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The Ultimate 24-hour Video Guide to Venice’s Hidden Gems

Cecilia Rinaldi Last Updated: April 24, 2024

Join Sean from The Roman Guy on a whirlwind day trip from Rome to Venice! While an overnight stay is ideal, Sean’s got your back for a speedy adventure. Picture this: St Mark’s Square, St Mark’s Basilica, and the Doge’s Palace, all within a skip-and-hop radius. Sean’s pro tip? Grab those tickets in advance and dress fancy for the holy spots! Don’t miss the Campanile’s views, the Rialto Bridge vibes, and a chill lunch at Osteria al Portego. Explore the quirks at Libreria Acqua Alta – books in bathtubs, anyone? Oh, and check your watch; it’s time to hustle back to the train station! Sean’s speedy guide turns Venice into a day-long carnival.

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15 of the best things to do in Venice in 2024

Feb 28, 2024 • 12 min read

Experience the best of Venice with this guide to the top things to do © Cavan / Getty Images

Visitors flock to  Venice year-round, and who can blame them?

Some 118 islands float on this fairy-tale lagoon, linked by 400 bridges. Each is crammed with dazzling palazzos and heart-stopping art – Venice really is a place like no other. 

All the famous stereotypes are true, to an extent. It’s spectacular and it’s just like the photos but, thanks to mass tourism, Venice’s world-famous sights are overcrowded and in precarious health (even during the quieter months ). 

It is worth remembering that even in the busiest areas, step just one or two blocks away from the fray and you’ll find empty streets and local voices in the neighborhoods beyond. Spend more time here – five days is a decent starter – and you’ll discover that the true beauty of Venice isn’t the wow factor of its blockbuster sights, as magnificent as they are, but within the quieter spaces, where life goes on as it has done for centuries. Once you glimpse that life, you’ll want to protect it.

To help counter the overtourism that is exploiting the city, stay overnight in a hotel or B&B (not vacation rentals, which hollow out housing stock), eat in family-owned restaurants, and buy souvenirs from Venice’s artisans who ply centuries-old trades. Then, not only are you helping the city stay alive, but you’re also ensuring a better trip – Venice done well is unforgettable.

Here are the best experiences in Venice.

1. Take in the Piazza San Marco

For many people, this waterfront square is Venice: the rolling domes of the basilica, the centuries-old cafes beneath the stately porticoes, the vast Campanile  (belltower) throwing its shadow around the square, high tide occasionally sloshing around your feet. There’s so much to see around  Piazza San Marco (or St Mark’s Square) that you could easily spend a day here.

Start in the  Basilica di San Marco , the Byzantine basilica that glitters with golden mosaics inside. Then move on to the Campanile, where elevators whisk you up 98.6m (323ft) for enticing views of Venice and the lagoon. Spare a few hours for the  Museo Correr , at the opposite end of the square from the basilica, which tells the story of the city through its objects. Need a break at any point? Stop for a coffee or a spritz at Quadri , our favorite of the 18th-century cafes in the square.

Local tip: Keen to understand these icons better? Time for some reading. Family-run  Libreria La Toletta in Dorsoduro is Venice’s best bookshop, with literally hundreds of volumes about the city. For kids , try  Ponte dei Sogni in Castello, whose beautiful picture books tell the history of the city.

2. Enter the seat of power at the Palazzo Ducale

If you only visit one museum in Venice, you need to make it this: the vast  Palazzo Ducale (Doge’s Palace), the Republic of Venice’s seat of power for around 900 years. With its pink and white facade squaring off against the lagoon, it has everything: mindblowing art and architecture, plus a whole load of atmosphere.

There’s so much to see here – every single room is plastered with works by some of the greatest artists of all time – that you shouldn’t expect to take it all in. But it’s worth saving more time for the rooms and their art than speeding across the famous Bridge of Sighs and through the grim prisons – although the latter is great for kids.

Planning tip:  Lines can get long here, especially before 11am. Skip the wait and book a fast-track ticket in advance through sites such as Ticketsvenice.com . 

Transform your visit to Palazzo Ducale by  booking with GetYourGuide.

3. Sail down the Grand Canal

Venice may be ideal for wandering, but its majestic palazzos were built to be admired from the water. Take the number 1 Vaporetto (waterbus) that plies the Grand Canal and experience one of the world’s greatest public transport routes .

You’ll find beauty every way you turn but heading south don’t miss: the Fondaco dei Turchi (once the headquarters for Arab and Muslim merchants, now the city’s  natural history museum );  Ca’ d’Oro , with its spectacular carved and marble-clad facade; Ca’ Foscari, the city’s beautiful university; and the bombastic octagonal  Salute church, right before the Grand Canal meets the lagoon.

Local tip: Get off at Salute, and walk down to Punta della Dogana for the best lagoon views, and then up along the Zattere waterfront. From here you can pick up a number 2 Vaporetto, which takes you to St Mark’s Square from the other side.

4. Venture over the Rialto

Everyone who visits Venice wants to see the  Rialto Bridge , the flouncy white crossing over the Grand Canal made of gleaming Istrian stone. Yet what the bridge leads to is arguably just as interesting. There’s been a  market on the western side of the bridge for over 1000 years – while it’s not the trading hub of centuries past, there’s still a lively fish market and a fruit and veg area too.

If you’re looking at the stalls, do remember to buy something, and don’t get in the way of other shoppers – this is still a real market, even if many tourists treat it as an Instagram backdrop. Stop for a drink beside the Grand Canal on Campo Erbaria –  Bancogiro is always a good bet for cicchetti (small snacks) – then lose yourselves in the surrounding alleyways, still full of food stores.

Planning tip: For a behind-the-scenes look at this most touristy of areas, take a tour with  Go Guide , a local group of guides who focus on Rialto.

Explore the Rialto effortlessly with  GetYourGuide . Book your tour today.

5. Be immersed in world-class art at the Accademia

In Dorsoduro, sitting quietly at the end of the famous wooden Accademia Bridge, is one of Italy’s finest art museums, the  Gallerie dell’Accademia . The meandering itinerary takes you through buildings packed with works that once hung from the city’s church walls, telling the story of Venetian art in the process. It starts with Paolo Veneziano, carries through to Carpaccio, Mantegna and Bellini, and then explodes into the finest works of Tintoretto, Titian and Veronese.

Detour: Near the Accademia are two of Venice’s best artisans. At  Cornici Trevisanello , the Trevisanello family has been making picture frames for the likes of Picasso for decades; they also make jewel-like smaller frames that make perfect souvenirs. Near Ca’ Foscari is bookbinder  Paolo Olbi , who creates beautiful stationery with hand-printed Venetian and Byzantine motifs. Further up towards Rialto, in Campiello dei Meloni, is  Il Pavone , where Paolo Pelosin makes everything from stationery to earrings with exquisite marbled paper.

6. Eat cicchetti in a bacaro

Three essential words for your Venetian stay: ombra , cicchetti and bacaro . Ombra (shadow) is the local name given to a small glass of wine served in a bacaro – a traditional wine bar or tavern. It may only be a small glass but don’t forget to follow it with cicchetti – finger food-style bar snacks, rather like Spanish tapas. You’ll find bacari all over town – when you spot one that looks good, make sure you stop.

Local tip: These days most cicchetti are slices of baguette bread topped with anything from cheese to fish but don’t miss old-style ones like a hard-boiled egg with anchovies, or sarde in saor – sardines in a sweet-sour marinade with pine nuts and raisins.

7. Seek out local traditions in Burano

Most visitors flock to  Burano to photograph its gorgeous candy-colored cottages. Fair enough – but to do only that is to miss out on one of the most special places in the lagoon. A fishing community since medieval times, Burano’s relative isolation in the north lagoon – a 45-minute vaporetto ride (or four-hour paddle) from Venice – has kept its culture intact. Or rather, it did until mass tourism hit.

Today, the Buranelli are assailed by crowds who come, photograph and hop on the boat back to town without spending a cent – but you can help them by practicing more sustainable tourism. Visit the  Museo del Merletto , which teaches you about the island’s lace-making tradition, and take a tour of the tranquil north lagoon with fisherman  Andrea Rossi , who’ll sweep you past mudflats and islands in perfect peace, with birds overhead your only company. It’s definitely one of the top experiences in Venice to change everything you think about the city.

Local tip: Stop for lunch at the family-run  Trattoria al Gatto Nero . Try the risotto di gò (goby fish risotto).

Explore Burano effortlessly with GetYourGuide.  Book your tour today .

8. Acknowledge the painful history behind the Jewish ghetto

The sinister word ghetto comes from the Venetian geto , or foundry – a clue to the past of this area, which was abandoned and undesirable when the Jewish community was forcibly settled here in 1516. Originally one tiny island, the area was expanded twice by the 17th century, with residents gated in every night, and living in eight-story "skyscrapers".

Despite the appalling conditions, the Jewish community flourished here, building no fewer than five synagogues that were as lavish as Venice’s churches. Guided tours of the area get you access to some of them, including the atmospheric  Scola Levantina , with scarlet-swaddled walls and a dark carved ceiling, redesigned by Venice’s 17th-century starchitect, Baldassare Longhena.

Planning tip: Book ahead for tours of the ghetto. The  Museo Ebraico (Jewish Museum) is closed for renovation until further notice.

9. Gaze upon the artworks in Scuola Grande di San Rocco

Forget Titian and Tiepolo – for many, Tintoretto is Venice’s greatest artist of all time. His finest paintings fill two floors of the vast Scuola Grande di San Rocco , one of Venice’s many scuole (lay confraternities that did charity work in the community), including the ceiling. They were decorated by Tintoretto to celebrate the end of the 1576 plague, which wiped out a third of the city.

There are more than 60 paintings of swirling Biblical scenes (Tintoretto revolutionized the depiction of movement and amped up the use of rich color), including on the roof of the main hall. This is Venice’s answer to the Sistine Chapel.

Planning tip: Many visitors see the Scuola and forget about the nearby church of San Rocco, which has yet more Tintoretto artworks inside.

10. View the Grand Canal from Ca’ d’Oro

Nobody loved Venice like Baron Giorgio Franchetti. In 1894, he bought the 15th-century Ca’ d’Oro, a Gothic palazzo on the Grand Canal so lavish that it was named the "Golden House". 

It had fallen into disrepair by the time he bought it and Franchetti dedicated his life to bringing the house back to its former glory, by rebuilding, repairing and filling it with sublime art. His ashes are now buried in the courtyard. It’s undergoing a major restoration, but the gallery will remain open throughout, with some parts closed, stage by stage. The views of the Grand Canal and Rialto market are spectacular from its balconies.

Planning tip: The best way to arrive at Ca’ d’Oro is by traghetto – a large gondola-style boat that acts as a shuttle across the Grand Canal. The Santa Sofia stop is right by Ca’ d’Oro, and connects with the Rialto market.

11. Get to know glass on Murano

Floating in the lagoon a 10-minute vaporetto ride north of Cannaregio, elegant  Murano is a mini Venice with opulent waterfront palazzos, knockout churches, and even its own Grand Canal. It is best known for its glass blowers, as it has been for centuries. Start at the  Museo del Vetro , the island’s glass museum, where you’ll learn that the art of glass-making was perfected in the Middle East, before Venice’s medieval trade links with Syria allowed it to copy the techniques and take it to new heights.

A small, easily digestible museum with a jewel-like collection, it’ll give you the background you need to appreciate the often tacky-looking glass ornaments in the shops. Ready to buy? We like  Lucevetro , where Cecilia Cenedese designs products and gets island maestri to craft them for her, while  Wave Murano Glass offers furnace tours and even lessons.

Detour: You may be here for glass but don’t miss Murano’s churches. The  Basilica dei Santi Maria e Donato has a knockout 12th-century marble mosaic "carpet", while the  church of San Pietro Martire has works by Bellini, Tintoretto and Veronese.

12. Take in the modern Querini Stampalia museum

The  Fondazione Querini Stampalia is a fascinating space in a 16th-century palazzo, combining a museum, gallery, library archive and a modernist wing and garden designed by Venice’s 20th-century architect, Carlo Scarpa. The main gallery has works by the likes of Palma il Vecchio, Canaletto and Bellini, whose Presentation at the Temple is one of the city’s finest artworks.

It’s also a brilliant example of a modern museum: the information panels, redone in 2022, contextualize the art and teach you about Venetian life, from the poor conditions for house staff to arranged marriages and the banning of homosexuality.

Detour: In the square outside is the church of  Santa Maria Formosa , one of the few true Renaissance buildings in Venice.

13. Explore the city's finest churches

It’s no secret that some of Venice’s best art lies in its churches. But in a city which, as legend says, has a church for every day of the year, how do you know where to start? Buying a  Chorus pass is the way forward. Eighteen of Venice’s loveliest churches belong to this group – each is €3.50 to enter, but a pass for all of them, valid for one year, is just €14.

They’re dotted all around the city, so as you do your obligatory Venice wander, you can pop in for an art fix. All are worth seeing, but the standouts are  Santa Maria dei Miracoli (a marble-clad Renaissance jewel), and  San Sebastiano , frescoed and painted almost entirely by Veronese.

Planning tip: Some of the churches have limited opening hours. When you get your pass, ask for the map of the churches – it also lists opening hours.

14. See Venice’s birthplace on Torcello

This island just across the water from Burano is where Venice began. The first island of the lagoon to be settled, and then a bustling early medieval boomtown, today  Torcello is a haunting place of around a dozen inhabitants, and one big draw: the  Basilica di Santa Maria Assunta , the vast church that dominated the north lagoon for centuries. Still visible from the airport, its interior sparkles with Byzantine-style mosaics from the 11th century. It’s pure magic.

Planning tip: Visit  Torcello before Burano – if you do it the other way round, you’ll be trying to board a packed vaporetto back to Venice.

15. Pay your respects to Tintoretto

Peaceful Cannaregio is worth a stroll for its tranquil canals lined with grand palazzos, and for the church of  Madonna dell’Orto . This big barn of a place was Tintoretto’s neighborhood church – today he’s buried here, along with his artist children Domenico and Marietta, and its walls are covered with his paintings, as well as works by Titian, Palma il Giovane and Cima da Conegliano.

Detour: A short walk away is the church of  Sant’Alvise , part of the Chorus association, and famous for its spectacular trompe l’oeil ceiling.

This article was first published October 2021 and updated February 2024

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24 Top-Rated Tourist Attractions in Venice

Written by Barbara Radcliffe Rogers Updated Dec 22, 2023 We may earn a commission from affiliate links ( )

In a city as filled with tourist attractions as Venice, it's hard to know where to begin. Perhaps the best way is to simply get lost for a few hours wandering through its enchanting little streets and passageways, strolling beside its canals, and finding its secret corners.

At every turn, you'll see something worth remembering with a photo. No matter where this exploration takes you, it's easy to find your way back to Piazza San Marco and the Grand Canal. Most of the best sights you'll want to visit lie around these two landmarks.

Venice is divided into six sestieri, neighborhoods that have distinctly different characters. San Marco is the central one, surrounded on three sides by a great loop in the Grand Canal. Across Rialto Bridge is the artisans' neighborhood of San Polo, and across the Grand Canal to the south is stylish Dorsoduro, with its prestigious art museums and lively squares.

At the outer edges are Santa Croce, Castello, and Cannaregio, home of the original Ghetto. Beyond the six sestieri – neighborhoods – of the city itself, you'll want to hop aboard a vaporetto to its islands: Lido, Murano, Burano, and Torcello. A fourth island, San Giorgio Maggiore, is worth visiting for the beautiful views of San Marco and Venice from the tower of its church.

To plan your stay so you won't miss any of the best places to visit, use this list of the top attractions and things to do in Venice.

1. St. Mark's Basilica

2. piazza san marco (st. mark's square), 3. palazzo ducale (doge's palace) and bridge of sighs, 4. canale grande (grand canal), 5. ponte di rialto (rialto bridge) and san polo, 6. torre dell'orologio (clock tower), 7. campanile, 8. santa maria della salute, 9. scuola grande di san rocco, 10. teatro la fenice, 11. ca' d'oro, 12. murano and burano, 13. peggy guggenheim collection, 14. explore the ghetto and museo ebraico di venezia, 15. santa maria gloriosa dei frari, 16. gallerie dell'accademia (fine arts museum), 17. santa maria dei miracoli, 18. palazzo rezzonico, 19. torcello island, 21. hear classical music in a church, 22. contarini del bovolo palace, 23. ca' pesaro and galleria d'arte moderna, 24. the arsenal and the museum of naval history, where to stay in venice for sightseeing, tips and tours: how to make the most of your visit to venice, venice, italy - climate chart, more things to see and do.

Certainly Venice's best-known church, and one of the most easily recognized in the world, St. Mark's Basilica (Basilica di San Marco) was originally the Doge's private chapel, decorated with Byzantine art treasures that are part of the booty brought back by Venetian ships after the fall of Constantinople.

The gold-backed mosaic pictures above the doorways on the façade only hint at the mosaic artistry inside, where 4,240 square meters of gold mosaics cover the domes and walls. These set a distinctly Byzantine tone to its soaring interior, but you'll find treasures from other periods, including later mosaics designed by Titian and Tintoretto - names you'll encounter all over the city.

The magnificent golden altarpiece, the Pala d'Oro , one of the finest in Europe, was begun by early 12th-century artists, and centuries later, adorned with nearly 2,000 gems and precious stones. If you can tear your eyes from this, the mosaic domes, and the multitude of richly decorated altars, glance down at the floor, a masterpiece of marble inlay. And take time to see the gold reliquaries and icons in the Treasury.

• Read More: Exploring St. Mark's Basilica in Venice: A Visitor's Guide

The vast expanse of Venice's largest square is brought together and made to seem almost intimate by the elegant uniformity of its architecture on three sides. But more than its architectural grace, St. Mark's Square (Piazza San Marco) is loved as Venice's living room, the place everybody gathers, strolls, drinks coffee, stops to chat, meets friends and tour guides, or just passes through on the way to work or play.

Three sides are framed in arcades, beneath which are fashionable shops and even more fashionable cafés. The open end is bookmarked by the erratic, exotic curves, swirls, mosaics, and lacy stone filigree of St. Mark's Basilica .

Above it towers the brick shaft of the campanile. For overviews of this busy piazza, you can go to its top or to the top of the Torre dell'Orologio , where a pair of "Moors" strikes the hour.

Author's Tip: Don't be tempted to sit on the steps around the piazza to eat a take-away sandwich. Or throw the crumbs to the pigeons. Both are illegal.

• Read More: St. Mark's Square, Venice: 12 Top Attractions, Tours & Nearby Hotels

Visitors arriving in Venice once stepped ashore under the façade of this extraordinary palace. They couldn't have failed to be impressed, both by its size and the finesse of its architecture.

If they were received inside by the Doges, the impression would only strengthen as they entered through the Porta della Carta, a perfect example of Venetian Gothic at its height, and ascended the monumental Scala dei Giganti and the gold-vaulted Scala d'Oro to be received in what many consider to be the palace's most beautiful chamber, Sala del Collegio.

Even jaded 21st-century travelers gasp in awe at the palace's grandeur and lavish decoration. You'll see works by all the Venetian greats, including Tintoretto, whose Paradise is the largest oil painting in the world.

Not open on public tours but included on private tours is a walk across the Bridge of Sighs to the dark cells of the Prigioni - the prisons from which Casanova made his famous escape. The best view - and the postcard classic - of the Bridge of Sighs is from the Ponte della Paglia , on the Riva degli Schiavoni behind the Doge's Palace.

Lines for admission to the Doge's Palace are often long, but you can avoid these, and see sections of the palace not open to general visitors, with a Skip the Line: Doge's Palace Ticket and Tour . A local guide will take you past the lines and explain the history and art in each of the dazzling rooms before leading you across the Bridge of Sighs and into the notorious prison.

• Read More: Exploring the Doge's Palace in Venice: A Visitor's Guide

Sweeping through the heart of Venice in a giant reverse S curve, the Grand Canal is the principal boulevard through the city, connecting Piazza San Marco , Rialto Bridge, and the arrival points of the rail station and bridge from the mainland.

Only four bridges cross its 3.8-kilometer length, but stripped-down gondolas called traghetti shuttle back and forth at several points between bridges. The Grand Canal was the address of choice for anyone who claimed any influence in Venice. Palaces of all the leading families open onto the canal, their showy Venetian Gothic and Early Renaissance facades facing the water, by which visitors arrived.

These grand palaces – or at least their facades – are well preserved today, and a trip along the canal by vaporetto, Venice's floating public transport system, is the best way to see them. Or you can see the palaces at a more leisurely speed on a Venice Grand Canal Small Group 1-Hour Boat Tour , which also includes some of the smaller canals. And, of course, a ride along the Grand Canal in a gondola is one of the most romantic things to do in Venice at night.

• Read More: Exploring the Grand Canal in Venice: Top Attractions

Once the only bridge across the Grand Canal , Rialto Bridge marks the spot of the island's first settlement, called Rivus Altus (high bank). Built in 1588, some 150 years after the collapse of a previous wooden bridge, this stone arch supports two busy streets and a double set of shops.

Along with serving as a busy crossing point midway along the canal, it is a favorite vantage point for tourists taking - or posing for - photos, and for watching the assortment of boats always passing under it.

The church of San Bartolomeo , close to the San Marco end of the bridge, was the church of the German merchants who lived and worked in the Fondaco dei Tedeschi (German Commodity Exchange) bordering the canal here. It has an excellent altarpiece, The Martyrdom of St. Bartholomew , by Palma the Younger. The former exchange is now a popular place to go shopping.

On the other side of Rialto Bridge is the busy food market, where Venetians and chefs shop for fresh produce and seafood. In the narrow streets of San Polo, beyond the market, are artisans' shops and mask-making studios, one of the best places for shopping in Venice . You'll also find places to eat that are not so filled with tourists as those nearer San Marco.

Author's tip: If you're visiting Venice with children , look for the carnival mask and costume studios in San Polo. Masks are inexpensive souvenirs of their trip to Venice.

To one side of the basilica, facing onto Piazza San Marco, is one of Venice's most familiar icons, a clock tower surmounted by a pair of bronze Moors that strike the large bell each hour. The face of the clock shows phases of the moon and the zodiac in gilt on a blue background, and above the clock is a small balcony and a statue of the Virgin.

Above that, the winged Lion of St. Mark and a mosaic of gold stars against a blue background were added in 1755 by Giorgio Massari. The tower itself is from the 15 th century and typical of Venetian Renaissance architecture. Through an arched gateway at its base runs one of Venice's busiest streets, the narrow Calle Mercerei.

If you're in Venice during Ascension Week or at Epiphany, as the Moors strike each hour, you can see the Three Kings led past the Madonna by an angel. You can climb the tower for a closer look at the clockwork.

Standing like a giant exclamation point above the expanse of Piazza San Marco, the Campanile is not the first to stand here. The original one, erected as a lighthouse in 1153, collapsed dramatically into the piazza in 1902, and was rebuilt on a firmer footing. Also rebuilt was the Loggetta at its base, a small marble loggia completed in 1540, where members of the Great Council assembled before meeting in the sessions.

In the loggia at the base, you can see Sansovino's four bronze masterpieces between the columns, all of which were rescued from the rubble after the collapse. The Campanile has a grimmer side to its history: in the Middle Ages, prisoners, including renegade priests, were hoisted halfway up the outside in cages, where they hung suspended for weeks.

Today, the Campanile is a popular attraction for the views from the platform on top, which extends across the city and lagoon to the Adriatic (try to go early or late in the day, as lines for the lift can be very long).

One of the most photographed churches in Venice, Santa Maria della Salute has a postcard setting, rising at the tip of a peninsula across from the Doge's Palace.

The monumental Baroque church was built as thanks for the end of the plague of 1630. But the fragile land wouldn't support its tremendous weight, so its architect, Baldassare Longhena, had more than a million timbers driven into the floor of the lagoon before he could erect the church.

The vaporetto landing is right in front of the church, and the highlight of its interior – apart from the magnificent dome – is the Sacristy, where you'll find paintings that include Tintoretto's Marriage at Cana .

This impressive white marble Scuola Grande di San Rocco was built between 1515 and 1560 to house a charitable society dedicated to San Rocco. Soon after its completion, the great 16th-century Venetian artist Tintoretto won the competition to paint a central panel for the ceiling of the Sala dell'Albergo by entering the building and putting his painting in its intended place before the judging, much to the irritation of his rival artists.

He later decorated its walls and ceilings with a complete cycle of paintings, which are considered to be the artist's masterpiece. The earliest works, in the Sala dell'Albergo, date to 1564 and 1576 and include The Glorification of St. Roch, Christ before Pilate, the Ecce Homo, and the most powerful of all, The Crucifixion . Those in the upper hall depict New Testament scenes, painted between 1575 and 1581.

The lighting is not good, and the paintings themselves are dark, but you can still appreciate Tintoretto's innovations in the use of light and color. You can see the ceilings more easily with one of the mirrors that are provided. More works by Tintoretto are in the chancel of the adjacent church of San Rocco.

Address: Campo San Rocco, San Polo, Venice

The name La Fenice (The Phoenix), chosen at the constriction in 1792, proved prophetic, as like the mythical phoenix, it has risen from the ashes. The theater has been destroyed by fire three times, the last one, in 1996, leaving only the outer walls standing. Each time, it has been rebuilt, and continues to be one of the world's great opera houses.

Throughout its history, but particularly in the 19th century, La Fenice saw the premiers of many of the most famous Italian operas, including those of Rossini, Donizetti, and Verdi, and today schedules performances of opera, ballet, and musical concerts.

Even after its reopening in 2003 with somewhat expanded seating, La Fenice is still a comparatively small opera house, so tickets are very hard to get, especially for major performances. You can take a tour of the spectacular Rococo interior, however, using an audio guide; these self-guided tours last about 45 minutes and include the public areas of the theater.

The delicate marble filigree by Bartolomeo Bon seems too lace-like to be carved of stone, and you can only imagine the impression this façade must have made covered in its original paint and gold. Along with the Porta della Carta in the Palazzo Ducale , also created by Bartolomeo Bon, The Ca' d'Oro is considered the most perfect example of Venetian Gothic.

You can admire the interior, too, as this palazzo is now an art museum, restored to provide both a setting for the art works and a look at the way wealthy Venetians lived in the 15th and 16th centuries. The connoisseur responsible for saving the palace, Baron Giorgio Franchetti, gave his art collection to the state in 1922, with works by Titian, Mantegna, Van Dyck, Tullio Lombardo, and Bernini.

A trip to Venice wouldn't be complete without hopping aboard a vaporetto for the ride across the lagoon to Murano, home of Venice's fabled glass workers. They were sent here in the 13th century in hope of decreasing the risk of fire from one of the glass furnaces sweeping through Venice's tightly compacted center.

Or so they claimed. Just as likely, it was to keep the secrets of glassblowing a Venetian monopoly. This was no small matter to the Venetians, whose Council of Ten decreed in 1454: "If a glassblower takes his skill to another country to the detriment of the Republic he shall be ordered to return; should be refuse, his nearest relatives shall be thrown into prison so that his sense of family duty may induce him to return; should he persist in his disobedience secret measures shall be taken to eliminate him wherever he may be." It was a lot easier to keep track of them if they were confined to an island.

The canal sides today are lined by glass showrooms and studios, showing everything from cheap imported trinkets to exquisite works of art. Inside the 17th-century Palazzo Giustinian is the Glass Museum , with one of the largest and most important collections of Venetian glass from the time of the Romans to the 20th century.

But it's not all glass: The church of Santi Maria e Donato combines Veneto-Byzantine and Early Romanesque features, a result of its various stages of building between the seventh and 12th centuries. Notice especially the columns of Greek marble with Veneto-Byzantine capitals, the 12th-century mosaic floor with animal figures, and the St. Donato above the first altar on the left. Dated 1310, it is the earliest example of Venetian painting.

The 14th-century San Pietro Martire contains several splendid Venetian paintings: Bellini's Madonna in Majesty with St. Mark and the Doge Agostino Barbarigo and his Assumption of the Virgin , along with St. Jerome in the Wilderness and St. Agatha in Prison by Paolo Veronese.

It's a quick hop to the next island, Burano, a fishing village of brilliantly painted houses, known historically for its lace making. The Scuola dei Merletti (lace school) and its small museum will help you distinguish the real thing from the cheap imports you'll find in most shops.

The slender campanile of the 16 th -century church of San Martino leans at an alarming angle, made all the more dramatic by its height.

The personal art collections of heiress Peggy Guggenheim are housed in her former home alongside the Grand Canal, Palazzo Venier dei Leoni. Although most of Italy's great art museums are filled with masters of the Middle Ages and Renaissance, the Peggy Guggenheim concentrates on American and European art from the first half of the 20th century.

The low building, with its spare, white interior, is a fitting venue for these bold and often dramatic works, which represent Cubist, Futurist, Abstract Expressionist, Surrealist, and avant-garde schools of painting and sculpture.

The permanent collection includes works by Picasso, Dali, Braque , Léger , Mondrian , Kandinsky , Klee, Ernst , Magritte , and Pollock , and frequent exhibitions bring in works from other major artists. In the museum's sculpture gardens are works by Calder , Holzer , Caro , Judd , and Hepworth .

Address: 704 Dorsoduro, Venice

The Venetians called the foundry here geto , and in 1516 it was decreed that all Jews in the city would live on this islet, the origin of the word "ghetto." Residents could only leave in the daytime, and the gates were locked and guarded at night.

This part of the Cannaregio sestiere still has distinct Jewish presence, with synagogues and the Museo Ebraico di Venezia (Jewish Museum) with artifacts of Jewish life here from the 17 th and later centuries. Facing the Ghetto Nuovo Square, a touching memorial of bronze panels, created in 1980 by artist Arbit Blatas, remembers the victims of the deportation during the Nazi occupation of the city in 1943.

Address: Museo Ebraico di Venezia, Campo del Ghetto Nuovo, Cannaregio

This Gothic church was begun by the Franciscans about 1340 and finished with the completion of the facade, interior, and two chapels in the middle of the 15th century. Its impressive 14th-century campanile is the second highest in the city.

Although the interior is in keeping with the simple unadorned style of Franciscan churches, it contains a wealth of artistic treasures. In the right transept is an important wood statue of St. John the Baptist by Florentine sculptor Donatello, done in 1451 (first chapel to the right of the sanctuary).

In the sacristy is a triptych Madonna and Child Enthroned with Four Saints by Giovanni Bellini. In the left transept, the statue of St. John the Baptist on the stoup of the Cappella Cornaro was created by the sculptor and master-builder Jacopo Sansovino

The Monks' Choir is an outstanding example of the wood-carving of Marco Cozzi, with reliefs of saints and Venetian scenes. And the sanctuary contains the tomb of two Doges by Antonio Rizzo, and over the high altar is Titian's Assunta , painted between 1516 and 1518. The Mausoleum of Titian in the south aisle was a gift from Ferdinand I of Austria, when he was King of Lombardy Veneto.

You can't help noticing the pyramidal mausoleum made by the students of the sculptor Antonio Canova in the north aisle, and opposite, the large monument to Titian, also by students of Canova. Beside the Cappella Emiliani, which has a fine mid-15th-century polyptych with marble figures, is Madonna di Ca' Pesaro , completed in 1526 and one of Titian's most important works.

Address: Campo dei Frari, I-30100 Venice

Called " The Accademia " for short, this museum on the Grand Canal has the most important and comprehensive collection of 15th-18th-century Venetian painting in existence. Much of the collection was assembled from monasteries and churches that were closed and from the clearing of palaces of noble families, now displayed in the former Monastery of Santa Maria della Carità.

Some of the galleries, such as the first one, which contains Venetian Gothic Painting, have richly carved and gilded 15th-century ceilings. Works are arranged chronologically, so you can not only trace the evolution of styles, but can compare the works of contemporaries.

Highlights of the 15th- and 16th-century paintings are St. George by Andrea Mantegna, St Jerome and a Donor by Piero della Francesca, Madonna and Saints by Giovanni Bellini, Portrait of Christ by Vittore Carpaccio, and Madonna under the Orange Tree by Cima da Conegliano.

St. John the Baptist and a magnificent Pietà by Titian, Tintoretto's Cain and Abel and The Miracle of St. Mark, Paolo Veronese's Marriage of St. Catherine and Supper in the House of Levi , St. Ursula by Vittore Carpaccio, and several works by Giambattista Tiepolo are also worth special notice.

After the vast grandeur of St. Mark's and the soaring expanse of Frari, little Santa Maria dei Miracoli is like a fresh breeze, a masterpiece of Early Renaissance architecture by Pietro Lombardo. This jewel box of pastel inlaid marble was built from 1481 to 1489 to enshrine a miraculous picture of the Virgin.

Unlike Venice's other churches, whose facades are embellished with architectural flourishes and statues, Lombardo used painstakingly matched colored marble to create delicate patterns of rosettes, circles, octagons, and crosses on the facade. The method continues inside, which heightens the effect of the golden domed ceiling rising above gray and coral marble walls.

The nave is separated from the chancel by an exquisite Early Renaissance balustrade decorated with figures. It's no wonder that this is Venetians' favorite place to be married, as its interior is one of the most beautiful in the city.

Address: Campo dei Miracoli, Venice

Just as Ca' d'Oro lets you glimpse into the life of the late Middle Ages, Palazzo Rezzonico gives a vivid picture of life here in the Baroque and Rococo periods, in the 18th century. Designed and begun by Venice's master of Baroque architecture, Baldassare Longhena, the palace was completed nearly 100 years later in 1750 by Giorgio Massari.

The furnishings and collections complete the picture painted by the building, including its interior decoration of silk wall coverings, elegant finish details, and Flemish tapestries. The costume collection highlights the importance of silk production in Venice from the late Middle Ages through the 18th century, when it was a major competitor with Lyon, France.

Rigid technical regulations were enforced, resulting in some of the most beautiful silk fabrics ever made. So important was silk that even in times of war with the Turks, battle lines parted for the silk-laden ships to pass through.

The museum details the importance of luxury goods, particularly clothing and fashion, for the Venetian economy in the 18th century, when brocades embellished with gold and silver thread produced here were treasured throughout Europe and the New World.

Venice began on this outer island of Torcello, founded here as early as the seventh century, and by the 12th century, it was a flourishing commercial town. Of its palaces, churches, shipyards, and docks, only two churches and a handful of houses remain, dotted over the large island.

You can get some idea of the importance of Torcello from its cathedral, dedicated in 639 to Santa Maria Assunta . It is considered the best remaining example of Venetian-Byzantine architecture. It was reconstructed in 834 and 1008, and the portico and two lateral apses were added in the ninth century; much of the building dates from the 11th century. The mosaics lining the interior are outstanding.

The oldest of these are in the chapel to the right of the high altar, where 11th-century angels carrying a medallion with the Lamb of God show a strong Byzantine influence. The Fathers of the Church ; Gregory, Martin, Ambrose, and Augustine; were added later, along with Christ in Majesty between two Archangels .

The 12th-century mosaics in the main apse and the Virgin and Child above a frieze of the Twelve Apostles surrounded by flowers are all on a gold background. The west wall is covered in tiers of a Byzantine mosaic of the Last Judgment from the late 12th or early 13th century.

Along with the exquisitely detailed marble carvings on the rood screen, notice the 11th-century mosaic floor and the pulpit, which was assembled in the 13th century from earlier fragments.

Adjoining the cathedral is the little 11th-century church of Santa Fosca , on a pure Byzantine central plan with a portico. Your admission ticket includes the interesting little historical museum with artifacts from antiquity to the 16th century.

The long (12-kilometer) strip of sand that separates the Venetian lagoon from the Adriatic Sea was Europe's first real beach resort, and in its heyday, at the turn of the 20th century, was Europe's most fashionable watering hole for royalty and the day's celebs. Today, the grand hotels where they reposed still welcome guests and still own the beautiful fine-sand beaches, although for a price you can share them with hotel guests.

Public beaches are at the north end of the island, near the church of San Nicolo, where relics of St. Nicholas are revered. After considerable controversy between Venice and Bari, which also claims the saint's relics, it has been established by an anatomical expert that both have an equal claim; about half the skeleton, including the skull, is in Bari and the other half in Lido. The cloisters are lovely, and in the church are paintings by both Palma the Elder and Younger.

You can tour Lido on foot or a bicycle rented near the landing stage where the 10-minute Motonave or longer vaporetto ride from St. Mark's deposits you. The island is filled with Art Nouveau villas and hotels; to see the villas, wander along some of the side streets. In August and September, the Lido is the venue for the International Film Festival, held in the Palazzo del Cinema.

Two churches in Venice are venues for concerts of classical music , both featuring the works of Venetian composer and virtuoso violinist, Antonio Vivaldi. One of these churches, Santa Maria della Pietà , was Vivaldi's own, where he taught and composed the music for major church feasts. Near Saint Mark's Square, it is a beautiful mid-18 th -century church.

The other church where you can hear concerts is San Vidal church, in Campo Santo Stefano, not far from the Academia bridge. Along with the concerts, the church is notable for its magnificent main altarpiece, San Vidal on Horseback with Eight Saints, painted in 1514 by Vittore Carpaccio. Concerts in both these venues feature "The Four Seasons" and other works by Vivaldi. 123

During the 15 th -century renovations of an earlier Gothic building near Campo Manin, a unique spiraling staircase was added to the outside, creating one of the city's most unusual places to visit. The staircase spirals upward, encased by a balustrade and a series of graceful arches that give it an almost delicate air. The building became known as the Contarini del Bovolo Palace , referring to the Venetian word for snail.

Alongside the round tower, a series of 5 layered loggias decreasing in height with each level provides access to the building's five stories. You can see the exterior from the courtyard, or climb the tower for views from the roofed terrace at the top.

Address: San Marco, Campo Manin

The impressive façade of Ca' Pesaro overlooking the Grand Canal, was inspired by the Sansovino Library that stands across from the Doge's Palace, built a century earlier. The lavish Venetian Late Baroque interior contrasts sharply with the art displayed there, for the palazzo now houses the Galleria d'Arte Moderna.

One of Italy's finest collections of modern art, it contains works by important 19th- and 20th-century painters and sculptors including Gustav Klimt, Marc Chagall, and Auguste Rodin. Highlights include decorative arts of the 20 th century such as works in glass made by Carlo Scarpa in the 1930s and 1940s and rare furniture pieces by the cabinetmaker Carlo Bugatti.

The Museo d'Arte Orientale occupies the third floor of the palace, with collections of fine and applied arts from Asia. Highlights are the Chinese vases and Japanese enamels, porcelains, and armor of the Edo period.

Ca'Pesaro is reached by Vaparetto from the San Stae stop, at the church of Sant'Eustachio, more commonly known as San Stae. Step inside the church to see paintings by early 18th-century artists, including Tiepolo and Pellegrini.

Address: Santa Croce, Venice

The Arsenal, the shipyard of the Venetian Republic, was the largest and busiest in the world until the end of the 17th century. From its founding in 1104, it was continuously expanded, until in its heyday, it employed as many as 16,000 workers.

Closely guarded to preserve the secret production methods that enabled it to build a fully sea-ready ship in a single day, the Arsenal was accessible by one land and one sea approach only. So tight was its security that the Republic managed to keep its art of shipbuilding secret until about 1550.

At its imposing land entrance is a Renaissance-style triumphal arch guarded by lions brought from Greece as booty after the reconquest of the Peloponnese in the 17th century. Of the two lions on the left, the larger one stood guard over the port of Piraeus, while its fellow stood on the road from Athens to Eleusis.

Adjacent to the shipyard is the Museum of Naval History , displaying impressive booty brought back from the numerous maritime wars of the Republic, along with fascinating collections that include votive paintings made on wood panels in thanks for rescues at sea. These charming pictures are interesting for their depiction of sea life, not so much for their artistic finesse.

Models and artifacts relate to shipbuilding, the types of vessels afloat in the period that Venice was a sea power, and the Republic's strongholds throughout the Adriatic. A large model of the legendary ship of state Bucintoro , the Doge's sumptuous official galley, is especially interesting.

Address: Riva degli Schiavoni, Castello, Venice

While it's nice to stay close to St. Mark's Square, or between there and the Rialto, it's not essential for sightseeing. Attractions are all fairly close, and you'll have to walk between them anyway. Just as important is how close the hotel is to a Vaporetto stop on the Grand Canal. In addition to hotels near San Marco and San Zaccaria stops, consider those near Salute and Academia stops in Dorsoduro. Here are some highly rated and convenient hotels in Venice:

Luxury Hotels :

• Only a few steps from the Salute stop and one stop from St. Mark's, Ca' Maria Adele is a lush island of serenity near the Guggenheim Collection, with antiques-furnished rooms and superb guest services.
• The Gritti Palace, A Luxury Collection Hotel was once the home of a Venetian Doge, and its large, sumptuously appointed rooms (some with balconies) overlook the Grand Canal or a quiet piazza close to St. Mark's.
• Set on a small canal less than two minutes' walk from Piazza San Marco, Bauer Palazzo could hardly have a more convenient location for tourists. Opulent appointments include marble floors and Murano glass chandeliers; guest rooms and the rooftop terrace overlook views of the Grand Canal and other landmarks.

Mid-Range Hotels:

• Elegant and luxurious Hotel Ai Cavalieri di Venezia is also a walk from the Rialto stop, but well located near attractions.
• Londra Palace could hardly be better located, a three-minute walk from St. Mark's at the San Zaccaria stop, with balconies overlooking the lagoon; breakfast is included.
• The large rooms at NH Collection Venezia Palazzo Barocci overlook the Grand Canal, at the San Angelo vaporetto stop.

Budget Hotels:

• In a quiet neighborhood of Santa Croce, a short walk from a Vaporetto stop, about 20 minutes from Rialto and close to a good choice of restaurants, Hotel Tiziano has comfortable rooms and includes breakfast.
• Rio Venezia Hotel is just behind St. Mark's, a block off the Grand Canal.
• Also just steps from St. Mark's, Hotel Orion is on the shortest route to Rialto.

Exploring the Islands:

• A highlight for most travelers is a visit to the islands of Murano and Burano. The easiest way to explore these islands is on a five-hour guided Murano Glass and Burano Lace Tour from Venice , which includes motorboat transport to the islands, with visits to a glassblowing factory on Murano and lace makers on Burano.

Sightseeing and Gondola Rides :

• Venice is a little bit of a maze, and if you have limited time, taking a guided tour is a good idea. The Venice Walking Tour and Gondola Ride includes the best of both worlds, with an opportunity to learn the history of the sites as you wander the city and then relax and enjoy the scenery on a gondola ride.
• Alternatively, to just soak up some of the ambience, skip the walking piece and see the sites from the water on a 35-minute shared gondola ride while being serenaded on the Venice Gondola Ride and Serenade .
• A third option, the Venice Super Saver: Skip-the Line Doge's Palace and St. Mark's Basilica Tours, Venice Walking Tour and Grand Canal Cruise offers priority admission to the two must-see sights with the longest lines, a guided walking tour that takes you to some of Venice's secret sights, and a water-taxi cruise along the Grand Canal.

Good to Know

• Beginning in 2025, day visitors will be charged an access tax of between €6 and €10, depending on the season and expected tourist numbers. Visitors staying overnight in Venice already pay a lodging tax of €1 to €5 per person per night for the first 5 nights.
• If you plan to use the Vaporetto, either on the Grand Canal or to visit the islands of Murano, Burano, Lido and Torcello, ACTV transit passes are a good value. Single fares are €9.50, and a full-day pass is €25, less than the cost of three single rides. Multiple day passes save even more: 2 days for €25, 3 days for €45 and €65 for an entire week.
• While Venetians are quite tolerant of the masses of tourists that pour in every day, the city has some rules for visitor behavior. While these are not uniformly enforced, recent violations have resulted in steep fines. Some that you should be aware of include prohibitions on picnicking in a public place, buying from street vendors, lying down on a public bench, putting padlocks on bridges, and leaning against store fronts.

Where to Go near Venice : After you've visited the city's top tourist attractions, you may want to explore some of the beautiful nearby towns. Only 20 kilometers away is pretty Treviso , enclosed by walls and with its own waterside villas. Padua , with its famous shrine of St. Anthony, is easy to reach by train or by a cruise along the historic Brenta Canal. Stop along the way at Villa Pisani, one of the most beautiful gardens in Italy .

Places to Visit from Venice: North of Treviso are the soaring Dolomites, with some of the top ski resorts in Italy but with plenty of things to do in all seasons. Along the Adriatic to the east is Trieste , where Italian blends with Hapsburg architecture reminiscent of Vienna. Following the Adriatic coast south, you'll reach Ravenna , with its magnificent Byzantine mosaics.

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Venice entry fee in 2024: all you need to know

In spring 2024 , the City of Venice takes a step forward to combat overtourism and move towards a more sustainable and responsible tourism . From 25 April , in fact, there will be a fee for tourist to enter Venice for a trial period that will last until July, in order to support local tourism and preserve the authenticity of the city and its inhabitants by limiting entry on the "black sticker" days of the year.

Here is all the information you need to organise your trip in the best possible way.

How much does the ticket cost and how to pay

Admission to Venice from 25 April will cost €5 per person per day. The fee is the same for everyone and there are currently no reductions. Each ticket is nominal and valid for the entire day , so if you leave the city centre to re-enter during the day you will not need a new ticket, but you will not need to buy one if you enter the city between 4pm and 8.30am.

To purchase the ticket simply go to the official website of the Municipality of Venice and follow the instructions. Once you have made the payment you will be issued with a voucher with a QR-code to take with you and show in case of controls at one of the eight access points.

Venice oentry fee: who has to pay

The dates on which you will have to purchase your ticket

For this trial period, Venice entry fee is limited only to "black-sticker" days , when the overcrowding is greatest.

Here are the days on which you need to purchase an entrance ticket:

- From April 25th to May 5th .

- The remaining weekends of May , namely 11/12, 18/19, 25/26 May.

- All the weekends in June, except the first one , and therefore: 8/9, 15/16, 22/23, 29/30 June.

- The first two weekends of July , i.e. 6/7, 13/14.

This solution implemented by the municipality of Venice is aimed at preserving the heritage and uniqueness of this city , containing daily tourism and making it more sustainable. Moreover, this measure is also intended to give residents some breathing space, allowing them to enjoy their city.

In these "black-sticker" days, the entrance ticket will make the streets and monuments more enjoyable for everyone, but the smartest way to visit Venice remains the Venice Pass , which allows you to skip the queue at the most important attractions and take advantage of discounts and concessions.

Let us all commit to safeguarding Venice's heritage!

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Venice has been depicted and described so often that on arriving in the city you might have the slightly anticlimactic feeling that everything looks exactly as expected. The Canal Grande’s water-lapped palaces are indeed as picturesque as the coffee-table books made them out to be, Piazza San Marco is as perfect as a film set, and the panorama from the Palazzo Ducale is more or less as Canaletto painted it. Any sense of familiarity quickly fades, however, as you start to look around: seeing a stack of furniture being hoisted from a barge up to a top-floor window, or someone fishing knee- deep in the lagoon a hundred metres from dry land, you understand that life here is not like life anywhere else. And the more closely you look, the more fascinating Venice becomes.

Venice: a city shaped by history and water

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Founded on a cluster of mudflats in the heart of the lagoon 1,500 years ago, Venice emerged as Europe's principal exchange between the West and the East. At its zenith, it commanded an empire stretching north to the Dolomites and across the sea to Cyprus. The city's wealth and population swelled, densifying its urban fabric amidst a unique blend of nature and man-made marvels. 

Today, the historical centre, comprising roughly a hundred islets , leaves no space undeveloped, no street or square without a trace of Venice's illustrious past. It's common to stumble upon medieval remnants in even the most hidden alleyways, embedding the city's rich lineage into its very walls.

Yet, Venice's melancholic charm partly stems from the contrast between its historic grandeur and its current state. Once home to 200,000 residents during the Venetian Republic's golden age, the city's population has significantly dwindled. It was a bustling metropolis, attracting merchants from across the globe, its economy setting continental benchmarks from the Rialto's banks and bazaars. 

The Arsenale's vast workforce could construct a warship in a day, and Piazza San Marco was a perpetual hub of commerce and governance. Now, Venice stands as a testament to its spectacular heritage, its survival heavily reliant on those drawn to its enduring legacy.

 San Marco square from the water © Shutterstock

Venice, a city spread across 118 islands, is interlinked by 435 bridges into six districts known as sestieri. The city's cultural richness extends to over fifty churches and revered institutions like the Scuola Grande di San Rocco and the Scuola di San Giorgio degli Schiavoni, showcasing masterpieces by Tintoretto and Carpaccio.

You can't see everything, and we don't suggest you try, so here's a list of things we think, you need to visit!

Editors tip : make sure to read the 20 best things to do in Venice .

#1 Admire the Basilica di San Marco

San Marco is the most exotic of Europe’s cathedrals, and it has always provoked strong reactions. To Herman Melville, it was beautiful and insubstantial – as though “the Grand Turk had pitched his pavilion here for a summer’s day”. Mark Twain adored it for its “entrancing, tranquillizing, soul-satisfying ugliness”.

Herbert Spencer found it “a fine sample of barbaric architecture”; and to John Ruskin, it was the most gorgeous of holy places, a “treasure-heap…a confusion of delight”.

The Basilica di San Marco is certainly confusing, increasingly so as you come nearer and the details emerge, but some knowledge of the building’s background helps bring a little order out of the chaos.

Tips from Martina

Italy Travel Expert

"Don't just visit our famed canals, but also visit the cities less trodden paths. Delve into the serene atmosphere of the Cannaregio district, a treasure trove of local life, far from the crowd. Here, the authentic Venetian lifestyle unfolds in quiet squares and along peaceful canals".

St. Mark's Basilica and St.Mark's Campanile above the San Marco Square in Venice © Shutterstock

Grand Canal, Venice, Italy © Apple Kullathida/Shutterstock

#2 Embrace the art in Scuola di San Giorgio degli Schiavoni

Venice has two brilliant cycles of pictures by Vittore Carpaccio – one is in the Accademia, and the other is in the Scuola di San Giorgio degli Schiavoni, which sits beside a canal to the south of San Francesco.

By the mid-fifteenth century, though, Venice’s Slavic inhabitants were sufficiently established for a scuola to be set up to protect their interests. After several years of meeting in the church of San Giovanni di Malta, the scuola built itself a new headquarters on the church’s doorstep at the start of the sixteenth century and summoned Carpaccio to brighten up the first-storey hall.

Painted from 1502 to 1508, after the Accademia’s St Ursula cycle, Carpaccio’s pictures were moved downstairs when the building was rearranged in 1551, and the interior has scarcely changed since.

#3 Stroll through the lively Rialto market

It was through the markets of the Rialto that Venice earned its reputation as the bazaar of Europe. Virtually anything could be bought or sold here: fabrics, precious stones, silver plate and gold jewellery, spices and dyes from the Orient. Trading had been going on here for over four hundred years when, in the winter of 1514, a fire destroyed everything in the area except the church.

The possibility of relocating the business centre was discussed but found little favour, so reconstruction began almost straight away: the Fabbriche Vecchie was finished eight years after the fire, and Sansovino’s Fabbriche Nuove followed about thirty years later.

Today’s Rialto market is much more modest than that of Venice at its peak, but it’s still one of the liveliest spots in the city and one of the few places where it’s possible to stand in a crowd and hear nothing but Italian-spoken.

#4 Take a tour of San Giorgio Maggiore

Palladio’s church of San Giorgio Maggiore, facing the Palazzo Ducale across the Bacino di San Marco is one of the most prominent and familiar of all Venetian landmarks. It is a startling building, with an impact that’s enhanced by its isolation on an island of its own.

Ruskin didn’t much care for it: “It is impossible to conceive a design grosser, more barbarous, more childish in conception, more servile in plagiarism, more insipid in result, more contemptible under every point of rational regard.”

Goethe, on the other hand, was sick of the Gothic art that was to Ruskin the touchstone of spiritual health and gave thanks to Palladio for purging his mind of medieval clutter.

#5 Enjoy the spectacle of the Regata Storica

Held on the first Sunday in September, the Regata Storica is the annual trial of strength and skill for the city’s gondoliers and other expert rowers. It starts with a procession of historic craft along the Canal Grande course, their crews all decked out in a period dress, followed by a series of races right up the canal.

Re-enacting the return of Caterina Cornaro to her native city in 1489, the opening parade is a spectacular affair and is followed by a race for young rowers in two-oared pupparini. The women come next (in boats called mascarete), followed by a race for canoe-like caorline; and then it’s the men’s race, in specialized two-man racing gondolas called gondolini.

Gondolas in Venice © Shutterstock

#6 Go on a day trip to Torcello

“Mother and daughter, you behold them both in their widowhood – Torcello and Venice.” So wrote John Ruskin, and it’s almost impossible to visit Torcello without similarly sensing an atmosphere of bereavement. This outlying island has now come almost full circle.

Settled by the very first refugees from the mainland in the fifth century, it became the seat of the bishop of Altinum in 638 and in the following year its cathedral – the oldest building in the lagoon – was founded.

By the fourteenth century, its population had peaked at around twenty thousand, but Torcello’s canals were now silting up and malaria was rife. By the end of the fifteenth century, Torcello was largely deserted – even the bishop lived in Murano – and today fewer than a dozen people remain in residence.

Read more about the best day trips from Venice .

#7 Explore Burano and Murano islands

Take a fascinating day trip to the Venetian islands of Burano and Murano, each with a special charm that complements the glamour of Venice.

A short vaporetto ride from the main island takes you to the vibrant realm of Burano, known for its rainbow-coloured houses and intricate lacework. Wander through narrow streets decorated with colourful linens and observe the artistry of local lacemakers, whose tradition dates back several centuries. The island's serene canals and warm, welcoming atmosphere make it the perfect place for a leisurely lunch by the water's edge.

Then head to the island of Murano, considered the birthplace of Venetian glassmaking. Explore its rich history and modern innovations by visiting the glass factories, where master craftsmen skilfully mould molten glass into intricate shapes. Discover a fascinating variety of glassware, from exquisite jewellery to ornate chandeliers. See ancient techniques passed down through generations and learn about this age-old craft.

Venice landmark, Burano island, Italy © StevanZZ/Shutterstock

#8 Attend Venice Biennale

If you have a keen interest in contemporary art and international culture, timing your visit to coincide with the Venice Biennale can be a fantastic idea. The Venice Biennale, Europe’s most glamorous international forum for contemporary art, was first held in 1895 as the city’s contribution to the celebrations for the silver wedding anniversary of King Umberto I and Margherita of Savoy.

The main site is by the Giardini Pubblici, with permanent pavilions for about forty countries plus space for a thematic international exhibition. This core part of the Biennale is supplemented by exhibitions in parts of the Arsenale that are otherwise closed to the public, such as the colossal Corderie or Tana and the Artiglierie.

In addition, various palaces and other sites throughout the city are used as national pavilions and as venues for fringe exhibitions, installations and performances.

Biennale, Venice © avphotosales/Shutterstock

#9 Make a pilgrimage to Santa Maria della Salute

In 1630–31 Venice was devastated by a plague that exterminated nearly 95,000 of the lagoon’s population – one person in three. In October 1630 the Senate decreed that a new church would be dedicated to the Virgin Mary if the city were saved. The result was the Salute – salute meaning “health” and “salvation” – or Santa Maria della Salute, to use its full title.

Resting on a platform of more than 100,000 wooden piles, the Salute took half a century to build; its architect, Baldassare Longhena, was only 26 years old when his proposal was accepted. He lived just long enough to see it finished – he died in 1682, one year after completion.

Each year on November 21 (the feast of the Presentation of the Virgin) the Signoria is processed from San Marco to the Salute for a service of thanksgiving. The Festa della Madonna della Salute is still a major event in the Venetian calendar, with thousands of people making their way here to pray for or give thanks for good health.

#10 Discover the hidden gem of Palazzo Contarini del Bovolo

Located in a charming labyrinth of Venetian alleyways, Palazzo Contarini del Bovolo is an amazing hidden gem waiting to be discovered. This architectural gem, often unnoticed by the crowd, charms those who dare to discover it. The main feature of the palace is the "Scala Contarini del Bovolo", a spiral staircase that rises gracefully upwards and is decorated with elegant arches that create a complex play of light and shadow.

As you ascend this spiral staircase, you are transported to another era where the artistic vision of the Contarini family is brought to life with breathtaking detail. As you climb up, the panorama of red-tiled roofs and Venetian vistas opens up, giving you a glimpse of a timeless city.

There’s more than an element of truth to Venice’s reputation as a place where mass tourism has produced monotonous menus, cynical service and slapdash standards in the kitchen. Venice has fewer good, moderately priced restaurants than any other major Italian city, it has more really bad restaurants than any other, and in some of the expensive establishments you’re paying not for a fine culinary creation but for the experience of dining in an expensive Venetian restaurant. 

However, things have been getting better in recent years, and in the less overrun parts of Venice there are now several good places where you can get a decent two-course meal, plus house wine, for €35–40 per person – which, in this city, is reasonable.

Eating out in San Marco

• Ai Mercanti : Revamped in 2013, Ai Mercanti in San Marco offers imaginative dishes like pumpkin and coffee bean risotto, starting at €13. Its dark wood and golden décor create a unique atmosphere. Open Mon 7–10:30pm, Tues–Sat 12:30–3pm & 7–10:30pm.
• Al Bacareto : A local favorite for over forty years, Al Bacareto offers genuine Venetian cuisine with main courses ranging from €15–20. Opt for cicheti at the bar for a taste of Venice on a budget.

Eating out in San Polo and Santa Croce

• Al Nono Risorto : Nestled off Campo San Cassiano, Al Nono Risorto attracts a young crowd with its pizzeria-restaurant vibe, live jazz and blues, and a charming small garden. Note: No credit cards accepted. Open Mon & Tues–Sun noon–2:30pm & 7–11pm.
• Alla Madonna : For over sixty years, Alla Madonna has served seafood in a lively, old-style setting, now managed by the founder's son. The ambiance is bustling, and the service quick. Despite recent price hikes, it offers relatively good value at about €45/person. Open Mon, Tues & Thurs–Sun noon–3pm & 7–10pm.

Venice ©Shutterstock

Insatiable demand makes Venice’s hotels the most expensive in Western Europe. What’s more, the high season here is longer than anywhere else in the country, but many places don’t recognize the existence of a low season any more.

There are, though, a few good-value hotels to be found in the city, and an ever-increasing number of bed and breakfast places, as well as a plethora of apartments for rent.

If you want to spend time surrounded by luxury, San Marco is the most suitable neighbourhood to do so. San Marco is the heart of Venice, home to the famous St Mark's Square, the magnificent St Mark's Basilica and the majestic Doge's Palace.

This neighbourhood offers exclusive shopping opportunities, high-end restaurants and breathtaking views of the canals. Treat yourself to luxurious accommodation options , including five-star hotels that offer stunning views of the city's landmarks. However, be prepared for higher prices as San Marco is a premium neighbourhood.

Dorsoduro is a neighbourhood worth staying in Venice for its artistic heritage and lively cultural life. Home to the prestigious Accademia Gallery and the Peggy Guggenheim Collection, this neighbourhood attracts art lovers from all over the world.

Dorsoduro is also home to the University of Ca' Foscari, giving the neighbourhood a lively and youthful energy.

San Polo and Santa Croce

If you are looking for a place to stay in Venice to experience local Venetian life, the ideal neighbourhoods are San Polo and Santa Croce. These neighbourhoods exude genuine charm with their narrow streets, small squares and bustling markets.

Also, a must-see in these neighbourhoods are the Rialto Bridge, the lively Rialto Market and the historic church of San Giacomo di Rialto. Accommodation options , from cosy guesthouses to charming boutique hotels, provide an authentic Venetian experience.

The Cannaregio neighbourhood may not have any major attractions, but it is a place to stay to experience the atmosphere of Venice. Cannaregio is a less crowded residential neighbourhood that offers a more local and authentic experience. It is known for its picturesque canals, historic synagogues and lively Jewish ghetto.

Central Castello

Castello, located east of San Marco, is Venice's largest and most traditional neighbourhood. With winding streets, small squares and local shops, this neighbourhood has a more relaxed atmosphere.

Castello is home to the impressive Arsenale and the Biennale Gardens, where the prestigious Venice Biennale art exhibition takes place. Castello offers a wide range of accommodation options , from budget guesthouses to elegant boutique hotels.

Browse the best hotels in Venice.

The Canals of Venice, in Italy © Shutterstock

Choosing the right time to visit Venice can greatly influence the experience one gains from this enchanting city. Spring ( April , May and June ) and early autumn ( September to October ) are often considered the best seasons to explore Venice.

During these periods, the weather is pleasantly mild, and the city is less crowded than in the peak summer months ( July and August ). Strolling through the labyrinthine streets, gliding along the serene canals, and marvelling at the architecture under the warm sunlight becomes an immersive experience.

The winter months ( November and January ) can be cold. Venice's renowned events like the Carnival in February and the Venice Biennale in odd-numbered years draw a diverse array of international visitors, adding a unique cultural dimension to the visit. December is usually busy with locals but a fun time to visit.

Find out more about the best time to visit Italy.

The topography of Venice is uniquely complicated, and at first glance its public transport looks as convoluted as a wiring diagram. But the situation isn’t as daunting as it first appears: there are clear main routes through the warren of Venice’s alleyways, and you’ll need to get to grips with only a few of the water-bus routes.

Venice Water-Bus fares and tickets explained

Single journey & special ticket:

• Standard Ticket: €7, valid for 60 minutes with unlimited changes, not usable for return trips.
• One-Stop Ticket: €4, ideal for short crossings like San Zaccaria to San Giorgio Maggiore.
• Luggage Fee: €7 for each piece of large luggage beyond the first.
• Concessions: Children under 4 travel free. Wheelchair users pay €1.30; their companion travels free.

Save with Travel Cards

To avoid high single-ticket costs, consider ACTV Tourist Travel Cards

• 24 hours: €20
• 48 hours: €30
• 72 hours: €40
• 7 days: €60
• Rolling Venice Cardholders: Special 72-hour card for €20
• Airport Bus Supplement: €4 per journey with any ACTV pass.

Where to buy

• Tickets: Landing stages, shops with the ACTV sign, tourist offices.
• ravel Cards: Tourist offices, Piazzale Roma, train station, airport, and selected vaporetto stops like Ca’ d’Oro and San Marco Vallaresso.

Gondola rides in Venice

Gondola Navigation

Thanks to their design, gondolas can navigate Venice's narrow and shallow canals effortlessly, a testament to the gondoliers' skill. Previously a hereditary job, now anyone can become a gondolier after completing 400 hours of rigorous training, which covers manual skills, canal navigation, and the history of the profession. In 2010, Venice celebrated its first female gondolier, Giorgia Boscolo.

Costs & Hours

• Standard Fare: €80 for a 40-minute ride for up to six passengers. After 7pm until 8am, the rate increases to €100.
• Extended rides:Additional 20 minutes cost €40, or €50 after 7pm.
• Extras: Expect surcharges for an accordionist or tenor. Note that there's a debate on banning "O Sole Mio" to avoid stereotypical Italian experiences.

Avoiding overcharges 

Although fares are regulated, some gondoliers might charge more. Always confirm the price before departure. For a reliable service, use official gondola stands located at key points throughout the city, including Calle Vallaresso, Campo San Moisè, Campo Santa Maria del Giglio, Bacino Orseolo, in front of the Palazzo Ducale, Riva degli Schiavoni near the Danieli hotel, the train station, Piazzale Roma, Campo Santa Sofia near Ca’ d’Oro, San Tomà, and Rialto Bridge on Riva Carbon.

Venice Water Taxis

Venice's water taxis are stylish, fast, and can navigate most canals, accommodating up to 10 passengers. However, they're known for being one of the priciest taxi services in Western Europe.

• Base Rate: Starts at €15, with €2 added every minute.
• Surcharges: €10 per extra passenger beyond five. €5 for each luggage piece over five. €10 for rides between 10pm and 7am.

Booking tips

• Direct booking from stands or catching an available taxi can save surcharges.
• Phone bookings and concierge-arranged rides include additional fees.

Epiphany Regatta in Venice © Shutterstock

The ideal number of days to spend in Venice depends on your interests, the pace of your trip and what you want to see. Here are general guidelines to help you plan your visit:

If your schedule is tight, you can manage to experience the main attractions of Venice in one or two days. Focus on the main sights such as St Mark's Square, St Mark's Basilica, Doge's Palace, take a gondola ride and perhaps stroll the streets. However, this will not allow you to explore more than the iconic sites.

3-4 days will give you a better chance of experiencing the essence of Venice. You'll be able to see the main sights, take a day trip to nearby islands such as Burano and Murano, and in your free time wander off the beaten track, discover local restaurants and soak up the unique atmosphere.

If you have more time, you can truly immerse yourself in the culture and lifestyle of Venice. In addition to the above, you can visit less crowded areas, art galleries and museums, attend cultural events or festivals, and take day trips to neighbouring cities such as Padua or Verona.

Venice, Canal, Italy @ Shutterstock

Before you can lose yourself in its winding waterways and historic charm, you'll need to figure out the best way to get there. Whether you're flying in from across the globe or making your way from a nearby European city, various options are available to suit every budget and travel style.

• Flights from the UK and Ireland : Direct flights take around two hours from London . EasyJet flies between two and four times daily, while its chief rival, Ryanair, has one or two flights each day from London and less frequent services to Treviso from Bristol, East Midlands, Manchester and Edinburgh. Aer Lingus (Dublin) flies to Marco Polo up to five times per week, while Ryanair flies three or four times a week to Treviso in high season.
• Flights from the US and Canada: The only direct service to Venice from the US is with Delta, who fly from New York to Marco Polo up to six times a week in summer. Air Canada has direct flights from Montréal to Venice, and various indirect flights from Toronto and Montréal, usually via Frankfurt or New York.

The choice of rail routes and fares is hugely complex, but the cheapest route is to take the Eurostar from London to Paris, then change to the high-speed TGV from Paris to Milan, and change there for the “Frecciarossa” to Florence. The total journey time is 14–18 hours, and with some online research, you can put together a one-way ticket for a little over the cost of a return flight, though peak prices are considerably higher.

If you take a couchette, using the “Thello” sleeper for the stage from Paris to Milan doesn’t add much to the cost. Booking for these continental routes usually opens three months before the day of travel. Discounts for under-26s are sometimes available and advance booking is essential. If you’re planning to include Italy as part of a longer European trip you could choose to invest in an InterRail pass.

Find out the best ways to get to Italy .

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Ties is a true world explorer - whether it be for work or leisure! As Content Manager at RoughGuides, and the owner of Dutch travel platform Reis-Expert.nl , Ties is constantly on the move, always looking for new destinations to discover.

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Venice Travel Guide 2024-2025: Discover the Charm, History, and Hidden Gems of Italy's Floating City. Kindle Edition

Immerse yourself in the timeless allure of Venice with our comprehensive travel guide. As you flip through the pages of this meticulously crafted handbook, you'll embark on a journey through winding canals, historic alleyways, and magnificent piazzas that have enchanted travelers for centuries.

Each chapter of our guide is designed to transport you deeper into the heart of this floating city, revealing its hidden treasures and iconic landmarks alike. With vivid descriptions and insider tips, you'll uncover the secrets of St. Mark's Square, traverse the labyrinthine paths of the Doge's Palace, and experience the romance of a gondola ride along the Grand Canal.

But this guide is more than just words on a page—it's a visual feast that brings Venice to life in vibrant detail. Stunning photographs capture the city's architectural splendor, bustling markets, and charming neighborhoods, inviting you to imagine yourself strolling along its cobblestone streets and sipping espresso in sun-drenched squares.

From indulging in authentic Venetian cuisine to discovering the city's thriving arts scene, each section of our guide is infused with the passion and excitement that Venice inspires. Whether you're a first-time visitor or a seasoned traveler, let this guide be your companion as you embark on an unforgettable adventure through one of the world's most captivating destinations.

• Print length 91 pages
• Language English
• Sticky notes On Kindle Scribe
• Publication date April 15, 2024
• File size 3336 KB
• Page Flip Enabled
• Word Wise Enabled
• Enhanced typesetting Enabled
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Product details

• ASIN ‏ : ‎ B0CYCTTDCL
• Publication date ‏ : ‎ April 15, 2024
• Language ‏ : ‎ English
• File size ‏ : ‎ 3336 KB
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Kamilaroi Bigambul artist Archie Moore wins Gold Lion award at Venice Biennale

Visual artist Archie Moore has been awarded the Golden Lion for Best National Participation at the Venice Biennale 2024 for his exhibition kith and kin , becoming the first Australian to receive the top honour. Moore brought the Australia Pavilion to life with a genealogical chart informed by 65,000 years of history. With kith and kin, Moore highlights our shared ancestry and humanity.

Artwork commemorating Indigenous Australian history triumphs in Venice

‘Very totemic and very Aboriginal’: Australia’s entry at Venice Biennale is a family tree going back 65,000 years

‘No death in Venice’: Israel-Gaza tensions infiltrate biennale

Source: Creative Australia

Sun 21 Apr 2024 02.29 BST Last modified on Mon 22 Apr 2024 21.16 BST

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In world first, Venice to trial day tickets

Rome (AFP) – Venice will this week begin charging day trippers for entry, a world first aimed at easing pressure on the Italian city drowning under the weight of mass tourism.

Issued on: 23/04/2024 - 07:39 Modified: 23/04/2024 - 08:28

On Thursday -- a public holiday in Italy -- day visitors will for the first time have to buy a five-euro ($5.3) ticket, monitored by inspectors carrying out spot checks at key points in the UNESCO world heritage site.

Venice is one of the world's top tourist destinations, with 3.2 million visitors staying overnight in the historic centre in 2022 -- dwarfing the resident population of just 50,000.

Tens of thousands more pour into the city's narrow streets for the day, often from cruise ships, to see sights including St Mark's Square and the Rialto Bridge.

The aim of the tickets is to persuade day trippers to come during quieter periods, to try to thin out the worst of the crowds.

Initially, tickets will only be required on 29 busy days throughout 2024, mostly weekends from May to July.

But the scheme is being closely watched as tourist destinations worldwide grapple with surging numbers of visitors, who boost the local economy but risk overwhelming communities and damaging fragile ecosystems and historical sites.

In Spain, the world's second-most visited country after France, tens of thousands of people protested in the Canary Islands on Saturday to demand limits on visitor numbers to the archipelago.

Luigi Brugnaro, the mayor of Venice, has described the city's scheme as "an experiment, and the first time it's been done anywhere in the world".

"Our aim is to make Venice more liveable," he told reporters earlier this month.

UNESCO warning

Venice, spread over more than 100 small islands and islets in northeastern Italy, is considered one of the world's most beautiful cities.

The UN cultural body UNESCO listed the city and its lagoon as a world heritage site in 1987, citing it as an "extraordinary architectural masterpiece".

But UNESCO threatened last year to put Venice on its list of heritage in danger, citing mass tourism and also rising water levels attributed to climate change.

Venice only escaped the ignominy after local authorities agreed the new ticketing system.

The idea had long been debated, but repeatedly postponed over concerns it would seriously dent tourist revenue and compromise freedom of movement.

During a debate on the plan last September, opposition councillors cast the measure as a hastily arranged concession to UNESCO that would not have any impact.

"Fifty euros might have done something," said one, Gianfranco Bettin.

In 2021, Venice had already imposed a ban on massive cruise ships from which thousands of day-trippers emerge daily, rerouting them to a more distant industrial port.

It has also introduced a tax for overnight visitors.

Venice's mayor has promised the new system will be imposed with a light touch with "very soft controls" and "without queues", rejecting speculation the city would be installing barriers or turnstiles in the streets.

Controllers will be stationed in and around the city's main entrances, notably the Santa Lucia train station, performing spot checks on visitors.

Tourists without their ticket will be invited to purchase one on arrival, with the help of local operators.

But they could also risk fines ranging from 50 to 300 euros.

The "Venice Access Fee" targets only daily tourists entering the old town between 8:30 am and 4:00 pm, with tourists staying in hotels, minors under 14, and the disabled among those exempt.

For the time being, there is no ceiling on the number of tickets -- downloaded in the form of a QR code from a website (https://cda.ve.it/en/), distributed each day.

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