eras tour poster glendale

Cert Search

Lorem, ipsum dolor sit amet consectetur adipisicing elit aliquam ad hic recusandae soluta.

Taylor Swift The Eras Tour Glendale 2023

What's it worth, graded population.

GoCollect uses cookies to offer a better browsing experience. By using our site, you agree to our Privacy Policy .

Welcome to Swift City: When Taylor Swift comes to town, businesses build new bars, prepare thousands of cookies, and welcome over 150,000 Swifties

• Taylor Swift's highly anticipated, record-breaking "Eras Tour" kicks off Friday.
• Glendale, Arizona, which hosts the first two dates, has renamed itself Swift City in her honor.
• In Glendale, hotels are booked, businesses are making more room, and the cookies are flowing.

Welcome to Swift City, population 250,000 — plus over 100,000 Swifties.

Usually, it's known as Glendale, Arizona, but the city hosting the kick-off show for Taylor Swift's "Eras Tour" has fully embraced Swiftsanity, renaming itself Swift City for Friday and Saturday . 

"One of my jobs is to promote my city by being a cheerleader. This ceremonial renaming of Glendale doesn't cost the taxpayers," Mayor Jerry P. Weiers of Glendale said in a statement to Insider. "And it shows that we're serious about our sports and entertainment district, while having fun at the same time."

It's sure to be fun, but it's a lot of work: An estimated 150,000-Swiftie swarm means local businesses are stocking extra ingredients, bringing on more staff, and planning themed events.

Swift's tour is already record-breaking, selling over 2 million tickets on Ticketmaster alone the first day they were available . Now that Swifties have faced hours-long queues, hefty resale prices, and the twists and turns of trying to get tickets to spring's hottest tour, they're ready for it — and to spend their money.

Glendale is no stranger to big events. You may remember it hosted the Super Bowl last month. This time around, fans are enchanted to see the singer, songwriter, and director kick off her first tour since 2018, and local businesses are preparing for an influx of Swifties. It's a microcosm of the huge economic power that the estimated $570 million Swift business wields .

"The beginning of The Eras Tour puts the City of Glendale in the national spotlight again a month after Super Bowl LVII," Weiers said. "We are expecting more than 150,000 Swifties to visit our sports and entertainment district for meals, the concerts, and a hotel room."

Morgan Milardo, the managing director of the Berklee Popular Music Institute , which focuses on the touring industry, told Insider that the influence of concertgoers perusing little businesses, like thrift stores, was "just huge."

"It just really positively impacts the local economy," Milardo said. "In addition to all the concertgoers, these huge tours, they oftentimes are amazing spectacles and incredible productions, and it requires local support from local unions and production vendors."

Booked out hotels, brand-new bars, and thousands of cookies

While concertgoers may not want to stray from the entertainment district to hit a dive bar on the east side , local eateries near the stadium are preparing for the influx of Swifties — and ready to quench their thirst.

Related stories

Then Burger , which is all booked up, is hosting a pre-party and moving furniture out to accommodate more people. It's setting up a satellite bar and ordering more alcohol. Expect some custom Swift cocktails and playlists. It'll also have more servers and hosts working. 

"I'm excited for it to be busy and excited to make money," Kayla Bybee, a host at Then Burger, told Insider.  

Meanwhile, Crumbl Cookies in Glendale is ensuring its fridges are full and will stay full throughout the weekend. Chyna Murphy, its manager, said that it would have more workers than usual and was gearing up to sell thousands of cookies. 

During a recent Carrie Underwood concert, Crumbl sold about 1,500 cookies in one day, Murphy said. It's anticipating selling between 3,000 and 5,000 cookies during Swift's weekend.

"It takes a lot for us to prepare, but we always have it under control," Murphy said.  

Danielle Dutsch of the Glendale Convention and Visitors Bureau said there were "a ton of people here." Hotels are at capacity, restaurants are bustling, and Glendale is anticipating a lot of foot traffic.

"We've got folks that will travel far and wide to see Tay Tay," Dutsch said. "It's just mind-blowing to know this amazing woman can come and help us from an economic-impact standpoint by just being here."

Dutsch herself is feeling the trickle-down effect of Swiftmania: During her lunch breaks and late nights at the office, she's heard Swift practicing in the nearby stadium.

On the day the tour was announced, in the fall, the Holiday Inn Glendale sold out, according to a representative. But it's stocked and prepared, the rep told Insider. The Super Bowl and years of Arizona's peak tourism season were good practice. TownePlace Suites in Glendale has been booked out since about the start of March, according to a worker. The people calling in for reservations now are too late.

The Hampton Inn & Suites in Glendale is also booked solid from Friday to Sunday, as are Home2 Suites and Tru by Hilton. Meanwhile, at the Renaissance Phoenix Glendale Hotel & Spa, you might be able to secure one of the few rooms remaining — for $1,500 a night.

Usually, a room there will run you about $300 to $400, Tony S, who works at the Renaissance, said. The Swift-adjusted rates are comparable to the prices at the hotel during the Super Bowl, which were in the $1,600 range, according to Tony.

At the Renaissance, "we welcome" Swifties, the Renaissance worker said.

"Now, Glendale is Swift City, so we welcome them with open arms," he added.

• Main content

Taylor Swift Web

The eras tour: glendale, arizona (night 1).

Taylor Swift kicked off another epic tour in Glendale, Arizona on Friday night to a crowd of 70.000 screaming fans! She performed a 44-song setlist complete with light-up bracelets, sparkly outfits, and stunning onstage visuals. With songs from all 10 albums, Taylor outdid herself on The Eras Tour. She plays State Farm Stadium again tomorrow night! See all the reviews below, plus photos in our gallery!

Lover Era 1. “Miss Americana & the Heartbreak Prince” 2. “Cruel Summer” 3. “The Man” 4. “You Need to Calm Down” 5. “Lover” 6. “The Archer” Fearless Era 7. “Fearless 8. “You Belong With Me” 9. “Love Story” Evermore Era 10. “Tis the Damn Season” 11. “Willow” 12. “Marjorie” 13. “Champagne Problems” 14. “Tolerate It” Reputation Era 15. “…Ready for It?” 16. “Delicate” 17. “Don’t Blame Me” 18. “Look What You Made Me Do” Speak Now Era 19. “Enchanted” Red Era 20. “22” 21. “We Are Never Ever Getting Back Together” 22. “I Knew You Were Trouble” 23. “All Too Well (10 Minute Version)” Folklore Era 24. “Invisible String” 25. “Betty” 26. “The Last Great American Dynasty” 27. “August” 28. “Illicit Affairs” (shortened) 29. “My Tears Ricochet” 30. “Cardigan” 1989 Era 31. “Style” 32. “Blank Space” 33. “Shake It Off” 34. “Wildest Dreams” 35. “Bad Blood” Acoustic 36. “Mirrorball” 37. “Tim McGraw” Midnights Era 38. “Lavender Haze” 39. “Anti-Hero” 40. “Midnight Rain” 41. “Vigilante Shit” 42. “Bejeweled” 43. “Mastermind” 44. “Karma”

REVIEW: @taylorswift13 ‘s The Eras Tour kickoff was a three-hour career-spanning victory lap, a nostalgic extravaganza, and a greatest hits concert from an artist in her prime. https://t.co/981HpeGKVm — Rolling Stone (@RollingStone) March 18, 2023

After five years away, @taylorswift13 returned with one of the most ambitious, spectacular and charming stadium pop shows ever seen ★★★★★ https://t.co/ulluvWRgZh — Telegraph Music (@TeleMusicNews) March 18, 2023

. @taylorswift13 ‘s Eras Tour is the most impressive stadium show ever conceived. My review and photos for @UPROXX #TaylorSwift #TaylorSwiftTheErasTour https://t.co/JGoNo3TdQ3 pic.twitter.com/nPlY6QB3Jv — Philip Cosores (@Philip_Cosores) March 18, 2023

★★★★★ “We are living in the Taylor Swift Era. And for that we should be thankful” https://t.co/bhpBcmheFo — Times Culture (@timesculture) March 18, 2023

Taylor Swift promised “a journey through all of my musical eras” when she launched The Eras Tour at @StateFarmStdm in Glendale Friday. That’s a lot of ground to cover. But she managed to make it look easy. My review at @azcentral #TSTheErasTour https://t.co/q3f5BeMW9d — Ed Masley (@EdMasley) March 18, 2023

Taylor Swift review – pop’s hardest-working star gives Eras tour her all https://t.co/plttDq94sl — Guardian culture (@guardianculture) March 18, 2023

. @taylorswift13 kicked off her ‘The Eras Tour’ in Phoenix last night. Here’s our review https://t.co/qRmq6LXx2v — SPIN (@SPIN) March 18, 2023

Taylor Swift’s Eras tour is a career-defining spectacle full of surprises – review https://t.co/WV7gLuxb3W — The Independent (@Independent) March 18, 2023

1 Comment on “The Eras Tour: Glendale, Arizona (Night 1)”

Good for you ..

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Privacy Overview

See Taylor Swift's Eras Tour launch at State Farm Stadium in Glendale, Arizona

• facebook-rs

Taylor Swift’s The Eras Tour Is a 3-Hour Career-Spanning Victory Lap

By Waiss Aramesh

Waiss Aramesh

How do we measure the impact of a musician in 2023? Streams can be bought. Awards can be finessed. Is it when demand for show tickets leads to a congressional hearing about Ticketmaster’s policies? Or when flight attendants shout out a fanbase making a pilgrimage to see a tour opener? Or when TikToks of merch inspirations and setlist predictions rack up millions of views? Nearly a decade ago, a headline ran declaring ‘ Taylor Swift Is The Music Industry’ and those with even the slightest pulse on pop culture can tell she’s only grown more omnipresent since. It all led to a warm evening in Glendale, Arizona where months after delivering her most commercially-successful album to date, Midnights , Swift debuted a discography-spanning setlist that lasted over three hours and kicked off an aptly-named stadium run. The Eras Tour has arrived.

After night had fallen and GAYLE and Paramore revved the crowd up with a mix of recent chart-toppers (GAYLE’s “abcdefu”) and cultural anthems (Paramore’s “Misery Business”), it was time for the main event. At 7:57pm, a timer appeared on a massive screen prompting screams from all corners of State Farm Stadium. Lesley Gore’s “You Don’t Own Me” played as fans braced themselves for the arrival of Swift. When the timer hit 0:00, the house we’d seen in the “Lover” music video assembled on the screen, indicating that this evening was first and foremost about reviving the feelings each era evoked.

Editor’s picks

The 250 greatest guitarists of all time, the 500 greatest albums of all time, the 50 worst decisions in movie history, every awful thing trump has promised to do in a second term.

It’s easy to compare one of Swift’s stadium shows to something you’d see on Broadway — never has that been more true than for The Eras Tour . The setlist is cut up into acts, grouped together by eras for each of Swift’s ten studio albums. For each era/act, Swift went full-send into that album’s look, feel, costume, color blocking, and more.

Many eras got a few songs. At one moment, it seemed like Swift’s soft spot for Folklore would mean we’d hear the entire album. On the opposite end, Speak Now ’s part of the show was short but impactful. Swift played only one song from her third studio album, “Enchanted,” while wearing a stunning floor-length ballroom gown designed by Nicole + Derr. Hopping from act to act, Swift made it extremely clear when she’s taking the audience out of one era and into another. This isn’t a hastily put together setlist with a vague thread of connective tissue — Swift is taking her audience on a nostalgic extravaganza.

View this post on Instagram A post shared by Rolling Stone (@rollingstone)

Beyoncé, Post Malone Celebrate Cowboy Couture on 'Levii's Jeans'

'tortured poets department': our burning questions, taylor swift's dad will not face charges after alleged altercation with australian photographer.

For “The Man,” Swift completed her Versace look with a blazer and made sure everyone could see the red bottoms when she kicked her feet up on a conference room table as she delivered the masterfully written and scathing assessment of gender inequality in pop culture. Swift closed out the Lover era act with “You Need to Calm Down” and “The Archer,” the latter getting a beautifully stripped down rendition so Swift’s vocals echoed across the stadium: “Because all of my enemies started out friends / Help me hold onto you.”

At one point, as Swift ran through hits from her Fearless era, she flashed a smile and announced to the crowd that she was taking us back to high school with her. The nostalgia seeped into the show, resulting in some of the loudest crowd participation yet, especially from those old enough to have grown up with Swift and were in high school at the same time she was. The singer ran through “Fearless,” “You Belong With Me,” and “Love Story,” reminding us of a time when we discovered the pop phenomenon unbeknownst to the level of celebrity she’d achieve.

Something about Swift — she’s online. If the fact that she decided to end last night with the TikTok-friendly “Karma” doesn’t make that obvious enough, her joke about disliking Evermore hammers home the point. 

Later on in the act reserved for her ninth studio album, in line with how theatrical the event was, Swift set up a beautiful dinner setting only to deliver a heart-wrenching rendition of “Tolerate It.” She also performed “Tis the Damn Season,” “Willow,” “Marjorie,” and “Champagne Problems,” giving fans a sizable taste of the Evermore live experience they weren’t able to receive when the project came out in 2020.

For the acts dedicated to Reputation and Red , fans were treated to a masterclass in visuals and hitmaking, two key elements that has assured Swift prolonged success for as long as she’s had it. The powerful, striking, snake motifs were an awesome callback for fans who attended the Reputation tour.

For Red , Swift went through “22,” “We Are Never Ever Getting Back Together,” and “I Knew You Were Trouble. She closed out the act with a beautiful performance of the 10-minute “Taylor’s Version” of “All Too Well.” In the evening’s most ethereal moment, small white confetti made to look like snow blanketed the State Farm Stadium as she neared the end of her magnum opus, singing “Because in this city’s barren cold/I still remember the first fall of snow/And how it glistened how it fell/I remember it all too well.” Not only is Swift a savant for world-building, but she’s perfected the ability to translate those worlds into the live experience.

Swift wasn’t shy about making sure people got the full Folklore live experience. A makeshift cabin, not unlike the one made during Swift’s 2021 Grammys performance, sat on the stage with Swift perched on it during “Invisible String.” The star also discussed how she finally got comfortable crafting narratives for purely fictional characters, rather than ripping them from the headlines about her life.

1989’s era act turned the party up and restored the energy, with Swift donning a Roberto Cavalli top and skirt and going through “Style,” “Blank Space,” “Shake It Off,” “Wildest Dreams,” and “Bad Blood.”

To cap off the evening, Swift returned to Midnights , performing album highlights “Lavender Haze,” “Mastermind,” and more. It was hard to ignore the immense gratitude the singer continued to exude throughout the evening, with the “thank yous” coming more and more often the closer she got to the end.

Eventually, the singer asked the crowd if they had time for one more and launched into her finale, “Karma,” a track with a passionate chorus that’s begging to be scream-sung in a room of over 70,000 who’ve been waiting for this exact moment for years. Maybe it’s fitting that an artist who’s had more than her fair share of ups and downs, and at times has been the most polarizing musician alive, ends her stadium tour opener with a song about how she can finally protect her peace. Karma’s a relaxing thought, indeed.

'SNL' Cold Open: Indicted Trump Hawks Bible Complete With Miranda Rights

Michigan gop congressman suggests using nuclear strikes like ‘hiroshima’ in gaza, beyonce finds a new freedom and redefines country music on 'cowboy carter' , jerrod carmichael had a crush on tyler, the creator, so he invited the rapper to the emmy awards.

Taylor Swift Glendale Setlist

'SNL': Watch Travis Scott Perform 'My Eyes,' 'Fe!n'

• By William Vaillancourt

Travis Scott, Playboi Carti Spin Through New ‘Fe!n’ Video

• Pre-'SNL' drop
• By Althea Legaspi

Beyonce Finds a New Freedom and Redefines Country Music on 'Cowboy Carter' 

• ALBUM REVIEW
• By Brittany Spanos

Hot Boys Rapper B.G. Arrested for Probation Violations After Boosie Concert Appearance

• Crimes and Court
• By Daniel Kreps

Black Keys Strike Mellow Gold on 'Ohio Players'

• By Jon Dolan

Most Popular

Anne hathaway lost roles after oscar win because of 'how toxic my identity had become online,' says christopher nolan backed her: 'i had an angel' in him, where to stream 'quiet on set: breaking the silence' episode 5 online, buckingham palace rushes to clarify queen camilla’s statement that a certain grandson is ‘a handful', touré says diddy terminated his cousin's internship after refusing to sleep with him, you might also like, luminate streaming ratings: ‘road house’ delivers for amazon; netflix’s ‘3 body problem’ leads tv titles march 22-28, beyoncé’s best country looks through the years, from her destiny’s child days to ‘cowboy carter’, the best exercise mats for working out, according to fitness experts, ‘gen v’ star chance perdomo dies at 27, college basketball’s biggest stars on social media are women: data viz.

Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.

Verify it's you

Please log in.

clock This article was published more than  1 year ago

Taylor Swift’s Eras Tour opening weekend: Tears, joy and ‘therapy’

Fans descend on glendale, ariz. (a.k.a. ‘swift city’) for a long-awaited chance to commune with their pop icon, revel in her lyrics and express their true selves.

GLENDALE, Ariz. — Taylor Swift had endless choices when deciding how to kick off her first concert tour in nearly five years on Friday night, a captivating spectacle that stretched over three hours and included 44 songs. After starting with a brief snippet of “Miss Americana & the Heartbreak Prince,” the namesake song to her 2020 Netflix documentary , she launched directly into “Cruel Summer.”

As the track’s hazy opening synth-pop beats blasted through State Farm Stadium, you could hear the gasps, with simultaneous shouts of “OH MY GOD!” barely heard above the ecstatic mayhem (and in some cases, heaving sobs) among the nearly 70,000 in attendance. Swift, resplendent in a shimmering bejeweled silver bodysuit and matching knee-high boots, beamed at the crowd, because she knew exactly what she was doing.

Swift fans believe that, in a parallel universe, “Cruel Summer” (the yearning anthem on her 2019 album, “Lover,” about a steamy and toxic relationship, with a chorus that demands you sing-scream along) was destined to be the song of the summer of 2020, released as a single as Swift planned to embark on a series of festivals called Lover Fest. Obviously, the global bummer of 2020 happened instead. Yet the obsession with “Cruel Summer” persisted, especially because Swift had never performed it live.

Analysis | Taylor Swift’s Eras Tour opener: A complete recap of all 44 songs

So this wasn’t just a song. For many, this was a stinging, subconscious reminder of how much we lost and what could have been. It was also a moment of pure, delirious joy — not only because of the thrill of hearing a beloved song live for the first time, but also because it’s clear that even one of the most powerful celebrities on the planet had felt all of that, too. It doesn’t seem like a coincidence that at the top of her first show on her Eras Tour — 52 dates of sold-out stadiums — she wanted to pick up right where she’d left off before the world shut down.

“I don’t know how to process all of this and the way that it’s making me feel right now,” Swift told the stadium when the song was over, her voice slightly shaking. Later, she added: “I’m really, really, really overwhelmed, and I’m trying to keep it together all night.”

T rying to keep it together” has rarely applied to the 33-year-old Swift, who, nearing the end of a second decade as a professional musician, has ascended to a rare, glorified status as a once-in-a-generation pop star. She has no chill. After rising to fame with songs about her awkward, unpopular teen years, she now embraces cringe and earnestness. That’s part of the draw for her legion of fans, who see her as one of them. After Ticketmaster melted down during sales for the Eras Tour, the parent company’s chairman went on the defensive by pointing to the extreme demand, claiming that the number of people trying to buy tickets “could have filled 900 stadiums.”

The Swifties shelled out hundreds — sometimes thousands — of dollars for tickets and travel and descended on Glendale this weekend, determined to make the often harrowing process of ticket-buying a distant memory. The Phoenix suburb, which recently hosted the Super Bowl, could hardly contain its excitement. The mayor declared it would temporarily change its name to “Swift City,” and electronic signs on the highway encouraged safe driving with Swift puns: “CUT OFF? DON’T GET BAD BLOOD . SHAKE IT OFF .” “RECKLESS DRIVING? YOU NEED TO CALM DOWN .”

But that was nothing compared to the electric energy surrounding the stadium. To be a Taylor Swift fan is to learn to master the clues and secret messages that could be embedded in every lyric, public comment and social media post, no matter how opaque. To be a Taylor Swift fan is to always come ready, which includes devising the perfect outfit to wear to a concert, with unlimited options bestowed by the singer herself, who chose a tour theme, “eras,” that celebrates her past and present.

Being in the crowd was like being in a force field where all pretenses are gone; Swift’s music covers the spectrum of bubble-gum pop (which she refers to as “glitter gel pen lyrics”) to deep introspective poetry, and her concerts are a place where you can dance or cry to either. Swift has laid bare her own insecurities and emotions over 10 studio albums and more than 200 songs. Here, in her presence and among one another, fans become their truest selves.

Scanning the crowd, you could see countless sequins and bejeweled skirts and jackets, an homage to the “1989” era. There were also dark blue dresses with stars for “Midnights”; red heart sunglasses, a black bowler hat and a T-shirt reading, “Not a lot going on at the moment,” a shout-out to the “22” music video; dark lipstick and black leotards as a tribute to “Reputation”; lyrics scribbled down people’s arms in marker, something Swift used to do before every concert; and No. 13 painted on hands, another former Swift tradition, from when she was starting out as a country star.

View this post on Instagram A post shared by Giacomo Benavides Ubierna (@giacomobeub)

“My inspiration is the Red Tour, one of Taylor’s iconic outfits, and I just wanted to re-create it,” said Giacomo Benavides, a 26-year-old content creator dressed like a circus ringleader who traveled from Peru for the show.

Some were even more specific: Olivia Jackter of Tucson, 26, wore a traffic-light get-up that displayed the phrase “I don’t know,” referring to a lyric from the song “Death By a Thousand Cuts.” Would non-Swifties understand it? Of course not. Did that matter? Of course not. “This was going to be my costume for Lover Fest. I’ve been waiting for this for years,” Jackter said.

A group of 20-something women attached plastic Easter eggs to white T-shirts with photos of some of their favorite “Easter eggs” and hints that Swift has dropped over the years. One man dressed in a cat costume as Swift’s newest pet, Benjamin. Two women whooped excitedly when they walked by each other in a line for food and saw that they wore matching floral dresses similar to what Swift wore to the 2021 Grammy Awards.

Another popular theme was “All Too Well,” the searing breakup ballad that recently got a second life when Swift released the updated 10-minute version . Lots of fans wore outfits displaying those lyrics. Ivan Hernandez of Phoenix sported a blue T-shirt that read, “Where’s the scarf, Jake?” — a reference to the song’s supposed subject, Swift’s ex-boyfriend Jake Gyllenhaal, and the lyric that suggests that he swiped her scarf.

“[My son] wanted to go to the concert, and he said, ‘Let’s wear outfits,’ and I was like, ‘Well, I’m not going to wear an outlandish outfit,’” said Hernandez, 46, whose 13-year-old son, Eli, was wearing an Eras Tour shirt they had bought at the merchandise stand Saturday afternoon before Swift’s second show. “So I just went online and started looking for something about ‘All Too Well,’ and this is the one that came up.”

Swift, who misses nothing, praised everyone for their effort from the stage.

“You have really outdone yourselves, guys. The way that you decided to show up to this concert, you really, really decided to show up,” she said, noting that she saw people dressed as mirror balls (from the song “Mirrorball”); willow trees (from “Willow”); and “sexy babies” (from “Anti-Hero” — and too complicated to explain). “I have seen, like, really amazing, specific visual representations of lyrics or weird online inside jokes that we have.”

“I was thinking about tonight and how special this is,” she added. “You have led me to believe, by you being here, that it’s special for you, too, so it’s really nice that it’s mutual.”

S wift’s unusually close relationship with her fans started back when she was a country artist , a genre in which singers are supposed to think of listeners as their peers. Swift always went a step beyond, chatting with fans on Myspace back before Nashville executives even knew what that was, and that connection has continued to this day.

In concert, Swift referred to the journey that she and her fans have taken together, like they’re a family. (The “four new members of the family,” she said, are the four albums she has released since her last tour.) She made no secret of the fact that she monitors fans’ social media activity, even dryly noting that her 2020 record “Evermore,” is “an album I absolutely love, despite what some of you say on TikTok.” (People on the platform are convinced that “Evermore” is her “forgotten child.”)

This is all why her bond with her fandom remains so strong. She connected early on to fellow teenage girls who inferred from society that their crushes and feelings and dreams were silly, only to find someone in Swift who took them seriously and who could articulate, in songwriting, what they didn’t even know they were feeling.

“By the time she’s done living through something and writing about it and releasing music, I’m living through it,” said Briana McReynolds, 32, of Phoenix, who showed up in a T-shirt covered in lyrics, as well as a purple streak in her hair to represent “Lavender Haze,” Swift’s latest single. Her best friend, Chris, accompanied her to the concert as an “emotional support Swiftie.” (“I’m doing my best,” he said.)

“She’s just accidentally kind of written the soundtrack for my life,” McReynolds said. “She’s matured with all of us, or we’ve matured with her. So no matter what age I am, she can totally sing my heart.”

Caitlin O’Connor, 32, of San Diego came to the show with her mom; they have seen every Swift tour together for the last 15 years, and O’Connor makes sure to go multiple times.

“You don’t need therapy; you need Taylor Swift songs,” O’Connor said. Swift’s concerts, she explained, “are my happy place, and there’s nothing else like it. It’s the most natural high you could get in your whole life.” On her arm, she has a tattoo of lyrics from Swift’s “Treacherous”: “All we are is skin and bone, trained to get along.”

“I love that line. Really, at the core, everybody is human,” she said. “And that’s also the thing with Taylor Swift concerts: Everybody is really nice. … You bond over something immediately.”

Swift is highly aware of the world she’s built, and she doesn’t shy away from it. In a surprisingly direct admission, while introducing the song “Mirrorball,” from her 2020 album “Folklore” during an acoustic set, she reiterated to the crowd just how intensely she’s missed them over the past several years.

“I was thinking about how one of the songs that I wrote with you in mind during the pandemic was one of the first songs I wrote on ‘Folklore,’ and it was me writing about how badly I craved the connection that I feel from the care that you have directed my way,” she said. “I was trying to think of a sort of eloquent way to say that I love you and I need your attention all the time.”

The stadium quieted as she strummed and sang.

“I’ve never been a natural, all I do is try, try, try; I’m still on that trapeze, I’m still trying everything to keep you looking at me. ’Cause I’m a mirror ball. … I’ll show you every version of yourself tonight.”

And although she asked the members of the crowd for their attention, she didn’t need to; it was already there, and it always will be.

• 30 years later, ‘Lois and Clark’ is still the hottest thing DC ever did September 12, 2023 30 years later, ‘Lois and Clark’ is still the hottest thing DC ever did September 12, 2023
• Joe Jonas and Sophie Turner’s divorce sparks outrage about mom-shaming September 7, 2023 Joe Jonas and Sophie Turner’s divorce sparks outrage about mom-shaming September 7, 2023
• ‘Talk to Me’ speaks to everyone August 26, 2023 ‘Talk to Me’ speaks to everyone August 26, 2023

• Free Shipping For Orders Over $100

• Search for:
• Login / Register

No products in the cart.

• Breast Cancer Awareness
• Veterans Day
• Panetory Shop

Taylor Swift The Eras Tour Glendale March 17 2023 Poster

$ 21.95 – $ 34.95

• Printed on 10 mil, 260 gsm resin-coated poster paper
• Last up to 200 years color and 400 years black-and-white
• Shipped in a protective tube
• Note: This is not the official poster of the event, it is a print-on-demand version designed by fans.

Estimated arrival

Order placed

Order ships

Description

About taylor swift the eras tour glendale march 17 2023 poster in poster .

The quality decor on a budget is perfect for your dorm, bedroom, studio, or home office. Vivid, lifelike images are similar to traditional silver halide prints. Luster photo paper delivers rich colors and a wide range of colors. Whether you’re creating a video background or collaging a gallery wall, the standard poster surely will enhance any space.

• Edge-to-edge print with no borders
• This item is unframed – Can hang with tape, and tacks, or attach with clamps
• They do not include embellishments, such as rhinestones
• Printed in the USA

Note: In some cases, the actual size of the Poster may differ by a very small amount (less than 2cm). Thanks for your understanding!

PRODUCT DETAILS: Taylor Swift The Eras Tour Glendale March 17 2023 Poster

Shipping Policy of Taylor Swift The Eras Tour Glendale March 17 2023 Poster – Poster

• PANETORY’s current shipping partners are UPS and USPS
• Production time: 1 – 3 Business days
• For order in US: 3 – 7 Business days
• For international order: 5 – 14 business days

SHOPPING POLICY:

You can cancel your order by contacting us directly via [email protected] within 24 hours. Otherwise, the order is already in production and we are not responsible for refunds.

The refund and return policies are specified on the Policy Page .

Due to the manufacturing process and color settings of computer/personal device screens, the sizes and color of items listed in descriptions are approximate and actual size may vary slightly.

Contact Information

Reviews (0)

There are no reviews yet.

Only logged in customers who have purchased this product may leave a review.

Related products

Limited Louis The Child Friendsgiving Chicago November Poster

Unus Annus Death Is Coming Poster

Dave Matthews Band Fall Tour Poster

Elton John Farewell Yellow Brick Road Tour Chase Field November 11 Poster

Puscifer Tour Grand Rapids Michigan November 15 Poster

Billy Strings Blue Cross Arena Rochester November 9 Poster

Khruangbin November 15 Tokyo Japan Poster

Billy Strings Kalamazoo Mi Wings Event Center November 3rd Poster

Greta Van Fleet Tour Smoothie King Center New Orleans LA Poster

Dave Matthews Band Vivint Arena Salt Lake City November 9 Poster

Username or email address  *

Password  *

Remember me Log in

Lost your password?

First Name  *

Last Name  *

Phone  *

Email address  *

A password will be sent to your email address.

Your personal data will be used to support your experience throughout this website, to manage access to your account, and for other purposes described in our privacy policy .

Previous Post The photo-story of the play "Giselle"

STATE THEATRE MOSCOW BALLET «LA CLASSIQUE» 109012 Russia Moscow Pushechnaya str. 4/2 tel\fax : +7 495 621 5557

• DON QUIXOTE
• ROMEO AND JULIET
• SLEEPING BEAUTY
• THE MERRY WIDOW
• SNOW MAIDEN
• LA BAYADERE
• WALPURGICH NIGHT

MosVoyage Tour Agency

• See all photos

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

MosVoyage Tour Agency - All You Need to Know BEFORE You Go (2024)