Sara Bareilles Tour

Sara Bareilles Tour

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She Wrote You A "Love Song," Now Hear It LIVE!

Indie pop darling Sara Bareilles just released her new album Amidst the Chaos to critical and popular acclaim, and her new supporting tour is your chance to hear it performed alongside her past hits, live at a venue near you!  

Not only can this site help you find amazing tickets for all upcoming shows, but because it will update automatically whenever she adds any date to her schedule, it will continue to be a great resource for the future, too.  So don't miss your chance to hear songs like "Love Song," "Brave," and "Kind of Anything" performed alongside new singles like "Fire" and "Armor."  Check out the Sara Bareilles Tour schedule below to learn more, visit regularly for future updates, and score your tickets as soon as you can!

Saturday, May 11th, 2024 12:00 PM

Brandi Carlile's Mothership Weekend: Sara Bareilles, Nickel Creek & Devon Gilfillian - Saturday Seascape Golf, Beach and Tennis Resort Miramar Beach, FL

Saturday, August 17th, 2024 8:00 PM

Sara Bareilles & Hollywood Bowl Orchestra Hollywood Bowl Los Angeles, CA

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Sara Bareilles Announces Amidst The Chaos U.S. Tour

Tickets for the 27-date trek go on sale starting on April 12

Multiple-time GRAMMY nominee Sarah Bareilles has announced plans to tour this fall in support of her sixth studio album, Amidst The Chaos . 

Running for 27 dates, the tour opens Oct. 5 in Detroit and wraps Nov. 26 in Atlanta. Along the way, she'll hit major venues like the Grand Ole Opry in Nashville, New York’s Madison Square Garden and Los Angeles' Hollywood Bowl.

Tickets go on sale starting April 12. Head to her website for more info.

Bareilles released Amidst The Chaos on April 5. She recently was the musical guest on Saturday Night Live , where she played album cuts "Fire" and "Saint Honesty." Bareilles' most recently GRAMMY nomination was at the 61st GRAMMY Awards , for Best Musical Theater Album, "Jesus Christ Superstar Live In Concert."

Kendrick Lamar GRAMMY Rewind Hero

Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Franc Moody

Photo:  Rachel Kupfer  

A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.

Franc Moody

Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .

The Rise Of Underground House: How Artists Like Fisher & Acraze Have Taken Tech House, Other Electronic Genres From Indie To EDC

billy idol living legend

Photo: Steven Sebring

Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."

Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP,   Cage , and continuing to rock through decades of changing tastes.

Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.  

Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face." 

But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life. 

His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves. 

Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)

Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") —  their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.

While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens. 

Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.

Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up. 

Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically. 

"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?

We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds. 

We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick. 

I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?

Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol. 

You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way. 

** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about  freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **

I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier. 

I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff. 

So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.

[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.

I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.

Did you watch Danny Boyle's recent Sex Pistols mini-series?

I did, yes.

You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?

I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.

It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.

But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is]  informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.

Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.

We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.

It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].

We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.

You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.

It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.

When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.

You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?

Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."

We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.

You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.

With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.

Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.

You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?

I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.

But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.

I remember when you went on " Viva La Bam "  back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?

I think it was his car.

Did he get over it later on?

He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.

Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?

In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.

We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.

The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.

There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.

It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.

It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.

Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?

Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.

The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.

The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?

Yeah.  Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

Living Legends: Nancy Sinatra Reflects On Creating "Power And Magic" In Studio, Developing A Legacy Beyond "Boots" & The Pop Stars She Wants To Work With

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Graphic: The Recording Academy

Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

The 2023 GRAMMY Award nominees for Best Country Solo Performance highlight country music's newcomers and veterans, featuring hits from Kelsea Ballerini, Zach Bryan, Miranda Lambert, Maren Morris and Willie Nelson.

Country music's evolution is well represented in the 2023 GRAMMY nominees for Best Country Solo Performance. From crossover pop hooks to red-dirt outlaw roots, the genre's most celebrated elements are on full display — thanks to rising stars, leading ladies and country icons.

Longtime hitmaker Miranda Lambert delivered a soulful performance on the rootsy ballad "In His Arms," an arrangement as sparing as the windswept west Texas highlands where she co-wrote the song. Viral newcomer Zach Bryan dug into similar organic territory on the Oklahoma side of the Red River for "Something in the Orange," his voice accompanied with little more than an acoustic guitar.

Two of country's 2010s breakout stars are clearly still shining, too, as Maren Morris and Kelsea Ballerini both received Best Country Solo Performance GRAMMY nods. Morris channeled the determination that drove her leap-of-faith move from Texas to Nashville for the playful clap-along "Circles Around This Town," while Ballerini brought poppy hooks with a country edge on the infectiously upbeat "HEARTFIRST."

Rounding out the category is the one and only Willie Nelson, who paid tribute to his late friend Billy Joe Shaver with a cover of "Live Forever" — a fitting sentiment for the 89-year-old legend, who is approaching his eighth decade in the business. 

As the excitement builds for the 2023 GRAMMYs on Feb. 5, 2023, let's take a closer look at this year's nominees for Best Country Solo Performance.

Kelsea Ballerini — "HEARTFIRST"

In the tradition of Shania Twain , Faith Hill and Carrie Underwood , Kelsea Ballerini represents Nashville's sunnier side — and her single "HEARTFIRST" is a slice of bright, uptempo, confectionary country-pop for the ages.

Ballerini sings about leaning into a carefree crush with her heart on her sleeve, pushing aside her reservations and taking a risk on love at first sight. The scene plays out in a bar room and a back seat, as she sweeps nimbly through the verses and into a shimmering chorus, when the narrator decides she's ready to "wake up in your T-shirt." 

There are enough steel guitar licks to let you know you're listening to a country song, but the story and melody are universal. "HEARTFIRST" is Ballerini's third GRAMMY nod, but first in the Best Country Solo Performance category.

Zach Bryan — "Something In The Orange"

Zach Bryan blew into Music City seemingly from nowhere in 2017, when his original song "Heading South" — recorded on an iPhone — went viral. Then an active officer in the U.S. Navy, the Oklahoma native chased his muse through music during his downtime, striking a chord with country music fans on stark songs led by his acoustic guitar and affecting vocals.

After his honorable discharge in 2021, Bryan began his music career in earnest, and in 2022 released "Something in the Orange," a haunting ballad that stakes a convincing claim to the territory between Tyler Childers and Jason Isbell in both sonics and songwriting. Slashing slide guitar drives home the song's heartbreak, as Bryan pines for a lover whose tail lights have long since vanished over the horizon. 

"Something In The Orange" marks Bryan's first-ever GRAMMY nomination.

Miranda Lambert — "In His Arms"

Miranda Lambert is the rare, chart-topping contemporary country artist who does more than pay lip service to the genre's rural American roots. "In His Arms" originally surfaced on 2021's The Marfa Tapes , a casual recording Lambert made with Jack Ingram and Jon Randall in Marfa, Texas — a tiny arts enclave in the middle of the west Texas high desert.

In this proper studio version — recorded for her 2022 album, Palomino — Lambert retains the structure and organic feel of the mostly acoustic song; light percussion and soothing atmospherics keep her emotive vocals front and center. A native Texan herself, Lambert sounds fully at home on "In His Arms."

Lambert is the only Best Country Solo Performance nominee who is nominated in all four Country Field categories in 2023. To date, Miranda Lambert has won 3 GRAMMYs and received 27 nominations overall. 

Maren Morris — "Circles Around This Town"

When Maren Morris found herself uninspired and dealing with writer's block, she went back to what inspired her to move to Nashville nearly a decade ago — and out came "Circles Around This Town," the lead single from her 2022 album Humble Quest .

Written in one of her first in-person songwriting sessions since the pandemic, Morris has called "Circles Around This Town" her "most autobiographical song" to date; she even recreated her own teenage bedroom for the song's video. As she looks back to her Texas beginnings and the life she left for Nashville, Morris' voice soars over anthemic, yet easygoing production. 

Morris last won a GRAMMY for Best Country Solo Performance in 2017, when her song "My Church" earned the singer her first GRAMMY. To date, Maren Morris has won one GRAMMY and received 17 nominations overall.

Willie Nelson — "Live Forever"

Country music icon Willie Nelson is no stranger to the GRAMMYs, and this year he aims to add to his collection of 10 gramophones. He earned another three nominations for 2023 — bringing his career total to 56 — including a Best Country Solo Performance nod for "Live Forever."

Nelson's performance of "Live Forever," the lead track of the 2022 tribute album Live Forever: A Tribute to Billy Joe Shaver , is a faithful rendition of Shaver's signature song. Still, Nelson puts his own twist on the tune, recruiting Lucinda Williams for backing vocals and echoing the melody with the inimitable tone of his nylon-string Martin guitar. 

Shaver, an outlaw country pioneer who passed in 2020 at 81 years old, never had any hits of his own during his lifetime. But plenty of his songs were still heard, thanks to stars like Elvis Presley , Kris Kristofferson and Waylon Jennings . Nelson was a longtime friend and frequent collaborator of Shaver's — and now has a GRAMMY nom to show for it.

2023 GRAMMY Nominations: See The Complete Nominees List

  • 1 Sara Bareilles Announces Amidst The Chaos U.S. Tour
  • 2 GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
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  • 4 Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage
  • 5 Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

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Sara Bareilles Plots ‘Amidst the Chaos’ U.S. Tour

  • By Daniel Kreps

Daniel Kreps

Fresh off her Saturday Night Live musical guest spot , Sara Bareilles has announced a U.S. tour in support of her latest LP Amidst the Chaos .

The 27-date tour opens October 5th in Detroit and wraps November 26th in Atlanta. Along the way, Bareilles will play venerable venues like Nashville’s Grand Ole Opry, New York’s Madison Square Garden and Los Angeles’ Hollywood Bowl.

Tickets for the trek go on sale beginning April 12th at Live Nation.

Bareilles released Amidst the Chaos on April 5th. On SNL, the singer showcased the album’s “Fire” and “Saint Honesty.”

Sara Bareilles Tour Dates

October 5 – Detroit, MI @ Fox Theatre October 6 – Nashville, TN @ Grand Ole Opry October 8 – Raleigh, NC @ Red Hat Amphitheater October 11 – Boston, MA @ Agganis Arena October 12 – Uncasville, CT @ Mohegan Sun Arena October 13 – New York, NY @ Madison Square Garden October 15 – Chicago, IL @ United Center October 16 – St. Paul, MN @ Xcel Energy Center October 18 – Denver, CO @ Pepsi Center October 19 – Salt Lake City, UT @ Maverik Center October 22 – Seattle, WA @ WAMU Theater October 24 – Portland, OR @ Veterans Memorial Coliseum October 26 – San Francisco, CA @ Chase Center October 27 – Paso Robles, CA @ Vina Robles Amphitheatre October 29 – San Diego, CA @ Cal Coast Credit Union Open Air Theatre October 30 – Phoenix, AZ @ Comerica Theatre November 1 – Las Vegas, NV @ Mandalay Bay Events Center November 2 – Los Angeles, CA @ Hollywood Bowl November 11 – Houston, TX @ Smart Financial Centre November 12 – Dallas, TX @ The Pavilion November 15 – Pittsburgh, PA @ UPMC Events Center November 16 – Philadelphia, PA @ The Met November 19 – Washington, DC @ The Anthem November 22 – Jacksonville, FL @ Daily’s Place November 23 – Fort Lauderdale, FL @ BB&T Center November 24 – Orlando, FL @ Amway Center November 26 – Atlanta, GA @ Fox Theatre

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Sara Bareilles Announces Amidst The Chaos Tour

Fresh off her "Saturday Night Live" performance, Sara Bareilles is getting ready to hit the road. The singer/actress announced the dates for her Live Nation-produced Amidst the Chaos Tour on Monday…

By Gil Kaufman

Gil Kaufman

Sara Bareilles

Fresh off her Saturday Night Live performance, Sara Bareilles is getting ready to hit the road. The singer/actress announced the dates for her Live Nation-produced Amidst the Chaos Tour on Monday (April 8), a 30-city outing that is slated to kick off on at the Fox Theatre Detroit on Oct. 5.   

The tour will hit Chicago, Boston, New York, St. Paul, Phoenix, Las Vegas, Los Angeles, Pittsburgh and Orlando before wrapping up on Nov. 26 at the Fox Theatre Atlanta. The tour will celebrate Bareilles’ recently released fifth full-length studio album, Amidst the Chaos , which features two of the songs she performed on SNL , “Fire” and “Saint Honesty.”

Tickets for the tour go on sale to the general public on Friday (April 12) at 10 a.m. local time here .  

Sara Bareilles Amidst the Chaos tour dates:

Oct. 5 — Detroit, MI @ Fox Theatre Detroit

Oct. 6 — Nashville, TN @ Grand Ole Opry

Oct. 8 — Raleigh, NC @ Red Hat Amphitheater

Oct. 11 — Boston, MA @ Agganis Arena

Oct. 12 — Uncasville, CT @ Mohegan Sun Arena

Oct. 13 — New York, NY @ Madison Square Garden

Oct. 15 — Chicago, IL @ United Center

Oct. 16 — St. Paul, MN @ Xcel Energy Center

Oct. 18 — Denver, CO @ Pepsi Center

Oct. 19 — Salt Lake City, UT @ Maverik Center

Oct. 22 — Seattle, WA @ WAMU Theater

Oct. 24 — Portland, OR @ Veterans Memorial Coliseum

Oct. 26 — San Francisco, CA @ Chase Center

Oct. 27 — Paso Robles, CA @ Vina Robles Amphitheatre

Oct. 29 — San Diego, CA @ Cal Coast Credit Union Open Air Theatre at SDSU

Oct. 30 — Phoenix, AZ @ Comerica Theatre

Nov. 1 — Las Vegas, NV @ Mandalay Bay Events Center

Nov. 2 — Los Angeles, CA @ Hollywood Bowl

Nov. 11 — Houston, TX @ Smart Financial Centre

Nov. 12 — Dallas, TX @ The Pavilion at Toyota Music Factory

Nov. 15 — Pittsburgh, PA @ UPMC Events Center

Nov. 16 — Philadelphia, PA @ The Met Philadelphia

Nov. 19 — Washington, DC @ The Anthem

Nov. 22 — Jacksonville, FL @ Daily’s Place

Nov. 23 — Fort Lauderdale, FL @ BB&T Center

Nov. 24 — Orlando, FL @ Amway Center

Nov. 26 — Atlanta, GA @ Fox Theatre Atlanta 

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Sara Bareilles Announces Her Much Anticipated Amidst The Chaos Tour

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Tickets On Sale To General Public Starting This Friday, April 12

LOS ANGELES , April 8, 2019 /PRNewswire/ — Grammy, Tony and Emmy award-nominated singer, songwriter, actress, and author Sara Bareilles today announced her Amidst The Chaos Tour .  Produced by Live Nation, the 30-city tour will kick off October 5th in Detroit, MI and make stops in Boston , Chicago , Houston , San Francisco and more, before wrapping November 26th in Atlanta, GA. The tour will also include stops at the iconic Madison Square Garden in New York City and the famous Hollywood Bowl in Los Angeles, CA. The tour brings Bareilles on the road in support of her fifth full-length album Amidst The Chaos which was just released last Friday to rave reviews – with Variety stating it "establishes that there’s no one in contemporary pop better at flexing mezzo-soprano sensitivity and social empathy like a muscle. It’s the perfect album for anyone who could use a little fierce snowflake pride." This marks her first album of original material since 2013.

Please see full itinerary below.  

Tickets go on sale to the general public beginning Friday, April 12th at 10:00am local time at LiveNation.com .

SARA BAREILLES AMIDST THE CHAOS TOUR 2019 DATES:

About Sara Bareilles : Sara Bareilles first achieved mainstream critical praise in 2007 with her widely successful hit " Love Song ," which reached No. 1 in 22 countries around the world from her debut album "Little Voice." Since then, Sara has gone on to receive seven Grammy® nominations throughout her career, which include Song of the Year and Best Female Pop Vocal Performance for " Love Song " and one Album of the Year for her highly acclaimed third studio album, "The Blessed Unrest."  Her book, "Sounds Like Me: My Life (So Far) in Song," was released in the fall of 2015 by Simon & Schuster and is a  New York Times  best seller. Making her Broadway debut, Sara composed the music and lyrics for "Waitress," for which she received her first Tony® Award nomination for Best Score and a 2017 Grammy® Award nomination for Best Musical Theater Album. She also made her Broadway acting debut in 2017 by stepping into the lead role in "Waitress". 

2018 was a big year for Sara, she co-hosted the Tony Awards®, was nominated for an Emmy® and Grammy® for her role in "Jesus Christ Superstar Live in Concert," and was awarded with the Songwriters Hall of Fame’s Hal David Starlight Award. Sara also teamed up with Apple as an executive producer for "Little Voice" a 10-episode series, which she will create the original music for.

For more information on Sara Bareilles , visit: Official Website  | Facebook  | Twitter  | Instagram  

About Live Nation Entertainment: Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit  www.livenationentertainment.com .

Sara Bareilles Media Contact: Dvora Englefield, [email protected] , OR Cara Hutchison, [email protected] , OR Live Nation U.S. Concerts Media Contacts: Emily Bender, [email protected] , Monique Sowinski, [email protected]

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Sara Bareilles with the Hollywood Bowl Orchestra

  • Renée Elise Goldsberry

Sat / Aug 17, 2024 - 8:00PM

The Grammy winner and Tony and Emmy nominee returns to the Bowl.

  • Sara Bareilles
  • Hollywood Bowl Orchestra
  • Thomas Wilkins , conductor

About this Performance

Since her first big hit in 2007, “Love Song,” Sara Bareilles has become one of the most acclaimed singers and songwriters of her era. The two-time Grammy winner was nominated for Album of the Year for The Blessed Unrest and made her Broadway debut in 2016 with Waitress , which she starred in and for which she wrote the music and lyrics, picking up a pair of Tony nominations in the process. She makes her return to the Bowl for a career-spanning night, performing alongside Thomas Wilkins and the Hollywood Bowl Orchestra.

Opening the night is Tony and Grammy Award winner—and, with Sara Bareilles, Girls5eva cast-member—Renée Elise Goldsberry, performing Broadway hits, jazz standards, and gospel numbers.

Programs, artists, dates, prices, and availability subject to change. Ticket limits may apply. All sales are final.

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Amidst the Chaos Tour

Sara Bareilles burst into the mainstream in 2007 with her breakaway hit “Love Song.” Since then, the singer/songwriter has scored and starred in the Broadway musical “Waitress,” wrote a bestselling book and has been named the executive producer of an upcoming series, “Little Voice.” The Amidst The Chaos Tour will make a stop at Chase Center in San Francisco where the Grammy, Tony and Emmy award-nominated artist will perform songs from her critically acclaimed new album, Amidst The Chaos .

Getting to Chase Center

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Sara Bareilles interview: ‘Girls5eva'

S eason 3 of “Girls5eva” finds the titular girl group hitting the road on a self-funded tour, driving around the U.S. in a van. It’s not too dissimilar from the early days of Sara Bareilles ‘ music career when she toured the country as the opening act for Mika in 2007. “We could not afford flights, so we were driving and we were basically not sleeping,” she tells Gold Derby ( watch the exclusive video interview above ). “It was my band and I literally changing drivers mid-highway and just rotate. We would just stop to get gas. That was all we had time for. We left after our show in San Francisco and drove straight through the night for two days to get to Chicago for the next sound check. But honestly, it’s some of the most joyful memories I have even though they were completely chaotic and sort of terrifying.”

That duality of nostalgia is something Dawn (Bareilles) reckons with in the third season. The practical one of the quartet, she has an epiphany in the fourth episode, “Orlando,” in which Girls5eva is hired to perform at the birthday party (theme: My Posters Come to Life) of one of their longtime fans, Taffy ( Cat Cohen ), who is now married to a rich old dude. Dawn thinks their old problematic songs, like “Sweet ‘N Low Daddy,” corrupted Taffy and apologizes. But Taffy schools Dawn on nostalgia, telling her that Girls5eva’s songs just take her back to a simpler time, and calls out Dawn for liking nostalgia too as she’s chasing the high of Girls5eva’s Y2K success.

“Everything is gray matter, in between what we think of as black and white. I feel that way too. There are some problematic things that still somehow bring me comfort from the past, but it’s just because it does elicit these memories of being of a certain age, your life was less complicated or you sort of had that optimistic naïveté. You just didn’t know as much as you know now. Once you see things, it’s hard to unsee them. It’s a bittersweet reminder,” Bareilles says. “I think she really is in conflict around that. I think she has kind of grown up enough to see how used and abused they were. But at the same time, that sense of, what if you put all of that down for a minute and just enjoy running around stage and singing in front of people who are singing the music back to you? There’s something so simple and beautiful about that. I think it’s both. I think that she can recognize that this is complicated and I love it. And that’s OK.”

SEE   Interviews with 2024 Emmy contenders

Dawn sheds her shame shackles and performs “Sweet’N Low Daddy,” allowing herself, for once, to acknowledge that she likes and wants something. “I think that’s one of the things that seems to be so present for [creator] Meredith [ Scardino ] in general. It’s fun to see women in their 40s and 50s who are not on the sideline and are not feeling the need to be settled in some way but actually asking the questions of what do I want? Am I willing to try and go and create for myself? I think those are great questions to ask,” Bareilles adds.

What Girls5eva wants — besides selling tickets for their Radio Music Hall concert — is to hit the big time again and sustain it. But just like how conversations around pop culture change over time, so too do dreams. In the finale, as Dawn seeks a famous person to help sell tickets, she bumps into Richard Kind , who advises she seek the medium time: Don’t chase the highest of highs, but rather be happy and grateful for where you are. “Never above No. 5 on the call sheet of life,” he states. That inspires Dawn to write “The Medium Time,” the closing number to their show. The heartfelt piano ballad was written by Bareilles, who has penned Girls5eva tunes for each season finale (“4 Stars” in Season 1 and “Bend Not Break” in Season 2). When she first took a stab at “The Medium Time,” she called Scardino up with a concern.

“I started writing this song and I was like, ‘I think it might not be funny. It doesn’t feel like a very funny moment to me to sing about this idea of just, like, being in the middle. It actually feels sort of sweet and compassionate,'” the Grammy winner recalls. “And she was like, ‘I don’t think you need to worry about that. Then it’s not funny.’ What a gift to get to work on a show that makes so much space for, yes, hard comedy and just straight-up just jokes on jokes on jokes but then also have some room for heart and sincerity. We were emotional around the piano shooting that scene because it’s also been the journey of this show.”

“Girls5eva” moved to Netflix after two seasons on Peacock. While there’s no word yet on a fourth season, the Season 3 finale does set the group up to possibly experience some true success as it ends with them about to accept an offer to contribute to the female Garfield movie soundtrack. And Bareilles would like to see them hit the big time — just for a little bit. “I think it would be fun to see the girls deal with a modicum of success and see what that looks like,” she says. “I really love this sweet spot of where the women are multifaceted. They are dealing with their career and their lives, like most people are demanding and asking for their attention, and there’s a lot of juggling that happens. It’s just very relatable.”

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Maroon 5 is one of the best-known pop rock bands out there. Its musical style vacillates between pop and pop rock with some indie rock and funk influences. The group has also experimented with new wave and disco sounds on several albums.

The band’s general tone and style shifts from one album to the next. Songs from Songs About Jane concentrated on frontman and vocalist Adam Levine’s former girlfriend. The material from It Won’t Be Soon Before Long is less personal and has a more electric sound with an overall synthesized, retro feel. With Hands All Over, the band returned to the theme of lost love from its first album. Regardless of the style it’s drawing on, Maroon 5’s knack for churning out catchy, jammable pop hits keeps it at the top of charts year after year.

The band is largely responsible for its own songwriting, with most of its most popular songs being written by various band members or in collaborative efforts among the members. Michael Jackson, The Police, Stevie Wonder, the Bee Gees, The Beatles, Tonic, Marvin Gaye, and Prince are all cited as significant influences on the band’s sound. Levine personally cites Billy Joel as a major influence, and guitarist James Valentine cites Queens of the Stone Age as his biggest influence.

Formed by high school friends Adam Levine, Jesse Carmichael, Mickey Madden and Ryan Dusick in Los Angeles, California in 1994, the band originally played under the name Kara’s Flowers. It changed its name to Maroon 5 after its musical direction matured while each member attended college and it added guitarist James Valentine.

The new urban edge and pop-soul sound their time at college had lent to the band’s music proved successful, and its 2002 debut album Songs About Jane sold 5 million albums in the US. Singles “Harder to Breathe” and “She Will Be Loved” quickly propelled the band to mega-stardom.

The success of Maroon 5’s debut album in 2002 caught the attention of John Mayer, The Rolling Stones, Sugar Ray, Gavin DeGraw, The Hives, and a number of other top performers, all of whom Maroon 5 has toured alongside. While three years of constant touring did wonders for the band’s popularity and fan base, it took its toll on drummer Ryan Dusick, who was forced to leave the band in 2006 due to an injury.

With Dusick replaced by Matt Flynn, the band soon released its 2007 album It Won’t Be Soon Before Long, which broke iTunes records by selling over 101,000 albums within the first week of its release. The single “Makes Me Wonder,” a sexy departure from the band’s sweeter tracks on Songs About Jane, took the US by storm, hitting the number one spot on the Billboard charts.

The band’s following albums, Hands All Over (2012) and Overexposed (2012), both performed similarly, with each hitting either the number one or number two spot in the US album chart. The band’s most successful single, though, is the 2011 megahit “Moves Like Jagger,” which featured Christina Aguilera and sold a staggering 15 million copies, making it one of the best-selling singles of all time.

Carmichael left the group in 2012 before rejoining it again in 2014. The same year, the band signed a new recording contract with Interscope Records and Adam Levine’s vanity label 222 Records. The band returned to the studio to record its fifth album, V, which reached number one on the Billboard 200. The single “Sugar” from the album quickly climbed to number two on the Hot 100 chart. The song was immensely popular and was featured in several commercials.

2014 marked one of the most successful and active phases of the band’s career to date. Maroon 5 was highly visible on the music scene that year, performing at several large-scale events and festivals. Early in the year, Maroon 5 was part of the 2014 iTunes Festival at the Roundhouse in London, England. Later that year, the group performed at the iHeartRadio Jingle Ball Tour.

Chasing the success of V, the group released its sixth album, Red Pill Blues, in 2017. The successful single “Girls Like You” skyrocketed to the number one position on the Hot 100 chart.

With the addition of Sam Farrar on bass in 2020, the band’s lineup jumped to seven total members: Adam Levine (lead vocals), Jesse Carmichael (keyboards, lead and rhythm guitar), James Valentine (lead and rhythm guitar), Matt Flynn (drums), PJ Morton (keyboards, backing vocals), and Sam Farrar (bass).

In June 2021, the band’s seventh album, Jordi, was released to mixed critical reviews. Despite the lukewarm critical reception, the album was a commercial success and sold well. The highly popular singles “Memories,” “Beautiful Mistakes” and “Nobody’s Love” featuring Megan Thee Stallion appeared on the album.

Maroon 5 is the recipient of numerous music industry awards and honors. To date, the band has won three Grammy Awards, three American Music Awards, three People’s Choice Awards, and eight Billboard Music Awards.

Maroon 5 embarked on the Maroon 5 World Tour in 2022, and the North American leg of the tour will begin in 2023. Stay tuned to find out when you can catch it live!

Live reviews

Sometimes when you hear a band that you love perform live for the first time, you're a bit disappointed because they do not sound as great as they do in the recordings. Well, that is NOT the case with Maroon 5, what you hear on recording is what you get live.

Adam Levine has an amazing voice. He is super talented, and they made no mistake when they decided to make him a judge on the show, The Voice. I could watch him perform live with his band all day. Some of my very favorite songs by Maroon 5 are their old ones such as “Never Gonna Leave This Bed”, “Harder To Breathe”, and “Misery” but when they start singing “Payphone”, I go crazy. I absolutely love this song performed live!

Perhaps the best song to see them perform live is “Moves Like Jagger”. It makes you move when you hear it on the radio, but when you hear it live, you're dancing non stop. Maroon 5 concerts are mostly upbeat and fun, but there are times when it slows down and they perform those songs that make you want to call your ex. The atmosphere to their concerts is just right. Chill at times, but also upbeat and loud.

Put Maroon 5 on your list of bands to see live because you will not be disappointed.

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Maroon 5 have been constant and consistent in the charts over their long career which now spans almost fifteen years. The band, fronted by Adam Levine has come along way since the immediate success with 'Songs For Jane'. Now working on their sixth album, they obtain a consistency within their live show to match.

Armed with a plethora of hits, the band tear into 'One More Night' from the 2012 album 'Overexposed'. The audience singalong as Levine confidently struts around the stage commanding his loyal followers. A good mixture of material old and new make for a solid setlist where the band are able to show consistency through their recordings as the likes of 'Sunday Morning' and 'Maps' sit well together and achieve an equally positive reaction.

A real track of the 00's, 'She Will Be Loved' makes for perhaps the largest singalong of the evening as the crowd proudly attempt the high, long notes in the same way Adam does during the chorus. Evidently hitting their stride with latest album 'V', Maroon 5 impress crowds by remaining as relevant now as they were during their incarnation back in 2002.

sean-ward’s profile image

This is my second show in the last 2 years and neither time was I disappointed in the least. This time I was fortunate enough to have the money I saved to purchase pretty good seats. I am now spoiled and can no longer sit in the stands. I am already saving my money for the next US tour in hopes to be even closer next show. No matter where your seats though....Adam is all over the stage in high energy, which is very infectious!! Anyone who did not enjoy that show, must not have been paying attention. They sounded awesome live...awesome!! Adam made the audience feel as though they were part of the show and VERY, VERY much appreciated! The lights were perfect, the set list was awesome as well. They played much longer than most people expected and the encore was just as great as the rest of the show, maybe even better. Maybe that is because I am partial to "Moves Like Jagger" and there it was....This was worth every dollar I paid, which was way more than I would pay to see anyone but maroon 5!! If you get a chance to see them sometime....make it a point....you will fall in love!!

laura-shanafelter’s profile image

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mikehenry1128’s profile image

This is a proposal that will change your life,when i join the Illuminati society 5 months ago,before i was a businessman who was trying to be more successful and I needed a new idea, I was lucky to be chatting with one of the great businesswomen in Finland, Then she introduce me to the Illuminati society, That I should contact Lord Alufa on Whatsapp Number +2349018100439, Which I did, Grand Master Alufa explained everything to me about the society, I understand that it was not evil or satanic, but helping each other and sharing new ideas, I got registered into the society through Lord Alufa, After the registration, the society donates a huge sum of 5 million euros to me, When I was invited to the meeting, then I saw so many great men and woman who I admire. Since I join this society, I enjoy all prosperity and success in my life, join the wise and get wiser, information of Lord Mr. Alufa EMAIL: ([email protected]) or WhatsApp or call +2349018100439

IT WAS SOOOOOO AMAZING. they played all the songs i grew up listening to so all the memories just came flooding in and it was simply the best experience EVERR! seeing my favs live in concert was so LIT. What Lovers Do, Payphone, Maps, Cold, Sugar, Sunday Morning, Wait, Girls Like You, This Love AND MOVES LIKE JAGGER WOOO these are all my favourites and they played all of them AND MORE!!! i can’t barely describe how amazing this experience was. i was a bit upset that they didn’t perform an encore and some songs from the album that i really thought would be played like Help Me Out and Whiskey. from what my sister told me, Maroon 5 performed an encore last time round so i was quite let down when the concert ended without an one this time. nevertheless, it was a still a fantastic performance and i really hope to see them again soon!!!

jeselle-maegan-somas’s profile image

No food allowed into the event, and the only food available from vendors was junk food (3-4 different pizza vendors, 2-3 sub vendors), not 1 single option for those wishing to eat healthy (not even a freaking salad was available anywhere).

Paid over $300 for "zone 1 seating", which was PACKED and there really was no "seating" as it was on the beach and turned into a free for all battle for a spot.

Lines into and out of "seating zones" were HORRIBLE throughout the ENTIRE event! The shitty food vendors were located past "zone 3" which meant that getting a bite to eat was about an hour process for those of us in zone 1!

Absolutely the last time I'm ever attending a concert at this venue!

As for the show itself, Maroon V was good, but for some reason decided to only play 3-4 songs from their new album.. Go figure.

griddelman’s profile image

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Maskontravel’s profile image

I've been waiting to see Maroon 5 for 6 years and I'm so glad I finally did it.

I love that they didn't lose the essence of them as a pop rock band and a as a collective of musicians rather than just Adam Levine, especially since that's what it seems like in recent albums V and Red Pill Blues.

They started the show with videos and interacted a lot with the audience which made it a memorable show!

That said, Adam Levines voice was a little off... most of the time. He can't hit high notes and instead of really singing the lyrics sometimes it seemed like he was talking.

Still enjoyed the solos and appreciate that they played more "rock" songs like Harder To Breathe as well as their very recent pop music.

colomba-klenner’s profile image

The band was really good at times, but Adam Levine did not seem to be at his best. Entire show including encore was 1:20. No real effects, which is ok, if the music is great, but no one was super impressed with the performance. Maybe an off day. If you are thinking about getting the VIP package- DON'T! Complete rip off and Maroon 5 and VIP Nations EU should be ashamed. Grocery bag with Maroon 5 on it, a lanyard, a silk screen pillow (seriously), and cheap sunglasses. No band photos, certainly no pictures with you and the band, no autographed anything. Complete and utter SH*T for your extra money. They also made us wait outside for 35 minutes, 28 degree heat, beyond their published entrance opening, no apology. Awful!

bear-2’s profile image

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