of god with kreator and municipal waste, concert review: black stone cherry / the darkness – leeds, uk, related articles.

Concert Review and Photos: UNLEASH THE ARCHERS in Raleigh, NC

Concert Review and Photos: DAMON JOHNSON at O2 Academy London

Concert Review and Photos: DESTRUCTION at the Gramercy Theater

Concert Review and Photos: A LIGHT DIVIDED in Greensboro, NC

• LIVE 365 (Canada/USA/UK)
• ONLINE RADIO BOX (Europe)
• MIXCLOUD (Worldwide)

CGCM Rock Radio

Listen live NOW!!

• CGCM Concert Review

ANTHRAX 40th Anniversary Tour Wisconsin (Concert Review)

The Big 4, Metallica , Slayer , Megadeth and Anthrax , on August 5 th 2022 I was finally able to say I’ve seen them all live!  Took me long enough!

The lineup was great.  Three amazing bands, Hatebreed , Black Label Society and Anthrax all playing in Oshkosh WI.  We got to the arena about an hour early to make sure we got a great spot.  Oshkosh Arena was all GA, including the seated area.  We secured front-row bleacher seats with a nice view of the stage.

Hatebreed started out the night.  As soon as they hit the stage my son and I shot to our feet, much to the chagrin of the couple behind us.  They started grumbling and I turned around to see what was up, they were glaring daggers at us for standing.  I had a moment of wondering if we should sit back down.  But no, we were at a metal show.  Who sits at a metal show??

Hatebreed were incredible.  They are full of energy and totally feed off the audience.  The pit opened up, cups were thrown, and we banged our heads to their killer tunes.  Lead singer Jamey Jasta commanded the crowd to get up outta their seats and most of the fans complied.  Except the couple behind us.  Ok, they were making a point, I’m not sure what it was, but they were determined to stay seated, even during the tribute to The Black Dahlia Murder singer Trevor Strnad who we lost in May.  The dedication song was “ Last Breath ” and it was perfect, I had goosebumps .

Jasta also announced that he had bought the rights to Milwaukee Metal Fest , which will finally make its return in 2023.  I’m excited to see what the lineup will be.  It is reported that this too, is a way for Jasta to honour Trevor Strand since apparently the two of them had often discussed buying the rights.  Wisconsin will certainly appreciate it!

HATEBREED OFFICIAL WEBSITE / FACEBOOK

Black Label Society

Up next was Black Label Society .  This was our second time seeing them, but we were much closer this time and able to really see just how incredible this band is.  Not only the mind-blowing shredding of Zakk Wylde and Dario Lorina but the whole band is TIGHT.  They tore through the 12-song setlist, playing fan favourites like “ Funeral Bell ”, “ Suicide Messiah ” and ending with “ Stillborn ”.  Show highlights for me were “ In This River ” and “ Fire it Up ”.  “ In this River ” was dedicated to Dimebag Darrell and Vinnie Paul .  It opened with curtains depicting the brothers dropping over the walls of amps, then Zakk Wylde slowed down for a few minutes, trading his guitar for the piano.  It was simply beautiful and gave me the chills for the second time that night.

BLACK LABEL SOCIETY OFFICIAL WEBSITE / FACEBOOK

Anthrax started their set with a short video of various celebrities talking about Anthrax and the impact they had on them.  Then the curtain dropped and everyone and yes, I mean EVERYONE, was on their feet for these iconic masters of thrash!!  “ Among the Living ” was the opening song.  The fans were riled up and the crowd surfing was nonstop.  Anthrax are full-on energy.  They are all over the stage and constantly interacting with the crowd.

*Cellphone photos by: Kryfar

ANTHRAX OFFICIAL WEBSITE / FACEBOOK

Check out more of my CGCM reviews at: KRYFAR

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Related News

ALESTORM – Edmonton, AB (Concert Blog)

GWAR – Edmonton, AB (Concert Blog)

JUDAS PRIEST, SAXON & URIAH HEEP – Birmingham (Concert Blog)

Watch ANTHRAX's Entire Performance In Orlando As Part Of Summer 2022 Tour

Fan-filmed video of ANTHRAX 's entire August 12 performance at House Of Blues in Orlando, Florida as part of the band's North American tour with BLACK LABEL SOCIETY and HATEBREED can be seen below.

ANTHRAX 's setlist was as follows:

01. Among The Living 02. Caught In A Mosh 03. Madhouse 04. Metal Thrashing Mad 05. Keep It In The Family 06. Antisocial (TRUST cover) 07. I Am The Law 08. In The End 09. Only 10. Got The Time (Joe Jackson cover) 11. Bring The Noise (PUBLIC ENEMY cover) 12. Indians

Last week, ANTHRAX was forced to cancel two concerts on the tour — in Austin and in Dallas — "due to a medical concern."

ANTHRAX kicked off its tour with BLACK LABEL SOCIETY on July 26 at Van Buren in Phoenix, Arizona.

ANTHRAX 's setlist on the trek includes the addition of the John Bush -era track "Only" , which hadn't been performed live since 2011.

"Only" originally appeared on 1993's "Sound Of White Noise" , one of four albums Bush recorded with ANTHRAX during his 13-year tenure with the band.

ANTHRAX 's tour with BLACK LABEL SOCIETY will wrap up in Philadelphia at the Fillmore on Sunday, August 28. Both bands are playing headline sets. HATEBREED , celebrating the 20th anniversary of the "Perseverance" album, is the special guest.

ANTHRAX 's latest album, "For All Kings" , which features current singer Joey Belladonna , came out in February 2016 via Nuclear Blast .

ANTHRAX celebrated its 40th anniversary in 2021 with a number of special activities and events. Formed by Ian and bassist Dan Lilker in Queens, New York on July 18, 1981, ANTHRAX was one of the first thrash metal bands to emerge from the East Coast and quickly became regarded as a leader in the genre alongside METALLICA , SLAYER and MEGADETH .

Active over the past five decades, ANTHRAX has released 11 studio albums, been awarded multiple gold and platinum certifications, received six Grammy nominations, toured the world since 1984 playing thousands of shows, including headlining Madison Square Garden and playing Yankee Stadium with the "Big Four".

"For All Kings" was called by some critics ANTHRAX 's strongest album to date. Its arrival followed a five-year period during which the group experienced a rebirth of sorts, beginning with ANTHRAX 's inclusion on the "Big Four" tour, and continuing with the release of comeback LP "Worship Music" .

TONIGHT - FRIDAY 8/12! Anthrax & Black Label Society presented by WJRR at House of Blues Orlando! 🔊 If you're... Posted by House of Blues Orlando on  Friday, August 12, 2022

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).

• Latest News

‘Stuck In The Middle With You’: Stealers Wheel’s Clowns And Jokers

Waiting on a friend: 10 essential rolling stones collaborations, ‘crescent’: john coltrane quartet’s enthralling work, tom petty & the heartbreakers’ 1988 gap year: a huge creative buzz, the great american songbook: top 11 country covers, ‘hot sauce committee part two’: beastie boys’ fiery final album, best fall out boy songs: 20 pop punk classics, karol g and feid win big at latin american music awards, ringo starr offers up ‘gonna need someone’ music video, florence + the machine announce ‘symphony of lungs’ bbc proms performance, def leppard share 40th anniversary edition of ‘pyromania’, billy idol releases 40th anniversary edition of ‘rebel yell’, the warning share music video for ‘qué más quieres’, liana flores signs with verve records, unveils ‘i wish for the rain’, anthrax, black label society announce north american co-headline tour.

The five-week tour of duty begins on Tuesday, July 26 at the Van Buren in Phoenix, Arizona.

Published on

This summer, Anthrax and Black Label Society will bring some of the finest thrash and heavy metal to 24 North American cities when they kick off a five-week tour on Tuesday, July 26 at Van Buren in Phoenix, Arizona, wrapping in Philadelphia at the Fillmore on Sunday, August 28. Both bands will play headline sets. Hatebreed, celebrating the 20th anniversary of the Perseverance album, will special guest.

Black Label Society and Anthrax have shared festival stages and one-off shows numerous times, but this marks the very first time these two bands will tour together.

A special Blabbermouth presale will begin on Wednesday, April 20 at 10:00 a.m. EDT and end on Thursday, April 21 at 10:00 p.m. local time. General on-sale will be Friday, April 22 at 10 a.m. local time. Citi is the official card of the Anthrax and Black Label Society tour. Citi card members will have access to presale tickets beginning Monday, April 18, at 12 p.m. ET until Thursday, April 21 at 10 p.m. local time through the Citi Entertainment program.

Megadeth Announces ‘Destroy All Enemies’ U.S. Tour

‘venomous rat regeneration vendor’: rob zombie’s cure for normality.

“Zakk [Wylde, Black Label Society leader] has been a friend and an inspiration to me as a guitar player, songwriter, and beard grower since we met in 1988,” said Anthrax’s Scott Ian.

“We’ve had the privilege to share festival stages with Zakk and BLS around the world, and it’s always been a head-banging mutual admiration society between the two bands. Now we get to share the stage every night on what is easily going to be the heaviest tour of 2022 — the ultimate pounding one-two combination of bands. Oh, and did I mention we’ve got f_king Hatebreed with us as our special guests? Holy crap, it’s going to be the night of 1000 crushing riffs. I can’t wait to see you all on the road.”

Anthrax and Black Label Society play the following US dates:

Jul. 26 – The Van Buren, Phoenix, AZ Jul. 28 – Brooklyn Bowl, Las Vegas, NV Jul. 29 – The Palladium, Los Angeles, CA Jul. 30 – Heart Health Park, Sacramento, CA Aug. 01 – Fillmore Auditorium, Denver, CO Aug. 02 – Midland Theater, Kansas City, MO Aug. 04 – Hard Rock Live Northern Indiana, Gary, IN Aug. 05 – Oshkosh Arena, Oshkosh, WI Aug. 06 – The Fillmore, Minneapolis, MN Aug. 08 – Southside Ballroom, Dallas, TX Aug. 09 – Stubbs Waller Creek Amphitheater, Austin, TX Aug. 11 – The Tabernacle, Atlanta, GA Aug. 12 – House of Blues, Orlando, FL Aug. 13 – The Fillmore, Charlotte, NC Aug. 15 – The Andrew J Brady Music Center, Cincinnati, OH Aug. 16 – Ryman Auditorium, Nashville, TN Aug. 18 – The Fillmore, Silver Spring, MD Aug. 19 – Main Street Armory, Rochester, NY Aug. 20 – The Fillmore, Detroit, MI Aug. 22 – StageAE Outside, Pittsburgh, PA Aug. 23 – History, Toronto, Ontario, Canada Aug. 24 – Amphitheatre Cogeco, Trois Riviere/Montreal, Quebec, Canada Aug. 26 – Coney Island Amphitheater, Brooklyn, NY Aug. 28 – The Fillmore, Philadelphia, PA.

Listen to the best of Anthrax on Apple Music and Spotify .

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

• Accessories
• Transcriptions
• Terms of Use

Sign up for the Bass Magazine Newsletter

Stay in the loop for the latest news on all things low end delivered right to your inbox.

Anthrax Announces 2022 European Tour

Kicking off on September 27, 2022 in Birmingham, England, the band will play 27 dates in 15 countries, wrapping up in Zurich, Switzerland

Still celebrating its 40-year tenure as one of music’s premier thrash metal bands, Anthrax announces its first European tour since the summer of 2019. Kicking off on September 27, 2022 in Birmingham, England, the band will play 27 dates in 15 countries, wrapping up in Zurich, Switzerland on November 5. Crossover thrash band Municipal Waste will support on all dates. Tickets go on sale this Friday, August 20 at 10AM BST, 11AM CET; go to www.anthrax.com for all purchasing information.

“It sure has been a long time since we rock’n’rolled in the UK and Europe,” said Anthrax’s Charlie Benante, “but we’re coming back soon to bring the noise to all of you guys. Being that we can’t get over there until 2022, we’re going to make sure that every show will be an eventful one. We won’t just be playing four decades of songs to celebrate our ongoing 40th anniversary – hey, we’ll be giving YOU some history! – but we just might have some brand new ones for you as well. Can’t wait to see all your happy, smiling faces!!!”

On this tour, fans can expect Anthrax – Joey Belladonna/vocals, Scott Ian/rhythm guitar, Frank Bello/bass, Charlie Benante/drums, and Jon Donais/guitar – to draw from all four decades – fan favorite and deep cuts – for their nightly setlist.

“There’s just something special about Europe,” said Belladonna. “Our fans there have always had a full-fledged excitement about our shows, and I enjoy performing more than anyone can imagine, so we’re really looking forward to this tour.”

Dates for Anthrax’s 2022 European tour are as follows: 

27 02 Academy, Birmingham, UK

29 Academy, Manchester, UK

30 02 Academy, Glasgow, UK

 1 02 City Hall, Newcastle, UK

 3 02 Academy, Leeds, UK

 4 Rock City, Nottingham, UK

 6 02 Academy, Bristol, UK

 8 Brixton Academy, London, UK

11 013, Tilburg, Netherlands

13 Bataclan, Paris, France

14 Turbinenhalle, Oberhausen, Germany

15 Werk 2, Leipzig, Germany

17 Vega Main Hall, Copenhagen, Denmark

18 Tradgarn, Gothenburg, Sweden

19 Annexet, Stockholm, Sweden

21 Tullisali, Oulu, Finland

22 Logomo, Turku, Finland

23 Kultuurikatel, Talinn, Estonia

25 Stodola, Warsaw, Poland

26 Batschapp, Frankfurt, Germany

27 LKA Longhorn, Stuttgart, Germany

29 Sono, Brno, Czech Republic

31 Babra Negra, Budapest, Hungary

  1 Culture Factory, Zagreb, Croatia

  2 Arena, Vienna, Austria

  4 Alcatraz, Milan, Italy

  5 Komplex, Zurich, Switzerland

ABOUT ANTHRAX: Twenty-twenty-one marks Anthrax’s 40th anniversary, during which time the band has released 11 studio albums, been awarded multiple Gold and Platinum certifications, six Grammy nominations, and a host of other accolades from the media, the music industry, and fans. In 1991, the band helped break down race and genre barriers when they collaborated with Public Enemy on the track “Bring The Noise,” and was the first metal band to have its music heard on Mars when NASA played “Got The Time” to wake up the Mars Rover in 2012. Along with Metallica, Slayer, and Megadeth, Anthrax is a card-carrying member of The Big Four, the four bands that defined the speed/thrash/metal genre. Anthrax has also introduced a series of now sold-out signature whiskeys and bourbons and partnered with the Stockholm-based NEZUMI Studios for a high-end, limited-edition Baleine dive watch. Twenty-twenty-one also has seen the release of Z2 Comics’ “Among the Living” graphic novel with a track-by-track storyline inspired by Anthrax’s iconic 1987 album, Among The Living . The book pulls together a “who’s who” of names from the worlds of comics and music who created “bubble dialogue” and original artwork to express what the songs meant to them. Taking advantage of COVID-19’s prohibition of concert touring, the band has been hard at work writing the next Anthrax album.

www.Anthrax.com

https://www.facebook.com/anthrax

• Next »

• Full Of Hell release new music video for ‘Fractured Bonds To Mecca’
• Radar Festival announce three new bands
• Slow Joy release new song ‘King Cowboy’
• VOLA announce European tour
• Kid Kapichi: If You Don’t Laugh, You’ll Cry

ALBUM REVIEW: XL – Anthrax

July 18th 2021 marked the 40th anniversary of thrash metal heavyweights ANTRHAX . During this time the band have released 11 studio albums, have been awarded multiple Gold and Platinum certifications, received six Grammy nominations, and have a number of other awards and accolades from fans, the media and music industry. For ANTHRAX , their 40th anniversary is not exactly in the rear-view mirror. With the anniversary itself spent in prime lockdown, ANTHRAX have produced new album XL – a live performance of their greatest hits that comes in at a pretty remarkable two hours.

For those who are unfamiliar with ANTHRAX , the opening track itself showcases everything that is great about them. After all members have graced the stage, we are treated to a rendition of Fight Em ‘Til You Can’t , a classic thrash track that does absolutely nothing to ease the audience into an ANTHRAX live show. It allows the band to explode onto the scene, taking absolutely no prisoners as they segue perfectly into arguably their most famous track, Madhouse . It seems a bit of an odd choice to choose this track as just the second on the track list, yet this is being treated as any other ANTHRAX live show, so it aids in rousing the audience and getting them moving properly.

But the band are far from peaking too early. With another 20+ tracks to go, there is still plenty of music left for even the most casual of ANTHRAX fans to recognise. The next track itself is a prime example – Caught In A Mosh does exactly the same thing and feeds off the energy created in the last five minutes. The band seem to be oblivious to the fact that there is no audience watching them and instead give their all regardless of the fact they are performing to a group of cameras.

ANTHRAX have definitely taken advantage of the COVID-19 prohibition of concert touring with this album, adapting to the times and performing regardless. The lack of audience doesn’t deter them in the slightest and they are still as solid as ever, with Scott Ian ’s aggressive, head pounding guitar and Joey Belladonna ’s soaring vocals throughout. Though these may be the most notable members for most, there is no denying the fact that the rest of the band are a well-oiled machine. It’s a well-settled line-up with Charlie Benante thundering away at the back of the stage on drums, Jon Donais complimenting Ian ’s riffs on guitar, and Frank Bello pounding away at the bass.

As one of the bands responsible for the emergence of thrash and speed metal and as one of the card-carrying members of The Big Four, ANTHRAX constantly have to worry about living up to audience and critic’s expectations. But time and again they consistently manage to exceed these expectations and do the unexpected. The fact that they could not embark on an anniversary tour does not slow them down or discourage them; it only motivates them further to be the best band that they can truly be. The passion that ANTHRAX have is so clear in this performance, and even if their music may not be to your tastes, you can’t disagree with the fact that they know how to put on a good show.

Rating: 8/10

XL is out now via Nuclear Blast Records.

Like ANTHRAX on Facebook .

• EP REVIEW: Hearsay – Hex Poseur
• ALBUM REVIEW: Artificial Devices – The Ever Living

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed .

   Boxset Review : UK Subs The Albums 1979 –...

   german stadium rockers kissin’ dynamite unleas...,    chicago’s cardiac arrest premiere new tr...,    album review: darkthrone – it beckons us all...,    flotsam and jetsam release new single ‘i...,    the dead daisies announce new single, new albu...,    album review : def leppard – ‘pyromania ..., jquery(document).ready( function($) { var retina = window.devicepixelratio > 1 true : false; if ( retina ) { jquery( '.site--logo img' ).attr( 'src', 'https://metalplanetmusic.com/wp-content/uploads/2020/05/metalplanetmusicbanner-2020.png' ); jquery( '.site--logo img' ).attr( 'width', '1000' ); } } );, anthrax | announce 40 year anniversary uk headline tour for 2022.

• Share on Facebook
• Share on Twitter
• Share on Google+
• Share on Reddit
• Share on Pinterest
• Share on Linkedin
• Share on Tumblr

Still celebrating their 40-year tenure as one of music’s premier thrash metal bands, Anthrax announces their first European/UK tour since the summer of 2019. Kicking off on September 27th 2022 in Birmingham, UK, the band will play 28 dates in 16 countries, wrapping up in Zurich, Switzerland on November 5th.

Crossover thrash band Municipal Waste will support on all dates.

It sure has been a long time since we rock’n’rolled in the UK and Europe,” said Anthrax’s Charlie Benante, “but we’re coming back soon to bring the noise to all of you guys. Being that we can’t get over there until 2022, we’re going to make sure that every show will be an eventful one.

We won’t just be playing four decades of songs to celebrate our ongoing 40th anniversary – hey, we’ll be giving YOU some history! – but we just might have some brand new ones for you as well. Can’t wait to see all your happy, smiling faces!!!”

On this tour, fans can expect Anthrax – Joey Belladonna/vocals, Scott Ian/rhythm guitar, Frank Bello/bass, Charlie Benante/drums, and Jon Donais/guitar – to draw from all four decades – fan favourites and deep cuts –  for their nightly setlist.

“There’s just something special about Europe,” said Belladonna. “Our fans there have always had a full-fledged excitement about our shows, and I enjoy performing more than anyone can imagine, so we’re really looking forward to this tour.”

Tickets will go on sale this Friday 20th August at 10am BST here:  https://myticket.co.uk/artists/anthrax

ANTHRAX – UK/European Tour 2022 w/ Special Guests Municipal Waste

( https://myticket.co.uk/artists/anthrax ) 10.10.22  BE  Brussels @ Ancienne Belgique 11.10.22  NL  Tilburg @ 013 13.10.22  FR  Paris @ Bataclan 14.10.22  DE  Oberhausen @ Turbinenhalle 15.10.22  DE  Leipzig @ Werk 2 17.10.22  DK  Copenhagen @ Vega Main Hall 18.10.22  SE  Gothenburg @ Tradgarn 19.20.22  SE  Stockholm @ Annexet 21.10.22  FI  Oulu @ Tullisali 22.10.22  FI  Turku @ Logomo 23.10.22  EE  Talinn @ Kultuurikatel 25.10.22  PL  Warsaw, @ Stodola 26.10.22  DE  Frankfurt @ Batschapp 27.10.22  DE  Stuttgart @ LKA Longhorn 29.10.22  CZ  Brno @ Sono 31.10.22  HU  Budapest @ Babra Negra 01.11.22  HR  Zagreb @ Culture Factory 02.11.22  AT  Vienna @ Arena 04.11.22  IT  Milan @ Alcatraz 05.11.22  CH  Zurich @ Komplex

Twenty-twenty-one marks Anthrax’s 40th anniversary. In 1991, the band helped break down race and genre barriers when they collaborated with Public Enemy on the track Bring The Noise, and was the first metal band to have its music heard on Mars when NASA played Got The Time to wake up the Mars Rover in 2012.

Along with Metallica, Slayer, and Megadeth, Anthrax are a card-carrying member of The Big Four, the four bands that defined the speed/thrash/metal genre. Anthrax have also introduced a series now sold-out signature whiskeys and bourbons and partnered with the Stockholm-based NEZUMI Studios for a high-end, limited-edition Baleine dive watch.

Twenty-twenty-one will see the release of Z2 Comics’ Among the Living graphic novel with a track-by-track storyline inspired by Anthrax’s iconic 1987 album, Among The Living.

The book pulls together a “who’s who” of names from the worlds of comics and music who created “bubble dialogue” and original artwork to express what the songs meant to them. Taking advantage of COVID-19’s prohibition of concert touring, the band has been hard at work writing the next Anthrax album.

Starting May 3rd 2021, Anthrax counted down the days to their official July 18th anniversary, first with a three-times-a-week, 40-episode, guest-filled web series that included testimonials from friends such as Chuck D, Kerry King, John Carpenter, Slash, Tom Morello, Rob Zombie, Robert Trujillo, Dave Grohl, Keanu Reeves, and many more. 

The celebration culminated on July 16th with a global livestream event that offered a set list that spanned the band’s entire career.

https://www.facebook.com/anthrax/ https://twitter.com/Anthrax https://www.instagram.com/anthrax/ https://www.anthrax.com/

• Related Articles
• More By [email protected]
• More In News

Boxset Review : UK Subs The Albums 1979 – 1982

German Stadium Rockers KISSIN’ DYNAMITE Unleash Second Single “My Monster” 

Chicago’s CARDIAC ARREST premiere new track “This Is How You Die” 

Album Review: Pearl Jam – Dark Matter

Album Review: Blaze Of Perdition – Upharsin

Legendary UK metal giants Orange Goblin announce new album ‘Science, Not Fiction’ 

FLOTSAM AND JETSAM release new single ‘I Am The Weapon’, new album out later in 2024. 

Where to begin? How about straight up facts, Rock and Roll Hall of Fame inductees, over 85…

• Statistics Stats
• You are here:

Anthrax Reveals Fall 2022 European and UK Tour Dates

• Last updated: 17 Aug 2021, 19:18:22
• Published: 17 Aug 2021, 19:18:22
• Written by: Erica Lauren
• Photography by: Mauricio Santana
• Categories: Tour Dates Tagged: Anthrax

Thrash-metal titans Anthrax have revealed their first European tour dates since the summer of 2019. The newly announced shows are in support of the group's 40th anniversary. The 28-date trek is set to kick off in Birmingham on September 27 and conclude on November 5 in Komplex, Zurich, Switzerland. Municipal Waste is slated as support on all dates.

Anthrax drummer Charlie Benante released the following statement with the news:

"It sure has been a long time since we rock'n'rolled in the U.K. and Europe, but we're coming back soon to bring the noise to all of you guys. Being that we can't get over there until 2022, we're going to make sure that every show will be an eventful one. We won't just be playing four decades of songs to celebrate our ongoing 40th anniversary — hey, we'll be giving YOU some history! — but we just might have some brand new ones for you as well. Can't wait to see all your happy, smiling faces!!!"

Tickets go on sale Friday, August 20 at 10 a.m. BST, 11 a.m. CET. Visit the band's official website for further ticket information.

Anthrax 2022 Tour Dates

Sep. 27 02 Academy, Birmingham, UK

Sep. 29 Academy, Manchester, UK

Sep. 30 02 Academy, Glasgow, UK

Oct. 01 02 City Hall, Newcastle, UK

Oct. 03 02 Academy, Leeds, UK

Oct. 04 Rock City, Nottingham, UK

Oct. 06 02 Academy, Bristol, UK

Oct. 08 Brixton Academy, London, UK

Oct. 10 Ancienne Belgique, Brussels, Belgium

Oct. 11 013, Tilburg, Netherlands

Oct. 13 Bataclan, Paris, France

Oct. 14 Turbinenhalle, Oberhausen, Germany

Oct. 15 Werk 2, Leipzig, Germany

Oct. 17 Vega Main Hall, Copenhagen, Denmark

Oct. 18 Trädgår'n, Gothenburg, Sweden

Oct. 19 Annexet, Stockholm, Sweden

Oct. 21 Tullisali, Oulu, Finland

Oct. 22 Logomo, Turku, Finland

Oct. 23 Kultuurikatel, Talinn, Estonia

Oct. 25 Stodola, Warsaw, Poland

Oct. 26 Batschapp, Frankfurt, Germany

Oct. 27 LKA Longhorn, Stuttgart, Germany

Oct. 29 Sono, Brno, Czech Republic

Oct. 31 Babra Negra, Budapest, Hungary

Nov. 01 Culture Factory, Zagreb, Croatia

Nov. 02 Arena, Vienna, Austria

Nov. 04 Alcatraz, Milan, Italy

Nov. 05 Komplex, Zurich, Switzerland

Latest News

Gene Simmons Band Rocks Washington Before Heading Overseas

Neil Young & Crazy Horse Kick Off First Proper Tour in 10 Years

Christina Aguilera's Intimate Vegas Residency Rolls On

Sum 41 Touring The World For Last Time

Most played songs.

• Caught in a Mosh ( 1439 )
• Antisocial ( 1378 )
• Indians ( 1252 )
• Got the Time ( 1184 )
• Madhouse ( 987 )

More Anthrax statistics

Gigs seen live by

14,328 people have seen Anthrax live.

francoisorquiza Jovezito ArthurMendes93 waguiaralves Fran73 LorenzoRock enanoakd Cuadrofenia gggelo juanpdebonis Nefertari NicoSabbath rip27_metal AlejandroB JBarreto Npcolli francolml Bunraku federiosss mirvin franktic Gabriel_Moreno Sempiterno marcosgus RomanMetallica javier_ed MaxHevia08 NoSubstance NeneDeAntes egjuli hbofill12 Guscalc Roadrunner1984 Thor979 doger zippo17 jmbaliero AJMA RodrigoMorales GuileFreak pvmb vtessa fvera Barbsrock Hellvaro Poto sebasavv46 matotias mike_mauss Rawwow

Showing only 50 most recent

More from Anthrax

• More Setlists
• Artist Statistics
• Add setlist
• Setlist Insider See the artists dive into their own setlist data.
• Live Debuts Witness the first time a song is performed live.
• Setlist.fm Exclusives Videos, photos and interviews - see it here first.
• Covers Better than the original? You decide.
• Guest Appearances Keeping track of the on-stage cameos.
• Setlist History Looking back on moments in music history.
• Tour Dates How to catch your faves: The who, what, where and when.
• Festivals News about the multi-artist, multi-day extravaganzas.
• General News Other music-related news.
• Apr 25, 2024
• Apr 24, 2024
• Apr 23, 2024
• Apr 22, 2024
• Apr 21, 2024
• Apr 20, 2024
• FAQ | Help | About
• Terms of Service
• Ad Choices | Privacy Policy
• Feature requests
• Songtexte.com

Brantley Gilbert Adds Dates to 2024 Off the Rails Tour

Watch: slipknot break out original masks and jumpsuits for club show in california, mötley crüe release new single “dogs of war”, the rolling stones confirm opening acts for 2024 tour, till lindemann announces north american solo tour with twin temple, evanescence and halestorm announce 2024 canadian tour, megadeth announce 2024 tour with mudvayne and all that remains, mötley crüe confirm new single “dogs of war”, review + photos: judas priest show no cracks in their armor on invincible shield tour, baroness announce 2024 summer tour dates, staind release new version of “better days” with dorothy, watch: creed play first show in 12 years on summer of ’99 cruise, dickey betts, co-founding guitarist of the allman brothers band, dies at 80, underoath announce ‘they’re only chasing safety’ 20th anniversary tour, clutch and rival sons announce 2024 north american tour, chevelle announce 2024 tour with tigercub, ice nine kills and in this moment announce 2024 tour, watch: anthrax play first show with former bassist dan lilker in 40 years, watch: ronnie wood joins the black crowes for faces’ “stay with me”, kerry king unleashes video for new single “residue”.

Anthrax Plot 2022 European Tour

Municipal Waste will serve as special guests

Anthrax have confirmed a 2022 European tour. Still celebrating its 40-year tenure as one of music’s premier thrash metal bands, Anthrax are crossing the pond for the first time since the summer of 2019. Kicking off on September 27, 2022 in Birmingham, England, the band will play 27 dates in 15 countries, wrapping up in Zurich, Switzerland on November 5. Crossover thrash band Municipal Waste will support on all dates.

Tickets go on sale this Friday, August 20 at 10AM BST, 11AM CET via  www.anthrax.com .

“It sure has been a long time since we rock ‘n’ rolled in the UK and Europe,” said Anthrax’s Charlie Benante, “but we’re coming back soon to bring the noise to all of you guys. Being that we can’t get over there until 2022, we’re going to make sure that every show will be an eventful one. We won’t just be playing four decades of songs to celebrate our ongoing 40th anniversary – hey, we’ll be giving YOU some history! – but we just might have some brand new ones for you as well. Can’t wait to see all your happy, smiling faces!!!”

On this tour, fans can expect Anthrax – Joey Belladonna/vocals, Scott Ian/rhythm guitar, Frank Bello/bass, Charlie Benante/drums, and Jon Donais/guitar – to draw from all four decades – fan favorite and deep cuts – for their nightly setlist.

“There’s just something special about Europe,” said Belladonna. “Our fans there have always had a full-fledged excitement about our shows, and I enjoy performing more than anyone can imagine, so we’re really looking forward to this tour.”

Anthrax are currently working on a new album. Their last outing was 2016’s For All Kings. The album performed well commercially, charting at No. 9 on the Billboard 200 and No. 2 on Billboard Top Rock Albums.

SEPTEMBER 27   02 Academy, Birmingham, UK 29   Academy, Manchester, UK 30   02 Academy, Glasgow, UK

OCTOBER   1   02 City Hall, Newcastle, UK  3   02 Academy, Leeds, UK  4   Rock City, Nottingham, UK  6   02 Academy, Bristol, UK  8   Brixton Academy, London, UK 11  013, Tilburg, Netherlands 13  Bataclan, Paris, France 14  Turbinenhalle, Oberhausen, Germany 15  Werk 2, Leipzig, Germany 17  Vega Main Hall, Copenhagen, Denmark 18  Tradgarn, Gothenburg, Sweden 19  Annexet, Stockholm, Sweden 21  Tullisali, Oulu, Finland 22  Logomo, Turku, Finland 23  Kultuurikatel, Talinn, Estonia 25  Stodola, Warsaw, Poland 26  Batschapp, Frankfurt, Germany 27  LKA Longhorn, Stuttgart, Germany 29  Sono, Brno, Czech Republic 31  Babra Negra, Budapest, Hungary

NOVEMBER   1   Culture Factory, Zagreb, Croatia  2   Arena, Vienna, Austria  4   Alcatraz, Milan, Italy  5   Komplex, Zurich, Switzerland

Privacy Overview