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Ava Max Talks Performing ‘Diamonds & Dancefloors’ On Her First Headlining Tour

V goes behind the scenes for an exclusive look at the making of Ava Max’s sold-out world tour—and it’s just as glamorous as you thought it would be

• Text by Bailey Bujnosek

The title of Ava Max ’s first headline tour— On Tour (Finally) —couldn’t be more fitting. It’s straightforward and a touch sassy, just like Max herself. It also nails the sentiment that was on the singer-songwriter’s mind when she was finally able to take the stage, three years after the release of her electrifying debut album, Heaven & Hell . “When I got on tour, I was expecting to really get stressed about it, like moving from city to city every day,” she shares. “But somehow it’s been a lot easier and fun—more fun than I ever thought it was going to be.”

Before she was jet-setting across the world and performing sold-out shows, the budding artist worked hard to make a name for herself. After skyrocketing to fame with the 2018 breakout single “Sweet but Psycho,” the icy-blonde songstress dropped a string of successful singles, proving she was anything but a one-hit-wonder. Her fandom only increased upon the release of Heaven & Hell in 2020. Instantly-iconic tracks like “Kings & Queens” and “Not Your Barbie Girl” were unavoidable, whether playing on the radio, at the club, or in the background of countless TikToks. 

Max’s second album, 2023’s Diamonds & Dancefloors , cranks up the glitz and glam even further, delivering a new wave of sparkly dance-pop anthems about her past relationships, finding herself, and rising above the noise. It’s this album that’s the star of On Tour (Finally) , though show attendees also get a sample of some of her earlier hits. Asked if she has a favorite song to perform from her varied setlist, the singer reveals, “It does change with every show, but most nights it’s ‘Hold Up (Wait A Minute).’ That’s a really fun one.”

Of course, Max’s stage presence is so powerful that every song on her setlist feels like a lead single. From the minute she steps into the spotlight in a glittery silver skirt set, mic in hand, you can feel the anticipation radiating from the crowd. All eyes are on her as she struts across the stage, belting out one of her high-octane hits or crooning an acoustic rendition of a softer song.  With limitless energy and impeccable vocals, the pop sensation knows how to put on a show. Perhaps the only one having a better time than the pumped-up crowds at her performances is Max herself. V caught up with her after her San Diego show in June to learn more about life on tour, pre-show rituals, her current playlist, and what’s next.

Read the exclusive conversation with the songstress below!

V Magazine : Do you have any pre- or post-show rituals while you’re on tour?

Ava Max : Yes. I call it my spiritual ‘cutting the cord.’ It’s a kind of up-and-down motion with my hands. It’s not really religious, because people think it is, but it’s just cutting the energy cords and being super focused. It’s a spiritual thing where I snap my fingers up and down.

V : You’ve done quite a few shows already. Has there been one that was particularly magical?

AM : They’re all very different and unique, but I think the one I really remember well is—well, both of the Germany shows were pretty crazy. I think they were double the [venue] size, too.

V: Obviously, traveling and performing take up quite a bit of your time while you’re on tour, but have you had time to do any touristy things or simply take in any of the cities that you’ve performed in so far?

AM: A lot of the cities, I’ve been to before on the promo tour, but I didn’t have much time to go and check them out because on tour you’re in and out. But I try here and there to go for a walk around the city, and try the local food. But it’s really hectic on tour.

V : I can imagine! How does it feel to finally be bringing these songs from Diamonds & Dancefloors to an audience? Has performing them made you gain any new perspective on any of the songs?

AM : I love it so much. The only song that gets really emotional every night is “One Of Us,” when I sing it acoustically—because it’s about my last relationship. So it definitely hits home every night, but other than that, that’s the only one that reopens old wounds. [laughs.]

V : Do you have a favorite song to perform, a kind of highlight of the show? Or does that change throughout the tour?

AM : I mean, it does change with each show. Most nights it’s “Hold Up (Wait A Minute).” That’s a really fun one.

V : Your costume at the San Diego show was so fabulous and sparkly! How did you decide on a look that would embody the album?

AM: For me, I don’t like being the center of attention on stage. It’s funny because every time I’m designing an outfit with someone, I just want it to be a little grungy and edgy and fun and cool. But also everyone’s like, “Oh, but they’ve got to see you from the stage.” So it’s a middle ground, you know? Because I don’t love being the center of attention, if that makes sense. It’s about finding a middle ground there.

V: Are you working on any new music right now?

AM: I am going to start working on new music, probably in late July. I’m really excited to start getting back in the studio and hopefully start the third album.

V: Do you have any ideas as far as new genres you want to explore, or anything regarding a direction that you’re thinking of going in?

AM: I think once I’m in the studio, it’ll hit me. Right now I’m just focused on the tour, and I don’t like to skip any steps. For me, it’s like whatever’s in front of me, I’m focused in on the present. But I definitely have thought about different genres and what I want to do for the next album. I can’t say much, but it’s definitely going to be me dabbling in some new sounds.

V : What have you been listening to on the road? Who’s on your playlist right now?

AM: Literally everything! I’m loving this French artist. Indila. She has a song, “Dernière Danse.” Every time I get ready, I put it on. I love it so much and it’s really cool. Then old school, like Shakira and Rihanna’s “Can’t Remember to Forget You,” gets me going, too.

V : Anything else you want to share about life on tour?

AM: I’ve been so excited to be on tour, and I think now that I’ve started, I’m definitely not going to stop touring. That’s something I say in every show to let fans know that, you know, it did take a long time, but now we are not stopping.

For dates and tickets to “On Tour (Finally),” visit Ava Max’s official website .

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Ava Max's On Tour (Finally) 2023 tour setlist in full

If the title didn't tell you - Ava Max is on tour...finally!

Although it may not seem like it, the US pop starlet - best known for her UK Number hit single Sweet But Psycho and trying singlehanedly to usher pop music back into its electric 2010/2011 heyday across two banger filled albums of no thoughts just vibes - has never really got the chance to mount a full scale tour (thank you COVID!)...until now.

With just three dates left on Ava's jaunt across the UK, including two back-to-back shows in London's O2 Shephard's Bush Empire, we're revealing just what bops and bangers Ms. Ava is going to be serving you.

Built around her brand new album Diamonds & Dancefloors (which  just missed the Top 10 on its release earlier this year ) most of the LP's best tracks get an airing; from its maximalist lead track Maybe You're The Problem to fan favourite icy trance banger Ghost and Gaga-esque rammer Weapons.

MORE: Ava Max's Official Charts history in full

Ava also pleasingly serves a few surprises - including past pre-Sweet But Psycho cuts Not Your Barbie Girl and the single that never was, Salt, as well as ending proceedings with her Tiesto club smash, The Motto.

See the setlist for Ava Max's On Tour (Finally) shows below.

Ava Max's On Tour (Finally) 2023 setlist

1. Diamonds & Dancefloors (First verse & chorus edit)

2. My Head & My Heart

3. Who's Laughing Now

4. Hold Up (Wait A Minute)

5. Kings & Queens

7. Maybe You're The Problem

9. Cold As Ice

10. Belladonna (first verse & chorus edit)

11. Not Your Barbie Girl (first verse & chorus edit)

12. Salt (first verse & chorus edit)

13. One Of Us (acoustic)

14. Alone, Pt. II (Alan Walker ft. Ava Max)

15. Last Night On Earth

16. Dancing's Done

17. Sleepwalker

18. Million Dollar Baby

19. Sweet But Psycho

20. The Motto (Tiesto ft. Ava Max)

Ava Max's On Tour (Finally) UK dates

April 17 - Birmingham (O2 Institute)

April 19 - London (O2 Shephard's Bush)

April 20 - London (O2 Shephard's Bush)

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‘I’d Rather Cry and Dance’: How Ava Max Turned Heartbreak Into Euphoric Pop

• By Tomás Mier

The night her hit “ Sweet But Psycho ” came out, Ava Max almost quit music. 

It was 2018 and she’d been at home in her  Los Angeles apartment. Her mind started to race: She needed a breakthrough song, and this could be the one – if only it would take off.

“No one knows this but I had a mental breakdown,” she says now, almost five years later. She got down on her knees and started praying, even though she’s not religious. “I’m like, ‘God, please, if you’re listening. I need to pay for my gas. My parents, I want to buy them a house. I just want to help the people I love and I want to perform on big stages and I want to have fans and I want people to relate to my music.’ I was yelling this at the top of my lungs,” she recalls “I said, ‘If “Sweet but Psycho” does nothing, I’m done.’”

Luckily, the universe listened to her prayers: “Sweet But Psycho” became a force. Spotify added the track to their New Music Friday playlist – the only pop song featured that week, she says. “Isn’t that crazy?” Before she knew it, it had racked up 1.4 billion streams. The song’s sticky melody was a stark contrast to popular chart-toppers at the time, which included Drake’s “In My Feelings,” Travis Scott’s “Sicko Mode,” and Ella Mai’s “Boo’d Up.” Many artists were veering into R&B, but Max wanted to double down on upbeat, pure pop. “‘Sweet but Psycho’ kind of paved the way for pop music again,” she says. 

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The album isn’t just an evolution from her debut Heaven & Hell . She’s looking at it as a kind of catharsis, one that she’s excited to share with the world on Jan. 27. “I’m happy it’s not going to be mine anymore,” she says. “I’ll be like, ‘Okay, it’s over. All the heartbreak is over. And now, we can just dance.’”

I meet up with Max in mid-January and on the drive to her place, I find a 2008 pop/R&B EP that she recorded as a 14-year-old under her first stage name, Amanda Kay. She knew early on that she wanted to be a pop star and was already fighting to make it happen. Once I arrive at her hill-perched house with a view of Malibu beach, I tell her I listened to a copy of the project online. “I’m going to cry. This is horrible,” she jokes. I play her a snippet of a song called “Touch,” and she starts humming along. “Isn’t that funny, listening to that? It’s baby me.”

Max admits that even though she always wanted to be a pop star, she’s not actually a fan of the razzle-dazzle, “lights, camera, action” part of fame. “People think I can just sing on stage and be crazy. But it’s like, I have to turn that on,” she says. “That’s Ava Max. By myself, I’m Amanda.” 

Making music always came naturally to her, and it helped that her parents supported her ambitions. Max’s mom Andrea and dad Pavllo fled Albania in the early Nineties, seeking a better life. “If they didn’t risk their lives, I wouldn’t be here,” she says. “They came here with nothing.”

After settling in Wisconsin, where Max was born, her parents balanced three jobs each to support her and her brother Denis. Her mom worked at a movie theater, a bakery, and as a housecleaner, while her dad juggled cab driving, baking pizzas, and doing electrical engineering. “It’s like they didn’t sleep,” she says. “I remember my mom broke her shoulder and still went to work and was cleaning with a vacuum with her broken shoulder.” Their work ethic inspired her to keep on pushing for more in her own career. “That’s what they call the American dream. They just didn’t stop,” she says. To her, Diamonds & Dancefloors represents the strength and resilience she learned from her family.

In many ways, the album feels like a new side of Max. “I’m actually really shy,” she says. “I just want to hide sometimes. I’m a little hermit.” As we chat, Max cozies up on the couch, wrapped in a sherpa coat, tucking her feet under her. She usually prefers to keep her personal life and her career separate, but that’s all changed on Diamonds & Dancefloors, which is full of intimate lyrics about heartbreak. She knew fans were going to have questions about what happened, so she’s decided to open up and tell me about it. “In a way, it does make me uncomfortable because I don’t like sharing my private life,” she says.

On “Maybe You’re the Problem,” Max sings about finally realizing that the person she’s with refuses to take any accountability for their behavior. “Drama always follows you home, but I won’t be waiting no more,” she declares on the track. It reflects how she took back her own autonomy. “I just had to choose myself,” she says. “I was like, ‘I’ve worked my entire life for my career. I’m not going to let someone take that away from me.” 

Though most of her album was complete at that point, Max chose to postpone the record and get back into the studio with Cirkut, who she calls the “Einstein of music” and her best friend. She wanted to pair her soul-crushing lyrics with upbeat,dance-ready melodies. “When I was in the studio, that was all I could write about: sad lyrics and what I went through,” she says. “But I turned it into dance music.”

What came out was some of Max’s best work yet. Max’s vocals shine on “Ghost” as she sings about “feeling haunted” by her ex over sparkling synth lines. On the disco-drenched “Hold Up, Wait a Minute,” Max questions her partner’s connection with a past love. And her most emotional song on the project, “One of Us,” started as a ballad but transformed into an empowering anthem about coming to terms with the end of a relationship. “Of course, I made it into a dance record,” she says with a laugh. “I have a problem. I just want to dance. I’d rather cry and dance.”

Max worked so hard on the album that she had little time to dwell and mourn about her personal life. “A week after my breakup, I wasn’t in my bed crying. I actually did Pride in London and I didn’t cancel it,” she says. The emotions did get to her at one point during the performance: “No one saw, I turned around and I started bawling, and then I had to get myself together,” she remembers. “It was a week fresh, but I couldn’t cancel on my fans.” She got to “Maybe You’re the Problem,” and belted out the lyrics with her voice quivering, closing her eyes as she powered through the song. 

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She’s also been going through other changes: She has a new look to go with the new album. She’s switched up her signature “Max Cut,” an asymmetrical hairstyle that’s a shoulder-length bob on one side and long on the other. “I just wanted to have fun for a second,” she says. “But I definitely think she’s always going to be a part of me… It’s not gone forever.”  She finally feels like she’s in the driver’s seat of her career, a feeling that’s permeating every part of the creative process: Just a few weeks before the album’s release date, she even decided to change the album artwork. “Now, I’m in control of my entire career and it feels good,” she says. 

Mostly, she’s excited for people to follow her down such a deeply personal path. “People don’t know this, but it’s just the beginning for me. I’ve just scratched the surface,” she says. “I look around and I’m like, ’Look, you did what you wanted to do, but now what do you want to do? What’s the next step?’” She’s figuring that part out, but already, she’s come so far from the Ava Max that was once so close to giving up.

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Diamonds & Dancefloors

At the beginning of her career, Albanian American pop superstar Ava Max was best known for sporting an asymmetrical haircut and her totally ubiquitous club-pop banger, 2018’s “Sweet but Psycho”, with its addictive reclamation of calling a woman crazy. Now, on her sophomore LP, she’s kept all the high-energy Eurodance rhythms in place—but this time, the songs are personal. “I went through a really bad break-up while I was writing, and I had to change course,” Max tells Apple Music. “I couldn’t just make positive, upbeat dance songs. I was hurt. Being in the studio and collaborating, it was hard—but also therapeutic.” Each track details a different stage in her healing process: The 2000s dance-pop-meets-Lady Gaga opener “Million Dollar Baby” is the moment she overcame the break-up; “Ghost” is the stage before—a protagonist haunted by the spectre of their ex. Disco rhythms, too, shake the heartbreak loose, like on “Turn Off the Lights” and the ’80s synth production of “One of Us”. “I can’t even count how many times I’ve cried and danced on the dance floor this past year,” she laughs. “I want my fans to feel empowered after listening to this.” Below, Ava Max walks Apple Music through Diamonds & Dancefloors, track by track. “Million Dollar Baby” “It interpolates LeAnn Rimes [‘Can’t Fight the Moonlight’] only [on] ‘in the dark’, it’s only those three lyrics, that little melody. I called up LeAnn. And you know what? I love her. This song brought me to LeAnn Rimes. So I’m happy. I love her. I loved Coyote Ugly growing up.“ “Sleepwalker” “‘Sleepwalker’ is one of my favourite songs on the album, especially because of the big guitar-sounding solo in it. It’s so much fun, and I think Cirkut murdered that. He’s such a talented producer; he’s the executive producer and backbone of the whole album.” “Maybe You’re the Problem” “‘Maybe You're the Problem’ was written on a day that I got in a really bad argument with my ex-boyfriend. I went into the studio and started yelling, ‘Maybe you’re the problem,’ and that’s how the song was born. I couldn’t cancel the session. I was so upset that I had to go in. The lyrics and melodies came out of my mouth at the same time. It was written so quickly, within an hour.” “Ghost” “I feel a lot of people can relate to this—after a break-up, everywhere you go, you try and forget about this person. They could be so bad, but you still can’t stop thinking about their face and their smell and the way they talk. You’re trying to date new people, but their ghost keeps appearing everywhere, and you see them everywhere.” “Hold Up (Wait a Minute)” “I love the lyric ‘XO, baby, bye, bye, bye.’ Basically, I’m not going to stand around for this shit, and don’t wind me up with all the lines. I never wish ill towards anyone; I hope my ex has a good life. But at the end of the day, we just didn’t work out.” “Weapons” “[Co-writers] Ryan Tedder and Melanie [Fontana] and I were going back and forth through text messages. I wasn't actually in the studio with them; I was in the studio with Cirkut and Madison Love. They were sending me ideas, I sent them ideas, and we finished it in the studio. They were like, ‘It’s a hit!’” “Diamonds & Dancefloors” “I started that title track in the pandemic. It was one of the first songs I wrote for this. The song is really talking about wanting to be on the dance floor, not in my living room, watching another TV show during the pandemic. I wished the world would open. I wanted to be covered in glitter and diamonds on the dance floor.” “In the Dark” “I have a 19-year-old niece. She was talking to me in the studio, and she was like, ‘You should write a song about how sometimes guys don’t want to hike with girls in the morning, how guys just want to bang and leave, and they just want to see you in the dark.’ That has definitely happened to me. I have definitely been banged and never talked to again. Why do guys only love in the dark sometimes? Love me during the day.” “Turn Off the Lights” “According to my niece, ‘Turn Off the Lights’ should’ve come before ‘In the Dark’, but I really think I just wanted to end it more disco towards the end. I was thinking sonically. I wanted a dance record with no meaning behind it. I am so sick of writing break-up records with this album. I just wanted to close my eyes and dance.” “One of Us” “There’s the lyrics: ‘One of us would die for love/One of us would give it up.’ [My ex] just didn’t want to do the work. And he was very toxic. That’s so upsetting. You want to die for someone, and the other person doesn’t want to die for you; it’s like, what am I doing? You’re not meeting me halfway. I was crying in the studio. I went for a walk between writing the lyrics and melodies and recording, because I needed some fresh air. It’s the most intense song I’ve ever written, recorded, and probably will perform.“ “Get Outta My Heart” “This song is really just about trying to get this guy out of my head, out of my car and out of my heart. This is part of the healing process.” “Cold As Ice” “I was singing really low on that harmony. I sound like a man sometimes.” “Last Night on Earth” “‘Last Night on Earth’ was inspired by my love of end-of-the-world movies like San Andreas and Geostorm. I love them so much. I watched one, and then I went into the studio the next day and I said, ‘I just want to talk about the last night on Earth.’ We started talking about aliens and then we ended up writing this record about what we want to do at the end of the world: I want to be dancing or making love when the meteor strikes.” “Dancing’s Done” “This song almost didn’t even make the album because I put it in last. This song is, I would say, my most sensual, sexy song. I don’t usually sing in falsetto. It’s a different side of me that people haven’t heard. This song is the beginning of the next phase for me. I feel like I found a sound that I absolutely love.”

27 January 2023 14 Songs, 39 minutes ℗ 2022 Atlantic Records Group LLC

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Diamonds & Dancefloors

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Stream Ava Max's second studio album Diamonds & Dancefloors out now!

• Diamonds & Dancefloors songs
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Diamonds & Dancefloors

• View history
• 1 Background
• 2 Composition
• 4.1 Visualizer Teaser
• 5 References

Background [ ]

On June 24, 2022, Ava Max confirmed that the album Diamonds & Dancefloors will have a title track with the same name in an interview with NOW 100.5. A writers demo was later leaked on August 15, 2022.

A visualizer for the song was teased on December 23, 2022. [1]

Composition [ ]

" Diamonds & Dancefloors " is about how Max missed the feeling of going out due to the COVID-19 pandemic. It is recorded at 121 beats per minute at a key of D#M.

[Verse 1] Alone with me, myself and I Watching the night passing me by Losing myself inside a lucid dream, I Don’t wanna waste any more time [Verse 2] I’m dancing in the kitchen light I don’t feel wrong, I don’t feel right My heart’s been calling for a midnight memory The only thing that’s on my mind [Pre-Chorus] Diamonds and dance floors, that’s all I want I miss the rhythm keeping me warm Drown me in glitter, glitter and gold All that I ask for, ask for, ask for [Chorus] Is diamonds and dance floors in every dream I miss the music surrounding me Drown me in glitter, glitter and gold All that I ask for, ask for, ask for [Verse 3] I close my eyes and disappear (Oh) Vibrations in the atmosphere It’s psychological imagination Why can’t I bring this feeling here? (Oh) [Pre-Chorus] Diamonds and dance floors, that’s all I want (All I want) I miss the rhythm keeping me warm (Keepin' me warm) Drown me in glitter, glitter and gold (Gold) All that I ask for, ask for, ask for [Chorus] Is diamonds and dance floors in every dream I miss the music surrounding me Drown me in glitter, glitter and gold All that I ask for, ask for, ask for (Oh) Diamonds and dance floors [Outro] Diamonds and dance floors Diamonds and dance, diamonds and dance floors Diamonds and dance, diamonds and dance floors Dance floors, dance floors, ooh Oh-woah Oh-woah Diamonds and dance floors

Gallery [ ]

Visualizer Teaser [ ]

References [ ]

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Apart hotel

Diamond apart hotel in moscow city.

Diamond Apartments  is the only officially certified 5* apart hotel in Moscow City located in one of the tallest Europe’s skyscrapers - the OKO Tower. The apart-hotel has 65 designer apartments, located on the 10,15,16,17 and 18 floors.

Studio Apartment

Cozy one bedroom studio with striking panoramic glazing. Area: 40 sq m

Studio Apartment Twin

One-room apartment with two single beds. The apartment area is 40 sq.m.

Corner Studio Apartment

Cozy one bedroom studio Apartments with striking corner panoramic windows and view of Moscow City. Apartment area: 45 sq m.

Superior Apartment

Spacious one bedroom Apartments with dining area and panoramic view of Moscow City Apartment area: 50 sq m.

City View Deluxe Apartment

Two-room apartment with a view of Moscow. The area of the apartment is 70 sq.m.

Tower View Deluxe Apartment

Two-room apartments with a panoramic view of the towers of Moscow City. The area of the apartments is 90 sq.m.

Grand Apartment

Luxury two bedroom apartments with beautiful view of Moscow City. Apartment area: 86 sq m.

Corner Grand Apartment

Luxury two bedroom Apartments with striking corner panoramic glazing. Apartment area: 92 sq m.

Premium Apartment

The most luxurious Apartments with bathroom with panoramic view of Moscow City. Area: 110 sq m.

• м.Mezhdunarodnaya (100 м)
• м.Delovoy Tsentr (150 м)
• by Sheremetyevo (45 min)
• by Vnukovo (1 h. 20 min)
• by Domodedovo (1 h. 21 min)