joe satriani tour band

Live Band - 2024 G3 & Satch/Vai Tour View Tour Dates »

Live tour crew, recent studio recording: "the elephants of mars", other album/tour alumni.

G3 REUNION TOUR 2024 JOE SATRIANI , ERIC JOHNSON , STEVE VAI

LIMITED ENGAGEMENT of 13 SHOWS

This special reunion tour will just be the dates listed, so make your plans now and come join us!

G3 Reunion VIP Package

For more details visit the SATRIANI.COM road page

©1996-2024 G3 / JOE SATRIANI

JOE SATRIANI And STEVE VAI Kick Off Satch / Vai Tour 2024 In Orlando, Debut New Single "The Sea Of Emotion Pt 1"; Fan-Filmed Video Streaming

March 24, 2024, a week ago

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Joe Satriani and Steve Vai's friendship with each other (and the guitar) started as kids in New York. It’s still going strong five decades later, and for the first time they have joined up for the Satch/Vai tour.

The tour kicked off on March 22 at Hard Rock Live in Orlando, FL. Check out fan-filmed video from the show below. The set included the live debut of their new collaboration, "The Sea of Emotion Pt 1", and covers of "Enter Sandman" and "You Really Got Me".

The band includes Rai Thistlethwayte on vocals/guitar, Kenny Aronoff on drums, and Bryan Beller on bass.

“The Satch/Vai Tour is happening! I’m so looking forward to sharing the stage with Steve again. Every time we play together it takes me back to when we were teenagers, eating and breathing music every second of the day, pushing, challenging and helping each other to be the best we could be. I guess we’ve never stopped!” - Joe Satriani

“Touring with Joe is always a pleasure and an honor. He is my favorite guitarist to jam with, and now we have another opportunity to take it to the stage. I feel as though we are both at the top of our game and that the show will be a powerful celebration of the coolest instrument in the world, the electric guitar!” - Steve Vai

The Satch-Vai tour starts March 22 and runs through May 11, 2024. Shows have now been added (**) for Springfield, MO and Santa Rosa, CA on April 26th and May 12th respectively.

Tickets are available here .

Tour dates:

March 25 - Ruth Eckerd Hall - Clearwater, FL 26 - Florida Theatre - Jacksonville, FL 27 - Atlanta Symphony Hall - Atlanta, GA 29 - North Charleston Performing Arts Center - North Charleston, SC 30 - Durham Performing Arts Center - Durham, NC

April 2 - Belk Theater - Charlotte, NC 3 - Dominion Energy Center - Richmond, VA 5 - Orpheum Theatre Boston - Boston, MA 6 - Beacon Theatre - New York, NY 7 - Waterbury Palace Theater - Waterbury, CT 8 - Count Basie Center for the Arts - Red Bank, NJ 10 - Scottish Rite Auditorium - Collingswood, NJ 11 - Warner Theatre DC - Washington, DC 12 - Santander Performing Arts Center - Reading, PA 13 - MGM Northfield Park - Northfield, OH 14 - Kodak Center Theater - Rochester, NY 16 - Fisher Theatre - Detroit, MI 17 - State Theatre of Kalamazoo - Kalamazoo, MI 18 - Chicago Theatre - Chicago, IL 19 - Andrew J. Brady Icon Music Center - Cincinnati, OH 20 - Embassy Theatre - Fort Wayne, IN 22 - Murat Theatre - Indianapolis, IN 23 - Riverside Theater - Milwaukee, WI 24 - State Theatre - Minneapolis, MN 25 - Des Moines Civic Center - Des Moines, IA 26 - Gillioz Theatre - Springfield, MO ** 28 - The Astro - La Vista, NE 29 - Stiefel Theatre for the Performing Arts - Salina, KS 30 - The Factory - St. Louis, MO

May 1 - Uptown Theater - Kansas City, MO 3 - ACL Live at The Moody Theater - Austin, TX 4 - Music Hall at Fair Park - Dallas, TX 5 - 713 Music Hall - Houston, TX 7 - Paramount Theatre - Denver, CO 8 - Delta Hall at Eccles Theater - Salt Lake City, UT 10 - Harrah's Resort Southern California - Valley Center, CA 11 - Hard Rock Hotel & Casino - Wheatland, CA 12 - Luther Burbank Center For The Arts - Santa Rosa, CA **

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Steve Vai & Joe Satriani Tour happening!

For the first time ever, after more than 50 years of friendship, it’s the Satch-Vai 2024 Tour! Believe it not, this is the first time Joe and Steve will tour as a duo-bill, and it comes along with plans to release a new musical collaboration.

“The Satch/Vai Tour is happening! I’m so looking forward to sharing the stage with Steve again. Every time we play together it takes me back to when we were teenagers, eating and breathing music every second of the day, pushing, challenging and helping each other to be the best we could be. I guess we’ve never stopped!” – Joe “Touring with Joe is always a pleasure and an honor. He is my favorite guitarist to jam with, and now we have another opportunity to take it to the stage. I feel as though we are both at the top of our game and that the show will be a powerful celebration of the coolest instrument in the world, the electric guitar!” – Steve

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Upcoming concerts (32) See all

Belk Theatre

Dominion Energy Center

Beacon Theatre

Waterbury Palace Theater

Hackensack Meridian Health Theatre

Scottish Rite Auditorium

Warner Theatre

MGM Northfield Park

Kodak Center Theater

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Joe Satriani (born 15 July 1956) is an instrumental guitarist widely recognized as one of the world’s greatest virtuoso performers. He is noted for his highly innovative technical capacity as well as his ability to approximate a variety of styles ranging from blues, jazz, heavy metal, and funk .

Satriani was born in Westbury, New York, US and raised in a neighboring town called Carle Place. He first expressed an interest in playing the drums, but settled on guitar at the age of 14, largely in response to the death of one of his idols and perhaps greatest source of inspiration, Jimi Hendrix. Satriani was a fast learner and 4 years following his decision to pursue guitar he was training under legendary jazz artists such as guitarist Billy Bauer and pianist Lennie Tristano.

Within a few years time Satriani had his own students, one of them being the technically proficient and likeminded artist Steve Vai. Satriani sought out a music career in Berkley, California and made his transition to the city in 1978. In addition to acting as a solo artist he still kept his stint as a teacher alive. A few of his students went on to be highly respected and commercially prominent artists in their own rights, such as Kirk Hammett of Metallica, Kevin Cadogan of Third Eye Blind, and David Bryson of Counting Crows.

One of Satriani’s first immersion in the California music scene was his joining of the San Francisco rock band the Squares. Through this experience he networked with many other musicians one of them being Greg Kihn who eventually invited Satriani to join his band. By this time Satriani already released a self-titled EP as well as his first studio album “Not of This Earth”, which came out through Relativity records and was later reissued on Epic.

Though Satriani was respected within a tight niche community, he was still in commercial obscurity. However all eyes and ears started to fixate on him after Steve Vai (who during this time was ridding off the success of his work with David Lee Roth) spoke glowingly of him in Guitar World Magazine.

Satriani released his breakthrough record “Surfing With the Alien” in 1987, which peaked at No. 29 on the Billboard 200, making it one of the most successful instrumental albums of it’s time. His follow up album “Flying in a Blue Dream” came out in 1989. This release was a critical and commercial hit as well, appearing at No. 23 on the Billboard 200 and earning a Grammy nomination for Best Rock Instrumental Performance. This release has since achieved gold certification and it’s single “One Big Rush” was featured in the Cameron Crowe masterpiece “Say Anything”. In between these albums Satriani released the EP #11 and also accompanied Mick Jagger on a tour of Australia and Japan.

During this period Satriani was topping countless guitar magazines as one of the world’s greatest guitar players; however, he took a brief break from recording and focused his attention on developing signature guitars for the company Ibanez. Sariani returned with his highly anticipated 1992 release “The Extremist”, which became his most popular release to date making its way to No. 22 on the US Billboard Charts. Satriani issued his compilation album “Time Machine” in 1993 and subsequently replaced Richie Blackmore as the guitarist for Deep Purple.

Satriani returned to his solo career a year later and released his 1995 self-titled studio album. Also around this time he initiated the renowned G3 concert tour with Steve Vai. G3 is an annual reoccurring event and has featured incredible talent such as Yngwie Malmsteen, Robert Fripp, John Petrucci, and Steve Morse.

In 1998 Satriani put out “Crystal Planet”, which featured the hit single “Ceremony”. Following this release was “Engines of Creation”, arguably Satriani’s boldest experimentation (featuring elements of electronica and techno).

Satirani churned out a string of high quality releases through out the remainder of the 2000s including “Strange Beautiful Music”, “Is There Love in Space?”, “Super Colossal”, and “Professor Satchfunkilus and the Musterion of Rock”. Satriani rounded off the decade releasing a collaborative recording with Michael Anthony, Sammy Hagar, and Chad Smith under the name Chickenfoot.

Live reviews

Top notch band.

Satriani is a virtuoso and he is an absolute master of his instrument. His show reflects that.

Usually a band would not sound as cohesive live as they do on their studio albums. Joe Satriani and his band on the other hand sounds has full authority of the soundscape. Every note was precise. Plus, all the improvisations were appropriate, not to mention very dynamic.

I got the VIP pass. Met Joe and got him to sign the posters for some of my friends with whom I grew up listening to Satch. The VIP pass took us on stage pre-show. Got to see Joe's tech tuning his guitars, saw his Marshall amps and his gear. Took lots of pics there.

Show started at 8 pm. The live tone was fantastic. Very balanced sound from every instrument.

Mike Kennelly performed an interesting solo halfway through the show. He plays the backing guitars on some of the songs, and even plays guitar solos, sometimes alongside Joe.

Bryan Beller is a unique bassist. His chemistry with Joe is great. It becomes obvious that he is a great support.

Marco Minneman played a solo as well. I am not a drummer, but would love to go to a workshop of his if he ever did any.

Stage lighting is another big highlight. Spectacular. The production assistant Jeff told me how they have 9 crews working on the set, plus another 7 from the venue who setup everything in 3 hours, and pack it up in an hour or 2 for the next show. That's a lot of work.

What's important is band chemistry. They're very dynamic on stage, solid performers. They all have such a mature and professional approach to their love of music, it's humbling. They're pushing the boundaries of the definition of rock for sure. It's [rock music] not all about sex, drugs, or Satanism. It's very dynamic, cultured, and definitely accomplished.

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As always here comes joe shining on the stage with his charming charisma giving you the blues rock - hard rock tunes of your live using his favorite axes the Ibanez pluged into marshall tube head amp running through marshall cabinet adding joe's playing skills to deliver sounds you will never forget... the show was awesome full of energy and positive attitudes from the very beginnings to the last minute of it ,the opening band was as cool and tasty as the beer i was holding in my hand during the show .. band members were a bunch of the best musicians we can find in our world today we've got Bryan Beller on bass and Marco Minnemann on drums(if you haven't seen these two yet! then go check the aristocrats band) and the amazing Mike Keneally which will be a part of Joe satiriani's G4 experiment along with Paule Gilbert and andy timmons , beside that, this guy can play almost anything from amazing fills and thrills on keyboard to a capturing guitar chops and solos very amazing . in general there was a sweet vibe running through the air ,the mood was set on ROCK-ON mode the audience was cheering and enjoying best music, you will defiantly leave at the end of the show with a smile on your face and a look of satisfaction in your eyes ,and that's my friends tells everything.

I saw Joe at the Fargo Theatre on the 17th of Apr. It was a kickass show! I had back stage meet & greet as well. the event staff was very polite and accommodating. We got to see the back stage set-up, including all of the axes Joe was using during the tour, as well as song lists, pedal set-ups, etc. The show itself was amazing! Joe played flawlessly as usual(although, he'd probably say differently), and played all the greats! The new songs are amazing as well, and I can't wait to see what he has in store for the future. Joe was extremely friendly and easy to talk to. We talked about all kinds of things for at least five minutes. He was that way with all of the fans that were at the meet & greet. Always willing to sign whatever you had, as well as pictures with the man himself. Joe is and always has been a class act. I'll continue to enjoy and revel in his artistic genius, and see him whenever, where ever I can. Rock on Joe!

Amazing show! Joe left me speechless! Only a few criticisms. Almost three hours of deafening guitar was fun but it became grinding after a while, it would've been nice to have it broken up with the occasional vocal. The acoustics of The Danforth aren't the best and the sound became muddled and Joe's guitar work occasionally became lost. After seeing so many pyrotechnic showcases I would generously call "concerts" it was refreshing to see a simple straight up show that showcased some of the best musicianship I've seen in a very long time. And after seeing the on-going feud called "Van Halen" it was also great to see a group of musicians having the time of their life together and an artist absolutely loving what he does. Joe was downright exuberant! I would recommend this show to anyone who loves watching brilliant musicians create unforgettable music together. Great fucking show!!

I traveled from Athens-Greece to attend this concert but I was bit disapointed. When I go to listen to Joe Satriani's music I expect, first of all, to have a clear and delicate sound of his guitar. Joe Satriani is not simply a lead guitarist of a rock group, but he is the only reason why somebody goes to one of his concerts expecting, most of all, to listen to his music and enjoy his guitar techniques.

Unfortunately, the sound was very loud, even harsh sometimes, and on top of that the sound adjustment of the lead guitar, the bass and the drums was at the same level. How is it possible the bass and the drums to cover Joe Satriani's lead guitar ??? All musicians were really excellent, but that doesn't mean that they must be equally tuned. When they all play together on stage they support Joe Satriani, they cannot perform at an equal basis.

Best regards,

Dimitrios Panagiotopoulos

Had a "BLAST" at the show last night! The venue and especially the event staff were phenomena! This is my third time at The Fox, and I can't tell you how much I appreciate going to that venue!

I always have a GREAT time at The Fox; from the acoustics, staff, lighting, bar, and sound are always top notch and it NEVER disappoints! Money well spent and any opportunity to go,

The 2-28 Joe Satriani show was AMAZING! 30 years... WOW!! "Surfing with the Shockwave" Very well produced, tight set(s), you heard me right people! Joe played 2 sets and brought the house down!

Going to see Generation Axxe at The Fox in April. Life is good.

Joe still has it! At first, my plan was to be near to the stage for the first song in order to take pictures, and then leave the crowd... But then he entered, and all that energy (and amazing playing performance, of course) kept me there song after song, for the whole concert. The setlist was his latest album, Unstopable momentum (great work, by the way), and the well known top charts - The must have in order to get the chills... (Before the encore, people around was like "c'mon, I need Summer Song!". Was a great experience, and even after a long, great career, Joe still have the stage energy that moves the crowd.

There was the kick and the engagement from the side of the performers. Not so much from the side of the public though, which I feel a bit ashamed of. Nice movie show displayed behind the musicians, that really helped to visualise the music and feel a different dimension of it. I liked how the musicians were natural and spontaneous. Everything lasted pretty long, I think 2h, including the extra 2 songs at the end. You could see they do enjoy what they do. Pity there was no room for dancing.

Joe is one of those musicians that I could see again and again. The show included many songs from his career all the way back to the early 80's.

His show was fantastic and longer than I expected (two 75 minute sets with a break in between.) I was very surprised to hear Big Bad Moon from Flying in a Blue Dream.

My personal favorites are from Surfing with the Alien. He included several of those songs and some surprises as well.

It was well worth the price of admission.

Joe Satriani has a medium intense show, with a lot of deep solos and some improvisation over the original compositions.

A great gig to see his technics and have fun with the songs. Always playing with good musicians, you should focus on the bassist too.

I'm a Satriani enthusiast as I've been following his career since the first record, so I think he's constantly improving.

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Past concerts

DPAC - Durham Performing Arts Center

North Charleston Performing Arts Center

Atlanta Symphony Hall

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Joe Satriani tour dates and tickets 2024-2025 near you

Want to see Joe Satriani in concert? Find information on all of Joe Satriani’s upcoming concerts, tour dates and ticket information for 2024-2025.

Joe Satriani is not due to play near your location currently - but they are scheduled to play 32 concerts across 1 country in 2024-2025. View all concerts.

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• Charlotte, NC, US
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• Los Angeles (LA) (47)
• New York (NYC) (30)
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Four Days and Nights of Total Guitar Non-Stop Workshops, Concerts, Jamming, and More

Joe Satriani, Peter Frampton, Steve Lukather, Steve Morse, Alex Skolnick, Andy James, Cory Wong, Eric Gales, John 5, Jordan Rudess, Mateus Asato, Nili Brosh, Phil X, and many more!

Jan 3-7, 2023, hilton lake vegas resort , las vegas.

Register NOW!!

For 10% off!!

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Join the newsletter, thrill seekers, players, students and travelers of all ages, skill level, and interests are welcome.

The G4 Experience is an event for players and music-lovers of all ages, levels, interests, and taste! Whether you are a master player, a beginner, or just an enthusiastic fan, our four-day programs offer activities and workshops for you.  Our environments are non-competitive and are strictly about immersing oneself in the joys of music and our lovely surroundings!

Your registration includes:

• Non-stop rock n’ roll guitar for the entire time – all our instructors, team leaders, and staff living and eating together for 4 days!
• Daily master sessions with many of the biggest names in rock guitar history
• Intimate breakout sessions with our faculty all day every day
• Amazing concerts every night, with special matinee concerts every day too!
• Jamming, shredding, and playing all day! – all backline provided – all you need is to bring your guitar!
• Wonderful accommodations and food in Sin City!
• Meet and greet plus photo op and signing session

Joe Satriani’s G4 Experience Concert Schedule

Joe Satriani Band Full Concert

Matinee Stage : Nili Brosch & Friends Evening Stage : Eric Gales & Joe’s Band, Steve Morse & Joe’s Band

Matinee Stage : Andy James & Friends Evening Stage : Mateus Asato & Joe’s Band, Steve Lukather & Joe’s Band

Matinee Stage : John 5 & Friends, Alex Skolnick & Friends Evening Stage : Cory Wong & Joe’s Band, Peter Frampton & Joe’s Band

An invitation from Joe Satriani

Joe Satriani  and  Dreamcatcher Events  have announced the long-awaited  G4 Experience V6.0 , happening January 3-7, 2023 at the Hilton Lake Las Vegas Resort & Spa in Las Vegas, NV. Guitar players and aficionados of all ages, skill levels, and interests are invited to join Satriani and an all-star lineup of special guests and distinguished instructors for an immersive four days of workshops, mentor sessions, exclusive live performances, and other activities.

“ When I first put together the G3 concerts, ” Satriani says, “ it was to create a camaraderie that is often missing in the general day-to-day competition of the music industry. It was to formalize us breaking the rules and saying, No, we’re going to hang out and play in front of an audience together. From there we came up with the concept of the G4 Experience. I didn’t want to do a traditional clinic, just getting up in front of people and giving impersonal lessons to a room full of people – I thought, what can we do that will truly reflect my values as a teacher? With the G4 Experience, we create an interactive community where I’m joined by these other stars that have been making amazing music and pushing the art form of guitar forward for decades. From all stylistic approaches and musical walks of life. ”

Satriani’s special guests for G4 Experience V6.0 include legendary musicians  Peter Frampton ,  Steve Lukather , and  Steve Morse , all of whom will offer instruction and share their knowledge with attendees on a more intimate basis than most fans ever get to opportunity to experience. In addition, a wildly diverse faculty of top players will lead clinics and jam sessions throughout the event, including  Alex Skolnick ,  Andy James ,  Cory Wong ,  Eric Gales ,  John 5 ,  Mateus Asato , and  Nili Brosh .

“ We bring together this eclectic mix to show all the different sides of playing guitar ,” Satriani says. “ They’re all brilliant musicians with styles that are all over the map. They all have such different jobs, they’ve made millions of people happy with their playing, and yet they do it so differently. Every one of these players comes with fantastic new insights and innovations on playing guitar.

“ Our faculty really reflects the anything-goes aspect of the instrument, ” he continues. “ Not only does the guitar have the ability to play melodies, harmonies, and rhythms, it does this thing where it transmits the personality of the player to such a high degree that it kicks its versatility way ahead of other instruments. It’s really a remarkable instrument. The G4 Experience is a testament to its astounding diversity. ”

Joe Satriani’s G4 Experience V6.0 will cover a comprehensive range of themes and topics, spanning songwriting, playing, equipment, gigging, gear, and much more, all within an intimate small group setting that allows attendees to pick up a maximum amount of information, expertise, and personal connection. In addition, the four-day event will feature nightly live performances from Satriani and his longtime backing band – Kenny Aronoff (drums), Bryan Beller (bass), and Rai Thistlethwayte (keyboards and vocals) – as well as his special guests, faculty members, and other surprises.

“ It’s very different from the usual concerts we’re all used to playing, ” Satriani says. “ It’s very intimate but everyone turns it on one hundred percent. The shows really break down the walls between the players and the audience. The shows put these incredible people just three feet away from you, it allows you to watch them and think very differently about how they’re playing than you can do at a concert in a big venue. ”

Most of all, Joe Satriani’s G4 Experience V6.0 will allow all who attend a once-in-a-lifetime opportunity to spend time among their fellow players, allowing for a singular community experience where music lovers can share their fascination with the guitar and engage in unlimited dialogue and free-flowing exchange of ideas unlike any other.

“ The G4 Experience is all about the community, ” says Satriani. “ I can’t state that enough. Everyone is not only there to enjoy the music, they’re trying to learn everything they can. The G4 is such a fantastic spiritual experience. I’ve got my instruments ready. I’ve got my amps ready. There’s a lot of information stored up in this head that I want to give to the fans and I’m very much looking forward to sharing it with everyone who attends. ”

Peter Frampton at Joe Satriani’s G4 Experience

G4 Experience will begin at 3pm on January 3 and end at noon on January 7. We will be announcing an official schedule later this year but until then, here is a sample schedule for a typical day. *Subject to change

Tuesday January 03

Wednesday january 04, thursday january 05, friday january 06, saturday january 07.

Camp Check In Opens

Hotel Check-in (Rooms may be available earlier)

5:00 PM – 6:00 PM

Joe Satriani and Instructors Welcoming remarks

7:00 PM – 8:00 PM

8:00 PM – ???

Evening Concert – Joe Satriani Band

10:00 PM – ???

Camper Jamming/Late Night Sessions including:

-Teresa Topaz – Guitar Tech Clinic -Nili Brosh’s Band -Phil X -Ned Evett -Jordan Rudess -Chris Cisneros – Learn The Jams, Learn the Songs -Doug Doppler Modal Jam (Beginners/Intermediate)

9:30 AM – 10:45 AM

Breakout Classes: -Andy James – Advanced -Nili Brosh – Advanced -Alex Skolnik – Advanced -Mateus Asato- Advanced -John 5 – Beginner -Cory Wong – Beginner -Eric Gales – Beginner

11:00 AM – 12:30 PM

Joe Satriani Masterclass

12:30 PM – 1:30 PM

2:00 PM – 2:30 PM

Andy James – Matinee Concert – Stage B

3:00 PM – 4:00 PM

Joe Satriani and Steve Morse Master Class

4:15 PM – 5:15 PM

Breakout Classes: -Andy James – Beginner -Nili Brosh – Beginner -Alex Skolnik – Beginner -Mateus Asato- Beginner -John 5 – Advanced -Cory Wong – Advanced -Eric Gales – Advanced

Group and Individual Photos

6:00 PM – 7:00 PM

Breakout Classes: -Steve Lukather Master Class -Doug Doppler – Beginner Class

Evening Concert -Eric Gales -Steve Morse

9:00 PM – ???

-Teresa Topaz – Guitar Tech Clinic – Andy James’ Band -Phil X -Ned Evett -Jordan Rudess -Chris Cisneros – Learn The Jams, Learn the Songs -Doug Doppler Modal Jam (Beginners/Intermediate)

1:45 PM – 2:15 PM

Nili Brosh – Matinee Concert – Stage B

2:30 PM – 3:30 PM

Joe Satriani and Steve Lukather Master Class

3:45 PM – 4:45 PM

Signing Session

Evening Concert -Mateus Asato -Steve Lukather

-Nili Brosh’s Band -Andy James’ Band -Teresa Topaz – Guitar Tech Clinic -Phil X -Ned Evett -Jordan Rudess -Chris Cisneros – Learn The Jams, Learn the Songs -Doug Doppler Modal Jam (Beginners/Intermediate)

2:45 PM – 4:00 PM

Joe Satriani and Peter Frampton Master Class

4:15 PM – 5:45 PM

6:00PM – 7:00 PM

Breakout Classes: -Steve Morse – -G4 House Band Master Class – Rae Thistlewayte, Bryan Beller, & Kenny Aranoff -Jason Shadrick -Doug Doppler – Beginner Class

Evening Concert -Cory Wong -Peter Frampton

– Nili Brosh’s Band -Andy James’ Band -Nili Brosh’s Band -Phil X -Ned Evett -Jordan Rudess -Chris Cisneros – Learn The Jams, Learn the Songs -Doug Doppler Modal Jam (Beginners/Intermediate) -Teresa Topaz – Guitar Tech Clinic

9:00 AM – 10:00 AM

Wrap-Up Sessions: -Doug Doppler

Hotel Check Out

Joe Satriani

Peter Frampton

Steve Lukather

Steve Morse

Alex Skolnick

Mateus Asato

Jordan Rudess

Teresa Topaz

One of the most influential and respected instrumental rock guitarists to emerge in the past three decades, Joe Satriani is that rare “musician’s musician” who’s crossed over into the mainstream with music sublime and complex, appealing to a wide variety of tastes.

A true master of the six-string, Satriani worked as a guitar teacher in his early career, with a number of his students—among them Steve Vai, Kirk Hammett (Metallica), Larry LaLonde, David Bryson (Counting Crows), Charlie Hunter and more—achieving their own considerable successes.

While in considerable demand as a sideman throughout his career—he’s toured with Mick Jagger, Deep Purple and many others—Satriani has pursued his own musical vision over the years through a series of instrumental rock albums (many of them Grammy nominated) which chronicle his evolution as an artist and his eloquence as a guitarist.

A tireless performer who draws strength and inspiration from live shows, Satriani is consistently one of the world’s top concert draws. He is a core member of the rock supergroup Chickenfoot (with Sammy Hagar, Michael Anthony and Chad Smith) as well as founder of the highly successful G3 tours, each teaming Satriani with a pair of top-flight guitarists with shows often featuring special guest artists and other musical surprises. A nearly annual event, G3 launched in 1996 with Steve Vai and Eric Johnson and has showcased a wide variety of axemen over the years including Kenny Wayne Shepherd, Yngwie Malmsteen, Robert Fripp, John Petrucci, Steve Morse, Neal Schon, Brian May, Billy Gibbons, Steve Lukather and many others. Most recently, the G3 tour played South America in 2012.

Over his career, Joe Satriani has earned 15 Best Rock Instrumental Performance Grammy nominations alongside Platinum (Surfing With The Alien, Flying in a Blue Dream) and Gold (Surfing With The Alien, Flying in a Blue Dream, The Extremist, Time Machine) certifications for his solo recordings. He also racked up Gold and Platinum certifications for the DVD Live in San Francisco and 2 G3 DVDs, G3 Live and Live in Denver.

His 2019 album  All Blues , was #1 for fifteen weeks on  Billboard ‘s Blues Chart, his 2020 autobiography  Do You Feel Like I Do?: A Memoir  debuted on  The New York Times  Bestsellers list, and in 2021, his new album  Frampton Forgets The Words  was released to widespread critical acclaim.

Steve Lukather already had a loyal following among his peers in the music industry before the public got to know him as one of the original members of the group Toto. A gifted and versatile guitarist, Lukather was one of the busiest session players of the 1980s and ’90s, contributing to albums by Michael Jackson, Stevie Nicks, Aretha Franklin, Barbra Streisand, and many more, while also recording and touring with Toto, where he began to hone his talents as a vocalist and songwriter. Lukather launched his solo career in 1989 with the album Lukather; he showed off his technique in a live setting on 2001’s No Substitutions: Live in Osaka (recorded in tandem with Larry Carlton); he mixed rock, pop, and blues on 2010’s All’s Well That Ends Well, and 2021’s I Found the Sun Again featured him with a band of longtime collaborators who were able to complete each tune in no more than two takes.

Born in Los Angeles, California, on October 21, 1957, Steve Lukather discovered rock music the way just about every American youngster did during the ’60s, via the Beatles. When he was seven years old, his father bought him a guitar and a copy of the album Meet the Beatles, and Lukather immediately began teaching himself to play. He became proficient in guitar, keyboards, and drums on his own, and sought out older friends who could teach him new tricks on his guitar. He started taking lessons from musician and educator Jimmy Wyble, and got to know drummer Jeff Porcaro and keyboardist Steve Porcaro, brothers who attended the same high school as Lukather and were already playing professionally. By the time he was 20, he was already playing sessions, and when the Porcaro brothers announced they were forming a band, they invited him to join the lineup. The band was Toto, and they released their self-titled debut album in 1978. It included the hit single “Hold the Line” and the album rose to the Top Ten — and Lukather officially became a rock star.

While Toto enjoyed almost immediate success, Lukather still found time for session work, and his guitar playing can be heard on albums by Boz Scaggs, the Pointer Sisters, Leo Sayer, Cher, and Alice Cooper. Toto’s next two albums, 1979’s Hydra and 1981’s Turn Back, were only moderately successful, but 1982’s Toto IV became one of their greatest successes, featuring two massive hit singles, “Rosanna” and “Africa.” Lukather began expanding his role in the group, contributing to the songwriting (he wrote or co-wrote four songs on Toto IV), and adding vocals on the sessions. He and most of his Toto bandmates were recruited to back Michael Jackson on the sessions for his 1982 release Thriller, which became a runaway hit and a cultural phenomenon.

As he continued to play sessions and work with Toto, Lukather became increasingly eager to make music of his own. In 1989, he released his first solo album, Lukather, which included contributions from Eddie Van Halen, Steve Stevens, and Richard Marx. 1989 also saw the release of the first album from Los Lobotomys, a Lukather side project that featured David Garfield, Vinnie Colaiuta, and Will Lee. In 1991, after several personnel changes, Lukather found himself as Toto’s lead singer as well as their guitarist; the same year, he guested on The Way In, an album from noted jazz guitarist Jeff Richman. His next solo album, 1994’s Candyman, was actually a Los Lobotomys project, released under the group’s name in the United States and as a Lukather album abroad. 1997’s Luke included two songs co-written by Fee Waybill of the Tubes; he helped write two of the band’s biggest hits, “Talk to Ya Later” and “She’s a Beauty.”

In 1998, Lukather toured Japan with jazz guitarist Larry Carlton, and they brought in an engineer to record one of their performances in Osaka. In 2001, highlights from the show were released on the LP No Substitutions: Live in Osaka, which would earn the guitarists a Grammy award in 2002. 2003’s Santamental found Lukather and his friends (who included Steve Vai, Edgar Winter, and Slash) putting a unique spin on a set of Christmas songs. Touring with Toto and Boz Scaggs, along with studio sessions kept him busy, but he found time to cut his fifth solo album, the introspective Ever Changing Times, which arrived in 2008. All’s Well That Ends Well followed in 2010, just as his schedule got even busier. Joe Satriani and Steve Vai invited him to join their 2012 G3 Tour, and later that year he was tapped to join Ringo Starr for live dates with his All-Starr Band. The following year, he toured with Ringo, Toto, and Peter Frampton as well as headlining dates of his own, and somehow also found time to finish work on his next album, 2013’s Transition. Recording and live work with Toto and frequent touring with Ringo dominated Lukather’s schedule for the next several years, yet in 2018 Los Lobotomys treated fans to their third studio album, fittingly titled 3.0, and he gathered a handful of musical friends (among them Greg Bissonnette, David Paich, and John Pierce) to make 2020’s I Found the Sun Again, which was recorded live in the studio with no number requiring more than two takes to perfect.

Steve Morse has enjoyed a healthy following particularly among guitar players, he has scored highly in readers’ polls held annually by musicians’ magazines. Although initially inspired by the Beatles as a teen, Morse began to expand his listening to include the Yardbirds, Jimi Hendrix, and Led Zeppelin. Although he played a little piano and some clarinet, he became fascinated with guitar after seeing a concert by classical guitarist Juan Mercadal, who later gave the teenaged Morse some lessons. Deeply influenced by a campus performance by John McLaughlin’s Mahavishnu Orchestra while he was attending the University of Miami, Morse decided to focus on instrumental rock music; in 1974 he put together his first band, the Dixie Dregs (later simply the Dregs), which would go on to become one of the defining groups in the fusion genre. After Morse had fronted the Dregs on some 14 albums, the Steve Morse Band began their recording career in 1984. Soon after, Elektra Records snatched Morse up and he cut two albums for the label, The Introduction in 1984 and Stand Up in 1985, before joining Kansas and appearing on two of the arena prog band’s albums for the MCA label, Power (1986) and In the Spirit of Things (1988).

Morse then signed to MCA as a solo artist, and in the late ’80s and early ’90s his albums for the label included High Tension Wires (1989), Southern Steel (1991), and Coast to Coast (1992). After leaving MCA in 1992, Morse recorded two excellent albums for Windham Hill/BMG Records, Structural Damage (1995) and StressFest (1996), and in 1994 he joined Deep Purple as a replacement for Ritchie Blackmore, appearing on a number of the hard-rocking metallers’ live albums as well as four studio-recorded long-players over the course of nearly a decade: Purpendicular (1996), Abandon (1998), Bananas (2003), and Rapture of the Deep (2005). Meanwhile, in 2003 Morse joined the supergroup Living Loud, also featuring vocalist Jimmy Barnes (INXS, Cold Chisel) and Ozzy Osbourne bassist Bob Daisley and drummer Lee Kerslake; the band released its eponymous debut full-length in 2003 and, following the addition of Deep Purple keyboardist Don Airey to the lineup, the CD Live in Sydney 2004 (2005) and companion DVD Debut Live Concert: Sydney Fox Studios, 2004 (2006). The Steve Morse Band’s Out Standing in Their Field arrived in 2009, and the following year saw the release of Angelfire, a collaboration between Morse and singer/songwriter Sarah Spencer.

Alex Skolnick is both an original member of Bay Area thrashers Testament (which he joined at age sixteen) and a respected New York improviser of multiple styles.

Emerging as one of the original melodic thrash guitarists (alongside Marty Friedman), Alex later moved to New York and earned a BfA in Jazz from The New School, studying with such prestigious artists as George Garzone, Cecil McBee and Reggie Workman.

Now a longtime resident of Brooklyn New York, he has gone on to release several critically acclaimed albums with the Alex Skolnick Trio, described as thus by jazz journalist Bill Milkowski: “Skolnick runs the guitaristic gamut from lush chord melodies to Wes Montgomery-style octaves to screaming Sonny Sharrock-esque skronking” (Downbeat Jan 2017).

In 2005, he reunited with Testament, the impact of which has eclipsed the band’s initial run). When not supporting the likes of Slayer and Megadeth on tour with Testament, Alex can be found headlining The Blue Note in Milan, Agharta in Prague, New York’s Iridium or various elegant venues across the world.

He is also a first call player for jazz/rock projects including the Stu Hamm/Alex Skolnick/Chad Wackerman power trio, Jane Getter Premonition featuring alumni from Pat Metheny Group (Mark Egan) and Miles Davis (Adam Holzman), as well as “Celebrating Allan Holdsworth,” in which Alex is one of several guitarists with the prestigious position of filling in for the late, great innovator at a series of shows with his (Holdsworth’s) touring band.

Alex is also the leader of the critically acclaimed world acoustic project, Planetary Coalition (featuring various international artists from across the globe including Rodrigo Y Gabriela and Horacio “El Negro” Hernandez).

In 2016, Joe Satriani chose Alex (his former pupil), to be a primary guest instructor at his annual G4 Experience, alongside Eric Johnson, Mike Keneally and Steve Vai, followed by by a stint as the sole guitarist on faculty at Warwick Bass Camp, in which he taught and played alongside Alphonso Johnson (Weather Report) and Dennis Chambers (John Scofield/John McLaughlin).

As an an educator and speaker, Alex has been invited to give keynote addresses at academic events such as Dayton University’s Metal and Cultural Impact conference as well as joining various PhDs at the International Society for Metal Studies in Helsinki.

As a writer, Alex is an editor and contributor to UNBUILT, a biannual lifestyle and cultural magazine that includes his friend and fellow “metal intellectual,” D Randall Blythe (vocalist of Lamb of God). He has also written for The Talkhouse, Guitar World, Guitar Player and other publications.

Alex has his own line of ESP signature guitars and is featured on the back cover of ESP’s 2017 catalogue (Metallica’s James Hetfield is on the front). Whether carefully listening and playing alongside the world’s top instrumentalists or loudly shredding with Testament or Metal Allegiance (the Nuclear Blast signed supergroup of which he’s a core writer and producer), it’s safe to say that Skolnick has found his own niche as a guitarist.

“Though he’s pretty much a household name in heavy metal, Alex defies categorization by musical genre.” (Making Music, Jan 2015).

Andy James is known as a guitarist with exceptional phrasing and technique. James has played with such revered guitarists as Zakk Wylde, Paul Gilbert and Vinnie Moore. James is an accomplished session player and a YouTube sensation, who has garnered more than a million views. James is part of Wearing Scars,” which toured behind the album, “A Thousand Words.”

Music motivates at the most primal level.

You instinctually hum a tune in order to get pumped up in the morning, for fuel on the treadmill, to soundtrack your commute, or as the pre-game to a big night out. As much as he treasures his roles as a guitarist, composer, and producer, Cory Wong fashions himself “a hype man,” first and foremost. Living up to this classification, he slings a Stratocaster and hurls “dad jokes” from the stage with the same panache, poise, and power.

“For me, it’s all about the listener’s experience,” he explains. “I want them to have a visceral response like: ‘I feel better,’ ‘That was really fun,’ or ‘I got to escape for an hour.’ You’ll hear my voice through the guitar, but I’m just a hype man. To uplift audiences with instrumental music that has no singing or lyrics is a fun challenge. I’m trying to solve the riddle. If I can get one person to feel good this way, it’s a success.

Straight out of Minneapolis, Cory positioned himself as music’s answer to motivational speakers like Tony Robbins since emerging in 2011. Head-spinning rhythm guitar wizardry, technical ebullience, laugh-out-loud jokes, and radiance on stage established him as both a sought-after collaborator and celebrated solo artist alike. He lent his talents to television programs such as The Voice at the dawn of his career. After an impromptu meeting at the weekly jam hosted by Prince’s rhythm section (where the Purple One often either performed or watched), he crossed paths with Vulfpeck who welcomed him as a frequent collaborator and member of the band. Solidifying a fruitful partnership, the group named their most popular instrumental track “Cory Wong,” in tribute. Lighting up the stage in the band everywhere from Red Rocks Amphitheatre to Madison Square Garden, he remains a cornerstone of Vulfpeck’s storied gigs.

“I try to feature the guitar, but I don’t force myself into being the star of every song,” he says. “The instrument plays an appropriate role. It’s not all flash. I’m bringing rhythm to the forefront where it’s not so shreddy. I refer to it as ‘Covert chops.’ I’m doing things that are sneakily hard, but they lay in the cut. I allow the song to breathe and present myself as more of a composer rather than a guitar player.”

In the end, Cory transmits joy in its purest form through the guitar.

“The guiding light is to impart a feeling of joy,” he leaves off. “I want people to experience instrumental music in a different way. This is hype. It’s more than just guitar.”

Growing up in a religious household, his brothers Eugene and Manuel used to blast out Jimi Hendrix, Cream, Muddy Waters, Blue Cheer, Albert King, John Lee Hooker, King’s X and Stevie Ray Vaughan. Whilst their mother was at church and little Eric was aged just 4 , he was soaking it all up and this is where he had his incredible grounding of blues, hard rock and psychedelia. Naturally right handed, Eric learned his distinctive left handed upside down playing from his older brothers Eugene, his ‘mentor’ and Little Jimmy King, who was later adopted as Albert King’s godson.

His talents caught the eye of Elektra Records, who released his debut album The Eric Gales Band in 1991 when he was only 16 years old. The band was made up of Eric, his older brother Eugene and drummer Huwbert Crawford. Picture of a Thousand Faces followed in 1993, then Manuel Gales (aka Little Jimmy King) joined his two brothers for 1995s Left Hand Band as The Gales Brothers. Over the next few years he worked on varioud projects including performing as Lil E with Hip Hop collectives Prophet Posse and Triple 6 Mafia.

In 2001 he returned and released his first album on MCA records ‘That’s What I Am’ before moving to Mike Varney’s legendary shredder label, Shrapnel Records for ‘Crystal Vision’ (2006) and ‘The Psychedelic Underground’ (2007). Four album on Blues Bureau Internation followed; ‘The Story of My Life’ (2008), ‘Layin’ Down The Blues’ (2009), ‘Relentless’ (2010) and ‘Transformation’ (2010).

In 2009 he spent in jail serving at the Shelby County Correction Center in 2009 for possession of drugs and a weapon. Talking about this he says; “While I was in there all the officers and guards were like, ‘bro you know this isn’t where you’re supposed to be. When you get out of here, go take the world by the horns and ride it all the way out.’ It took a couple of years after but, I’m here.” Whilst he was incarcerated he was able to play shows, for the Mayor, the city and festivals, his own version of Johnny Cash Walk the Line.

The all instrumental ‘Ghost Notes’ (Tone Center Records) came in 2013 along with ‘Pinnick Gales Pridgen’ (Magna Carta). The latter was a collaboration with dUg Pinnick (Kings X) and Thomas Pridgen (Mars Volta, Suicidal Tendencies) and the sequal come in 2014 with another fusion of psychedelic blues, hard rock and progressive soul/R&B. He then released ‘Good for Sumthin’ in 2014 (Cleopatra Records)in addition to live album ‘A Night on the Sunset Strip’ (2016).

As a renowned guitarist he has performed with: Carlos Santana at Woodstock in 1994 and in July 2016, Zakk Wylde who also appeared on 2014s Good For Sumthin’ and Eric Johnson who also appeared on the same album. He also toured as part of the Experience Hendrix tour with legend after legend including Bootsy Collins & Robert Randolph and has also collaborated with Lauryn Hill many times.

During the Experience Hendrix tour he had the opportunity to hold his own against some of the greatest guitarists in the world. “The tours were a great experience, but what ultimately what that done for me is to help me make me get myself together. So, I can go out and pack out those venues myself, that other guitarists on that tour were packing out.” “I try to push myself as hard as I can, especially live, it’s like an extreme work out for me, it’s like something else takes over. When I hit the stage, some other person is on that stage for some reason, I’m there physically as a witness, but mentally it’s another person.”

In 2017 Provogue/Mascot Label Group released ‘Middle of the Road’ which he describes as his “rebirth” following issues with drink and drugs and had collaborations with Gary Clark Jr., young guitarist Christone ‘Kingfish’ Ingram, Eugene Gales and Lauryn Hill.

“It’s about being fully focussed and centred in the middle of the road. If you’re on the wrong side and in the gravel you’re not too good and if you’re on the median strip that’s not too good either, so being in the middle of the road is the best place to be.”

‘Middle of the Road’, was released in February 2017 and reached #1 on the iTunes Blues chart and #4 on the Billboard Blues chart. In the UK it made Classic Rock Magazine and Total Guitar albums of the year with the latter saying it was “the album that should define his career.” Classic Rock said “the notes drip from Gales’ fretboard like warm honey”, The Guitar Magazine exclaimed it’s the “the injection of danger and unpredictability that the blues-rock scene desperately needs”, Blues Matters professed “truly the man is blessed”, whilst Powerplay said “the more you listen to it the more the brilliance of Eric Gales becomes apparent.”

Since then he has toured almost non-stop; playing shows with Gary Clark Jr., Beth Hart, Gov’t Mule and called through Australia, Argentina, Chile, US and Europe – including the Rockin’ The Blues run with Gary Hoey, Quinn Sullivan and Lance Lopez. He played his first ever headline tour in the UK and Ireland to sold out crowds, took a starring role as part of Supersonic Blues Machine at the UKs Ramblin’ Man Fair and also found time to play a one off reunion show as The Eric Gales Band. This is not to mention his collaborations with funk royalty Bootsy Collins (‘World Wide Funk’), The Apocalypse Blues Revue (Shannon Larkin/Tony Rombola of Godsmack) and Supersonic Blues Machine (‘Californisoul’).

It’s no wonder why he is the guitarists’ favourite guitarist, counting fans in the likes of Tony Rombola (Godsmack), Tosin Abasi (Animals as Leaders), Joe Bonamassa and Carlos Santana. Dave Navarro (Jane’s Addiction) said “how Eric Gales isn’t the hugest name in rock guitar is a total mystery” and Mark Tremonti (Alter Bridge) also claimed “this guy could be the best player on Earth.”

Gales proudly tells his story every night before every show, now over two years sober he is creating some of the most breath-taking music he has ever made. Talking about his approach to song writing in this time he reflects. “I guess the songs would answer the question more or less, I definitely don’t have anything clouding my view and it’s definitely a much more pure place its coming from.”

In December 2018, he annouced that he will be releasing his new studio album ‘The Bookends’ (Provogue/Mascot Label Group) on 8th February 2019. The album was recorded with Matt Wallace (Maroon 5, Faith No More, The Replacements) and features collaborations with Beth Hart, Doyle Bramhall II and B. Slade.

A respected and inventive guitar player with an eclectic visual style rooted in horror-pop culture, John 5 (born John William Lowery) started his career as a session player before making a name for himself as the axe man for hard rock heavyweights like David Lee Roth, Marilyn Manson, and Rob Zombie. In 2004 he launched a solo career with the release of Vertigo, one of several innovative instrumental albums (Devil Knows My Name [2007], God Told Me Too [2012], Sinner [2021]) that showcased his virtuosic guitar slinging. In addition to his own work, Lowery has written for and collaborated with a slew of diverse artists including Avril Lavigne, Rob Halford, Garbage, Meat Loaf, Scorpions, Ozzy Osbourne, Slash, and Lynyrd Skynyrd.

Born in Grosse Pointe, Michigan and picking up a guitar at the tender age of seven, John Lowery was given the nickname John 5 the day he joined Marilyn Manson’s band. A versatile session guitarist known for his speed as well as his keen goth fashion sense, after moving to L.A. at 18 he scored high-profile gigs touring with Lita Ford and k.d. lang based on his work scoring soundtracks and commercials with producer Bob Marlette. Studio work continued, as he contributed to ex-Judas Priest frontman Rob Halford’s industrial metal group Two and ex-Van Halen singer David Lee Roth’s The DLR Band album.

Initially rejected in his first audition to play guitar with Manson, John was asked to join Manson on the Rock Is Dead tour, following guitarist Zim Zum’s departure. Two albums were completed with Manson, Holy Wood (In the Shadow of the Valley of Death) and The Golden Age of Grotesque, before John 5 left to pursue a solo career. His debut record, Vertigo, was released in 2004, and that year he founded Loser, a more radio-friendly band, with vocalist Joe Grah of Jibe. His second album, Songs for Sanity, followed in 2005, just as he paired up with White Zombie’s Rob Zombie for Ozzfest. John contributed to the majority of songs on Zombie’s 2006 release, Educated Horses, and decided to disband Loser to tour with Zombie for the next year. His third outing, Devil Knows My Name, gained recognition from a guitarworld’s reader’s poll, awarding him with Best Shred Album of the Year.

With albums by Rob Zombie, Lynyrd Skynyrd, and Filter in the works, June of 2008 marked his fourth release, Requiem, which was promoted with a West Coast tour of the Guitar Center retail music chain. After recording Hellbilly Deluxe 2 with Zombie, Lowery returned to writing instrumentals, and The Art of Malice followed in May of 2010. He returned in 2012 with God Told Me So, which featured both acoustic and electric songs, as well as a cover of the Michael Jackson hit “Beat It,” and in 2014 he issued Careful with That Axe, his seventh solo long-player. Two years later he rejoined the Zombie band for The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser, with a new solo instrumental effort, Season of Witch, appearing in 2017. Following the release of the 2018 concert LP It’s Alive and an appearance on ex-Journey vocalist Steve Perry’s Traces LP, Lowery issued Invasion, which he followed up with another live outing, Live Invasion. 2021 proved to be another busy year with the arrival of Rob Zombie’s The Lunar Injection Kool Aid Eclipse Conspiracy and the solo effort Sinner.

In 2013 he attended the  Musicians Institute  in Los Angeles, California. His career began when industry professionals discovered him through his Instagram account. He then toured with  Tori Kelly  and  Jessie J . Asato also began to do guitar clinics in  South Korea  and in  Singapore . In 2019 Guitar Magazine named him one of the 50 most exciting young guitarists in the world. He has also played some shows in Las Vegas along with  Bruno Mars . American musician  John Mayer  has said that Asato “is one of the best guitar players around.”

Born in Israel, raised in Massachusetts, and educated at Berklee College of Music, virtuoso guitarist Nili Brosh has established herself as both a solo artist and hired gun.

Aside from performances with Cirque du Soleil, Dethklok, Tony MacAlpine, Paul Gilbert, Andy Timmons, Guthrie Govan/The Aristocrats, Stu Hamm, Jennifer Batten, Gretchen Menn, Alphonso Johnson, Jeff Loomis, and The Iron Maidens, Nili has released three solo albums (Through The Looking Glass, 2010, A Matter of Perception, 2014, and Spectrum, 2019), and still found time to perform her original music and give Ibanez-sponsored clinics.

Additionally, Nili has also written a lesson column for Premier Guitar magazine, released several courses with JTC Guitar, and guested on records such as Bryan Beller’s Scenes From The Flood alongside John Petrucci. In 2020 she joined Danny Elfman’s band, collaborating on his 2021 release “Big Mess” as well as 2022 Coachella performances.

Hailing from Toronto, Canada where it all began, Phil X started out like a lot of teenagers with a guitar in their hands and dreams of the big time. Since the age of 14, he left every concert knowing that someday he would be the one on that stage. Well… although it took a REALLY REALLY long time, it happened. On April 14, 2011 Jon Bon Jovi contacted Phil to prepare for the possibility of standing in for Richie Sambora for the BON JOVI tour in progress. Even Phil didn’t think this was possible but it happened. TWICE. After the second time filling in for Sambora in 2013, Phil stayed on and has been the guitar player for BON JOVI ever since. After over 200+ shows, Phil claims he still gets goosebumps kicking into Livin’ On A Prayer calling it not only an important song of his youth, but one of the best Rock songs ever written. Let’s go back. In 1987, Phil was “discovered” at the Gasworks in Toronto by award winning producer/ songwriter Arnold Lanni and brought in to record and tour with Frozen Ghost. The introduction into the music industry made Phil a recognized and sought after talent. 1990, Aldo Nova released Blood On The Bricks and recruited Phil to be in the touring band. 1992, Triumph still hadn’t found a replacement for Rik Emmett and asked Phil to fill the position recording/releasing Edge of Excess. During this time, Phil met his first wife, Ninette Terhart, and they honed in on their collective craft until they wrote material they truly believed in and took the plunge relocating to Los Angeles. Formaldehyde Ride turned into Rhino Party, turned into POWDER which became a staple in the Hollywood Club Scene selling out the larger venues listed in the LA Weekly. Ninette started incorporating Cirque Du Soleil type acrobatics into the already visually stimulating show while singing the bands anthemic songs (yes, about 2 years before P!NK). THE DRILLS!!! Even with the regional success of POWDER, Phil grew stagnant and felt another project with himself being the sole creator would be more artistically gratifying. THE DRILLS became Phil’s therapy. He wrote like a maniac, at one point writing 11 songs in 11 days which all eventually surfaced over 3 EPs and 1 full length album. When the guitar demo videos Phil was co-creating with director Dustin Jack for Fretted Americana on YouTube, Phil was exposed to a wider audience and continues to be recognized for those incredible performances. It was at this point that THE DRILLS became PHIL X & THE DRILLS. Aside from pioneering the “guitar influencer” phenomenon, Phil had become one of the top session players in LA with his background in songwriting and freakish knack for coming up with unimaginable overdub parts on the spot. It all started with Tommy Lee’s Methods of Mayhem in 1999 to Rob Zombie to Rob telling Alice Cooper “You gotta use this guy on your new record” leading to Phil’s notorious “crazy guitars” on Brutal Planet produced by Bob Marlett. Phil went on to record with Avril Lavigne, Kelly Clarkson, Daughtry, Chis Cornell, Halestorm, Apocolyptica… not to mention (still name dropping) Stewart Copeland, Perry Ferrel, Edgar Winter, a Smokey Robinson/Steven Tyler duet…. and many many more. “It all boils down to this…One day, you’re playing Led Zeppelin’s Whole Lotta Love with a cover band in a dive bar somewhere in southern Ontario and then years later, you’re looking across a stage in Hollywood jamming Whole Lotta Love with Sammy Hagar, Michael Anthony, Billy Gibbons, Steve Lukather, Steve Stevens, Dean Deleo and Matt Sorum while raising money for music programs in schools. Oh…and playing for 82,000 screaming fans at Wembley Stadium with BON JOVI.” – Phil X

Voted “Best Keyboardist of All Time” by Music Radar Magazine, Jordan Rudess is best known as the keyboardist/multi-instrumentalist extraordinaire for platinum-selling Grammy- nominated prog rock band, Dream Theater.

At nine, he entered the Juilliard School of Music Pre-College Division for classical piano training, but by his late teens he had grown increasingly interested in synthesizers and progressive rock music. Against the counsel of his parents and tutors, he turned away from classical piano and tried his hand as a solo progressive rock keyboardist.

After performing in various projects during the 1980s, he gained international attention in 1994 when he was voted “Best New Talent” in the Keyboard Magazine readers’ poll after the release of his Listen solo album. Two of the bands that took notice of Rudess were The Dixie Dregs and Dream Theater, both of whom invited him to join. Rudess chose the Dregs, primarily as being a part-time member of the band would have less of an impact on his young family.

During his time with the Dregs, Rudess formed a “power duo” with drummer Rod Morgenstein. The genesis of this pairing occurred when a power outage caused all of the Dregs’ instruments to fail except Rudess’, so he and Morgenstein improvised with each other until power was restored and the concert could continue. The chemistry between the two was so strong during this jam that they decided to perform together on a regular basis (under the name Rudess/Morgenstein Project or later RMP) and have released a studio and a live record. RMP did a short U.S. tour in November, 2013.

Before joining Dream Theater in January 1999, Jordan connected with John Petrucci and Mike Portnoy of Dream Theater, bassist Tony Levin of King Crimson and Peter Gabriel notoriety, and recorded two albums with “Liquid Tension Experiment.”

Rudess has been the full-time keyboardist with Dream Theater, since the recording of 1999’s Metropolis Pt. 2: Scenes from a Memory. He has recorded seven other studio albums with the group: 2002’s Six Degrees of Inner Turbulence, 2003’s Train of Thought, 2005’s Octavarium, 2007’s Systematic Chaos, 2009’s Black Clouds & Silver Linings , A Dramatic Turn of Events, the self titled Dream Theater, as well as their newest album, The Astonishing, a Rock Opera. The story was written by John Petrucci with music written by John Petrucci and and Jordan Rudess. After touring in three continents around the world with The Astonishing, Dream Theater is preparing to embark on a tour in 2017 to commemorate the 25th anniversary of “Images & Words which will see the groundbreaking album performed in it’s entirety along with selections spanning the bands history.

In addition, he has appeared on the live albums and DVDs Live Scenes From New York, Live at Budokan, Score, Chaos in Motion, Live at Luna Park, and Breaking The Fourth Wall which went to #1 on the Billboard charts.

In addition to working with Dream Theater he occasionally records and performs in other contexts, such as a 2001 one-off duo performance with Petrucci (released as the CD An Evening With John Petrucci and Jordan Rudess), as well as backing up Blackfield on their first short US tour in 2005 and playing a solo opening slot for them on their second in 2007. He also contributed to Steven Wilson’s 2011 album, Grace for Drowning. In 2013, Rudess joined with bassist, Tony Levin, and drummer, Marco Minneman, to create a new supergroup, LMR. In 2015, LMR released their second disc From The Law Offices Of Levin Minnemann Rudess.

In 2010, Rudess composed “Explorations for Keyboard and Orchestra,” his first classical composition. It was premiered in Venezuela on November 19, 2010 by the Chacao Youth Symphony Orchestra and guest conductor Eren Başbuğ. Rudess played all of the keyboard and synthesizer parts. A full symphonic recording of Explorations was released in December 2014 played by Poland’s Sinfonia Consonus.

In 2013 he released “All That Is Now“, a solo acoustic piano recording which works interactively with his app, “Jordan Rudess Explores” and his orchestral album, “Explorations” which features a 50 piece orchestra. In 2015, he released “The Unforgotten Path” which was a collection of original tracks as well as a collection of acoustic piano covers of songs that have inspired his musical life.

Jordan’s interest in state of the art keyboard controllers is another area of his career in which he has achieved success. Jordan owns the successful App development company Wizdom Music, which has developed award-winning apps including: MorphWiz, SampleWiz, Geo Synthesizer, SpaceWiz, SketchWiz, Tachyon, Explores, EarWiz, JordanTron, HarmonyWiz, and GeoShred. MorphWiz won the first ever Billboard award for Best Music Creation App. Wizdom Music has also built apps for Intel, Microsoft and RIM.

He is Chief Music Officer at CME Music, creators of the acclaimed XKey mobile keyboard, as well as the Director of Music Experience for the London-based technology company, Roli Labs, creators of the Seaboard. Jordan has had the honor of being the keynote speaker at MacWorld, Microsoft Build Developer Convention and Project BBQ. In addition, he is the author of 2 keyboard technique books including his latest, “Total Keyboard Wizardry: A Technique and Improvisation Workbook”. Musicians all over the world subscribe to Rudess’ Online Music Conservatory, which offers a full range of courses in everything from harmony and rhythm to improvisation, ear training and technique.

Teresa Topaz is an award-winning Southern Rock musical artist and a certified guitar technician who owns and operates Topaz Guitar Repair, based in Las Vegas, Nevada. Teresa Topaz is the officially certified guitar tech and the only Nevada official warranty service center for Martin, Taylor, Santa Cruz, Huss & Dalton, Furch, Guild, Cordoba, ESP, LTD & Takamine Guitars. She recently became Lowden Guitar’s new certified technician and is 1 of 3 repair shops in the United States and the only female-owned and operated shop. Teresa is also a certified technician for Fender, Fender Custom Shop, Charvel, Jackson, Gretsch, EVH & Squire guitars. Topaz Guitar Repair was also awarded “Best Repair Shop” in Nevada by the prestige Awards for 2021/2022.

Hilton Lake Las Vegas Resort & Spa

Settings and accommodations.

Surrounded by the Mojave’s mountains and desert, Hilton Lake Las Vegas lakeside hotel is a 30-minute ride to the Las Vegas Strip. They’re adjacent to MonteLago, a Tuscan-inspired village with a marina, shops, and water sports, and within a mile of Reflection Bay Golf Club. Enjoy the resort pool with private cabanas and Mediterranean-style spa.

Pricing and Registration

Standard Room with two beds and a roommate. You may either name your own roommate or one will be assigned by Dreamcatcher Events. Roommate matches are based on age and gender. If signing up with a roommate in mind, please enter their name in the “Roommate” field as you continue registration.

*Please note, pricing is per person and all registrants must stay at the Hilton Lake Las Vegas and all payments and deposits are non-refundable.

Stay wherever you like but be at G4 Experience for all daytime activities, workshops, concerts, signings, etc. does not include accommodations or goody bags, but does include everything else! Pricing is per person.

Standard room with one king bed for one participant.

If you would like to have your loved one join you at the Hilton Lake Las Vegas but not participate in workshops, we recommend this price point. You both share the accommodations, dine together with the group for all meals, and attend all evening concerts together. During the days, while one of you is participating in workshops and living out your guitar virtuoso dreams, your loved one can enjoy the wonderful accommodations and interesting things to do in the Las Vegas area. The room includes one king bed.

*Please note, all registrants must stay at the Hilton Lake Las Vegas and all payments and deposits are non-refundable. Pricing is per couple.

If you would like to have your loved one join you at the Hilton Lake Las Vegas but not participate in workshops, we recommend this price point. You both share the accommodations, dine together with the group for all meals, and attend all evening concerts together. During the days, while one of you is participating in workshops and living out your guitar virtuoso dreams, your loved one can enjoy the wonderful accommodations and interesting things to do in the Las Vegas area. The room has two queen beds.

Standard suite with one king bed for one participant.

If you would like to have your loved one join you at the Hilton Lake Las Vegas but not participate in workshops, we recommend this deluxe price point. You both share lavish accommodations, dine together with the group for all meals, and attend all evening concerts together.

During the day, while one of you is participating in workshops and living out your guitar virtuoso dreams, your loved one can enjoy the wonderful accommodations and interesting things to do in Las Vegas. Pricing is per couple.

What's Included

• Accommodations
• Lunches and Dinners
• All workshops, activities and entertainment for 4 days and nights
• Backline gear and amps

What's Not Included

• Transportation
• Alcohol and snacks
• Sightseeing excursions in the area
• Guitars and cables – please bring your own

Pricing and Registration Policy

• All rates are per-person, unless stated otherwise.
• All prices subject to change. Prior sales excluded. Dreamcatcher Events reserves the right to change any price, package or offering at any time without prior notice.
• All rates are subject to 9.9% surcharge, which includes all local, state, and occupancy taxes.
• Upon registration, a non-refundable deposit of 50% of the total purchase amount is charged to your credit card.
• The remaining balance will be automatically charged to the credit card on file on November 1, 2022.
• All payments and deposits are final and non-refundable.
• Dreamcatcher Events LLC reserves the right to re-schedule any event if there should be an “Act of God,” pandemic, natural disaster, or any other circumstance which makes an event impossible to hold. In this circumstance, Dreamcatcher may issue full financial credit in the amount paid to all registrants who have paid. These “Credited” funds may be used solely for the specific event to be rescheduled. The financial credit shall last two years from the dates of postponement. Registration refunds will not be distributed in the event that an event has to be rescheduled due to circumstances beyond Dreamcatcher’s control. This also applies to any registrant who may not be able to attend an event due to Covid and/or Force Measure.

If you have any questions, please call our customer service number (+1) 800-852-9277 , or send us an email at [email protected]

For complete details please see our Registration and Payment Policy

Travel Directions

Address 1610 Lake Las Vegas Parkway Henderson, NV 89011

Directions Hilton Lake Las Vegas is just a short 20 minute Uber or taxi from Las Vegas International Airport.

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Instrument Travel

FAA Rules - Bringing Musical Instruments on Flights

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• All payments and deposits are final and non-refundable unless you enroll in the Active Cancellation Insurance program. The Active Cancellation Insurance program is a program that will enable you to receive a full refund should you cancel your registration for any reason as long as you file your claim no less than 48 hours before the event.
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I hereby release Dreamcatcher Events, LLC, its employees, managers, vendors, owners and all associated entities, from all claims, liabilities, loss to property, damages, injuries, etc. arising out of or in connection with my purchase and/or participation in any aspect of G4 Experience.

Due to the nature of our events and strict cancellation policies, Dreamcatcher Events, LLC strongly suggests purchasing travel insurance.

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Air Travel With Musical Instruments

As of March 6, 2015, it’s official and no longer at the discretion of the various airlines. According to the U.S. Department of Transportation, musicians who board planes must be allowed to carry on their instruments provided they fit in the overhead bin. If this space isn’t large enough, the musician is also permitted to purchase a second seat in which to stow their musical companion. One caveat: the airlines don’t have to prioritize musical instruments ahead of any other carry-on luggage, so if the bins are full, you’ll still have to check your instrument at the gate. To remedy this, the DoT suggests that musicians may want to pay the airline’s fee for priority boarding to ensure that there will be room for their gear.

Read the final ruling here , and for additional information, please review the Transportation Security Administration’s guide for traveling with musical instruments .

*Article source: bmi.com - Final Ruling for Air Travel with Musical Instruments

Thank you for visiting Joe Satriani's G4 Experience!

This year’s camp was a great success! To find out more about future events, please sign up for our newsletter.

34 years ago Joe Satriani and Steve Vai told the world they'd record a song called The Sea Of Emotion together: Now they've finally done it

Joe Satriani and Steve Vai collaborate on new music with The Sea Of Emotion, Pt 1, and a video that recalls the early days of their 50-year-long friendship

Guitar whizzes Steve Vai and Joe Satriani have released their first single together, The Sea Of Emotion, Pt 1 , and its roots go way back, to an interview the pair undertook together more than three decades ago.  

"I've always thought about doing a record with Joe," Vai told Guitar World in 1990 . "Right now, our careers just won’t allow it because we're so busy. But one of these days, when everything dies down, we'll sit down and do it."

"When we've become totally unpopular we'll probably get together," confirmed Satriani, before switching to the voice of an elderly man and adding, "'Oh, Steve, remember the old lick…'", to which Vai responds, in a sappy voice, "'Let's call this song… The Sea Of Emotion .'"   And, 34 years later, here we are. 

It's not actually the first song the pair have recorded together. In the same interview, Vai reveals that they recorded a song called Reflections Of A Year And A Half when he was 13 or 14 (famously, Satriani was the young Vai's guitar teacher). 

The new release was produced by Greg Koller, with contributions from drummer Matt Bissonette, bassist Bryan Beller, and keyboardist Eric Caudieux. It comes with the pair a week into the duo's Satch/Vai tour, which continues until May. Full dates below.

The video for The Sea Of Emotion, Pt 1 is online now.  

Satch/Vai US tour 2024

Mar 29: North Charleston Performing Arts Center, SC Mar 30: Durham Performing Arts Center, NC Apr 02: Charlotte Belk Theater, NC Apr 03: Richmond Dominion Energy Center, VA Apr 05: Boston Orpheum Theatre Boston, MA Apr 06: New York Beacon Theatre, NY Apr 07: Waterbury Palace Theater, CT Apr 08: Red Bank Count Basie Center For The Arts, NJ Apr 10: Collingswood Scottish Rite Auditorium, NJ Apr 11: Washington Warner Theatre, DC Apr 13: Northfield MGM Northfield Park, OH Apr 14: Rochester Kodak Center Theater, NY Apr 16: Detroit Fisher Theatre, MI Apr 18: Chicago Theatre, IL Apr 19: Cincinnati Andrew J. Brady Icon Music Center, OH Apr 20: Fort Wayne Embassy Theatre, IN Apr 21: Indianapolis InMurat Theatre, IN Apr 23: Milwaukee Riverside Theater, WI Apr 24: Minneapolis State Theatre, MN Apr 25: Des Moines Des Moines Civic Center, IA Apr 26: Springfield Gillioz Theatre, MO Apr 28: La Vista The Astro, NE Apr 29: Salina Stiefel Theatre, KS Apr 30: St. Louis The Factory, MO May 01: Kansas City Uptown Theater, MO May 03: Austin Acl Live At The Moody Theater, TX May 04: Dallas Music Hall At Fair Park, TX May 05: Houston 713 Music Hall, TX May 07: Denver Paramount Theatre, CO May 08: Salt Lake City Delta Hall At Eccles Theater, UT May 10: Valley Center Harrah's Resort Southern California, CA May 11: Wheatland Hard Rock Hotel & Casino, CA May 12: Santa Rosa Luther Burbank Center For The Arts, CA

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Online Editor at Louder/Classic Rock magazine since 2014. 38 years in music industry, online for 25. Also bylines for: Metal Hammer, Prog Magazine, The Word Magazine, The Guardian, The New Statesman, Saga, Music365. Former Head of Music at Xfm Radio, A&R at Fiction Records, early blogger, ex-roadie, published author. Once appeared in a Cure video dressed as a cowboy, and thinks any situation can be improved by the introduction of cats. Favourite Serbian trumpeter: Dejan Petrović.  

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Steve Vai and Joe Satriani cover Metallica's 'Enter Sandman' during opening Satch/Vai Tour

H istory was made at the Pompano Beach Amphitheater last Saturday as guitar legends Steve Vai and Joe Satriani kicked off their highly anticipated Satch/Vai Tour with a stellar performance.

The evening was filled with electrifying performances, culminating in a mesmerizing display of talent and collaboration.

After their respective solo sets, where each virtuoso showcased their unparalleled skills, Vai and Satriani took the stage together for the finale.

The crowd erupted in excitement as they launched into a series of unforgettable performances.

One of the highlights of the night was their rendition of Metallica's "Enter Sandman," which saw Vai and Satriani flawlessly weaving their guitar magic to breathe new life into the iconic track.

The audience was treated to a spine-tingling display of precision and passion as the duo delivered a rendition that paid homage to the original while adding their unique flair.

But the surprises didn't end there. The duo also debuted their first-ever collaborative single, "The Sea of Emotions, Pt. 1," live on stage.

The near-10 minute track took listeners on a sonic journey, with Vai and Satriani effortlessly trading solos over a dynamic and emotive backdrop. It was a momentous occasion that left fans eagerly anticipating future releases from this powerhouse pairing.

CBS12 News was there to cover this historic event, capturing the excitement and energy as two guitar legends came together to create magic on stage.

Upcoming Tour Dates:

• April 3, 2024: Richmond, VA - Dominion Energy Center
• April 5, 2024: Boston, MA - Orpheum Theatre Boston
• April 6, 2024: New York, NY - Beacon Theatre
• April 7, 2024: Waterbury, CT - Waterbury Palace Theater
• April 8, 2024: Red Bank, NJ - Count Basie Center for the Arts
• April 10, 2024: Collingswood, NJ - Scottish Rite Auditorium
• April 11, 2024: Washington, DC - Warner Theatre DC
• April 13, 2024: Northfield, OH - MGM Northfield Park
• April 14, 2024: Rochester, NY - Kodak Center Theater
• April 16, 2024: Detroit, MI - Fisher Theatre
• April 18, 2024: Chicago, IL - Chicago Theatre
• April 19, 2024: Cincinnati, OH - Andrew J. Brady Icon Music Center
• April 21, 2024: Indianapolis, IN - Murat Theatre (Old National Centre)
• April 23, 2024: Milwaukee, WI - Riverside Theater
• April 24, 2024: Minneapolis, MN - State Theatre
• April 25, 2024: Des Moines, IA - Des Moines Civic Center
• April 26, 2024: Springfield, MO - Gillioz Theatre
• April 28, 2024: La Vista, NE - The Astro
• April 29, 2024: Salina, KS - Stiefel Theatre
• April 30, 2024: St. Louis, MO - The Factory - St. Louis
• May 1, 2024: Kansas City, MO - Uptown Theater
• May 3, 2024: Austin, TX - ACL Live at The Moody Theater
• May 4, 2024: Dallas, TX - Music Hall at Fair Park
• May 5, 2024: Houston, TX - 713 Music Hall
• May 7, 2024: Denver, CO - Paramount Theatre - Denver
• May 8, 2024: Salt Lake City, UT - Delta Hall at Eccles Theater
• May 10, 2024: Valley Center, CA - Harrah's Resort Southern California - The Events Center
• May 11, 2024: Wheatland, CA - Hard Rock Hotel & Casino
• May 12, 2024: Santa Rosa, CA - Luther Burbank Center for the Arts

“Connecting with Joe on this track is perhaps the most rewarding musical collaboration I’ve ever engaged in”: Hear Joe Satriani and Steve Vai pay homage to their rich history together on the Sea of Emotion, their first ever collaborative song

You can tell which guitarist is gleaming in the spotlight at all times on this, the first of a three-part musical journey that features just about everything a guitar lover could dream of

Steve Vai and Joe Satriani's careers have perennially intertwined over the years. Satriani taught a 14-year-old Vai the tricks of the trade, and they've played together countless times together since – most recently during a tour that reunited the original G3 line-up . 

Yet, until now, they've never collaborated on original music together. That makes the first of a three-part track, The Sea of Emotion , a landmark composition, and it's a beautifully colorful and incendiary affair that pays homage to their rich, entangled history. 

Musically, The Sea of Emotion, Pt. 1 sounds like everything guitar lovers will have undoubtedly dreamed of: Whammy-wavered Vai licks trade-off of big, hairy Satriani grooves before their unmistakable voices weave in and out of each other across an energetic, near-six-minute playtime.

You can tell which guitarist is gleaming in the spotlight at all times, such is the uniqueness of their musical personalities. Vai flavors many of leading moments with Mixolydian flourishes, while Satriani aims for epic, skyscraping motifs. 

This isn’t just a fretboard-burning affair, however. After Vai recently revealed that his favorite Satriani song was Wind in the Trees , thanks to its raw, “emotional intent,” the pair’s collaboration makes sure to pack plenty of thought and feeling into its gilded guitar work. 

The song hinges on a gnarly groove, meanwhile, that wouldn’t sound out of place in Chickenfoot; Satriani’s former supergroup with Sammy Hagar, Michael Anthony, and Red Hot Chilli Peppers drummer Chad Smith. 

“When Steve and I decided the time had finally come for us to collaborate on an album I immediately thought of our humble beginnings, where we came from, and our teenage rock ’n’ roll hopes and dreams,” Satriani says of the song’s inspiration. 

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“To anybody else, it may look like just a field, part of the sprawling Carle Place Public School complex, but for some of us, back in the early ’70s, when the sun went down and the moon came up, [that field] became ‘The Sea of Emotion.’ 

“We would hang out there late at night and share our deepest thoughts. The memories we shared at that location so long ago became the inspiration for a musical journey in three parts. 

“Each part of the song has little reminders of what we were so into musically back then, including a chord sequence that Steve and I would sometimes jam over during guitar lessons.” 

Expanding on the track's backstory, Vai adds: “As young teenagers, we would sit overlooking this magnificent field and wax on generously for hours about the meaning of life and many other deep, rich discussions. We deemed this field ‘The Sea of Emotion’: 50 years later, it has been memorialized in melody and groove. 

“Connecting with Joe on this track, and the other music we are working on, is perhaps the most rewarding musical collaboration I’ve ever engaged in,” he continues. 

“Although we’ve toured and recorded jams together through the decades, for this music we are intimately bringing together our melodic impulses and playing techniques and creating something that is bigger than the sum of its parts.”

Indeed, The Sea Of Emotion, Pt.1 has been decades in the making, and not just due to the guitar heroes’ longtime friendship.

In a 1990 Guitar World conversation with Vai and Satriani , the two joked that if they ever made music together, it would likely involve an ode to the Sea of Emotion location.

Asked about the possibility of their recording together, Satriani joked that they’d do so “When we've become totally unpopular.”

Dropping into somewhat of an old man voice, Satriani said to Vai, “Oh, Steve, remember the old lick…,” to which Vai, adopting a similarly old man affect said, “Let's call this song…‘The Sea of Emotion…’”

So there you have it, folks, read guitarworld.com, and you’ll, literally, see the future of guitar. 

The Sea Of Emotion, Pt.1 will be showcased on the pair’s current co-headline US tour, which began last week . 

While the tour is far from the first time the guitar heroes have shared the stage, it is, surprisingly, the first time they’ve shared a dual bill.  

Head over to  Satriani’s website  for a full list of dates.

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A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog , Guitar World , and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis , in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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Joe Satriani and Steve Vai Unveil First-Ever Collaborative Song “The Sea of Emotion, Pt. 1”: Stream

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The post Joe Satriani and Steve Vai Unveil First-Ever Collaborative Song “The Sea of Emotion, Pt. 1”: Stream appeared first on Consequence .

Joe Satriani and Steve Vai have unveiled their first-ever collaborative song, “The Sea of Emotion, Pt. 1.”

The guitar wizards have shared the stage many times over the years as part of Satriani’s G3 tours, and recently kicked off their co-headlining “Satch/Vai” tour . However, the new single marks the first time the two have made a song together. Based on comments by Satriani in the press release, it appears to be part of a forthcoming album and the first movement in a three-part suite.

Get Joe Satriani & Steve Vai Tickets Here

“When Steve and I decided the time had finally come for us to collaborate on an album, I immediately thought of our humble beginnings, where we came from, and our teenage rock ’n’ roll hopes and dreams,” said Satriani.

The track itself is a love letter to the duo’s ’70s rock roots and sees them trading solos and tasty riffs that would be at home on a James Gang or ZZ Top record. And if the song sounds like Satriani and Vai were transported to the ’70s, the music video completes the retro look , donning the guitarists in vintage threads.

“Each part of the song has little reminders of what we were so into musically back then, including a chord sequence that Steve and I would sometimes jam over during guitar lessons,” said Satriani, who famously instructed Vai in their teenage years.

Added Vai: “This song, and its additional two parts, are inspired by a giant field outside the high school of the town Joe and I grew up in. As young teenagers, we would sit overlooking this magnificent field and wax on generously for hours about the meaning of life and many other deep, rich discussions, so we deemed this field, ‘The Sea of Emotion.’ 50 years later, it has been memorialized in melody and groove.”

Watch the video for “The Sea of Emotion, Pt. 1” below, and get tickets to the “Satch/Vai” tour here .

“The Sea of Emotion, Pt. 1” Artwork:

Joe Satriani and Steve Vai Unveil First-Ever Collaborative Song “The Sea of Emotion, Pt. 1”: Stream Jon Hadusek

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Moscow Metro to launch EP with gig in Kasbah Social Club

14 May 2014 9:50 AM

IT is a busy week in Limerick for music, a welcome complaint as the summer approaches.

Booker Seoda Shows in particular has his plate full with three gigs in three days - starting with American ‘indietronica’ band, The Octopus Project, who play in Cobblestone Joe’s this Thursday night.

Support for the Austin band comes from guests Elastic Sheep and admission is free.

On Friday the booker hosts an album launch show for local musician dREA, who releases the keenly anticipated Bravest of All in the Red Hen on Patrick Street at 9pm, with support from Kate Twohig.

And on Saturday Seoda hosts superb Limerick band Moscow Metro, who launch new EP Spirit of A City with a gig in the new Kasbah Social Club on the Dock Road - next door to Dolan’s and home to Seoda Shows for the foreseeable future.

The home town show for Moscow Metro is also free, with support from DJ Tom Fitz of Termight Klub fame.

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Moscow Metro

The Moscow Metro Tour is included in most guided tours’ itineraries. Opened in 1935, under Stalin’s regime, the metro was not only meant to solve transport problems, but also was hailed as “a people’s palace”. Every station you will see during your Moscow metro tour looks like a palace room. There are bright paintings, mosaics, stained glass, bronze statues… Our Moscow metro tour includes the most impressive stations best architects and designers worked at - Ploshchad Revolutsii, Mayakovskaya, Komsomolskaya, Kievskaya, Novoslobodskaya and some others.

What is the kremlin in russia?

The guide will not only help you navigate the metro, but will also provide you with fascinating background tales for the images you see and a history of each station.

And there some stories to be told during the Moscow metro tour! The deepest station - Park Pobedy - is 84 metres under the ground with the world longest escalator of 140 meters. Parts of the so-called Metro-2, a secret strategic system of underground tunnels, was used for its construction.

During the Second World War the metro itself became a strategic asset: it was turned into the city's biggest bomb-shelter and one of the stations even became a library. 217 children were born here in 1941-1942! The metro is the most effective means of transport in the capital.

There are almost 200 stations 196 at the moment and trains run every 90 seconds! The guide of your Moscow metro tour can explain to you how to buy tickets and find your way if you plan to get around by yourself.