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Re-Style tour history

About re-style.

Re-Style was born 37 years ago, on Thursday, 13 March 1986.

Based on our research data, it appears, that the first Re-Style concert happened 15 years ago on Thu, 05 Feb 2009 in Harlot - San Francisco, US and that the last Re-Style concert was 1 year ago on Thu, 27 Apr 2023 in Zuiderpark - The Hague, Netherlands.

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Re-Style Tour Dates

• TECHNO / ELECTRONIC

Currently there haven't been any big Re-Style concerts or tours unveiled for cities in the US. Sign up for our Concert Tracker to get notified when Re-Style events have been booked to the calendar. For up-to-date announcements of Re-Style shows, check out our Facebook page . In the meantime, take a look at other Techno / Electronic performances coming up by Vlossom , Boogie T , and Dance With The Dead .

Re-Style Concert Schedule

No events =(, about re-style tour albums.

Re-Style showed up on to the Techno / Electronic scene with the release of tour album "Masters Of Hardcore The Conquest Of Fury", released on N/A. The song was instantly a hit and made Re-Style one of the new great concerts to attend. Subsequently following the appearance of "Masters Of Hardcore The Conquest Of Fury", Re-Style published "Get It Crackin (Sefa Remix)" on N/A. The album "Get It Crackin (Sefa Remix)" stayed as one of the higly regarded tour albums from Re-Style. The Tour Albums three top tunes included , , and and are a fan favorite at every show. Re-Style has published 7 more tour albums since "Get It Crackin (Sefa Remix)". After 0 years of albums, Re-Style best tour album has been "Masters Of Hardcore The Conquest Of Fury" and some of the most popular concert songs are , , and .

Re-Style Tour Albums and Songs

Re-Style: Get It Crackin (Sefa Remix)

Re-Style: Leap Of Faith

Re-Style: Feel Alive

Re-Style: One Last Dance

Re-Style: Wildfire

• Wildfire (Radio Edit)

Re-Style Concert Tour Questions & Comments

Re-style tour and concert ticket information.

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Re-Style may come to a city near you. View the Re-Style schedule above and press the ticket icon to view our big selection of tickets. Look through our selection of Re-Style front row tickets, luxury boxes and VIP tickets. As soon as you find the Re-Style tickets you desire, you can purchase your tickets from our safe and secure checkout. Orders taken before 5pm are normally shipped within the same business day. To purchase last minute Re-Style tickets, look for the eTickets that can be downloaded instantly.

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LESS NOISE. MORE MUSIC.

Re:SET was conceived as an artist and fan friendly alternative to the standard summer concert experience. Taking place over four weekends in the month of June, each weekend will see three cities in the same region hosting, with each Re:SET headliner playing each city on consecutive days. The concept provides artists a respite from the cookie-cutter summer itinerary of sheds and amphitheaters, while fans get a leisurely day that features full sets from every artist, on one stage with no conflicts.

The world’s #1 hardcore brand

10th of April 2020

Hardcore Therapy by Re-Style

Club tour switzerland | line-up reveal.

Frenchcore Friday Playlist Takeover by Dr. Peacock

The ‘Hardcore Therapy’ Livestream gave you heavy hardcore session to listen to! Re-Style, Mad Dog, Angerfist, Deadly Guns and Partyraiser brought Masters of Hardcore from the Brabanthallen, straight into your living room on the 28th of March.

The ‘Hardcore Therapy’ session of Re-Style is here to cheer you up! Watch his full set at mastersofhardcore.com/hardcore-therapy .

CREDITS Video: Video: Epic Cinema & GooseFrame for Squere Production: Purple Group & PW Elektra Event Services Animations: Editz & E-Motion Media Location: De Brabanthallen

Masters of Hardcore 2022 – Magnum Opus (25 years)

26th of March 2022

22:00 - 08:00

Brabanthallen, 's-Hertogenbosch

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2024 Zurich Classic live stream, TV schedule, how to watch online, channel, tee times, radio, golf coverage

Grab a partner for this team-style event on the pga tour.

For the seventh straight year, players will travel down to the Bayou to take part in the PGA Tour's annual team-style event. The 2024 Zurich Classic welcomes 80 teams of two as partners hope to grab a trophy by week's end at TPC Louisiana.

Headlining the action are the two players who seemingly do everything together: Xander Schauffele and Patrick Cantlay. The good friends were victorious in their first go around in 2022 but failed to defend their title a season ago in large part due to their play in four-ball; Schauffele and Cantlay were more effective in foursomes in Rounds 2 and 4 than they were in the four-ball format in Rounds 1 and 3. 

They will hope to rectify this shortcoming in their third appearance together against a number of new pairings making their debuts. They include world No. 2 Rory McIlroy, who will be making his first tournament appearance alongside Shane Lowry. The two have shared Ryder Cup moments together and will now share their first Zurich Classic starts together hoping to find a little form in this format. 

The two could prove to be Schauffele and Cantlay's greatest competition, but they will not be alone. Will Zalatoris and Sahith Theegala are a strong duo on paper, as are Collin Morikawa and Kurt Kitayama. Adam Hadwin and Nick Taylor hope to do one better than their runner-up performance in 2023, with Corey Conners and Taylor Pendrith also starring as an all-Canadian team. 

The brothers of Alex and Matt Fitzpatrick team up for the second straight year, with Rasmus and Nicolai Hojgaard and Parker and Pierceson Coody also making this week a family affair.

All times Eastern; streaming start times approximated   

Round 1 - Thursday

Round starts:  8 a.m.

PGA Tour Live:  8 a.m. -  6:30 p.m. --  PGA Tour Live

Live TV coverage:  3:30 - 6:30 p.m. on Golf Channel,  fubo  (Try for free) Live streaming:  3:30 - 6:30 p.m. on Peacock

Radio:  1 - 6:30 p.m. --  PGA Tour Radio  

Round 2 - Friday

Round 3 - saturday.

Round starts:  9 a.m.

PGA Tour Live:  9 a.m. -  6 p.m. --  PGA Tour Live

Early TV coverage:  12:45 - 2:45 p.m. on Golf Channel,  fubo  (Try for free) Live streaming:  12:45 - 2:45 p.m. on Peacock

Live TV coverage:  3-6 p.m. on CBS Live simulcast:  3-6 p.m. on  CBSSports.com  and the  CBS Sports App

Radio:  1-6 p.m. --  PGA Tour Radio  

Round 4 - Sunday

Round starts:  10:30 a.m.

PGA Tour Live:  10:30 a.m. -  6 p.m. --  PGA Tour Live

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Upcycled couture collection is made with discarded materials from Hyundai Motor’s electric vehicles.

March 23, 2023

Hyundai Motor Company has announced Re:Style 2023 with renowned designer, Jeremy Scott .

Re:Style, now in its fourth year, is an eco-friendly upcycled fashion platform with internationally acclaimed designers transforming automotive waste into fashion items. This year features a haute couture collection by Jeremy Scott made with discarded materials from Hyundai Motor’s electric vehicles, together with deadstock fabrics. New materials derived from parts such as wheels, seat belts, taillights and wipers highlight the uniqueness of Re:Style with the innovation and wit of Jeremy Scott. 

The Hyundai Re:Style Exhibition is being presented at AP Again in Seongsu-dong for three weeks. As the first Re:Style exhibition to be held in Korea, the opening, which began March 23, is also in line with the global launch of the new KONA Electric. 

Designs from the Re:Style collection.

The exhibition space is designed with a parametric pixel motif, a representative element of Hyundai Motor’s electric vehicle lineup. In addition to the collection and archive exhibitions, the archive book and brand film will also be showcased for a more sensory experience.

“In line with the global launch of KONA Electric, Hyundai Motor Company is making various efforts to combine the vision of electrification with cultural content,” says Sungwon Jee, senior vice president and global chief marketing officer, Hyundai Motor Company. “We hope Hyundai Re:Style Exhibition’s very first opening in Korea will provide an opportunity to communicate and share the brand's vision of sustainability and innovation with our customers.” 

Related: Hyundai Issues Community-Based NFT

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Come for the Torture, Stay for the Poetry: This Might Be Taylor Swift’s Most Personal Album Yet

By Rob Sheffield

Rob Sheffield

Poets only want love if it’s torture. And when the poet is Taylor Swift , you always have to figure love and torture are never more than a few verses apart. Taylor became a legend as the poet laureate of teen romance. But that was kid stuff compared to the adult heartbreak of her stunning new album, The Tortured Poets Department . A year after getting out of a six-year relationship, Taylor’s got bad men on the brain. But they’ve always been her specialty. As she notes here, in a poem she includes in the physical edition, “It’s the worst men that I write best.”

Taylor Swift Busts Out the Quill Pen and Delivers an Epic Double Album with ‘TTPD: The Anthology’

Taylor swift’s new album opens with a stevie nicks poem, fans think taylor swift’s ‘thank you aimee’ is about kim kardashian.

Even by Swiftian standards, she gets wildly ambitious with her songwriting here. This is an album that begins with an introductory poem by Stevie Nicks . The title song’s chorus goes, “You’re not Dylan Thomas/I’m not Patti Smith/This ain’t the Chelsea Hotel/We’re modern idiots.” In other words, it’s the small-town teen romance of “White Horse” updated for the big old city. Until you remember that the tortured poet Dylan Thomas famously died at his favorite Greenwich Village bar — which happened to be the White Horse Tavern. That’s the level she’s working on here.

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You can hear that it’s an album made in the aftershock of the Eras Tour, which was bigger than even Taylor could have wildest-dreamed. One revelation from the Eras Tour was how epic the Folklore and (especially) Evermore songs sounded, when ringing out loud in a stadium. It sounds as though Swift was shocked at how it felt to play her quietest songs live and hear how gigantic they could be given enough room. So Tortured Poets feels like Swift writing those Folkmore -and-(especially)- Evermore ballads, but giving them that stadium power in the studio.

As for torture — she’s got loads of that. From the sound of Midnights , everybody figured her relationship with Joe Alwyn was a happy little “Sweet Nothing,” except now she portrays it as more like “Tolerate It” with a side order of “Bejeweled.” This is an album nobody saw coming, even though she gave so many signs.

But if you’re stuck on happy endings, why the hell are you listening to a Taylor album? “The Alchemy” is an outlier on an album where her heart goes 1 for 16. “ My Boy Only Breaks His Favorite Toys”and “I Can Fix Him (No Really I Can)” are witty reports on falling in love with needy men who don’t reciprocate. As the doll sings in “My Boy,” “Pull my string and I’ll tell you that he runs because he loves me.”

Some songs drop hints that dare you to take them as straight-up autobiography. Is she singing about Joe Alwyn here, Lucy Dacus there, Matty Healy everywhere? For many fans, her romance with Healy was already retconned out of their brains, yet she scatters not-necessarily-subtle clues. Like when an ex reminds her of the Eighties U.K. cult band, the Blue Nile: “He sent me ‘Downtown Nights,’ I hadn’t heard it in a while.” (That’s the song Healy basically rewrote for The 1975’s “Love If We Made It.” Do we even need to mention the song is from 1989?) But as she says bluntly in her poem, “He never even scratched the surface of me. None of them did.” 

“Swift wrote two of the nastiest highlights solo, “My Boy Only Breaks His Favorite Toys” and“Who’s Afraid of Little Old Me?”   Aaron Dessner worked on the softer tracks—“So Long, London,” “loml”—while Jack Antonoff provides the big bam boom, as in the synth-disco Vince Clarke homage “I Can Do It With A Broken Heart.”   Post Malone sounds great in the single “Fortnight,” just as Florence Welch does in “Florida” (“it’s a hell of a drug”), with its dynamic chorus, “Fuck me up, Florida!” When it comes to a one-line summary of how it feels to be single and jaded in your 30s, you can’t do much better than “My friends all smell like weed or little babies.”

“The Manuscript” is a bonus track, but it’s one of the pivotal songs. (Taylor likes to do it that way—ask any fan of “New Romantics” or “Right Where You Left Me.”) A young woman falls for a charming older man: “He said if the sex was half as good as the conversation, soon they’d be pushing strollers/But soon it was over.” Looking back at it later, she still isn’t clear how she feels about this story.. (“He said since she was so wise beyond her years everything had been aboveboard/She wasn’t sure.”) But it’s her manuscript, and her life to write, just as it’s her name to disgrace. It’s not really a song about a man — it’s about a woman starting to see herself as the author, instead of just a character in her own life.

“The Black Dog” is another crucial bonus ballad, with a classic Nashville-worthy premise: her ex forgot to change his phone settings post-breakup, so she can still track his movements via GPS, and being Taylor, she does. (“You forgot to turn it off”? Yeah right — he’s a guy in a Taylor Swift song, which means he planned it that way.) She sees him walk into a bar called The Black Dog, where he hears one of their songs on the jukebox. (By the pop-punk troopers the Starting Line.). But he’s trying to pick up a girl who’s too young to recognize the tune. 

Stevie Nicks’ introductory poem (only in the physical edition) comes from last summer, dated August 13, with Stevie writing, “For T—and me…” It’s the kind of rock & roll melodrama Stevie knows well: “She looked back from her future/And shed a few tears/He looked into his past/And actually felt fear.” Stevie is a guiding angel all over these songs—so it’s a powerful moment when Taylor slips her into the killer finale “Clara Bow.” It’s an ode to a tragic 1920s movie star, which is definitely Stevie’s kind of thing. (One of her greatest recent songs is her ode to “Mabel Normand.”) 

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Taylor swift and jack antonoff have reached their limit, team trump is ready to lose the supreme court immunity case. they’re celebrating, meet the girthmaster, the onlyfans creator who makes up to $80,000 per month.

But at the end of the song, the washed-up ingenue listens as her replacement gets a new set of compliments: “You look like Taylor Swift in this light/We’re loving it/You’ve got edge/She never did.” It’s the nightmare of “Nothing New” come true — people forget about yesterday’s ingenue. But this isn’t merely a song about show-biz. It’s about any adult who wonders why — after all these years — she still feels pain or terror when someone else lights up the room.

The Tortured Poets Department has a Reputation edge to it, and like Reputation , it sounds designed to confuse many people who try to decode it before listening. In her “Summary Poem,” Taylor calls it “a debrief, a detailed rewinding/For the purpose of warning/For the sake of reminding.” But anyone can hear that deep in the music. All over these songs, Taylor lives up to her credo that “all’s fair in love and poetry.” But as she shows in The Tortured Poets Department , both can get brutal.

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A Video Tour of StuVi I and StuVi II

John hancock student village’s location, spectacular views, and high-rise apartment-style housing make it bu’s most sought-after campus housing.

Kreiver Zhou (ENG’23)

When StuVi I opened in fall 2000, the campus residence transformed BU. The 18-story building at 10 Buick Street provides apartment-style residences to 800 juniors and seniors. It was the first part of BU’s John Hancock Student Village (StuVi), which also includes Agganis Arena, the Fitness & Recreation Center (FitRec) (both opened in 2005), and another high-rise dorm, StuVi II, opened in 2009 at 33 Harry Agganis Way home to 960 students. StuVi II comprises two towers: the 26-floor north tower provides apartment-style residences for juniors and seniors. The 19-story south tower is home to sophomores, juniors, and seniors in suite-style settings. With their spectacular views of the Charles River and the Boston skyline and proximity to FitRec, Nickerson Field, Agganis Arena, the BU Shuttle, and nearby shops, StuVi I and II soon became BU’s most sought-after addresses. 

In the video above, StuVi I resident Akwasi Antwi (CAS’25) and StuVi II denizen Yadira Cabrera (COM’24) take us on a tour of their respective apartments and the many amenities (music rooms, spacious study lounges, and more) that make each building special. Take a look and find out why so many Terriers proclaim “West Is Best.”

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