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Låpsley  

• On tour: no
• Upcoming 2024 concerts: none

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amazing singer! very intimate atmosphere which is refreshing compared to bigger venues. perfect song choices. easy ticket system that was fuss free. definitely one to recommend to see!only issue I would have is if going to sell out on a venue should get more than one staff on the bar. took a while to get a drink.

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While this was a fun show and well worth the $15 investment, I still found it to be a little underwhelming in some aspects. I expected more of the music to be recreated instead of with instrumentals in the background and the overall showtime was only about 50 minutes.

The concert was super cool! I loved the venue, the artist herself, the sound and the atmosphere there.

The sound was actually great, and I appreciate how well everything was organised so that we didn't have to wait too long for the singers to go on stage.

this was my first concert and it was the best omg, she is actually so so so good live wtf. of course i knew she was good but aaaah it was wonderful.

i especially loved her performance of cliff, it was beautiful.

29-09-2016, lantarenvenster rotterdam

Celestial. A goddess of our times. The voice of an angel, but unlike any other angel, the one true angel. But seriously, such a beautiful performance and she is just so likeable. And for her first performance in over three years, it was really amazing.

Saw Lapsley in Toronto in May 2015 at the Drake. AMAZING show! She and her band are so talented. Definitely a must-see. I spoke with one of her bandmates named Duncan Boyce after the show and he was so sweet. 10/10, would definitely see again.

Absolutely smashed it at the Haunt in Brighton! Great songs as usual! Despite being really busy for that kind of venue it was a great crowd.

Foreign Skin had done an amazing job supporting Låpsley too!! Such a great night!

Låpsley was amazing and the opening act (Morly). Not only was she amazing, but she was also hilarious. I cannot wait for her to release new music and for her to come back to Canada!

Amazing! Such an incredible voice and performance was top notch. It's great seeing someone who has one album also because it means you get to hear all the songs you know and love!

Posters (24)

Find out more about Låpsley tour dates & tickets 2024-2025

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Låpsley: “I’m In The Best Place I’ve Ever Been”

In collaboration with.

• Words Aimee Phillips

Låpsley opens up about being in the best place of her life, what she wishes she’d been told at the start of her career and what we can expect next from her.

For the past seven years, Holly Lapsley Fletcher, who goes by the stage name Låpsley, has been dazzling the world with her moving electronic ballads. Just 17 when her self-produced creations began taking off on Soundcloud, she now proudly carries two albums, 2016’s ‘Long Way Home’ and 2020’s ‘Through Water’, and a plethora of wildly popular singles and EPs.

However, Låpsley experienced such burnout from the non-stop nature of her career that she decided to take some much-needed time away from music, volunteering and training as a doula instead. So what pulled her back? “Despite the tough times, it’s the music that carries you through”, she admitted. Reflecting on her career, Låpsley feels that by always putting the music first, keeping her values close, and moving fears over self-image to the back of her mind, she was able to return. Now, she tells Notion that she’s in the best place she’s ever been.

For her instalment of Nordoff Robbins ‘ ‘We Are Listening’ campaign, Låpsley wanted to showcase ‘The Power Of Hearing’. In the moving episode , Ava, a blind 12-year-old with complex health needs including cerebral palsy and epilepsy, listens and responds to Låpsley’s performance, capturing the expression and power of music to those who need it. “For the first time in her life at 12-years-old, Ava experienced inclusion, full inclusion…” Liz, Ava’s mum said. Watch the video below.

Now, speaking with Notion, Låpsley opens up the next musical chapter in her life. 

First of all, how are you? How have you been coping over the past year?

Yeah, it’s been pretty tough releasing a record the first week of lockdown. It’s really strange because on the day that the album came out, I’ve never felt so happy as an artist, content with the creative work I’m making. But I felt like the entire year was taken away. I had tours cancelled. All the festivals went. It’s really stressful not doing the promo tours and all the normal things that you do – it feels personal but obviously it isn’t. I’ve managed to get my head through it. And actually, all I’ve been doing since that point is making music for myself and other people. 

How have these times changed you as an artist – and as an individual? Has your creative process been affected?

I think weirdly, creatively, I’m in the best place I’ve ever been and I think a lot of that is just to do with age. I’m now seven years into the Lapsley project and I feel like I just really understand myself in terms of the way that the sound is evolving. Everything’s a lot less dramatic, you know, the things that are happening in my life, and that’s resulting in some pretty interesting music, just like real adult issues that aren’t necessarily catastrophic, but things that we all go through. 

Are you feeling positive for the future of live music in general?

If you compare anything to the past year, anything is an improvement. I think that appetite is definitely there. Both from the fans and the crowds but also from the musicians. I’ve reached out to so many of my friends who are musicians who are playing or All Points East like Yanis from Foals and Arlo Parks. You make such good friends when you go on tour and you play these festivals backstage because you’re all doing the same thing. This is our opportunity to reconnect and just give each other a pat on the back. That’s the best feeling, connecting with other musicians when you play live.

It’s really nice to hear there’s such positivity and support there.

I think that’s something positive that’s come out of the last year. Everyone’s reached out to each other and lots of collaborations have happened. I did my first collaboration, which was with Sega Bodega. And now I feel closer to the music community in London than I ever had done. And internationally, because we’ve all done Zoom sessions with each other. Everyone’s been connecting more than they ever would because usually, we’d be touring, we’d be so busy. Whereas when you actually take the time to speak to your fellow creatives on an emotional level, it’s wonderful.

So in terms of actually creating music over the past year, you’ve gone back to your roots of producing things in your bedroom and working completely digitally with other people and collaborating over Zoom?

So at the start of lockdown, I created a setup at home, and then after that initial first lockdown, I went back to my studio. I had a studio for two years – I’ve actually just left it – with Joe Brown, who co-produced and co-wrote the last record with me, ‘Through Water’, and also these next two tracks that are coming out. They were made last summer in our studio, just us two, and because I lived alone, I could be within Joe’s bubble. So me and Joe just carried on doing what we usually do, which was really nice, actually. I think we connected on a holistic level as well and became really close. And I think that’s also affected the music. 

You’ve been creating music for quite some time now, only 17 when you started releasing songs on Soundcloud, going on to tour the world and release two albums, as well as a number of EPs and singles. You must have been on quite a journey! How do you reflect on your career thus far?

I do want to look back and give myself a hug when I was 18, or 19. I don’t think I necessarily got the support I should have. But now having gone through all of that and I have the support system around me, I’m very proud of the work I’ve made. Despite the tough times, it’s the music that carries you through, and it’s also the support of the fans. I put that first over frets I had about the way I looked, my weight, about women in the industry, I’ve always put the music first and I think it’s held me in good stead. I’ve held the most important things close to my heart, which has kept me doing it because I think often it’s very easy to burn out. Especially when you enter the industry quite young, and you’re put through the motions, it’s very intense. But now we’re at the other end, I feel like this is the start of my career in a way. I’m working on the third album, it’s pretty much written, I just need to finish the production. I think in order to write quite fluidly and to write a lot and to finish up something like an album, you need to be in a good mental space. And I think the fact that I’ve done that it’s just testament to how much of a good place I feel like I’m at right now.

You took full control of your 2020 record, ‘Through Water’ and said it was the first time you felt like an ‘artist’. How important do you think it is that musicians have autonomy over their music?

It’s incredibly empowering. And also, the people around you who aren’t creatives don’t necessarily understand, and it’s not their fault, they just work in the industry and you are the artist. No one ever turned around and said to me, ‘actually, if you want to be like your idols, you’ve got to put the time in, you’ve got to put the hours. You’re not just gonna get there because you got a top 10 or because doors opened’. It takes hours in the studio trying to work out, and also working on your writing and assessing. Writing is like communication, you’re basically turning your life experiences into words and into art and the more you do it, the more you feel comfortable in it and the more you push yourself, the more you find yourself. I wish someone told me that it would take time, and it’s okay not to have all the answers. I think that would have helped me. So I mentor artists now and I try and tell them that shit.

A year on, how do you feel about your ‘Through Water’ record now?

Oh, my God, I love it. It’s funny, I never listen back to my own music because I’m always on to the next thing, so I was thinking, ‘oh, I wonder what songs I should play for the All Points East festival’. So I just listened to my record, from front to back the other day when I was going on a run. And I was like, ‘go get ’em, girl! God, this is so cool man!’.  I left this industry, now I could look back and just be so happy with that piece. I’ve never had that job satisfaction in my life, so I have nothing but pride.

So what can we expect from your next set of music?

There’s two new singles next. This one song is about opportunities closing, like doors opening and doors closing. And then there’s another song about dating in lockdown, and connection and someone seeing you through all the bullshit that is the dating world. So just some real early 20 shit. Classic Lapsley, electronic. I think it makes sense that it’s an extension of ‘Through Water’. I think the album is going to be slightly more of an indie electronic direction. This is more minimal electronic pop, these two tracks.

Listen to Låpsley's latest release below:

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Through Water

By Katherine St. Asaph

Pop/R&B

March 26, 2020

Låpsley ’s debut, Long Way Home , slipped into enough corners of the music world that it might as well have been three albums, not one. The drifty adult-contemporary track “Hurt Me” anchored her to British radio ; DJ Koze ’s disco remix of “Operator”—which the German producer called a “unique and perfect” song—took her to the clubs. And Billie Eilish fashioned her breakout single, “Ocean Eyes,” after Låpsley’s “Station.” That’s a lot of possible directions to take; given that “Hurt Me” was her biggest hit, it would have been incredibly easy for the UK singer to start down the dismal path to becoming another Adele (a fellow XL signee) or Ed Sheeran .

Fortunately, Låpsley is more interesting than that, and Through Water refines her sound: heavy piano chords; wistful, solipsistic duets with her own pitched-down voice; high, ethereal backing vocals; and low, mournful synth pads like artfully arranged clouds. The title track drifts and swirls around a recording of Låpsley reading a speech by her father, a sustainable-development and water engineer, chopped up and echoed. The effect is a little James Blake , a little Enigma , and more than a little evocative. Out of its original context, the speech’s science jargon is rather abstract—all “impacts,” “mitigation,” “adaptation”—and Låpsley’s own meditations on extreme weather events come couched in distance as well. It’s an unusual take on climate change, which artists more often make cyberpunk or grotesque . Låpsley’s version isn’t an apocalypse but a slow dissolution, which is more often how these things go; the accidental yet unavoidable subtext is that the planet is in its own crisis now, of the shut-in and quiet kind. Against this claustrophobia, the narcotic ASMR spell of Through Water is a comfort.

Such aesthetic clarity is vital for an album that, judging from its credits, should be all over the place. Låpsley wrote and produced most of the record, but her collaborators include adult-contemporary linchpin Eg White (Adele, Florence and the Machine ); while making the album, she says, she listened to “lots of WizKid , Drake , Robyn , [and] Ryuichi Sakamoto .” This isn’t a coherent sound so much as four playlists merged and shuffled, and it’s remarkable how Låpsley turns them into one. When Låpsley mentioned Robyn, she was talking about her own “My Love Was Like the Rain”: “I never really write at such a fast tempo, and I just remember shoving loads of, like, Robyn tracks on, and thinking, ‘I want to make a song that has this kind of energy!’” she told Apple Music . But what emerged was no Body Talk banger, nor (thank goodness) landfill alt-pop, but something more like a discotheque returned to the overgrowth. Sedate organs and synth pads flood it like water, and backing vocals and synth wind around it like vines; only the hollowed-out, crackling skeleton of a beat hints at what it once was.

Elsewhere, the lush pastoralia of “Our Love Is a Garden” is Låpsley’s homage to 4AD in the days of Ivo Watts-Russell and This Mortal Coil . She follows it up with the stunning instrumental “Leeds Liverpool Canal,” fogged over by minor chords and underpinned by sounds of running water ( Through Water at its most ASMR) that a delicate piano line hits like sunlight. The effect is haunting, almost post-apocalyptic, like morning after a disaster. The alchemy doesn’t work every time. The Afrobeats-inspired “First” is like hearing Drake and WizKid through stagnant water, less “ One Dance ” than one lilt. Her less inventive arrangements lapse into mundane ballads—“Speaking of the End,” or the first half of “Bonfire,” which fortunately does go places—and half-hearted dance, like “Womxn”; perhaps this one just needs its own disco mix.

Låpsley’s songwriting, though formalist—full of tidy extended metaphors and twists on cliches—can be deceptively spiky. “My Love Was Like the Rain” turns an old Shakespearean conceit into an ex-partner’s litany of negs (“Remember when you said my love was like a rose/Not the sweet bloom, but the pain as it scratches your hand”). But the partner’s an afterthought, and their half-insults something to embrace: “I embody these elements; I wear them like a fragrance.” There’s a concealed bitterness to her voice on that chorus, but the rest of the track is shimmering and warm and alive. An aquatic rose-and-lily fragrance, after all, would be rather pleasant, actually, and soothing. And an album that embodies black skies, pulverizing rain, and cerebral, arctic chill can be quite compelling: winter, but the kind you can burrow into forever.

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Lapsley tour dates

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• Concertful ranking: #3083
• Category: Electronic Music / Dance

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Låpsley is British singer-songwriter, producer and musician born Holly Fletcher. A classically trained musician, she started producing her own music more...

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Past Events

Here are the most recent UK tour dates we had listed for Låpsley. Were you there?

• Mar 05 Tue London, PizzaExpress Live (Holborn) Jack Garratt Presents Låpsley
• May 27 2023 Leeds, Temple Newsam House & Gardens Live At Leeds In The Park 2023 Two Door Cinema Club, DMA'S, The Hives, The Lathums, Tom Walker…
• Mar 25 2023 London, EartH (Hackney Arts Centre) Låpsley
• Mar 24 2023 London, EartH (Hackney Arts Centre) Låpsley
• Mar 22 2023 Brighton, Chalk Låpsley
• Mar 21 2023 Bristol, Trinity Låpsley
• Mar 18 2023 Manchester, Band On The Wall Låpsley
• Mar 17 2023 Glasgow, Saint Luke's Låpsley
• Mar 16 2023 Gateshead, The Glasshouse International Centre for Music Låpsley
• Mar 15 2023 Sheffield, Foundry Låpsley

Lapsley Tickets

Lapsley Concert Tickets

Prepare for an EDM takeover with Lapsley tickets. The electronic dance music genre known as EDM has taken hold of the music world with its unstoppable beats. The movement has made its way from the US and European rave clubs of the ‘80s and ‘90s to the top of the modern music charts. Creatively orchestrated by synthesizers and drum machines, the genre produces a sound like no other. The eclectic infusion is typically mastered by DJ mixers, cross-fades, and turntables and is occasionally enhanced by lopped vocals. Covering a wide variety of sub-genres such as dubstep dance-pop and house, the techno movement has become a major and multifaceted force on the popular music scene.

There is a rich history behind its modern sound with origins stemming from reggae and hip-hop influences. The genre reverberates a fresh approach to a style that has been evolving for decades. Beginning with pioneer musical engineers like King Tubby, an array of performers has brought EDM into the realm of popular culture. Artists like Daft Punk, Zedd , Diplo and Deadmau5 have made the genre their own. Buy Lapsley tickets today and catch the beat live!

Lapsley Ticket Prices

Costs can rely on an array of influential factors. Taking in a live concert from the front row of a venue will reflect higher prices than a seat in the bleachers or lawn. Lapsley ticket prices will also vary depending on the popularity of the venue and whether you choose to select a premium seating package. 

How much are Lapsley tickets?

Generally, you can take a seat in the audience for around $26 - $235 on average. Lapsley ticket prices will tend to run higher if the artist is performing at a major music festival. Admission to the Electric Daisy Carnival in Las Vegas, Nevada can start from $287 and a spot at Electric Zoo in New York City typically goes for $379 - $399. Easily secure Lapsley concert tickets in the price range of your choice.

Lapsley Tour Dates & Concert Schedule

EDM events are usually held at large and mid-sized venues as well as in nightclub settings. Lapsley tour dates can showcase appearances at electronic dance music festivals like Ultra Music Festival in Miami, Florida and Electric Forest in Rothbury, Michigan. The genre is known for its international acclaim and live performances can be enjoyed from events like Belgium's Tomorrowland Festival and the UK’s Creamfields.

The Lapsley concert schedule can typically list a string of live shows at popular techno venues like Webster Hall in New York City and Believe Music Hall in Atlanta, Georgia. There’s a good chance that the genre and the artist will make their way to one of your favorite venues.

When do Lapsley tickets go on sale?

Lapsley tickets are a hot commodity with the EDM concert-going generation. Admission will typically go on sale once a show date or tour schedule is made public. You can usually buy tickets from us in advance. Buy early without a pre-sale code and make your way to the next live show.

Lapsley Seating Chart

You can find a great place to sit with the help of our interactive seating chart. A venue like Webster Hall can welcome a crowd of 1,500 with options to take in a live show from the balcony or main floor. There are also more expensive places to catch a concert. When the artist plays at a festival like Electric Zoo , there is ample seating with attendance boasting over 80,000. Check out our site’s filtering tools and easily narrow your preferred selections by date time and venue.

Safe and Secure Lapsley Ticket Purchasing

We take pride in offering a secure buying process. There is no need for worry when purchasing Lapsley tickets from us. It’s a simple and safe process that grants you access to all the latest live concerts and events. Buy admission with ease and get ready to witness EDM live.

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All TicketSmarter techno/electronic concert tickets are 100% guaranteed. Order your Lapsley concert tour tickets today knowing that verified customers rate TicketSmarter 4.6/5.0 stars. Get in on the EDM excitement! We stand behind you throughout your ticket-buying experience.

Songs from the Lapsley Tour Setlist

Lapsley's setlist while performing in Stockholm , 26 at “Nalen klubb” included the following songs:

• Say I’m What You Need
• Smoke and Fire
• Close To Heaven
• Lavender Haze
• Nightingale
• My Love Was Like the Rain
• Falling Short
• Dial Two Seven
• Hotel Corridors
• Operator (He Doesn't Call Me)

Source: Setlist.fm

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• August 21, 2015 Setlist

Låpsley Setlist at Domein Kiewit, Hasselt, Belgium

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2 activities (last edit by dirkvandamme , 20 Jun 2018, 12:40 Etc/UTC )

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Pukkelpop 2015 setlists

Låpsley Gig Timeline

• Aug 13 2015 Way Out West 2015 Gothenburg, Sweden Add time Add time
• Aug 14 2015 Haldern Pop Festival 2015 Haldern, Germany Add time Add time
• Aug 21 2015 Pukkelpop 2015 This Setlist Hasselt, Belgium Add time Add time
• Aug 22 2015 Lowlands Festival 2015 Biddinghuizen, Netherlands Add time Add time
• Sep 04 2015 Glassalen Copenhagen, Denmark Add time Add time

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[url=https://www.setlist.fm/setlist/lapsley/2015/domein-kiewit-hasselt-belgium-1bf7d528.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=1bf7d528[/img][/url] [url=https://www.setlist.fm/edit?setlist=1bf7d528&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/lapsley-53d8ab95.html]More Låpsley setlists[/url]

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Lapsley Tour Dates

• TECHNO / ELECTRONIC

To date there haven't been any notable Lapsley concerts or tours unveiled for the U.S. or Canada. Sign up for our Concert Tracker to get alerts when Lapsley performances have been announced to the lineup. Take a look at our Tour announcements page to get the latest tour announcements for Lapsley In the meantime, have a look at other Techno / Electronic performances coming up by Memba , James Murphy , and Floating Points .

Lapsley Concert Schedule

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Lapsley: Long Way Home

Lapsley: Station

Lapsley: Hurt Me

Lapsley: Understudy

Lapsley: Falling Short

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