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Top 10 Journey Songs

From the ashes of Santana and Frumious Bandersnatch born this beast of a band in San Francisco in 1973. Full of artistic ups and downs, Journey’s strongest times were between 78′ and 87′ when Steve Perry was the lead vocalist.

For some of us, they are the band that wrote “that song from 80’s movies(Song #3),” and for some of us, they’re the summit of our teenage years. Let’s take a look at the top 10 songs of this amazing band!

Table of Contents

1. In My Lonely Feeling / Conversations

Released in one of their earliest albums ‘Journey’, the band influenced by the psychedelic feels of their previous bands, decided to take on a memorable riff that has you bobbing your head for days. 

Here’s a link to the performance at Winterland:

2. Nickel & Dime 

Journey got you covered with this 1977 instrumental, this track is filled with energy and real rock n’ roll. A classic hit from their third album that cannot be skipped! 

Here’s a link to the instrumental: 

3. Look Into The Future

We all like to reminiscence every now and then, or ‘reflect’ for those that don’t want to admit it. With all their emotions literally felt through the song, this song is probably the best option for a get together. 

Here’s a link to the winner of the list: 

4. It’s All Too Much

It’s summer, burgers are nearly done and in the meanwhile you’re nibbling on chips whilst you’re trying to dance in a socially acceptable manner. You just can’t help but shake it with this song! 

Here’s a link to the track: 

Released in their third album, this song meets the criteria of ‘I want a song that’s perfect start to my drive’. 

Here’s a link to your new Sing-A-Long track: 

6. Sweet & Simple

I mean, the song is sweet and simple… 

Here’s a link to something that will have you in your feels: 

7. Natural Thing

Soulful & genuine, the vocals alone will have you in a trance for the whole 3 mins. 

Here’s a link to that long needed shower song: 

Compared to the likes of Hendrix, this rockin’ piece will help you move on and let go of whatever it is that made you want to listen to this in the first place. 

Here’s a link: 

9. Any Way You Want It 

This opening track of Departure is an immense, energy-filled, good vibes track. It is usually used as the last song on any Journey show. Finishing in a  high tune like that is an experience that sticks in a good way. If you haven’t heard this song in 2010 during the heavily saturated world of Glee advertisements everywhere on your screen, then you’re quite lucky. 

Here’s a link to probably one of the second most famous Journey songs:

10. Keep on Runnin’ 

You’re missing out on that Journey tribute that’s going on in town? Don’t fret, this performance will have you feeling like you’re back in 1981! 

Here’s a link to the song: 

11. Lovin’, Touchin’, Squeezin’ 

From the romantic mind of Perry, this extremely personal song about a relationship (which is believed to be inspired by true events) was the band’s first song to break into the Billboard top twenty, and It peaked at number 16.

12. Only The Young 

As you can guess from the title, this song is about the infinite promise and freedom of youth. Unfortunately, there’s a sad story about this song; this song was played to a 16-year-old fan with cystic fibrosis as part of a request from Make a Wish Foundation. Unfortunately, the fan died a day later, leaving the band with a broken heart.

13. Wheel In the Sky 

Started slowly by peaking at number 57 in the US – this song has gone on to become one of the strong Journey classics.

14. Lights 

One of the first Journey songs featuring Steve Parry, this one also started as a minor hit (#68 on charts) but became one of the signature songs.

15. Who’s Crying 

This soulful piece is Dressed in a beautiful piano riff. It is one of the most successful songs of the band. Peking at #4 in the US and becoming the highest UK charting Journey single at the time.

16. Open Arms 

This track is also one of the most successful songs of the band, earning them their highest position on the Billboard 100 (#2). Song was introduced to a wider and more contemporary audience by becoming a staple of many pop artists’ covers, including Mariah Carey.

17. Faithfully 

One of the most powerful Journey songs. Written by Jonathan Cain on the road and was completed very quickly (which the religious Cain puts down to divine intervention). 

18. Separate Ways 

The song tells the story of a couple who have broken up and gone their separate ways but will still always share a connection because of the time they spent together. As some of us know as ” that song from the 80s’ movies.”

19. Don’t Stop Believin’ 

The most iconic song of this band. This amazing song taken from 1981’s Escape is one of the most anthem-like catchy rock songs of all time. 

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Journey Song list

• After All These Years (2008)
• Any Way You Want It (1980)
• Anytime (1978)
• Be Good To Yourself (1986)
• City of Hope (2011)
• Dixie Highway (1981)
• Don't Stop Believin' (1981)
• Faithfully (1983)
• Feeling That Way (1978)
• Homemade Love (1980)
• I'll Be Alright Without You (1986)
• Lights (1978)
• Lovin', Touchin', Squeezin' (1979)
• Never Walk Away (2008)
• Only The Young (1985)
• Open Arms (1981)
• Send Her My Love (1983)
• Separate Ways (Worlds Apart) (1983)
• Still They Ride (1981)
• Suzanne (1986)
• Sweet and Simple (1979)
• The Journey (Revelation) (2008)
• Too Late (1979)
• Wheel In The Sky (1978)
• When I think Of You (1996)
• Where Were You (1980)
• Who's Crying Now (1981)

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20 Songs About Life’s Journey

Life has always been a major inspiration for the reflective people. Each person goes on diverse paths lead which to varied outcomes, fostering personal growth and refined character.

This article includes 20 songs about life’s journey to help you assess your progress or just reminisce.

1. “Yesterday” by The Beatles

2. “life is life” by opus, 3. “always look on the bright side of life” by monty python, 4. “life is a highway” by rascal flatts, 5. “time in a bottle” by jim croce, 6. “harvest moon” by neil young, 7. “cat’s in the cradle” by harry chapin, 8. “step by step” by whitney houston, 9. “circle of life” by elton john, 10. “it’s my life” by bon jovi, 11. “7 years” by lukas graham, 12. “that’s life” by frank sinatra, 13. “livin’ la vida” by coldplay, 14. “the climb” by miley cyrus, 15. “let’s live for today” by the grass roots, 16. “don’t stop believin” by journey, 17. “living in the moment” by jason mraz, 18. “this life” by vampire weekend, 19. “(just like) starting over” by john lennon, 20. “dream on” by aerosmith, related posts:.

“Yesterday” is a classic song from the iconic British band The Beatles. It is a nostalgic song that talks about memories from the past.

The song has a soft tone to it and the vocals are very soothing. The song talks about the reality of regretting some actions hoping that there is a way to correct them.

“Life is Life” is an empowering song radiates positivity and encourages us to live life to the fullest. The lyrics also make it clear that the journey will not be simple yet the melody inspires the audience to embrace the challenge.

Are you looking for a song with a comedic vibe? This Monty Python number might be your cup of tea.

This one-of-a-kind song is popular for its comic nature, and is also played at funerals in the United Kingdom. The track’s message is to “Always Look On The Bright Side Of Life,” even when things get dark.

This upbeat song is featured in the animated film Cars and its title perfectly matches the theme of the show. The track has a very optimistic and relatable vibe and anyone who has watched the movie can feel the energy in the track and will have your blood pumping.

There are a lot of things in life that we would like to have back, and this is the reality that the song “Time In a Bottle” by Jim Croce talks about.

The sadness of losing a special someone is very heavy and brings a lot of emotions. This melody resonates with those who grieve, longing to bottle cherished moments and ease the pain of parting.

This country-rock song is a variety of sounds that people will enjoy listening to. It portrays a celebration under the harvest moon, as the protagonist yearns for a long-time love. The harmonica, banjo, and vibraphone blend to enhance this song’s unique and appealing flavor.

This folk-rock hit by Harry Chapin explores a father’s neglect, warning of future consequences. An adored chart-topper, this song resonates with fathers juggling responsibilities, shedding light on the impact on parent-child relationships

Whitney Houston performed “Step By Step” in “The Preacher’s Wife” film and it was rearranged to be a soulful Rhythm and Blues melody.

The track talks about the importance of taking steps to reach a goal, emphasizing that it’s important to take it slow and give things considerable thought before making the final decision.

Are you looking for a song that will help kids understand the meaning of life? The song ”Circle of Life” does it brilliantly. It was performed by the amazing Sir Elton John for the iconic film “The Lion King.”

This song talks about the ‘Circle of Life,’ embracing the majesty and importance of every living creature.

People would often criticize others on how they should live their lives but you should not be blindsided by these opinions and this song strongly gives this point.

Bon Jovi reminds us to live our lives as we see fit, and we will have no regrets. Since we only have one life, let’s make it count.

People will age and change as time passes and that’s the theme of Lukas Graham’s song “7 Years”. The tune talks about things that happen in life and also the hopes for the future.

Whether pondering life’s choices or seeking a moment of reflection, this song offers a soothing and contemplative escape.

This number is performed by no less than the legendary performer Frank Sinatra. The track has a lot of harmonization and despite its slow nature, the song is very engaging.

With a mix of pop and jazz, it talks about embracing life’s rapid changes while promoting optimism. No matter how many challenges you face, things can still work by not giving up.

“Livin’ La Vida” is a hit song by Coldplay that was inspired by the Spanish phrase which means “Live the life”. The phrase is also a reference to an art piece by Mexican artist Frida Kahlo.

This track is known for its string and percussion foundation. Listening to it is like a journey and it has many allusions to history and religious topics.

Many say that the destination may be enticing but it is the journey that counts. It is the theme explored in this popular song by Miley Cyrus.

“The Climb” talks about the journey of a challenging but fulfilling life. The track portrays life as a series of conquerable mountains. By appreciating and valuing the climb, we learn that it shapes our identity.

This song is suitable for the hippie belief that love is always above money so life can be fulfilling. It sends a message that people should take pleasure in what they do as life is a precious experience.

Above all, the track has a great dynamic arrangement which makes room for a large chorus that adds more to its charm.

The band Journey is known for many iconic masterpieces and “Don’t Stop Believin’” is surely one of them. This rock tune is full of hope and optimism that many listeners can sing along to.

It talks about the importance of believing in your dream and continuing to work towards it. In the end, the only person who can say if you can make it or not is yourself.

Every day there are a lot of things going on, and countless of activities can be overwhelming. Letting your mind wander too far into tomorrow can cause anxiety.

To avoid this dilemma, Jason Mraz’s “Living in the Moment” soothes and teaches us to embrace the present, letting go of tomorrow’s uncertainties.

This upbeat pop song candidly addresses the reality of difficulties and suffering, where time may be given, but progress remains low.

This track pushes us to either keep hanging on or give up. The lyrics imply that uncertainties can lead to low self-esteem, making it essential to break free from such unhealthy patterns.

This song talks about mending relationships. The lyrics focus on leaving the complications of modern living and concentrating on your significant other. It encourages the listeners to take the initiative to reflect as it could do wonders.

“Dream On” is a ballad that is written by none other than Steven Tyler from the iconic band Aerosmith. This rock classic talks about getting older and realizing the things that matter to you.

As time passes, people busy themselves with various pursuits in their youth, but as the golden years approach, they yearn for the presence of those who truly matter to them.

Final Thoughts

The songs about life’s journey are great eye-openers. All of us have different paths to take and we must understand the situations and make the right choices. Life is a one-way road and it is not easy to go back even if you want to so use your time wisely.

Hopefully, this selection provided you a nostalgic experience and enlightened your journey. Enjoy the music while thinking about the important things in life and choosing your own path!

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All 173 Journey Songs Ranked Worst to Best

Journey 's discography will always have a clear line of demarcation: before Steve Perry and after Steve Perry. That makes sense on a couple of levels. The albums they made together remain Journey's best-selling and best-loved. But, as the following list of All 173 Journey Songs Ranked Worst to Best shows, the band did important work before he arrived and it's had some perhaps overlooked successes afterward. ( Revelation , their first with current singer Arnel Pineda , was a platinum-selling No. 5 hit, for instance.)

So, we decided to take a complete accounting. Whether you're a fan of original contributions by Gregg Rolie or Jonathan Cain , George Tickner or Steve Augeri, they're all here. The only thing we left out were live takes and cover songs including Perry's version of Sam Cooke's "Good Times" from the Time3 box and Pineda's return to earlier Journey songs on Revelation . Which one will end up on top? Keep scrolling as we count them all down on the following list of All 173 Journey Songs Ranked Worst to Best.

No. 173. "Back Talk" from 'Frontiers' (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn it this spot.

No. 172. "Gone Crazy" from 'Generations' (2005)

For a singer, co-founding member Ross Valory is a terrific bassist.

No. 171. "Can Do" from 'Infinity' (1978)

Actually, can't.

No. 170. "Butterfly (She Flies Alone)" from 'Generations' (2005)

Steve Augeri, Perry's first replacement, drew a bad hand. He had to follow a legend, to lead a difficult transition after Journey was dropped by Columbia Records, to endure gimmicky moves like sharing the mic with everyone in the band, then to step aside after faltering out on the road. But this misfire was all his.

No. 169. "Baby I'm a Leavin' You" from 'Trial By Fire' (1996)

If you were wondering what Journey would sound like as a reggae band.

No. 168. "Venus" from 'Eclipse' (2011)

As Journey co-founder Neal Schon consolidated his latter-day power, a long-dreamt-of goal of a guitar-focused Journey album – on hold since 1977's Next – finally came to fruition. This freed Pineda, a former cover-band singer Schon found on YouTube, from the trap of sounding exactly like Steve Perry. But it also opened the door for plenty of indulgent Schon-related moments. Eclipse inevitably ended with yet another three-and-a-half minutes of Schon.

No. 167. "Pride of the Family" from 'Generations' (2005)

Augeri had to have been dismayed as some of the best material on his second album went elsewhere – including "A Better Life," found later on our list of Journey Songs Ranked Worst to Best. But Jonathan Cain's thin, objectively lazy bonus track (he swipes a line from .38 Special ) isn't one of those times.

No. 166. "The Journey (Revelation)" from 'Revelation' (2008)

If you're wondering what Journey would sound like as a boring fusion-jazz band.

No. 165. "Human Feel" from 'Eclipse' (2011)

Eclipse at its worst took Eclipse at its best to a mind-numbing zenith. What's missing on this pummeling, endlessly propulsive track is, ironically enough, human feel. It's is all head, no heart.

No. 164. "After All These Years" from 'Revelation' (2008)

Another of Journey's undeniably well-crafted, but often un-involving later-period ballads.

No. 163. "Departure" from 'Departure' (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey.

No. 162. "I'm Cryin'" from 'Departure' (1980)

Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness.

No. 161. "Every Generation" from 'Generations' (2005)

This is the first time Cain had been at the mic since singing lead on "All That Really Matters," a Frontiers -era leftover found elsewhere on our list of Journey Songs Ranked Worst to Best. Admittedly, he's a better singer than Ross Valory, but not Deen Castronovo – and certainly not Augeri. A missed opportunity.

No. 160. "Positive Touch" from 'Raised on Radio' (1986)

The demos for Raised on Radio were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Part way through the sessions, it became the latter. "They felt that the drum machine itself was part of the compositions," Smith later complained in Don't Stop Believin': The Untold Story of Journey . "I started feeling that it wasn't a band, and it certainly didn't have the same band approach as when we wrote collectively."

No. 159. "La Do Da" from 'Infinity' (1978)

Steve Perry's initial collaborations with Schon were a revelation. So many of the group's foundational songs emerged from those initial writing sessions. And then there was this.

No. 158. "Liberty" from 'Time3' (1992)

If you were wondering what Journey would sound like as a country band.

No. 157. "Troubled Child" from 'Frontiers' (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 156. "Wildest Dream" from 'Revelation' (2008)

Schon wants to rock, and he's always talking about rocking, so every once in a while they let him rock. The results are sometimes better than those undeniably well-crafted, but often uninvolving later-period ballads. And sometimes, as with "Wildest Dream," they are not.

No. 155. "Into Your Arms" from 'Time3' (1992)

One of a pair of unfinished jams from the Raised on Radio sessions that were later completed for release as part of the Journey's Time3 box set, and the less interesting of the two.

No. 154. "Tantra" from 'Eclipse' (2011)

Pineda spends most of the album inhabiting a fresh, almost feral persona, which makes this downshift into required balladry even more jarring. He sings like it's required too, recalling every Perry tick he can manage without giving any of himself to the lyric.

No. 153. "Lady Luck" from 'Evolution' (1979)

Journey join a number of artists who have sung tracks called "Lady Luck," including Deep Purple , Rod Stewart and David Lee Roth . Come to think of it, none of those are really any good either.

No. 152. "Karma" from 'Next' (1977)

The last pre-Steve Perry album ends with a grinding, unfocused rocker featuring Schon at the mic. Changes were coming.

No. 151. "Resonate" from 'Eclipse' (2011)

There might have been a hook buried in this song somewhere. Schon's army of guitars marched right over it, though.

No. 150. "Happy to Give" from 'Raised on Radio' (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live.

No. 149. "Ritual" from 'Eclipse' (2011)

Imagine one of those classic-era mid-tempo Journey tracks, but in a wild-eyed 'roid rage. Settle down, boys.

No. 148. "What I Needed" from 'Revelation' (2008)

There's slightly more drama here than on the weirdly slack "After All These Years," but Journey seemed to be struggling to update their tried-and-true ballad style in Augeri's absence. Pineda co-wrote this song, but he's utterly subsumed in the trademark Journey sound. He ends up sounding like the nondescript tribute singer he once was.

No. 147. "Topaz" from 'Journey' (1975)

There's no denying the level of musicianship here. It's just not very interesting music.

No. 146. "Believe" from 'Generations' (2005)

Any good coach will tell you players have to be positioned to their strengths. So if you have Jonathan Cain available to play, you let Jonathan Cain play, right? Instead, we find Augeri at the keyboard on a repetitive song that becomes pure drudgery. "Well, I have a love and a desire to play the piano, and I love the way Jon plays and I get a chance to listen to him every night," Augeri told Melodic Rock in 2005. "So, he has influenced my writing and my arranging." Seriously, though, coach: Put Cain in.

No. 145. "Chain of Love" from 'Eclipse' (2011)

Journey spend roughly a minute and a half lulling you into thinking that they've put the sledgehammer away. Then: nah.

No. 144. "In the Morning Day" from 'Journey' (1975)

This serviceable mid-tempo song abruptly turns into mostly shapeless jam.

No. 143. "Change for the Better" from 'Revelation' (2008)

A Journey-by-the-numbers tune, kicked into another gear by Pineda's undeniable energy.

No. 142. "La Raza Del Sol," B-side of "Still They Ride" (1981)

The song's heart in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days.

No. 141. "Let It Take You Back" from 'Revelation' (2008)

This was the first bonus track on Pineda's initial studio album with Journey, and a much better conclusion that Schon's amorphous instrumental "The Journey (Revelation)."

No. 140. "All the Things" from 'Arrival' (2001)

The last thing Augeri – a largely unknown Brooklyn-born singer trying to separate himself from the obvious Steve Perry comparisons – needed to be saddled with was an anonymous rocker. But that's what he was given.

No. 139. "Knowing That You Love Me" from 'Generations' (2005)

Jonathan Cain has been trying to write the next "Faithfully" since the day after he brought it into a Journey recording session. He still hasn't found it.

No. 138. "Mother, Father" from 'Escape' (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad.

No. 137. "I Got a Reason" from 'Arrival' (2001)

This isn't as a faceless as "All the Things," but it's close.

No. 136. "The Time" from 'Red 13' (2002)

After a promising opening track that tapped the band's Journey's early fusion-loving roots, "The Time" falls back into more comfortable, and far less intriguing, blues rock.

No. 135. "Better Together" from 'Generations' (2005)

Augeri boasts a rare co-composing credit on a Glenn Hughes -ish song that tries very hard to be heavy, to be anthemic, to be defiant. Too hard, actually.

No. 134. "Majestic" from 'Evolution' (1979)

An abbreviated multi-tracked instrumental that was used as this album's opening theme, their last with producer Roy Thomas Baker. It's probably best remembered as the taped intro music for Journey concerts during this era.

No. 133. "Colors of the Spirit" from 'Trial By Fire' (1996)

This seemed like it was going to be more intriguing. They begin (and end) with a vague world-music feel, but return to expected post '80s-era Journey-isms in between.

No. 132. "All That Really Matters" from 'Time3' (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey.

No. 131. "With Your Love" from 'Arrival' (2001)

Unfortunately, "With Your Love" doesn't live up to the thoughtful reinvention surrounding "Loved by You," found later in our list of Journey Songs Ranked Worst to Best.

No. 130. "Homemade Love" from 'Departure' (1980)

Despite discovering a newfound chart prowess, Journey were still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense.

No. 129. "One More" from 'Trial by Fire' (1996)

The first in a number of Trial by Fire songs that made overt faith references. That became an underlying theme on the album, sparked when Perry arrived at the sessions carrying a Bible.

No. 128. "Never Too Late" from 'Generations' (2005)

Augeri was probably relieved to learn that Castronovo didn't get all the good songs.

No. 127. "To Be Alive Again" from 'Arrival' (2001)

There's nothing too offensive about this one, but nothing all that interesting either.

No. 126. "I Can Breathe" from 'Red 13' (2002)

This often-forgotten EP was initially self-released as a thank-you note to fans after Journey lost their longtime label support from Columbia. It's formatted as a kind of four-song travelogue through their history, with a proggish track, a blues rocker, the expected ballad and a more uptempo melodic rocker. The latter is the least interesting of the bunch. Augeri is in fine voice, but he's saddled with poor material.

No. 125. "Nothin' Comes Close" from 'Arrival' (2001)

This deep into Side Two of the ballad-heavy Arrival , basically any rocker was a relief. Even one this generally unimaginative.

No. 124. "To Whom It May Concern" from 'Eclipse' (2011)

Pineda's crying vocal gives this otherwise rather mechanical slow song a notable emotional underpinning.

No. 123. "Live and Breathe" from 'Arrival' (2001)

Yes, another ballad. At this point, even Neal Schon was, like, "Dude, really?" And he was listed as co-composer on almost all of them. "Yeah, I did write a lot of music on this album with Jon and everybody else this time – a lot of ballads and a lot of rock too," Schon told Melodic Rock in 2001. "But I had no idea that, you know, they'd pick every ballad that all of us wrote, you know what I'm saying?"

No. 122. "Dixie Highway" from 'Captured' (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 121. "Livin' to Do" from 'Arrival' (2001)

This song doesn't live up to thoughtful reinvention surrounding "Loved by You," either. It nevertheless holds an important place in the band's catalog because of a strong connection with Neal Schon's father Matt, who had earlier co-writes on "Winds of March" and "Mother, Father." "It was a couple of years before he passed away, and it was one of the last things that him and I sat down on a piano and we were playing together," Schon told Melodic Rock in 2001. He presented the rough idea to Cain and lyricist Kim Tribble, "and before the day was out, that song was sitting there. We really didn't change much at all in the studio on that one from the demo."

No. 120. "It's Just the Rain" from 'Trial By Fire' (1996)

Perry achieves a sweet sense of reverie, his most favored place, but the surroundings owe too much to rather boring solo forays into smooth jazz by Cain and Schon.

No. 119. "Lifetime of Dreams" from 'Arrival' (2001)

Journey's inventive call-and-response, first vocally and then with Schon's growling guitar, lifts an otherwise somewhat rote ballad to the next level.

No. 118. "The Place in Your Heart" from 'Generations' (2005)

Augeri sings his guts out, but this kind of undistinguished Cain/Schon-composed melodic rock is why Generations sunk to a paltry No. 170.

No. 117. "Keep On Runnin'" from 'Escape' (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album.

No. 116. "Trial by Fire" from 'Trial by Fire' (1996)

This track made direct reference to verses in 2 Corinthians, underscoring once again how Cain's long-dormant songwriting partnership with Perry was reborn through a shared interest in scripture. "It was refreshing," Cain later told the Christian Post . "We wrote about 'treasures in jars of clay, let the light shine in the darkness.' I thought, 'This was fresh.' That was my first encounter with scripture and music, and I have been a believer all my life." Cain later returned to the theme on 2016's What God Wants to Hear , which consisted exclusively of faith-based songs.

No. 115. "Next" from 'Next' (1977)

Journey remind you of their canny knack for achieving liftoff here, but this time it's only window dressing for a song that doesn't feel completed.

No. 114. "Remember Me" from 'Armageddon: The Album' (1998)

Steve Augeri's first song with Journey was actually a soundtrack contribution that arrived years before his official full-length debut on 2001's Arrival . "Remember Me," unfortunately, was more utilitarian than memorable. They'd incorporated a nifty soundalike, but still needed to figure out how to draw out something creative from what began as a blatantly commercial decision.

No. 113. "Still She Cries" from 'Trial by Fire' (1996)

See "It's Just the Rain."

No. 112. "Dead or Alive" from 'Escape' (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either.

No. 111. "City of the Angels" from 'Evolution' (1979)

"Lights," found later on our list of Journey Songs Ranked Worst to Best, was originally about Los Angeles , before Perry shifted its locale to his new home base in San Francisco. He later returned to the idea of paying tribute to L.A., with much poorer results.

No. 110. "I Can See It in Your Eyes" from 'Trial by Fire' (1996)

The obvious goal of getting the early-'80s lineup back together was to recreate the sound of that era – and they did that here. Unfortunately, it was the sound of their throwaway stuff on Side Two of Frontiers .

No. 109. "With a Tear" from 'Time3' (1992)

A leftover instrumental track from the Raised on Radio -era that Schon and Cain returned to finish in 1992. After "Be Good to Yourself," this would have been the edgiest thing on the album, had it come to fruition earlier.

No. 108. "Can't Tame the Lion" from 'Trial by Fire' (1996)

See "I Can See It in Your Eyes."

No. 107. "Kiss Me Softly" from 'Arrival' (2001)

One of four Jack Blades co-writes on Arrival , "Kiss Me Softly" started out as a much heavier vehicle for a Schon riff before the Night Ranger singer-bassist suggested they move in a different direction. It worked.

No. 106. "Escape" from 'Escape' (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs.

No. 105. "Winds of March" from 'Infinity' (1978)

Credited to a crowd including Matt and Neal Schon, Fleischman, Rolie and Perry, "Winds of March" actually sounds like a meeting of two minds: Perry, who deftly croons his way through the first two minutes, and his new bandmates – who absolutely tear through the remaining three.

No. 104. "Someone" from 'Eclipse' (2011)

The penultimate moment on Journey's heaviest album since the pre-Perry days was – wait, what? – a pop song. And a pretty good one, to boot. It's like a fever that just broke.

No. 103. "Line of Fire" from 'Departure' (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ."

No. 102. "Signs of Life" from 'Arrival' (2001)

This appropriately titled song emerged from a period of deep uncertainty, when Schon and Cain were still waiting for Perry to make up his mind about rejoining Journey. "I said, Why don't we start writing?" Schon told Melodic Rock in 2001. "I mean, you know, maybe Steve will decide that he wants to come back, maybe he won't. But at least when we decide what we're going to do, and we figure out what's going on, we won't be starting right at the beginning again." Steve Augeri eventually stepped in, and they had a ready-made song to help introduce him to fans.

No. 101. "Precious Time" from 'Departure' (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 100. "Lay It Down" from 'Escape' (1981)

Smith approximates co-founding drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album.

No. 99. "Turn Down the World Tonight" from 'Revelation' (2008)

Pineda breaks the mold here, following Augeri's example of doing more with less emoting. There's another twist: "Turn Down the World Tonight" appears headed toward an almost operatic conclusion before they switch gears again, ending on a nicely placed grace note.

No. 98. "Midnight Dreamer" from 'Look Into the Future' (1976)

The book on Journey was always that Steve Perry arrived and they suddenly shook themselves awake to commercial considerations. One listen to "Midnight Dreamer," and a good portion of the album it originated from, makes a powerful counter-argument. They still stretch out – dig that crazy keyboard solo! – but "Midnight Dreamer" wasn't that far from what album-oriented radio was playing at the time.

No. 97. "Chain Reaction" from 'Frontiers' (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way.

No. 96. "Once You Love Somebody" from 'Raised on Radio' (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this.

No. 95. "What It Takes to Win" from 'Revelation' (2008)

Pineda lets a roughness slip into his vocal, and a little bit more of himself. "What It Takes to Win" is better for it. He was 40 when he joined Journey, a fully formed singer in his own right. He deserves a lot more of these moments.

No. 94. "For You" From 'Time3' (1992)

An important, if not entirely successful, Robert Fleischman-sung track from the demo phase for 1978's Infinity . Journey were already headed toward a more compact, radio-ready direction, even before Perry arrived.

No. 93. "World Gone Wild" from 'Arrival' (2001)

The Augeri-era Journey lineup credibly recreates a "Separate Ways"-type groove, switching things up with a spacious, inspirational bridge.

No. 92. "Never Walk Away" from 'Revelation' (2008)

Arnel Pineda came bursting out of the gates with the opening track on his first Journey studio effort, singing with power to spare. Kevin Shirley, back for his third Journey album after 1996's Trial by Fire and 2001's Arrival , turns everything up around Pineda – in particular Schon.

No. 91. "In My Lonely Feeling / Conversations" from 'Journey' (1975)

The cool interplay between Schon and quickly departed co-founding rhythm guitarist George Tickner is perhaps best showcased on this composition by Rolie and Valory. Tickner was given two subsequent songwriting credits for 1976's Look Into the Future , but was already gone by the time it was released.

No. 90. "I'm That Way" from 'Arrival' (2001)

Augeri's ability to handle this kind of lithe, very Steve Perry-esque ballad is precisely why they brought him in. Unfortunately, you'll have to search way too hard to find it: For some reason, Journey originally tucked "I'm That Way" away as a bonus track on the Japanese version of Augeri's debut.

No. 89. "Natural Thing," B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here.

No. 88. "People" from 'Next' (1977)

Journey get proggy, and it would've worked – a few years earlier.

No. 87. "Easy to Fall" from 'Trial by Fire' (1996)

Presented in their classic arena-ballad style, but without much to differentiate it from other, better, more popular iterations, "Easy to Fall" is the sound of Journey trying to sound like Journey. This would go on for a while.

No. 86. "Walkin' Away from the Edge" from 'Red 13' (2002)

Before being felled by vocal issues, Augeri was able to convey a depth, a relative darkness, that no other Journey singer since Gregg Rolie could touch.

No. 85. "On a Saturday Nite" from 'Look Into the Future' (1976)

Rolie opens their second album with an approachable, yet still tough-minded song that confidently moves Journey more toward traditional classic rock, if not all the way over to the pop-leaning sound that later sent them to the top of the charts.

No. 84. "Rubicon" from 'Frontiers' (1983)

This song drove a seemingly permanent wedge in the band. Schon was playing "Rubicon," he told The New York Times in 2003, when Perry came over and turned down his amplifiers. "They want to hear the voice," Schon remembered Perry saying. "That was the start of it for me." They put out only two more albums together, and it took them 13 years to do it.

No. 83. "Look Into the Future" from 'Look Into the Future' (1976)

Everybody was into Led Zeppelin at this point, including Journey.

No. 82. "When I Think of You" from 'Trial by Fire' (1996)

"When I Think of You" appeared on Journey's Perry-curated Greatest Hits 2 not because of its chart history, but because of what it meant to him. Perry wrote this little-known deep cut after his late mother appeared, happy and healthy, in a particularly vivid dream. "She had been sick for so long that this was what I needed to know – even if it was a dream," Perry said in a 2011 fan Q&A . "I later went to Jon Cain's and told him I wanted to write a song about this experience and started singing a melody, and we finished it together."

No. 81. "She Makes Me (Feel Alright)" from 'Look Into the Future' (1976)

"She Makes Me (Feel Alright)" builds on Rolie's album-opening foray into more digestible song structures, though Schon's metallic asides nearly push it into hard rock.

No. 80. "Loved by You" from 'Arrival' (2001)

Augeri updates the patented Journey ballad model by staying modulated, singing with a steadier, quieter certitude. That showed no small amount of guts. Problem: This was not what Journey fans wanted. Arrival stalled at No. 56, the group's worst finish since Next in 1977.

No. 79. "Mystery Mountain" from 'Journey' (1975)

"The way I look at the early Journey stuff is, if we played that now, we'd be out with Phish, or the [Dave] Matthews Band ," Rolie remembered in 2011 . "We were a great jam band." Exhibit A: their trippy debut album-closing "Magic Mountain," written by Rolie and Tickner with help from Ross Valory's wife.

No. 78. "Frontiers" from 'Frontiers' (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for warmongers: "War is for fools; crisis is cool."

No. 77. "In Self-Defense" from 'Generations' (2005)

A track that had been bouncing around since Schon's 1982 Here to Stay collaboration with Jan Hammer. That version showcased Journey's early-'80s lineup (minus Cain) at the peak of their increasingly rare heavy-rocking form. Same here, with Castronovo in place of Steve Smith. They miss Perry's elevating vocals during the solo, though.

No. 76. "It Could Have Been You" from 'Raised on Radio' (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well.

No. 75. "She's a Mystery" from 'Eclipse' (2011)

A lovely, Pineda co-written acoustic aside, "She's a Mystery" is that rare moment on Eclipse where Journey take their foot off the gas without swerving into power-ballad cliche.

No. 74. "Sweet and Simple" from 'Evolution' (1979)

Perry brought this dream-like song with him, having written it years before while looking out over Lake Tahoe. Journey completed it with a quickly ascending final segment that matched now-patented multi-tracked vocals with a Schon's typical pyro.

No. 73. "All the Way" from 'Arrival' (2001)

In their first album without Perry, Journey clearly had an eye on recapturing the successes they found when Jonathan Cain joined the band in the '80s. Cain was game, co-writing this instantly familiar love song with Schon, Michael Rhodes and the recently installed Steve Augeri. "All the Way" may not have been a big hit, but it showed Journey could still be Journey even without their famous former frontman.

No. 72. "Cookie Duster" from 'Time3' (1992)

Journey's label asked that they replace this underrated Ross Valory instrumental with something more commercial for 1977's Next . The album stalled at No. 85 anyway.

No. 71. "Anything Is Possible" from 'Eclipse' (2011)

On an project that boldly reanimated the wide-open heavy fusion of Journey's original '70s-era records – a period when Schon fiercely pulled and stretched his muse – "Anything is Possible" gave Arnel Pineda an opportunity to showcase his pop-star sensibilities. There's a feeling of soaring expectancy here that balances the tough, guitar-focused tracks found elsewhere on Eclipse .

No. 70. "Where Were You" from 'Departure' (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. They were just coming off an opening gig with AC/DC at this point, and clearly the headliner's knack for outsized, riffy rockers rubbed off.

No. 69. "Spaceman" from 'Next' (1977)

Co-written by Aynsley Dunbar and Gregg Rolie, "Spaceman" offers Journey fans some of the most obvious initial flowerings of a pop sensibility. They placed it first on the album, and released it as a single – to no avail. "Spaceman" failed to chart as a single, and Journey were ordered to rework their lineup. They briefly added Robert Fleischman — who arrived shortly after the album’s release, toured with the band and even received co-writing credit on three songs for Journey’s following album — but eventually settled on Perry.

No. 68. "Castles Burning" from 'Trial by Fire' (1996)

A badly needed rocker on an album that too often played down to their ballad- and mid-tempo-loving fan base.

No. 67. "Beyond the Clouds" from 'Generations' (2005)

A slow burner co-written by Steve Augeri in his final outing with the band, "Beyond the Clouds" illustrates why he was such a good initial fit. Augeri's ability to elevate, as this track zooms into the stratosphere, and then to wind down into a whispery vulnerability recalls a Certain Other Steve. This wouldn't prove to be his principal strength, but it mattered at the time.

No. 66. "Like a Sunshower" from 'Revelation' (2008)

Schon couldn't have done a better job of smoothing the way for the just-arrived Pineda than he did on "Sunshower," which begins with a lick straight out of "Stay Awhile" from Departure . Fans reacted positively, making Revelation Journey's first platinum-selling project since Trial by Fire , their last with Perry.

No. 65. "Little Girl," B-side of "Open Arms" (1981)

"Little Girl" was the most Journey-sounding thing on 1980's Dream After Dream , which isn't really part of the band's catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey were already on a pop-chart roll after the Top 25 hits "Lovin,' Touchin,' Squeezin'" and "Anyway You Want It." Unsurprisingly, Dream After Dream disappeared without a trace once Journey issued their multi-multi-platinum smash Escape a year later. This too-often-overlooked song has since became known — if it was known at all — simply as a B-side to the "Open Arms" single.

No. 64. "Out of Harms Way" from 'Generations' (2005)

A hard-nosed war song, "Out of Harms Way" was handled with an eye-opening aggression unique to Journey, thanks to the gone-too-soon Augeri.

No. 63. "It's All Too Much" from 'Look into the Future' (1976)

Journey drill down to the marrow on this throwaway piece of psychedelia, finding a seriously nasty groove beneath the Beatles ' old atmospherics.

No. 62. "Raised on Radio" from 'Raised on Radio' (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. It's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, he also could see himself as a DJ, rather than a huge pop star. "I love radio," Perry said in that 2011 fan Q&A. "I think the idea of playing whatever music comes to your mind and talking about it is exciting to me."

No. 61. "City of Hope" from 'Eclipse' (2011)

You could say Schon is an unstoppable force on this song, except that Pineda – in one of his most impressive vocal performances – is every bit the equal of his molten riffs. At least at first. Eventually, Schon and company step forward for a floorboard-rattling, song-closing jam that edges all the way into fusion. Journey, who saw Eclipse become the second consecutive Pineda-sung Top 20 album, haven't sounded this wide open since the Jimmy Carter administration.

No. 60. "Nickel and Dime" from 'Next' (1977)

This very Mahavishnu Orchestra-influenced instrumental was originally constructed in three parts. The final section was ultimately cut off, however, leaving a pair of segments with unusual Aynsley Dunbar signatures – thus the name, "Nickel and Dime."

No. 59. "Higher Place" from 'Arrival' (2001)

Journey again move beyond Augeri's similarities with Perry on this composition by Schon and Jack Blades, which at one point has an almost a proggy feel. In that way, "Higher Place" references the group’s previous successes, but ultimately uses them as a foundation for something new.

No. 58. "Message of Love" from 'Trial by Fire' (1996)

A continuation of the untroubled sleekness of Raised on Radio -era Journey, this could have easily passed as a Steve Perry solo track.

No. 57. "Red 13 / State of Grace" from 'Red 13' (2002)

Journey return after the soft rock-dominated Arrival with a scorching, fusion-kissed EP-opening song. They spend two minutes easing into things before launching into a wrecking-ball groove – and Augeri is with them, step for breathless step.

No. 56. "I'm Gonna Leave You" from 'Look Into the Future' (1976)

Early rhythm guitarist George Tickner – he joined after a stint in the San Francisco psych-rock band Frumious Bandersnatch with Ross Valory – wasn't around long. He left behind this intriguingly offbeat 5/4 shuffle for fans to ponder what might have been.

No. 55. "A Better Life" from 'Generations' (2005)

Poor Steve Augeri. One of the best moments on his final album with Journey is this delicately conveyed track, featuring one of Schon's more restrained turns. And Deen Castronovo on vocals.

No. 54. "Where Did I Lose Your Love" from 'Revelation' (2008)

Here's Pineda's version of the familiar arena-ballad Journey sound, which is, on one level, very much in the style of their Escape / Frontiers era. Castronovo and Cain, who co-wrote this track with Schon, even close things out with a fierce entanglement that also must have brought older fans right back to "Separate Ways." But Pineda adds a few new wrinkles along the way to ultimately move past the same old Perry comparisons.

No. 53. "Ask the Lonely" from 'Two of a Kind' (1983)

"The guy can write love songs in his sleep," Jonathan Cain said of Perry in the liner notes for Journey's Time3 box set. Unfortunately, this only-okay leftover is an example of that assembly line-type approach. That said, "Ask the Lonely" is still better than most of the stuff on the back end of Frontiers .

No. 52. "Faith in the Heartland" from 'Generations' (2005)

The urge to return to an everyday working-stiff theme has been almost unavoidable for a group that, in no small way, is best remembered for "Don't Stop Believin.'" And yet "Heartland" never slips into tribute – or, worse still, parody. Credit goes most of all to Augeri, who strikes a visceral pose on upbeat tracks like this one, singing every line as if his whole heart is in it. Unfortunately, Generations went nowhere, and Augeri – citing throat problems – was gone after just two albums with Journey.

No. 51. "Lovin' You Is Easy" from 'Evolution' (1979)

Starts out as another cookie-cutter '70s-era Journey song, then Perry gets to the ear-worm title lyric and everything changes.

No. 50. "Anyway" from 'Look Into the Future' (1976)

A dark then searching rocker from Journey's second album, featuring one of Rolie's most desirous vocals.

No. 49. "When You Love a Woman" from 'Trial by Fire' (1996)

Featuring a saccharine sentiment with a too-sweet string section to match, this is Journey balladry at its limpest. Still, "When You Love a Woman" became a gold-selling No. 12 smash. Because, Steve Perry.

No. 48. "We Will Meet Again" from 'Arrival' (2001)

Deen Castronovo's inventively layered rhythm gives "We Will Meet Again" a distinct character among Journey's more anthemic-leaning tunes, setting the stage for a moment of controlled fury from Augeri. It all builds toward a sweeping vista reminiscent of Journey's Roy Thomas Baker-helmed sides like "Winds of March" and "Opened the Door," a welcome development indeed. And as with those two 1978 tracks, "We Will Meet Again" serves as an emotionally resonant side-closing moment.

No. 47. "Don't Be Down on Me Baby" from 'Trial by Fire' (1996)

Nobody aches like Steve Perry.

No. 46. "Hustler" from 'Next' (1977)

An explosion of heavy-rocking sexuality, "Hustler" found Journey considerably toughening up its by-then-established fusion-based formula — something the group would eventually return to, but only decades later, with 2011's impressively muscular Eclipse .

No. 45. "Why Can't This Night Go on Forever" from 'Raised on Radio' (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 44. "Edge of the Moment" from 'Eclipse' (2011)

Castronovo and Valory create a foundation-rattling rhythm, while the big-voiced Pineda ably conveys a fiery sense of sensuality required by the song's narrative. But "Edge of the Moment" will always belong to Neal Schon, who is by turns melodic, out there, gurgling, eruptive – and nothing like we've heard from him since the days of the spaceman 'fro. Long after their hit single-making days, and a couple of albums into Arnel Pineda's tenure, Journey finally found their rock-music mojo again on this track, emerging with a sense of furious third-act abandon.

No. 43. "To Play Some Music" from 'Journey' (1975)

The most accessible song on Journey's self-titled debut, "To Play Some Music" provides a down-to-earth vocal vehicle for Rolie on an album dominated by epic, often spacey instrumentals.

No. 42. "Patiently" from 'Infinity' (1978)

Schon memorably gave Perry a ride home after sitting in with Azteca in San Francisco, but had no idea his passenger was a singer. Five years later, Perry finally got the chance to make an impression. He stopped by Schon's hotel the day after a Journey show in Denver, and they wrote this song. "It was really about the determination of me wanting to get next to those players," Perry said in the Time3 liner notes.

No. 41. "I Would Find You" from 'Next' (1977)

Schon takes a rare vocal turn with Journey, and it's his most successful.

No. 40. "Kohoutek" from 'Journey' (1975)

Named after a comet then approaching Earth's orbit, "Kohoutek" bridges the sounds that Rolie and Schon made earlier as part of Santana with those to come from their new band. Makes sense: This track dates back to Journey's earliest rehearsals.

No. 39. "You're on Your Own" from 'Look Into the Future' (1976)

Their slow-fast approach gives "You're on Your Own" a noticeably modern feel; Rolie's heartfelt singing centers it all.

No. 38. "The Eyes of a Woman" from 'Raised on Radio' (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds a palpable tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers sound.

No. 37. "Here We Are" from 'Next' (1977)

Perhaps Journey's heaviest-ever pop song. Rolie had a knack for Beatlesque touches (see their earlier cover of George Harrison 's "It's All Too Much"), even if it was buried in a cacophony of sound from Schon and Dunbar (see their earlier cover, etc. etc.).

No. 36. "Suzanne" from 'Raised on Radio' (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush. "It was a fantasy encounter with a film star, who also had a vocal artist career," Perry said in a 2011 fan Q&A. "Just a secret person that's in the song to live forever in that song. Real or not, she's real in the track."

No. 35. "Somethin' to Hide" from 'Infinity' (1978)

Journey's first attempt at a power ballad was devastatingly effective, though it arrived years before "Open Arms." Perry's final cry is just astonishing.

No. 34. "Edge of the Blade" from 'Frontiers' (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 33. "If He Should Break Your Heart" from 'Trial by Fire' (1996)

One of the best-ever meldings of Solo Steve (verses) and Journey Steve (the rest).

No. 32. "Be Good to Yourself" from 'Raised on Radio' (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert prevailed. "[Perry] phoned me at my house, and just went nuts about 'Be Good to Yourself' having been the first choice of a single," Herbert told Melodic Rock in 2008. "And I said, 'It's a great song, it's a great production, it's great sound – it's Journey.' That was the problem: It sounds too much like Journey. Well, too many of the other songs sound too much like a glorified Steve Perry solo record."

No. 31. "Of a Lifetime" from 'Journey' (1975)

Journey's recorded output begins here, with a seven-minute jazz fusion-influenced, at times Pink Floyd -ish excursion that boldly stepped away from Rolie and Schon's previous work in Santana. "Talking about Santana screws up the whole concept of everyone in this band," Rolie lamented in Don't Stop Believin' . "A lot of people would come to see us and expect conga drums. The last thing I was to see for the rest of my life is conga drums!"

No. 30. "I'll Be Alright Without You" from 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 29. "Only Solutions" from 'Tron' (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 28. "People and Places" from 'Departure' (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 27. "Opened the Door" from 'Infinity' (1978)

The last song on the first album to feature Perry, "Open the Door" begins like every gorgeous, ear-wormy love song they ever hit with a few years later — but after Perry's initial three minutes, Rolie joins in a huge vocal bridge ( "Yeah, you opened ..." ), and from there Schon and company are loosened from those binding conventions. Drummer Aynsley Dunbar, on his final recording date with Journey, sets a thunderous cadence, and Schon powers the song — and this career-turning album — to its quickly elevating conclusion.

No. 26. "Faithfully" from 'Frontiers' (1983)

Cain has said this No. 14 power-ballad smash, written in tribute to a happily married musician's life on the road, came from nowhere – literally. "He told me he got the melody out of a dream," Schon later mused in the Time3 liner notes. "I wish something like that would happen to me." Cain wrote it in his own key, and that allowed Perry to explore a different vocal timbre. They finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 25. "When You're Alone (It Ain't Easy)" from 'Evolution' (1979)

Perry chirps and coos his way through this winking tease of a song – that is, until about a third of the way through, when Schon provides a moment of release.

No. 24. "Forever in Blue" from 'Trial by Fire' (1996)

As with "Girl Can't Help It," found later on our list of Journey Songs Ranked Worst to Best, "Forever in Blue" represents that rare moment when the latter-day edition puts it all together again.

No. 23. "Wheel in the Sky" from 'Infinity' (1978)

He never got much credit, but Robert Fleischman played an important role in Journey. "Wheel in the Sky," the band's initial Billboard chart entry, was originally a poem written by Ross Valory's wife – until Fleischman rounded it into song form. Schon added a guitar melody, and they handed it to Steve Perry after Fleischman's ouster. The rest is, as they say, history.

No. 22. "Walks Like a Lady" from 'Departure' (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, reportedly one of his favorites.

No. 21. "Too Late" from 'Evolution' (1979)

A delicate, beautifully conveyed song of encouragement, "Too Late" was aimed at a friend of Perry's who had fallen into drug abuse.

No. 20. "Girl Can't Help It" from 'Raised on Radio' (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was the exception. This was classic Journey, spit-shined up for a new era.

No. 19. "After the Fall" from 'Frontiers' (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 18. "Good Morning Girl" / "Stay Awhile" from 'Departure' (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 17. "Who's Crying Now" from 'Escape' (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Jonathan Cain's new presence changed Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in the Time3 notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 16. "Do You Recall" from 'Evolution' (1979) Maybe the perfect blending of Journey's tough early sound and Perry's sun-flected sense of reminiscence. Roy Thomas Baker's familiar stacked vocals propel the bridge to untold heights.

No. 15. "Someday Soon" from 'Departure' (1980)

The final major vocal collaboration featuring Perry and the soon-to-depart Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared on Journey's next-to-last album with Rolie. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured .

No. 14. "Open Arms" from 'Escape' (1981)

If you dislike power ballads, blame Jonathan Cain. He brought this seminal example of the genre to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms," either. But Perry intervened, and they turned it into a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 13. "Lovin', Touchin', Squeezin'" from 'Evolution' (1979)

A song with a real-life storyline, "Lovin', Touchin', Squeezin'" came to life in another Journey jam session, then went on to become their very first Top 20 hit. Rolie's Nicky Hopkins-esque honky tonk piano rides atop a stuttering, 12/8 rhythm, building inexorably toward a cloud-bursting nah-nah-nah conclusion. Steve Smith has compared that blues shuffle to "Nothing Can Change This Love" by key Perry influence Sam Cooke. The heartbroken Perry, who's described the writing of this song as "love justice," again played the bass on the initial sessions. The results opened the pop-chart floodgates.

No. 12. "Still They Ride" from 'Escape' (1981)

A touchingly emotional trip back to Perry's San Joaquin Valley youth, "Still They Ride" showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 11. "The Party's Over (Hopelessly in Love)" from 'Captured' (1981)

"After I left," Rolie later mused , "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner.

No. 10. "Stone in Love" from 'Escape' (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest.

No. 9. "Daydream" from 'Evolution' (1979)

An episodic triumph, "Daydream" is defined by dreamy, Jon Anderson -esque verses, rangy guitar riffs and forward-thinking keyboard asides – very much in keeping with the prog-rock pretensions of the '70s, though that sound had already become decidedly passe.

No. 8. "Separate Ways (Worlds Apart)" from 'Frontiers' (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words.

No. 7. "Just the Same Way" from 'Evolution' (1979)

Built off a Rolie piano riff, "Just the Same Way" once again leveraged Journey's layered harmony vocals, already a trademark of producer Roy Thomas Baker from his previous work with Queen . Baker achieved this effect by having Perry and Rolie double and triple their parts, an incredibly time-consuming new approach that almost derailed "Anytime." (Rolie and Schon still considered themselves jam guys at this point.) But that's what ultimately gave this song – and Journey themselves – such a striking propulsion.

No. 6. "Send Her My Love" from 'Frontiers' (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Live" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith said in 2011 , "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 5. "Only the Young" from 'Vision Quest' (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . "Only the Young," which opened every concert on Journey's subsequent tour, will be forever associated with his brave fight.

No. 4. "Lights" from 'Infinity' (1978)

Perry had an early version of this song in his back pocket when he joined Journey, and it's a good thing. Rolie has said that the rest of the band wasn't sold on Perry until they harmonized on "Lights" while backstage at the Swing Auditorium in San Bernardino. "It dawned on me right then," Rolie later admitted in the Time3 notes, "that this could really be great."

No. 3. "Any Way You Want It" from 'Departure' (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. "I loved his ability and phrasing," Perry revealed in Open Arms: The Steve Perry Anthology . "This guy is one of the more under-recognized geniuses of that era." Perry and Rolie brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit.

No. 2. "Don't Stop Believin'" from 'Escape' (1981)

It difficult to believe, considering how rightfully ubiquitous this anthem has become, but "Don't Stop Believin'" originally only barely cracked the Top 10. What's up with that, 1981?

No. 1. "Feeling That Way" / "Anytime" from 'Infinity' (1978)

These paired songs took a convoluted path to the top of this list, as everyone worked and reworked both halves into a legacy-defining moment for Journey and their new singer. "Feeling That Way" began as a Rolie track called "Velvet Curtain" then evolved into "Let Me Stay," which was considered for Next . When Perry arrived, he added a gliding new chorus, and they were halfway there. Meanwhile, the Fleischman co-written "Anytime" – released as a separate, No. 83-charting single but forever linked on the album and rock radio – was going nowhere. At one point, Journey almost dropped it altogether. Then Schon decided to tap the music of his childhood by adding a Beatlesque lyric, " Anytime that you want me ." The then-new mixture of Perry and Rolie's voices did the rest. "As soon as the vocals were put in, the song came alive," Rolie remembered in 2014 , laughing. "I'm glad we didn't can it!" The results meld every great thing about the band's earthy first era with the pop-facing second era to come. In that way, it's the perfect Journey moment.

Think You Know Journey?

More From Ultimate Classic Rock

71 Songs About Journeys (Pop, Rap & More)

30 Aug 2022 — Filed Under: Music

I. Latest Songs About Journeys

Ii. pop songs about journeys, iii. country songs about journeys, iv. r&b songs about journeys, v. rock songs about journeys, vi. christian songs about journeys, 1. with christ by journey worship co..

Artist: Journey Worship Co. Album: Volume One (Live) Year: 2021

The song is a worship song about how we are never alone with Christ by our side. No matter what we are going through in life, He is always with us and will never leave us. The song talks about how Christ is our hope and our strength, and how we can always trust Him.

2. Sovereign God (Green Room Session) by Journey Worship Co.

The song Sovereign God is a worship song about the power and majesty of God. The lyrics declare that God is sovereign over all things and that His love is everlasting. The song is a reminder that we are never alone, and that God is always with us.

1. Don’t Stop Believin’ by Journey

Artist: Journey Album: Escape Year: 1981

The song is about a man who is down on his luck and is trying to make his way in the world. He is told by someone that he should never give up on his dreams and to never stop believing in himself.

2. I’ve Been Everywhere by Johnny Cash

Artist: Johnny Cash Album: Unchained Year: 1996

The song is a list of places the narrator has been, with the refrain “I’ve been everywhere, man.” The narrator claims to have been to all of the places mentioned in the song, which span several continents.

3. Born to Be Wild by Steppenwolf

Artist: Steppenwolf Album: Steppenwolf Year: 1968

1. “The Road” by C.W. McCall 2. “I’ve Been Everywhere” by Hank Snow 3. “The Wanderer” by Dion 4. “City of New Orleans” by Arlo Guthrie 5. “On the Road Again” by Willie Nelson 6. “Ramblin’ Man” by The Allman Brothers Band 7. “The Times They Are A-Changin'” by Bob Dylan 8. “The Wreck of the Edmund Fitzgerald” by Gordon Lightfoot 9. “The Passenger” by Iggy Pop 10. “Ride the Lightning” by Metallica

4. I’m Gonna Be (500 Miles) by The Proclaimers

Artist: The Proclaimers Album: Hollywood Soundtracks Year: 1987

The song is about a man who is willing to walk 500 miles to be with the woman he loves. He is determined to make the journey, no matter what the obstacles, and he is sure that he will be happy when he finally arrives at her side.

5. Fly Away by Lenny Kravitz

Artist: Lenny Kravitz Album: 5 Year: 1998

The song is about leaving everything behind and starting anew. It talks about how sometimes we need to let go of our past in order to move forward. The chorus repeats the phrase “fly away” which could symbolize letting go of what’s holding us back.

6. You Raise Me Up by Josh Groban

Artist: Josh Groban Album: Closer Year: 2003

“You Raise Me Up” is a song originally composed by Irish-Norwegian duo Secret Garden. The music was written by Secret Garden’s Rolf Løvland and the lyrics by Brendan Graham. After the song was performed early in 2002 by the Secret Garden and their invited lead singer, Brian Kennedy, the song only became a minor hit. In 2003, the song was recorded by the Irish singer Josh Groban, whose version became a global hit. Groban’s recording was produced by David Foster and Humberto Gatica and released on his album Closer. His single achieved considerable adult contemporary and easy listening radio airplay and peaked at number four on the Billboard Hot 100 chart in February 2004. In the United Kingdom, Groban’s version of “You Raise Me Up” peaked at number one in January 2005, becoming his first number-one single there.

7. Kokomo by The Beach Boys

Artist: The Beach Boys Album: Kokomo Year: 1988

“Kokomo” is a song by American rock band the Beach Boys from their 1988 album Still Cruisin’. The song was written by Mike Love, Terry Melcher, and John Phillips, and produced by the Beach Boys and Bruce Johnston. It was released as a single on July 18, 1988, peaking at number one on the Billboard Hot 100 the following month. In the UK, the song peaked at number three on the UK Singles Chart.

8. The Wanderer by Dion DiMucci

Artist: Dion DiMucci Album: Runaround Sue Year: 1961

The song is about a man who is a wanderer and has no home. He has been everywhere and seen everything. He is tired of moving around and wants to find a place to settle down.

9. In the Arms of an Angel by Sarah McLachlan

Artist: Sarah McLachlan Album: Surfacing Year: 1997

The song is about a person who is struggling and feels alone, but is comforted by an angel. The lyrics talk about how the person is going through a tough time and how the angel is there to help them through it.

10. Unchained Melody by The Righteous Brothers

Artist: The Righteous Brothers Album: Just Once in My Life Year: 1965

The song is about a man who is longing for his lost love. He is hoping that she will return to him and they can be together again.

11. Take Me Home, Country Roads by John Denver

Artist: John Denver Album: Poems, Prayers & Promises Year: 1971

The song is about the beauty of West Virginia and the desire to be home. The singer longs for the simplicity of the country life and the peace that comes with it. The song has a nostalgic and wistful tone, and speaks to the longing for a simpler time and place.

12. Around the World by Daft Punk

Artist: Daft Punk Album: Homework Year: 1997

The song is about a journey around the world, starting in France and ending in Japan. Along the way, the traveler experiences a variety of different cultures and sounds.

13. Paris by The Chainsmokers

Artist: The Chainsmokers Album: Memories…Do Not Open Year: 2017

The Chainsmokers are an American electronic music duo consisting of Andrew Taggart and Alex Pall. The song is about a young couple in love in the city of Paris. They are in awe of the city and all it has to offer. They are excited to be in each other’s arms and to experience everything the city has to offer together.

14. The Road to Hell by Chris Rea

Artist: Chris Rea Album: – Year: –

The song is about a man who is headed down a road to self-destruction. He is aware of the danger he is in, but he seems to be powerless to stop himself. The song is a warning to others about the dangers of this road, and the singer pleads with them to turn back before it’s too late.

15. Hallelujah by Rufus Wainwright

Artist: Rufus Wainwright Album: Shrek Year: 2001

The song Hallelujah by Rufus Wainwright is a religious song that talks about praising God. The song is upbeat and has a lot of energy.

16. The Road to Hell (Part II) by Chris Rea

Artist: Chris Rea Album: The Road to Hell (Deluxe Edition) Year: 1989

The song is about a man who is driving down a road to hell, and he is reflecting on his life and how he got there. He talks about how he made some bad choices that led him down this road, and how he regrets them. He also talks about how he is trying to find his way back to the living, and how he is hoping that someone will help him.

1. On the Road Again by Willie Nelson

Artist: Willie Nelson Album: – Year: 1980

The song is about a man who is on the road again and is looking forward to the journey. He is excited to see the different places and people he will encounter along the way.

2. Amazing Grace by LeAnn Rimes

Artist: LeAnn Rimes Album: You Light Up My Life: Inspirational Songs Year: 1997

The song is a cover of the traditional hymn “Amazing Grace.” Rimes’ version is a slower, more emotive take on the song, with her powerful voice conveying the message of the lyrics. The song speaks to the power of God’s grace in saving us from our sins, and how it is something that we can always rely on.

3. Ramblin’ Man by The Allman Brothers Band

Artist: The Allman Brothers Band Album: Brothers and Sisters Year: 1973

The song is about a man who is always on the move and can’t stay in one place for very long. He is always looking for something new and exciting to do.

4. Take It Easy by Eagles

Artist: Eagles Album: Eagles Year: –

The song is about taking it easy and enjoying life despite the challenges that come up. The singer encourages the listener to relax and not worry too much.

5. The Times They Are A-Changin’ by Bob Dylan

Artist: Bob Dylan Album: The Times They Are a-Changin’ Year: 1964

The song is about how the world is constantly changing and how people need to change with it. Dylan sings about how the old ways of doing things are no longer effective and how people need to adapt to the new ways. He also talks about how the future is always unknown and how people need to be prepared for it.

6. Don’t Stop Believin’ by Journey

7. city of new orleans by arlo guthrie.

Artist: Arlo Guthrie Album: Hobo’s Lullaby Year: 1972

The song is a ballad about a train, the City of New Orleans, traveling from Chicago to New Orleans. The singer reflects on the various people and places the train passes through and how they all contribute to the journey. In the end, the singer arrives in New Orleans, where he is “welcomed like a long lost friend.”

8. John Michael Montgomery by Sold (The Grundy County Auction Incident)

Artist: Sold (The Grundy County Auction Incident) Album: – Year: –

This song is about a man who goes to a Grundy County auction and ends up buying a date with a woman named John Michael Montgomery.

9. Rascal Flatts by Rascal Flatts

Artist: Rascal Flatts Album: Me and My Gang Year: 2006

This song is about a young man who is in love with a girl who is in love with someone else. The young man is trying to figure out what to do and how to tell the girl that he loves her.

10. Lynyrd Skynyrd by Sweet Home Alabama

Artist: Sweet Home Alabama Album: – Year: –

“Sweet Home Alabama” is a song by Lynyrd Skynyrd that was released in 1974. The song is about the state of Alabama and how the band members feel about it. They talk about how much they love the state and how it is a great place to live.

11. Willie Nelson by Willie Nelson

The song is about the life of country music singer Willie Nelson. It talks about his humble beginnings, his struggles with addiction, and his eventual success.

12. Travis Tritt by Travis Tritt

Artist: Travis Tritt Album: Down the Road I Go Year: 2000

The song is about the country singer Travis Tritt and how he became successful. It talks about his humble beginnings and how he worked hard to get where he is today.

13. Country Roads – John Denver by John Denver

The song is about the beauty of nature and how it can make people feel. It talks about how country roads can take people away from their troubles and make them feel at peace.

1. Good as Hell by Lizzo

Artist: Lizzo Album: Barbershop: The Next Cut (Original Motion Picture Soundtrack) Year: 2016

The song is about how good Lizzo feels, and how she knows she looks good. She sings about how she doesn’t need a man to make her feel good, because she already does. The song is empowering and uplifting, and makes the listener feel good as well.

2. Ain’t No Mountain High Enough by Marvin Gaye, Tammi Terrell

Artist: Marvin Gaye, Tammi Terrell Album: United Year: 1967

The song is about how no matter how high a mountain is, it cannot stop two people in love from being together.

3. 7 Years by Lukas Graham

Artist: Lukas Graham Album: Lukas Graham (Blue Album) Year: 2015

The song is about a man looking back on his life and reflecting on all that he has accomplished in the span of 7 years. He talks about how time has flown by and how he has grown and changed as a person in that time. He reflects on some of the biggest moments in his life, both good and bad, and how they have all led him to where he is today. In the end, he is grateful for all that he has experienced and learned in those 7 years and looks forward to what the next 7 will bring.

4. I Can See Clearly Now by Jimmy Cliff

Artist: Jimmy Cliff Album: Cool Runnings Year: 1993

I Can See Clearly Now by Jimmy Cliff is a song about how the singer has finally been able to see clearly after going through a tough time. He talks about how he can see the good in life and how he is grateful for what he has.

5. Respect by Aretha Franklin

Artist: Aretha Franklin Album: I Never Loved a Man the Way I Love You Year: 1967

The song Respect by Aretha Franklin is about a woman demanding respect from her man. She is tired of being treated like a doormat and wants him to show her some respect. She sings about how she has given him everything and how she deserves to be treated better. The song is a powerful anthem for women everywhere who feel like they are not being respected.

6. Not Afraid by Eminem

Artist: Eminem Album: Hits June 10 Year: 2010

The song is about overcoming fears and being strong in the face of adversity. It is a motivational song that encourages people to face their fears and to be confident in themselves.

7. Sittin’ On The Dock Of The Bay by Otis Redding

Artist: Otis Redding Album: The Dock of the Bay Year: –

The song is about a man who is sitting on the dock of a bay, watching the tide roll away. He is thinking about all the things he has done in his life and how he is now at peace with himself.

9. The Weight by The Band

Artist: The Band Album: – Year: –

The Weight is a song written by Robbie Robertson and originally performed by The Band in 1968. The song is about a traveler who arrives in a small town and is asked to stay with a family there. The traveler is then asked to do various tasks for the family, including carrying their groceries and picking up their laundry. As the traveler does these things, he thinks about the people he has left behind and the things he has left undone. The song is about the choices we make in life and how they can weigh us down.

10. Up Around the Bend by Creedence Clearwater Revival

Artist: Creedence Clearwater Revival Album: Cosmo’s Factory Year: 1970

The song is about a man who is on the road and looking for adventure. He is tired of his everyday life and is looking for something new. He is willing to take risks and is open to new experiences.

11. Soldier of Love by Sade

Artist: Sade Album: Soldier of Love Year: 2010

The song is about a soldier of love who is willing to fight for love even though they know they may not win. The song is about being willing to risk everything for love.

12. Going Back to Cali by LL Cool J

Artist: LL Cool J Album: Less Than Zero Year: 1987

The song is about a man who is returning to Los Angeles, California after living in New York City. He talks about how he misses the weather and the women in California.

13. Just Fine by Mary J. Blige

Artist: Mary J. Blige Album: Growing Pains Year: 2007

The song is about a woman who is going through a tough time but is determined to remain positive. Despite her challenges, she is doing just fine.

14. Keep On Pushing by The Impressions

Artist: The Impressions Album: – Year: –

The Impressions’ “Keep On Pushing” is an anthem of hope and perseverance. Despite the challenges faced by the singer and those around him, he remains determined to push forward and make a better life for himself and his community. The song features a positive and upbeat message that is sure to inspire listeners to keep fighting for their dreams.

2. The Long and Winding Road by The Beatles

Artist: The Beatles Album: Let It Be Year: 1970

The song is about a relationship that has ended and the singer is looking back on all the happy times they shared together. He is sad and regrets all the things he didn’t do to make the relationship work.

3. Ramble On by Led Zeppelin

Artist: Led Zeppelin Album: Led Zeppelin II Year: 1969

Ramble On is a song by Led Zeppelin from their 1969 album Led Zeppelin II. The song was written by Jimmy Page and Robert Plant, and is one of the band’s most popular songs. The song is about a young man’s journey through life, and his encounters with love, death, and the devil. The song has a very catchy riff, and is one of Led Zeppelin’s most well-known songs.

4. Go Your Own Way by Fleetwood Mac

Artist: Fleetwood Mac Album: Rumours Year: 1977

The song is about a relationship that has ended and the person is telling their former partner that they need to go their own way.

5. Born to Run by Bruce Springsteen

Artist: Bruce Springsteen Album: Born to Run Year: 1975

The song is about a young man’s escape from his hometown. He is in love with a girl named Mary and he wants to take her away to a better life. The song is an anthem for anyone who has ever felt trapped by their circumstances and longed for something better.

6. Take the Long Way Home by Supertramp

Artist: Supertramp Album: Breakfast in America Year: 1979

The song is about a man who is tired of his life and decides to take the long way home. He is tired of the city and the people in it. He wants to find a place where he can be alone and find peace.

7. Running on Empty by Jackson Browne

Artist: Jackson Browne Album: Running on Empty Year: 1977

The song is about a person who is “running on empty” and needs a break. The person is tired of the rat race and just wants to relax and take it easy for a while.

8. Here Comes the Sun by The Beatles

Artist: The Beatles Album: Abbey Road Year: 1969

The song is about the hope that comes with the arrival of springtime.

9. Where the Streets Have No Name by U2

Artist: U2 Album: The Joshua Tree Year: 1987

The song is about poverty and longing for a better life. The lyrics describe the frustration of living in a slum where there is no escape from the grinding poverty and despair. The singer longs for a place where the streets have no name and where there is hope for a better future.

10. Separate Ways (Worlds Apart) by Journey

Artist: Journey Album: Frontiers Year: 1983

The song is about a couple who have grown apart and are now living separate lives. The singer is reminiscing about the good times they had together and how they are now living in different worlds.

11. Don’t Stop Believin’ by Journey

12. send her my love by journey.

The song is about a man who is thinking about a past love. He is wondering how she is doing and if she is happy. He still loves her and thinks about her often.

13. Lights by Infinity

Artist: Infinity Album: – Year: –

The song is about a person who is in a relationship with someone who is not good for them. They are trying to get away from this person, but they keep coming back. The person is warning them that they need to get away from this person before they get hurt.

14. Wheel in the Sky by Journey

Artist: Journey Album: Infinity Year: 1978

The song is about a person who is searching for meaning in their life. They feel lost and alone, but they continue to search for answers.

15. Open Arms by Journey

Artist: Journey Album: Escape Year: –

The song is about a couple who are going through a tough time and are struggling to communicate with each other. The song is about the idea of trying to find comfort in each other’s arms and being there for each other no matter what.

16. Faithfully by Journey

The song is about a man who is struggling to keep his relationship alive despite the fact that he is always on the road. He is faithful to his love, but he knows that it is taking a toll on their relationship.

17. Any Way You Want It by Journey

Artist: Journey Album: Departure Year: 1980

The song is about a person who is willing to do anything for love. They are willing to go to any length and do whatever it takes to make the relationship work.

1. I Can Only Imagine by MercyMe

Artist: MercyMe Album: The Worship Project Year: 1999

The song is about a person imagining what it will be like to be in heaven. The person imagines being in a beautiful place with no more pain or suffering. They imagine being reunited with loved ones who have died and being able to worship God freely. The song is a reminder that even though we don’t know what heaven will be like, we can trust that it will be better than anything we can imagine.

2. I’m Gonna Be (500 Miles) by The Proclaimers

3. what a wonderful world by louis armstrong.

Artist: Louis Armstrong Album: – Year: –

The song What a Wonderful World by Louis Armstrong is a feel-good song about how great the world is. Armstrong’s vocals are smooth and comforting, making the listener feel at ease. The lyrics talk about all the wonderful things in the world, from the beauty of nature to the happiness of children. It’s a simple song, but it’s one that always makes people feel good.

4. With Christ by Journey Worship Co.

5. through life’s journey by drew greenway.

Artist: Drew Greenway Album: Through Life’s Journey Year: 2015

The song is about a man’s journey through life and how he has been changed by it. He reflects on the people and experiences that have shaped him and how they have helped him to grow and become the person he is today. He is thankful for the journey, even though it has been difficult at times, and he knows that it has made him a better person.

6. The Journey by ICF Worship

Artist: ICF Worship Album: Valleys and Wonders Year: 2016

The Journey is a song about the ups and downs of life and how God is always with us through it all. The song talks about how we all have a journey to take and how we need to trust God to lead us through it. The song is a reminder that no matter what happens in life, God is always with us and will never leave us alone.

7. Jesus on My Journey by Kids On The Move

Artist: Kids On The Move Album: Greater Is He Year: 2011

The song is about a young child’s journey with Jesus. The child starts off by asking Jesus to come with them on their journey, and then talks about all the different places they go and the things they see. The child eventually gets tired and wants to go home, but Jesus tells them to keep going. The child then talks about how they finally make it to the end of their journey and how happy they are to be there with Jesus.

8. My Christian Journey by Pilgrim Jubilees

Artist: Pilgrim Jubilees Album: Trouble In The Street Year: 1997

The song ‘My Christian Journey by Pilgrim Jubilees’ is a song about a person’s journey through life and how their faith has helped them along the way. The lyrics talk about how the person has faced many challenges and obstacles, but their faith has always been there to help them overcome them. The song is a reminder that no matter what life throws at us, our faith will always be there to help us through it.

9. Through All of It by Colton Dixon

Artist: Colton Dixon Album: Anchor Year: 2014

The song is about continuing to push forward even when life gets tough. It talks about how God is always there for us, even when we feel alone. It is a song of hope and encouragement.

10. Sovereign God (Green Room Session) by Journey Worship Co.

11. the prayer by marcelito pomoy.

Artist: Marcelito Pomoy Album: Split Year: 2013

The song ‘The Prayer by Marcelito Pomoy’ is a beautiful ballad that tells the story of a man who is asking for God’s guidance and strength. The lyrics are full of emotion and the music is very moving. This song is sure to touch the hearts of those who hear it.

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Are ‘Forever Chemicals’ a Forever Problem?

The environmental protection agency says “forever chemicals” must be removed from tap water. but they lurk in much more of what we eat, drink and use..

This transcript was created using speech recognition software. While it has been reviewed by human transcribers, it may contain errors. Please review the episode audio before quoting from this transcript and email [email protected] with any questions.

From “The New York Times,” I’m Sabrina Tavernise. And this is “The Daily.”

[THEME MUSIC]

This month for the first time, the Environmental Protection Agency began to regulate a class of synthetic chemicals, known as forever chemicals, in America’s drinking water. But the chemicals, which have been linked to liver disease and other serious health problems, are in far more than just our water supply. Today, my colleague Kim Tingley explains.

It’s Wednesday, April 17.

So Kim, any time the EPA announces a regulation, I think we all sort of take notice because implicit in it is this idea that we have been exposed to something — something bad, potentially, lead or asbestos. And recently, the EPA is regulating a type of chemical known as PFAS So for those who don’t know, what are PFAS chemicals

Yeah, so PFAS stands for per and polyfluoroalkyl substances. They’re often called forever chemicals just because they persist so long in the environment and they don’t easily break down. And for that reason, we also use them in a ton of consumer products. They’re in makeup. They’re in carpet. They’re in nonstick cookware. They’re in food packaging, all sorts of things.

Yeah, I feel like I’ve been hearing about these chemicals actually for a very long time. I mean, nonstick pans, Teflon — that’s the thing that’s in my mind when I think PFAS.

Absolutely. Yeah, this class of chemicals has been around for decades. And what’s really important about this is that the EPA has decided, for the first time, to regulate them in drinking water. And that’s a ruling that stands to affect tens of millions of people.

So, help me understand where these things came from and how it’s taken so long to get to the point where we’re actually regulating them.

So, they really actually came about a long time ago. In 1938, DuPont, the people who eventually got us to Teflon, they were actually looking for a more stable kind of refrigerant. And they came upon this kind of chemical, PFAS. The thing that all PFAS chemicals have is a really strong bond between carbon atoms and fluorine atoms. This particular pairing is super strong and super durable.

They have water repellent properties. They’re stain resistant. They’re grease resistant. And they found a lot of uses for them initially in World War II. They were using them as part of their uranium enrichment process to do all these kinds of things. And then —

Well, good thing it’s Teflon.

In the 1950s is when they really started to come out as commercial products.

Even burned food won’t stick to Teflon. So it’s always easy to clean.

So, DuPont started using it in Teflon pans.

Cookware never needs scouring if it has DuPont Teflon.

And then another company, 3M also started using a kind of PFAS —

Scotchgard fabric protector. It keeps ordinary spills from becoming extraordinary stains.

— in one of their big products, Scotchgard. So you probably remember spraying that on your shoes if you want to make your shoes waterproof.

Use Scotchgard fabric protector and let your cup runneth over.

Right — miracle product, Scotchgard, Teflon. But of course, we’re talking about these chemicals because they’ve been found to pose health threats. When does that risk start to surface?

Yeah, so it’s pretty early on that DuPont and 3M start finding effects in animals in studies that they’re running in house.

Around the mid ‘60s, they start seeing that PFAS has an effect on rats. It’s increasing the liver and kidney weights of the rats. And so that seems problematic. And they keep running tests over the next decade and a half. And they try different things with different animals.

In one study, they gave monkeys really, really high levels of PFAS. And those monkeys died. And so they have a pretty strong sense that these chemicals could be dangerous. And then in 1979, they start to see that the workers that are in the plants manufacturing, working with these chemicals, that they’re starting to have higher rates of abnormal liver function. And in a Teflon plant, they had some pregnant workers that were working with these chemicals. And one of those workers in 1981 gave birth to a child who had some pretty severe birth defects.

And then by the mid 1980s, DuPont figures out that it’s not just their workers who are being exposed to these chemicals, but communities that are living in areas surrounding their Teflon plant, particularly the one in Parkersburg, West Virginia, that those communities have PFAS in their tap water.

Wow, so based on its own studies, DuPont knows its chemicals are making animals sick. They seem to be making workers sick. And now they found out that the chemicals have made their way into the water supply. What do they do with that information?

As far as we know, they didn’t do much. They certainly didn’t tell the residents of Parkersburg who were drinking that water that there was anything that they needed to be worried about.

How is that possible? I mean, setting aside the fact that DuPont is the one actually studying the health effects of its own chemicals, presumably to make sure they’re safe, we’ve seen these big, regulating agencies like the EPA and the FDA that exist in order to watch out for something exactly like this, a company that is producing something that may be harming Americans. Why weren’t they keeping a closer watch?

Yeah, so it goes kind of back to the way that we regulate chemicals in the US. It goes through an act called the Toxic Substances Control Act that’s administered by the EPA. And basically, it gives companies a lot of room to regulate themselves, in a sense. Under this act they have a responsibility to report to the EPA if they find these kinds of potential issues with a chemical. They have a responsibility to do their due diligence when they’re putting a chemical out into the environment.

But there’s really not a ton of oversight. The enforcement mechanism is that the EPA can find them. But this kind of thing can happen pretty easily where DuPont keeps going with something that they think might really be a problem and then the fine, by the time it plays out, is just a tiny fraction of what DuPont has earned from producing these chemicals. And so really, the incentive is for them to take the punishment at the end, rather than pull it out early.

So it seems like it’s just self-reporting, which is basically self-regulation in a way.

Yeah, I think that is the way a lot of advocacy groups and experts have characterized it to me, is that chemical companies are essentially regulating themselves.

So how did this danger eventually come to light? I mean, if this is in some kind of DuPont vault, what happened?

Well, there’s a couple different things that started to happen in the late ‘90s.

The community around Parkersburg, West Virginia, people had reported seeing really strange symptoms in their animals. Cows were losing their hair. They had lesions. They were behaving strangely. Some of their calves were dying. And a lot of people in the community felt like they were having health problems that just didn’t really have a good answer, mysterious sicknesses, and some cases of cancers.

And so they initiate a class action lawsuit against DuPont. As part of that class action lawsuit, DuPont, at a certain point, is forced to turn over all of their internal documentation. And so what was in the files was all of that research that we mentioned all of the studies about — animals, and workers, the birth defects. It was really the first time that the public saw what DuPont and 3M had already seen, which is the potential health harms of these chemicals.

So that seems pretty damning. I mean, what happened to the company?

So, DuPont and 3M are still able to say these were just a few workers. And they were working with high levels of the chemicals, more than a person would get drinking it in the water. And so there’s still an opportunity for this to be kind of correlation, but not causation. There’s not really a way to use that data to prove for sure that it was PFAS that caused these health problems.

In other words, the company is arguing, look, yes, these two things exist at the same time. But it doesn’t mean that one caused the other.

Exactly. And so one of the things that this class action lawsuit demands in the settlement that they eventually reach with DuPont is they want DuPont to fund a formal independent health study of the communities that are affected by this PFAS in their drinking water. And so they want DuPont to pay to figure out for sure, using the best available science, how many of these health problems are potentially related to their chemicals.

And so they ask them to pay for it. And they get together an independent group of researchers to undertake this study. And it ends up being the first — and it still might be the biggest — epidemiological study of PFAS in a community. They’ve got about 69,000 participants in this study.

Wow, that’s big.

It’s big, yeah. And what they ended up deciding was that they could confidently say that there was what they ended up calling a probable link. And so they were really confident that the chemical exposure that the study participants had experienced was linked to high cholesterol, ulcerative colitis, thyroid disease, testicular cancer, kidney cancer, and pregnancy induced hypertension.

And so those were the conditions that they were able to say, with a good degree of certainty, were related to their chemical exposure. There were others that they just didn’t have the evidence to reach a strong conclusion.

So overall, pretty substantial health effects, and kind of vindicates the communities in West Virginia that were claiming that these chemicals were really affecting their health.

Absolutely. And as the years have gone on, that was sort of just the beginning of researchers starting to understand all the different kinds of health problems that these chemicals could potentially be causing. And so since the big DuPont class action study, there’s really just been like this building and building and building of different researchers coming out with these different pieces of evidence that have accumulated to a pretty alarming picture of what some of the potential health outcomes could be.

OK, so that really kind of brings us to the present moment, when, at last, it seems the EPA is saying enough is enough. We need to regulate these things.

Yeah, it seems like the EPA has been watching this preponderance of evidence accumulate. And they’re sort of deciding that it’s a real health problem, potentially, that they need to regulate.

So the EPA has identified six of these PFAS chemicals that it’s going to regulate. But the concern that I think a lot of experts have is that this particular regulation is not going to keep PFAS out of our bodies.

We’ll be right back.

So, Kim, you just said that these regulations probably won’t keep PFAS chemicals out of our bodies. What did you mean?

Well, the EPA is talking about regulating these six kinds of PFAS. But there are actually more than 10,000 different kinds of PFAS that are already being produced and out there in the environment.

And why those six, exactly? I mean, is it because those are the ones responsible for most of the harm?

Those are the ones that the EPA has seen enough evidence about that they are confident that they are probably causing harm. But it doesn’t mean that the other ones are not also doing something similar. It’s just sort of impossible for researchers to be able to test each individual chemical compound and try to link it to a health outcome.

I talked to a lot of researchers who were involved in this area and they said that they haven’t really seen a PFAS that doesn’t have a harm, but they just don’t have information on the vast majority of these compounds.

So in other words, we just haven’t studied the rest of them enough yet to even know how harmful they actually are, which is kind of alarming.

Yeah, that’s right. And there’s just new ones coming out all the time.

Right. OK, so of the six that the EPA is actually intending to regulate, though, are those new regulations strict enough to keep these chemicals out of our bodies?

So the regulations for those six chemicals really only cover getting them out of the drinking water. And drinking water only really accounts for about 20 percent of a person’s overall PFAS exposure.

So only a fifth of the total exposure.

Yeah. There are lots of other ways that you can come into contact with PFAS. We eat PFAS, we inhale PFAS. We rub it on our skin. It’s in so many different products. And sometimes those products are not ones that you would necessarily think of. They’re in carpets. They’re in furniture. They’re in dental floss, raincoats, vinyl flooring, artificial turf. All kinds of products that you want to be either waterproof or stain resistant or both have these chemicals in them.

So, the cities and towns are going to have to figure out how to test for and monitor for these six kinds of PFAS. And then they’re also going to have to figure out how to filter them out of the water supply. I think a lot of people are concerned that this is going to be just a really expensive endeavor, and it’s also not really going to take care of the entire problem.

Right. And if you step back and really look at the bigger problem, the companies are still making these things, right? I mean, we’re running around trying to regulate this stuff at the end stage. But these things are still being dumped into the environment.

Yeah. I think it’s a huge criticism of our regulatory policy. There’s a lot of onus put on the EPA to prove that a harm has happened once the chemicals are already out there and then to regulate the chemicals. And I think that there’s a criticism that we should do things the other way around, so tougher regulations on the front end before it goes out into the environment.

And that’s what the European Union has been doing. The European Chemicals Agency puts more of the burden on companies to prove that their products and their chemicals are safe. And the European Chemicals Agency is also, right now, considering just a ban on all PFAS products.

So is that a kind of model, perhaps, of what a tough regulation could look like in the US?

There’s two sides to that question. And the first side is that a lot of people feel like it would be better if these chemical companies had to meet a higher standard of proof in terms of demonstrating that their products or their chemicals are going to be safe once they’ve been put out in the environment.

The other side is that doing that kind of upfront research can be really expensive and could potentially limit companies who are trying to innovate in that space. In terms of PFAS, specifically, this is a really important chemical for us. And a lot of the things that we use it in, there’s not necessarily a great placement at the ready that we can just swap in. And so it’s used in all sorts of really important medical devices or renewable energy industries or firefighting foam.

And in some cases, there are alternatives that might be safer that companies can use. But in other cases, they just don’t have that yet. And so PFAS is still really important to our daily lives.

Right. And that kind of leaves us in a pickle because we know these things might be harming us. Yet, we’re kind of stuck with them, at least for now. So, let me just ask you this question, Kim, which I’ve been wanting to ask you since the beginning of this episode, which is, if you’re a person who is concerned about your exposure to PFAS, what do you do?

Yeah. So this is really tricky and I asked everybody this question who I talked to. And everybody has a little bit of a different answer based on their circumstance. For me what I ended up doing was getting rid of the things that I could sort of spot and get rid of. And so I got rid of some carpeting and I checked, when I was buying my son a raincoat, that it was made by a company that didn’t use PFAS.

It’s also expensive. And so if you can afford to get a raincoat from a place that doesn’t manufacture PFAS, it’s going to cost more than if you buy the budget raincoat. And so it’s kind of unfair to put the onus on consumers in that way. And it’s also just not necessarily clear where exactly your exposure is coming from.

So I talk to people who said, well, it’s in dust, so I vacuum a lot. Or it’s in my cleaning products, so I use natural cleaning products. And so I think it’s really sort of a scattershot approach that consumers can take. But I don’t think that there is a magic approach that gets you a PFAS-free life.

So Kim, this is pretty dark, I have to say. And I think what’s frustrating is that it feels like we have these government agencies that are supposed to be protecting our health. But when you drill down here, the guidance is really more like you’re on your own. I mean, it’s hard not to just throw up your hands and say, I give up.

Yeah. I think it’s really tricky to try to know what you do with all of this information as an individual. As much as you can, you can try to limit your individual exposure. But it seems to me as though it’s at a regulatory level that meaningful change would happen, and not so much throwing out your pots and pans and getting new ones.

One thing about PFAS is just that we’re in this stage still of trying to understand exactly what it’s doing inside of us. And so there’s a certain amount of research that has to happen in order to both convince people that there’s a real problem that needs to be solved, and clean up what we’ve put out there. And so I think that we’re sort of in the middle of that arc. And I think that that’s the point at which people start looking for solutions.

Kim, thank you.

Here’s what else you should know today. On Tuesday, in day two of jury selection for the historic hush money case against Donald Trump, lawyers succeeded in selecting 7 jurors out of the 12 that are required for the criminal trial after failing to pick a single juror on Monday.

Lawyers for Trump repeatedly sought to remove potential jurors whom they argued were biased against the president. Among the reasons they cited were social media posts expressing negative views of the former President and, in one case, a video posted by a potential juror of New Yorkers celebrating Trump’s loss in the 2020 election. Once a full jury is seated, which could come as early as Friday, the criminal trial is expected to last about six weeks.

Today’s episode was produced by Clare Toeniskoetter, Shannon Lin, Summer Thomad, Stella Tan, and Jessica Cheung, with help from Sydney Harper. It was edited by Devon Taylor, fact checked by Susan Lee, contains original music by Dan Powell, Elisheba Ittoop, and Marion Lozano, and was engineered by Chris Wood.

Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly.

That’s it for The Daily. I’m Sabrina Tavernise. See you tomorrow.

• April 18, 2024   •   30:07 The Opening Days of Trump’s First Criminal Trial
• April 17, 2024   •   24:52 Are ‘Forever Chemicals’ a Forever Problem?
• April 16, 2024   •   29:29 A.I.’s Original Sin
• April 15, 2024   •   24:07 Iran’s Unprecedented Attack on Israel
• April 14, 2024   •   46:17 The Sunday Read: ‘What I Saw Working at The National Enquirer During Donald Trump’s Rise’
• April 12, 2024   •   34:23 How One Family Lost $900,000 in a Timeshare Scam
• April 11, 2024   •   28:39 The Staggering Success of Trump’s Trial Delay Tactics
• April 10, 2024   •   22:49 Trump’s Abortion Dilemma
• April 9, 2024   •   30:48 How Tesla Planted the Seeds for Its Own Potential Downfall
• April 8, 2024   •   30:28 The Eclipse Chaser
• April 7, 2024 The Sunday Read: ‘What Deathbed Visions Teach Us About Living’
• April 5, 2024   •   29:11 An Engineering Experiment to Cool the Earth

Hosted by Sabrina Tavernise

Featuring Kim Tingley

Produced by Clare Toeniskoetter ,  Shannon M. Lin ,  Summer Thomad ,  Stella Tan and Jessica Cheung

With Sydney Harper

Edited by Devon Taylor

Original music by Dan Powell ,  Elisheba Ittoop and Marion Lozano

Engineered by Chris Wood

Listen and follow The Daily Apple Podcasts | Spotify | Amazon Music

The Environmental Protection Agency has begun for the first time to regulate a class of synthetic chemicals known as “forever chemicals” in America’s drinking water.

Kim Tingley, a contributing writer for The New York Times Magazine, explains how these chemicals, which have been linked to liver disease and other serious health problems, came to be in the water supply — and in many more places.

On today’s episode

Kim Tingley , a contributing writer for The New York Times Magazine.

Background reading

“Forever chemicals” are everywhere. What are they doing to us?

The E.P.A. issued its rule about “forever chemicals” last week.

There are a lot of ways to listen to The Daily. Here’s how.

We aim to make transcripts available the next workday after an episode’s publication. You can find them at the top of the page.

Fact-checking by Susan Lee .

The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, M.J. Davis Lin, Dan Powell, Sydney Harper, Mike Benoist, Liz O. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Corey Schreppel, Rob Szypko, Elisheba Ittoop, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, John Ketchum, Nina Feldman, Will Reid, Carlos Prieto, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Dan Farrell, Sophia Lanman, Shannon Lin, Diane Wong, Devon Taylor, Alyssa Moxley, Summer Thomad, Olivia Natt, Daniel Ramirez and Brendan Klinkenberg.

Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sam Dolnick, Paula Szuchman, Lisa Tobin, Larissa Anderson, Julia Simon, Sofia Milan, Mahima Chablani, Elizabeth Davis-Moorer, Jeffrey Miranda, Renan Borelli, Maddy Masiello, Isabella Anderson and Nina Lassam.

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Legacy of a Legend: Tupac's Top Five Songs That Defined an Era

T upac Shakur, better known by his stage name 2Pac, was a well-known rapper and significant player in the music business. His captivating character, impactful melodies, and commitment to addressing social issues left a lasting imprint on the industry. While it's hard to narrow down Tupac's vast discography to just five standout tracks, let's take a closer look at five of his biggest hits that continue to have significant fan bases and bear witness to his lasting influence.

"Dear Mama"

One of Tupac's most iconic and emotional songs, "Dear Mama," is a heartfelt tribute to his mother and all mothers worldwide. Released in 1995, this track showcases Tupac's vulnerability and gratitude as he expresses love and appreciation for the sacrifices his mother made. The song's deeply personal lyrics and soulful melody make it an enduring anthem that resonates with listeners profoundly.

"Changes" is a powerful and socially conscious song that addresses the persistent issues of inequality and racism. Released in 1998, it highlights Tupac's ability to fuse thought-provoking lyrics with infectious beats. The song's message of unity and the need for societal change remains relevant today, making it an enduring testament to Tupac's ability to articulate and shed light on pressing issues.

"California Love"

A collaboration with Dr. Dre, "California Love" remains one of Tupac's most recognizable and energetic tracks. Released in 1995, this song captured the essence of West Coast hip-hop and became an instant hit. It's infectious hooks and captivating production continue to make it a crowd favorite and a symbol of Tupac's musical versatility.

"Keep Ya Head Up"

"Keep Ya Head Up" exemplifies Tupac's commitment to addressing the struggles faced by women and promoting unity within the community. Released in 1993, the song delivers a powerful message of empowerment and resilience, encouraging listeners to persevere through adversity. Its uplifting lyrics and soulful melody demonstrate Tupac's ability to inspire and instill hope through his music.

"Hail Mary"

Released posthumously in 1997, "Hail Mary" stands as a testament to Tupac's lyrical prowess and artistic depth. The track delves into themes of mortality, spirituality, and the struggles of life. It's haunting production and introspective lyrics create a somber yet captivating atmosphere, leaving a lasting impact on listeners.:

Tupac Shakur's legacy as a pioneering artist and cultural icon remains unparalleled. While it is challenging to select only five of his best songs, "Dear Mama," "Changes," "California Love," "Keep Ya Head Up," and "Hail Mary" stand as remarkable examples of Tupac's musical genius. These tracks encapsulate his ability to convey raw emotions, address societal issues, and connect with listeners on a deeply personal level. Tupac's timeless songs continue to inspire, provoke thought, and resonate with new generations, ensuring that his legacy as an influential figure in the music world will endure for years to come.

50 Songs About Money

TheTop Yacht Rock Songs of All Time

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2024 WNBA Draft results: Tracker, order, grades with Caitlin Clark taken by Fever, Angel Reese heading to Sky

Cameron brink, kamilla cardoso and rickea jackson rounded out the lottery behind clark.

The star-studded 2024 WNBA Draft tipped off in style Monday, as the Indiana Fever selected Iowa superstar and back-to-back Naismith Player of the Year Caitlin Clark with the No. 1 overall pick . Clark will pair with former South Carolina star Aliyah Boston, who the Fever took at No. 1 last year. 

Naismith Defensive Player of the Year Cameron Brink was the No. 2 pick, and she's heading south from Stanford to Los Angeles to join the Sparks. There, she'll team up with Rickea Jackson from Tennessee, whom the Sparks add with their second lottery pick at No. 4 overall. 

The SEC championship game was headlined by the post battle between Kamilla Cardoso and Angel Reese. Now, just a few weeks later, the two stars are teammates after the Chicago Sky selected them at No. 3 and 7, respectively.  

Also in the first round, the Dallas Wings took Ohio State's Jacy Sheldon with the No. 5 overall pick, while UConn forward Aaliyah Edwards was selected sixth by the Washington Mystics, becoming the 27th Husky to be selected in the first round of the WNBA Draft. 

Some notable players drafted outside of the first round include Nika Muhl (No. 14 to the Storm), Dyaisha Fair (No. 16 to the Aces), Elizabeth Kitley (No. 24 to the Aces) and Charisma Osborne (No. 25 to the Mercury). Later in the night, the Aces took Jackson State's Angel Jackson with the No. 36 pick, and with that another draft is in the books. 

While the draft is over, anticipation for the forthcoming WNBA season is only rising, and fans can help ease the wait by purchasing  Clark's Fever jersey .

Angel Jackson closes out the show

Jackson State center Angel Jackson went No. 36 overall to the Washington Mystics, and with that the 2024 WNBA Draft is officially over. She was a two-time SWAC Defensive Player of the Year who averaged nearly three blocks per game for the Tigers as she led them to the NCAA Tournament this season. 

Osborne off the board to Phoenix

Charisma Osborne's long wait is over. She was the last player left in the green room and is finally off the board at No. 25 overall to the Phoenix Mercury. While no one wants to drop that far, the Mercury is a great landing spot for Osborne, as she has a real chance to make that roster. This is a steal for the Mercury in the third round

Aces take Kate Martin

Kate Martin admitted she was at the draft mainly to support her college teammate Caitlin Clark, but she was also hopeful to hear her name called. She did in the middle of the second round, when the Aces selected her with the No. 18 overall. It may be an uphill battle for her to make the roster, but she works had and is a versatile player. 

Muhl goes to the Storm

Nika Muhl is finally off the board. The UConn star dropped out of the first round, which was great news for the Storm, who did not have a pick until No. 14 overall. Muhl is a floor general and a dogged defender who can knock down open shots and profiles as a long-term back-up point guard. Nice get for the Storm here

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