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New Others Part One

Moving on the Edges of Things

Variations & Rarities: 2004​-​2019 Vol. II

Variations & Rarities: 2004​-​2019 Vol. I

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This will destroy you presents: tunnel blanket 10 year anniversary, latest setlist, this will destroy you on march 23, 2024.

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This Will Destroy You

​This Will Destroy You tour dates: 7 concerts in 2 countries

About this will destroy you.

This Will Destroy You, often abbreviated to TWDY, is an American experimental rock band from San Marcos, Texas, formed in 2004. They typically compose lengthy atmospheric instrumental pieces, featuring layers of effects-laden guitar and a heavy usage of dynamics. Their latest album, Another Language, was released in September, 2014, and entered the Billboard Heatseekers Album Chart at number 7.

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This Will Destroy You

Christopher tignor + ilyas ahmed.

• Date May 24 , 2024
• Doors Open 8:00 PM
• Venue Neumos
• Ticket Prices $22.00 - $25.00
• On Sale On Sale Now
• Ages 21 & Over

Since 2004, This Will Destroy You has been forging some of the world's most brutal, dynamic, and precariously visceral instrumental rock. In addition to a vigorous tour schedule, their celebrated discography and critically renowned soundtrack work for feature films and documentaries have earned them a sizable and fervent international following. Another Language, TWDY's fourth full length LP, marks their euphonious return from a prolonged vacuous dark period that threatened to break both the band and the members themselves. Rather than be stifled by their experience TWDY were atomized and subsequently made anew, emerging with a revived energy and reinforced sense of solidarity. As a result, Another Language captures the band at its most potent, honed, and utterly powerful form yet, displaying an edified unity and graduated sense of song-writing, tonal complexity, and studio prowess. TWDY's new found clarity of vision would come after a state of near dissolution that ensued after the massive success of their 2006 debut Young Mountain and 2008's eponymous follow up. Personal struggles, growing pains, the loss of band members, and a series of close, untimely tragedies set the tone for what would be the band's darkest and most introspective album yet, 2011's Tunnel Blanket. The following two years stress tested the band to the point of ruin; consecutive continent-hopping tours as well as the pressures of matching their previous two albums' accomplishments took a nearly unbearable toll. TWDY's spirits were lifted when both independent filmmakers and Hollywood began to eye their discography for prominent placement in several critically acclaimed films, including the Oscar-winning Moneyball. The arrival of 2013's Live in Reykjavik triple LP was warmly received by fans and critics alike, further rejuvenating the band after years of relentless, grinding tours. In October of 2013 TWDY returned to Elmwood Recording, once again working with engineer John Congleton, fully prepared to construct their next work from the inside out.

From the opening moments of Another Language it is clear that the band has achieved its aim. The reflective opening dialogue of guitar, choral-like organ, and shimmering Rhodes on New Topia float over nuanced warbling swells of tape before being completely disintegrated by a shock wave of blistering guitars, bass, and locomotive poly-rhythms. These peaks and valleys of emotive dynamism are expertly guided by the dexterous drum work of Alex Bhore, who offers up droves of ghost-notes and compounded cadences that energize the album with a fully realized freedom of movement. The band's frequency spectrum now extends to new heights via adornments of tubular bells, microcassette manipulations, and washes of tuned feedback by guitarists Christopher King and Jeremy Galindo while bassist Donovan Jones ensures that the band's roots dig deep into the netherworld of sub-frequencies. An earthy realism can be heard throughout Another Language's nine tracks, as if all of its sound sources have been so heavily disguised under layers signal manipulation that their original form is weathered beyond recognition. Composition duties were shared equally more than ever, offering TWDY an opportunity to delve deeper into the writing process with an unprecedented level of cohesion.

Forced to redefine themselves as individuals, artists, and as a unit, TWDY's Another Language exudes a corporeal sense of the formidable journey, which was overcome in order to arrive at their newly galvanized state of confidence and artistry.

This Will Destroy You is Jeremy Galindo, Christopher King, Donovan Jones, and Alex Bhore. "Another Language" recorded by John Congleton, Alex Bhore, and Christopher King. Mixed by John Congleton except "The Puritain" mixed by Christopher King and Jeremy Galindo. Mastered by Alan Douches. Strings by Jonathan Slade. Art by Land.

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presents: Tunnel Blanket - 10 Year Anniversary Performance of the Full LP + Opening Set by Christopher Tignor

Sat December 30th, 2023

Minimum Age: 16+

Doors Open: 6:30PM

Show Time: 7:30PM

Event Ticket: $20

Day of Show: $25

avant-garde

Instrumental.

This Will Destroy You presents: Tunnel Blanket – 10 Year Anniversary Performance of the Full LP w/ Christopher Royal King, Christopher Tignor, Jesse Kees, Robi Gonzalez – Plus Special Guest Appearance by George Clarke of Deafheaven + String Quartet with an Opening Set by Christopher Tignor

Ticketing Policy

Proof of vax is NOT required for this event

This Will Destroy You

This Will Destroy You are a Texan group who compose lengthy, atmospheric instrumental pieces utilizing a variety of guitar effects and dynamic changes. Incorporating influences such as shoegaze, ambient, and doom metal, they reject the “post-rock” label that is usually applied to them. Initially appearing with a well-received 2005 demo EP, Young Mountain, the group continued to evolve their sound through subsequent releases including the metal-influenced Tunnel Blanket (2011) and the drone-heavy Another Language (2014).

The band formed in San Marcos, Texas in 2005. Members Chris King (guitars), Jeremy Galindo (guitars), Raymond Brown (bass), and Andrew Miller (drums) came together under the notion of pursuing a purely instrumental project, and recorded their demo — which would end up being released as is — shortly after getting together. The EP, Young Mountain, was critically acclaimed, and the band inked a deal with Magic Bullet Records .

Brown was out of the band by 2007, replaced by Donovan “Dono” Jones, who took over bass duties as well as adding haunting Rhodes keyboards and other keyboard tones. Their self-titled full-length was released in 2008 and followed the next year by a split album with friends the Lymbyc Systym titled Field Studies. Around the same time Miller dropped out as drummer, replaced by new timekeeper Alex Bhore. The year 2010 saw the release of the EP Moving on the Edges of Things as well as the Communal Blood single.

The band progressively moved toward a dark hybrid of doom metal and shoegaze as the years went by. Proper second album Tunnel Blanket materialized in 2011 and saw release on the Suicide Squeeze label. Various remixes and appearances on compilations and film soundtracks kept This Will Destroy You busy, and they released a live album in 2013 with Live in Reykjavik, Iceland. Three years after Tunnel Blanket, and amid troubling times for the entire band, fourth album Another Language was released in the fall of 2014. The group kept busy touring during the next few years, and a single for the Another Language track “The Puritan” was issued in 2017, featuring a remix by Julianna Barwick . Two albums, New Others Part One and Two, were released in quick succession in 2018. ~ Fred Thomas, Rovi

Christopher Royal King

Christopher Royal King is a musician and composer based in California. He is a member of This Will Destroy You and has a number of solo and collaborative projects to his name.

His collaborative album ‘musica para nuevos tiempos’ with Chilean composer Nico Rosenberg is due to be released in Spring 2021 on INNI Music.

Christopher Tignor

Christopher Tignor (born March 15, 1976) is an American composer, musician, and software engineer based in New York City. A founding member of post-rock acts Slow Six and Wires Under Tension, Tignor is primarily known for his solo work as an electro-acoustic violinist “making computers coexist in harmony with acoustic instruments in a live setting”. Tignor has composed and recorded string arrangements for This Will Destroy You, John Congleton, Keith Kenniff, Lymbyc Systym, and more.

Jesse Kees is a Louisiana-born artist working in both aural and visual art. His background is in sound design and skateboarding.

George Clarke

George L. Clarke is a musician, writer and photographer best known as the founding member of acclaimed rock band Deafheaven.

Clarke is a founding member of the music and art collective Alto Arc.

As of 2023, Clarke has provided photography for Blue Note Recordings, Epitaph Records and more.

He currently resides in Brooklyn, NY.

Photo by Ebru Yildiz

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Young Mountain

Young Mountain (10th Anniversary Edition)

S/T (Self-Titled)

S/T (10th Anniversary Edition)

Field Studies

Tunnel Blanket

Moving on the Edges of Things

Their Celebrations

Live in Reykjavik, Iceland

Another Language

New Others Part One

New Others Part Two

Variations & Rarities: 2004-2019 Vol. I

Variations & Rarities: 2004​-​2019 Vol. II

Escape Angle

Black Dunes

The Puritan

Go Away Closer

This Will Destroy You Los Angeles, California

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• May 4 Parish Austin, TX
• May 24 Neumos Seattle, WA
• May 25 Aladdin Theater Portland, OR
• Jun 21 Crystal Ballroom at Somerville Theatre Somerville, MA
• Jul 25 Hi-fi Indy & Hi-fi Annex Indianapolis, IN
• Jul 25 The HiFi Indy Indianapolis, IN

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This Will Destroy You

Instrumental rock from Texas. Guitarists Chris King and Jeremy Galindo, bass player and keyboardist Donovan Jones, and drummer Alex Bhore typically more...

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Megadeth Announces Destroy All Enemies U.S. Tour

Featuring Mudvayne and All That Remains

Tickets for the 33-city nationwide tour on-sale this friday, april 26.

Megadeth is bringing its iconic live show to North America with a 33-city, nationwide tour, Destroy All Enemies, produced by Live Nation, this fall including stops in Los Angeles, Las Vegas, Boston, St. Louis and many more. Tickets for all dates will be on sale Friday at 10am local time with an exclusive presale for the Cyber Army/Megadeth Digital beginning today, Tuesday, April 23 at 12pm local time Megadeth.com .

Bringing along Mudvayne and All That Remains, the tour begins in Rogers, Arkansas on August 2 and runs throughout the month before wrapping in Nashville, Tennessee on September 28. Performing classic hits from Rust In Peace, Countdown to Extinction and more, the tour also brings Dave Mustaine and bandmates back to North America to perform their latest studio album The Sick, the Dying… and the Dead! Featuring some of Mustaine’s strongest-ever songwriting, the tour offers an equally ambitious live performance that delivers on all fronts.

“Our ‘Crush The World’ tour has been a tremendous experience for the four of us,” shared Dave Mustaine. “We are all playing tight, and that has made it possible for me to really focus on solos and singing, we are playing more songs than ever before, and we are closer to each other, onstage AND off. I’m excited to see Mudvayne, and All That Remains. Join us as we DESTROY ALL ENEMIES.”

The North American jaunt comes on the heels of a highly anticipated and successful stint in Latin America wrapping this month and starting back up in Europe this summer. With stops in Peru, Chile, Argentina, Brazil and México and forthcoming dates in Sweden, Italy, France, Germany and more, the band’s global appeal and lasting impact is more apparent than ever as continued calls for international touring are demanded.

Megadeth, alongside founder and frontman Dave Mustaine, are renowned for their unparalleled energy and mastery on stage. In 2023, the GRAMMY-Award winning band dominated arenas and festivals, reaffirming its status as one of heavy metal’s most formidable live acts. Dubbed “as ferocious and hard-hitting as ever” by AllMusic , Megadeth enjoyed sold-out shows and critical acclaim on the latest run of the Crush The World Tour captivating audiences and showcasing the latest and greatest hits.

For more information and to purchase tickets to the Destroy All Enemies Tour, visit www.megadeth.com .

Destroy All Enemies U.S. Tour 2024

Aug 2               Rogers, AR                   Walmart AMP

Aug 3               Houston, TX                 713 Music Hall

Aug 5               Albuquerque, NM          Isleta Amphitheatre

Aug 6               Denver, CO                  Ball Arena

Aug 8               Phoenix, AZ                  Talking Stick Resort Amphitheatre

Aug 9               Los Angeles, CA           YouTube Theater

Aug 10             Concord, CA                 Toyota Pavilion at Concord

Aug 12             Auburn, WA                  White River Amphitheatre

Aug 13             Bend, OR                     Hayden Homes Amphitheater

Aug 16             Las Vegas, NV              Bakkt Theatre at Planet Hollywood

Aug 17             Salt Lake City, UT         Maverick Arena*

Aug 20             Irving, TX                      The Pavilion at Toyota Music Factory

Aug 21             Austin, TX                     Germania Insurance Amphitheater

Aug 23             Macon, GA                   Atrium Health Macon Amphitheater*

Aug 24             West Palm Beach, FL    IThink Financial Amphitheatre

Sept 3              Tinley Park, IL               Credit Union 1 Amphitheatre

Sept 5              Huntington, WV             Marshall Health Network Arena*

Sept 6              Charlotte, NC                PNC Music Pavilion

Sept 7              Raleigh, NC                  Coastal Credit Union Music Park at Walnut Creek

Sept 9              Reading, PA                 Santander Arena*

Sept 10             Albany, NY                   MVP Arena*

Sept 11             Boston, MA                   Leader Bank

Sept 13             Bethel, MY                    Bethel Woods Center For The Arts

Sept 14             Wantagh, NY                Northwell Health at Jones Beach Theater

Sept 15             Richmond, VA               Virginia Credit Union Live!*

Sept 17             Cincinnati, OH               Riverbend Music Center

Sept 18             Pittsburgh, PA               Stage AE

Sept 20             Noblesville, IN               Ruoff Music Center

Sept 21             Clarkston, MI                Pine Knob Music Theatre

Sept 24             Minneapolis, MN           The Armory

Sept 26             St Louis, MO                 Hollywood Casino Amphitheatre STL

Sept 27             Southaven, MS             Bankplus Amphitheater at Snowden Grove*

Sept 28             Nashville, TN                Nashville Municipal Auditorium

*Non Live Nation Dates

About Megadeth:

With a musical legacy spanning four decades, Megadeth has sold in excess of 50 million albums worldwide earning numerous accolades including 1 Grammy award with 13 nominations and five consecutive platinum albums. Megadeth’s debut album, Killing Is My Business… And Business Is Good! was named by VH1 as the “Greatest Thrash Metal Debut Album of All Time.” The band’s latest album The Sick, The Dying… And The Dead! was released in September 2022 via Tradecraft/UMG. It debuted at No. 1 across Billboard’s Top Rock, Hard Rock, and Alternative Albums charts, and No. 3 on the Billboard 200, and the lead single “We’ll Be Back” was nominated for a GRAMMY Award for Best Metal Performance.

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com .

Megadeth Media Contact: Sara Jordan Jacobson | [email protected]

Live Nation Contact:

Live Nation Concerts

Monique Sowinski | [email protected]

Navier Grimes | [email protected]

Read more about

Megadeth 2024 North American tour With Mudvayne and All That Remains: Presale code, dates, venues, & all you need to know

M egadeth announced the dates for a North American tour called 'Destroy All Enemies' on Instagram this Tuesday. The upcoming outing, which begins on August 2, will have the support of two esteemed guest performers - Mudvayne and All That Remains.

The 'Destroy All Enemies' tour spans over four weeks and will support the thrash-metal band's album - The Sick, the Dying… and the Dead! - released in 2022. Live Nation is producing the band's tour this time around, starting this Wednesday, April 24, at 10:00 local time, you can access the presale on Livenation.com using the presale code 'RIFF.'

Starting from April 23, individuals can access a fan club presale for the tickets by registering for the Cyber Army on the band's website. Individuals with Citi cards can also access the member presale that began at 10:00 am local time this Tuesday.

Fans can book the general tickets through Ticketmaster starting at 10:00 am local time on April 26. While the pricing may vary by venue, the tickets are available between average prices of over $40 to $200.

Everything to know about Megadeth's 'Destroy All Enemies' Tour

After successfully concluding the international tour this April, Megadeth will go on another outing across North America for the 'Destroy All Enemies' tour. The band's national tour will begin in Arkansas with the first performance at the Walmart AMP venue on August 2.

Megadeth will tour for over four weeks while holding shows at national venues like - Houston's 713 Music Hall, Denver's Ball Arena, Concord's Toyota Pavilion, Utah's Maverick Arena, and more. The American thrash metal band will also take over the stages at Tinley Park's Credit Union 1 Amphitheater, Charlotte's PNC Music Pavilion, Reading's Santander Arena, Albandy's MVP Arena, and Boston's Leader Bank.

Megadeth will then entertain fans across Bethel, Wantagh, Richmond, Cincinnati, Pittsburgh, Noblesville, Clarkston, Minneapolis, St Louis, and Southaven. Supported by Mudvayne and All That Remains, the band will conclude the 'Destroy All Enemies' tour with a last performance in Nashville, Tennessee at the Nashville Municipal Auditorium on September 28.

The full set lists for the tour are yet to be revealed, but Billboard has reported that Megadeth will perform classic hits from albums like - Countdown to Extinction , The Sick, the Dying... and the Dead! , and Rust in Peace , among others.

The venues and dates for Megadeth's 'Destroy All Enemies' tour are:

• August 2 – Walmart AMP, Rogers, Arkansas
• August 3 – 713 Music Hall, Houston, Texas
• August 5 – Isleta Amphitheater, Albuquerque, New Mexico
• August 6 – Ball Arena, Denver, Colorado
• August 8 – Talking Stick Resort Amphitheater, Phoenix, Arizona
• August 9 – YouTube Theater, Los Angeles, California
• August 10 – Toyota Pavilion at Concord, Concord, California
• August 12 – White River Amphitheatre, Auburn, Washington
• August 13 – Hayden Homes Amphitheater, Bend, Oregon
• August 16 – Bakkt Theater at Planet Hollywood, Las Vegas, Nevada
• August 17 – Maverick Arena, Salt Lake City, Utah
• August 20 – The Pavilion at Toyota Music Factory, Irving, Texas
• August 21 – Germania Insurance Amphitheater, Austin, Texas
• August 23 – Atrium Health Macon Amphitheater, Macon, Georgia
• August 24 – iThink Financial Amphitheater, West Palm Beach, Florida
• September 3 – Credit Union 1 Amphitheater, Tinley Park, Illinois
• September 5 – Marshall Health Network Arena, Huntington, West Virginia
• September 6 – PNC Music Pavilion, Charlotte, North Carolina
• September 7 – Coastal Credit Union Music Park at Walnut Creek, Raleigh, North Carolina
• September 9 – Santander Arena, Reading, Pennsylvania
• September 10 – MVP Arena, Albany, New York
• September 11 – Leader Bank, Boston, Massachusetts
• September 13 – Bethel Woods Center for the Arts, Bethel, New York
• September 14 – Northwell Health at Jones Beach Theater, Wantagh, New York
• September 15 – Virginia Credit Union Live, Richmond, Virginia
• September 17 – Riverbend Music Center, Cincinnati, Ohio
• September 18 – Stage AE, Pittsburgh, Pennsylvania
• September 20 – Ruoff Music Center, Noblesville, Indiana
• September 21 – Pine Knob Music Theatre, Clarkston, Michigan
• September 24 – The Armory, Minneapolis, Minnesota
• September 26 – Hollywood Casino Amphitheater STL, St Louis, Missouri
• September 27 – Bankplus Amphitheater at Snowden Grove, Southaven, Mississippi
• September 28 – Nashville Municipal Auditorium, Nashville, Tennessee

Megadeth's latest album, The Sick, the Dying… and the Dead! came out on September 2, 2022. The 12-track album includes hits like Life in Hell , Night Stalkers , Sacrifice , Soldier On! , Mission to Mars , We'll Be Back , and more. It is the band's first album with drummer Dirk Verbeuren and their last with guitarist Kiko Loureiro.

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• Latest News

Fresh Evidence: Revisiting Rory Gallagher’s Sublime 80s Albums

‘duck rock’: malcolm mclaren’s fascinating 1983 album, ‘you’re gonna get it’ how tom petty blossomed as a songwriter, mon laferte’s best songs: tracks of love and courage, ‘disintegration’: how the cure perfected the art of falling apart, ‘(i just) died in your arms’: cutting crew cut through, when ‘carol’ stole everybody’s heart away, ‘stax: soulsville u.s.a.’ to premiere on hbo, billy idol performs ‘rebel yell’ on nbc’s ‘today’, gracie abrams returns with new single ‘risk’, julius rodriguez announces new album ‘evergreen’, the john lennon estate teams with lumenate for ‘meditation mixes’ of ‘mind games’, pearl jam and zane lowe talk new record ‘dark matter’, ghost’s feature film ‘rite here rite now’ will premiere this june, megadeth announces ‘destroy all enemies’ u.s. tour.

The tour begins in Rogers, Arkansas on August 2.

Published on

Megadeth is bringing its iconic live show to North America with a 33-city, nationwide tour, titled Destroy All Enemies.

Shop the best of Megadeth’s discography on vinyl and more.

This fall tour includes stops in Los Angeles, Las Vegas, Boston, St. Louis, and more. Tickets for all dates will be on sale Friday (April 26) at 10am local time with an exclusive presale for the Cyber Army/Megadeth Digital that is live now.

‘Electric Warlock’: How Rob Zombie Once Again Wove His Dark Magic

Def leppard share 40th anniversary edition of ‘pyromania’.

Bringing along Mudvayne and All That Remains, the tour begins in Rogers, Arkansas on August 2 and runs throughout the month before wrapping in Nashville, Tennessee on September 28.

Performing classic hits from Rust In Peace , Countdown to Extinction , and more, the tour also brings Dave Mustaine and bandmates back to North America to perform their latest studio album The Sick, the Dying… and the Dead! Featuring some of Mustaine’s strongest-ever songwriting, the tour offers an equally ambitious live performance that delivers on all fronts.

“Our ‘Crush The World’ tour has been a tremendous experience for the four of us,” shared Dave Mustaine. “We are all playing tight, and that has made it possible for me to really focus on solos and singing, we are playing more songs than ever before, and we are closer to each other, onstage AND off. I’m excited to see Mudvayne, and All That Remains. Join us as we DESTROY ALL ENEMIES.”

The North American jaunt comes on the heels of a highly anticipated and successful stint in Latin America wrapping this month and starting back up in Europe this summer.

Megadeth, alongside founder and frontman Dave Mustaine, are renowned for their unparalleled energy and mastery on stage. In 2023, the Grammy-Award winning band dominated arenas and festivals, reaffirming its status as one of heavy metal’s most formidable live acts. Dubbed “as ferocious and hard-hitting as ever” by AllMusic , Megadeth enjoyed sold-out shows and critical acclaim on the latest run of the Crush The World Tour captivating audiences and showcasing the latest and greatest hits.

Visit Megadeth’s official website for tour dates and more information.

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The Secret Push That Could Ban TikTok

U.s. lawmakers have long worried that the chinese government could use the app to spread propaganda..

This transcript was created using speech recognition software. While it has been reviewed by human transcribers, it may contain errors. Please review the episode audio before quoting from this transcript and email [email protected] with any questions.

From “The New York Times,” I’m Sabrina Tavernise. And this is “The Daily.”

[THEME MUSIC]

American lawmakers have tried for years to ban the video app TikTok over concerns that its ties to China pose a national security risk. Last week, they passed a law that might finally do it. Today, my colleague, Sapna Maheshwari, on the secret effort behind the law and what a ban would mean for the company’s 170 million American users.

It’s Tuesday, April 30.

So Sapna, tell me about this law that just passed that potentially bans the social media app TikTok. We’ve seen efforts in the past to rein in TikTok, but this one really seems like the most substantial yet.

It’s a huge deal. What this law really does is it puts the future of this hugely popular app with 170 million American users into question. TikTok has reshaped the way many people listen to music. It’s changed the way we cook. It’s made a whole different kind of celebrity.

But it’s never been able to shake these concerns around the fact that it has really close ties to China. It’s owned by a Chinese company, ByteDance. And lawmakers, for years, have been worried that the Chinese government could somehow use ByteDance and TikTok to get information on Americans or possibly spread propaganda.

President Trump tried to ban it in 2020. The State of Montana tried to ban this app last year. TikTok has largely survived those challenges, but this time it could actually be banned in the United States.

So let’s talk about this. Why did this effort succeed where the other ones failed?

So it’s an interesting story.

Here we go.

The committee will come to order.

And it really dates back to this hearing about a year ago that Congress had with Shou Chew, the CEO of TikTok.

Mr. Chew, you are here because the American people need the truth about the threat TikTok poses to our national and personal security.

Members of the committee, thank you for your time.

— TikTok has repeatedly said that it has addressed these national security concerns and that there’s no issue here. And you can hear that when Shou Chew testified.

Let me start by addressing a few misconceptions about ByteDance of which we are a subsidiary. ByteDance is not owned or controlled by the Chinese government.

He’s saying American investors are behind ByteDance.

Now, TikTok itself is not available in mainland China. We’re headquartered in Los Angeles and in Singapore.

And I myself am Singaporean. I live in Singapore.

The bottom line is this — American data, stored on American soil, by an American company, overseen by American personnel.

And we are actually going above and beyond what American technology companies do to keep things safe.

And I look forward to your questions. Thank you very much.

And is Congress convinced by that?

Congress is not convinced by that.

ByteDance is a Chinese company?

Well, ByteDance owns many businesses that operates in China.

Is it or is it not a Chinese company?

Congressman, the way we look at it, it was founded by Chinese entrepreneurs.

No, no, no, no. I’m not asking how you look at it. Fact, is it a Chinese company or not? For example, Dell is a company —

It was this really fiery, five-hour hearing, where Republicans and Democrats asked really contentious questions.

We do not promote or remove content at the request of the Chinese government. Will you repeat —

The question is, are you percent certain that they cannot use your company to promote such messages?

It is our commitment to this committee and all our users that we will keep this free from any manipulation by any government.

OK. If you can’t say it 100 percent certain I take that as a no.

There’s this underlying sense of distrust around the company and its ties to China.

I will remind you that making false or misleading statements to Congress is a federal crime.

I understand. Again, you can go on our platform. You will find that content.

And it becomes clear through the hearing that, across the board, Republicans and Democrats largely feel the same way.

Mr. Chew, I got to hand it to you. You’ve actually done something that in the last three to four years has not happened except for the exception of maybe Vladimir Putin. You have unified Republicans and Democrats.

So within weeks of this hearing, this small group of lawmakers gets together. And they say, let’s come up with a law that works where all the other ones have failed and actually make TikTok answer to its Chinese connections once and for all.

So tell me about this small group of lawmakers. Who are they?

So it starts with Republicans. Among them is Steve Scalise, one of the most powerful Republicans in the House. And a small group sort of works together for a few months, but they realize that in order to really make this law work, they’re going to need Democrats. So they end up working through this House Committee that’s focused on China and competition. And this is where the bulk of the work on this bill takes place.

And just to note, this is a really small group. There’s less than 20 key players who are working on this. And all throughout, they are keeping this very, very secret.

And why exactly are they keeping it secret? What’s the point of that?

So this group really wanted to keep this out of the eyes of TikTok, which has a huge lobbying presence in DC, and has successfully worked to kill bills that targeted TikTok in the past. And what they’re really doing is looking at all of the past efforts to either force a sale or a ban of TikTok, and trying to work their way through why those plans didn’t succeed and what they can do differently.

But while the lawmakers are working on this bill, something big happens that kind of changes the politics around it. And that’s October 7.

Your social media feeds are unique to you, but could they be shaping how you view the Israel-Gaza War? The BBC’s —

As the war breaks out and people start getting information about it, a lot of people are getting information about the Israel-Hamas War on TikTok, especially young people.

Social media algorithms seem to be driving some users towards increasingly divisive posts —

And there’s this big messy argument spilling out into living rooms and all over the internet, and, of course on TikTok. And it’s getting very heated. For instance, there’s this moment in the fall where a bunch of TikTok users start sharing this old manifesto.

I read Osama bin Laden’s “Letter to America.”

It’s wild, and everyone should read it.

Go read “A Letter to America.” Seriously, go read it.

That was actually written by Osama bin Laden, defending the 9/11 attacks and criticizing the United States’ support of Israel. TikTok users start trying to tie it to the modern day conflict.

Reading this letter, it becomes apparent to me that the actions of 9/11 were all just the buildup of our government failing other nations.

The way this letter is going viral right now is giving me the greatest sense of relief. Now it’s all coming to light because of Palestine.

And there’s these accusations that TikTok may be promoting one side of the conflict over the other. And a couple of researchers look at hashtags around Palestine, and they say that the data they pulled shows that TikTok is showing way more pro-Palestine videos and not so much for Israel. And this sets off huge alarm bells for this small group of lawmakers.

But isn’t that just a function of the fact that TikTok, at this point, is the public square in the United States for young people? I mean, this is what young people were talking about, and this is where they’re doing the talking.

TikTok has pushed back really forcefully against these accusations. They said that Gallup polls show that young people view Israel differently than older generations. They say that they’re not the ones influencing what people post, that the hashtags and the videos are a reflection of the user base and nothing that they’re doing to influence.

But for lawmakers, this doesn’t really make their concerns go away. Instead, this conflict shows them how TikTok could be used to spread propaganda. It made lawmakers feel that TikTok could be really dangerous when it comes to shaping the views of Americans on foreign policy, on US elections. And what it also does is, it provides this driving force to this group that’s drafting this bill. And they suddenly see that this might be a way to bring more people into their effort.

And so heading into November against this backdrop, they even bring in the White House and the Justice Department to help work on this bill. And with the White House, they want to make sure that this is a bill that the president will support. And they work with the Justice Department to shore up the language in the bill to help defend against court challenges.

Because the Justice Department, of course, would be the one that would have to defend the bill, right?

That’s exactly right. And so they’re trying to make it as rock solid as possible so that they can win in court when TikTok challenges this law. And so March rolls around, and they decide that it’s time to unveil this bill that they’ve been working on for close to a year.

The battle over TikTok on Capitol Hill is intensifying.

This morning, House lawmakers have agreed unanimously to move a bill to a full floor vote.

And TikTok is caught completely flat footed. They didn’t see this coming. And this is just what the group wanted. So TikTok has this army of lobbyists that’s suddenly scrambling. And they go into damage control mode. They start reaching out to members of Congress.

This app is so much more than just an app for dumb TikTok dances.

They fly a group of TikTok stars and small businesses to come to DC —

This is a life-changing apps.

— and lobby on the steps of the Capitol and meet with lawmakers.

Standing up here with all these amazing TikTokers behind me is a complete honor, and every single one of them would voice their opinion just like this. This is how we feel. This has to stop.

They set up interviews between these TikTok creators, as they’re known, and big TV shows and news programs. And they’re doing everything they can to fight against this bill before it goes any further. And then they decide to do something unusual, which is use TikTok itself to try and derail this bill.

How exactly do they do that?

So days after this bill is announced, a ton of TikTok users get a message when they open the TikTok app that basically says, call Congress and tell them not to ban TikTok.

Hmm. OK. So like, literally this window comes up and says, call Congress. Here you go.

Exactly. You can enter your zip code, and there’s a button that appears. And you can press it, and the call goes straight to your representative.

So offices are quickly overwhelmed by calls. And TikTok sent out this message to users on the same day that a House committee is going into vote on this bill and whether to move it forward. And so the stunt happens. They go into vote, and they come out, and it’s 50 to 0 in support of the bill.

One of the representatives who worked on the bill said that this stunt by TikTok turned a lot of no’s into yeses and yeses into, quote, “hell yeses.”

[LAUGHS]: so the whole episode sounds like it actually backfired, right? Like, TikTok’s stunt essentially just confirmed what was the deepest fears of lawmakers about this company, that the app could be used to influence American politics.

That’s definitely how a lot of lawmakers viewed it. And when this bill is brought to the full House a week later, it passes by an overwhelming majority. And weeks later, it passes in the Senate as part of a broader aid package. And on Wednesday, it’s signed into law by President Biden.

But now the question is, what does it mean? Like, how will this actually work? And how will it affect the tens of millions of Americans who use TikTok every day?

[MUSIC PLAYING]

We’ll be right back.

So Sapna, now that Biden has signed this bill, what does it actually mean in practice for TikTok? What does the law do?

So the law is really trying to push ByteDance, the company that owns TikTok, to sell to a non-Chinese owner. And the company basically has nine months for this sale to happen. There’s an option for President Biden to add another three months to that clock. And if the company doesn’t find a buyer or refuses to be sold, it will be banned.

And what would a ban actually mean, Sapna? I mean, people would still have the app on their phones, right? So it wouldn’t disappear overnight.

Yeah, no one’s coming to pick up your phone and to forcibly delete this thing. What the law says is that app stores and web hosting services wouldn’t be allowed to carry TikTok anymore. So basically, it would kind of die a slow death over time, where it wouldn’t be updated and just kind of peter out.

So the bottom line here is that the clock has started on this potential sale, right? They have 12 months to find a buyer. So what are the obstacles here? I mean, it sounds pretty ferociously complicated.

There’s a ton of challenges here. And it’s a very messy choose-your-own adventure. So one of the first big questions is who could buy this?

ByteDance and TikTok are private. We don’t know their financials. But analysts estimate that it will cost tens of billions of dollars. That narrows the buying pool pretty quickly. And a lot of the companies that could afford to buy it, like Meta, the owner of Facebook, or Google, which owns YouTube, would probably be kicked out of the running because they are simply too big. Regulators would say, you already own these big apps. You can’t possibly add this to your stable.

There’d be a monopoly concern there.

Exactly. And then, there’s a lot of questions around how this would work, technically. ByteDance and TikTok are very much global organizations. You have the CEO in Singapore. They have huge operations in Ireland. They have this big workforce in the US. And of course, they do have engineers in China.

So how do you extract all those things, make it all work? It’s a very big international transaction.

And then there is the chance that the Chinese government blocks this sale and says, you cannot do this, ByteDance. We will not allow it.

So Sapna, how does that actually work, though, in terms of China? I mean, can China actually just ban the sale of this company? I mean, it is a private company after all, right?

Well, here’s one way it could work. The Chinese government could block the export of TikTok’s algorithm. And let me explain that in kind of plain English.

They could basically block the technology that fuels the TikTokiness of this app, the recommendations, the magic of it, why you see what you see when you’re looking at TikTok.

TikTokiness, is that an adjective?

That is now an adjective.

[LAUGHS]: Nice.

And there’s a chance that Beijing could say, hey, you can’t export this technology. That is proprietary. And if that happens, that suddenly makes TikTok way, way less valuable.

So the Chinese government could let the sale go through potentially, but as a kind of an empty shell, right? The thing that makes TikTok TikTok, the algorithm, wouldn’t be part of the company. So that probably isn’t very appealing for a potential buyer.

Exactly. And I mean, the role of the Chinese government here is really interesting. I’ve talked to experts who say, well, if the Chinese government interferes to try and block a sale of this app, doesn’t that underscore and prove all the concerns that have been expressed by American lawmakers?

If you’re worried about China being in control of this thing, well, that just confirmed your fears.

Exactly. And I mean, it’s an interesting thing that ByteDance and TikTok have to grapple with.

So bottom line here — selling TikTok is quite complicated, and perhaps not even possible for these reasons that you’re giving, right? I mean, not least of which because the Chinese government might not allow the algorithm to leave the country. And that’s not something that the US Congress has a lot of control over.

So is this law fundamentally just a ban, then?

That’s what TikTok is calling it. Right after this bill was signed into law on Wednesday —

Make no mistake, this is a ban, a ban on TikTok and a ban on you and your voice.

— Tiktok’s CEO made a TikTok — what else?— that explained the company’s position.

Because the freedom of expression on TikTok reflects the same American values that make the United States a beacon of freedom.

He actually argued that TikTok reflects American values.

TikTok gives everyday Americans a powerful way to be seen and heard. And that’s why so many people have made TikTok part of their daily lives.

And he said that this law infringes on the First Amendment free speech rights of Americans who love it and who use it every day.

The facts and the Constitution are on our side, and we expect to prevail again.

So it’s very clear that TikTok plans to challenge this law in court. And the court fight to follow will determine the fate of TikTok’s future in the US.

So is that First Amendment argument that the TikTok CEO is making here going to work?

Nobody wants to put money on that. I mean, the company is really approaching this with the idea that the First Amendment rights of Americans are being infringed on. But if you remember, the government has been working on this law. They’ve been anticipating those challenges. And they can justify an infringing of First Amendment rights in certain cases, including with national security concerns. And so it’ll be up to a judge on whether those concerns pass muster and justify this sale and even a potential ban of TikTok.

Got it. So TikTok will argue free speech, First Amendment. And the government will counter by saying, look, this is about China. This is about America’s national security interests.

That’s right. And the legal experts that I’ve spoken with say this is a really big and sticky area of the law, and it’s a huge case. And they really think that this will go to the Supreme Court, regardless of who wins in the first round of this.

So where does that leave the millions of Americans who use TikTok, and many of them, of course, who earn a living on the platform?

I mean, it’s really uncertain what happens now with the company, and the clock has started ticking. When I’ve looked at TikTok and looked at videos from users —

This is about the impending TikTok ban. And it just triggered me so much. It makes my blood boil, and I have to get this out there.

There’s a lot of shock —

The most success I’ve had has been here on TikTok, and now they’re trying to take it away.

This is so stupid!

— and anger.

You can’t ban apps! You can’t ban things from people!

People are confused.

Word on the street is that in the next 9 to 12 months, TikTok could be banned.

And they’re also caught a bit off guard, just because there have been these years of efforts to do something about TikTok. People on the app have been hearing about a TikTok ban, really, since 2020.

The government can take away a literal app on our phones, and we’re supposed to believe we’re free?

A few TikTokers have said, how can this be the thing that the government is pushing through so quickly?

Can we stop funding a genocide? No. Can we get free COVID tests? No. Can we stop killing the planet? No. Can we at least watch videos on an app of people doing fun things and learn about the world around us? No.

So there’s this sense of distrust and disappointment for many people who love this app.

We got rid of TikTok. You’re welcome. Protecting you from China. You know that phone was made in China. Ah!

And I think there’s also this question, too, around what about TikTok makes it so harmful? Even though it has increasingly become a place for news, there’s plenty of people who simply use this app for entertainment. And what they’re seeing out of Washington just doesn’t square with the reality they experience when they pull out their phones.

And I wonder, Sapna, I mean, just kind of stepping back for a second, let’s say this ban on TikTok succeeds. If it goes through, would Americans be better off?

It depends who you ask. For the users who love TikTok, if it actually disappeared, it would be the government taking away a place where maybe they make money, where they get their entertainment, where they figure out what to read or what to cook next. To free speech advocates, this would be dystopian, unheard of for the government to crack down on an app with such wide usage by Americans.

But for the American political class And the National security establishment, this is a necessary move, one that was years in the making, not something that was just come up with on the fly. And ultimately, it all comes down to China and this idea that you can’t have a social media app like this, a source of news like this, that is even at all at risk of being influenced by the Chinese government and our greatest adversaries.

Sapna, thank you.

Here’s what else you should know today. On Monday, in its latest high-profile showdown with pro-Palestinian protesters, Columbia University gave students until 2:00 PM to clear out from an encampment at the center of campus or face suspension. It appeared to be an effort to remove the encampment without relying on New York City Police, whose removal of a previous encampment there two weeks ago inspired similar protests on campuses across the country.

Free Palestine!

Hi, this is Sharon Otterman reporting for “The New York Times.”

00 PM deadline for protesters to clear out of the encampment at the center of Columbia University has come and gone, and there’s still quite a large contingent inside the encampment.

But Monday’s warning seemed only to galvanize the Columbia protesters and their supporters.

And hundreds of students and others from around the campus have come out to support them. They are currently walking around in a picket around the encampment.

Hundreds of students, standing for or five people deep, encircled the encampment in a show of solidarity. They were joined by members of the Columbia faculty.

There’s also dozens of faculty members, who are prepared to stand in lines in front of the main entrance to the encampment, in case Public Safety or the NYPD move in. But as of 2:00, there was no sign of that happening.

Then, on Monday evening, Columbia announced it had begun to suspend students who had failed to leave the encampment. It was unclear exactly how many students had been suspended.

[PRO-PALESTINE CHANTING]:

Today’s episode was produced by Will Reid, Rachelle Banja, and Rob Szypko. It was edited by Marc Georges and Liz O. Baylen, contains original music by Dan Powell and Marion Lozano, and was engineered by Chris Wood. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sharon Otterman.

That’s it for “The Daily.” I’m Sabrina Tavernise. See you tomorrow.

• May 2, 2024   •   29:13 Biden Loosens Up on Weed
• May 1, 2024   •   35:16 The New Abortion Fight Before the Supreme Court
• April 30, 2024   •   27:40 The Secret Push That Could Ban TikTok
• April 29, 2024   •   47:53 Trump 2.0: What a Second Trump Presidency Would Bring
• April 26, 2024   •   21:50 Harvey Weinstein Conviction Thrown Out
• April 25, 2024   •   40:33 The Crackdown on Student Protesters
• April 24, 2024   •   32:18 Is $60 Billion Enough to Save Ukraine?
• April 23, 2024   •   30:30 A Salacious Conspiracy or Just 34 Pieces of Paper?
• April 22, 2024   •   24:30 The Evolving Danger of the New Bird Flu
• April 19, 2024   •   30:42 The Supreme Court Takes Up Homelessness
• April 18, 2024   •   30:07 The Opening Days of Trump’s First Criminal Trial
• April 17, 2024   •   24:52 Are ‘Forever Chemicals’ a Forever Problem?

Hosted by Sabrina Tavernise

Featuring Sapna Maheshwari

Produced by Will Reid ,  Rachelle Bonja and Rob Szypko

Edited by Marc Georges and Liz O. Baylen

Original music by Marion Lozano and Dan Powell

Engineered by Chris Wood

Listen and follow The Daily Apple Podcasts | Spotify | Amazon Music

American lawmakers have tried for years to ban TikTok, concerned that the video app’s links to China pose a national security risk.

Sapna Maheshwari, a technology reporter for The Times, explains the behind-the-scenes push to rein in TikTok and discusses what a ban could mean for the app’s 170 million users in the United States.

On today’s episode

Sapna Maheshwari , who covers TikTok, technology and emerging media companies for The New York Times.

Background reading

A tiny group of lawmakers huddled in private about a year ago, aiming to bulletproof a bill that could ban TikTok.

The TikTok law faces court challenges, a shortage of qualified buyers and Beijing’s hostility .

Love, hate or fear it, TikTok has changed America .

There are a lot of ways to listen to The Daily. Here’s how.

We aim to make transcripts available the next workday after an episode’s publication. You can find them at the top of the page.

Special thanks to Sharon Otterman .

The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, M.J. Davis Lin, Dan Powell, Sydney Harper, Mike Benoist, Liz O. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Corey Schreppel, Rob Szypko, Elisheba Ittoop, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, John Ketchum, Nina Feldman, Will Reid, Carlos Prieto, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Dan Farrell, Sophia Lanman, Shannon Lin, Diane Wong, Devon Taylor, Alyssa Moxley, Summer Thomad, Olivia Natt, Daniel Ramirez and Brendan Klinkenberg.

Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sam Dolnick, Paula Szuchman, Lisa Tobin, Larissa Anderson, Julia Simon, Sofia Milan, Mahima Chablani, Elizabeth Davis-Moorer, Jeffrey Miranda, Renan Borelli, Maddy Masiello, Isabella Anderson and Nina Lassam.

Sapna Maheshwari reports on TikTok, technology and emerging media companies. She has been a business reporter for more than a decade. Contact her at [email protected] . More about Sapna Maheshwari

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