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Primal Scream Australian tour

Iconic alternative rockers Primal Scream will play a series of Australian sideshows later in the year while in the country for the Meredith Music Festival.

Iconic alternative rockers Primal Scream will play a series of Australian headline shows later in the year while in the country for the Meredith Music Festival.

The last time the band toured was in 2011 when they performed their classic album Screamadelica in its entirety.

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With long-time bassist Mani departing to re-form The Stone Roses , Debbie Googe of My Bloody Valentine has picked up the bass to join singer Bobby Gillespie, guitarist Andrew Innes, keyboardist Martin Duffy, drummer Darrin Mooney and guitarist Barrie Cadogan.

The band are promising to play both old and new songs at these shows, spanning everything from Screamadelica through to 2008's Beautiful Future .

PRIMAL SCREAM // AUSTRALIAN TOUR DATES 2012

Monday December 3 – The Tivoli – Brisbane

Tix: www.ticketek.com.au

Outlets and phonecharge 132 849

Wednesday December 5 – Enmore Theatre – Sydney

Friday December 7 – The Palace Theatre – Melbourne

Tix: www.ticketmaster.com.au

Outlets and phonecharge 136 100

www.oztix.com.au

Outlets and phonecharge 1300 762 545

Sunday December 9 – HQ – Adelaide

Tix: www.oztix.com.au

Tuesday December 11 – Astor Theatre – Perth

Tix:www.showticketing.com.au

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Primal Scream Announce 2018 Australian Tour

By Emmy Mack

It’s been six years between screams but Primal Scream are finally returning to lay waste to lungs across Australia for the first time since 2012.

The legendary Brit-rock veterans have announced plans to return to our shores in 2018, announcing five huge shows across the nation in Fremantle, Adelaide, Melbourne Sydney and Brisbane in February.

ICYMI: they’ve released two albums since they last touched Aussie turf — 2013’s More Light and 2016’s Chaosmosis  — so fans can no doubt expect to hear all the best songs from both alongside a bunch of their classics.

Catch all the details for Primal Scream’s 2018 Australian tour below.

Primal Scream 2018 Australian Tour Dates

Tickets on sale 9am local time Thursday, 26th October

Thursday, 15th February Metropolis, Fremantle (18+) Tickets: Destroy All Lines

Friday, 16th February HQ, Adelaide (18+) Tickets: Destroy All Lines

Sunday, 18th February Forum Theatre, Melbourne (18+) Tickets: Destroy All Lines

Tuesday, 20th February Enmore Theatre, Sydney (18+) Tickets: Destroy All Lines

Wednesday, 21st February The Tivoli, Brisbane (18+) Tickets: Destroy All Lines

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PRIMAL SCREAM ANNOUNCE HUGE 'SCREAMADELICA LIVE' TOUR DATES

• September 13, 2021
• UK Music News
• by Desh Kapur UK-Editor/Photographer

10 DISC ‘SCREAMADELICA’  12” SINGLES BOX SET  AND  DOUBLE-VINYL PICTURE DISC  ARE BOTH OUT THIS FRIDAY –

THE PREVIOUSLY UNRELEASED ‘DEMODELICA’  FOLLOWS ON OCTOBER 15TH

July 2022  will see  Primal Scream  play their first headline shows since  December 2019 . And how better to mark their return than playing their classic  ‘Screamadelica’  album in full? Completed by a selection of greatest hits spanning similarly essential albums such as  ‘XTRMNTR’ a nd  ‘Give Out But Don’t Give Up’ , the tour will see them play some of the biggest shows of their career: a large capacity big top in  Glasgow  and then major outdoor gigs in  Manchester  and  London .   Tickets for the dates, listed below, go on general sale from  9am  on  Friday ,  September 17th . They will be available from HERE

JULY 2022 1st – Glasgow, Queen’s Park 9th – Manchester, Castlefield Bowl 16th – London, Alexandra Palace Park  

The  ‘Screamadelica Live’  tour adds to the band’s celebrations to commemorate the 30th anniversary of their influential landmark album. This  Friday  will see the release of two new versions of the album. A 10-dis c 12” Singles Box  compiles nine replicas of the singles from the original album campaign alongside  Andrew Weatherall’s  recently unveiled  ‘Shine Like Stars’  remix, all pressed on 180-gram heavyweight vinyl. The second release is the album’s first ever picture disc format.

The previously unreleased  ‘Demodelica’  collection then follows on  October 15th . It provides a new insight into the album’s creation, with a variety of early demos and work-in-progress mixes. It will be released on digital, double-vinyl, CD and C90 cassette formats. The package will be completed with new liner notes by  Jon Savage . The author and journalist is renowned for documenting British music culture with books such as  ‘England’s Dreaming: Sex Pistols and Punk Rock’  and  ‘The Hacienda Must Be Built’.

All three releases are available to pre-order HERE

FOLLOW PRIMAL SCREAM

My life is a soundtrack, i track my life through music, photography is my passion, my escape, my expression. Without both i have pieces missing, thankfully i’m blessed and get to combine both. Born in Manchester, lived in Australia for 22 years where i was heavily involved in the Australian Music Industry, firstly in bands (Singer) and then managing bands (all original), I moved back to the UK, Wales specifically 10 years ago and married my childhood sweetheart and life is good.

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Primal Scream Australian Tour Supports Announced: Lime Cordiale and SSHH join the party

18 January 2018 The Rockpit

Fresh off the back of their debut album ‘Permanent Vacation’ which Beat Magazine called “ engaging and eclectic and is certainly a record not to be missed” , LIME CORDIALE are primed to make 2018 a massive year and there is no better way to kick it off than been announced as national support for PRIMAL SCREAM. Brothers Louis and Oli Lembach are excited to say the least with Louis exclaiming “ we are itching to get back on the road again and to be warming up the stage for a band of which we are long term fans of. It’s an absolute pleasure. Playing some big shows with some loyal Aussie Primal Scream fans is going to be a treat. We haven’t played our songs to an audience of this size before so it’ll be quite an experience for us. Hopefully they dig our stuff!”

Also joining this incredible bill is SSHH …a rare breed of band with comparisons ranging from Aphex Twin to The Sex Pistols, these guys are extreme. Fronted by the force of nature that is the singer Sshh Liguz, whose vocals have been described as a mixture of “Bowie, Siouxie Soux, Iggy Pop, Karen O & Robert Plant”, she’s a pint sized pocket rocket to be reckoned with. By her side is the man of the hour- Zak Starkey (Son of Ringo Starr), wielding his weapon of choice–a guitar–that takes your breath away and makes the hair on the back of your neck stand up on end in excitement. SSHH were recently described by NME as “ a pelvis swinging slice of gnarly power-pop rock with vocals so saucy they make ketchup seem like mere water ”.

Acid house hedonists, indie rock’n’rollers; PRIMAL SCREAM are a band who have built a 30 year career on the art of reinvention and they are bringing their incendiary live show back to Australia more powerful and engaged than ever.

Bobby Gillespie is the consummate rock & roll star. Willowy, wispy and radiating swagger, he struts around the stage, mic in hand like the genetically-engineered love child of Mick Jagger and Jim Morrison. His presence and ability to throw himself into a tune – spinning, sweating, hair plastered over his face, accompanied by trademark hand claps – still thrills crowds and propels PRIMAL SCREAM into a league of their own.

PRIMAL SCREAM will always say it with passion and energy and will be wowing Australian fans in February 2018 playing an all-encompassing greatest hit sets including tracks from their legendary 1991 album ‘Screamadelica’.

Tickets on sale now

TOUR DATES:

Thursday 15 February: Metropolis, Fremantle – 18+

Friday 16 February: HQ, Adelaide – 18+

Sunday 18 February: Forum Theatre, Melbourne – 18+

Tuesday 20 February: Enmore Theatre, Sydney – 18+

Wednesday 21 February: The Tivoli, Brisbane – 18+

  www.tickets.destroyalllines.com

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• Primal Scream Australian Tour

Destroy All Lines and Chugg Entertainment Present Primal Scream

Acid house hedonists, indie rock -n rollers; Primal Scream are a band who have built a 30 year career on the art of reinvention and they are bringing their incendiary live show back to Australia, more powerful and engaged than ever. Bobby Gillespie is the consummate rock & roll star. Willowy, wispy and radiating swagger, he struts around the stage, mic in hand like the genetically-engineered love child of Mick Jagger and Jim Morrison. His presence and ability to throw himself into a tune – spinning, sweating, hair plastered over his face, accompanied by trademark hand claps – still thrills crowds and propels Primal Scream into a league of their own. Primal Scream will always say it with passion and energy and will be wowing Australian fans in February 2018, playing an all-encompassing greatest hit set including tracks from their legendary 1991 album -Screamadelica'. Tickets go on sale Thursday 26 October, 9am local. Primal Scream Tour Dates: Thursday 15 February: Metropolis, Fremantle – 18+ Friday 16 February: HQ, Adelaide – 18+ Sunday 18 February: Forum Theatre, Melbourne – 18+ Tuesday 20 February: Enmore Theatre, Sydney – 18+ Wednesday 21 February: The Tivoli, Brisbane – 18+ www.tickets.destroyalllines.com

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W hether it’s a public image he’s created or just everyday life, Gary ‘Mani’ Mounfield – Primal Scream’s riotous bass player – still exhibits a younger man’s ‘burning-the-candle-at-both-ends’ energy and wit. But the man at the centre of two of the UK’s most influential bands of the last 20-odd years has earned the right to play whatever hand he damn well wants.

W hether it’s a public image he’s created or just everyday life, Gary ‘Mani’ Mounfield – Primal Scream’s riotous bass player – still exhibits a younger man’s ‘burning-the-candle-at-both-ends’ energy and wit. But the man at the centre of two of the UK’s most influential bands of the last 20-odd years has earned the right to play whatever hand he damn well wants. It was after all Mani’s smacked-out bass gave The Stone Roses their signature sound and has, since 1996, rumbled through all of Primal Scream’s records. But it was while he and his Stone Roses buddies were enjoying the start of what looked like a long, exciting career that a little Scottish band dropped the biggest acid-rock record of the times. The fast-changing underground club music scene in Britain finally got the benchmark album it had needed in Screamadelica and the bar was set. Primal Scream had arrived, and The Stone Roses suddenly seemed to get very wobbly indeed.

20 years on and Mani, who in another reality could be discussing a Stone Roses Don’t Look Back tour, is instead shooting the shit on his band’s re-visit to a defining moment in contemporary music. While singer Bobby Gillespie has continued to guide his band away from the warped psyche-rock of Screamadelica – Mani, who missed the wild, hedonistic ‘Scream of the early ‘90s, defies his leader’s wish to ‘chill-out’ with age. “I’ve been bugging the band to get stuck into the back catalogue for years and Bob (Gillespie) was dead-set against it,” he begins proudly. Having not been there for the initial hype around Screamadelica , in turn Mani had the objectivity to convince the rest of the band to bring it back to the stage.

“I think I’m more enthusiastic about it than Bobby or any of the other guys who played on the original album,” he grins. “I’m playing like a fucking juvenile and seeing the sheer beauty in it. I’ve been part of Primal Scream for the last 13 fucking years man, playing songs off this album… but the difference now is we’ve put a lot of effort into keeping to its original sound by stripping everything back and building it back up again for the shows,” he explains happily. “We’ve kept a lot of (producer) Andrew Weatherall’s original stuff – and it’s been a grind – but it was such a pay-off seeing 11,000 people at the Olympia in London going mad for it the other week.”

Of the two bands Mani played in to emerge triumphant so many years later, most people’s hard-earned would surely have backed The Stone Roses to carry on, considering Primal Scream’s patchy past and slow-to-capitalise-on- Screamadelica follow-up. History had other plans though, and while Mani saw his old band through to their end in 1996, he’d made a new home in Primal Scream before the amps had even been unplugged for the last time at camp Stone Rose.

“I think I’ve learned a lot more from playing in this band than I would have if the ‘Roses had kept going,” Mani claims. “I broadened me horizons when I joined this band, no question. I was always a big fan of Primal Scream because they were so similar to us (Stone Roses), if not musically, then personally. We had a lot of the same values and similar backgrounds, so we were all firm friends early on,” he remembers. “We used to always be slobbering over each other in clubs, ecstasy’d out of our fuckin’ minds out in Glasgow or Manchester… and so there was no doubt when the ‘Roses split up where I was headed.”

Just as the hazy groove-rock of debut The Stone Roses wiped out the competition in 1989, the following year-and-a-half belonged to Screamadelica . A young Mani was paying close attention and, he claims he saw a connection between what his old band had done previous to what Primal achieved in 1991. “I looked at it as the natural progression from us having, say break-beats on Fools Gold, and also the progression of a bunch of like-minded guys wanting to do something new,” he confirms. “You have to remember guitar bands weren’t being played in the clubs and acid house was taking over and there’s nothing wrong with a bit of cross-pollination in music if you can make it work. Primal Scream were ballsy bastards to try it, and only very few bands have managed to really pull off a thing like that.”

It seemed that the Glasgow lads had somehow tapped into that mystic cosmic funk and nothing they turned their hand to could fail. Indeed they managed to pass as a soul, psychedelic pop, acid house and blues rock band all in one release. “Too many bands out there now are scared to deviate from whatever their last album sounded like and Primal Scream was never interested in doing that,” Mani offers. “I mean if you want to do that, you might as well get a job in a fucking hat shop. Music should be a fucking tight-rope walk done by outsiders, ne’er do-wells, junkies and vagabonds, mate.”

Mani encapsulates the ‘Scream in this one sentence but his bravado, he reckons, isn’t reinforced by any universal love for the band. “Back home we kind of get ignored in a lot of respects. I don’t give a fuck what they say about us in the UK – I still think we’re one of the best fucking bands still doin’ it, but we don’t get a lot of support.” He adds, “But you know what, Primal Scream isn’t our job; it’s what we do twenty-four-seven and we know how to kick it from arsehole to balls, and I don’t see any other rock ‘n’ roll bands playing with the kind of feeling we give it.”

While Stone Roses’ notorious front-man Ian Brown spent most of the ‘90s in and out of trouble/prison, Mani fought, mouthed-off and shocked for all he was worth, but somehow got away with it. That is at least until last year when supergroup Freebass, on the verge of releasing their debut album, ended suddenly with a very public serve of humiliation from Mani to Peter Hook – the group’s founder and the ex-New Order bassist. Freebass, which also included ex-Smiths bassist Andy Rourke, was in Mani’s words, “Something to keep me match fit while the ‘Scream were doin’ nothing.” Mani accused Hook (via Twitter) of getting fat off Ian Curtis’s blood money for touring Joy Division with none of the original members. “God bless him though, and I apologised to Peter and we’re friends still, but in the end everybody bailed out of fucking Freebass.” Mani laughs, “What can I say, I’m from Manchester mate and we’re a bunch of gobby bastards so whatever I said at the time that was just me being me. That’s what comes from spending time with the likes of Ian Brown and Liam Gallagher in the pub!”

The bigger the gob, the much bigger than required bass amp and the cheeky stoned grin all suggest Mani has his priorities in order and failed supergroups aren’t among them. Right now his sights are set on winning over his Australian fans again following 2009’s sensory-annihilating shows. “I’m countin’ the days off on my wall chart until I can get on that plane and come over to Melbourne mate,” Mani barks. “Love the fuckin’ place, love the people and can’t wait to come and play for you all again.”

When the Screamadelica shows wrap up, it is already widely rumoured that the band are heading straight back into the studio to record album number 10. Mani’s sure of only one thing though, the new stuff will be ‘unlike anything they’ve done before.’

“Well we could end up doing a fucking skiffle album, you just never know,” he laughs, “that’s something we haven’t tried yet and we’ve been around for about 8,000 years now so maybe it’s time.” Mani says, cracking up, “We’re gonna turn into travelling freak show freaks like the bearded lady or the fucking human dick, you know what I mean?” he cackles. “There’s a kind of voyeuristic way in which people see Primal Scream, I think. They’re just staring going ‘what the fuck is that all about?’ So we can’t disappoint ‘em can we?”

PRIMAL SCREAM bring their legendary, epoch-defining album Screamadelica to life at the BIG DAY OUT at Flemington Racecourse on Sunday January 30 and perform that ground-breaking set, in full, at The Forum on February 2 (sold out) and 3 (tickets from ticketmaster.com.au and 136 100).

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Primal Scream  

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Primal Scream is a Scottish indie rock and alternative dance group, formed by Bobby Gillespie and Jim Beattie in 1982, hailing from Glasgow, Scotland.

Originally formed with a host of influences ranging from punk rock to new wave, Bobby Gillespie and Jim Beattie first began by banging dustbin lids together and playing fuzz-guitar. Primal Scream’s debut performance came in 1982, however it wasn’t until 1984 the band made their recording debut with the single “The Orchard”, released on school friend Alan McGee's Essential Records. In 1985 Primal Scream signed with Creation Records, however despite a number of single releases, didn’t find success until Gillespie departed his other group the Jesus and the Mary Chain.

With the addition of Andrew Innes and Robert Young, the band found their single “Velocity Girl” end up on an NME cassette tape. The result was huge exposure for the developing band, and they fit the indie pop image like a hand to a glove. The band’s debut album “Sonic Flower Groove”, issued in 1987, was received with critical acclaim, as was is successor the self-titled “Primal Scream” in 1989.

The band's subsequent release saw a move away from the rock and roll aesthetic of the Rolling Stone and the Stooges, and towards the growing electronic and acid house scene. The result was “Loaded” a reworking of the existing song “I’m Losing More Than I’ll Ever Have”, making rock and roll accessible to dance fans and dance accessible to rock and roll fans. Primal Scream’s subsequent album “Screamadelica” represented an epoch in UK pop history, it brought techno and house to a mainstream ear. The album earned remarkably rave reviews and later won the very first Mercury Music Prize in 1992.

1994’s “Give Out but Don’t Give Up” saw the band return to their hard rock element, although in comparison to its predecessors faired neither well in the charts or nor among critics. Shortly after Primal Scream contributed the lead track to the cult film “Trainspotting”, which paved the way for a darker themed well-received electronic album titled “Vanishing Point” in 1997. The band subsequently released the albums “XTRMNTR” in 2000, “Evil Heat” in 2002, “Riot City Blues” in 2006, and “More Light” in 2013.

Live reviews

Founded by the original drummer for The Jesus and Mary Chain, Bobby Gillespie, Primal Scream are absolute legends of the eighties post punk scene. Fed up with the so called “new wave”, Gillespie set out to create a different sound. Let the record reflect that he succeeded. Eventually finding a happy medium between hard rock and acid house, to see them live in their prime was a joy and delight.

Catching one of their festival sets in the early nineties (they still make the festival rounds in the UK, so you haven’t missed your chance) was one of the highlights of my misspent youth. From the very start Primal Scream had the crowd on their feet and well…screaming. With a fairly unadorned dark stage, absolutely packed with musicians, this is a band that knows it doesn't need any bells and whistles to please its audience. Effortlessly switching from a funky dance beat to a more bluesy sound (think the Stones) and back again, these Glasgow rockers cannot fail to make an impression. By the time they got around to playing their big hit, the crowd was practically in a frenzy of wild sweaty joyful movement. There is a reason why true music fans consider Primal Scream such legends and this was it.

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Bobby Gillespie and co are now a frequenter of the British music festivals each summer mainly due to the devoted nature of their UK fanbase. No matter if you have seen Primal Scream once or hundreds of times, you are assured to enjoy yourself due to the passionate way in which the band conducts their show.

Although Bobby may seem dazed and confused as he stumbles around stage during extensive instrumentals, he still knows how to work the crowd and the reaction that he can achieve as he teases the cheering masses during the introduction to 'Loaded' and 'Higher Than The Sun'. There is no denying 'Screamadelica' remains their most irreverent album and the band does not shy away from its material yet they also have chance to showcase new tracks from 'More Light' proving they still have a great understanding of contemporary rock. 'Rocks' closes the main set tonight with the usual anthemic singalong so the crowd knows the encore will include their other iconic track 'Movin' On Up'. A little slice of alt-rock history, Primal Scream never fail to entertain.

A buzzing 02 academy liverpool was the epicenter for a stunning performance from primal scream,from the opening guitar rifts of MOVIN ON UP to the finale of ROCKS the intensity and energy never waivered,all the classics were in there from the 90s inspired COME TOGETHER to there last single 100 PERCENT OR NOTHING bobby gillespie,s enthusiasm never faltered as he fed off the crowds appreciation.SWASTIKA EYES produced the usual burst of energy from the audience followed through with the likes of DOLLS,JAILBIRD and COUNTRY GIRL blew the roof off the place,all in all a fantastic night from a fantastic band and it was a privelage to be there long may they continue,see you next time bobby!!!!!

The Scream back on form! Amazing gig!

New album works better live than studio versions, opening with Movin' On Up was bold and genius.

Ending with Come Together was blinding. Best ever Swastika Eyes I've ever seen them do.

Even enjoyed seeing them at The Palladium which I had reservations about. Great vibe and sounds a great room.

Awesome show! .... great set list with a mix of old and new. Bobby worked the crowd and was Jagger-esque in his red suit. Simone took heed of Paul Simomon's advice and rocked the stage with lower heels.... and looked sublime. 'Come Together' just finished the gig perfectly. 10/10

That was such an awesome show last night. Bobby Gillespie is one of the greatest frontmen of all time and drove the whole show. I was dancing all night to songs such as "Swastika Eyes", "Loaded" and "Country Girl". I'd go see this band any day of the week

Hello everyone,the concert of primal scream was great,they have a really good playlist and bobby is amazing,if they come back i will be there.I have seen them 5 times and they always give the maximun

I love to see Primal scream live. Managed to get to the barrier and was also lucky to get a set list. Have seen them many times before and will definitely be going to see them in the future.

fuckin awesome bobby done us proud in warsaw,lot of expats at the gig good atmosphere and we all got our rocks off at the palladium in warsaw,superb performance and great night thanks bobby

The concert was not so good, Simone Butler the bass player was ill and didn't play the gig. It was a great miss. Sound desk was not equalized either, it was very mixed up.

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Primal Scream to play ‘Screamadelica’ in full for new live shows

Tickets go on sale this Friday

Primal Scream have shared details of ‘Screamadelica live’, a selection of live dates where fans can hear them play their seminal 1991 album in full.

• READ MORE: In 1989 Andrew Weatherall wrote an NME live review of Primal Scream, which led to ‘Screamadelica’ – read it here

‘Screamadelica live’ coincides with the 30th anniversary of the Scottish band’s third album. A 12” singles box set and double-vinyl picture disc arrive this Friday (September 17), with ‘Demodelica’ – an album of unreleased material including early demos and work-in-progress mixes – arriving on October 15 .

The band will play Glasgow’s Queen’s Park, Manchester’s Castlefield Bowl and London’s Alexandra Palace Park for the special shows next July. Tickets go on general sale this Friday at 9am BST, and will be available to buy from here and here .

Primal Scream’s ‘Screamadelica live’ tour dates:

JULY 2022 Friday 1 – Glasgow, Queen’s Park Saturday 9 – Manchester, Castlefield Bowl Saturday 16 – London, Alexandra Palace Park

📢 SCREAMADELICA LIVE TOUR 📢 what better way to celebrate 𝙨𝙘𝙧𝙚𝙖𝙢𝙖𝙙𝙚𝙡𝙞𝙘𝙖 30 than by playing the full album for you live? tickets go on sale this friday at 9am https://t.co/UJXz34GyoW pic.twitter.com/q7St8yLzT1 — Primal Scream (@ScreamOfficial) September 13, 2021

The news follows the group sharing a previously unreleased remix of their track ‘Shine Like Stars’ by the late Andrew Weatherall .

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Weatherall’s remix of ‘Shine Like Stars’, which features on the 10th disc of the upcoming ‘Screamadelica’ 12” ‘Singles Box’, was released last month. It pays homage to the producer who helmed the band’s landmark 1991 album.

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Billie Eilish Is Touring Australia In 2025 & I’m Ready To Sob, Scream & Boogie

Rebekah Manibog

Alert the group chat because yes!!! Billie Eilish will be making her way to Australia following the release of her freshest album Hit Me Hard And Soft , which is set to drop on 17 May .

Although we’re not 100 per cent sure as to what the vibes are for this 10-track album, I just know that five out of the 10 songs are going to make me sob.

So why not sob at one of her concerts, amirite?

Here’s all the information you need to know about Billie Eilish’s Hit Me Hard And Soft Australian Tour.

 Billie Eilish’s 2025 Australian Tour Dates

The “What Was I Made For” artist will be heading to Australia for 12 days across February and March 2025, hitting up Sydney, Melbourne and Brisbane. (Sorry, Perth!)

• Tuesday, 18 February 2025 — Brisbane, Entertainment Centre.
• Wednesday, 19 February 2025 — Brisbane, Entertainment Centre.
• Friday, 21 February 2025 — Brisbane, Entertainment Centre.
• Saturday, 22 February 2025 — Brisbane, Entertainment Centre.
• Monday, 24 February 2025 — Sydney, Qudos Bank Arena.
• Tuesday, 25 February 2025 — Sydney, Qudos Bank Arena.
• Thursday, 27 February 2025 — Sydney, Qudos Bank Arena.
• Friday, 28 February 2025 — Sydney, Qudos Bank Arena.
• Tuesday, 4 March 2025 — Melbourne, Rod Laver Arena.
• Wednesday, 5 March 2025 — Melbourne, Rod Laver Arena.
• Friday, 7 March 2025 — Melbourne, Rod Laver Arena.
• Saturday, 8 March 2025 — Melbourne, Rod Laver Arena.

Unfortunately, this means that Billie fans who reside in Western Australia, Tasmania, South Australia, Northern Territory and the Australia Capitol Territory (gotta include those besties) they will have to sort out travel and accommodation for these shows.

Thankfully, they’ve got 12 gigs to pick from!

When will tickets for Billie Eilish’s Australian Tour go on sale?

Now, with the amount of dates Billie has — as well as the fact that she’s only going to three cities — things might look intimidating, especially if you were caught up in that horrible Eras Tour situation with the dreaded Ticketek waiting lounge .

But, it appears that there are a variety of presales that can help you nab a ticket for the tour!

According to Live Nation and Frontier Touring, there will be an “Artist, Amex, Album” presale for Billie tickets.

The “Artist, Amex, Album” presale will start on Wednesday, 1 May and will conclude the following day.

For Sydney dates, punters can access the presale from 12pm up until 12pm on 2 May. Brisbane’s presale will begin at 1pm and will conclude at 1pm, 2 May. And finally, for fans hoping to nab a Melbourne ticket, the Artist, Amex, Album presale will start at 2pm and will conclude on Thursday, 2 May at 2pm.

Missed out on the Artist, Amex, or Album presale? No sweat, Live Nation and Frontier Touring will have its own presale!

Sydney punters can access this presale from 1pm on Thursday, 2 May up until Friday, 3 May at 12pm. Brisbane fans can nab this presale from 2pm, Thursday, 2 May up until 1pm the following day.

Fans who are vying for Melbourne dates can access the Live Nation and Frontier Touring presale tickets from 3pm, Thursday, 2 May up until 2pm, Friday, 3 May.

When will general public tickets for Billie Eilish’s Aussie tour go on sale?

General public tickets for Billie’s Australian Tour will kick off on Friday, 3 May. For Sydney dates, punters can access the tickets from 1pm, Brisbane dates from 2pm and Melbourne from 3pm.

May the odds be ever in your favour.

Where can I buy tickets for Billie Eilish’s Australian tour?

You can access tickets via the Live Nation website , there’s also a waitlist for Billie if you want to be notified about her future gigs!

How much are tickets going for?

As of writing, the ticket prices of Billie Eilish’s Hit Me Hard And Soft Tour have not been released. But seriously, with the amount of amazing artists that are coming to Australia, I really hope it doesn’t cost me an arm and a leg!!

So far this is all the info we’ve got surrounding this exciting tour!

Will she bring special guest Lana Del Rey to recreate their Coachella duet ? Almost certainly not — but a sad gal can only hope.

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