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QRION tour dates 2024

QRION is currently touring across 5 countries and has 6 upcoming concerts.

Their next tour date is at Wet Deck in Kuala Lumpur, after that they'll be at Cé la Vi in Singapore.

Currently touring across

• 🇲🇾 Malaysia
• 🇸🇬 Singapore

Upcoming concerts (6) See nearest concert

Lightning In A Bottle

Civic Center Park

Anjunadeep: Explorations

Fvded In The Park

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Larimer Lounge

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About qrion.

Interview: Qrion Opens Up About Mental Health, Her Upbringing, and Shares More About the New Collab "20ms" With Spencer Brown

The year 2021 was a moment in time that was quite pivotal for Japan-born electronic producer Qrion. She not only released her long-awaited debut album I Hope It Lasts Forever via Anjunadeep, but singles such as “Your Love”, “ Proud ”, and “Fireworks” catapulted her into the stratosphere as more people were introduced to her eclectic music. Born and raised in the snowy city of Sapporo, Qrion began making her own sounds using her phone in high school as a hobby. She steadily made a name for herself with her experimental brand of melodic electronica, and as she honed her craft, labels such as Mad Decent, Sasha’s Last Night on Earth, and This Never Happened picked up on her talent.

Her meteoric rise bolstered when she was on Forbes Japan’s 30 Under 30 list, Spotify Japan’s EQUAL Artist, and DJ Mag’s Future Star of 2021 in the span of 2 years. With phenomenal music, world tours, and artists like Diplo , Mall Grab , Porter Robinson , and Lane 8 supporting her music, it seemed like everything was going right for Qrion. Behind the scenes, however she was fighting a battle that was limiting her potential and interfering with her health. In this interview, Qrion opens up about this period in her life, the new collab with Spencer Brown “20ms”, and much more about her rise to stardom.

What do you think were some of the early signs in your childhood that you would end up doing music as an adult? 

We had a grand piano and E-piano at home. I was playing it when I was very young. My mom always made me listen to classical music so naturally, I was always playing and listening to music. I also went to piano school. Going to piano school when I was 5 was such an “Asian parent tradition” but I can play keyboards because of that so I really appreciate them doing that for me.

It's quite uncommon for artists to have strong family support behind their artistic aspirations in the same you did - even to the point where your dad was reluctant for you to attend university so you could pursue your passion. How did this level of support influence your personal self-confidence and your confidence as an artist?

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I grew up watching my dad, he was a person who wasn’t afraid to do whatever he wanted. He was originally a graphic designer but quit doing it to start his own company. He had a lot of motivation to do new things his way. 

Things were rough for him towards the end as he suffered from depression. Seeing his struggles but seeing him still having the energy to be willing to create new things was very inspiring for me. He showed me that I could be confident enough to be a person who can make my own decisions and choose my own path of success and creativity.

When he went to the emergency room the night he passed away, I was at some ambient electronica show for the first time in my life in Sapporo. People were performing a live set using APC40, keyboard, pads, etc. That day changed how I look at my life. I felt like he gave me a reason to pursue a music career. 

When your father taught you about music, what was one of the vital lessons that he passed to you that you still use in your craft today?

He played jazz in a free form very often, and it was very original. Of course, he used the theory of jazz piano but each song he played was something new. Music I’ve never heard before. I took this as a message from him to be original.

Other than music being a vital lesson, my parents always made me feel like me and my sister were not the same as everyone else. There is a culture in Japan where elementary students (1st grade) have a traditional backpack called Randoseru, girls have red and boys have blue. No one decided that but that was what people have been doing for a long time. In Japanese culture, we follow what other people do. Instead, my parents gave me a dark wine red Randoseru. My friend said, "It’s not red that’s so weird". It was another moment in time when I was my own individual person thanks to my parents.

I have many experiences that are different from others. I even got bullied because I dressed up very differently from others. Now the young generations have such cool original styles, tattoos, and cultures. Back then it was hard in the suburbs because it was so much more conservative than it is now. 

That’s how my parents taught me and passed to me. I always try making an original melody, sometimes it’s weird but there is always the word "it’s okay to be different" in my mind. 

Can you pinpoint a specific moment in your career when both you and those around you realized that you were on the verge of 'blowing up'?

I personally think I haven’t blown up yet haha. But I can see that my fan base is growing and I am grateful for the community around me. I feel very fortunate. Especially after the love and support I received after my debut album, I HOPE IT LASTS FOREVER , and some of the ups and downs I experienced over the last year.

A few of the shows on my I MISS CRYING IN THE CLUB spring tour sold out. I was nervous about the tour because it was the first big one after taking extended time off to take care of my mental health. It was rewarding to see that people were coming out to support me. 

I’m very happy that my project is going well this year!

After the release of your breath-taking debut album, I Hope It Lasts Forever , you took a bit of a break from releasing music. What were some of the influences behind this decision?

I was a little bit burnt out after making the album. The album was very personal and my first time taking on such a large project as an artist. It also had so many memories from my childhood connected to it.

I was at the point where I felt I couldn’t make anything better than that. I fell into an addiction to deal with the pain of I’m not good enough anymore. I was hospitalized a couple of times which led to me and my team having to make the decision to cancel a handful of shows throughout 2022. We decided in winter last year that I needed to take a break and take time off to get better. 

View this post on Instagram A post shared by Momiji (@_qrion_)

Back in 2022, you made a post sharing your experiences with addiction and a frail state of mental health. Generally, mental illness in art tends to be very romanticized by virtue of the slew of great artists who struggle with it, and with that being said, what sort of effect do you think your experience had on your craft and your ability to make music?

I started creating songs out of my sadness and frustration when I was 18/19 years old.  I lost my dad then and there was not much support around me. 

I didn’t know what to do or how to digest that deep sadness so I turned to making music on iPhone with an app. I felt like I could express my emotions through sound instead of talking and be open in real life (which was a very hard thing for me to do). 

And this became a habit. My depression was one of the sources of getting inspiration. At first, it was natural, just sad then make music, but after a few years it became like "I have to be sad other wise I can’t make music". I felt like I had to force myself to be sad each day to push the creativity out of me which I know now is not healthy output for my music. 

My depression definitely grew because of this creative process, and I started to use drugs to forget that sadness temporarily. I didn’t realize how bad it was until I reached the point where I needed to go to rehab and get professional help after 10 years. I am so grateful I was able to do this.

This up-and-down phase definitely helped me to make music and be creative. But I’m happy that now I know I can make music even if I’m not sad. There is no such thing as needing to force ourselves to be on the edge to make music. 

Who would you say you're making music for?

Myself and others - it’s a way to process, heal, and work through what I’m going through in life whether it’s happy or sad. And of course, I make music for other people so that I can share the outcome of my work knowing that it may be healing for them too!

I must say the sound design on the new track with Spencer Brown is phenomenal! How did that track come about? And for you, what are some of the key ingredients needed between two artists for a great collab?

He came to Austin to hang out, and we worked on the track just casually. We always hang out, play the keyboard, and end up finishing songs. I love how natural it is for us to make music together! I had a KORG MS20, so we were playing around a bit and came across the wavy-lead melodies. 

Having a good connection and being comfortable around your collaborator is the key. Sometimes I collaborate with artists whom I've never met before, but we end up becoming good friends. Making new friends can be difficult sometimes, especially in this industry when it’s easy to feel like people are judging you or not being friends with you for the right reasons. I like to protect myself and my feelings, but when there is music involved, it becomes a filter between people and I can be super comfortable around them.

This year I have been working on being more open and less shy about meeting new people and getting myself out there so that I can create with more incredible artists that I love!

Which part of the music production stage do you find the most challenging and why?

Making lead melodies is the most challenging. As I mentioned earlier, generally making music is exporting my feelings, it’s almost like therapy to me. It is tough to let my emotions out to create the key melody of the songs. Sometimes I find myself crying while playing the keyboard randomly. 

What do you personally get from performing and DJing, that you can’t get from production?

I think performing makes me and the people on the floor connected. Fans on the dancefloor have memories attached to songs too and I think it’s beautiful when it comes to DJing, we can feel that at the same time with everyone. 

I think my job as a DJ is to create memories that we won’t experience again. Creating new memories together. I take DJing super personally. My project “I miss crying in the club” was because it’s so beautiful to share emotions with others on the floor.

Something so good it can make us cry together - happy and sad tears. I'm very vulnerable on stage because mentally I’m letting my guard down to let people feel what I’m feeling.

The one thing every musician/producer should know before they start touring is?

There is always the dynamic of playing a show in front of many people vs back to the hotel and being alone. Dealing with that was very difficult for me and also many artists. I currently have a tour manager to travel with me to make sure I feel okay on the tour and to have company. Being on tour can be lonely and no one prepares you for that.

It absolutely depends on the type of person you are. Some people are totally fine to finish off drinking and celebrate, back to the hotel, and have a good rest. But I used alcohol to deal with the loneliness after the shows which is not something I recommend to anyone who is starting to tour. Rest, physical health, and mental health are top priorities once you start touring a lot!

Throughout your journey, you’ve done so many things… You’ve deeply touched the lives of many with your extensive catalog, You’ve been lauded by the top publications, released with the labels you’ve wanted to, remixed for the biggest artists in the world, and also toured a range of different countries. However, what is one personal milestone or breakthrough you feel is yet to be reached?

To feel that I’m “good enough” and to have confidence. That would be a big breakthrough for me personally. I think a lot of artists struggle with this and imposter syndrome can be tough to deal with. 

I do love all my projects, remixes, releases, and touring that I’ve done. I love my team and the people who support me 100%. But there is always something stuck in my head and heart that I’m not doing well enough or that I need to do better. I think once I reach the point where I personally feel “I’ve made it”, it’ll be such an amazing breakthrough for me.

I have a lot of things I have to work on, but I’m working on it day by day. Doing music is basically my life, so having a happy life long term doing what I love would be a big achievement too. 

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Born and raised in the snowy city of Sapporo, Qrion began making her own sounds using her phone in high school as a hobby. Since then she’s released on Mad Decent, Sasha’s Last Night on Earth, Anjunadeep, and This Never Happened. Qrion has been named on Forbes Japan’s 30 Under 30 list, Spotify Japan’s EQUAL Artist, DJ Mag’s Future Star of 2021, and a resident artist for 88Rising Radio on SiriusXM, as well as having garnered support from Mixmag, Attack Magazine, Forbes, and Triple J.

Qrion’s original productions have made waves around the world via independent label Anjunadeep, including releases such as the collaborative Sapporo EP with Spencer Brown, her solo Sine Wave Party EP, and most recently, her stellar album debut ‘I Hope It Lasts Forever’, which was championed by the likes of Pete Tong, Danny Howard, and Jason Bentley, as well as tastemaker DJs like Diplo, Mall Grab, Porter Robinson, Lane 8, Anna Lunoe, Solomun, and Todd Edwards. She’s also lent her future-focused sound to artists such as Alina Baraz, Lane 8, Catching flies, TOKiMONSTA, and more to elevate a variety of songs across the spectrum of today’s hit music.

I Hope It Lasts Forever (Remixed)

Your Love (Jordin Post & Qrion Remix)

Proud (Dance System Remix)

I Hope It Lasts Forever

Appears on releases

Miracles (Remixed)

Miroir Miroir (Romain Garcia & Qrion Mixes)

Cri feat. everyone you know.

If You Know Me (Qrion Remix)

Steven weston feat. arctic lake & bailey.

Anjunadeep The Remixes 2023

Various artists.

Anjunadeep The Remixes 2022

Anjunadeep The Yearbook 2021

Anjunadeep The Remixes 2021

Let’s Talk About: Qrion

Spacing from techno to melodic house, nostalgic and intimate vibes are what made qrion's music so unique.

Having recently released her debut album  I Hope It Lasts Forever on Above & Beyond’s imprint Anjunadeep, Momiji Tsukada aka Qrion is one of the most in-demand artists of the scene. She was named on Forbes Japan’s 30 Under 30 last year and has received the Future Star Award by DJ Mag , Qrion has shown the world what she’s capable of.

With releases that space from house and techno to chill and melodic house, Qrion is a polyhedric artist, unique in her genre . Currently, on tour promoting her new album, I Hope It Lasts Forever ( download here ) we had the chance to reach her out to ask some questions. Here is what she said.

Hi Qrion, let’s start from the beginning; when did it all start and how did you start producing electronic music?

I started making music when I was in high school . I found the iPhone app called Nano studio. It’s like a small daw that works on the phone. I was into EDM, especially Skrillex so I was very curious how those songs were made. I ended up making ambient. Somehow those hard brostep beats went through my filter and turned to softer, calmer music (lol).

You’re also one of the few women in an industry that is mostly composed of men. Could you tell us your experience with that? Were there moments when you felt little considered because of a woman?

I have had plenty experiences. Especially in my earliest days of touring. Some PAs at the venues were not nice to me and gave me the “ who is she and what is she doing here ” look, even after I saw they were being nice to the other male DJs around me. It hurts my feeling in the moments that these things are happening and it’s disappointing but I try to keep a good attitude in those moments , continue to work hard and show everyone what I’m capable of through my performance and music.

You released quite some tracks during your career. Do you think there’s one that we can consider a turning point for you?

I think ‘ Sine Wave Party EP ‘ was a big turning point for me. I was fortunate to create a great relationship with Anjunadeep through releasing the EP I made with Spencer Brown which led to the opportunity to release ‘Sine Wave Party’. The time that this release came out is when I decided to focus on making more house/danceable tracks.

In 2019 you debuted on Anjunadeep and now you’re one of the leading artists on the label. What has been your experience with the Anjuna family?

They’re super nice! I love how their fans have communities in each city. One of my favorite things to do is meet with the fans when I’m able to, meeting them on the floor to say hi after my shows. The other artists who are on the label are also so nice and supportive. They’ve shared production tips, tour tips, and mental health support. I do really feel they’re my family.

Later this month you’re going to release your debut album. Could you tell us more about it? How did it start and why release an album instead of a series of EPs or singles?

I started working on the album last March then the pandemic hit. I struggled a lot since I lost all gigs and had lost inspiration from not being on the tour. I haven’t seen my family for almost two years now so the sad and sentimental feelings naturally allowed me to finish the tracks by putting my emotions into them. I wanted to be able to tell my story through my music and a cohesive project that fit within the theme of nostalgia that I had been focused on. I Hope It Lasts Forever ended up being the perfect opportunity to do this.

Writing is producing an album could be one of the most challenging things to do for a producer, especially when it’s the debut album. Do you have a specific workflow when it comes to producing new music or, does an idea of a melody or a percussions loop come to mind and you start from there? Basically, what’s your creative process?

I had demos stocked up (short 30sec to 2 min ideas) on a private SoundCloud playlist. The Anjuna team and I went through it and picked our favorites. From there I added more production, took some elements out, worked on melodies, chord progressions, etc. I would work on them and send them back to A&R for a second ear and we would talk back and forth of what could be tweaked. Working together to get them to a place where we felt good about the final product. Usually, a melody idea will come to mind and I’ll sit down to play it and mess around with it and from there I’m able to build out the rest of the ideas for the track.

Most of your career has been focused on deep, melodic house but, you’ve also released Monolith on LNOE, which are a bit more underground and techno. Have you ever explored that path, especially now that melodic and progressive techno are having a lot of traction?

I like exploring creatively with different labels and genres . Sasha is one of my favorite producers/DJs – he’s legendary. Having the opportunity to release on LNOE was super special for me and it was fun to branch out creatively for Monolith.

My remix for Mako’s track ‘ Peregrine ’ also came out this year and that was another one where I had the opportunity to create a darker more underground-sounding track. That was a fun one to work on too!

Dark Heart teams up with Be No Rain for ‘Visions’ on SIZE

The last year we have all faced this extremely complicated challenge that was (and still is) the pandemic. Could you tell us about your experience? Did it help to slow down a bit the tour life and focusing on producing new music? Or it was more like a “try to not freak out because of the shut down of the entire concert and club sector”?

The pandemic really led me to focus and reflect on myself. I had a huge breakdown after I saw my calendar is all red saying cancel and postponed, just like many other artists. But since I had a lot of time I could spend on myself, I stepped back a little bit and was able to find out what I should work on for myself. I think the pandemic made people realize how this world is fragile and everything is meaningful.

Luckily now clubs and festivals have re-opened again and, you’ve already played live on clubs and festivals and you’ll be on tour in November/December for the album. How did it feel to return behind the decks?

It feels amazing to be back and see people on the floor smiling and dancing! I know the pandemic isn’t fully over yet, but I’m grateful to have the opportunities to travel and play in cities throughout the US during this time. It was great to be able to play on twitch streams and stay connected with fans but nothing compares to the feeling of being in front of a crowd and sharing my new music and seeing everyone dance.

What can we expect for the future of Qrion?

New music, new merch, and new cities to tour in. I hope that I’m able to get into some new international markets and also play some new festivals in the US. I’m looking forward to 2022 and growing my fan base!

View this post on Instagram A post shared by Momiji (@_qrion_)

Spencer Brown & QRION team up on new single “20ms”

Qrion releases debut album ‘I Hope It Lasts Forever’ via Anjunadeep

Japanese producer Qrion shares ‘Proud’, new single from upcoming album

‘11:11’ is qrion’s second single from upcoming debut album on anjunadeep.

Qrion announces debut album and drops first single ‘Your Love’

Spencer Brown teams up with Qrion for ‘Rainy April’ on Anjunadeep

Talented Japanese newcomer QRION debuts on Anjunadeep with ‘Sine Wave Party EP’

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I Hope It Lasts Forever (Remixed)

Your Love (Jordin Post & Qrion Remix)

Proud (Dance System Remix)

I Hope It Lasts Forever

It's All Over

Mars Qrion feat. Mars Kasei

Sine Wave Party EP

When You Want To Rave

Hope You're Okay

Pending Matters

Qrion San Francisco, California

There’s a reason why she was named on Forbes Japan’s 30 Under 30: Qrion has graced labels such as Anjunadeep, This Never Happened, Mad Decent, and more. Qrion proves her mettle as an excellent remixer, too, lending her future-focused sound to artists like Alina Baraz, Lane 8, Andrew Bayer, and more. ...   more

• Apr 19 Wet Deck Kuala Lumpur, Malaysia
• Apr 20 Cé la Vi Singapore, Singapore
• May 22 Buena Vista Lake Bakersfield, CA
• Jun 8 Civic Center Park Denver, CO
• Jun 13 Anjunadeep: Explorations Dhërmi, Albania
• Jul 5 Holland Park Surrey, BC

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Born and raised in the snowy city of Sapporo, Japan, and now residing in Austin, Texas, Qrion takes inspiration from the robust environments at her whim. Making her own music in high school as a hobby by using her phone, Qrion’s signature sound oozes genuine artistry. She uses the noise of the world around her to create intimate songs anchored by energetic beats and lush synth textures. Recognized by Spotify’s EQUAL Program with a billboard in New York City’s Times Square, Qrion demonstrated her meteoric rise throughout 2021: Qrion released her debut full-length record I Hope It Lasts Forever via Anjunadeep, her most breathtaking work to date. Along with the release of her single “Monolith” via Last Night On Earth, Qrion was awarded the title of DJ Mag’s 2021 Future Star

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Latest Release

• MAR 15, 2024
• Miyanosawa · 2024
• Safeway Sushi
• Sapporo - EP · 2019
• It's All Over
• It's All Over - Single · 2020
• Sine Wave Party
• Sine Wave Party - Single · 2019
• Miyanosawa (Abgt571)
• Group Therapy 571 · 2024
• 20ms (Cristoph Mix)
• Equanimity (Remixes) Pt.1 - Single · 2023
• Slow Down - Single · 2020
• I Hope It Lasts Forever · 2021
• Foggy August
• Stream of Consciousness · 2020
• 20ms - Single · 2023

Singles & EPs

Compilations.

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The Japanese-born DJ features TSHA, Jacques Green, and Atjazz.

About Qrion

Since debuting in 2012, Japanese electronic artist Qrion has used vocal samples and shuffling beats to create emotionally rich music, like the melancholic house of 2021’s “Fireworks.”

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Money Report

The cost to ride on India's luxury trains may surprise you

By ,cnbc • published april 17, 2024 • updated on april 17, 2024 at 7:03 pm.

Luxury trains in India date back to its colonial era, when opulent carriages transported dignitaries, officials and royalty.

More trains were built in the 19th century for the country's maharajas and other ruling elites and their families.

Following India's independence in 1947, privy purses — or governmental payments to these rulers — ended. Without the money to maintain them, India's luxury rail carriages were abandoned.

Indian Railways, which is part of India's national railway system, refurbished several trains over the years, with the first making its debut in the 1980s. The trains were introduced to promote tourism in India by providing travelers with a unique and opulent way to experience the country.

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Blending historical elegance with modern comforts, these trains are a glimpse into India's regal past.

A note to travelers: Travel companies have websites that appear to be official sites for the trains in this article, sometimes selling trips at higher rates. Official sites for each train are embedded in the links.

1. Palace on Wheels

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Route: an eight-day journey across northwest India, including the country's "Golden Triangle" of Delhi, Jaipur and Agra

Price: from $864 (based on twin sharing)

When it runs: September to April

Introduced in 1982, the Palace on Wheels is an icon in Indian luxury train travel. Chugging along the northern reaches of India through Rajasthan and Agra, this train immerses passengers in a royal bygone era with sundowners in the dunes, camel safaris and trips to Rajasthan's palaces and historic forts.

Its 14-coach train, each named after former princely states of Rajasthan, have 41 cabins, with panoramic windows, sumptuous carpets, frescoed ceilings, mahogany paneling and attached bathrooms. The two "super deluxe" cabins come with a noteworthy perk: a private car and guide for sightseeing.

The train's two dining cars serve Indian, continental and Italian cuisines, and there's a separate bar for cocktails and drinks. Active guests can get their exercise fix in the gym, while those who prefer to relax can book Ayurvedic treatments in the spa.

2. The Golden Chariot

Routes: three itineraries, ranging from three to five nights, across south India

Price: from $3,160 per person (based on twin sharing)

When it runs: October to March

Launched in 2008, the Golden Chariot runs across South India, past historic towns, sun-kissed beaches, jungle-covered hills, temples and safaris. It has 18 purple and gold carriages, each named after the dynasties of south India.

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Cabins come with ensuite bathrooms, smart TVs, Wi-Fi and an attendant. Local and international fare is served in two dining cars, and the train's lounge bar, Madira, features decor inspired by Mysore Palace .

There is also an exercise room and spa with traditional Indian and modern massage therapies.

All journeys start and end in Bengaluru.

3. Deccan Odyssey

Routes: Six week-long itineraries, departing from Mumbai and Delhi

Price: From $8,330 for single occupancy and $11,900 for double occupancy

When it runs: September to May

The Deccan Odyssey — running since 2004 — feels like a roving hotel.

Its 21 carriages house a high-tech conference space, spa, souvenir shop, gym and a bar serving fine wines and spirits, plus mocktails. Twelve cars are sleeper cabins, which come with personal butlers and plush carpeting, private bathrooms and mod cons such as internet and DVD players.

The train was refurbished during the Covid-19 pandemic, reopening in 2023 with gas stoves in lieu of gas-powered ones in the pantry car, with added suspension for a smoother journey, according to The Times of India.

The two onboard restaurants — Waavar and Utsav — are another highlight, serving specialties from the regions traversed by the train. Sumptuously draped curtains, crisp linens, engraved wood panelling and fine silver cutlery add to the royal aesthetic.

The journey also weaves in cultural experiences. One day, passengers might be admiring ancient Indian architecture, and on the next, wine-tasting or embarking on a game drive.

4. Maharajas' Express

Routes: four itineraries, ranging from three to six nights, departing from Delhi and Mumbai

Price: from $4,890 per person (based on twin sharing)

When it runs: October to April

Lavish interiors combined with the traditional royal hospitality of India have garnered the 23-carriage Maharajas' Express numerous awards since it launched in 2010.

Passengers can choose from four categories of room in 14 guest cabins — the largest being the Presidential Suite, which has two bedrooms, a living room and a bathroom with a bathtub.

A choice of two restaurants — the peacock-themed Mayur Mahal and Rang Mahal — are suitable for vegetarians and meat lovers alike.

Travelers can mingle over cocktails at the Safari Bar or opt for a more tranquil setting at the Rajah Lounge, where they can play games or read while taking in views of the passing landscapes.

Stops along the way highlight Indian culture and history, including holy baths in the sacred ghats, jungle safaris, palace and temple visits and shopping in bustling bazaars.

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