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A mysterious woman (Angelina Jolie) and a mild-mannered American (Johnny Depp) become involved in web of intrigue, romance and danger in this international action thriller set in the spectacular city of Venice, Italy.

© 2010 GK Films, LLC. All Rights Reserved.

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The Tourist (2010) Stream and Watch Online

Watch 'The Tourist' Online

Looking to feast your eyes on ' The Tourist ' on your TV or mobile device at home? Tracking down a streaming service to buy, rent, download, or view the Florian Henckel von Donnersmarck-directed movie via subscription can be confusing, so we here at Moviefone want to take the pressure off. Read on for a listing of streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'The Tourist' on each platform when they are available. Now, before we get into the fundamentals of how you can watch 'The Tourist' right now, here are some finer points about the Columbia Pictures, Spyglass Entertainment, Peninsula Films, StudioCanal, GK Films, Cineroma SRL, Mandate International romance flick. Released December 10th, 2010, 'The Tourist' stars Johnny Depp , Angelina Jolie , Paul Bettany , Timothy Dalton The PG-13 movie has a runtime of about 1 hr 43 min, and received a user score of 62 (out of 100) on TMDb, which put together reviews from 5,250 well-known users. Curious to know what the movie's about? Here's the plot: "American tourist Frank meets mysterious British woman Elsie on the train to Venice. Romance seems to bud, but there's more to her than meets the eye." 'The Tourist' is currently available to rent, purchase, or stream via subscription on Apple iTunes, Google Play Movies, Vudu, Amazon Video, Microsoft Store, YouTube, and AMC on Demand .

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Rotten Tomatoes® Score

With a dash of humor and some Hitchcock-esque directorial flourishes, the film’s scenario could have been fun. But the production takes the lazy approach and leaves the viewer palpably aware of it.

But even with its good-looking cast and locations, “The Tourist” is too shallow, too flat, and ultimately forgettable.

The Tourist is not an absolute debacle, and was able to entertain a tolerant audience. [Full review in Spanish]

The action scenes are sluggish when they should punch, the leads seem indifferent when we’re to believe they’re falling in love, and there’s a sense of burden as the plot twists and turns.

The Tourist had all the elements in place to truly be a thing of beauty. Which makes it such a shame the script is so predictable and ugly.

The chemistry is nonexistent, the supporting roles don't come any more generic, and too many laughable occasions arise from the characters laboring dramatically to be intense.

Jolie, while certainly able to pull off the tall and lanky look, seems to be looking around for a starving child to tend to or adopt.

You have beautiful people doing cool stuff in beautiful environments. If you're into that sort of thing, then this movie is for you.

Despite the star power, the film lacks fireworks. It proves to be a case of big star power with low wattage.

The dreadful dialogues and plot-holes do not help.

Additional Info

• Genre : Thriller
• Release Date : December 8, 2010
• Languages : English, Spanish
• Captions : English, Spanish
• Audio Format : 5.1

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American tourist Frank meets mysterious British woman Elsie on the train to Venice. Romance seems to bud, but there's more to her than meets the eye.

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• Richard Roeper.com Richard Roeper "Sure, the plot is preposterous, but the two stars look great, the scenery is spectacular and the supporting cast is a hoot."
• Dallas Morning News Chris Vognar The Tourist merely asks you to sit back and enjoy the ride, and then makes that task a breeze.
• Rolling Stone Peter Travers In a year of craptaculars, The Tourist deserves burial at the bottom of the 2010 dung heap.
• Film.com Laremy Legel To battle the logic of the film would be to swat flies in a hurricane.
• Arizona Republic Bill Goodykoontz Star power can cover up a multitude of shortcomings in a film. Turns out stupidity isn't one of them.
• Christian Science Monitor Peter Rainer To see Johnny Depp and Angelina Jolie in The Tourist is like watching a chemistry experiment gone horribly wrong.
• St. Louis Post-Dispatch Calvin Wilson So deficient in the genre's essentials - such as witty dialogue, intriguing characters and surprising yet credible plot turns - that you're embarrassed for everyone involved.
• MovieFreak.com Sara Michelle Fetters While I did enjoy much of Depp's performance, and while Jolie emanated a radiant beauty that jumped right off the screen, neither generated a bright enough spark to make up for the script's numerous shortcoming.
• UGO Jordan Hoffman My mother is going to love this movie.
• Slate Dana Stevens As for Depp, his character makes so little sense that he can hardly be blamed for blinking his way through the movie with an expression of blank-faced puzzlement that recalls Dan Quayle in the 1988 vice-presidential debate.
• Detroit News Tom Long Jolie! Depp! Romantic locations! Intrigue! Some movies sound too good to be true. The Tourist is one of them.
• Chicago Reader J. R. Jones Unfortunately, this is one of those movies with a twist ending that turns a character inside out, revealing earlier scenes to be essentially fraudulent and more or less invalidating one's emotional investment in the story.
• MSN Movies Glenn Kenny ... it's a bit of a shock to see this caliber of star power and big-budget production and location juice... yield such dismal results.
• Washington Post John Anderson The high wattage of stars Johnny Depp and Angelina Jolie cast the film in a spotlight that would be unflattering for most movies, least of all an insubstantial, tension-free thriller like this.
• New York Times Manohla Dargis When she [Angelina Jolie] first appears in a come-hither outfit and a small private smile, she looks ready for liftoff. She never ignites, and neither does the movie.
• San Francisco Chronicle Mick LaSalle There are all kinds of bad movies in the world, but it's really only stardom that can create the exact variety of cinematic abortion we find in "The Tourist."
• Beliefnet Nell Minow Jolie's role in this film is somewhere between femme fatale and Girl from Ipanema -- she spends a lot of time walking slowly while those she passes say, "Ahhhhhhh."
• New York Post Lou Lumenick Von Donnersmarck, who brilliantly depicted government surveillance in East Berlin before the fall of the wall in his earlier German film, astonishingly can't even find a way to make Interpol's spying interesting here.
• Los Angeles Times Kenneth Turan There is a moment in "The Tourist" when Johnny Depp turns to Angelina Jolie and asks "Why is all this happening?" It's a question moviegoers will be asking themselves as well.

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This popular European city is the latest to increase its tourist tax to battle overtourism

Barcelona is the latest European city to increase its city-wide tourist tax, a slight increase of €0.50 (about $0.53) per night, as the city seeks to curb overtourism.

The new price of €3.25 (about $3.45) was implemented on April 1 as part of the Stays in Tourist Establishments Tax . The bylaw was introduced in 2021, when the tourist tax was €0.75 (around $0.80) per night, and gradually increased the tax each year through 2024. Now, if someone is staying in Barcelona for seven nights, the new total tax amount will be €22.75 (around $24).

“It was the objective sought: to contain the number of tourists and increase tourist income because our model is no longer mass tourism but quality tourism, which adds value to the city,” deputy mayor Jaume Collboni said in March, according to Euronews .

The tax is added to a tourist’s accommodations bill when they stay at official tourist establishments in the city. The money goes toward enhancing the city’s infrastructure, such as improving roads.

Other popular European destinations, such as Amsterdam and Venice, also recently increased tourist taxes for similar reasons.

Are tourist taxes the future of travel? What to know about the increasing tourist fees worldwide.

“The new and increasing tourist fees across Europe allow cities to fund measures to attract more vacationers, support the local infrastructure and businesses, as well as preventing damages from overtourism,” Tiffany Mealiff, a travel insurance expert at Quotezone , said in a statement to USA TODAY.

However, Barcelona visitors have had to pay a regional tourist tax since 2012, according to Euronews . This tax amount depends on a traveler’s accommodation type, costing more if someone is staying at a luxury hotel than an Airbnb.

Barcelona continues to reign as Spain’s most popular tourist destination. In 2022, Barcelona welcomed 9.7 million tourists , just slightly below pre-pandemic levels in 2019, according to the Barcelona City Council. However, tourists were found to be staying in the city longer than in 2019.

In 2022, the city also sought to cap the number of people in a tour group and ban megaphones by tour guides in an effort to curb the disruptive effects of overtourism.

Travelers planning their European getaway should be mindful of the additional costs that “are often not obvious beforehand,” according to Mealiff, as they plan their trip budgets.

Kathleen Wong is a travel reporter for USA TODAY based in Hawaii. You can reach her at [email protected] .

This article originally appeared on USA TODAY: What travelers should know about Barcelona's tourist tax increase

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Against All Odds, John Green and Hannah Marks Made a Movie of Turtles All the Way Down

By Joy Press

John Green had major doubts that his 2017 novel, Turtles All the Way Down, could work as a movie. It takes place inside the mind of a teenage girl named Aza with severe OCD, inspired by Green’s own experiences with the illness. “It’s so deeply enmeshed in this one girl’s brain that the plot basically keeps getting interrupted by her brain!” Green says cheerfully over Zoom. “I thought that posed a huge challenge to a filmmaker.” He was first approached about optioning it the day the book came out. After all, it was his first since his best-selling novel The Fault in Our Stars , which was also adapted into a hit movie. But Green was deeply reluctant to move forward with the project—until he met Hannah Marks.

Marks was just 23 when she first pitched her ideas for a Turtles All the Way Down movie. A former child actor, she would go on to direct the movies After Everything and Don’t Make Me Go . But at the time, she mostly won over Green and the producers with her vision for Turtles. “She’d put together this two-minute video that captured how she wanted to portray [Aza’s] thought spirals,” Green recalls. “It made me feel the thing. That’s how I feel about the movie too. She found a way to capture the richness and fullness of this person’s life and their relationships, but at the same time how the illness pulls you out of that, and makes every aspect of that so challenging. She really had a visual language for it from the very beginning.”

A huge John Green fan, Marks (now 31) was stunned when she got the gig. “It was crazy. I was like, Are you guys sure? ” She had no idea that it would take seven years for the project—originally intended as a theatrical film—to make it to Max, where it will premiere May 2. But her strong feelings about the book kept her going. “I had never read something that felt so honest and raw about OCD or anxiety,” she says. “I have very similar issues to Aza, so I connected with her deeply.”

Turtles is a coming-of-age tale with romance, mystery, and female friendship woven through it. But OCD pulses at its core, and it was essential to nail that element. Marks and Green were both aware of the way OCD had sometimes been portrayed onscreen, as either a quirky superpower or freakish behavior. “My experience of OCD is that you’ll do whatever you need to do to make the obsessive thought spiral stop, because it’s extremely painful,” Green says. “And so the compulsive behaviors are not freakish—they make a lot of internal sense when you’re trying to confront intense pain.” Once Isabela Merced was cast as Aza, he felt convinced that she could bring a sense of richness to her world.

Green was on set most days, and Marks says she consulted with him regularly on everything from the size of the callus Aza compulsively picks at to the dialogue for her thought spirals. Marks says she had done a lot of advance emotional preparation for tougher scenes so she could come to set and be professional. “But I know that was definitely tough on John,” she says, “coming in and seeing something he wrote come to life.” Green says the worst part was watching Merced have to enact things that he experiences as torture. “I worried about her, and there were a couple times when I wanted to stop,” he recalls. “But she would reassure me that she was okay.”

One scene, in which Aza’s best friend, Daisy (played by the effervescent, mononymous Cree ), accuses her of being self-centered and best taken in small doses, especially resonates for Green. “I’ve had conversations with my closest friends where they said versions of it over the years, mostly when I was a lot younger,” he says. “I know what they mean, and yet it’s really hurtful. That’s something I thought about a lot in my own life. You know that line on Tiktok, ‘Is it me? Am I the drama?’” But Green makes clear that he doesn’t see Aza as a bad friend. “I think she’s ill. That’s why it’s really important that the story doesn’t end there.”

Screenwriters Elizabeth Berger and Isaac Aptaker changed elements of the book to externalize the action, creating a whole new professor character ( J. Smith-Cameron ) whose online lectures on free will provide inspiration for Aza. “That’s ultimately Aza’s question: Am I making these choices, or are these choices making me?” Green says. “One of the things that I really love about working with Hannah is that she took those questions really seriously, and explored them visually.”

By Julie Miller

By Chris Murphy

By Savannah Walsh

Marks says that she fought to stay faithful to the book and drop in every Easter egg possible, “whereas John was actually less precious than I was. So I was really approaching it as this as a fangirl of his, like, we have to include every detail! And he felt like, no, it’s okay, we’re making a movie.”

One thing was not negotiable: Marks was determined to include a cameo of Green. His appearances had been cut from previous adaptations of his books because, he says with a grin, “I'm such a bad actor! Distractingly bad.” Although there was some talk of making him Aza and Daisy’s boss at the Chuck E. Cheese–style kids’ game center they work at, he eventually was cast as a gym teacher.

“I used it as an opportunity to troll him,” Marks says gleefully. “He got more takes than anybody in the movie, and I kept making him do squats and just absolutely ridiculous things to test his trust for me.” When it came time for his bit of dialogue, though, Green panicked. “I’m just frozen, absolutely frozen. I have no idea what’s happening. And after, like, 30 seconds, I finally say, ‘Line?’ because I’ve forgotten my one line.”

Marks also gave herself a small role, playing a waiter who regularly serves the girls. “She’s an exhausted waitress in John’s book, so I thought that was the one place I really could commit myself, because I was already exhausted,” the director says with a smile. As an actor, she’s appeared in dozens of movies and shows, including Criminal Minds, The Runaways, The Amazing Spider-Man, Dirk Gently’s Holistic Detective Agency, and Weeds. On the latter, her character engaged in some pretty adult behavior—which may be why Marks’s mother originally turned down the part for her 13- or 14-year-old daughter. “I called my manager behind her back and said, ‘I’m going to do it anyways,’” she admits. “I didn’t even understand a lot of my more sexual dialogue at the time.”

Although she’s interested in the conversation over child actors that has recently re-erupted thanks to the docuseries Quiet on Set , Marks says she had to stop watching that series five minutes in. “I just don’t think I can go there,” she says. “I definitely look back on experiences that I had growing up in this business, and I know things would be different today. I don’t think I was even aware that HR existed.” She hates that anyone can easily google pictures of her going through puberty, but she also sees an upside to her youthful experience. “The fact that I started so young is probably why I’m able to be here right now and be a director. Being on sets was such a big part of my childhood; I got to learn a lot really fast, at that age when you’re such a sponge.”

Marks began considering a career as a screenwriter and director in her teens. “I was always a working child actor, but I was never famous, so I found myself getting kind of bitter and jaded at a young age. And I didn’t want to be ” she says. “Some of the people that played my mom on shows, I felt like they weren’t happy, and I saw that as my future.” Marks currently has multiple projects on the go, including Razzlekhan, a movie she’s writing and directing based on the true story of a “bonkers” cryptocurrency heist. She’s excited to be working on a story about people in their 20s and 30s. “I want to grow with my characters,” she says, “and not get pigeonholed into only telling teenage girls stories, even though I love them.”

As for Green, he’s been consumed by nonfiction since Turtles All the Way Down. In 2021 he published The Anthropocene Reviewed: Essays on a Human-Centered Planet. More recently he’s become a tuberculosis advocate, with his family pledging millions toward funding to test and treat the disease. After immersing himself in research, he says he has written a book about TB that will come out next year. “My editor has it right now,” Green says. “It’s half about historical human responses to this deadliest infection we’ve ever had, and half about one contemporary kid’s challenge of navigating the TB care system in the 21st century.”

What will he do after that? “I think I’ll return to writing novels,” he says hesitantly. “Maybe. I hope? I’m trying.”

I ask Green about a comment he’d made on X about a photo of him surrounded by Marks and the cast of Turtles. “I love this picture because it looks like the poster for a sitcom about four cool young people and their weird dad,” he wrote. Does it feel awkward writing about young people as he gets ever older?

After pointing out that he never really felt like a teenager even when he was one (“I always felt like I was observing them from a distance, almost anthropologically”), Green answers by way of story about his struggle to find an ending for Turtles All the Way Down. Alone in a cabin, he called his wife for help. She suggested he flash-forward to Aza’s future. “There’s one thing that you classically don’t do in a YA novel, which is to have a time jump, because it’s like looking back on adolescence, not in it,” Green explains. Gripped by desperation, he decided to break the rules and try it.

“Maybe that’s you acknowledging that there’s this distance between you and the reader now, or even that there’s this distance between you and the self you were when you wrote Looking for Alaska or The Fault in Our Stars, ” he thought to himself. “Once I did the time jump, I realized I could be kind to that character in a way that she couldn’t be kind to herself in the moment.” It was also a note to self: “I was going back and saying to myself: You’re so sick, and I’m so sorry, more than anything. I’m so sorry, and you’re going to get through this.” I try to covertly wipe my moist eyes as one of the world’s most beloved YA authors continues. “I remember thinking as I was writing that, like, Does that mean this is it? And maybe it did.”

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Sasquatch Sunset

A year in the life of a unique family. It captures the daily life of the Sasquatch with a level of detail and rigor that is simply unforgettable. A year in the life of a unique family. It captures the daily life of the Sasquatch with a level of detail and rigor that is simply unforgettable. A year in the life of a unique family. It captures the daily life of the Sasquatch with a level of detail and rigor that is simply unforgettable.

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• Trivia No dialogue is spoken by the actors, they only speak in grunts and other guttural noises.
• Connections References Sometimes a Great Notion (1971)

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Extended-length Bluey episode The Sign is a test run for potential movie, producer says

After weeks of speculation, a Bluey executive has confirmed that a new extended episode is a test case for a potential feature-length movie.

The 28-minute episode — The Sign — will be the studio's longest-running Bluey episode to date.

In an ABC Radio Brisbane interview, Bluey executive producer Daley Pearson said the success of the episode would help to decide the future of the franchise.

"We would love to do a Bluey movie," he said.

"It's no secret that this episode is kind of testing how an audience will go."

Mr Pearson said the trick was keeping kids entertained for half an hour, which is four times the length of a typical Bluey episode.

He said there was "no guarantee" of success.

"There was an element of, 'Can an audience watch Bluey for longer?'" Mr Pearson said.

"I think we'll wait until Sunday to find out and that'll help us figure out our own future."

Will Bluey's parents sell the house?

Bluey went viral again this week after an episode revealed the Heeler family's classic Queenslander house was for sale on the in-universe market.

"It's a huge thing," Mr Pearson said.

He said he hoped children would resonate with the "truthful" experience of growing up in a time of change.

"The best of Bluey is about those big changes, or those big events, or those huge emotional moments in a family's life," Mr Pearson said.

"When your parents are deciding things that you're just not quite in control [of] and you have to go along with, and your world's changing whether you have an agreement in it or not.

"I think kids will definitely, hopefully, get that in this episode."

He did not confirm whether the house would be sold in the upcoming episode, but did say Bluey was the kind of show that was willing to take "big risks".

"I think that's why people aren't quite sure," Mr Pearson said.

"In any other show, I think they'd be expected to go, 'Well, they're not really selling' — but maybe so."

What else can we expect?

Mr Pearson also revealed Australian actor Joel Edgerton has been cast as a police officer.

A 10-second teaser trailer depicts Bluey's family being followed by a police car with sirens on, which inspired "true crime" theories and "wild" speculation on TikTok as fans attempted to make sense of the scenario.

"Maybe, maybe," Mr Pearson said when asked about the theory.

"It'd be a brave new world for family shows, to have the family arrested and put away," he said with a laugh.

Two characters will "absolutely" be getting married in the extended episode, and their identities will be revealed when it airs on Sunday.

"For the audience listening who like it, thank you so much for watching it," Mr Pearson said.

"It's just a privilege to be let into the homes of your family and your kids, and we hope you like this one as much as we do."

Stream Bluey's 28-minute special The Sign at 8am on Sunday, April 14 on ABC iview.

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The O.J. Simpson White Bronco Is Now a Museum Piece. In Tennessee.

The vehicle that Simpson fled in as 95 million Americans watched on television is on display at the Alcatraz East Crime Museum in Pigeon Forge, Tenn.

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By Beth Braden and Emily Cochrane

Beth Braden reported from Pigeon Forge, Tenn., and Emily Cochrane from Nashville.

Tyler Starrett was on vacation with his family in Pigeon Forge, about 35 miles from Knoxville in eastern Tennessee, when they learned on Thursday that O.J. Simpson had died .

So they changed plans. They had heard that one of the key artifacts of the Simpson case happened to be on display nearby at the Alcatraz East Crime Museum: the 1993 white Ford Bronco that Simpson fled from the police in, just days after the murders of Nicole Brown Simpson, his former wife, and Ronald L. Goldman. They could not resist.

“If the Bronco is here in Pigeon Forge, why don’t we go see it?” Starrett, 23, said.

Starrett is too young to have been among the 95 million television viewers who watched the low-speed chase unfold on June 17, 1994, when a swarm of police cars followed the white Bronco over some 60 miles of Southern California freeways, with Simpson holding a gun to his head in the back seat. But he was among those who visited the museum to see the vehicle in person on Thursday, as a three-minute clip of the police chase played on loop in the background.

Pigeon Forge, best known for Dollywood, Dolly Parton’s theme park, is at first glance not an obvious home for such a relic. But in recent years, this town has increasingly become a place for attractions and museums dedicated to the offbeat and believe-it-or-not interests of an American tourist — including the Alcatraz East Crime Museum, which is housed in a prisonlike building designed to be a cross between the Tennessee State Prison just outside Nashville and the original Alcatraz, in San Francisco Bay.

Inside the museum, the white Bronco is one of several notorious vehicles.

It sits alongside the 1968 Volkswagen Beetle that was owned by the serial killer Ted Bundy, the 1933 Essex-Terraplane used by the bank robber John Dillinger and the so-called death car from the 1967 movie “ Bonnie and Clyde ,” riddled with bullet holes. (A Pigeon Forge snow globe featuring the museum, the Bronco and the Beetle can be purchased for $10.99 in the gift shop.)

“There are events in history that will always stick in people’s minds, and I think the O.J. chase is one of those for a large number of people,” said Ally Pennington, the artifacts and projects manager for the museum.

The chase, captured by news helicopters and broadcast live on television, gripped the nation. Networks interrupted Game 5 of the N.B.A. finals and prime-time shows, and brought star news anchors back to their newsrooms to narrate the scene.

Simpson, a former football star, eventually surrendered at his Los Angeles home. He was later acquitted of both sets of murder charges after an equally high-profile criminal trial, but was found liable for their deaths in a civil suit several years later.

The Bronco is among the most popular and most prominent exhibits at the privately owned museum, which opened in 2016 after a similar crime museum closed in Washington. The vehicle belonged to Al Cowlings, Simpson’s friend and former teammate, who was driving it about 40 miles per hour as Simpson fled the police.

The car was previously featured on a 2017 episode of the reality television show “Pawn Stars,” on which Mike Gilbert, a former agent for Simpson, said he purchased the car in part to keep it from potentially being used by a tour company. He unsuccessfully sought more than $1 million for it on the show.

The museum declined to say who allowed for the display of the car, citing privacy concerns.

“Different generations have different responses to it, because obviously people who watched the chase live and who were around for that respond differently,” Pennington said. She added, “Most people are just shocked to see it because it is the white Bronco from the O.J. chase and it’s such an iconic moment in history.”

Never far from the museum’s mind, Pennington said, are the victims of the crimes featured in the exhibits, or the pain experienced by those who survive them. She said that while Simpson’s death might change aspects of a temporary display recognizing the 30th anniversary of the tragedy, it planned to focus on the victims.

On Thursday, the museum had taped a label acknowledging Simpson’s death on a plexiglass case next to the Bronco that displays a set of his golf clubs. At least two visitors learned of his death from the sign.

“It was pretty wild — you’d have people arguing about it, you know, at Waffle House,” David Hardigree, who was visiting from Northern Kentucky, recalled of the Simpson trial, and the debates over whether he was guilty or not.

But his visit on Thursday, he said, was just “ironic timing.”

Emily Cochrane is a national reporter for The Times covering the American South, based in Nashville. More about Emily Cochrane