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MOVEMENTS announce EU tour dates this autumn

MOVEMENTS – EU TOUR 2023 14th November 2023 – Kesselhaus, Wiesbaden, Germany 15th November 2023 – Hansa 39, Munich, Germany 17th November 2023 – Nochtspeicher, Hamburg, Germany 18th November 2023 – Gebäude 9, Cologne, Germany 20th November 2023 – Dynamo, Eindhoven, Netherlands 22nd November 2023 – The Loft Southampton United Kingdom 23rd November 2023 – Project House Leeds United Kingdom 24th November 2023 – Club Academy Manchester United Kingdom 26th November 2023 – G2 Glasgow United Kingdom 27th November 2023 – The Asylum Birmingham United Kingdom 28th November 2023 – Lost Horizon Bristol United Kingdom 30th November 2023 – Electric Ballroom London United Kingdom

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The bands themselves were all fantastic but I don’t think I’d go back to king tuts for another gig as the security were being huge D-Bags pushing people about trying to stop mosh pits. Even going as far as to lift a girl out the venue to tell her not to crowd surf. But muskets were amazing and put on a great show, and movements were a definite 10/10 and I will 100% be going to see them again in future.

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Movements announce November 2023 European & UK Tour

European & UK Tour Dates 2023 14th November 2023 – Kesselhaus, Wiesbaden, Germany 15th November 2023 – Hansa 39, Munich, Germany 17th November 2023 – Nochtspeicher, Hamburg, Germany 18th November 2023 – Gebäude 9, Cologne, Germany 20th November 2023 – Dynamo, Eindhoven, Netherlands 22nd November 2023 – The Loft Southampton United Kingdom 23rd November 2023 – Project House Leeds United Kingdom 24th November 2023 – Club Academy Manchester United Kingdom 26th November 2023 – G2 Glasgow United Kingdom 27th November 2023 – The Asylum Birmingham United Kingdom 28th November 2023 – Lost Horizon Bristol United Kingdom 30th November 2023 – Electric Ballroom London United Kingdom

Tickets on Sale – 26th July at 10am.

It’s been a whirlwind few years for Movements as evidenced by the fact that band’s 2020 album “No Good Left to Give” debuted at #3 on the Alternative chart and their streams have doubled since then with 200 million total streams in the U.S. alone. However, despite their success, the Southern Californian act have constantly reinvented themselves since forming in 2015 and the band’s third full-length “RUCKUS!” sees the post-hardcore quartet taking their sound to expansive and sometimes unexpected places. Produced by longtime collaborator Will Yip (Circa Survive, Code Orange), the album fuses post-hardcore and punk influences with a healthy dose of pop songcraft to create an album that defies scene conventions in favor of something wholly unique.

In order to accomplish this, the band made three extended trips to Yip’s Studio 4 in Conshohocken, Pennsylvania, to write and record the collection of songs that would end up as “RUCKUS!”. “I truly don’t believe that it could have been a more streamlined process and I don’t think we’ve ever written music that’s as good as what we put together for this record”, Miranda explains . “RUCKUS!” sees the band integrating decidedly different influences such as Gorillaz and Strokes into their sound to challenge people’s preconceptions.

Pre-order & pre-save “RUCKUS!” here .

Tracklist: 1. You’re One of Us Now 2. Killing Time 3. Lead Pipe 4. Heaven Sent 5. Tightrope 6. I Hope Your Choke! 7. Fail You 8. A.M.P. 9. Dance With Death 10. Coeur D’Alene

Weblinks: www.facebook.com/MovementsCA twitter.com/movementsca

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Movements announce EU and UK tour

Movements will be touring in the U.K. and Europe this fall in support of their new album Ruckus! , out August 18. Starting in Wiesbaden, Germany on November 14, the tour will take place across various other dates in Germany and Holland before a run across the UK.

14th November 2023 – Kesselhaus, Wiesbaden, Germany

15th November 2023 – Hansa 39, Munich, Germany

17th November 2023 – Nochtspeicher, Hamburg, Germany 

18th November 2023 – Gebäude 9, Cologne, Germany

20th November 2023 – Dynamo, Eindhoven, Netherlands

22nd November 2023 – The Loft Southampton United Kingdom

23rd November 2023 – Project House Leeds United Kingdom

24th November 2023 – Club Academy Manchester United Kingdom

26th November 2023 – G2 Glasgow United Kingdom

27th November 2023 – The Asylum Birmingham United Kingdom 

28th November 2023 – Lost Horizon Bristol United Kingdom

30th November 2023 – Electric Ballroom London United Kingdom

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The Bristol Gig Guide

The best resource for bristol gigs, movements – announce eu + uk tour dates this autumn including bristol date in november.

July 25, 2023 The Bristol Gig Guide Uncategorized 0

• The Bristol Gig Guide https://thebristolgigguide.com/author/the-bristol-gig-guide/ PALOMA FAITH HAS KICKED OFF HER MASSIVE UK ARENA TOUR IN SUPPORT OF HER RECENTLY RELEASED SIXTH STUDIO ALBUM THE GLORIFICATION OF SADNESS. CATCH HER AT BRISTOL BEACON ON APRIL 15TH
• The Bristol Gig Guide https://thebristolgigguide.com/author/the-bristol-gig-guide/ Preview - Bristol Trinity Centre welcomes Porij later this month
• The Bristol Gig Guide https://thebristolgigguide.com/author/the-bristol-gig-guide/ THE ZUTONS announce UK tour for April 2024 including a stop at Bristol's Marble Factory.
• The Bristol Gig Guide https://thebristolgigguide.com/author/the-bristol-gig-guide/ FINAL ARTISTS ANNOUNCED FOR BS3 FESTIVAL

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Movements: RUCKUS! TOUR 2024

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Movements: RUCKUS! TOUR 2024

With special guests : tigers jaw, webbed wing, paerish, friday, apr 12 2024, show at 7:30pm  |   doors at 6:30pm, post hardcore, seating charts.

Reflecting personal changes from a whirlwind five years, Movements realize the full scope of their storytelling, musicianship, and vision on their second full-length album, No Good Left To Give [Fearless Records]. Not only does the music address the emotional push-and-pull of relationships, but it also explores loss, love, mental health, and even intimacy through a prism of newfound clarity soundtracked by post-punk grit, alternative expanse, heartfelt spoken word, expansive rock, and subtle pop ambition. The Southern California quartet—Patrick Miranda [vocals], Ira George [guitar], Spencer York [drums], and Austin Cressey [bass]—quietly worked towards this moment since forming in 2015. Following the 2016 EP Outgrown Things, the group cemented a singular sound on their 2017 full-length debut, Feel Something. Eclipsing 128 million Spotify streams by 2020, it immediately connected by way of “Daylilly” [43 million Spotify streams], “Full Circle” [20 million Spotify streams], and “Colorblind” [15 million Spotify streams]. Along the way,.... Read more...

Reflecting personal changes from a whirlwind five years, Movements realize the full scope of their storytelling, musicianship, and vision on their second full-length album, No Good Left To Give [Fearless Records]. Not only does the music address the emotional push-and-pull of relationships, but it also explores loss, love, mental health, and even intimacy through a prism of newfound clarity soundtracked by post-punk grit, alternative expanse, heartfelt spoken word, expansive rock, and subtle pop ambition. The Southern California quartet—Patrick Miranda [vocals], Ira George [guitar], Spencer York [drums], and Austin Cressey [bass]—quietly worked towards this moment since forming in 2015. Following the 2016 EP Outgrown Things, the group cemented a singular sound on their 2017 full-length debut, Feel Something. Eclipsing 128 million Spotify streams by 2020, it immediately connected by way of “Daylilly” [43 million Spotify streams], “Full Circle” [20 million Spotify streams], and “Colorblind” [15 million Spotify streams]. Along the way, the four-piece received acclaim from Brooklyn Vegan, AXS, Rock Sound, Culture Collide, and more. In between packing shows worldwide, they joined forces with Alzheimer’s Association for the “Deadly Dull” video and covered “Losing My Religion” by R.E.M. for the Songs that Saved My Life compilation. Recorded with longtime producer and frequent collaborator Will Yip [Title Fight, Turnover], they introduce this chapter with spectral and soaring “Ghost” and unassumingly intimate “Skin To Skin,” among other anthems.

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I Won’t Care How You Remember Me, by the Scranton, Pennsylvania-based band Tigers Jaw, is an ode to living in the present. As this hectic era of distraction whirrs, ticks, swipes, and scrolls by each of us at an alarming speed, the ability to maintain a sense of priority for the human elements in our lives as well as a reflective understanding of self, remains a lost art. But here, the group has seized upon it. Tigers Jaw’s sixth album—and first for new label home Hopeless Records—finds members Ben Walsh (vocals/guitar), Brianna Collins (vocals/keyboards), Teddy Roberts (drums), and Colin Gorman (bass) at the height of their powers, fusing their collective skills with the synchronicity and energy the band honed over several years of non-stop touring. The result is a back-to-the-basement approach elevated by the unmistakable production of their longtime friend and collaborator Will Yip. The band’s most sonically ambitious and….

I Won’t Care How You Remember Me, by the Scranton, Pennsylvania-based band Tigers Jaw, is an ode to living in the present. As this hectic era of distraction whirrs, ticks, swipes, and scrolls by each of us at an alarming speed, the ability to maintain a sense of priority for the human elements in our lives as well as a reflective understanding of self, remains a lost art. But here, the group has seized upon it. Tigers Jaw’s sixth album—and first for new label home Hopeless Records—finds members Ben Walsh (vocals/guitar), Brianna Collins (vocals/keyboards), Teddy Roberts (drums), and Colin Gorman (bass) at the height of their powers, fusing their collective skills with the synchronicity and energy the band honed over several years of non-stop touring. The result is a back-to-the-basement approach elevated by the unmistakable production of their longtime friend and collaborator Will Yip. The band’s most sonically ambitious and lyrically affecting album to date, I Won’t Care How You Remember Me sees a newfound freshness and creative freedom crystalizing the lush and dynamic world of Tigers Jaw.

Opening with the urgent strums of Walsh’s striking title track—featuring Manchester Orchestra’s Andy Hull on backing vocals—“I Won’t Care How You Remember Me” is a super-charged and emotional ripper about the importance of being direct and truthful with the people in one’s life. While at first the song seemed to be an unapologetically defiant statement, it ended up carrying a greater significance for the band, who rallied around it as a sentiment of a shared personal renaissance that sets the tone for the album, as well as the band as a whole. “This album is a hopeful time capsule of a band who has been through a lot together. It’s about growth, self-reflection, and figuring out how to be present in the moment to really take stock of what’s important, without getting sidetracked by the opinions of others or things out of our control,” Walsh says. “Tigers Jaw can get through anything and be stronger because of it. We’ve endured lots of change over the last 15 years, but a lot of things have remained consistent. We make the music we want to make, we push each other to continue evolving and growing as musicians, and we are so proud of where we are now.”

One of the biggest steps of the band’s evolution has been in songwriting; while their 2017 album spin found Walsh and Collins splitting the writing duties, I Won’t Care marks the first time all four members shared input. “I’m newer to songwriting, but the encouragement and collaboration that happened between us as a band while writing this record built up my confidence and excitement in being a songwriter,” Collins says. “Collaborating together not only pushed me as a songwriter, but it also reinforced how good it feels to be in this band.”

Gathering together on the heels of a long, intense stretch of touring in early 2019 to work on new material, the foursome found that their dynamic as musicians and friends was firing on all cylinders. The band was tighter than ever before, and considered the writing process a chance to get back to the band’s roots with all members in a room together working collaboratively toward a common goal. “We were tearing apart demos and making these songs the best representation of this group of four people that we could,” Walsh recalls.

Where spin was a moving soundscape replete with several dense layers of instruments and vocals, I Won’t Care pushes the elements of liveliness and human connectivity forward. Minimal layers and takes were used. “After touring so extensively and developing a really strong musical chemistry together, recording in that style seemed like the best approach to capture our band’s truest self,” says Gorman.

“Cat’s Cradle,” a thrilling synth-led number written and sung by Collins, tells the saga of a flamed-out friendship in just over two-and-a-half throttling minutes. “This song is about the realization that no matter how much love, effort and consideration you put into a friendship, sometimes it just isn’t enough to make it work,” explains Collins. “The lyrics touch on how being passive aggressive and not communicating true feelings can just lead to tension, confusion, and frustration in any relationship. I have the tendency to suppress my own feelings and apologize first, so with this song I wanted to acknowledge my own thoughts and feelings while moving forward from that type of dynamic.”

The aptly-named “Hesitation” describes “those sinking feelings of sensing that the person you love is beginning to drift away,” says Walsh. Originally brought in to the group to record in early 2019, Walsh’s song was re-recorded and changed—sometimes drastically—nearly a half-dozen times before reaching its final status. “That song is a testament that we put the work in and were willing to try new things,” Roberts says. Elsewhere, the slinky, groovy “New Detroit” evokes the Americana-tinged alt-rock of Gin Blossoms (a personal favorite of Walsh’s). “This song was conceptualized while touring Australia after starting a new relationship. I was reflecting on the previous Australian tour years ago when my home life was in a rough place, and that took over the entire experience. I felt mentally split between the two places, unable to be in the moment.” The charged “Can’t Wait Forever” and “Body Language” pair in yearning with Collins’s fuzzed-out “Lemon Mouth” and “Commit,” the latter a showcase for the rhythm section’s formidable talents.

The album ends with “Anniversary,” an anthem of solidarity that fades out on the strains of Walsh’s refrain: “We all fall apart in the same way.” It’s a compelling notion that serves as a reminder of our collective similarities, as well as a signal of Tigers Jaw’s undeniable union. “There’s no question that we are all best friends, or even deeper—like family,” Collins says. “We love playing music together and it feels so good to be in this band and have this camaraderie. We made this record for ourselves, together. We know who we are as a band, and we’re gonna keep doing things the way we want to do them and keep learning from each other and growing.”

Webbed Wing

Following a decorated career with Philly rock group Superheaven, singer and guitarist Taylor Madison meanders into newly-refined songwriter territory with the inception of Webbed Wing in 2018. Joined by Jake Clarke (drums) and Mike Paulshock (bass), the band fully realizes their innate genre-blending musicality. Webbed Wing’s somewhat simplistic approach to songwriting explores what it means to birth a sad song without fully killing a mood, paired with a soundscape laden with nostalgia and a tasteful pop-rock resurgence. Taking notes from the likes of The Lemonheads and Teenage Fanclub, Webbed Wing encapsulates everything lyrically gripping about indie and everything vibrant about modern pop. While also expertly intertwining the heaviness of metal and the earnesty of country, the band blends all these different aspects of their craft into something highly palatable and new. Between early Webbed Wing releases, like 2019’s Bike Ride Across the Moon (Disposition Collective) and forthcoming recordings on 2021’s….

Following a decorated career with Philly rock group Superheaven, singer and guitarist Taylor Madison meanders into newly-refined songwriter territory with the inception of Webbed Wing in 2018. Joined by Jake Clarke (drums) and Mike Paulshock (bass), the band fully realizes their innate genre-blending musicality. Webbed Wing’s somewhat simplistic approach to songwriting explores what it means to birth a sad song without fully killing a mood, paired with a soundscape laden with nostalgia and a tasteful pop-rock resurgence. Taking notes from the likes of The Lemonheads and Teenage Fanclub, Webbed Wing encapsulates everything lyrically gripping about indie and everything vibrant about modern pop. While also expertly intertwining the heaviness of metal and the earnesty of country, the band blends all these different aspects of their craft into something highly palatable and new. Between early Webbed Wing releases, like 2019’s Bike Ride Across the Moon (Disposition Collective) and forthcoming recordings on 2021’s What’s So Fucking Funny? with Grammy-nominated producer Will Yip (Code Orange, The Menzingers, Mannequin Pussy, Circa Survive) via Memory Music Label (Bartees Strange, Anthony Green), there’s an obvious level up in production, honing in on Webbed Wing’s natural maturity as both an artist and a creative.

Paerish is a 4-piece alternative rock, indie rock band from Paris, France. To date, they have 2 full length releases; “Semi Finalists” in 2016 and “Fixed It All” in 2021.

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Ultravox Setlist at Circus Krone, Munich, Germany

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Ultravox Gig Timeline

• May 06 1984 Liederhalle Stuttgart, Germany Add time Add time
• May 07 1984 Philipshalle Düsseldorf, Germany Add time Add time
• May 08 1984 Circus Krone This Setlist Munich, Germany Add time Add time
• May 09 1984 Mozartsaal Im Rosengarten Mannheim, Germany Add time Add time
• May 10 1984 Stadthalle Offenbach am Main, Germany Add time Add time

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