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JoJo Discusses How Mad Love Tour Brings ‘Gratification I Haven’t Had in a Long Time’

As JoJo heads out on the last few weeks of her 70-date Mad Love Tour, the singer shared her takeaways from being back out on the road and why it's the most gratifying experience she's had in years.

By Taylor Weatherby

Taylor Weatherby

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After all that  JoJo has been through with label disputes in the previous decade, she finally got the chance to release her third full-length album,  Mad Love , last October. And almost as soon as 2017 began, the 26-year-old set out on her biggest tour yet, giving her the opportunity to perform those new songs around the world. 

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But on top of singing the material JoJo considers the most meaningful to her, the 70-date Mad Love Tour has allowed her to interact with thousands of fans old and new. More over, the tour has reminded her that it’s all about them at the end of the day.

JoJo Gets Candid About Finally Breaking Free After Years of Label Limbo, Losing Her Father…

“All this bulls–t about the industry and politics and stuff like that, that’s secondary to the importance of the connection [artists] have with our fans,” JoJo tells Billboard backstage before her May 4 show at New York City’s Irving Plaza. “It’s really amazing to be in these positions where I’m around the world, really deeply in America going to these different towns and cities.” 

Below, see an edited transcript of JoJo’s discussion with Billboard in which she shared her takeaways from being back out on the road and why it’s the most gratifying experience she’s had in years.

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This [tour] brings me a gratification that I haven’t had in a long time, which is that shared experience of singing with the audience, these new songs that I’ve written and compiled that they’ve made a part of their lives. So it’s particularly special because I relate more to these songs, naturally, than I do to songs from when I was 12 years old. It’s great to move forward and I feel that momentum.

It’s the most meaningful tour for a variety of reasons. It’s 70 dates: I’ve never done a tour this extensive. To be able to have a majority of these dates sell out, even in towns that I’ve never been to before, and with not having a hit on the radio in years, just speaks to the passion that my supporters have shown me. I’m the most aware during this tour, so it’s meaningful because of the growth that I’ve gone through during it.

What’s particularly special with people who’ve been there with me from the beginning is that a lot of people have followed the journey. A lot of people haven’t — they’re just like, “Oh, JoJo, she’s still alive. Cool, we’ll go to the show and hear ‘Leave (Get Out).’” I want to draw them in further with the show. But the ones who’ve been there since the beginning, we literally grew up together. They kept me going, knowing that I wasn’t alone in this fight, and gave me the courage to keep going. So it’s very meaningful, but it’s deeper. It feels like we’re holding hands.

The most emotional moment on this tour was definitely in Boston. The rest of my family was there, and there’s this lyric in my song “Music,” the first song on Mad Love , where I say, “Went on the road to make my daddy proud/ But I lost him and so I sang to the crowd/ My only hope is that he’s looking down thinking/ ‘Oh my God, my daughter’s doing it now,’” and I couldn’t even look at my family who was up to the left, because I knew that they were going to be crying, which was going to make me cry even more. But when I felt that the audience was there with me — it’s just hard for me to not think of how much I miss my dad. I felt like they knew that, so I just lost it. I cannot cry on queue, crying is not part of my repertoire. But I wasn’t embarrassed, I felt comfortable, I felt like I was among friends and family.

  A post shared by JoJo. (@iamjojo) on May 1, 2017 at 8:27am PDT

I knew coming into the tour that I wanted this to be the best show that I put on yet in my career. I didn’t do a lot of touring as a teenage artist because my mom wanted me to focus on school, so I felt like this was my opportunity to get in my 10,000 hours — to start chipping away at that, and to become the performing live artist that I want to be and kind of develop myself in that way. I’m also practicing living in this moment and soaking it up, because it is such an interesting time for me and it feels really good.

Were my expectations met? I feel like I’ve learned a lot about balance and pacing, because with this schedule there’s a lot of, like, three nights in a row. And I’m doing an hour and fifteen [minutes] singing the entire show live, of course, and then there’s a meet-and-greet before the show with 50 people, and I do an acoustic song for them first. I realized how everything affects my voice — I’ve learned to truly live for my voice on the road, and every decision I make is around that. So, like I said, it was just a lesson in balance and pacing and shutting the f–k up.

JoJo Calls Out Former Label for Missing Music From Spotify: 'I Have No Control Over What They Do'

I’m never satisfied with myself, and I’m never impressed by myself. But I’m really thankful and thrilled about the audience’s reaction, what I’ve seen on social media, and how people have felt leaving my show. That’s what I want — I want to leave an impression on you and I want you to feel good about yourself. And that’s what me and my band pray about before we go out on stage, is that people receive exactly what they wanted to receive, they leave feeling good about themselves, and that they experience what  Mad Love  is about: passion and giving it your all. 

I’m going to continue to chip away at myself and continue to expand in becoming the musician I want to be. I want to be a multi-instrumentalist, and I want to be able to feel proficient on the keys out there. But I’m not going to put myself in that position until I’m ready. So no, I still haven’t measured up to what I want to be, but I’m on my way.

Additional reporting from Kristin Corpuz.

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1980 Mad Love Tour Book

Linda ronstadt.

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Years on tour

• 2018  ( 9 )
• 2017  ( 1 )
• 2016  ( 2 )
• 2014  ( 1 )
• 2009  ( 4 )
• 2007  ( 5 )
• 2006  ( 12 )
• 2005  ( 3 )
• 2004  ( 10 )
• 2003  ( 4 )
• 2002  ( 5 )
• 2000  ( 2 )
• 1999  ( 8 )
• 1998  ( 2 )
• 1996  ( 29 )
• 1995  ( 8 )
• 1994  ( 1 )
• 1993  ( 5 )
• 1992  ( 30 )
• 1991  ( 11 )
• 1990  ( 33 )
• 1989  ( 8 )
• 1988  ( 41 )
• 1987  ( 4 )
• 1986  ( 13 )
• 1985  ( 1 )
• 1984  ( 19 )
• 1983  ( 27 )
• 1982  ( 36 )
• 1981  ( 10 )
• 1980  ( 47 )
• 1979  ( 14 )
• 1978  ( 26 )
• 1977  ( 52 )
• 1976  ( 40 )
• 1975  ( 61 )
• 1974  ( 43 )
• 1973  ( 83 )
• 1972  ( 30 )
• 1971  ( 27 )
• 1970  ( 26 )
• 1969  ( 18 )
• 1968  ( 1 )
• 1966  ( 1 )
• 1965  ( 1 )
• 1964  ( 31 )
• 1963  ( 7 )

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• A Conversation with Linda Ronstadt  ( 10 )
• An Evening of Bolero, Mamba & Salsa 1992  ( 4 )
• Canciones de Mi Padre  ( 42 )
• Cry Like A Rainstorm Tour  ( 31 )
• Don't Cry Now  ( 38 )
• Fiesta Mexicana 1992  ( 12 )
• Get Closer Tour 1982  ( 1 )
• Hand Sown ... Home Grown  ( 17 )
• Hasten Down the Wind Tour 1976  ( 7 )
• Heart Like A Wheel Tour 1975  ( 1 )
• Linda Ronstadt  ( 74 )
• Living In The U.S.A. Tour  ( 1 )
• Mad Love Tour 1980  ( 2 )
• Silk Purse  ( 31 )
• Simple Dreams  ( 18 )
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Average setlist for tour: Mad Love Tour 1980

• Mad Love Play Video
• Party Girl ( Elvis Costello & The Attractions  cover) Play Video
• Talking in the Dark ( Elvis Costello & The Attractions  cover) Play Video
• It's So Easy ( The Crickets  cover) Play Video
• I Can't Let Go ( The Hollies  cover) Play Video
• Just One Look ( Doris Troy  cover) Play Video
• Blue Bayou ( Roy Orbison  cover) Play Video
• I Can't Help It (If I'm Still in Love With You) ( Hank Williams With His Drifting Cowboys  cover) Play Video
• Hurt So Bad ( Little Anthony & the Imperials  cover) Play Video
• Faithless Love ( J.D. Souther  cover) Play Video
• Poor Poor Pitiful Me ( Warren Zevon  cover) Play Video
• Silver Threads and Golden Needles ( Wanda Jackson  cover) Play Video
• Heat Wave ( Martha Reeves and the Vandellas  cover) Play Video
• Desperado ( Eagles  cover) Play Video
• You're No Good ( Dee Dee Warwick  cover) Play Video
• How Do I Make You Play Video

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40 Years of ‘Mad Love’: In Praise of Linda Ronstadt’s Forgotten New Wave Album

By Rob Sheffield

Rob Sheffield

Happy birthday to Linda Ronstadt ’s New Wave album Mad Love , released 40 years ago, in March 1980. It’s the weirdest oddity in her catalog, with three Elvis Costello covers. Mad Love is forgotten by time, written out of her official history. Not even Linda has a kind word for this album. In the acclaimed 2019 documentary, Linda Ronstadt: The Sound of My Voice — which treats every one of her career moves as a stroke of brilliance — Mad Love doesn’t get mentioned much. But for some of us, it’s one of her career highlights — her answer to Fleetwood Mac’s Tusk , as the princess of Seventies-L.A. mellow pivoted to leather jackets and skinny ties.

“It would be silly for me to dye my hair pink and start pogoing,” Linda told Rolling Stone at the time. But she was leaving her Seventies image behind. “If everybody’s eating granola this year, then everybody’s going to be eating syntho-food next year.” She was tired of playing America’s hippie sweetheart, all bare feet and Cub Scout shirts. She wanted to dance to the beat of a different drum. Most of all, she wanted to sing a bunch of Elvis Costello songs. Many people were horrified. Elvis was one of them. “They are like sheer torture,” he declared when he heard Mad Love . “Dreadful. A total waste of vinyl.”

Mad Love was not a commercial success, to say the least, ending her reign on the pop charts. Costello, in a 1989 Musician interview, took the blame. “There’s the curse of Costello to consider when you look at Linda. One moment she was the biggest-selling female singer in America. The next thing she’s in opera. Record four of my songs — that’s enough to finish anybody’s career!” Elvis even wondered if he was responsible for Ronstadt quitting rock & roll. “Now she’s singing Mexican songs; she knows I can’t write in Spanish.”

Many big-name rock stars were desperate for New Wave cred in 1980: from the J. Geils Band, who had everyone’s favorite record that spring with Love Stinks , to Billy Joel, who scored a Number One hit (“It’s Still Rock & Roll to Me”) by complaining about Devo fans. Even the most mainstream dinosaurs wanted to jump on the bandwagon. But Linda really took it to extremes. “Weird Al” Yankovic summed it up in “It’s Still Billy Joel to Me”: “Now everybody thinks the New Wave is super/Just ask Linda Ronstadt or even Alice Cooper/It’s a big hit, isn’t it, even if it’s a piece of junk/It’s still Billy Joel to me.”

Note: Billy Joel’s New Wave rip was darn catchy. But Alice Cooper’s was bloody brilliant, with the Gary Numan knockoff “Clones (We’re All”) from his underrated Flush the Fashion .

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Up until Mad Love , Linda and producer Peter Asher had the trustiest formula in the biz, churning out slick oldies remakes. Your typical Linda hit was a song that somebody else had made a hit 15 or 20 years earlier. These days, her artistic reputation rests on her interpretations of writers like Lowell George or J.D. Souther or Anna McGarrigle, but those were deep cuts buried on her albums. Her actual hits were oldies from Smokey Robinson, Martha and the Vandellas, Buddy Holly, Chuck Berry, Roy Orbison, the Everly Brothers, Holland/Dozier/Holland, or Doris Troy. (Strange but true: Not one of these people is mentioned in The Sound of My Voice .)

Linda’s remakes were often nice, but antiseptic, and even she got bored. Mad Love burned her bridges to the L.A. mellow mafia — no songs by Warren Zevon, Jackson Browne, Eric Kaz, any of those dudes. No Eagles were involved. Instead, she sang three tunes by L.A. power-pop unknowns the Cretones, the homeless man’s Knack; three by Costello; a Knack rip by Billy Steinberg, who’d go on to co-write Eighties classics like “Eternal Flame” and “Like a Virgin” but at this point just aspired to top “My Sharona.” She did Neil Young’s great “Look Out for My Love,” from Comes a Time (out- Trans -ing him two years before Trans ), and to hedge her commercial bets, the shoddier-than-usual oldies cover “Hurt So Bad.” She also did a bang-up job on Edie Sands’ 1965 NYC girl-group classic “I Can’t Let Go.”

Costello’s response was famously bitchy, but Linda seemed to enjoy boasting about how much he hated her. After she sang “Alison,” she told Playboy , “He said he’d never heard it but that he’d be glad to get the money. So I sent him a message. ‘Send me some more songs, just keep thinking about the money.’ And he sent me the song ‘Talking in the Dark,’ which has not been released here, and I love it. I also recorded ‘Party Girl’ and ‘Girls Talk.’”

But sadly, neither Elvis nor Linda squeezed much loot out of Mad Love . “How Do I Make You,” the faux-Blondie lead single, stalled at Number 10. It was one thing to sing Costello’s songs, but another to copy his haircut. The album became a dollar-bin staple; in the Eighties, they wouldn’t let you walk out of a record store without making you take a copy of Mad Love with you. Linda fled to the theater, spending the summer of 1980 starring in a production of Gilbert and Sullivan’s The Pirates of Penzance .

But New Wave kids were more open to it than her old fans were, especially since she brought more spark and wit to these Costello tunes than he did. “I like to take his songs and switch the gender around, because his gender assignments are very flexible,” she told Rolling Stone. “Talking in the Dark” is one of her best, full of neurotic lust. Her “Girls Talk” wasn’t as great as Dave Edmunds’ version, but what is? Yet “Party Girl” is the prize — she changes it to a first-person lament, claiming the sad story as her own. As in her version of Zevon’s “Poor Poor Pitiful Me,” she skewers the male vanity at the heart of the song.

“I really loved ‘Party Girl’ in particular,” she said to Goldmine . “I’m sure to this day people have an impression of me as someone who’s sort of frivolous — ‘They say I’m nothing but a party girl.’ That song really struck me. I loved singing that song. I used to sing that song until I’d be practically hallucinating.”

André 3000, Elvis Costello, Laufey to Perform at Newport Jazz Fest 2024

David o. russell to direct selena gomez-starring linda ronstadt biopic.

Ronstadt took no offense to Elvis’ complaints. “I was very mainstream, so again, it’s that party-girl thing. People think I was frivolous, so maybe Elvis thought I was frivolous.… Hey, I would have agreed with him.” To his credit, Costello admitted he’d been a dick. “I was so snotty about Linda Ronstadt’s covers,” he said in 1989. “I was just being punky and horrible.” After seeing the documentary last fall, Costello announced he’d wept “uncontrollable tears” and praised her “artistic curiosity and daring.” He also called her “Party Girl” “a memento of my ungenerous youth.”

Mad Love was Ronstadt’s last stand as a rock star. For Get Closer in 1982, she tried reheating her 1970s sound, but it flopped. More disastrous was her decision to go to South Africa and play Sun City in May 1983, the first top-rank American rock star to do so. Fans were devastated, especially the ones who took her seriously as an artist. (In the documentary, there’s a bizarre scene where she insists, “As far as I was concerned, it was just a gig.”) She spent the rest of the Eighties trying her hand at lounge standards ( What’s New ), Mexican ballads ( Canciones de Mi Padre ), and country ( Trio ). Mad Love was really the one time she looked into a possible future for herself as an Eighties hitmaker and realized it wasn’t going to happen. In her memoir, Simple Dreams , the only time she mentions it is to call it “my first digital album” — you have to admit, that’s exquisite shade.

Mad Love remains a square peg in her career. Like the heroine of “Party Girl,” it’s scorned, forgotten, taken for granted as a frivolous fling. Yet it has its own devoted cult. And 40 years later, it still sounds like Linda Ronstadt at her best and boldest.

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Mad Love Tour

2017 concert tour by jojo / from wikipedia, the free encyclopedia, dear wikiwand ai, let's keep it short by simply answering these key questions:.

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The Mad Love Tour is the fourth concert tour by American recording artist JoJo . The tour supported her third studio album, Mad Love (2016).

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JoJo is one of the most influential singers in pop music, from her earliest hits as a teenager to the present day. Best known for her endlessly hooky, R&B-styled pop tracks, JoJo is truly an uncompromising monument to survival in the pop music industry.

Born Joanna Noëlle Blagden Levesque in 1990 in Brattleboro, Vermont, JoJo grew up in Foxborough, Massachusetts, where she found her voice by listening to her mother singing church hymns. JoJo found stardom early in life, when she answered an ad in the paper announcing open auditions for the TV show "Kids Say the Darndest Things: On the Road in Boston." After impressing audiences on that program, JoJo was subsequently invited to appear on a series of talk shows and gospel festivals--even Oprah Winfrey reached out to book an appearance. 

Following a spot on the TV show "America's Most Talented Kids," a producer named Vincent Herbert (Destiny's Child, Aaliyah) reached out and helped sign JoJo to Background Records. JoJo's first single, "Leave (Get Out)" dropped in 2004 and was an instant hit, going to No. 1 on the Billboard chart and making JoJo--who was only 13--the youngest solo artist to have a No. 1 single in the U.S. at the time. In 2004, JoJo also released her self-titled debut album, which opened at No. 4 on the Billboard 200 and was certified platinum by the Recording Industry Association of America. 

It was around this time that JoJo's acting career also took off; a few years later, in 2006, JoJo was cast opposite Emma Roberts and Sara Paxton in the teen comedy Aquamarine. The same year, JoJo starred opposite Robin Williams in her second major film, RV. JoJo also released her sophomore album, The High Road, in 2006. It debuted at No. 3 on the Billboard 200 on the strength of lead single "Too Little Too Late" and was eventually certified gold by the RIAA.

Though JoJo struggled on and off with label politics, she persevered and eventually released her next project, the mixtape Can't Take That Away From Me (2010), independently. All the while, JoJo appeared on tracks with Timbaland ("Lose Control") and Jet ("Timothy Where You Been") and took on a handful of movie roles, including Lifetime's adaptation of Lola Douglas' True Confessions of a Hollywood Starlet.

In January 2011, JoJo appeared in an episode of CBS' revival of "Hawaii Five-0" and released a remix of Drake's song "Marvin's Room" and an original song, "Disaster." She also opened for the Joe Jonas & Jay Sean Tour and premiered a music video for the track. The next year, JoJo toured with Big Time Rush and released the promotional single "Sexy to Me." Also in 2012, JoJo began recording new music for a new mixtape called Agápē, meaning "unconditional love" in Greek. Agápē was released via digital download on JoJo's 22nd birthday, and JoJo launched the Agápē Tour in support. 

Still dealing with label troubles, JoJo eventually signed a new contract with Atlantic Records in 2014. In February of that year, JoJo released the #LoveJo EP and embarked on the I Am JoJo Tour, her first world tour. In 2015, JoJo shared a follow-up EP, #LoveJo2.

In 2016, JoJo opened for Fifth Harmony on tour and shared a new single, "F*** Apologies" featuring Wiz Khalifa. Also in 2016, JoJo finally was able to release her third studio album, Mad Love. Ultimately, in 2017, JoJo left Atlantic and announced her own imprint, Clover Music, in partnership with Interscope. The next spring, she kicked off the Leaks, Covers, & Mixtapes tour.

On JoJo's 28th birthday, she announced plans to re-release her debut album with re-recorded vocals. The next day, she did exactly that--plus a re-release of her sophomore album The High Road. In 2019, JoJo took her Clover Music imprint to Warner Records and released the song "Say So" featuring PJ Morton. That fall, JoJo released the single "Joanna" and collaborated with Chika on "Sabotage." 

In 2020, JoJo announced a new album, Good to Know, which dropped that May and featured lead single "Man." That fall, she released "The Change," penned by Diane Warren, which became the official anthem for the Joe Biden 2020 presidential campaign. JoJo's first holiday album, December Baby, was released the same year.

After postponing the Good to Know tour due to the COVID-19 pandemic, JoJo announced that she would launch the tour in 2022 after releasing a sixth studio album. In the meantime, JoJo has appeared on the fifth season of "The Masked Singer" as "Black Swan," finishing in second place. In summer 2021, JoJo announced a 12-song EP, Trying Not to Think About It, and went on a six-date tour in support.

Reviews 172

Great performer.

She really gives it her all! Her performances range from dramatic & fun to sweet and intimate. Her voice is just as good as you hear in her songs and her stage presence is so strong! Her fans are also such a good crowd to be around too it’s a good time.

Forever the best

I have seen her three times in concert and I will never get tired of her music. Born to preform!

Beyond expectations

Literally one of my favorite shows I’ve ever been to, her voice is always amazing but its the dancing and outfits that really take her to the next level of performance. She is a star!

Jojo was amazing!!

Such a great show! I highly recommend seeing her live. It was great vibes and nostalgia! Also The change in venue was perfect ! That crowd was huge

Concert of a lifetime

My partner is a huge fan of jojo and I bought the tickets for her, she enjoyed every minute of it and Jojo was so interactive with the crowd !! We had an absolute blast !!

It was a great show!! Jojo really knows how to perform, she can sing live and was able to interact with the audience. I had so much fun she was playing all of my favourite songs, and the lighting was an added bonus. Love her even more, give her all your respect!

Jojo is an incredible artist. Her voice is incredible. Her live performances are thought of. Her voice live sound the same or better than her album!!! It was a great night

the concert

Jo Jos Concert was amazing she has the most beautiful voice and i was very surprised to see her the first time i would love to see her again with my brother when she comes back to Toronto i love her so much shes my favorite singer and she has amazing great songs :)

She’s THE BEST

🥺🥰🥰 I just want to go AGAIN. JoJo is amazing. Her voice is fire!! She performed for such a long stretch and I loved Amaal who opened for her.

Amazing concert

This was my first concert post pandemic and it was the best time. Great venue and JOJO is amazing!!

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Kid Cudi Cancels Insano World Tour After Breaking His Ankle At Coachella

Kid Cudi is canceling his upcoming Insano World Tour after sustaining an ankle injury at Coachella over the weekend. The rapper went to X on April 24 to tell fans that his broken ankle would take time to heal, forcing him to reschedule his tour, which was set to kick off in July, according to Rolling Stone .

“Guys, so, I have a broken calcaneus,” Kid Cudi wrote on X. “I’m headed to surgery now and there’s gonna be a long recovery time. We have to cancel the tour so I can focus on getting better to be out there in top shape to rage with you all. There’s just no way I can bounce back in time to give 100%. The injury is much more serious than I thought.”

From your friend, Scott 🥺🫶🏽 with mad love pic.twitter.com/fp9gcxpOYO — The Chosen One (@KiDCuDi) April 24, 2024

The 40-year-old assured fans that they’ll be refunded. He also said new tour dates will be announced soon.

“I can’t wait to get back out there with you guys and turn up how we do,” Cudi wrote. “I’m so sorry fam and I love you all so much, thanks for the endless love and support. Im really disappointed as I’m sure you guys are too, but I will be back. Thats a promise. Im ok, just a lil soreness, but I’m in good spirits.”

Hello there ✌🏾🥹 pic.twitter.com/7JpaGR8Kpq — The Chosen One (@KiDCuDi) April 22, 2024

A day after the injury, Kid Cudi updated his fans about his injury via a video clip, saying.

“This is what happens when a 40-year-old man tries to prance around off stage like he’s 26, like he used to do back in the day,” he said at the time. “I learned a valuable lesson: no more prancing around, jumping off stages.”

He also assured his fans that he’ll bounce back.

“I don’t wanna let you guys down,” he said. “Not canceling anything just yet. Just gonna wait and see how things go.”

According to Rolling Stone, Cudi injured his ankle when he jumped off the stage during his performance at Coachella. Cudi expects to trek across North America and Europe when his tour kicks off at a later date.

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