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Journey’s 10 Best Songs

Sure, "Don't Stop Believin'" -- but there's a whole lot more.

By Gary Graff

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Though it arrives amidst lawsuits , social media sniping and infighting, Journey is turning 50 this year.

During that half century, the group has sold more than 100 million records worldwide, logging 11 platinum-or-better albums (including Diamond certifications for 1981’s Escape and 1988’s Greatest Hits) , earning eight top 10 albums on the Billboard 200 and 25 hits on the Billboard Hot 100. It’s also been a reliable ticket-selling act for most of its career, and in 2017, the band was inducted into the Rock and Roll Hall of Fame.

Journey’s is the story of eras. When the group originally formed in San Francisco in 1973, original manager Herbie Herbert helped bring together guitarist Neal Schon and keyboard player/vocalist Gregg Rolie from Santana, bassist Ross Valory and rhythm guitarist George Tickner from Frumious Bandersnatch and drummer Prairie Prince from The Tubes. Prince would be replaced by David Bowie/Frank Zappa skins man Aynsley Dunbar, while Tickner would leave after Journey’s self-titled first album in 1975. The remaining quartet recorded two more albums before Steve Perry came on board for 1978’s Infinity, which began the band’s run of multi-platinum smashes — also marking the first appearance of Alton Kelley and Stanley Mouse’s iconic scarab logo for the band. Dunbar was replaced by Steve Smith for 1979’s Evolution , and Rolie would leave in 1980 with Jonathan Cain of The Babys joining to help elevate the band to even greater fortunes on Escape and Frontiers .

The palette has been diverse, but there are common elements among Journey’s best songs — sturdy melodies and sing-along choruses, usually leading into one of Schon’s majestic guitar solos. But within that mold there’s also been plenty of invention and clever arrangements that have never been as formulaic as some of the band’s detractors (particularly during their early ‘80s heyday) would have you believe.

Journey has gone through its fair share of lineups, with singer Arnel Pineda on board since 2007 — the longest continuous tenure of any Journey frontman. The group released Freedom , it’s first new studio album in 11 years, in 2022, and despite the current legal fractures (which you can read about in detail here ), still they ride, as the Escape track says — and may they keep on runnin’ for a long time.

With all that in mind, here are our picks for Journey’s 10 best songs — not all of which come from the biggest hits.

"Someday Soon" ( Departure , 1980)

This album track from Rolie’s finally studio effort with the band is a hypnotic tone poem, with a ringing, cushy ambience and a hippie kind of optimism – not to mention the best give-and-take Perry and Rolie achieved during their time together in the band. It’s of course been eclipsed by Journey’s myriad hits (“Any Way You Want It” is the enduring top 40 Hot 100 hit from Departure ), but it’s a gem worthy of discovery.  Listen here.

"Escape" ( Escape , 1981)

The title track from Journey’s Billboard 200-topping studio album straddled the hard rock/pomp attack of the group’s mid-‘70s output with the melodic sensibility of the Perry-Cain axis. Its five-minute length provides room for the arrangement to stretch out and flow from one song part to the next, with a crunch that was part of Journey’s palette at the time. Listen here.

"Of a Lifetime" ( Journey , 1975)

The Journey of 1973-77 was certainly a different creature than the hitmaking colossus so many know and love. The group’s initial lineups flexed instrumental muscles, smoothly knitting together a number of styles more interested in the journey (ba- dum ) than any commercial destination. The first track from its first album is a prototype, leaning into blues, psychedelic rock and a touch of Latin, with the first of what would become many standout Schon solos, and a tuneful sturdiness delivered by Rolie’s soulful vocal. Listen here.

"Faithfully" (Frontiers , 1983)

The melody of this top 20 Hot 100 hit came to Cain in a dream on a tour bus, and his paean to the struggle between home and the road was written in a half-hour. The result was a swoon-inducing ballad tailor-made for a sea of lighters (back then) and cellphone flashlights (now), capturing one of Perry’s best recorded performances and one of Schon’s most inspired solos. One of its great side stories is that Prince contacted Cain after he wrote “Purple Rain,” concerned that it might be too similar to “Faithfully.” Cain determined it wasn’t, but joked to Billboard that, “After seeing what it became, I should have asked for a couple of points….”

"Ask the Lonely" (single, 1983)

Recorded for Frontiers , this one wound up in the romcom Two of a Kind (starring the Grease duo of John Travolta and Olivia Newton-John) and rocked its way to No. 3 on the Mainstream Rock Airplay chart. Like “Only the Young,” which wound up in Vision Quest two years later, it showed that Journey was on roll – and well-suited for big soundtrack moments. Listen here.

"Who's Crying Now" ( Escape, 1981)

The best of Journey’s swoon songs — started by Perry while driving into Los Angeles and finished with Cain — has a subtlety and dynamic build that sets it apart from the many others of its ilk they’d create. The verse slips into the chorus with a soulful ease, and Schon’s guitar accents deftly build up to his searing solo at the end. The Escape single reached No. 4 on the Hot 100. Listen here.

"Feeling That Way" ( Infinity , 1978)

If fans at the time wondered how Steve Perry and Gregg Rolie would co-exist, this was the answer — an ebb-and-flow tradeoff that proved they could complement each other as lead singers as well as harmonize smoothly together (first evidenced by Infinity ‘s lead track “Lights”). Its medley-like pairing with the next track, “Anytime,” was gravy that would become a motif on the next few Journey albums. Listen here.

"Just the Same Way" ( Evolution , 1979)

Journey’s fifth album had a punchier sound than Infinity — though they shared producer Roy Thomas Baker — which worked to the benefit of the album’s first single. Led by Rolie’s piano and muscular lead vocal, with Perry responding on the choruses and bridge, it reached No. 58 on the Hot 100 in 1979. In a perfect world this would have been as big as anything from Escape or Frontiers, but it’s still a convincing introduction to the Rolie era of the band. Listen here.

"Don't Stop Believin'" ( Escape , 1981)

More than a billion Spotify streams, a Library of Congress National Recording Registry placement and plays at virtually every sporting event around the world don’t lie — this one is Journey’s pinnacle of success. Created during a rehearsal at the group’s warehouse HQ in Oakland, Calif., it gave us the “streetlight people” of Hollywood’s Sunset Strip and put the non-existent South Detroit on the map. And it saves the chorus for the song’s end, after the guitar solo. A cross-generational hit? Believe it, gleefully.

"Stone in Love" ( Escape , 1981)

Schon reportedly called this “Stoned in Love” when he wrote the riff, and it’s certainly an addictive track that’s the best roll-down-the-windows-and-crank-it-up Journey fix you could ask for — not to mention a frequent show opener. A No. 13 Mainstream Rock Airplay hit in 1981, the song is practically a deep cut today. But its anthemic chorus is a spirit-lifter and the dynamic breakdown that segues into the song-closing guitar solo harks back to the ambitious musicality of the first few albums. “Stone” is a gem that still shines bright. Listen here.

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Ranking All 52 Journey Songs From the ’80s

Journey moved more than 6 million albums in America in the '70s, most of them after Steve Perry joined in time for 1978's Infinity . Not bad.

Then their second proper studio album of the following decade, 1983's Frontiers , sold more than that all but itself. By then, however, they'd amassed so much commercial momentum that this LP was actually considered something of a letdown.

Journey kicked off the '80s with a trio of very different farewell projects as co-founder Gregg Rolie left the band. The Top 10 hit Departure arrived first as a proper studio album, selling three million copies. Journey followed that with Dream, After Dream (a little-heard largely free-form import movie soundtrack) and Captured , a double-platinum Top 10 live sendoff with two new songs.

Then Jonathan Cain supercharged the band's more recent pop-leanings, bringing along a new sensibility (and a song idea for their highest-charting single). Perry was still their honeyed frontman and Neal Schon was still their soaring guitarist – but something fundamental had changed.

READ MORE: Top 10 Post-Steve Perry Journey Songs

The chart-topping Escape proceeded to reel off three Top 10 hits, while moving a career-best 10 million copies in the United States alone. Prior to that, they'd never had a song go higher than the No. 16 finish for 1979's "Lovin', Touchin', Squeezin.'"

Journey couldn't quite reach those heights again, concluding the decade with 1986's double-platinum Raised on Radio . But they still spun off four more Top 20 hits.

Along the way, they issued a little more than 50 proper songs in the '80s, including B-sides, bonus tracks and stand-alone releases. Here's how they ranked, with comments and insight from my new Amazon best-selling rock and pop band bio, Journey: Worlds Apart : No. 52. "Back Talk" From: Frontiers (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn this spot. No. 51. "Departure" From: Departure (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey. No. 50. "I'm Cryin'" From: Departure (1980)

Steve Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness. No. 49. "Positive Touch" From: Raised on Radio (1986)

The demos for this album were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Partway through the sessions, it became the latter. No. 48. "Liberty" From: Time3 (1992)

A Frontiers -era leftover for those who wondering what Journey would sound like as a country band. No. 47. "Troubled Child" From: Frontiers (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 46. "Happy to Give" From: Raised on Radio (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live. No. 45. "La Raza Del Sol" From: B-side of "Still They Ride" (1981)

The song's heart is in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days. No. 44. "Mother, Father" From: Escape (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad. No. 43. "All That Really Matters" From: Time3 (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey. No. 42. "Homemade Love" From: Departure (1980)

Despite discovering a newfound chart prowess, Journey was still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense. No. 41. "Dixie Highway" From: Captured (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 40. "Keep On Runnin'" From: Escape (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album. No. 39. "Dead or Alive" From: Escape (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either. No. 38. "Escape" From: Escape (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs. That's certainly the role it played in contemporary setlists after he became the band's sole remaining original member. No. 37. "Line of Fire" From: Departure (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ." No. 36. "Precious Time" From: Departure (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 35. "Lay It Down" From: Escape (1981)

Steve Smith approximates early drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album. No. 34. "Chain Reaction" From: Frontiers (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way. No. 33. "Once You Love Somebody" From: Raised on Radio (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this. No. 32. "Natural Thing" From: B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here. No. 31. "Rubicon" From: Frontiers (1983)

This song drove a seemingly permanent wedge in the band. Schon said he was playing "Rubicon" when Perry walked over and turned down his amp . He argued that fans wanted to hear his voice rather than all of those guitars. They put out only two more albums together, and it took them 13 years to do it.

No. 30. "Frontiers" From: Frontiers (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for heartless generals and politicians: " War is for fools; crisis is cool ." No. 29. "It Could Have Been You" From: Raised on Radio (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well. No. 28. "Where Were You" From: Departure (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. It simply crackles with energy. They were just coming off an opening gig with AC/DC at this point, and the headliner's knack for outsized, riffy rockers obviously rubbed off. No. 27. "Little Girl" From: B-side of "Open Arms" (1981)

"Little Girl" was the the only proper song from 1980's Dream, After Dream , a soundtrack that's not part of the band's main catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey was already on a pop-chart roll. Dream After Dream disappeared without a trace once Journey issued  Escape , and the too-often-overlooked "Little Girl" only saw U.S. release as the B-side to their "Open Arms" single. No. 26. "Raised on Radio" From: Raised on Radio (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. His absent father owned a station. At the same time, it's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, Perry has said he could see himself as a DJ, rather than a huge pop star. No. 25. "Ask the Lonely" From: Two of a Kind (1983)

Jonathan Cain once said Perry could write love songs in his sleep , and this only-okay leftover is an example of that assembly line-type approach. Yet, he gives his whole heart to every line. "This is my big theory on Steve Perry: Beyond being a great vocalist, I think the secret and maybe why generations connect with him is he is an empath," former Rolling Stone editor David Wild told me. By the end, "Ask the Lonely" still proves to be a better choice that most of what appeared on the back end of Frontiers .

No. 24. "Why Can't This Night Go on Forever" From: Raised on Radio (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 23. "The Eyes of a Woman" From: Raised on Radio (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds this quiet tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers -era midtempo sound.

No. 22. "Suzanne" From: Raised on Radio (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush – framed as a fantasy encounter with a film star who also had a singing career. He never revealed her name.

No. 21. "Edge of the Blade" From: Frontiers (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 20. "Be Good to Yourself" From: Raised on Radio (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert insisted – because "Be Good to Yourself" sounded the most like Journey on their previous two albums.

No. 19. "I'll Be Alright Without You" From: 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, told me he tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 18. "Only Solutions" From: Tron (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 17. "People and Places" From: Departure (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 16. "Faithfully" From: Frontiers (1983)

Journey was in the midst of a two-leg, 132-show tour in support of Escape and Jonathan Cain was feeling disconnected from his then-wife. Cain noticed the moon above their tour bus and, to him, "it looked like the midnight sun." He wrote that down then fell asleep. Upon awaking, Cain said the rest of "Faithfully" came to him in a rush. He wrote it in his own key, and that allowed Perry to explore a different vocal timbre. "'Faithfully' is to die for. I mean, Jonathan Cain's lyrics are amazing, and Steve Perry gave it everything he had," original MTV VJ Martha Quinn told me. "From the opening lines, he's just absolutely dripping with emotion. Every time you put the needle down, you can just feel it." Journey finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 15. "Walks Like a Lady" From: Departure (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, and he said it's one of his favorites.

No. 14. "Girl Can't Help It" From: Raised on Radio (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was another exception. This was classic Journey, spit-shined up for a new era.

No. 13. "After the Fall" From: Frontiers (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 12. "Good Morning Girl" / "Stay Awhile" From: Departure (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 11. "Who's Crying Now" From: Escape (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Cain's new presence impacted Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in Joel Selvin's Time3 liner notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 10. "Someday Soon" From: Departure (1980)

The final major vocal collaboration featuring Perry and Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared as Rolie exited. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured . But why weren't there more of these duets? "I didn't want to quit singing, but it got diminished, there's no doubt," Rolie told me. "I don't think Perry really liked me singing. 'I'm the singer.' Well, OK. But my answer to that is, you know, the Beatles did great with four singers. Four, right? Not one."

No. 9. "Open Arms" From: Escape (1981)

Jonathan Cain brought this to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms" either, but Perry intervened. He knew just what to do with it. "He was fascinating to write with because he's such a technician. I'd never worked with a vocal perfectionist," Cain told me. "I mean, he would memorize every line as we wrote it, then his voice — he'd put it in the register we wanted and deliver it how we wanted it. Steve rehearsed everything as we wrote it, so then when we got into the studio or rehearsal, he knew where it lived in his range. He was very specific about what words he wanted to say. I was kind of taken with it." That helped turn "Open Arms" a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 8. "Still They Ride" From: Escape (1981)

Cain and Schon earned co-songwriting credits on the lonesome "Still They Ride," and Steve Smith showed off an accomplished dexterity. But this song belonged in no small part to Perry. Its main character, Jesse, never left the town of his youth, and still drives through its darkening streets looking for some connection. Perry has admitted that this dreamer who refuses to give up on his youthful reverie works as a metaphor for himself. If you'd found yourself in mid-century Hanford, California, you might have seen Journey's future singer doing the same thing. Along the way, a touchingly emotional trip back to Perry's San Joaquin Valley youth showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 7. "The Party's Over (Hopelessly in Love)" From: Captured (1981)

"After I left," Gregg Rolie told me, "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner. He'd been working on a later-shelved project with Tickner, Valory and Schon in the next studio. He still hopes to have the old masters "baked so they can be released in some format," Roseman told me. "Neal played a couple of unbelievable solos that still need to be heard."

No. 6. "Stone in Love" From: Escape (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest. "Stone in Love" subsequently charted in the U.K., but never appeared on the main Cashbox or Billboard charts in America. After the release of "Open Arms" and "Still They Ride," however, it provided a welcome reminder that Journey had not given themselves completely over to balladry.

No. 5. "Separate Ways (Worlds Apart)" From: Frontiers (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words. Then they filmed a video that sharply divided some fans. "Rock aficionados may have said, 'Oh, that was cornball,'" Martha Quinn told me. "Well, ask people that are still doing send-ups today, down to every last camera angle. Those people love that video. That's something else you couldn't have predicted that would have stood the test of time — but it has. People love it."

No. 4. "Send Her My Love" From: Frontiers (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Love" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith told me, "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 3. "Only the Young" From: Vision Quest (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . The song is now credited with bringing Journey back together after a period of solo projects. "Only the Young" eventually opened every concert on Journey's subsequent tour, too. Still, it will be forever associated with Sykaluk's brave fight.

No. 2. "Any Way You Want It" From: Departure (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. So, Perry sang "she loves to laugh," and Schon responded with a riff. Perry sang "she loves to sing," and Schon responded again. Then "she does everything" led into another guitar riff — just like Thin Lizzy might have. Perry and Rolie then brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit – but not before Rodney Dangerfield's character in Caddyshack broke out in a hilariously awkward dance as "Any Way You Want It" blared out of a golf bag radio.

No. 1. "Don't Stop Believin'" From: Escape (1981)

It wasn't the biggest song of the year. In fact, "Don't Stop Believin'" finished at No. 72 on Billboard magazine’s year-ending Hot 100 singles of 1982. It wasn’t even the biggest song from Escape , which spun off not one but two songs that finished higher on the charts. It didn’t have a typical song structure, not referencing the title until 3:22 in, after three verses, two pre-choruses, and some abbreviated instrumental passages. It's set in a place — South Detroit — that doesn’t actually exist. So how did this become Journey's defining moment? "Who wants to keep believing? That would be everybody, you know?" Jonathan Cain told me. "And I think it's a certain song in uncertain times. You have this certainty about that song, and it has this rhythm to it that's just very assuring and very sure of itself. From the beginning piano line, it speaks — and it speaks to hope. I think people are looking for hope."

Nick DeRiso is author of the Amazon best-selling rock band bio 'Journey: Worlds Apart,' available now at all major booksellers' websites .

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Gallery Credit: Nick DeRiso

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Don't Stop Believin' by Journey

Songfacts®:

• Journey's most enduring song, this track has a unique structure, which helps it stick in your mind. Where most songs have a chorus that's repeated several times, "Don't Stop Believin'" brings in its chorus (and title) only at the end - about 3:20 into the song. The structure goes: instrumental, first verse, instrumental, second verse, first pre-chorus, instrumental, third verse, second pre-chorus, instrumental, and then finally the chorus until fade-out. It was not their biggest chart hit (that would be " Open Arms "), but is by far Journey's most famous song, thanks to a resurgence in the '00s.
• The line, "Strangers waiting, up and down the Boulevard" is a reference to Sunset Boulevard in Hollywood, where dreams are made. Keyboard player Jonathan Cain got the idea for the song when he went there to pursue his career. In his Songfacts interview , Cain said: "The song began with the chorus. My father had coached me. I was in Hollywood, struggling with my career, kind of lost. I was asking him, 'Should I come back to Chicago and just give up on this dream?' And he said, 'No, son. Stay the course. We have a vision. It's gonna happen. Don't stop believin'.'" Cain's dream came true when he joined a group called The Babys with John Waite. In 1980, he joined Journey in San Francisco, and this song took shape. He told Steve Perry about his idea for placing the song in Sunset Boulevard, and Perry had him describe it. "I described the menagerie of people who would show up on a Friday night," Cain said. "All the dreamers that had dreams to become actors. Producers, artists, lawyers, anything... they were all there on a Friday night."
• Journey lead singer Steve Perry, keyboard player Jonathan Cain and guitarist Neal Schon are the credited songwriters on this one, but the entire band contributed. In the Time3 compilation, the genesis of this song is explained: "At the band's Oakland warehouse, this song bubbled out of a rehearsal. Schon developed the bass riff, the chugging guitar line and the sweeping chords on the chorus. Steve Smith built the song around a pattern featuring a lot of tom-toms, anchoring the number to a rich drum figure. Perry and Cain drew from their experiences with the Sunset Strip street scene for the lyrics, 'streetlight people.'"
• Speaking with New York Magazine , Perry explained that the song originated during a series of gigs in Detroit when he found himself in a hotel room unable to sleep, staring out of the window: Strangers waiting, up and down the boulevard Their shadows searching in the night Streetlight people, living just to find emotion Hiding, somewhere in the night "I was digging the idea of how the lights were facing down, so that you couldn't see anything," he recalled. "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing."
• The popular resurgence of this song can be traced to its use in the 2003 movie Monster , which was based on the true story of the female serial killer Aileen Wuornos. The film was not widely seen but drew critical raves and a Best Actress Oscar for Charlize Theron, who portrayed Wuornos. In the movie, the song comes on when Wuornos and Selby Wall (played by Christina Ricci) are skating to it in a roller rink. They mention how they love the song, and as it builds, so does their passion, and they end up kissing outside the rink. The use of "Don't Stop Believin'" in this critically adored scene got the attention of the Hollywood community, who saw the emotion the song could bring out and no longer thought of it as a nostalgia track. Requests started pouring in to use the song in a variety of movies and TV shows, and soon another generation was familiar with the song. So how did it get in Monster in the first place? The film's director Patty Jenkins used it when they shot the scene and knew it fit perfectly. She sent the band members viewing copies of the film and asked permission to use it on a short budget. Perry called her back and not only gave approval, but helped her select music for the rest of the film; he's credited as a music consultant.
• The song was written to give the audience a connection with the band, a goal it achieved. Jonathan Cain told Songfacts: "It was the first attempt to bring an audience into the band's world. We're singing for you. We're singing about your world now. So, it was a departure from what they had been doing before. What I wanted to do was get a little Bruce Springsteen going on. Bruce was the master of that, bringing his audience into his songs. I was a huge fan of Bruce's."
• Speaking with the British radio station Planet Rock in 2010, Steve Perry said of this song: "Personally, it's something that means a lot to me. Everybody has emotional issues and problems, and the song has helped me personally to not give up, and I'm finding a lot of people feel that."
• This is the first track on Journey's seventh album, Escape . It was chosen to lead the album because, according to Cain, "With that piano line, it just sounds like a book opening up."
• The song got a boost when it was used as the closing number in Rock of Ages , a jukebox musical featuring hits of the '80s. The show ran on Broadway from 2009-2015, and in 2012 was made into a movie starring Tom Cruise. It's an appropriate choice, as Rock of Ages takes place on Sunset Boulevard, which is also the primary setting for the song.
• In the last ever episode of the TV show The Sopranos , which aired June 10, 2007, Tony Soprano plays this song on a jukebox during the final scene. The episode abruptly ends with the lyrics "Don't Stop" as the scene cuts to black. Steve Perry said in People magazine June 13, 2007: "I needed to know how this song was going to be used. I didn't want the song to be part of a blood-bath, if that was going to be the closing moment. In order for me to feel good about approving the song use, they had to tell me what happened. And they made me swear that I would not tell anybody."
• This was featured in an episode of the TV show Scrubs called "My Journey." Other television series and films to use "Don't Stop Believin'" include South Park , The Wedding Singer , Shrek the Halls , Bedtime Stories , Yes Dear , King of the Hill , The Comebacks , View from the Top , Cold Case , CSI: Crime Scene Investigation , My Name Is Earl , Just Shoot Me and Laguna Beach .
• In November 2008 it was announced that this track had become the first song available in the pre-digital era to sell more than 2 million downloads through iTunes. The track's popularity increased significantly after its appearance in the final episode of The Sopranos . It also became one of the most popular karaoke songs in America in the late '00s.
• In May 2009 a remake by the cast of the Fox TV musical comedy Glee debuted at #4 on the Billboard Hot 100, five places higher than Journey's version ever reached. It was performed in the season pilot and became part of the soundtrack album Glee: The Music, Volume 1 . By the end of 2009, the digital download had earned 500,000 digital sales. The Glee version was performed on Sesame Street with monsters portraying the cast. The bit featured the letter G, so the lyrics were adapted to "Don't stop G-ing."
• Believing in yourself and following your passion are ideals Steve Perry holds dear. When Randy Jackson, who used to play bass with Journey, was a judge on the singing competition American Idol , he asked Perry to come on as a guest judge. Perry turned him down, saying, "I don't feel good about sitting in judgment of anyone's honest passion to perform or their talent. If someone has a passion to perform, they should do it no matter what anyone says." Perry added: "I was passed on in the music business many, many times before Herbie [Journey manager Walter Herbert] heard my demo and believed in me. That was the moment that changed my life and I'm still forever grateful to him for believing in me. The hardest part is to keep believing in what you love when others tell you that you are not good at it."
• MTV went on the air shortly before this song was released. The band made a Spartan performance video for it in an empty arena, apparently at a soundcheck. They made a better one with footage from a Houston stop on their Escape tour, which became the official video that shows up on their VEVO account. Neither video got much love on MTV, which preferred concept videos.
• In the UK, this song peaked at #62 when it was first released. In November 2009, it was rereleased after Joe McEldry sang it on the TV show X-Factor , and this time, it climbed to #19. Joe McElderry won the competition, and franchise boss Simon Cowell wanted to release his version of the song as the single in the aftermath of the teenage singer's victory. However, Journey declined and Cowell instead arranged for McElderry to cover Miley Cyrus' track " The Climb ." Guitarist Neal Schon explained to The Sun : "We knew about Joe's version because Simon had contacted our management. He wanted to re-do the song with a different arrangement. We listened to it. We declined. There was nothing wrong with the original version - if it's not busted, let's not fix it." Schon added that Journey were aware they were possibly passing up a UK #1 hit. "Randy Jackson, who was on American Idol with Simon, was stressing that we should let him do it because it would probably go to #1. But we stuck to our decision."
• In the UK, the Glee Cast version debuted at #5 on the UK singles chart dated January 17, 2010, one place above Journey's original recording. It was the first instance of two versions of the same song sitting at back to back positions on the chart since December 2008 when Alexandra Burke's take on " Hallelujah " was at #1 with Jeff Buckley's version one place behind.
• The song starts with Perry singing about a young couple from two different backgrounds: Just a small town girl, livin' in a lonely world She took the midnight train goin' anywhere Just a city boy, born and raised in south Detroit He took the midnight train goin' anywhere But hang on a sec, any good Motor City citizen will tell you, there is no location called South Detroit; Detroit, Michigan, distinguishes only between an East Side and a West Side. If you go south in Detroit ("down-river"), you end up in Canada. Perry admitted to New York Magazine that he wasn't overly concerned with being geographically accurate. "I ran the phonetics of east, west, and north, but nothing sounded as good or emotionally true to me as South Detroit," he said. "The syntax just sounded right. I fell in love with the line. It's only been in the last few years that I've learned that there is no South Detroit. But it doesn't matter."
• This was used in the 1982 Atari video game Journey Escape . The song played in the background while you controlled various band members, helping them find the space ship while avoiding groupies and evil promoters. Computer graphics were pretty bad back then, so the groupies were represented as hearts with legs, and the promoters were floating heads. In fact, the very game was created to be based on the band Journey and the album Escape .
• This was one of the first Journey songs on which keyboard player Jonathan Cain played. He replaced Gregg Rolle for the Escape album.
• Lady Gaga, Elton John, Bruce Springsteen, Sting, Blondie and Shirley Bassey performed this at the finale of a Rainforest Fund benefit at Carnegie Hall in May 2010.
• This song was used in a 2005 episode of animated TV series Family Guy where Peter, Joe, Cleveland, and Quagmire did a drunken karaoke rendition of the song. ITunes was catching on at this point, and after this episode aired there was a spike in download sales of the song. >> Suggestion credit : Bert - Pueblo, NM
• Journey toured to support this album, but they interrupted their tour to open for The Rolling Stones in Philadelphia on September 25, 1981. It was The Stones first show on their North American tour.
• This became the anthem of the Chicago White Sox during their 2005 season in which they won the World Series. Steve Perry attended the last game of the Series and sang the song at their victory parade. Perry's allegiance though, is to his hometown team the San Francisco Giants. He was often seen supporting the team when they won World Series titles in 2010, 2012 and 2014. Perry would sometimes lead the crowd in singing along to "Don't Stop Believin'" when it was played between innings at games.
• Steve Perry severed ties with Journey in 1998 when he needed hip replacement surgery and couldn't give his bandmates a return date. Anxious to tour, they replaced him with the similar sounding Steve Augeri, and later with Arnel Pineda. For Journey fans, a dream scenario finds Perry reuniting with the band, triumphantly taking the helm on "Don't Stop Believin'" in an affirmation of unity and faith. But every year, they scenario seems less likely. In 2017 when they were inducted into the Rock and Roll Hall of Fame, Perry attended but didn't perform with the band, which did three songs (including this one) with Pineda. When Perry emerged with a solo album, Traces , in 2018, he offered some insight into his split with the band and his absence. "My love for music had suddenly left me," he said. "If music was ever to return to my heart, then and only then I would figure out what to do. If not... so be it, for I had already lived the dream of dreams." Journey first fractured in 1987 after touring for their Raised On Radio album. This was Perry's doing, as he was burned out and worried about keeping his voice healthy. But it was Perry who initiated their return, calling Cain in 1995 to talk about getting back together. This resulted in the 1996 album Trial by Fire ; Perry's hip condition emerged after it was finished.
• "Don't Stop Believin'" powered Journey's 1988 Greatest Hits album to a whopping 15 million in US sales ( Escape sold 9 million), making it one of the best-selling compilation albums in history. In 2001, they released another compilation, The Essential Journey , which sold another 2 million.
• During the 2020 pandemic, some hospitals used the song as a rallying call for patients recovering from COVID-19 and those treating them. The New York-Presbyterian Queens Hospital, for instance, played "Don't Stop Believin'" throughout the building each time they discharged a coronavirus patient.
• In 2020, Ladbaby, a UK duo comprising YouTuber Mark Hoyle and his wife Roxanne, released a playful twist on this song titled " Don't Stop Me Eatin' ." Recorded to raise money for foodbank charity The Trussell Trust, Ladbaby's single was the UK's Official Christmas #1 that year.
• "Don't Stop Believin'" was honored by the Library of Congress, which added it to the National Recording Registry in 2022. Steve Perry said: "That song, over the years, has become something that has a life of its own. It's about the people who've embraced it and found the lyrics to be something they can relate to and hold onto and sing."
• On January 26, 2024, the RIAA certified "Don't Stop Believin'" at 18x Platinum, a jump from 5x Platinum in 2013. The new certification reflects streaming, and signals that the song is immensely popular across generations. Other songs to reach that milestone are all far more recent, like " Sunflower " by Post Malone. Based on these figures, it's safe to say that "Don't Stop Believin'" is the most widely popular song of all-time in America. You can play it to anyone and they'll certainly recognize the song and probably like it. The next-closest song from the pre-streaming era is Mariah Carey's " All I Want For Christmas Is You ," with a 14x Platinum certification in 2024.
• More songs from Journey
• More songs about perseverance
• More songs used in TV shows
• More songs used in movies
• More popular Karaoke songs
• More songs that were hits for more than one artist
• More songs covered by the Glee cast
• More songs that are discussed in movies
• More songs popular during the coronavirus pandemic
• More motivational songs
• More songs from 1981
• Lyrics to Don't Stop Believin'
• Journey Artistfacts

Comments: 119

• Chad Eicher from Apple Creek, Ohio This song has got to be one of the greatest hit songs that I knew the words to. The cast of the Fox television show "Glee" did their version of that hit song. It just blew me away.
• Rw Cain, at a songwriters festival in 2014, explained some parts of the song. The girl and guy story is like a version of Jack And Diane; they may not be real people. The trains moving at midnight is inspired by the song Midnight Train To Georgia. Live versions of the song, depending on the main vocalist, may change South Detroit to whatever city the band is playing in at that moment.
• Soulsoldseparately from Buffalo, Ny Does "city boy born and raised in South Detroit" refer to an actual person?
• Seventh Mist from 7th Heaven My daughter's favorite song. She often used it as inspiration once she was on her own and (seemingly) facing a new challenge every day. She never stopped believing.
• Susan from Illinois Question-asker from A Train Going Anywhere, I think the lyric means ourselves. The movie is our lives. I believe our lives on this planet will end, but our souls will live on and on in another place.
• Ronsha from New Jersey OMG. This song is so dang famous! People everywhere know this song. I swear to God it's even growing on the younger generations, including me. I used to hate it and think it's overrated, but deep down I always thought, oh darn, this song's catchy, who am I kidding? I'm 13 now and Don't Stop Believin' is one of the most uplifting songs I've ever heard. Not only the sound, but also the lyrics are beautiful. Good song to make you feel strong, nostalgic... it could make you cry too.
• Brett from Mason Whether we choose to hear Streetlight People for street lights, people Steve Perry came right out and said after a concert in Detroit he is looking out from his hotel room down on the street and there we're people just wandering around the street. Not necessarily prostitutes or any other specific type of people. More or less aimlessly wandering around Under The Lights doing nothing. Mendez for the South Detroit I don't think he was intending to give a geography lesson. He was making a song sound the best it could possibly be
• Mckinzie from United States This is my all time favorite song, I say that this is my song because I could relate to this song so much.
• Nick from Ohio This is the most played classic hit of all time. Who would have thought that a song that peaked at #9 would become the undisputed biggest song in history.
• Badintense from Erie Pa This song has crossed all generations and ethnicities as a beloved song. Last summer (2019) in my neighborhood a group of young black teens were hauling their giant boom box down the street blaring this song and singing the words perfectly as if they were in an adult karaoke bar. It actually brought a tear to my eye since I was a teen when this song first came out in 1981. Journey's music has really brought people together into a common bond no matter what the media tries to push on people.
• Question-asker from A Train Going Anywhere what does the lyric "Oh, the movie never ends It goes on and on, and on, and on" mean in this song?
• Seventhmist from 7th Heaven I recently took a long trip and played a Journey collection in my car, downloaded from a phone app. It contained a live version of this song, performed in Houston, that I hadn’t heard before. When Perry reached line about the boy, he sang, “Just a city boy, born and raised right here in Houston!” That definitely caught me by surprise.
• Jodie from Xx I'm pretty sure he's saying "streetlights, people". Not "streetlight people".
• Steve from Albany, Ny And the nonsense about Windsor being "considered" south Detroit continues to stick to the Wiki page like doodoo. LOL It's been said by many that you should never rely on Wiki as a source of reliable / accurate information. Very true.
• Charles from Charlotte The stuff about lowlife killer Eileen Wuernos kissing her female lover just sullies the discussion of a great American pop song. Wish Perry & Co, had said NO!! to that.
• Leonardo from Connecticut I would argue that the Sopranos season finale repopularized the song, not Monster...
• Tony from San Diego Steve Smith plays an amazing drum pattern during the choruses.
• Steve from Albany, Ny The info on the Wikipedia page for this song is inaccurate. And some moderator is allowing it to be there. I guess the following from John Cafferty & The Beaver Brown Band's song C-I-T-Y was actually referring to Windsor too: "On the South side of Detroit city I'm working all night on the line" Yep, definitely referring to Windsor, Ontario because everyone knows Windsor, Ontario is "considered" south Detroit. Right. LOL
• Steve from Albany, Ny Regarding "south Detroit", I'm simply going to paste in what I just got done explaining to a mod at Wiki who is apparently bent on leaving misinformation on the Wiki page for this song. Sorry but this is pretty simple stuff and anyone who doesn't get it is an imbecile. ........................ I'm guessing / just realizing that you're a type of moderator here. If you in fact have control over what info is on the page in question, it would be a HUGE wrong to leave in the very misleading entry you've re-submitted. Windsor, Ontario is south _OF_ Detroit, Michigan. Detroit, Michigan is the city that NUMEROUS bands would make reference to in their songs. Especially rock bands and especially during the 70s into the 80s. Not Windsor and not any other suburbs of Detroit that also lie south of Detroit (or "downriver"). The song simply makes reference to the south SIDE of Detroit. The quote by Perry makes it clear that the word south was only added because... well, try singing it without south and just a long INNNN in it's place. As the quote makes clear, the song would not have sounded right without south (or something) before the word Detroit. Not that it's is needed for most to understand that the song is referencing Detroit and only Detroit but there is also a quote by Perry in which he stated that Detroit was very much in their (the writers) minds as they wrote the song. Windsor is not a part of Detroit. The song makes reference to the south side of Detroit. If the entry about Windsor is left on the page, so be it, but it is completely misleading and wrong.
• John from Chino, Ca This song is played during the final minutes of Detroit Red Wings home games where it seems evident that the team will win. Played over the PA system, the song is muted so the crowd can sing the verse, "Born and raised in South Detroit."
• Barry from Sauquoit, Ny On December 13th 1981 "Don't Stop Believin'" by Journey peaked at #9 (for 3 weeks) on Billboard's Hot Top 100 chart; it had entered the chart on October 25th and spent 9 weeks on the Top 100... It reached #2 in Canada and #6 in the U.K. Was one of four tracks from the group's 1981 album 'Escape' to make the Top 100 (the others were "Who's Crying Now" (4), "Still They Ride" (#19) and "Open Arms" (#2)... And on September 12th, 1981 the album peaked at #1 (for 1 week) on Billboard's Top 200 Albums chart.
• Steve from Albany, Ny Some of the comments here regarding this song and it's mentioning of south Detroit are ridiculous. Saying there is no south Detroit is funny enough (there is a south side of any city and I was born and raised in SW Detroit myself) but I especially get a kick out of the people who say the song is referring to Windsor. If the following Steve Perry quote is accurate, "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing.", then the ONLY city being referenced in the song is Detroit. If by chance the lyrics were written as "South Detroit" as opposed to "south Detroit", I suppose that could indicate that Perry/ the writers were thinking of some area of Detroit or evena separate town with that name but it's not likely and that capital S is the only error here. There's nothing complicated here, the song simply refers to the south side of Detroit.
• Jay from Centereach, Long Island, Ny I am surprised that the "South Detroit" line is so controversial. As a New Yorker, and not wholly familiar with the local geography or the neighborhood names of Detroit, I always thought South Detroit simply meant the southern part of Detroit, much like the South Bronx is the southern part of the Bronx. But who cares? This is a great song; no one should be concerned about a geographic error.
• Deethewriter from Saint Petersburg, Russia Federation Neal Schon told RAW RAWK RU NEWS 2011-10-24 that the recent resurgence of "Don't Stop Believin'" after appearing on The Sopranos and Glee -- as well as becoming the first iTunes song to reach two million downloads -- is beyond his comprehension: "When the record came out, there were other songs that were actually bigger than that off it on radio. Y'know, to have it this many years later just come out and be bombastic (laughs) like never before, just like all over the place and just keep on . . . It just keeps on going. Y'know, it's just pretty amazing."
• Terry from Grafon, Wi This song should be the national anthem of the United States.
• Willie from Scottsdale, Az Bwaaahahaha! Now Michelle "White House Crasher" Salahi is shacking up with Neal Schon. Priceless.
• Ken from San Mateo, Ca Since last year's World Series victory, I will always associate this song to the Giants and the Bay Area. Absolutely one of the best songs!!!!
• Hannah from Gustavus, Oh I'm graduating this coming Sunday (May 29, 2011) and I couldn't be more thrilled that this was voted in as our class song. When they announced it at school you could hear people cheering. I think the reason it's such an enduring song for graduation is that unlike most of the class themes that get picked ("Good Riddance," "Here's to the Night," etc.) it's not about looking back and being sad it's over, but rather looking forward and realizing there is indeed life afterward. It's about living life to the fullest (the first verse) and how even though life is difficult ("some are born to sing the blues"), the important thing is to at least take chances and try ("roll the dice just one more time") - and of course, to not give up no matter what may happen, because everything will turn out just fine in the end.
• Michael from Cincinnati, Oh Journey's 1982 album "Eascape was made into a video game titled "Escape".It was produced by Atari for the 2600 model.It was made by Data Age in San Jose,Cal.The Object of the game was to help the band members "Escape" the fans chasing them around.Pretty cool game at the time.
• Steppy from Detroit, Mi *South Detroit Debate* I'm from metro Detroit (as well as a giant Journey fan) and had always wondered about the reference to South Detroit. I heard and interview a year or so ago with Steve Perry, where he addressed the issue. I listened to it online, maybe Youtube?, so the interview may have been old. At any rate, he said that after a concert in Detroit, he was sitting in his hotel room, very late, working on this song. The room was on a high floor and he was watching the people standing under the lights and pondering their lives ("streetlight people"). While he realized that South Detroit didn't really exist, he used a bit of artistic license, because it flowed better than East Detroit.
• Megan from Stevenson, Al Tell me why this is AMAZING?! lol This song is on a totally different level. Awesome.
• Jim from Long Beach, Ca Great song. South Detroit=Winsor,Ontario,Canada.....
• Jay from St Paul, Mn I listened to a few interviews Steve has given. He said he used South Detroit because it sounded better than North, East or West. He said he didn't realize there was no South Detroit. He jokingly said he found out South Detroit was actually Windsor. As far as streetlight people, he said it's something that he noticed when he looked out of a hotel window. If you Youtube it, you can find the interviews. Very worth while.
• Ken from San Mateo, Ca What a song...Like the Chisox, this also became a tribute song for the 2010 World Champion San Francisco Giants! And Journey is from this area, so it makes better sense.
• Bobby from Belleville, Nj While Journey's version is a classic, back in 2008 before it was used in Sopranos, freestyle artist George LaMond remade the song into a pop/dance version. And a very good one, I might add.
• Barry from Sauquoit, Ny Five years before Journey's "Don't Stop Believin'" Olivia Newton-John had a completely different record with the same title, it peaked at No. 33...
• Bd from Vienna, Va Probably worth noting in the brouhaha about Journey turning down a cover of this song is that Randy Jackson was in the band for a while in the mid-80s before their first breakup.
• Rob from Fredericton, Nb One of the many anthems most prominiately found in the 80s hall of great music. For every song played on the radio, this one song sticks out the most when I use to go to a carnival in my hometown. With the smell of fries, hotdogs and other foods lingering in the air, you could always hear a Journey tune blaring in the background while everyone enjoyed riding the many rides at this carnival. So when you take an experience, like a carnival, and feature all of it's pleasantries you soon inaugurate any song from the 80s, namely a Journey tune, and the picture is complete. Such a great band and such a great song.
• Sara from Detroit, Mi And for those of you that want to split hairs, Look on the map of Detroit. Melvindale, Ecorse, Lincoln Park, Ecorse, Delray, Allen Park, Southgate, Taylor, River Rouge, Wyandotte. These are all blue collar or very poor areas, and most people worked for the Big 3 auto companies. This area is called "Downriver" as it is south of Detroit. Detroit itself is a pretty small city. What most people think is Detroit is any one of the suburbs that lies within or outside of Detroit's city limits. Oak Park, Hazel Park, Highland Park, and Hamtramck, are all INSIDE the City Limits. Where as Dearborn, Dearborn Heights, Southfield, Eastpointe, are OUTSIDE of Detroit's City Limits...yet most people consider it part of the greater metro area. When the word METRO is used by itself all over the country it means DETROIT METRO. We were the first place to use the term "Metro" as a colloquial term for a specific large area, as Detroit was the first city in the country to spread out that fast with that large of a population. The city of Detroit itself, is small.
• Sara from Detroit, Mi You are all VERY WRONG about the South Detroit explanation. To those of us who are FROM Detroit and GREW UP THERE....SOUTH DETROIT IS ANYTHING SOUTH OF I-96...a.k.a "Downriver" ....There has NEVER been a place CALLED South Detroit. It's like being in any big city, the term is more loosely used, than say "South Philly", "South-Central L.A." "Southside Of Chicago". Yes Eastpointe was East Detroit but that has absolutely NOTHING to do with this, you don't see a "West Detroit" on the map do you? As for the lyrics it IS in fact "Streetlights, People". It's amazing how many Americans struggle with their own native language!
• Carrie from Roanoke, Va Petra Haden does a cover version of this song.
• Karen from Manchester, Nh I have loved this song for years...until I heard that it was the closing song on the piece of filth that is titled "The Sopranos".
• Jose from Brisbane, Australia Please tour Australia! I know it's hard because for some reason, Australia never really got into Journey... sad lot we are.
• Nikki from Yamba, Australia greta song... love that it has on family guy.. scrubs... the sapranos... the wedding singer and love when LC and stephen sing it on the second series of laguna beach!
• Ellen from Chicago, Il A great song. See Wikipedia's article (search the song title) for additional details as to what exactly is meant by "South Detroit" - in the section called "Sports".
• Rahul from Chennai, India absolutely beautiful song....
• Stu from Philly, Pa They've been quoted as saying "it's streetlight people, we're talking about prostitutes." At any rate, check the lyrics book that came with the album. One of the greatest songs of all time, it was a real treat to see the cast of Glee perform it on that new TV show. One of the best non-Journey renditions of it. My band Raised On Radio usually starts our sets with this song.
• Mike from Brighton, Ma To answer the age old question, "South Detroit" actually refers Southfield, Michigan. (Southfield, ironcally is north of Detroit.) In the 1980s, Journey played many charity soft ball games with WRIF-FM (The Riff).
• Brendan from Cape Town, South Africa The line after "streetlights, people" sounds like "heaven just a fun emotion" Any other suggestions?
• Allen from Knoxville, Tn On the University Of Tennessee campus, somebody has spray painted on the stop signs "dont STOP believin'" Great song, even 27 years after it was released!
• Katie from St. Paul, Mn The lyrics say "Streetlights, people...", not "Streetlight people".
• Josh from Indianapolis, In Journey Rocks Big Time!!!!!!!!!!!!! thers not a song by them i dont like> Rock on!
• Bob from Dumbsville, Belarus Wow this song is beautiful! Everytime I'm down, I listen to it and it gets me back on my feet again. This song just defines 80s music. Journey will just never be the same without Steve Perry leading their crusade.
• Morten from Sydney, Australia I'm an 80's music tragic but suprisingly had never heard of this song! Thanks to Family Guy for introducing me to this gem! -Morten, Sydney, Australia
• Dean from Windsor, On I would just like to inform all those people who say this song isn't about Windsor. When "South Detroit" is mentioned the city of Windsor is what they are talking about. Windsor is actually SOUTH of Detroit. If your ever around my town and stand at the river your compass will point north. Enjoy!
• Julie from Taylor, Tx When this song comes on...me and best friend victoria go crazy! it's their best song. Classic 80's!
• Melanie from Seattle, Wa Scott from Boston - what a cool story! Haha I want to go write that on a stop sign now! :D This song is sooo good. Journey's best IMO. Steve's voice is amazing.
• Neil from Ottawa, Canada This song was sung by the football team in the 2007 film "The Comebacks". One of the players starts singing it in the change-room, and it turns in to a full-stage concert. It mocks the sports movie cliche of teams turning it around with an uplifting theme song, and also references the Chicago White Sox World Series.
• Liquid Len from Ottawa, Canada What a great song! The only song Journey did in the 80s that wasn't horrid!
• Fredrik from Stockholm, Sweden This song was also featured in the South Park episode "tsst" when Cartman is plugging in his X-Box. He sings the lines "Don't stop believing, hold on to your feelings"
• Krista from Elyria, Oh I love Journey! And I love it when ametuers sing the lyrics! But I HATE baseball cards...
• Scott from Boston, Ma During cross country last year there was a stop sign we always ran by during practice and it said "don't" above it and "believing" below it. It became our team's song and we often sang it very out of tune during runs. Also, that Family Guy episode is awesome (as most are). "Oh my god, that is Journey!"
• Michael from San Diego, Ca One of the most beautiful songs of all time...if this song doesn't get to you, then you may need to check your pulse!
• Richie from Sedalia, Mo Edgar, Kings Park, NY Better luck next time!!
• Edgar from Kings Park, Ny This song reminds me of my failed suicide attempt. Well... there's always next time.
• Brian from Portage, Mi Yes, Detroit is an East/West city, but no matter where an area is, there is still four cardinal directions.
• Brian from Detroit, Mi Anyone from Detroit will know what i am saying, but "south detroit" refers tothe area south of Outer Drive, Detroiters refer to the area as "downriver." i Just want to clear the confusion. It ISINT canada, it ISINT eastpointe, NOR groose pointe.
• Eamon from Motherwell, Scotland THis inspirational song was played every night in a juke by me when I was teaching summer camp in up state New York back in 1980. Being from Scotland, I loved the American rock scene and this classic just typifyies it. 27 years later, I play the Journey live DVD while I work out every other night and never tire of hearing it, it is in my blood. I had the pleasure of seeing Journey in Glasgow earlier this year and it was a real highlight. One question - I have heard different lyrics for this some say "Heaven is a funky mouse?" Any comments guys and girls? Eamon.Motherwell. Scotland.
• Sergio from Miami, Fl I have been listening to this song for a long time now. I grew up listening to it and I admit, its my all time favorite. It is so cool now to see a new generation fall in love with it thanks to Family Guy, Scrubs and Sopranos. I dont think it matters if South Detroit is correct or not cause whenever they performed it live with Steve Perry he always replaced Detroit with the city they were in at the moment. I always thought that was a nice touch and he always got a cheap pop for it. I know I will always love this song and just dont get sick or hearing it. Journey was a fantastic band with some great musicians.
• Mary from Canyon, Tx This song was my junior class song way back when in ancient times, not too long after it was first released. EVen I know Windsor, ON is south of Detroit! (Southeast to be exact.)
• Mark from Glassboro, Nj This song was used in the very end of The Soprano's Final Episode. The song is cut short and the screen goes to blank.
• Missy from Ann Arbor, Mi You may not belive this but 'Don't stop Belivin' was my senior class song...I love it and so did my class...we were a pretty small class and we were all ubsessed with soft and classic rock...the good stuff...Whenever I hear those first few piano keys play, I will alway go back to my high school gym, on a hot june day, walking to the stage to graduate...Good Times, Great Memories and GREAT SONG!!!
• Mike from Hueytown , Al I love the 80's on VH1 ripped this song apart.
• Mark from Des Moines, Ia I can't help but think of the CHICAGO WHITE SOX and their magical run to the World Series title in 2005. What a great season!!! What a great song!!!
• Maria from Houston , Tx I agree with most, his voice is awesome!!!!
• Kara from Cadillac, Mi Artists magic is what happens when you take a group of extraordinarily talented people and put them together, allowing them each to do what they do best. Journey is what happens when it all fits together and creates something wonderful. They're not just a band- they're an era. Neal Schon is with out a doubt one of the most gifted guitarists ever. His knowledge and presentation of his craft are nothing short of brilliant. Steve Perry's vocals are masterful. They, along with Schon's guitar work, gave Journey a distintive sound. Jonathan Cain - a perfect fit, though I admit I've always liked Greg Rolle too. I have a Journey album that was made prior to Steve Perry's joining and listening to that makes me know that Journey would have been great no matter what because they had the talent to be great. I know there were changes in the lineup, but Ross Valory's bass playing was also part of what made Journey what it is to me. I loved Steve Smith on the drums, but as with Rolle, I was sad to see Aynsley Dunbar go. Journey was a concept, a feeling, a part of life, an important accent to memories in my life and continues to contribute to important events in the lives of my kids. Two of my sons play guitar and are greatly influenced by Neal Schon. One of them is currently overseas serving in the millitary- he will marry his high school sweetheart when he returns and their wedding song will be "Open Arms". The two sons that I have at home have recently been getting into Journey - "Generations" and I have found that I love their music now as much as I ever did. It never mattered to me that Steve Perry said "South Detroit" - I lived in Ann Arbor/Ypsilanti for many years and I never could keep the suburbs or other offspring areas of Detroit straight anyway. I lived in San Francisco too and always knew that "Lights" was about that city - even if it was written in (or partially in) L.A. - Who cares? Does anybody ever question why "Still They Ride" has traffic lights in it? No. Why? Because it's a truly amazing song about times changing before people are ready for them to with an outstanding guitar lead and excellent vocals. Get over the details. This is legendary music by exceptional musicians. Just enjoy it.
• J from Boston, Ma and I mean (in the last comment) in the chorus part at the end.
• J from Boston, Ma About the streetlight line, I think the first time the line is done, it sort of sounds like streetlight with a little extra sound on it. However, the second time the line is sung, he definetly says streetlights. As the song fades out, I think he says streetlight.
• Jack from London, England Coming from England I had never heard this song on the radio before I heard it on Family Guy. I then heard the song during an episode of Scrubs Season 3 called "My Journey" and decided I had to download it. JOURNEY KICK ASS
• Nathan from From The Country Of, Canada I always heard this song on the radio, but it wasn't until its appearance on Family Guy's kareokee episode that i realized how good the song actually is.
• Peter from Detroit, Mi No matter what, at least once a month I hear this song at the bar. My friends and I are from Dearborn Heights, MI and I like to replace south detroit with "dearborn heights" while belting the lyrics to the annoyance of my girlfriend...she thinks I'm cute so it's cool. Rock on Journey!
• Tom from Vashon, Wa This is an amazing song. It is so sweet. I love it. I think that it has a great message that we can all relate to. Wether we are living on the streets or we are just having problems with our closest friend. You can never stop believing.
• Dave from Beamsville, Canada If you listen closely, you will hear a rendition of this song during the first wedding ceremony on 'The Wedding Singer' when Adam Sandler gets stood up at the alter.
• Allan from Calgary, Canada At The Den (the on-campus bar at the University of Calgary) this song has been the last song every weekend night for the last 10 years. All the regulars drop their pants and do the "no pants dance" Quite a good time and a great way to end the night at a great bar.
• Zeke from Washington, Dc All the lyrics say that the line is "Streetlight, people..." but if you listen to the song it DEFINITELY sings "Streetlights, people." Which do you think it is?
• Kevin from Grosse Pointe, Mi Yeah, but who calls Windsor "South Detroit"? Nobody. I love this song, but that line always bugs me. Why not say "Just a city boy, born and raised in East Detroit" East Detroit is the former name of Easpointe, Michigan. Also, East Detroit is just considered the East side of Metro Detriot, so he could be from the eastern part of the city of Detroit or from any one of the suburbs that is considered East Detroit (Harper Woods, Roseville, Clinton Township, St. Clair Shores)
• Emma from Palm Beach, Australia This song was performed in episode 403 of "The Family Guy" entitled "Don't Make Me Over" (original air date 06/05/05) by Peter, Cleveland, Quagmire and Joe. It's an enjoyable rendition, with pall bearers even dropping a coffin in order to hit "The Drunken Clam" to check out the performance.
• Matt from Haddon Hieghts, Nj This song is great and i got my whole family to love this song its Steve Perrys voice thats just awesome and its one of my fav
• Cindi from Vancouver, Canada OMG WHO care weather it is North, South. East or West it is a great song.....I can think about better things to debate than which way is up, down or left or right....I agree with who ever said there is N,S, E or West every where just get a compass and stand outside this isn't rocket science it's a Rock song.
• Zeke from Washington, Dc Actually, Canada IS south of Detroit. The southern part of Ontario is actually south of Detroit. Check your map Jon from Regina.
• Justin from Monson, Ma I think Journey's song "Don't stop Believin" is the greatest song in the world. I love it so much. Each time it comes on the radio, I turn it up loud. By the way, why does anyone care about how the city of Detroit is used in the song. The song's great!!!!!!!! -Justin Dubois,Monson,MA
• Matthew from East Brunswick, Nj Great song, Journey is a godsend of the 80's!
• Anwiya from Sterling Heights, Mi Hey John from Canada, you know nothing. A portion of Canada (city name: WINDSOR) is south of Detroit.
• Sara Mackenzie from Middle Of Nowhere, Fl white sox have used it for their theme song, omg!! at least it kept them going on to believe that they could win, and they did, so this song is like, an inspiration.
• Christa from Aurora, Il This was the song the white sox used for inspiration to win the world series 2005!
• Jeff from Sothington, Ct this is an inspirational song that has a good guitar part in it...the family guy episode was funny and the fact that i knew this girl that would sing this song and now everytime i hear it i see her singing it..but i still see myslef playing guitar...nice solo though
• David from Yosemite, Ca I heard this song sung a few weeks ago in San Francisco's North Beach--I was trying to sleep in the GreenTortoise hostel in the room above the lounge--and a chorus of girls was singing it. It must have been Kerioki night, but it was lovely. I couldn't recall the group (Journey), but heard a bit on the radio, and googled the lyrics. I've been googling lyrics all weekend--Napster's having free downloads, which brought me here--nice site.. I wish I could have recorded the girls singing. David Yosemite Sept. 4, 2005
• Chase from Pasadena, Ca Most of the memories posted on this website are by a girl named "Stephanie."
• Stephanie from Ellicott City, Md this song brings back some great memories .... reminds me of being just over the edge of 17, vacationing in Florida with my family. we were staying at this resort, and i was hanging out in the game room. i had been pretty bored, and i met this guy about 2 years younger than me. he was from a small town in Maine, while i was from the big city in Maryland. i was grateful to find someone close to my age, and we played airhockey, with us deciding to make a friendly bet, the terms to be determined after the game. he let me win, and the term of the bet was decided to be a kiss. we ended up making out for awhile, and when we parted for the night, we shared no pretense that we'd ever meet again. the next night, i heard this song, and it made me think of him - although it was reversed, he was the small town boy and i was the city girl, for a smile we shared the night, and the memories go on and on. i had been feeling pretty low about myself at this time, and feeling undesirable, and he made me feel like, hey, maybe there is something desirable about me after all. so, Matt from Maine, thank you.
• Ryan from Windsor, Canada Amazing song, one of the best from the 80's. oh and Jon from Regina, check your map bro. I'm from Windsor, Ontario Canada and to go to Detroit I'd have to travel North, not South (one of those "tricky" geography catches).
• Jev from Marietta, Ga Well does anyone know where I can get a good ringtone of this song period.
• Patrick from Charlotte, Nc no.
• Jev from Marietta, Ga Does anybody know where I can get a Don't Stop Believin ringtone that is reliable?
• Jon from Regina, Canada This is a great song. By the way, who really cares if they say South Detroit? It's not the end of the world. And John from Scottsdale, I thought most people knew this, but Canada is NORTH of Detroit, not south.
• Matthew from Marquette, Mi Ok... I don't know how many of you really know Geography, but there is a North, South, East and West of EVERYTHING! There is South America, Southern US, Southern California, South Detroit, my dorm room even has a southern part. While you may not find South Detroit on a map, there is in fact a South Detroit. The guy probably grew up near Michigan Avenue. As for the song... GREAT EFFIN' SONG!
• Tatem from San Diego, Ca No matter the radio station I'm listening to, you can always tell that distinctive Journey-Steve Perry sound and instantly know a Journey song regardless of your knowledge of their song list. Steve Perry gave Journey their uniqueness. I had heard about the Monster movie thing, never saw the movie though. It's hard to believe how old these guys are now. Steve Perry was a hottie. Aging happens to the best of us!!
• Perviz from Cochin, India Words can't describe the kind of feeling you get on hearing this song. Truly a masterpiece!!
• Perviz from Cochin, India This is truly a super duper song. Thanx a million Journey.
• Kevin from Grosse Pointe, Mi Yeah the whole South Detroit thing always bugged me too. Detroit is an East Side/West Side city, not a North Side/South Side city like Chicago. If the lyrics had said "East Detroit" it would have made more sense.
• Ryan from Lansing, Mi There is no East Detroit however as everyone should know, they changed there name to Eastpointe. But yeah he should really have said southren Detroit.
• John from Scottsdale, Az When I ever hear this song, I have to say "you've got it wrong, Steve, and sing "There ain't no such place as South Detroit." I grew up in Detroit. There's an east side and a west side. The dividing line is Woodward Avenue. South Detroit is..uh... Canada. Stand on the plaza in downtown Detroit, and look south. Oh, Canada. Otherwise, I like the song, but Steve and his buddies should hvae stuck to San Francisco or looked at a map
• Tom from Alma, Ga Ack! Another cookie-cutter corporate rock band. Being a child of the 80's, however, they did have some good stuff.
• Dawn from Highlands Ranch, Co Well, Neal Schon, Steve Perry and Jon Cain I think all take credit for the genesis of this song, which probably explains part of why they're not together anymore. But actress Charlize Theron really wanted this song for a scene in her movie Monster, so she and director/writer Patty Jenkins wrote a letter to Steve Perry begging him to allow them to use the song. He saw the scene they wanted it for, said it was perfect, through Sony contacts asked Jon and Neal if they were ok with it, they said yes, and Steve became musical consultant for the film, as well as the song being in the film. Steve is still traveling around the US and Canada with Patty helping her promote the movie and accepting awards for it.
• Mooler from Detroit, Mi Nora hit the nail right on the head. South Detroit is just referring to the southern part of the city just as south west detroit or west side or east side or northeast detroit...etc etc. I should know...im from north east detroit. 7 and gratiot.
• Paul from Greenwood, Sc Just a couple tidbits...in live shows, Journey frontman Steve Perry would insert the name of whatever city that would be hosting them, evidenced by the NFL films documentary of them from the late 80's where they are playing in Philly..."Born and raised in Phil-a-del-phia!"...also the guitar break between the first and second verse spotlights Schon at what he did best. Neil Schon was discovered by Carlos Santana and was playing on stage at the age of 15. He is incredibly fast and it shows on this classic.
• Larry from Artesia, Ca Streetlight people, living just to find emotion Hiding, somewhere in the night
• Angela from Santa Fe, Tx Does anyone know the lyrics to this song? I know most of them, however, there is one line in there where I can't seem to catch all the words. It is right after the line in the chorus "Streetlife people". Can anyone help me? Thanks.
• Nora from Richfield, Mn The lyrics didn't say 'south OF Detroit', it said South Detroit. Big difference

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The 10 best Journey songs

Let's face it, AOR just wouldn't have been the same without them – here are Journey's ten best tracks

For many, Journey are the band who define AOR better than anyone else. Their catalogue glitters with unforgettable anthems, which not only contain massive choruses, but also the sort of musicianship you might expect from a band who began life as jazz rock instrumentalists before embracing the melodic rock style for which they’re renowned. We've gone through the band's back catalogue and hand-picked their 10 finest moments.

10. Girl Can’t Help It (1986)

After taking a break from the band to work on his solo album Street Talk , vocalist Steve Perry was persuaded to return to the fold for 1986's Raised On Radio album. While the production shows a clear-cut influence of the times, Perry’s vocals shine as brightly as ever, while Jonathan Cain’s smooth keyboards complement Neal Schon ’s edgy guitar stride.

9. Faithfully (1983)

This is the way Journey explained the problems of trying to carry on a relationship while out on the road touring. One of the stand-out tracks from 1983's Frontiers , Faithfully has a soft lilt that exposes an emptiness. However, this is augmented by the lush rhythm and the way that Steve Perry croons his way through without ever wallowing in over emotional hyperbole. A power ballad in the best Journey tradition.

8. Lovin, Touchin’, Squeezin’ (1979)

Anyone who thinks that Journey aren’t capable of anything other than slushy ballads really should check out Lovin, Touchin’, Squeezin’ from 1979's Evolution album. It has a funk groove, and while the tempo is very much of the balladic kind, Neal Schon stabs through with some electrifying moments. What’s more, Steve Perry’s vocals soar impressively to ensure maximum dramatic impact. One of the highlights on Evolution .

7. Lights (1978)

The opening song from 1978's Infinity record – the album that introduced Steve Perry to the world, and also put the band’s new-found melodic style on display for the very first time. It’s easy to tell why American radio fell in love with Journey at this point in time. The music is filled with commercial astuteness, the harmonies are sublime and the whole timbre of Lights is evocative and stylish. This oozes the sort of class that would become the norm for Journey in the coming years.

6. Who’s Cryin’ Now (1981)

Who’s Cryin’ Now begins with an unvarnished piano piece from Jonathan Cain, on which Steve Perry builds his rich tone. And Ross Vallory provides some tasteful bass lines, to underline the whole feel of the song. This is the type of track that accentuates Perry’s love for great soul singers, while it also showcases the way in which Journey stood apart from all the huge selling AOR masters, and why Escape is regarded as the classic Journey album.

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5. Stone In Love (1981)

The fact this song opens up with shards of Neal Schon's guitar riffing proves that Journey were always prepared to give full weight to the heavier side of their talent. And Steve Perry also comes across with a lot more power than you might expect. This is a song where Journey never forget about the melody, but also give free rein to a rocky vibe. It also accentuates that Escape was always far more than just a collection of power ballads.

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4. Any Way You Want It (1980)

It may seem odd, but this song was actually inspired by Thin Lizzy , with whom Journey had toured a couple of years before recording the Departure album in 1980. But when you dig down and analyse the way in which the vocals are constructed, and the interchange between the instruments, then the influence becomes a lot clearer. There’s a gliding feel to the guitar parts that does feel like it is Thin Lizzy influenced, and Steve Perry adopts a storytelling style that is close to the Phil Lynott approach – and the whole feel suits Journey superbly.

3. Wheel In The Sky (1978)

Wheel In The Sky was co-written by Robert Fleischman, the band’s original choice of vocalist when they moved into a more commercial direction. However, when Fleischman didn’t work out and was replaced by Steve Perry, the song was thankfully retained. It starts with a flashing guitar groove, through which Perry cuts with a vibrant performance. In some ways, this is a basic live performance from the band, bringing a heavier dynamic to bear, but this fitted right into the whole feel of Infinity , and showed Journey could pound with the best.

2. Separate Ways (Worlds Apart) (1983)

After the enormous success of the Escape album, how did the band choose to open up their next album Frontiers ? With a powerhouse rocker than fitted right into an era where AOR was beginning to become a little less reliant on studio technology and celebrated talent. Of course, the rich production is evident here, but what makes the song work superbly is that way Jonathan Cain, Steve Perry and Neal Schon intertwine. There’s a buoyancy in Separate Ways (Worlds Apart) that tells of a band who are really playing off of each other’s strengths. The result is undeniably passionate.

1. Don’t Stop Believin’ (1981)

Is there anyone on the planet who does not know this song? It has got to be one of the most exposed tracks over the past two decades or so. And, because it’s so well known, it’s very easy to lose sight of just why this is so popular. Because Don’t Stop Believin’ is a peerless example of musical genius. Everything about it is simply perfect – the musicality, the vocals, the simple structure, the insistent melody… hell, this is not just Journey’s best song, it’s one of the truly landmark moments of the 80s.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for  Record Mirror  magazine in the late 70s and  Metal Fury  in the early 80s before joining  Kerrang!  at its launch in 1981. His first book,  Encyclopedia Metallica , published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the  Anthrax  song  Metal Thrashing Mad  in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021 . 

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20 Best Journey Songs of All Time, Ranked

Posted: April 25, 2024 | Last updated: April 25, 2024

The Top 20 Journey Songs, Ranked

20. “walks like a lady”.

• Album: Departure
• Hot 100 Peak Position: 32

"Walks Like a Lady,” released in 1980 as part of the album "Departure," is a classic rock anthem known for its energetic guitar riffs and soulful message. With its driving rhythm and Steve Perry's strong vocals, the song describes the magnetic power and complexities of women.

19. “After The Fall”

• Album: Frontiers
• Hot 100 Peak Position: 23

"After the Fall" is a poignant ballad exploring post-breakup emotions. It spent 12 weeks on the Billboard Hot 100’s Chart! Steve Perry's emotive vocals convey themes of heartbreak, reflection, and resilience. The song dives into the aftermath of a relationship, portraying vulnerability and eventual strength, showcasing Journey's emotional depth and melodic prowess.

18. “Still They Ride”

• Album: Escape
• Hot 100 Peak Position: 19

This song tells the story of perseverance and determination in the face of adversity. With its melodic hooks and Steve Perry's impassioned vocals, the song chronicles the journey of individuals overcoming challenges, and holding onto hope despite the odds. It's a testament to resilience and the human spirit's ability to endure hardships.

17. "Suzanne"

Album: Raised on Radio

• Hot 100 Peak Position: 17

"Suzanne" is a heartfelt ballad expressing longing and devotion. Steve Perry's soulful vocals convey a man’s deep affection for Suzanne, a woman he can’t have. The song captures the essence of romantic yearning, evoking emotions of love and longing with its melodic arrangement and poignant lyrics.

16. “Be Good to Yourself”

• Hot 100 Peak Position: 9

"Be Good to Yourself" made its way to the top 10 of the Billboard Top 100 list for a reason– it’s an uplifting anthem about self-care! With its upbeat tempo and catchy chorus, the song encourages listeners to prioritize their well-being and pursue their dreams, serving as a reminder to cherish oneself amidst society’s challenges.

15. “Send Her My Love”

"Send Her My Love" is a poignant ballad about longing and regret. Penned by band members Steve Perry, Jonathan Cain, and Neal Schon, the song reflects on a lost love, with the vocalist stating that the girl he loved “needed so much more” than he could give. It’s based on a teenage breakup that Cain experienced– ouch!

14. “Girl Can’t Help It”

This rock anthem celebrates the irresistible allure of a captivating woman. With its infectious rhythm and catchy hooks, the lyrics embody the bittersweet love of a couple who return to each other after a breakup. The man in the song has a “fire in his eyes” for the woman who just can’t help the fact that she needs more.

13. “I’ll Be Alright Without You”

Hot 100 Peak Position: 14

The aftermath of a breakup is discussed in "I'll Be Alright Without You.” The song's lyrics suggest a sense of resignation and acceptance, with the protagonist acknowledging the pain of separation but also expressing determination to move forward and find solace in independence. This heartfelt ballad that resonates with those experiencing the end of a relationship.

12. "Only the Young"

• Album: Vision Quest

"Only the Young" reflects on the resilience of youth and the pursuit of dreams. The first person to hear the song after its creation was 16-year-old Journey fan Kenny Sykaluk through the Make-A-Wish Foundation, one day before his untimely death. It conveys a message of hope and perseverance, urging young listeners to stay strong in the face of challenges.

11. “Stone in Love”

Possessing one of Journey’s many Platinum awards, “Stone in Love” describes the feeling of falling in love, likening it to being “stoned,” or intoxicated by love. The song captures the excitement, passion, and energy of newfound, summer romance. It's a celebration of the joy and thrill that young love brings!

10. “When You Love a Woman”

• Album: Trial by Fire
• Hot 100 Peak Position: 12

"When You Love a Woman" is a tender ballad exploring the depth of love and the commitment it entails. The song delves into the complexities of relationships, emphasizing the importance of communication, understanding, and cherishing each other's presence. It conveys a heartfelt message about the transformative power of love and the willingness to overcome obstacles together.

• Album: Infinity
• Hot 100 Peak Position: 68

“Lights” was one of the first songs that Steve Perry wrote for Journey. Originally written about Los Angeles, Perry eventually changed the lyrics to be about San Franciso. Interpretations suggest it's a reflection on returning home after being gone, capturing the sense of belonging and comfort found in familiar surroundings. This song eventually became a staple on every “Oldies” radio station.

8. “Wheel in the Sky”

• Hot 100 Peak Position: 57

This song was the first Journey song to ever make the Hot 100 list– and for good reason! The lyrics stem from a poem that bass player Ross Valory’s wife, Diane, wrote about the longing she felt for her husband while he was on tour. Valory then revamped the poem to be about missing Diane while on the road, reflected in the lyrics: “Haven’t been home in a year or more, I hope she holds on a little longer.” How sweet!

7. “Lovin', Touchin', Squeezin'”

• Album: Evolution
• Hot 100 Peak Position: 16

This song describes the heartbreak and confusion that comes with being cheated on, with the song’s first lines being “You make me weep and wanna die.” Inspired by Steve Perry’s life, this blues-esque rock anthem convey the depth of infidelity and the turmoil it causes.

6. “Who’s Crying Now”

Hot 100 Peak Position: 4

This chart topper is a poignant ballad featuring Steve Perry's emotive vocals and Neal Schon's melodic guitar. Lyrically, it discusses the complexities of a troubled relationship, with the protagonist pondering who bears the most pain amidst the turmoil, resonating with listeners seeking solace in heartfelt music.

5. “Any Way You Want It”

"Any Way You Want It" is a feel good anthem released in 1980. It's known for its infectious energy, catchy guitar riffs, and memorable chorus. The song expresses a sense of freedom and spontaneity in love, with the protagonist proclaiming their willingness to adapt to their partner's every whim.

4. “Separate Ways (Worlds Apart)”

• Hot 100 Peak Position: 8

"Separate Ways (Worlds Apart)" is characterized by its energetic rhythm, catchy synthesizer riff, and Steve Perry's powerful vocals.The song speaks about the end of a relationship and the emotional fallout. The song became a signature hit for Journey, known for its memorable hook and anthemic quality.

3. “Open Arms”

• Hot 100 Peak Position: 2

This chart topper camped out on the #2 spot of the Billboard Hot 100’s list for a shocking 6 weeks! The lyrics detail the efforts to reignite a relationship between two people who have drifted apart. The singer says, “now I come to you, with open arms, nothing to hide, believe what I say.” A sweet power ballad, this song welcomes listeners with open arms.

3. “Faithfully”

"Faithfully" is a power ballad that explores the challenges and rewards of life on the road for a touring musician. Written by Jonathan Cain, it reflects on the sacrifices made in pursuit of a dream, particularly the strain it places on relationships. Steve Perry's emotive vocals convey the longing for connection despite physical distance, making it a timeless anthem of devotion and dedication.

1. “Don’t Stop Believin'”

The most iconic Journey song, “Don’t Stop Believin’” hasn’t stopped gracing the airways since its release in 1981. This song shot up to the 9th postion on the Top 100s list and stayed on the Billboard 200’s list for 700 weeks! The biggest song of all time, it has sold a stunning 20 million units.

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Every Place Taylor Swift References in Tortured Poets Department , from the Black Dog to the Heath

Here's a dissection of the specific places Taylor Swift mentions in "The Tortured Poets Department" song lyrics, including The Chelsea Hotel

Getty; Jeff Kravitz/FilmMagic; Getty

Taylor Swift has processed her emotions around the world.

The pop superstar released The Tortured Poets Department on April 19, her eagerly anticipated album she described as an " anthology of new works " that reflect a "fleeting and fatalistic" period in her life that has ended.

After dropping the expected body of work at midnight, Swift surprised fans two hours later by announcing that TTPD is a secret double album . The second installment consists of 15 additional songs.

Within each of Swift's 31 tracks — with a total run time over two hours — are intricately detailed stories from past relationships laced with longing and heartache .

While the singer-songwriter explicitly mentions many of the locations in which she sorted through her feelings throughout those moments, she leaves it up to listeners to decode who the past lover is that she's referencing — in classic Swift fashion.

Fans have already connected songs to  her ex Joe Alwyn  and The 1975 frontman  Matty Healy , as well as  her current boyfriend Travis Kelce . Swift also name-drops celebrities like Charlie Puth , Stevie Nicks , and Jack Antonoff — in addition to singing about fellow "tortured poets."

Read on for all the real places Taylor Swift mentions in The Tortured Poets Department , including where she's experienced highs and lows, love and heartache.

Swift announced that “Fortnight,” featuring  Post Malone , is the first single off The Tortured Poets Department . The state of Florida is mentioned in the lyrics.

"Going to Florida by the car you won / But it won’t start up till you touch, touch, touch me," writes Swift.

When speaking with iHeartRadio, Swift said "Fortnight” is a song that "exhibits a lot of the common themes that run throughout this album, one of which being fatalism, longing, pining away, lost dreams." She said that she "always imagined" the song being set in an "American town where the American Dream you thought would happen to you didn't."

Florida is seemingly a recurring place of escape for the singer, at least metaphorically within TTPD album. In fact, the eighth song on the track is simply titled " Florida!!! " (featuring Florence + The Machines).

"'Florida!!!' is a song I wrote with Florence + The Machine, and I think I was coming up with this idea of like, what happens when your life doesn’t fit, or your choices you’ve made catch up to you," Swift told iHeartRadio of creating the track.

The singer highlighted how at times in life "you’re surrounded by these harsh consequences and judgment, and circumstances did not lead you to where you thought you’d be and you just want to escape from everything you’ve ever known," leading one to question "is there a place you could go?"

Swift also explained she is "always watching"  Dateline  and noticed how "people have these crimes that they commit, where do they immediately skip town and go to? They go to Florida."

The Chelsea Hotel

The album's title track, "The Tortured Poets Department," mentions The Chelsea Hotel in its lyrics.

"I laughed in your face and said / 'You're not Dylan Thomas, I'm not Patti Smith' / This ain't the Chelsea Hotel, we're modern idiots," writes Swift.

The Chelsea Hotel is a famed landmark in New York City. The 12-story Manhattan hotel, which was built in the late 19th century, famously housed writers, painters, authors and socialites. Thomas and Smith, both renowned writers in their own right, lived in the hotel.

It reopened in 2022 after a 12-year-long renovation and was just named one of the 21 best hotels in New York by Travel + Leisure.

Swift admits in "Down Bad" that she lets her emotions out in the gym. (She previously detailed her tour prep to  Time , sharing  she trained at Dogpound ).

"Now I’m down bad, crying at the gym / Everything comes out teenage petulance / F—k it if I cant have him," she writes on the album's fourth track.

The Heath in London

"So Long, London" is one of the most heart-wrenching tracks on TTPD . The song's lyrics detail Swift's attempt at saving a failing relationship and the loneliness she dealt with during that time.

"I stopped trying to make him laugh/ Stopped trying to drill the safe," she sings. (In her  Time  cover interview, Swift opened up about moving to a "foreign country" — likely the U.K., where she often spent time with Alwyn — amid her  public feud with Kanye West and Kim Kardashian .)

Later in the "So Long, London" lyrics, Swift makes a reference to "the house in the Heath" she left behind. A heath is technically an uncultivated ground where grass and small plants grow, but Hampstead Heath is also a notable London park and the adjacent neighborhood of Hampstead is home to many celebrities.

This isn't the first time Swift has made mention of the location in one of her songs. On "London Boy" off 2019's Lover, she sings "Like a Tennessee Stella McCartney on the Heath."

The Black Dog

The Black Dog 

The Black Dog is a real bar in London, and also the title of a TTPD bonus track. The lyrics tell the story of a person she watches enter the bar, a move that seemingly betrays her.

"I am someone who until recent events / You shared your secrets with / And your location, you forgot to turn it off," she writes in verse one. "And so I watch as you walk / Into some bar called The Black Dog / And pierce new holes in my heart," she continues.

Swift reiterates that this person "forgot to turn it off," likely in reference to their location tracking on their phone. In the chorus, she goes on to say, "I just don't understand how you don't miss me / In The Black Dog, when someone plays 'The Starting Line.'

"The Starting Line" is mentioned a few times within the album, possibly in reference to the band often covered by The 1975. Within the song, Swift writes about this person meeting a girl at the bar, but she's too young to know the pop-punk band from the early 2000s.

Central Park

Swift mentions the lake in New York's Central Park when singing "The Bolter," the last song on the album. She sings, "When it's all roses, portrait poses / Central Park Lake in tiny rowboats / What a charming Saturday."

The singer previously teased to the crowd during her Melbourne tour stop on The Eras Tour earlier this year. Swift told the crowd her latest work was something that she "needed" to make.

"It was really a lifeline for me — just the things that I was going through, the things that I was writing about ... it kind of reminded me why songwriting actually gets me through my life," she said. "I've never had an album that I needed songwriting more than I needed it on  Tortured Poets ."

Related Articles

Every song in the Fallout TV series

The Fallout games are known for their rich library of songs from the 1930s, 40s and 50s, and the show follows suit. Here are all of the songs you'll hear on your journey through the wastelands.

By Eric Halliday | Apr 24, 2024

The Fallout video game series has always been known for its unique retro-futuristic aesthetic. The games are all set in a post-apocalyptic landscape that seems to be stuck culturally in the 1940s, with music, movies and iconography all harkening back to that era.

The Fallout TV series on Amazon Prime Video continues this tradition, with tons of music from the 1950s, 40s, 30s and before. Here are the songs you hear in each episode:

Episode 1 — "The End"

• "Orange Color Sky" — Nat King Cole ( also appears in Fallout 76 and Fallout 4. It was also used in promotional material for Fallout 76 )
• "Don't Let the Stars Get in your Eyes" — Perry Como
• "Who Do You Suppose" — Connie Conway
• "Some Enchanted Evening" — The Castells
• "Start it Slow" — Mari Jones with Johnny Moore's Band
• "Keep That Coffee Hot" — Scatman Crothers
• "A Nervous Kiss" — Carl Coccomo
• "So Doggone Nervous" — Johnny Cash
• "All Over Again" — Johnny Cash
• "Brighter Side" — Connie Conway
• "Mariachi De Amigos" — Donald Quan and Rick Lazar
• "Crawl Out Through the Fallout" — Sheldon Allman ( also appears in Fallout 4 )

Episode 2 — "The Target"

• "Into Each Life Some Rain Must Fall" — The Ink Spots w/ Ella Fitzgerald ( also appears in Fallout 3 and 4 )
• "Don't Fence Me In" — Bing Crosby & The Andrews Sisters ( also appears in Fallout 76 )
• "It's a Man" — Betty Hutton ( also appears in Fallout 4 )
• "I Don't Want to Set the World on Fire" — The Ink Spots ( also appears in Fallout 3, 4, and 76 )

Episode 3 — "The Head"

• "Maybe" — The Ink Spots ( also appears in Fallout, Fallout 3, 4, and 76 )
• "So Doggone Lonesome" — Johnny Cash
• "We'll Meet Again" — The Ink Spots
• "Tweedle Dee" — LaVerne Baker
• "In the Mood" — Glenn Miller
• "Act Naturally" — Buck Owens and the Buckaroos

Episode 4 — "The Ghouls"

• "Let's Go Sunning" — Jack Shaindlin ( also appears in Fallout 3 )
• "Just Fine" — Michael Brown
• "What to Do" — Buddy Holly
• "It Ain't the Meat (It's the Motion)" — The Swallows
• "Journey into Melody" — Sam Fonteyn
• "I Can Dream, Can't I?" — The Andrews Sisters

Episode 5 — "The Past"

• "Henry" — The Jet Jones
• "Robin in the Pine" — Bonnie Guitar
• "The Battle Hymn of the Republic" — William Steffe ( also appears in Fallout 3 and 4 )
• "National Pride" — Cedric King Palmer
• "Ladyfingers" — Herb Alpert and the Tijuana Brass
• "What a Difference a Day Makes" — Dinah Washington
• "It's Just A Matter of Time" — Brook Benton

Episode 6 — "The Trap"

• "Texas and Beyond" — Patrick John O'Hara Scott
• "Improvisation on Tchalkovsky" — Django Reinhardt
• "Dardanella" — Alvino Rey And His Orchestra
• "Theme From a Summer Place" — Percy Faith
• "Lonely Hours" — Gene Armstrong and His Texas Nite Hawks
• "Summer in Love" — I Marc 4 feat. Edda Dell'Orso
• "Give Me The Simple Life" — June Christy
• "Fallout 4 Main Theme" — Inon Zur ( also appears in Fallout 4, duh )
• "Skitter Skatter" — Metrotones
• "I'm Tickled Pink" — Jack Shaindlin ( also appears in Fallout 3 )

Episode 7 — "The Radio"

• "Fallout 4 Main Theme" — Inon Zur ( also appears in Fallout 4 )
• "Sixteen Tons" — Merle Travis ( also appears in Fallout 76 )
• "Only You" — The Platters
• "Bossa Angela" — Roland Kovac
• "Minutemen Radio" — Heather MacArthur
• "Così fan tute" — Mozart
• "Yeah Yeah Baby" — Cool Papa Jarvis
• "You're Everything" — The Danleers
• "From the First Hello to the Last Goodbye" — Jane Morgan
• "Oktoberfest" — Douglas A. Wood

Episode 8 — "The Beginning"

• "I Don't Want to See Tomorrow" — Nat King Cole
• "We Three (My Echo, My Shadow, and Me)" — The Ink Spots ( also appears in Fallout 76 )

All 8 episodes of Fallout, reviewed. All 8 episodes of Fallout, reviewed. dark. Next

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Taylor Swift releases ‘The Tortured Poets Department’ double album ahead of Record Store Day: Highlights

Catch up on all things 'The Tortured Poets Department':

• Fans celebrated Swift's midnight release of "The Tortured Poets Department" with listening parties and themed gatherings . Many critics praised Swift in their reviews.
• Swift surprised fans at 2 a.m. ET with news of 15 extra songs.
• The album features collaborations with Post Malone and Florence + the Machine. Swift described writing the album as deeply personal. "Once we have spoken our saddest story, we can be free of it," she said.
• NBC News' resident Swifties stayed up to blog the biggest takeaways after the album's release.

Vinyl industry rep says pandemic-era manufacturing bottlenecks have eased

"The Tortured Poets Department" is set to be released in special-edition "ghost"-colored vinyl, available both directly through Swift's website and exclusively at Target.

During the pandemic, that might have alarmed vinyl record buyers. As vinyl plants shuttered and employees were sidelined, vinyl production ground to a halt, causing reports of weekslong backlogs and orders going unfulfilled outright.

But in an interview with NBC News on Friday, Dustin Blocker, president of the Vinyl Records Manufacturing Association, said those issues have been resolved and that suppliers now have more than enough capacity to handle any orders coming their way, including massive ones like Swift's.

"In Q3 2023, we saw the [production] timeline start to go back to normal," Blocker said. "And in Q4 it really got back to normal. Now, everyone, including the huge plants, takes only 8-12 weeks [to produce] ... so it's very good news for everyone."

Blocker said any price increases on the supply side sparked by the bottlenecks have essentially reversed.

So, the $40 price tag on the Target edition of "TTPD" is most likely the result of choices made by Swift, her label and the retailer, he said.

Jack Antonoff is sharing BTS pics

Saba Hamedy

Jack Antonoff is giving Swifties what they want: more content.

The Bleachers frontman, who is also Swift’s longtime collaborator and friend, shared pictures of Swift and collaborators on the album, including Florence Welch .

The acting U.S. secretary of labor has a question for Taylor

Acting U.S. Labor Department Secretary Julie Su has a key question for Taylor Swift and her "Tortured Poets Department":

"Is this department unionized?" she wrote in a post on X .

Su, 55, has served as acting secretary since March 2023; she has faced stumbling blocks to being confirmed full time for the role over her perceived pro-union bias .

Destin celebrates Swift shoutout

Nicole Duarte

The city of Destin, Florida, is here for the Swiftie boost.

Google searches for the beach town shot up minutes after Swift’s “The Tortured Poets Department” was released. The album mentions Destin in the song “Florida!!!” featuring Florence + The Machine.

The city is celebrating the shoutout:

As is Destin's mayor:

Trump gets a question on Taylor

Vaughn Hillyard

A reporter who is part of the pool following Donald Trump on Friday at his hush money trial was able to get in a question to the former president about the new albums.

Trump didn't engage.

Taylor Swift reveals ‘Dateline’ as an inspiration for ‘Florida!!!’

Maddie Ellis, TODAY

Taylor Swift has taken over radio stations, from Channel 13 on SiriusXM to iHeartRadio briefly renaming itself to iHeartTaylor and sharing messages from the songwriter.

Swift revealed in a soundbite played on iHeartRadio that “Florida!!!” — the eighth track of the album and featuring Florence + the Machine — was inspired by “Dateline.”

“I’m always watching, like ‘Dateline,’” Swift said with a laugh. “People, you know, have these crimes that they commit where they immediately skip town and go to Florida. They try to reinvent themselves, have a new identity, blend in.”

It’s the same with heartbreak, she said.

“I think when you go through a heartbreak, there’s a part of you that thinks, ‘I want a new name. I want a new life,’” she said.

Or perhaps in Swift’s case — a new era?

Read more at TODAY.com.

The double album appeared to avoid leaks

Kaetlyn Liddy

The standard edition of "The Tortured Poets Department" is said to have been leaked ahead the album's release. The origin of the apparent leaks is unclear, but none of the songs on the extended "anthology" version of the album seem to have been compromised.

Leaks of major artists' work sometimes occur when physical copies of the album arrive prematurely at record stores or department stores, before the tracks are released on streaming platforms. Fans suspect the surprise drop of the double album was a factor in the 15 extra tracks avoiding leaks.

The extra content was so unexpected that the lyrics of the anthology version have yet to be uploaded to Spotify .

‘The Tortured Poets Department’ broke a Spotify record in 12 hours

"The Tortured Poets Department" is already Spotify’s most-streamed album in a single day this year, edging out Beyoncé's "Cowboy Carter" in less than 12 hours, Spotify confirmed to NBC News.

Swift currently holds the all-time record for most streams in a day by album and by artist for 2022's "Midnights."

Who are The Blue Nile? About the Scottish band named by Swift

In the album's ninth track — "Guilty as Sin?" — Swift name-drops a beloved '80s Scottish band, The Blue Nile.

"Drowning in The Blue Nile. He sent me 'Downtown Lights.' I hadn’t heard it in a while," Swift says in the song.

"Downtown Lights," released in 1989, was the peak of The Blue Nile's commercial success in the U.S., with the song reaching No. 10 on the Billboard American Modern Rock Tracks chart. 1989 is also Swift's birth year and the title of her fifth studio album.

Known for their avoidance of publicity, The Blue Nile has released just four albums since forming in 1981.

Fans share their theories and joy on social media

It wouldn't be a new Taylor Swift album without fans wondering who it's about or decoding the names mentioned in each song. (Who is Cassandra , Taylor?)

That speculation will surely continue, but now that the album is out, fans can't believe their luck. Reactions on social media praised the sonic and lyrical range of the album, saying that "everybody gets everything," whether you listen to Swift for her synth-pop hits or her intimate folk songs.

Author and creator John Green couldn't wait to wake up his daughter to tell her she gets 31 new Taylor Swift songs today.

By the numbers: Will Taylor Swift break her own album sales marks?

Dania Kalaji

“The Tortured Poets Department” blasted to No. 1 on the U.S. iTunes album sales chart following its release. But will it live up to the success of her previous discography?

Here are all of Swift’s bestselling albums in the U.S. ranked to date, according to data from the Recording Industry Association of America.

“Fearless” (2008): 10 million units

“1989” (2014): 9 million units

“Red” (2012): 7 million units

“Taylor Swift” (2006): 7 million units

“Speak Now” (2010): 6 million units

“Reputation” (2017): 3 million units

“Lover” (2019): 3 million units

“Midnights” (2022): 2 million units

“Folklore” (2020): 2 million units

“The Taylor Swift Holiday Collection” (2008): 1 million units

“Evermore” (2020): 1 million units

TikTok rolls out new features to celebrate new album

Daysia Tolentino

As Swifties show their love for "The Tortured Poets Department" on TikTok, they have the chance to be featured in a "Fan Spotlight" carousel that highlights videos with the #TORTUREDPOETSDEPARTMENT hashtag.

TikTok released a "Taylor Swift In-App Experience" that serves as a landing page for all things "TTPD." Fans can complete challenges in exchange for limited-edition "TTPD" profile frames and some Taylor-related searches unlock animations inspired by the album. Searches for "Taylor Swift," "Taylor Nation," and "The Tortured Poets Department" lead fans to the landing page.

The features are particularly notable because Swift's music was pulled off the platform earlier this year as part of a disput between TikTok and Universal Music Group, though many of her tracks returned earlier this month .

Fans on TikTok have already been loving "TTPD," sharing numerous theories , tears and rankings .

Swift's song 'Fortnight' with Post Malone hits No. 1 on Apple

Jason Abbruzzese

That didn't take long.

The song "Fornight" off Swift's new album quickly hit No. 1 on Apple's top song chart. It features rapper and singer Post Malone.

Swift also took the next four spots with "The Tortured Poets Department," "So Long, London," "My Boy Only Breaks His Favorite Toy," and "Down Bad."

The National's Aaron Dessner on working with Swift: 'some of the most lyrically acute, intricate, vulnerable and cathartic' songs

Aaron Dessner, a musician who is part of the rock band The National, posted to Instagram about working with Swift on the album along with a pic of her in a studio.

He said that he has now worked with swift on more than 60 songs, including 17 across her newest release.

"I am forever grateful to Taylor for sharing her insane talents with and trusting me with her music. I believe these songs are some of the most lyrically acute, intricate, vulnerable and cathartic Taylor has ever written and I am continually astonished by her skills as a songwriter and performer," he wrote, adding in thanks to a long list of other artists and producers.

Will Swift break her own streaming records?

The October 2022 release of Swift's 10th studio album, "Midnights" shattered records on Spotify and Apple Music.

"Midnights" became Spotify's most-streamed album in a single day with 184.6 million streams when it debuted. Swift also broke the record for most-streamed artist in a single day on Spotify with 228 million streams.

The album also become the biggest album of all time by a female artist in Apple Music history by first-day and first-week streams worldwide.

Can Swift outdo herself?

Will Swift's album inspire a new college course?

As Swift became increasingly synonymous with American pop culture, universities around the country started creating entire courses dedicated to studying her lyricism and impact.

Some courses focus on Swift as a business and marketing mastermind, while others analyze her storytelling techniques with all the detail and skill of poetry analysis.

Time will tell whether this new album will inspire yet another college course. Our guess is with all the literary references, it's sure to be on some professors minds.

Read more in NBC News' article here .

Saturday is Record Store Day

The release of "The Tortured Poets Department" will come just in time for a notable day in the music industry calendar: Record Store Day on April 20. The annual event has been observed since 2007 to celebrate independent record stores and is often accompanied by exclusive drops by major artists.

Swift has yet to announce a special event, but the date is marked in the TTPD Timetable on her Instagram, suggesting she might have something up her sleeve.

Swift describes new album: 'Once we have spoken our saddest story, we can be free of it.'

Patrick Smith

Taylor Swift has offered fans a glimpse into the creative process behind "The Tortured Poets Society" and the emotions that inspired it.

In a press release Friday morning to accompany the new release, the artist said:

"The Tortured Poets Department. An anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time — one that was both sensational and sorrowful in equal measure.

"This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted.

"This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.

"And then all that’s left behind is the tortured poetry."

To sleep or stream? Swifties question staying up even later

Can you wait until the morning to listen to the 15 extra songs on Swift's anthology?

If you answered no, you're not alone. Online, fans joked that they didn't expect to get this little shut eye.

Among the fans: Gen Z Rep. Maxwell Frost, D-Fla.

"I got votes in the morning. Do I sleep or listen" he wrote .

Others had similar thoughts.

"TAYLOR I HAVE A JOB OH MY GOD" wrote one fan, tagging the artist on X .

"lol Taylor I have to get up early to run errands before work please" wrote another X user.

Leave it to Swift to give us adrenaline to keep us all up a little longer.

'The Tortured Poets Department' becomes Swift's longest album

With the surprise release of 15 additional songs, "The Tortured Poets Department: The Anthology" has 31 tracks.

That now makes it Swift's longest album, edging ahead of "Red (Taylor's Version)" by just one track.

A list of all 15 of the extra 'Anthology' songs

• “The Black Dog”
• “imgonnagetyouback”
• “The Albatross”
• “Chloe or Sam or Sophia or Marcus”
• “How Did It End?”
• “So High School”
• “I Hate It Here”
• “thanK you aiMee”
• “I Look in People’s Windows”
• “The Prophecy”
• “Cassandra”
• “The Bolter”
• “The Manuscript”

Surprise: a double album!

"The Tortured Poets Department" is a secret DOUBLE album.

In a 2 a.m. ET surprise, Swift announced an extra 15 songs.

"I’d written so much tortured poetry in the past 2 years and wanted to share it all with you, so here’s the second installment of TTPD: The Anthology," she wrote on X . "15 extra songs. And now the story isn’t mine anymore… it’s all yours."

It's 2 a.m.

Now what, Taylor?

ICYMI: Swift's powerhouse publicist Tree Paine gets profiled by WSJ

Swift's longtime publicist, Tree Paine, whom many fans know by name, was the subject of a lengthy Wall Street Journal article published Thursday ahead of the new album's release.

While she declined to be interviewed for the story, it delves into how she became one of the most powerful people in the entertainment industry since she joined Swift's camp in 2014.

“There isn’t a publicist in NY, LA or Nashville that wouldn’t jump at an opportunity to work with someone as talented as Taylor Swift and her management team,” Paine said at the time, according to the New York Post .

Read the full story here.

Couples are now wary of Swift's 'Lover' as a love song

Elena Nicolaou, TODAY

“Lover” — at least until recently — was widely received as one of Swift’s classic love songs. When the album of the same name came out in 2019, its title single was declared  first dance song material , or even a “ wedding waltz .”

In the song, Swift paints a portrait of quiet intimacy. Her wild “Red” days, of thrilling romances with highs and lows and uncertainties in between, had settled into something steadier with one person, captured by a simple chorus: “You’re my, my, my, my lover.”

But that interpretation is now in question, as Swift recasts some of her songs in a different light. Ahead of the release of “The Tortured Poets Department,”  she released five playlists on Apple Music , sorting old songs into groups inspired by the five stages of grief, or “heartbreak.”

Aaron Dessner is credited as a songwriter on five of 16 tracks

Dessner, who is a member of the bands The National and Big Red Machine, is one of two producers who worked on "The Tortured Poets Department."

He's credited as a songwriter on five of the 16 tracks on the standard album.

Dessner first collaborated with Swift on her eighth studio album, “Folklore,” for which he shared in the Grammy win for album of the year. He made several guest appearances with Swift on the U.S. leg of the Eras Tour, joining her onstage during the acoustic set for performances of songs they wrote together.

Here's what some critics are saying in their reviews

Angela Yang

The critics have spoken. Here's a roundup of some of their takeaways on "The Tortured Poets Department."

Billboard ’s Jason Lipshutz praised Swift’s boldness for releasing a “knowingly messy, wildly unguarded breakup album” at what’s arguably the peak of her career. It's more mature than her past heartbreak albums, he writes, and “not everyone will love it, but the ones who get it will adore it fiercely.”

Variety ’s Chris Willman wrote that the album can serve as an “unapologetically dramatic” soundtrack to listeners’ own heartbreaks.

Labeling it Swift’s most personal album yet, Rolling Stone ’s Rob Sheffield described it as “the cathartic confession of a woman who thought she had adulthood — and adult romance — all figured out, only to find herself realizing she knows nothing.”

And unlike on past albums, Swift doesn’t portray herself as a victim in this one, wrote the Los Angeles Times ’ Mikael Wood. Instead, the album emanates “a proudly villainous energy as Swift embraces her messiest and most chaotic tendencies.”

Jack Antonoff, Swift's longtime collaborator, posts love for album

Antonoff, Swift’s longtime collaborator and friend, shared his love for the new album on X .

"Love this album more than I can say," wrote Antonoff, who worked on “The Tortured Poets Department” as a producer.

Antonoff also co-wrote eight of the album's tracks.

Swifties are starting to post reax on X

In typical fashion after a Swift album drops, reactions from fans are pouring in online, and they TEND TO COME IN ALL CAPS.

As any Swiftie will tell you, listening to new music from the artist always proves to be a collective emotional experience.

Spotify appears to be holding it together (so far)

The last time Swift debuted a brand-new album, Spotify crashed. No major issues so far this time around.

Shoutout to the engineers and people behind the scenes who are probably working overtime to make sure Swifties don't panic.

We have a new countdown

Don’t go to bed yet! Taylor Swift’s Instagram page is displaying a new countdown to 2 a.m. ET. This wasn't on the timetable ...

Swift releases statement after album drop

In her first social media post after “The Tortured Poets Department” was released, Swift shared a statement about the album online.

These songs reflect her experiences from a moment in time that was equally “sensational and sorrowful,” she wrote, adding that it is a chapter now closed.

“Once we have spoken our saddest story, we can be free of it,” Swift wrote. “And then all that’s left behind is the tortured poetry.”

Who is Clara Bow?

Daniel Arkin

The 16th and final track on the album is named for Clara Bow, one of the leading lights of Hollywood’s silent era.

Bow, unlike a lot of stars from the 1920s, managed to successfully pivot to roles in talkies by the end of the decade. She co-starred in “Wings” (1927), which today is probably best known as the first movie to win the Oscar for best picture.

I’m not a Swiftie, so I don’t have much insight into how Taylor’s music connects to Bow’s acting career — but I’m curious how this track will be interpreted by the die-hards.

The album is here

BRB, we’re busy listening with the rest of y’all.

You can now choose a Swift-themed chat for your Instagram DMs

Instagram users can now set their direct message conversations to a new chat theme inspired by “The Tortured Poets Department.”

Bars, venues hold special Swift parties

On the eve of Swift’s album drop, event venues across the country (and around the world) hosted release parties so Swifties could get their first listen of the “The Tortured Poets Department” on the dance floor.

At Pianos in New York, music from across Swift’s discography will play until the new album drops at midnight. Attendees are encouraged to come in themed outfits and friendship bracelets, and the bar will be serving Swift-inspired cocktails.

In Los Angeles, El Cid is hosting a listening party complete with fan-made merch, giveaways and a themed wall for photos. Attendees can also expect performances from drag queen Jade Jolie, who appeared in Swift’s “You Need to Calm Down” music video.

Several Swiftie-themed events are also being held across the Washington, D.C., area, according to The Washington Post, which compiled a list .

A Swiftie mom and daughter are hosting their own album party

Kristie Gilmore, 36, is ready to celebrate with her daughter, who was born shortly after Swift's “1989” album and has been a Swiftie ever since.

Gilmore decorated her Boston-area apartment with balloons, signs and stickers in the color palette of “The Tortured Poets Department.” She sprinkled the table with handmade confetti of the album’s logo and made TTPD-themed “membership cards” for themselves and each of her daughter’s friends.

“They’ve been counting down since Taylor announced this album,” Gilmore said, adding, “They’re just hanging out, having a dance party. They’re gonna try to stay up till midnight and listen to it.”

What are the track lengths?

The average track length on “The Tortured Poets Department” is 4 minutes and 4 seconds, making it the third longest album across Swift’s discography.

The longest song is “But Daddy I Love Him,” which clocks in at 5 minutes and 40 seconds.

“I Can Fix Him (No Really I Can)” is the shortest song, at 2 minutes and 36 seconds.

Travis Kelce shared his early thoughts about the album

Ahead of the Super Bowl, Swift's boyfriend, Travis Kelce, the star tight end for the Kansas City Chiefs, weighed in on the new album.

“I have heard some of it, yes. It is unbelievable,”  Kelce said . “I can’t wait for her to shake up the world when it finally drops.”

The couple , who have become the internet's favorite love story , were most recently spotted at Coachella 's first weekend.

Taylor Swift beat reporter speaks to NBC's Hallie Jackson

USA Today’s Taylor Swift reporter , Bryan West, spoke with NBC News about the album drop and all the Easter eggs being spotted by fans.

Swift's music is back on TikTok despite UMG dispute

Kalhan Rosenblatt

Some songs that Swift fans know “All Too Well” returned to TikTok this month, months after they were removed.

The songs were among the many tracks Universal Music Group pulled off TikTok after the label and the platform  failed to reach an agreement  this year. (UMG has no relationship to NBCUniversal, the parent company of NBC News.)

UMG, known as one of the “Big Three” global music companies, cleared its music from TikTok in late January, saying it was doing so because of a lack of compensation for artists and songwriters. TikTok previously fired back at UMG, accusing the company of putting “their own greed above the interests of artists and songwriters.”

The economics of 'The Tortured Poets Department'

Doha Madani

Die-hard Taylor Swift fans will be spending a pretty penny on her latest album release as she releases four variants of the album with one exclusive track each.

Each variant of “The Tortured Poets Department” is named after the bonus song found at the end of the album: “The Manuscript,” “The Bolter,” “The Albatross” and “The Black Dog.” If a fan wanted to collect them all, the minimum for $13.99 CDs at a store would cost at least $55.96 before taxes.

Longtime Swifties are already familiar with her tendency to provide deluxe editions, as anyone who was around for her original “1989” release can recall the Target exclusive that included three bonus tracks and three voice memos recorded by Swift. 

Her “Midnights” release included a Target exclusive track that was added to streaming only months later, and in May she released a new song on “Midnights (The Late Night Edition).” But this is the first time Swift has put an exclusive song on each individual variant, with no clear timeline for when they might be added to streaming. 

2024: The year of Post Malone and the pop girlies

Rebecca Cohen

Fresh off of a collab with Beyoncé on "LEVII'S JEANS" from her now-famed "Cowboy Carter," Post Malone finds himself on another major release of 2024: Swift's "The Tortured Poets Department."

He joins Swift on the album's first song, "Fortnight." Swift announced that "Fortnight" would be the album's lead single and the song for which she is releasing a music video 8 o'clock tomorrow night.

"I’ve been such a huge fan of Post because of the writer he is, his musical experimentation and those melodies he creates that just stick in your head forever," Swift wrote on social media. "I got to witness that magic come to life firsthand when we worked together on Fortnight."

While best known for more rap-focused songs, Post Malone is clearly making the rounds in the pop music scene, having also recently collaborated with Noah Kahan on "Dial Drunk." But his back-to-back appearances on arguably two of the biggest albums from pop artists this year raise the questions: Is Post Malone becoming a pop girlie? Is he just having a moment? Or is it all of the above?

There's a book about Swift's impact headed to bookshelves

Rolling Stone writer and music historian Rob Sheffield's book "Heartbreak Is the National Anthem: How Taylor Swift Reinvented Pop Music" will debut Nov. 12.

He's expected to dive further into Swift’s music and fan connection.

Swifties are celebrating with their own listening parties

Many Swifties are sharing their elaborate party setups online as they prepare to celebrate the album release at home.

Karen Rothdeutsch, 25, has decked out her bedroom in upstate New York with “The Tortured Poets Department”-themed decorations, complete with a platter of homemade cupcakes decorated to match Swift’s various vinyl variants.

“I just made my space a little more immersive for my first listen,” Rothdeutsch told NBC News. “I’ll be sitting in my bed with a box of tissues and a notebook, writing down my thoughts and probably checking into Twitter every so often to see what everybody’s thinking about it.”

She said she procured the decorations over the course of several weeks, but the whole setup cost her less than $100. While she decorates on a budget, she said she did splash out on the vinyl variants and collector’s edition CDs.

Swift's new album is already breaking a Spotify record

Spotify said on X that the “The Tortured Poets Department” became the most pre-saved album countdown page in the streaming service’s history.

Since its launch on March 28, TTPD's countdown page has ticked down to the album’s drop, now just hours away.

Was Swift's Grammys dress a 'Fortnight' Easter egg?

The white gown Swift wore to the 2024 Grammys, where she announced "The Tortured Poets Department," appears to have been an Easter egg.

Swift appears to be wearing a very similar dress in the teaser for the "Fortnight (feat. Post Malone)" music video, which will debut 8 p.m. ET tomorrow.

Swift was also pictured hugging Post Malone at the ceremony. Some fans online pointed out a similar shot of the two singers that appears in the teaser for the music video.

Swift drops 'Fortnight' music video teaser

Swift blessed fans with a teaser for “Fortnight (feat. Post Malone)," the album's first single.

"At this hearing, I stand before my fellow members of The Tortured Poets Department with a summary of my findings. Album tonight. Fortnight music video tomorrow at 8pm et," Swift wrote in a post on X , which was accompanied by a short video clip.

The black-and-white teaser gave a sneak peak of the visuals for the music video. It's a combination of dramatic period gowns and a bleak medical setting in this supercut that is reminiscent of "Poor Things," which Swift's longtime friend Emma Stone recently won the best actress Oscar for.

Swift had announced she'd be dropping a music video at 8 p.m. ET tomorrow by sharing a “TTPD Timetable” on her Instagram page this week.

Merch is here — and already selling out

Hours before the album’s release, themed merchandise for “The Tortured Poets Department” is now available to order online.

The merch drop includes hoodies, crewnecks and gold jewelry branded with the album’s logo. A display case for the album vinyls seemingly sold out within minutes.

ICYMI: The Eras Tour concert film is on Disney+

In case you need something to do as you count down to the new album, “Taylor Swift: The Eras Tour” is on Disney+. Swift announced the film would be available for streaming in February.

The film features all songs from the three Los Angeles tour dates during which it was filmed at SoFi Stadium. They include “cardigan,” as well as four additional acoustic surprise songs from the tour: “I Can See You,” “Maroon,” “You Are in Love” and “Death by a Thousand Cuts.”

Swifties online are freaking out over purported ‘leaks’

The internet was at it again this week, with some online circulating what they said were leaks of Swift's new album. It is unclear from where and when the apparent leaks originated, but one Reddit thread is already filled with commentary.

As early as Tuesday, "taylor swift leak" appeared to be blocked from searches on X. Instead, when a user tried to search the phrase, a blank page popped up with the message, "Something went wrong. Try reloading."

The secret message has been decoded

The sixth and final word of the secret message, “mortem,” was revealed today, hidden in the lyrics of the song “Begin Again.”

The complete secret message is: “We hereby conduct this post mortem.”

In a collaboration with Apple Music, Swift sorted some of her existing songs into thematic playlists , along with audio messages from her.

The messages seemed to confirm some fans’ theories that the playlists mirrored the five stages of grief — denial, anger, bargaining, depression and acceptance — indicating that the new album may grapple with grief or loss. Swift later used a song from each playlist to reveal a hidden word on Apple Music every day leading up to the release of “The Tortured Poets Department.”

Swift sets fans loose on an international puzzle

Swifties had a big day yesterday after murals with QR codes were unveiled in cities around the world, including Mexico City, Paris and Chicago.

Fans stumbled upon the murals, which Swift had not announced, and scanned them to find a link to a YouTube Shorts video. Every mural had a unique code that led to a different video, each revealing a new letter as part of a word puzzle.

Fans came together online to help decode the puzzle, which seemed to hint at the new album's first track, because it spelled out "for a fortnight."

Swifties in Los Angeles flock to Spotify pop-up library

Many Los Angeles Swifties celebrated the new album with a pop-up library installation in partnership with Spotify.

The three-day event, which runs through today at The Grove, featured a sneak peek at some of the album's lyrics.

Fans posted videos of themselves lined up for hours to get a glimpse at the installation.

A manuscript was front and center at the installation, revealing new lyrics periodically as the pages were turned over the course of three days.

Many fans online tried to identify other potential Easter eggs in the pop-up library, such as a bust of a peace sign, quill and fountain pens and a globe that appeared to be pointing to Florida, the name of a track on the album.

Why is the album called 'The Tortured Poets Department'?

Fans were quick to note that “The Tortured Poets Department” is the longest title for a Taylor Swift album by a large margin, a distinction previously held by her third album, "Speak Now." Before "TTPD," "Speak Now" was her only album title consisting of more than one word.

Speculation surrounding the new album and its uncharacteristic title has primarily revolved around Swift’s  2023 breakup  with British actor Joe Alwyn after their six-year relationship.

After the album announcement, a  2022 Variety interview  between Alwyn and Paul Mescal resurfaced on X. The pair revealed in the interview that they were both members of a WhatsApp group chat titled the Tortured Man Club, prompting some fans to  draw parallels  between Alwyn and Swift’s upcoming album.

The true meaning of “The Tortured Poets Department” remains to be seen, but the album's rollout has featured references to famous poems like Charles Baudelaire’s “The Albatross,” among other literary references.

Clues keep coming

Speculation continues to grow over clues for lyrics, song titles and the album’s first music video.

Not much from Miss Swift so far

It's been a notably quiet rollout for "The Tortured Poets Department."

No themed Instagram grid overhaul, no lead singles, not even a cryptic calendar leading Swifties on wild goose chases for potential Easter eggs.

A week before the release, Taylor Swift was rocking out at Coachella instead of feeding her fans who are desperate for a hint of what's to come.

Aside from a hand-painted QR code on the side of a building in Chicago, a planned exhibit at The Grove in Los Angeles in partnership with Spotify and a quick video released Tuesday that appears to leave the "Midnights" era in the dust as viewers tour The Tortured Poets Department, Swift has been silent on what we can expect.

In the video , posted to her Instagram account, we did get a glimpse of a schedule that only showed release day, and on it, the promise of a music video on Friday at 8 p.m. ET. Fourteen tick marks beneath led some to think the music video could be for the 14th track on the album, or for the leading song, "Fortnight," since a fortnight is 14 days.

Swifties believing in the latter theory proved to be correct. Swift announced that the music video would be for "Fortnight" in a Thursday afternoon social media post.

Swifties online continue to grasp for any details to try to figure out what this mastermind might have in store for her beloved fan base.

What songs are on the new album?

Here's what songs are on the track list.

• "Fortnight (feat. Post Malone)"
• "The Tortured Poets Department"
• "My Boy Only Breaks His Favorite Toys"
• "So Long, London"
• "But Daddy I Love Him"
• "Fresh Out the Slammer"
• "Florida!!! (Florence + the Machine)"
• "Guilty as Sin?"
• "Who’s Afraid of Little Old Me?"
• "I Can Fix Him (No Really I Can)"
• "I Can Do It With a Broken Heart"
• "The Smallest Man Who Ever Lived"
• "The Alchemy"
• "Clara Bow"

Swift has also announced four bonus tracks: "The Manuscript," “The Bolter,” “The Albatross” and “The Black Dog.” Each bonus track will be available on a separate vinyl variant and won't be on the streaming version of the album.

When does 'The Tortured Poets Department' drop?

Swift's 11th studio album, "The Tortured Poets Department," will be released Friday at 12 a.m. ET, or 9 p.m. PT.

It will be available for purchase on vinyl, on cassette, as a digital album and in CD form. It will also be on several streaming services, including Spotify and Apple Music.

But if you plan to stream “The Tortured Poets Department” right after its release, be prepared for potential delays. When Swift’s most recent brand-new album, “Midnights,” was released, Spotify  briefly crashed  because of intense demand.

Angela Yang is a culture and trends reporter for NBC News.

Doha Madani is a senior breaking news reporter for NBC News. Pronouns: she/her.

Rebecca Cohen is a breaking news reporter for NBC News.

is culture and trends editor for NBC News Digital.