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List Of Backup Dancers For Taylor Swift’s ERAS Tour 2023

Taylor Swift’s ERAS tour is an amazing concert tour ever in history. Why?

First, it’s on pace to become the 1st concert tour making $1B in ticket sales. Second, its concert film, Taylor Swift: The ERAS Tour, recorded $100+ million on the 1st day of global pre-sales.

Notably, it’s the first film that has received perfect 100% rave reviews on Rotten Tomatoes, with no bad critic reviews so far.

Like all previous shows, Taylor will have the backing of her talented crew of backup singers and dancers.

So, who are Taylor Swift’s backup dancers and choreographers for Taylor Swift’s ERAS Tour 2023?

That’s what we’re going to find out in today’s article! 

Not just their names, we’ll also delve into each dancer’s background, which will help you see exactly why Taylor has picked them to accompany her as she globetrot!

Table of Contents

Natalie Reid

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• https://www.instagram.com/natalie_lecz/

The first backup dancer on the roster is Natalie Reid. Originally from Seattle, Washington, she’s a highly accomplished dancer with a long resume of work and achievements.

After relocating to Los Angeles to attend Chapman University, she swiftly immersed herself in the dance industry, gaining experience in television, industrials, and music videos.

While studying, Reid received extensive training under renowned choreographers Mandy Moore and Dee Caspary at Edge Performing Arts Center. 

She’s performed at many high-caliber shows, including the Emmy and New York City Elan Awards.

Notable television credits include appearances on Late Night with Jimmy Fallon, The Today Show, Rockefeller Center Christmas Tree Lighting, and So You Think You Can Dance as an assistant to Mia Michaels and Mandy Moore. 

This redhead dancer has also showcased her talent as a choreographer and lead performer in the music video promo for Eric Hutchinson’s “OK is Alright with Me”.

Throughout her career, she’s been a member of many notable dance groups, such as the Anaheim Ballet, Rapture Dance Project, and the Odyssey Dance Theatre, with whom she toured extensively in the United States and Europe.

And now, Taylor has hand-selected her to be part of her backup dance crew!

You’ll love: List of Choreographers & Backup Dancers for Madonna’s Celebration Tour

• https://www.instagram.com/nat_b_peterson/

Natalie Peterson, a Los Angeles-based dancer represented by The Movement Talent Agency, is making waves in the industry with her impressive credits.

She was the assistant choreographer for Karol G’s Bichota Tour. Natalie also contributed to numerous noteworthy projects, such as the Moschino fashion film “Lightning Strikes”, the 2021 Billboard Awards, and Karol G’s “Location” music video.

While specializing in Latin Ballroom, Natalie recently became the world champion in American Rhythm at Embassy Ballroom Championship. 

She’s passionate about sharing her expertise. Natalie teaches private lessons and conducts master classes nationwide, particularly focusing on Latin fusion for competitive dance studios.

In 2020, Natalie graduated from Chapman University, earning two bachelor’s degrees in Dance and Public Relations/Advertising.

Check more: List Of Backup Dancers & Choreographers For Beyoncé Renaissance World Tour 2023

• https://www.instagram.com/teetime23/

Tori Evans, originally from Morgan Hill, a small town outside of San Jose, California, is a new name on Taylor’s backup dance crew roster.

She started dancing at a very young age (11 or 12). After high school, she received a scholarship to the University of Arizona, where she further honed her dancing skill, hoping to one day turns it into a professional career.

Following graduation, Tori moved to Los Angeles for her first professional dance job, a year-long tour. This opportunity allowed her to make lasting friendships and kickstart her career. 

Eager to catch up with her peers, Tori dedicated herself to training at Millennium Dance Complex while working at the front desk. Her hard work paid off, leading her to auditions and subsequent bookings. 

She toured the world with the Indi-pop band Empire of the Sun, followed by another world tour with the remarkable Ricky Martin. Tori treasures the experiences and the bond she formed with her colleagues during these tours.

Over the past couple of years, she has had opportunities to work with many A-list artists, such as Cardi B, Jason Derulo, Beyoncé, Maroon 5, and Tyga. 

Tori has also appeared on shows like The Price is Right, The Masked Singer, and the Kelly Clarkson Show.

Eventually, she caught the eyes of Taylor herself and is now an official part of the Eras tour!

Check more: List Of Choreographers & Backup Dancers for P!NK Summer Carnival 2023

• https://www.instagram.com/janravnik/

He has an impressive background in dance competitions, including being named the Best Dancer in Slovenia. This 28-year-old dancer has also worked with other big-name stars like Mariah Carey, Paula Abdul, and Bruno Mars.

Audience members at Taylor Swift’s Eras Tour have been impressed by a male backup dancer who bears a striking resemblance to actor Oscar Isaac. However, the dancer is actually Jan Ravnik.

When The Eras Tour Concert Film was released, many audiences continued to go wild with him. They have been captivated by Jan’s ripped abs on display in unbuttoned costumes during the show, and Twitter is abuzz with swooning fans.

• https://www.instagram.com/tamiyaxlewis/

Not much information is known, unfortunately, about Tamiya Lewis. We know that she’s only 20 years old, but she has already established herself as a notable figure in the dance community. 

Tamiya is recognized as an MVA pro dancer with Velocity Dance Convention, where she not only teaches master classes but also creates breathtaking choreography. 

Her talent and dedication garnered widespread acclaim, including from Taylor herself!

• https://www.instagram.com/whyleyy/

Whyley Keolaokalani Yoshimura, a talented dancer hailing from the islands of Hawai’i, embarked on his professional dance career straight out of high school. 

His journey began by working with Disney artist Mitchell Musso. In 2007, he showcased his talent in Janet Jackson’s “Feedback” music video.

Since then, Whyley’s career has flourished, as he has been privileged to work on world tours, live stage performances, music videos, television appearances, and commercials alongside renowned artists such as Rihanna, Jennifer Lopez, Chris Brown, Christina Aguilera, Nicki Minaj, Justin Bieber, and of course, Taylor Swift on this year’s Eras tour!

Check more: 13+ Famous Backup Dancers for Rihanna

• https://www.instagram.com/rastapha/

Raphael Thomas, a talented dancer, was born on the beautiful island of St. Andrews in Jamaica.

After moving to the United States, his parents recognized his innate passion for movement and enrolled him in dance classes . 

Inspired by Michael Jackson, Raphael initially trained in jazz before delving into tap , ballet, and modern dance at The Asbury Park Technical Academy of Dance for over a decade. 

His thirst for knowledge and growth led him to pursue further training at prestigious institutions such as The Rock School of Penn. 

Ballet, The Kirov Academy, Dance Theatre of Harlem, New Jersey Tap Dance Ensemble, and the Austrian Ballet Company of Tokyo.

Throughout his journey, Raphael discovered new dance forms and found inspiration in training with Rhapsody James, eventually becoming the assistant choreographer of her company, Rhapsody En Danse.

Education-wise, Raphael majored in illustration at St. John’s University. With a strong determination to succeed, Raphael lives by his own quote , “Never say you can’t… because doing so is the first step to shooting yourself down from soaring off the ground.”

In the Eras tour, he made a strong impression on the audience when he showed great energy and dynamics with Taylor on stage in the hit song “Tolerate It”. Many people also nicknamed him The “Tolerate It Guy” or the “Style Guy”

• https://www.instagram.com/taylorbanks39/

​Taylor Banks hailed from the midwest of the United States. Like most professional dancers, she discovered her passion for dance at a very young age – just three years old. 

In an interview, even though she realized she had a knack for it, she didn’t imagine becoming a professional dancer when she was young. 

The final leap of faith that took her into the industry was when she moved to Los Angeles after high school to explore the possibilities.

Since then, Taylor has become a sought-after dancer, gracing national commercials, TV shows, music videos, tours, and awards shows both in the United States and Europe. 

She’s worked with many brands Nike and Reebok, for their marketing campaigns. Taylor has also had the opportunity to work with some of the biggest artists, one of which is, of course, Taylor Swift!

• https://www.instagram.com/kamnsaunders/

Kameron N. Saunders, hailing from St. Louis, MO, is an accomplished dancer and choreographer.

He began his dance journey at the Center of Creative Arts and later earned his BFA from the University of Missouri-Kansas City.

In 2018, Kameron was selected as one of the eight choreographers for the prestigious Choreography Fellowship at Jacob’s Pillow. His exceptional talent and dedication were recognized with a Passion Project Grant from the Jaquel Knight Foundation. 

His work has been featured in VoyageKC magazine, showcasing his artistry and creative vision.

Kameron’s choreographic prowess extends to esteemed dance companies such as Dallas Black Dance Theatre, Saint Louis Ballet, Missouri Contemporary Ballet, and Owen/Cox Dance Group. 

He has also made his mark in the world of fashion, lending his choreography skills to editorial projects like Vogue’s “If I Was An Animal” and Burberry.

Currently, Kameron is a principal dancer in the upcoming musical films “The Color Purple” and “Spirited”. 

With his unique artistic voice and versatile dance abilities, Kameron continues to inspire audiences with his captivating performances and innovative choreography.

• https://www.instagram.com/kevin_kid_xs/

Kevin Scheitzbach is a professional dancer and part of the talented brother duo, FlowXS, from Toronto, Canada.

Currently residing in Los Angeles, Kevin and his brother Michael’s journey in dancing began in competitive studios, regional arts programs, drop-in studios, and conventions, where they honed their skills from a young age.

Driven by their passion, Kevin and Michael relocated to Los Angeles – the world’s capital of entertainment – in the summer of 2021. 

Since then, they have successfully reestablished their connections and secured remarkable dance opportunities. Most recently, Kevin has been picked up by Taylor to come along with her on the Eras tour.

• https://www.instagram.com/sydneymosss/

Sydney Moss, originally from Memphis, Tennessee, has established herself as a remarkable dancer in the industry. 

Her dance journey began at Studio 413, where she trained her fundamental and advanced dancing skills before signing with a dance agency at the age of 14. Sydney boldly moved to Los Angeles in 2016 to pursue her dreams.

Since then, Sydney has collaborated with esteemed choreographers throughout her career, including Kat Burns, Phillip Chbeeb, Nolan Padilla, Mia Michaels, and Tessandra Chavez. 

Her exceptional talent has led her to perform alongside renowned pop artists such as Janet Jackson, Jennifer Lopez, and, most recently, Taylor Swift.

In addition to her performance achievements, Sydney has shared her expertise by teaching young dancers and assisting at renowned conventions such as Radix Dance Convention and Jump Dance Convention.

• Sam McWilliams

https://www.instagram.com/sam_mcdub/

• Audrey Douglass

https://www.instagram.com/audreydouglass/

• Amanda Balen – Associate choreographer

https://www.instagram.com/amandabalen/

• Karen Chuang

https://www.instagram.com/karenschuang/?hl=en  

Who choreographed the Eras Tour 2023?

• https://www.instagram.com/nopenother/

Mandy Moore is the choreographer-in-chief for the entire Eras tour. Every movement you see on stage will have been carefully planned ahead by Mandy and her team.

Born on March 26, 1976, in St. Louis, Missouri, Mandy’s passion for dance ignited at a young age. Like most professional dancers, she started her dancing career early, taking classes in various dance styles, including jazz, ballet , and contemporary.

Her talent and creativity soon caught the attention of the entertainment world, leading her to work with numerous renowned artists and choreograph high-profile events, music videos, and television shows. 

Before choreographing for Taylor, she worked with many A-list artists, such as Madonna and Justin Timberlake. Notably, she’s also the choreographer behind the critically-acclaimed musical La La Land.

Looking at her resume, it’s no wonder Taylor picked her as the choreographer of the year’s show!

• https://www.instagram.com/jhudmoves/

Jeremy Hudson, born on October 31, 1986, received most of his dance training in South Carolina.

His passion for dance led him to compete on the nationally renowned television show “Star Search” as part of a trio after only a few years of training. 

At age 17, Hudson followed his dream and moved back to California to pursue a dance career. 

He prominently choreographed for many award-winning movies, including “Hannah Montana The Movie,” “Princess and The Frog,” “Step Up 3D,” and the remake of “Fame,” where he had a featured dance role. 

Hudson’s work extended to dance television shows such as “Glee”, “So You Think You Can Dance,” “American Idol”, “America’s Got Talent”, “The Oprah Winfrey Show”, “The Jay Leno Show”, and “Dancing with the Stars”.

This year, Jeremy seems to have his work cut out for him as he’s the Associate Choreographer for Taylor’s ERAS tour.

More FAQs about Eras Tour’s Backup Dancers

The lineup includes:

• 14 backup dancers above
• The live band known as “The Agency” has 6 instrumentalists: Amos J. Heller (Bass, Vocals) , Paul Sidoti (Guitar, Vocals) , Michael Meadows (Guitar, Keyboards, Vocals) , David Cook (Musical Director, Keyboards) , Matt Billingslea (Drums) and Max Bernstein (Guitar, Keyboards)
• 4 female backup singers known as “The Starlights” : Jeslyn Gorman, Eliotte Nicole Woodford, Kamilah Marshall, and Melanie Nyema.

The estimated salary for backup dancers on Taylor Swift’s Eras tour can range from approximately $1,200 to $2,500 per show.

For context, a similar industry standard was observed when backup dancers performed with Beyoncé during her Coachella performance in 2021, where they were paid around $2,500 per show.

These figures may vary depending on the specific tour, location, and other factors, but they offer a rough estimate of the compensation backup dancers can expect while sharing the stage with Taylor Swift during her Eras tour.

They are: Tori Evans, Tamiya Lewis, Raphael Thomas, Taylor Banks, Kameron Saunders

Taylor Swift’s concerts are larger-than-life spectacles featuring stunning lighting, exquisite costumes, and a talented army of backup dancers and singers. Attending one of her shows is an absolute must for any Swiftie!

We hope this behind-the-scenes glimpse into Taylor’s backup dance crew has shed light on the dedicated individuals who amplify her beauty and voice on stage.

Who’s your favorite dancer on the roster?

Tell us in the comments!

Related posts:

• Top 10 Most Famous Jazz Dancers (Male & Female)
• Most Famous Bachata Dancers in the World
• 10 Famous Black Dancers To Change The Dance History
• Kyra Nichols: Biography, Weight, Height & More

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The Eras Tour cast: Meet Taylor Swift's dancers, singers and band members

Taylor Swift's The Eras Tour has been out for a week on Disney+ , and there's no doubt some dedicated fans have watched it 13+ times. The three-and-a-half-hour phenomenon is a bedazzled force that moves through 49 songs from Swift's 10 eras. The movie was shot over three nights in Los Angeles and included helicopter, drone and onstage camera angles. By now everyone knows the ringleader of The Eras Tour, but what about the cast and crew who shine alongside her?

Here's a look at Swift's six bandmates, four backup vocalists and 15 dancers featured in the film with the time stamps for when they appear on screen.

More: Covering 'This Swift Beat': Sign up for the Taylor Swift newsletter

'Strike the band up, 1... 2... 3...'

The Eras Tour band is led by Mike Meadows and Max Bernstein. Meadows has been with Swift for more than 15 years, starting on her "Fearless" tour. The guitarist also sings and plays keyboards, cello, harmonica and mandolin. In a cute TikTok, his wife shared a compilation video from Nissan Stadium about how proud she is . Swift places her arm on Meadows during "Love Story" at 33:12.

Max Bernstein rocks out on the guitar, keyboards and pedal steel, which is a steel guitar with pedals and knee levers. He shared a post on Instagram with the caption , "So incredibly grateful to be a little part of the biggest and best show." He joined Swift for the "Reputation Stadium Tour" in 2018. His parents are journalists Nora Ephron and Carl Bernstein, and his brother Jacob is a reporter for The New York Times. Bernstein is to the right of Swift and her "Fearless" heart hands at 26:12.

Paul Sidoti may be the most well known band member. His distinct rocker hair is almost as big as his stage presence. Sidoti has been a vocalist and guitarist with the singer since 2007. He is approachable on the tour and has taken photos with fans in the audience. Sidoti's website also says he's available for "online guitar, bass, and piano lessons via Zoom." Swift touches Sidoti's face during "You Belong With Me" while singing "you've got a smile that can light up this whole town" at 28:15.

Amos Heller is the bassist. Like many of Swift's bandmates, the husband and father of three has been with her since 2007. Heller picked up his first electric bass at 13. His cover of Metallica's "Blackened" shows he's a master thrasher. Swift struts with Heller during "You Belong With Me" at 27:58.

Ooomph! Matthew Billingslea is the drummer crashing the cymbals, beating the toms and pedaling the bass. In 2023, he was nominated for pop drummer of the year at the Drumeo Awards. Billingslea joined Swift's band in 2013 for the Red Tour. Billingslea pops up during "Fearless" at 25:38.

Rounding out the bandmates is Karina DePiano . The classically trained pianist gets a shoutout from the singer following Swift's performance of "Champagne Problems." DePiano performs an interlude at 50:35 while Swift sets a table before singing "Tolerate It." DePiano started 2024 with a Pianote nomination for pop pianist of the year .

'We sing it proudly'

The fearless ladies who make up Swift's choir are "The Starlights."

Up first is Melanie Nyema , the section leader. The vocal virtuoso has backed many artists including Gladys Knight, Sara Bareilles, Solange Knowles, Florence + The Machine and Imagine Dragons. She's been with Swift since 2012 when she performed "We Are Never Ever Getting Back Together" at the VMAs. Check out her spiritual version of "Gotta Have You." Nyema is left of Swift at 30:33 when she hugs "The Starlights."

Kamilah Marshall is the vocalist dance captain. Marshall came into the fold during the Red Tour. Her song "Canyon" showcases her writing and singing in an outpouring of gratitude. The Broadway actress has credits including "Hairspray" and "Lion King." In 2021, she told the Academic Magnet High School newspaper in South Carolina, "I know I’m supposed to be doing what I do.” You can also see her in the dinner scene of " All Too Well: The Short Film ." Marshall is the "cheer captain" on the left at 28:52 during the "Fearless" era.

Jeslyn Gorman joined Swift during her Red Tour. The vocal riffer has a song, "Falling Like Snow," and has toured with stars Meghan Trainor, Jason Derulo, Rita Ora and Nick Jonas. The Florida native and latte enthusiast moved to Los Angeles. Gorman, like the other "Starlights," thanked Swift on her birthday, "Your heart and generosity is beyond BEYOND. And just when I think you’ve DONE IT, you TOP THAT!" Gorman shimmies at 32:40.

Eliotte Woodford wears the purple "Speak Now" dress and bangs the side of her vitrine during the "Look What You Made Me Do" portion of the Eras Tour at 1:07:38. Woodford has been with Swift since 2013. The wife and mother graduated from Washington University in St. Louis, where she was a part of the a cappella group the "Mosaic Whispers." Her singing and dancing reel shows her early work with Swift .

'I don't wanna dance if I'm not dancing with you'

Fifteen dancers led by choreographer Mandy Moore and associate choreographers Amanda Balen and Jeremy Hudson create some of the most iconic moments during the 10 eras. Moore met Swift through mutual friend Emma Stone who worked with Moore on "La La Land." Her credits are extensive. Most recently, she put together the exemplary Ryan Gosling performance of "I'm Just Ken" at the Oscars.

Amanda Balen is the dance captain. The blond beauty hails from Ontario, Canada. She is famous among the Lady Gaga fandom for dancing in several of the star's music videos and being a part of the Roseland Ballroom residency in New York City in 2014. Balen has worked with Katy Perry and Pink. You can find her at 14:18 during "The Man" to the left of Swift.

Tori Evans lights up the stage. In her decade-plus career, the University of Arizona alumnus has been featured in Ricky Martin music video "Qué Rico Fuera" , swam in synchro-formation next to Beyoncé and strutted on "The Masked Singer ." Evans' resume also includes dancing for Cardi B, Mary J Blige, Jason Derulo and Maroon 5. Her dance teacher of 15 years, Lana Wright, told Morgan Hill Life , "Tori was always that ray of sunshine... I always knew Tori could accomplish her goals, if she really wanted it." You can catch Evans during "Blank Space." She hands Swift a glow-up club at 2:13:45.

Audrey Douglass has danced with the devil, in addition to many other television credits. The performer has boogied and waltzed on Netflix's "Lucifer," Apple TV+'s "The Morning Show," FX's "American Horror Story: 1984," Paramount+'s "1923" and "Dancing with the Stars." Douglass serves up sass as "Shay" in Dua Lipa's "Physical" work out video . Dancing runs in the family, because Douglass' older sister, Hannah, was one of the co-captain dancers on Beyoncé's Renaissance World Tour . As the "Lover" house burns down, you can see Douglass to the left of Swift at 2:22:52.

Jan Ravnik (pronounced "yawn") is the smooth dancer who caught the eye of social media with his abs-olutely distracting "Lavender Haze" ladder dance . The Slovenian dancer has worked with Paula Abdul, Mariah Carey, Bruno Mars, Khalid and Luis Fonsi. Ravnik was awarded the "Best Dancer in Slovenia" and credited as the "Best Trainer/Choreographer" by the Slovenian Olympic committee. When he's not grooving on the international stage, he goes for long distance bike rides and takes artsy photos. You can see what's got the internet's attention at 2:36:46.

Taylor Banks strikes like a viper at 55:48, during "...Ready For It?" Banks was born in New Orleans, grew up in Pennsylvania and moved to Los Angeles to shine. The dancer has been moving to the beat since she was 3 and been featured with artists including Justin Timberlake, Jennifer Lopez, Mariah Carey, Cher, Ciara, Chris Brown, Jessie J, The Jacksons, Jason Derulo, Dua Lipa, Billie Eillish and Beyoncé. The fitness model has repped brands like Nike, Reebok, Skechers and Under Armour.

Sydney Moss was born and raised in Memphis, Tennessee. The spunky and fun dancer moved to Los Angeles after high school and has worked with Janet Jackson, Justin Timberlake, Doja Cat, Mariah Carey and Jennifer Lopez. Moss has a beautiful rendition of "You're Losing Me" with fellow dancer Jan Ravnik. She dresses Swift in her bejeweled blazer during "The Man" at 9:03.

Natalie Lecznar is a former Radio City Rockette. The Chapman University graduate married her college sweetheart. She was on Season 5 of "So You Think You Can Dance." The vibrant dancer is easy to spot with her fire-red locks. She is known for her performance in the "Folklore" era when she becomes Rebekah Harkness during the "Last Great American Dynasty" at 1:51:41.

Whyley Yoshimura , why don't you come on over and shake, shake, shake? The dancer notably flips his long hair, still smooth despite the humidity, during "Shake It Off" at 2:17:40. Yoshimura is a native Hawaiian who went to the Kamehameha Schools on Oahu. He started dancing for Janet Jackson at 18 and went on to be her assistant choreographer for the "Unbreakable Tour." He is an LGBTQI+ advocate for the Rainbow Railroad .

Raphael Thomas is the "Tolerate It" star at 54:02. The Jamaican's nickname is "The Sandman." He toured with Mary J. Blige on the "Good Morning Gorgeous" tour , was featured in Rihanna's "Savage X Fenty Show" on Amazon Prime, danced for Janet Jackson in the 85 West Music Festival and lit up the stage with Beyonce during her "Homecoming" performance at Coachella.

Kevin Scheitzbach polishes up real nice! The "Bejeweled" dancer gets a breakout moment at 2:47:13 strutting some of his best moves. Scheitzbach specializes in jazz funk and street styles of dance. He runs FlowXS , a choreography company, with his equally charismatic and talented brother Michael. The two grew up in Toronto, Canada.

Kameron Saunders is the only dancer with a speaking line that he switches up nightly at the Eras Tour during "We Are Never Ever Getting Back Together" at 1:26:33. The ebullient dancer also shines during a "Bejeweled" dance solo at 2:48:10. The Missourian was honored in Kansas City when the council dubbed Jan. 25 Kameron Saunders Day of Dance. You can catch him and his fast-footed moves in the ensemble of "The Color Purple" and "Spirited." Saunders' brother Khalen is a defensive tackle for the New Orleans Saints.

Natalie Peterson is a professional dancer, fitness instructor, dance educator and Amazon influencer . The Chapman University graduate specialized in Latin dance. Before the Eras Tour, she served as the assistant choreographer for Karol G’s "Bichota Tour" and got her Lagree Fitness certification. You can spot her twirling in "Style" on the right of Swift at 2:10:39.

Tamiya Lewis is the crowd pleaser who wheels the "Red" road case onto the stage. During the tour, she opens it to reveal song snippets from "State of Grace," "Holy Ground," "Red" and "Everything Has Changed" (depending on the show). That part was cut from the movie, but you still see her bringing the case onstage to unleash hundreds of red balloons at 1:20:12. The 21-year-old is an alumnus of the Velocity Dance Convention , a dance convention and competition that provides classes to dancers across the U.S.

Sam Mcwilliams is the lovable dancer who appears to the right of Swift at 2:09:56. If you don't blink, you can also catch his famous "Style" flip at 2:10:41. The Oregon native has been dancing for most of his life. Check out a video of him in 2017 dancing to Meghan Trainor's "Me Too." In 2021, he was named the Radix senior male core performer , and he almost made the top 12 on Season 17 of "So You Think You Can Dance." Recently, Mcwilliams showed off his lyrical, limber and tumble talents in a duet dance with fellow dancer Jan Ravnik .

Karen Chuang hands Swift her microphone during "The Man" at 9:26. A few seconds later as she's poring over a typewriter, Swift takes her paper and chucks it. Chuang is officially a Gleek as one of her first television appearances was as a Vocal Adrenaline dancer in "Another One Bites The Dust." She also performed in the 2016 "Grease Live!" and Lady Gaga's Super Bowl halftime show. Chuang graduated Summa Cum Laude from UCLA.

More: A year of the Eras Tour: A look back at Taylor Swift's record-breaking show

Swift and her crew have 69 shows left to perform on the Eras Tour. She will release her 11th era album "The Tortured Poets Department" on April 19 before heading to Paris to perform on May 9.

Don't miss any Taylor Swift news; sign up for the free, weekly newsletter "This Swift Beat."

Follow Taylor Swift reporter Bryan West on  Instagram ,  TikTok  and  X as @BryanWestTV .

Taylor Swift’s ‘Eras’ Tour: Variety Picks the Best Moments, Key Songs, Iconic Outfits and More

Taylor Swift’s Eras Tour is already one for the history books. As the first United States leg wrapped on Wednesday in Los Angeles, Variety staffers were in the crowd singing and dancing along as they had through much of the tour. From the first shows in Glendale, Ariz., to her six-show marathon end run in L.A., Variety has reported on the Eras Tour as it crisscrossed the country.

Swift takes audiences on a journey through her musical eras with a staggering 44-song setlist. The Eras Tour spans the singer-songwriter’s entire discography, from her self-titled debut album to the recently released “Midnights.”

Swift had surprises in store at each performance, including quick outfit changes and guest appearances from Ice Spice, Phoebe Bridgers, Taylor Lautner and more. Gracie Abrams, Haim, Gayle, Muna and Owenn were among the openers on the first U.S. run.

Up next, Swift is journeying to Paris in May of 2024 to kick off the Eras Tour’s U.K./European leg. The singer revealed back in July that Paramore would precede her on stage for the entire European run. The Eras Tour also isn’t saying farewell to the U.S. quite yet, as Swift announced 15 more shows in October and November 2024 in four North American cities: Miami, Indianapolis, New Orleans and Toronto.

In order to toast her first run, we’ve selected our best moments from Swift’s three-hour plus shows. From the complicated choreography to the surprise songs to the dedicated fans, the Eras Tour has redefined the scope of what a pop artist can deliver.

Check out Variety ‘s selection of best moments from the Eras Tour below.

Variety staffers and the shows they saw:

Ellise Shafer, online news editor

Glendale, AZ / State Farm Stadium — March 17 (opening night)

Katcy Stephan, social media editor

Glendale, AZ / State Farm Stadium – March 18

Los Angeles / SoFi Stadium – August 4

Los Angeles / SoFi Stadium – August 7

William Earl, editor of Variety.com

East Rutherford, NJ / MetLife Stadium — May 26

Haley Kluge, creative director

Detroit / Ford Field — June 10

Los Angeles / SoFi Stadium — August 3

Los Angeles / SoFi Stadium — August 8

Emily Longeretta, senior TV features Editor

Los Angeles / SoFi Stadium — August 7

Thania Garcia, associate music editor

Angelique Jackson, senior entertainment writer

Las Vegas / Allegiant Stadium — March 25

Jennifer Maas, TV business writer

Los Angeles / SoFi Stadium — August 9 (closing night)

The mash-up of “August” and “Illicit Affairs” — I don’t think anyone saw that coming, and it was exhilarating to scream: “Don’t call me kid/ Don’t call me baby!” — ES (3/17)

The best performance of the night was “Enchanted” from Swift’s “Speak Now” era. Clad in a shimmering princess gown, Swift served full fairy tale glamour while belting out some of her strongest vocals of the evening in the show-stopping number of love and longing. — KS (3/18)

“Betty” was the star of the superior “Folklore” section, with Swift’s lovely voice getting center stage, harmonizing beautifully with the other singers as the whole band sat on the steps and jammed out. — WE (5/26)

The rotating acoustic section of Swift’s setlist is always a highlight of the show, but I think I won the jackpot of surprise songs when she performed “King of My Heart” on piano during her fifth night in Los Angeles. — HK (8/8)

It has to be a tie between the surprise songs, “Dress” and “Exile” — “Dress” because she’s never performed it acoustic and the crowd went absolutely insane; “Exile” because she sang both her and Bon Iver’s verses. When she performed his, the audience took the liberty to sing her harmony and she adorably laughed at it. — EL (8/7)

Seeing “Enchanted” live was the highlight of my experience – both as a fan of all things princess-like and electric-guitar-powered ballads. Draped in a glistening ball gown, Swift looked like something out of a fairytale surrounded by the stage design’s lavender visuals. — TG (8/7)

My favorite song is “Fearless,” so it was special to raise our hand hearts while celebrating “Taylor’s Version.” But I saw the show with one of my closest friends, who is a lymphoma survivor, so getting to scream it out to “Bad Blood” – a song she’d joke about during chemo – was particularly memorable. — AJ (3/25)

On a night when Swift announced the re-release of “1989” and finally performed “New Romantics” as one of her surprise songs, it was still the poignant piano performance of “New Year’s Day” that hit hardest. Closing out the U.S. leg with lyrics like “Hold on to the memories, they will hold on to you” was perfect. — JM (8/9)

During the “Evermore” era, the witchy “Willow” dance was everything to me. — ES (3/17)

Swift has never been more badass than she is while executing sexy, powerful choreography for “Vigilante Shit” from her “Midnights” era, dancing on chairs with an entourage of ladies beside her. — KS (3/18)

I love orbs! So, imagine my surprise when all of the dancers were conjuring who-knows-what with some mystical orbs in “Willow.” — WE (5/26)

“Vigilante Shit” might be Swift’s edgiest choreography to date – and is easily the best dance moment of the show, with her and her dancers utilizing prop chairs and the rising stage. — HK (8/8)

She throws it back to old school Britney days with her “Vigilante Shit” routine. I love a chair moment. — EL (8/7)

I enjoyed the traditions Swift set for her performances of “Red” during the tour. She interacted with her background dancers, recruiting one of them to sing the definitive “EVER” in “We Are Never Ever Getting Back Together,” and also handing off her iconic black hat to a young girl in the audience during “22.” — TG (8/7)

Swift and her dancers doing the “Bejeweled” TikTok dance is an iconic bit of fan service! But personally, I danced the heel off my cowboy boot at some point mid-“Shake It Off.”— AJ (3/25)

Working the chair for “Vigilante Shit.” The TikTok videos don’t do the live performance justice. — JM (8/9)

Best Outfit

When she came out in her “Enchanted dress,” you could hear gasps reverberating throughout the stadium. — ES (3/17)

Swift’s purple tiered ballgown, which she only debuted after the release of “Speak Now (Taylor’s Version),” is the perfect complement to the era’s romantic, dreamy aesthetic. — KS (8/4)

Swift’s lavender faux-fur coat during the “Midnights” set looked very cozy. I could take a nap in it! — WE (5/26)

On the fifth night in Los Angeles, Swift premiered a new “Midnights” era bodysuit that was the best outfit of the night. But those same fans gave her a run for her money in the costume department. Special shoutout to @victoriabrowne’s husband’s personification of the “All Too Well” red scarf and the three folks nearby who dressed up as yogurt shop employees, a nod to Swift’s lyrics in “Invisible String.” — HK (8/8)

Her matching blazer and boots during “The Man” were a full vibe. — EL (8/7)

It was so hard to pick which outfit was my favorite, but I loved her in the wispy, lavender dress that she wears when we first see her standing on the roof of the moss-covered cabin for the “Folklore” era. — TG (8/7)

As a “Midnights” fan, it’s a tie between the Oscar de la Renta crystal t-shirt and faux fur coat for “Lavender Haze” and the midnight blue bodysuit and boots for “Midnight Rain” and “Vigilante Shit” because that beadwork is immaculate. — AJ (3/25)

On Night 6 in L.A., the winner was a three-way tie between a trio of new outfits worked into the show, each in the iconic “1989” blue shade: An “Enchanted” ballgown, a “Folklore” frock and a sparkly “1989” two-piece set. — JM (8/9)

Most Surprising Moment

I was not expecting the “Reputation” part of the set to hit as hard as it did. — ES (3/17)

Every night, Swift performs two “surprise songs,” which fans have eagerly made spreadsheets to break down and analyze. Perhaps the most unexpected choice of the bunch was “exile” from her “folklore” album, which she chose to sing solo (without duet partner Bon Iver) for the first time. — KS (8/7)

Ice Spice coming out to perform “Karma” at the very end of the night. You haven’t lived until you’ve seen her drop a casual “Facts” live. — WE (5/26)

During Swift’s “Evermore” set after her spoken section, the crowd in Los Angeles broke into an eight-minute standing ovation. My ears are still ringing. — HK (8/8)

Seeing her perform “Dress” shocked me, since it’s about Joe Alwyn. — EL (8/7)

We had the distinct pleasure of being at Swift’s first show with a guest artist during her surprise songs (yes, I know, it was only week 2 of the tour), but the crowd’s roar (and the scream I screamed) when Marcus Mumford appeared at the end of the catwalk to play “Cowboy Like Me” was positively wonderous. Swifties will know, but Swift recorded the “Evermore” track at the Mumford & Sons frontman’s studio in the U.K., so hearing them duet live was incredible. — AJ (3/25)

Karlie Kloss spotted in the crowd. — JM (8/9)

Best Crowd Moment

It has to be everyone screaming “All Too Well” at the top of their lungs. The collective catharsis is still ringing in my ears. — ES (3/17)

During the Reputation Stadium Tour, one Swiftie created a chant during her song “Delicate,” shouting “1, 2, 3, let’s go, bitch” between the intro and the first verse. Now, the entire arena erupts during this section, with Swift herself counting the numbers on her fingers as fans shriek. — KS (3/18)

Swift had wonderful openers and watching a young girl near me scream every word of Phoebe Bridgers’ poison pen kiss-off “Motion Sickness” was a sight to behold. — WE (5/26)

Swift’s supporters are arguably one of the most enthusiastic – and kindest – fandoms around. It was wildly endearing to see dads bring their daughters to shows (proudly rocking their dad-Swiftie merch) or people swapping friendship bracelets with each other and with the security guards and crew at the venue. — HK (8/8)

Seeing the entire crowd of empowered women — and some men! — scream “Fuck the Patriarchy” during “All Too Well” made me cry. — EL (8/7)

I loved watching all of the young girls with sparkles in their eyes as they sang along to all of Swift’s songs with glitter-painted faces and brightly colored outfits that resembled the Eras. — TG (8/7)

The 10-minute standing ovation after “Champagne Problems,” which put all the previous standing Os to shame. — JM (8/9)

Best Standout Moment

The overall stage design was mesmerizing — I particularly loved the table-setting scene during “Tolerate It.” It struck me more as a piece of theater than a concert. — ES (3/17)

Swifties frequently refer to Swift’s performances of “Don’t Blame Me” as “church,” and seeing her sing it proves exactly why. Swift’s vocals soar as the music swells in the bridge, and smart lighting design that illuminates the entire stadium during her high notes creates a truly epic quality for the number. — KS (3/18)

The crowd hit the loudest roar during “Cruel Summer,” and the whole stadium singing at the same time showed Swift’s true power and the joy she brings to so many people. — WE (5/26)

The entire stadium screaming the bridge to “Cruel Summer.” I’m not sure if I will ever recover. — HK (8/8)

Nothing beats the fact that the countdown clock before the show begins blasts Lesley Gore’s 1963 anthem “You Don’t Own Me” at a time where Swift has finally gotten her music back. — EL (8/7)

In my experience, the standout moment of this tour didn’t happen inside the concert — but outside of it. When exiting, I was stunned by the number of people who were waiting outside the stadium without tickets, but just happy to be there hearing her sing. — TG (8/7)

I saw Swift in 2018 on the Reputation tour and I was impressed, but she really upped the ante with Eras. The idea of three-and-a-half hours of live performance is a true athletic feat and I couldn’t help but marvel at the idea she’s only 33 playing a show that would culminate most artists’ entire career! — AJ (3/25)

The announcement of the release date for “1989 (Taylor’s Version)” during the surprise song set, as all our bracelets lit up blue. — JM (8/9)

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Critic’s notebook

How to Command a Stage Without Great Dance Moves (Taylor’s Version)

The choreography on Taylor Swift’s Eras Tour doesn’t ask her to do too much, but she knows how to use her simple moves to her advantage.

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By Brian Seibert

Since it’s an understatement to call Taylor Swift’s Eras Tour the dominant pop concert of the year, it isn’t surprising that snippets of the show, captured by fans on their phones, have been flooding social media sites for months. Watch a few of these clips, and it might strike you that the dance moves, in contrast to the designer costumes and visual effects, are rather simple and unoriginal, the sort of thing anyone might be able to pull off.

At least that’s what I thought before seeing the Eras Tour live. Experiencing it in Los Angeles, at the end of its first United States leg, I changed my mind. As dance, the show is simple and unoriginal — yet exceptionally effective.

Swift is a pop superstar who dances but is not known for her dancing. Even many of her admirers will admit that in this respect she’s no Beyoncé, no Britney Spears — that as hard as she tries, she’s a little stiff and awkward. Be that as it may, body language is crucial to how the three-hour-plus performance works.

On Friday, at the second of six Los Angeles concerts, the most significant gesture came early, between songs. Basking in the deafening roar of 70,000 fans, Swift struck a coy “Who, me?” pose and said she wanted to try something. She pointed at a section of SoFi Stadium, and the cheering from that section somehow got louder.

“I feel so powerful,” she said, kissing a bicep. But the power she was flexing wasn’t muscular. It was her ability — with the magnification of giant video screens — to connect with every member of the crowd. The choreography helped keep that connection a live wire.

I don’t just mean the dance numbers, though there are plenty of those, choreographed by Mandy Moore (“La La Land,” “So You Think You Can Dance?”). The backup dancers sometimes contributed to the spectacle. They handled the billowing floral parachutes that concealed and revealed Swift at the start. They wielded glowing orbs during “Willow,” clouds on ladders during “Lavender Haze,” umbrellas during “Midnight Rain.” Not especially imaginative, this was all just something big enough to see.

Elsewhere, the dancers helped suggest the situations of the songs. The bicep kiss was a segue to “The Man,” a complaint about gender double standards that was staged as an ascent up the stairs and levels of an office set populated by chest-thumping workers. In other songs, a few dancers played roles: the boyfriend that Swift berates for emotional neglect across (and atop) a long dinner table in “Tolerate It,” or the scandalizing socialite protagonist of “The Last Great American Dynasty.”

But really, the concert has only one character, Swift. In “Look What You Made Me Do,” the dancers were costumed as earlier versions of her, trapped in transparent boxes like dolls. Mostly, though, they served as a friend group or party guests. A happy, diverse bunch, they did a little ballroom dancing to evoke the romantic fantasy of “Lover,” a little vogueing to give “Bejeweled” some shimmer.

And then they left. Which is to say, they left the audience alone with Swift, again and again, re-establishing the thrill of mass intimacy. Other pop stars use this effect, but it’s especially potent with Swift because she’s also a singer-songwriter, who can sit at a piano or tap into the iconography of a guitar-slinging truth teller.

The most intense moments of the show were in this mode: the 10-minute extended version of “All Too Well” and the acoustic mini-set of “secret songs” that differ from night to night. This is almost pointedly not dancing, but it requires a particular physicality at which Swift excels. She has the wide stance, both confident and confiding. She looks grounded, comfortable, at home.

That’s generally true when she isn’t dancing. She can strut or skip around the huge catwalk and stage that extend across the stadium floor without looking small. She can strike over-the-shoulder poses for the camera. She can inhabit her many sparkly costumes — rolling her hips in fringe dresses and Louboutin boots, using the flowy sleeves on her “Folklore” dress the way Stevie Nicks uses scarves.

So does it matter that in the cafe chair burlesque routine for “Vigilante ___,” a homage to louche Bob Fosse dances, she’s imprecise and physically uncommitted to the pleasures and dangers of sex? (She caresses her body like she’s afraid to.) It doesn’t, because her fans love her anyway. And it does, because this imperfect dancing is, I think, part of her nonthreatening Everywoman image. It makes her easier to identify with.

And that is what the whole concert is about, the identification between Swift and the fans she continually thanks and flatters, the fans who know every word to every song. Swift told the L.A. crowd that when those fans sing her lyrics along with her, she takes that as a sign that they too have felt what she felt.

It makes sense, then, that she moves the way anyone might move. So that anyone might imagine being her — just pointing and feeling powerful.

Inside the World of Taylor Swift

A Triumph at the Grammys: Taylor Swift made history  by winning her fourth album of the year at the 2024 edition of the awards, an event that saw women take many of the top awards .

‘The T ortured Poets Department’: Poets reacted to Swift’s new album name , weighing in on the pertinent question: What do the tortured poets think ?  

In the Public Eye: The budding romance between Swift and the football player Travis Kelce created a monocultural vortex that reached its apex  at the Super Bowl in Las Vegas. Ahead of kickoff, we revisited some key moments in their relationship .

Politics (Taylor’s Version): After months of anticipation, Swift made her first foray into the 2024 election for Super Tuesday with a bipartisan message on Instagram . The singer, who some believe has enough influence  to affect the result of the election , has yet to endorse a presidential candidate.

Conspiracy Theories: In recent months, conspiracy theories about Swift and her relationship with Kelce have proliferated , largely driven by supporters of former President Donald Trump . The pop star's fans are shaking them off .

Easter Eggs In Taylor Swift's Eras Tour You Missed

Taylor Swift is a mastermind at leaving hints, clues, and mysteries in her oeuvre. From the beginning, fans have been treated to Easter eggs and surprises on album liner notes, in addition to her lyrics and, later, during her worldwide Eras Tour. "I wanted to do something that incentivized fans to read the lyrics because my lyrics are what I'm most proud of," she explained of her earliest Easter eggs on "The Tonight Show Starring Jimmy Fallon"  in 2021. 

According to Swift, she would obsess over the small print in album notes for CDs, so she thought this would be the perfect spot to place her Easter eggs. This started when she was just a teenager, with her revealing secret codes that "would either tell them a story about the album or a hint about what the song was about." Her decision to use hidden messages jumped to an even higher level after fans loved them so much. "I should never have learned that because then I couldn't stop," she joked to Fallon. 

This has continued throughout her career, like when Swift explained in a later appearance on Fallon's late-night show that she had a dedicated file just for the Easter eggs in the music video for her song "Bejeweled." Then, when it came time to embark on her worldwide Eras Tour, Swift naturally stuffed the epic live show full of Easter eggs, some of which you may have missed.

There are surprises even before the show starts

Fans of Taylor Swift are dedicated like few others, like when her supporters in Argentina began camping outside the stadium months before their Eras Tour shows. Generally, anyone inside the stadium before the show begins is treated to a carefully curated playlist. Listen closely, and many of the songs are clearly intentionally chosen. For example, some songs reference opening acts who joined Swift in various cities. The playlist includes the song "My Song 5" by Haim, who opened for Swift on her Los Angeles dates. "True Blue" by Boygenius — which includes Phoebe Bridgers , who opened for Swift in Nashville and several other East Coast cities — is also on the pre-show playlist. "Number One Fan" by MUNA, who joined Swift in six cities, plays over the speakers, too. 

One particularly interesting song on the playlist is "In Ha Mood" by Ice Spice. This turned out to be an Easter egg, after all, as Swift later released a remix of the "Midnights" track "Karma" featuring the rapper, who joined Swift to perform the song in East Rutherford, New Jersey. The playlist concludes with the classic golden oldie song "You Don't Own Me" as covered by Dusty Springfield. The song's title and lyrics could reference her beef with her old record label and Scooter Braun, though we may never know for sure.

The countdown to Taylor Swift is on

Right before Taylor Swift takes the stage, Dusty Springfield singing "You Don't Own Me" plays over the speakers. At the same time, an analog clock appears onstage, with numbers counting down from 2 minutes and 23 seconds before every show. While this time's meaning isn't confirmed, Swift fans think it's a reference to a big announcement coming on February 23, 2024. 

In line with this theory is an Easter egg in the music video for "Karma." At one moment, two hands hold a plate with a coffee cup on top that shows an analog clock in its latte foam art. The left hand has a light blue painted fingernail perfectly aligned with the "VIII" on the clock. The right hand with a black fingernail aligns with the "II" on the clock. Swift announced her release of "1989 (Taylor's Version)" in August 2023, the eighth month of the year, matching the first Roman numeral, and the color palette of that album is also light blue. 

Meanwhile, the black fingernail could represent "Reputation." At the time of the tour, Swift had two re-recordings left to release: her eponymous debut from 2006 and 2017's "Reputation." The black nail aligning with the "II," along with her pre-show countdown clock starting at 2:23 and "Reputation's" cover being black and white, could point to "Reputation (Taylor's Version)" news arriving in February 2024.

Her guitars have extra special meanings

The earliest image of Taylor Swift's career was a young teen singing heartfelt lyrics while strumming her guitar. As she grew in popularity, this connection to the instrument that made her famous only grew. During the Eras Tour, Swift plays multiple guitars adorned with different colors and decorations. One of her most extravagant ones is a bedazzled — or, better yet, bejeweled — guitar. On her Instagram story, Swift showed a behind-the-scenes look at the creation of this guitar and asked fans if it was made by a professional or "my parents with super glue and a free afternoon." Of course, it was her parents who supplied this DIY touch for the tour. One of the most notable features is Swift's special number — 13 — written with sparkles on the guitar. 

After the singer released "Speak Now (Taylor's Version)" in July 2023, she started using a new guitar on tour, which turned out to be an old guitar. The instrument has a distinctive koi fish design on its face, and it's the same guitar she used when she originally toured the album in 2011. This also ties into an Easter egg at the end of her "Lavender Haze" music video when she's surrounded by swimming koi fish. In addition to using this special guitar while playing "Long Live" during the Eras Tour, she also brings her original band members onstage.

The many versions of Taylor Swift

One of the first big instances of Taylor Swift referencing her previous work through Easter eggs came during her "Reputation" era. "The first time that we did a crazy video like that was a video called 'Look What You Made Me Do,'" Swift explained on "The Tonight Show Starring Jimmy Fallon." She said of making the visuals for the music video, "I started playing with doing nods to former musical eras I've been in in my career and all kinds of weird stuff for them to just go through the video and be like 'That over there, what's that? Does this connect to that?'" 

Later, when performing the song on the Eras Tour, Swift again played with the idea of referencing her past work, except, by this time, she'd released more albums than when she originally released the "Look What You Made Me Do" video.

Onstage during the tour, several dancers are, at one point, in glass boxes wearing various outfits that all tie into her albums. One is dressed in purple to represent "Speak Now," and when Swift approaches the box, she unsuccessfully lets the dancer out. Naturally, fans immediately thought this represented her "Speak Now" re-recording would come soon. (Spoiler alert: They were right.) Another dancer is wearing a cheerleader outfit like those in the "Shake It Off" music video from "1989," and a few other dancers were also dressed to represent "1989," which was ultimately released in October 2023.

With Taylor Swift, there's always more than meets the eye

On Taylor Swift's early albums, the singer used lowercase letters on her liner notes with the occasional random uppercase letter. These turned out to be Easter eggs — and not random at all. Combined, these capitalized letters spelled out hints to provide more details about the songs. Years later, Swift once again used carefully highlighted letters to provide clues to fans. During the "Red" segment of the concert, Swift wears a white T-shirt with DIY lettering on the front, with the words varying at different tour stops. For example, one shirt read, "A LOT GOING ON AT THE MOMENT," referencing a 2020  Instagram post during the COVID-19 that was captioned, "Not a lot going on at the moment." 

During another performance, Swift's white T-shirt read, "WHO'S TAYLOR SWIFT ANYWAY? EW." — one of the voiceover lyrics on her song "22." While singing this song during her tour stop in Atlanta, Georgia, Swift's T-shirt said, "WE ARE NEVER GETTING BACK TOGETHER. LIKE EVER," with the first sentence referencing her song of the same name. Sticking with the album theme, Swift literally used red font for certain letters on her T-shirt phrases. In the examples, "A LOT," "EW," "NEVER," and "EVER" were all completely red, though fans are still speculating about this potential Easter egg's meaning.

Her Easter eggs never go out of style

One great part of the Eras Tour experience is witnessing all of Taylor Swift's wardrobe choices throughout the show, with many appearing to have a deeper meaning because she often provides clues in her outfits. After all, Swift told  Entertainment Weekly in 2019 that, in her experience, "Easter eggs can be left on clothing or jewelry." During the "Fearless" portion of the setlist on the Eras Tour, Swift's glittery gold dress looks to be a throwback reference to the similar-looking dress she wore when originally touring the album. Also, on Swift's earlier tours, one of her signature moves was making the shape of a heart with both of her hands. The singer brought this back during the Eras Tour, showing love to her fans with heart-hands.

To the premiere of the taped version of the concert, "Taylor Swift: The Eras Tour," Swift wore a gorgeous, light blue gown from designer Oscar de la Renta. Naturally, the gown's color palette resembled her album "1989," and the timing here aligned with the release of "1989 (Taylor's Version)," which came out soon after the movie's premiere. Previously, she'd also hinted at the album's release when she wore several completely new blue outfits during her Eras Tour performance in Los Angeles, California, on August 9, 2023. The following day, Swift announced in an Instagram post that "1989 (Taylor's Version)" would be her next re-release.

Order is everything for Taylor Swift

In "Taylor Swift: The Eras Tour," the pre-show countdown from the live performances was shortened — likely to reduce the overall runtime. In the film, the countdown is just 13 seconds, a special number throughout her career and potentially another Easter egg. Additionally, seven cuts from her live Eras Tour setlist are excluded in the film. The first divergence from the live show is the 13th song in the setlist, which was "Champagne Problems" from her album "Evermore" in the concerts but "...Ready For It?" from "Reputation" in the film. Knowing that very few things are coincidences with Taylor Swift, fans speculate that the 13th song in the movie coming from "Reputation" is a hint that it'll be the singer's next re-release.

While it's well known that Swift always performs two special songs toward the end of the concert that change from night to night, once during the tour, Swift actually altered the normal setlist. When starting the "Folklore" segment of the show, Swift usually played the song "Invisible String," which uses beautiful, colorful imagery to describe how past relationships helped lead her to then-boyfriend Joe Alwyn. However, she ultimately swapped the song for "The 1" — a song about lost love. With art imitating life, news of Swift and Alwyn's separation surfaced soon after the switch.

She made up for lost time

"Reputation" was the last album that Taylor Swift toured before the COVID-19 pandemic. Following that epic stadium tour in 2018, Swift released her next studio album, "Lover," in 2019 and had planned several "Lover Fest" live shows to play the album. Unfortunately, Swift had to cancel the shows due to the pandemic. "I miss you terribly and can't wait til we can all safely be at shows together again," Swift posted on X, formerly known as Twitter . 

When it came time for the Eras Tour, no one knew if Swift would perform songs in chronological order of her album releases or not. As fans quickly found out, Swift started each show with songs from her "Lover" era. Here, Swift started right where she left off, playing the album in stadiums for the first time. Additionally, it may be a show of power against her old label, Big Machine Records, because "Lover" was her first album with Republic Records — and the first where she owned her masters outright.

When opening the Eras Tour, dancers walk out holding massive fans that appear to be in the shape of scallop shells. Several are then placed over the stage and open up to reveal Swift rising up from underneath the stage. This could be a reference to the famous Renaissance painting "The Birth of Venus." Of course, Venus is the goddess of love, so everything comes full circle here.

There's no place like home for Taylor Swift

When performing songs from her album "Folklore" during the Eras Tour, Taylor Swift appears with a lifelike cabin in the woods. More than just creating a vibe as cozy as a cardigan, the house is also just like the one she used during her performance at the 2021 Grammy Awards. Then, while performing the song "Lover," Swift is in front of a house that resembles the fictional home in the song's music video. She concludes the "Lover" portion of the show with "The Archer," and the screen shows the house catching on fire.

Later, when she performs "Bad Blood," the house from "Lover" appears again — this time intact, but not for long. The video screen shows Swift wearing a black outfit and walking through the house. She then proceeds to throw a lit match onto the ground, and the place goes up in blue flames. This could be to match the blue theme of "1989," which includes "Bad Blood." 

Of course, there are other speculations about the meaning behind the burning house. For example, it could reference the 10-minute version of "All Too Well" when she sings, "And did the twin flame bruise paint you blue?" Or it could reference the song "Ivy," in which she sings, "He's gonna burn this house to the ground." Some even wonder if all the re-recorded albums are complete, with her metaphorically burning down this chapter of her life or, hey, her old record label. We're all here for any shady side of her that Swift  wants to show us.

Taylor Swift's magical lights

Every attendee of the Eras Tour receives a light-up wristband upon entering their venue. One notable exception was fans who saw Taylor Swift in Los Angeles. Instead, attendees found their wristbands waiting for them at their seats. Here, the wristbands were shaped slightly differently than in previous tour stops, and the lights glowed brighter. People began to speculate that this was for film crews to capture the concert for a movie. Indeed, "Taylor Swift: The Eras Tour" took footage from her performances in Los Angeles. Throughout her setlist, the wristbands automatically changed to sync up with the vibe of the song — and often to coordinate with the set design. For example, the wristbands created the appearance of a rainbow while Swift performed "You Need to Calm Down." This matches the song's lyrics, which support the LGBTQ+ community, and the vibrant colors of the music video , at the end of which she urged fans to sign a petition to support the Equality Act.

While performing "Look What You Made Me Do" on tour, the wristbands were perfectly synced to give the appearance of a snake slithering across the stadiums. In another fun instance, fans who saw Swift perform in Atlanta were treated to a surprise when everyone's wristbands turned purple at the end of the show, hinting at her official announcement of "Speak Now (Taylor's Version)'s" release date the following week.

All of her albums in one spot

Prior to the Eras Tour's debut, Taylor Swift posted on Instagram behind-the-scenes photos of her rehearsing with the caption "In my Eras era." In the final photo of the series, Swift showed off colorfully painted nails. Fans were quick to notice that each finger thematically represented a different studio album — all in order of release. Going from right to left in the photo is green for her eponymous debut album, gold for "Fearless," purple for "Speak Now," red for "Red," light blue for "1989," black for "Reputation," pink for "Lover," gray for "Folklore," tan/beige for "Evermore," and sparkly blue for "Midnights." 

Swift kept her nails like this for the first 10 shows, but on the 11th, eagle-eyed fans spotted that instead of the pink nail for "Lover," her nail was painted orange, which she kept for the remainder of the tour. Knowing Swift's love for mysteries and clues, fans began theorizing if the color orange would be the palette or inspiration for her next album. The next album will be her 11th, so it only makes sense.

In another mashup of albums, the house behind her during the "Lover" section of the concert includes nine distinct rooms and areas, all with color schemes that represent her albums. Of course, Swift has 10 albums, but she didn't actually miss one. Instead, Swift liked a TikTok video that theorized that the starry night sky outside of the house represented "Midnights." Clever as ever!

Dance along with Taylor Swift

Many songs in Taylor Swift's discography practically beg fans to get up and dance. A social sharing platform like TikTok then naturally became a place for people to show off their moves to Swift's songs. Even better, the singer caught wind of some of these dances and incorporated them into the Eras Tour. TikTok creator Mikael Arellano posted a video of original choreography to Swift's song "Bejeweled" in which they fabulously twirled around and made a twinkle motion with their hands.

Then, Arellano posted a reaction video on TikTok when they saw Swift perform their move onstage. Swift even went one step further and put Arellano front and center during her tour stop in Philadelphia, Pennsylvania. While performing the song "22," Swift walked over to Arellano and gifted them the black hat she was wearing. Arellano posted a video of the moment, with the singer adorably holding their hand for a few moments during the performance.

Beyond imitating dance trends, Swift also established her own moves. While singing "Karma," Swift performed a piece of choreography with a few side steps and spins. Fans immediately began copying or remixing the "Karma" dance on TikTok. People were also quick to recreate Swift running across the stage during the song "August." Actors Penn Badgley and Kevin Bacon even got in on the action and posted running videos soundtracked with "August."

Taylor Swift references her music videos

Dedicated Taylor Swift fans who have watched all of her music videos are treated to several Easter eggs during the Eras Tour, which references previous visuals the singer used. For example, the music video for 2014's "Blank Space" sees Swift wrecking a car with a golf club. "The song is essentially about a girl who comes off incredibly charming and is very seductive and pulls people into her world, then proceeds to go absolutely psycho," Swift said of the video in the documentary "Taylor Swift: The 1989 World Tour Live."

During her "1989" tour, the singer wielded a golf club onstage and even used it as a sound loop. Years later, while performing the song during the Eras Tour, Swift stands on top of a box with screens that project the car from the music video. Here, her dancers hold bright, neon golf clubs, with Swift also having a glowing golf club in her left hand. 

She references her music video clothing and aesthetics, too. During the "Midnights" portion of the show, Swift sings the song "Lavender Haze" in an extravagant, fuzzy purple jacket. The color goes beyond referencing the song's title; it appears to be the exact same jacket she wore in the track's music video. Then, while performing "Willow," Swift recreates the imagery of magic, glowing spheres, sorcery, and capes from the song's video.

There are many set surprises

When looking down at the Eras Tour stage, which is covered in changing digital screens, there are plenty of Easter eggs that correspond to the song Taylor Swift is playing. For example, the stage resembles a guitar during the song "Fearless." When Swift sings "Mastermind," the stage turns to black and white squares to resemble a chess board, a nod to the song's title. In another moment, the floor appears to crack under Swift while she sings the song "Delicate." With certain dance steps, the cracks begin to grow. Then, in one final jump with both feet landing on the stage at the end of the song's bridge, the entire stage turns into cracks. Later, while singing "Look What You Made Me Do," fans can see a shadow extending under Swift in the form of serpents, the unofficial mascot of "Reputation."

Swift starts the Eras Tour with songs from her "Lover" album and concludes with 2022's "Midnights." Astute fans will notice a similar set design for both of these segments, including distinctive arches. This could be a reference to the theorized connection between the two albums. In fact, the original working title for "Lover" was "Daylight," which would make it the opposite of "Midnights." While singing "Lover" songs, the arches are soft pink like a sunrise; then, during the "Midnights" segment, the arches turn deep blue like the night sky.

She keeps all her fans guessing

The beauty of live shows is that anything can happen, yet many fans went to the Eras Tour thinking they knew what to expect thanks to the tour's vastly spread setlist. However, Taylor Swift likes to keep audiences on their toes. "Let it be said about the Eras Tour, we're tricksy. That's what we are. We enjoy a good, healthy setlist hijinks," she reportedly said at a Texas concert (via The Tampa Bay Times ). Swift added that she recognized that people could search for the exact setlist online and could "come prepared with your little flashcards in your pockets," noting people saying things like "I know what comes next," "I know what she wears next," and "I know what she sings next." But is it really ever that easy with the "Anti-Hero" singer?

After completing her first set of dates in the United States, Taylor Swift moved to performances in South America — but her setlist remained the same. Not everything stayed the same, though, like when she adorably remixed her own lyrics. While performing the closing song "Karma" in Buenos Aires, Argentina, Swift replaced "Karma is the guy on the screen / Coming straight home to me" with "Karma is the guy on the Chiefs / Coming straight home to me." This clearly referenced her relationship with NFL player Travis Kelce , who was in attendance at the show. A video captured by a fan showed Kelce immediately reacting to the surprise lyric change with a huge smile and his hands covering his face.

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Taylor Swift's Handmade Eras Tour Backstage Pass Is Something Out of a Lavender Haze

• Oops! Something went wrong. Please try again later. More content below

Taylor Swift is hoping to make the whole place shimmer.

After all, the "Lavender Haze" singer didn't scrimp on colorful decorations when she crafted an all-access pass for her dad, Scott Swift , ahead of her widely anticipated The Eras Tour . As seen in a photo of her creation shared on Instagram Story March 16, Taylor used gold foil letters to spell out "D.O.H. Pass."

"Dad of headliner," the 33-year-old noted on her masterpiece. "All access."

Taylor jokingly added in the caption of her post, "Made my dad's tour credentials. We are a small family business ."

But the Grammy winner wasn't the only one who was getting crafty backstage. In separate posts, Taylor shared that her family was busy bewjewelling her guitar.

"Was my Eras Tour crystallized Fearless guitar made by: A) Artisans and finely trained craftsman, B) A Professional musical instrument manufacturer, C) My parents with Super Glue and a free afternoon," she asked rhetorically, adding, "...It's not not C."

Fascinating Facts About Taylor Swift

The accompanying photos showed Scott and mom Andrea Swift gluing silver gems on a white guitar. In true Taylor tradition, a "13" design was added to the front.

The Eras Tour is set to kick off on March 17 at State Farm Stadium in Glendale, Ariz., which has been temporarily been renamed Swift City in honor of the pop star. She will be joined by guest performers Paramore and GAYLE .

Ahead of the tour, Taylor announced that she will be dropping four of her previously unreleased songs —"Eyes Open (Taylor's Version); "Safe & Sound (featuring Joy Williams and John Paul White ) (Taylor's Version)"; "If This Was A Movie (Taylor's Version)" and "All Of The Girls You Loved Before"—in celebration of the concert series.

And if that wasn't a sign Taylor is all fired up to hit the stage, she recently wrote on her Instagram , "In my Eras era."

She's definitely ready for it.

For the latest breaking news updates, click here to download the E! News App

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Taylor Swift's Handmade Eras Tour Backstage Pass Is Something Out of a Lavender Haze

Ahead of taylor swift's the eras tour, the "lavender haze" singer shared a behind-the-scenes glimpse at life on the road—including arts and crafts time with her family backstage. take a look..

Taylor Swift is hoping to make the whole place shimmer.

After all, the "Lavender Haze" singer didn't scrimp on colorful decorations when she crafted an all-access pass for her dad, Scott Swift , ahead of her widely anticipated The Eras Tour . As seen in a photo of her creation shared on Instagram Story March 16, Taylor used gold foil letters to spell out "D.O.H. Pass."

"Dad of headliner," the 33-year-old noted on her masterpiece. "All access."

Taylor jokingly added in the caption of her post, "Made my dad's tour credentials. We are a small family business ."

But the Grammy winner wasn't the only one who was getting crafty backstage. In separate posts, Taylor shared that her family was busy bewjewelling her guitar.

"Was my Eras Tour crystallized Fearless guitar made by: A) Artisans and finely trained craftsman, B) A Professional musical instrument manufacturer, C) My parents with Super Glue and a free afternoon," she asked rhetorically, adding, "...It's not not C."

The accompanying photos showed Scott and mom  Andrea Swift  gluing silver gems on a white guitar. In true Taylor tradition, a "13" design was added to the front.

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Why boston mom not charged after 4 babies found dead in freezer, dance moms ' nia sioux reveals why she skipped their reunion, jersey shore 's pauly d shares rare update on parenthood.

The Eras Tour is set to kick off on March 17 at State Farm Stadium in Glendale, Ariz., which has been  temporarily been renamed Swift City  in honor of the pop star. She will be joined by guest performers  Paramore  and  GAYLE .

Ahead of the tour, Taylor announced that she will be  dropping four of her previously unreleased songs —"Eyes Open (Taylor's Version); "Safe & Sound (featuring   Joy Williams  and  John Paul White ) (Taylor's Version)"; "If This Was A Movie (Taylor's Version)" and "All Of The Girls You Loved Before"—in celebration of the concert series.

And if that wasn't a sign Taylor is all fired up to hit the stage, she recently  wrote on her Instagram , "In my Eras era."

She's definitely ready for it.

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Taylor Swift's Hot Backup Dancer Jan Ravnik Goes Viral After 'Eras Tour Concert Film' Hits Theaters!

Fans are swooning over one of Taylor Swift ‘s backup dancers!

Earlier this week, the 33-year-old entertainer’s The Eras Tour Concert Film hit theaters and audience members were quick to notice her hot backup dancer Jan Ravnik .

Jan , 28, has danced with Taylor throughout the entire first leg of the Eras Tour and will seemingly join her again on stage for the second leg

At several points in the show, Jan bares in his ripped six-pack abs while wearing unbuttoned costumes.

Now that the Eras Tour Concert Film is in theaters and Jan ‘s dreamy smile and abs are on full display, fans are swooning over him on Twitter.

Keep reading to find out more…

“Anyways, JAN RAVNIK THE MAN YOU ARE 😍😍😍😍” one fan wrote.

“Everytime jan ravnik came on screen, my mom had no choice but to cheer,” another wrote along with a video of Jan winking.

Another fan wrote, “The main thing i took from the eras tour movie is that i NEED jan ravnik.”

“Taylor and Jan Ravnik in one shot during lavender haze was my breaking point,” one fan tweeted. “I truly reached my Bisexual Panic Peak.”

Another joked, “Also starting a Jan Ravnik Best Supporting Actor campaign. The face card NEVER declines.”

Now that Jan is going viral, we’ve compiled some fun facts we learned about him.

Jan was born and raised and Slovenia where he got his start in dance competitions, winning several titles nationally and worldwide. He was even once named the Best Dancer in Slovenia.

He also won the award for Best Trainer/Choreographer from the Slovenian Olympic committee and performed on competition TV shows including Slovenia’s Got Talent and The X Factor .

A few years ago, Jan moved to the United States and has since worked with several big name stars including Maria Carey , Paula Abdul , and Bruno Mars .

“I’m beyond grateful to be part of @taylorswift Eras Tour 🙏🏼❤️ Still can’t put into words how I feel after yesterdays opening night!” Jan wrote on Instagram after the first Eras Tour show in Arizona. “I never thought that small town boy from Slovenia could come so far, but here we are 🙋🏻‍♂️🥹”

Speaking of the Eras Tour Concert Film, there are some differences between the movie and the live concert .

Scroll through some hot shirtless pics of Jan below…

View this post on Instagram A post shared by JAN RAVNIK (@janravnik)

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Screen Rant

All 48 songs in taylor swift: the eras tour movie (taylor's version), ranked worst to best.

It is impossible for Swifties to pick a favorite song in the Taylor Swift: The Eras Tour movie, but some performances highlight the music better.

• Ranking every song in Taylor Swift: The Eras Tour movie is challenging due to the exceptional performances and diverse eras represented.
• The concert movie, now titled Taylor Swift: The Eras Tour (Taylor's Version) , showcases Swift's dazzling lyrics through distinct performances for each era.
• Fans can now enjoy the full 3.5-hour movie on Disney+, allowing multiple viewings to appreciate and select their favorite performances.

Ranking every song in the Taylor Swift: The Eras Tour movie is no easy feat. The concert movie captures a musical performance the likes of which has never been seen before, showcasing the music of Swift’s 10 albums. Swift's concert was edited into a shorter movie for its theatrical release , but the version now available to stream on Disney+ is three and a half hours long.

The movie’s title is now Taylor Swift: The Eras Tour (Taylor’s Version) due to the differences between it and the theatrical version. Using Swift's dazzling lyrics as a starting point, the Eras Tour team created performances to elevate each era. This Swiftie experience is now more widely accessible, and fans can watch every song in the Eras Tour movie multiple times before deciding on their favorite performance.

48 Blank Space

“Blank Space” is a fun number that utilizes the stage to depict a car on one of the screens, which Swift’s dancers destroy with golf clubs. However, “Blank Space” is less impactful when the highlights of the era are other songs. Additionally, some of the music video’s elements are turned into neon light props, a departure from the classic aesthetics.

9 Ways Watching Taylor Swift: The Eras Tour On Disney+ Will Be Different From Theaters

47 i can see you, speak now era.

"I Can See You" makes its way into the movie as part of the post-credits "Acoustic Collection." Swift highlights "I Can See You" as a song that she has never before performed live, making it an excellent addition. However, the song does sound better with some additional instrumentals, but the fans are still thrilled to sing along.

In a live concert, the acoustic set only includes two songs. Taylor Swift: The Eras Tour (Taylor’s Version) includes a post-credits scene with six acoustic songs, comprising footage from different performances.

46 Bad Blood

The “Bad Blood” music video combines the aesthetics of several sci-fi movies. Unfortunately, there isn’t enough time for a major costume change to lean into the best parts of "Bad Blood." The flames shooting from parts of the set are great, but even Swift slipping into a leather trench coat would have made the performance so much more fun.

45 We Are Never Ever Getting Back Together

Swift wears a shimmering red and black ombré leotard for a number that falls short of the days when it was performed with a whole circus troupe.

While “We Are Never Ever Getting Back Together” is loads of fun, it doesn’t do much to set itself apart from the first song of the Red set. Swift wears a shimmering red and black ombré leotard for a number that falls short of the days when it was performed with a whole circus troupe. The backup dancers at least bring plenty of campy drama.

44 Mastermind

Midnights era.

Midnights is at the end of the Eras Tour because it is the most recent era; if it were not, “Mastermind” probably wouldn’t be in the show. The staging works for what the song is, with the dancers moving like clockwork over a chessboard stage. However, it has the disadvantage of falling between “Bejeweled” and “Karma.”

43 I Knew You Were Trouble

“I Knew You Were Trouble,” like “Never Getting Back Together,” must make do with what is set up with the introduction of the Red era. Which song is “better” performed honestly comes down to a matter of personal preference. However, “I Knew You Were Trouble” uses the fog machines well for some dramatic flair.

42 Tolerate It

Evermore era.

The evermore era simply doesn’t have as many showstoppers; “no body, no crime is still missing from the Eras Tour movie . The song “tolerate it” has heartbreaking lyrics but is one of the slower moments of the concert. However, the Eras team makes a valiant and effective effort to make it concert-worthy, with Swift and one of the dancers acting out a relevant scene.

Eras Tour Performer Guide: Every Taylor Swift Backup Dancer & Vocalist In The Concert Movie

"Archer" is a moment of soft awe at the end of the Lover set; Swift performs the song alone on stage. Her choreography is great and her disappearing into a supernova-like graphic is a nice touch. However, it is a less fitting end to Lover than "Lover" itself, which was still a gentle finale.

40 ...Ready For It?

Reputation era.

"Ready For It" is the on-the-nose (not in a bad way) intro to Reputation. Swift is joined by a retinue of dancers, all in serpent-decorated costumes, and the moving levels of the stage are well-used to add some dynamism to the choreography. However, a lot of elements are reused for "Don't Blame Me," which is also a better song.

39 Midnight Rain

Another song from Midnights that probably won't be in the next concert is "Midnight Rain." The effects are lovely, incorporating glittery rain graphics and umbrellas, but it doesn't stand out amid the Midnights set. It does, however, get credit for Swift's change into her blue bodysuit and the dancers' solo moments.

38 Death By A Thousand Cuts

Swift calls "Death By A Thousand Cuts" "one of [her] favorites." The perfectly bittersweet tune of the song sounds great with just the acoustics. "Death By A Thousand Cuts" isn't the best song played in the acoustic set and doesn't have the biggest reaction, but is amazing nonetheless.

37 Delicate

“Delicate” is strangely pleasant when compared to the other songs of the Reputation era. Swift is on her own on stage for this one, smiling knowingly as she sings. The cracks forming around her on the stage elevate some of the themes of the song. It is not the biggest showstopper, but it balances out Reputation .

36 Lavender Haze

“Lavender Haze” is a brilliant song that is the perfect entry into the Midnights era. However, its set pieces bring it down. Swift’s lavender faux fur coat is magnificent, but the lavender clouds wheeled in on ladders are perhaps the only part of the Eras Tour that can be called bad — they just look like Styrofoam.

35 You Need To Calm Down

This divisive song of Swift's is tons of fun to sing along to. While the design isn’t the most creative, the rainbow lights are a great way to emphasize that "You Need To Calm Down" was written to support the LGBTQ+ community, with some sassy lyrics that are perfect for dismissing internet trolls.

34 Love Story

Fearless era.

Every song from the Fearless era holds a particularly special status, especially "Love Story." The Fearless set's aesthetic suits "You Belong With Me" and "Fearless" better than it does "Love Story." However, Swifties will always sing "Love Story" with the same passion they did when it first came out.

33 You Are In Love

As a soft-spoken song with gentle instrumentals, "You Are In Love" is a great song for Swift to play on the piano. The falsetto notes echo throughout the stadium for a sweet and simple moment. Additionally, Swift takes pauses and almost whispers some lyrics to convey a breathless feeling at the beginning.

32 Long Live

“Enchanted” and “Long Live” are certainly the two Speak Now tracks that deserved to emerge, years later, as the preeminent songs of the era.

“Enchanted” and “Long Live” are certainly the two Speak Now tracks that deserved to emerge, years later, as the preeminent songs of the era. However, "Long Live’s" staging doesn’t quite meet the song’s tone. Yet even standing stationary with her band, Swift gives the joyous, tear-jerking song its due.

Folklore Era

The atmosphere of “betty” is always happy, possibly because it isn't about Swift herself. The fictional “betty” characters are named for Ryan Reynolds and Blake Lively’s children , and Swift seems to have as much fun performing it as she did writing it. It doesn’t have the theatricality of other moments; however, this is characteristic of the folklore era.

Taylor Swift's Eras Tour Movie Re-Adding Cardigan On Disney+ Is More Important Than You Realize

“The Man” also stands out with different themes and musical styles than most of the rest of Lover. However, the costumes and sets make the performance of “The Man” decidedly more interesting. Swift slips into a glittery blazer and works her way up the stairs of an office building, surrounded by other performers in office attire.

29 Don't Blame Me

Swift hits some of the same beats as “Ready For It” during “Don’t Blame Me,” which are elevated by the latter song’s steady tune and long notes. The backup singers are also now wearing long sparkling black dresses, for an old-school vibe. It all leads up to the epic transition into “Look What You Made Me Do.”

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Here’s How Taylor Swift Should Update Her Eras Tour Setlist to Include ‘The Tortured Poets Department’

The crowd was chanting "More!"

By Hannah Dailey

Hannah Dailey

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Leading up to the release of Taylor Swift ‘s The Tortured Poets Department , one question lingered in the backs of Swiftie minds for months: How would the new album affect the already three-hour-plus setlist of the pop star’s ongoing global Eras Tour?

When the record finally dropped April 19, bringing with it not just 16 pre-announced tracks, but 15 surprise bonus songs as well, their concerns were only exacerbated. How could Swift possibly slim down her pre- Tortured Poets setlist to fit any new material once she hit the road again? Where would she even begin selecting just a handful of the 31 songs on TTPD to include? Would she even bother trying? (Based on a video the singer posted of recent rehearsals for her next run of shows, which kicks off May 9 in Paris, the answer to that last question is most likely a “Yes.”)

It’s no small task, especially given that no matter what the “Anti-Hero” singer cuts or adds, some fans are bound to be upset when their favorites inevitably don’t make the final listing. Even so, Billboard has risen to the challenge, selecting the best possible collection of Tortured Poets tracks to represent Swift’s newest era while trimming the fat of past eras for an updated, ultimate dream Eras Tour setlist.

Some songs were hard to say good-bye to (sorry, “Mastermind”), and others were truly painful to not extend an invitation (don’t hate us, “Guilty as Sin?”). But in service of a well-rounded, comprehensive Eras experience, difficult decisions had to be made. Keep reading to see how Swift should move forward with her trek, Tortured Poets and all — plus, an idea on how her debut album Taylor Swift can finally get its flowers — below.

ACT I: 'Lover'

• “Miss Americana & The Heartbreak Prince”
• “Cruel Summer”
• “The Man”
• “You Need to Calm Down”
• “Lover”

CUT: “The Archer”

Note: Swift could also probably benefit from shortening her meandering pre-“The Man” monologue in Act I to save room for more songs later on.

ACT II: 'Fearless'

• “Fearless”
• “You Belong With Me”
• “Love Story”

Note: At three songs, the Fearless era is already the perfect length, holistically comprised of the album’s title track and its two breakthrough hits, which made Swift a global star. No room for cuts here.

ACT III: 'Evermore'

• “‘Tis the Damn Season”
• “Willow”
• “Champagne Problems”
• “Tolerate It”

CUT: “Marjorie”

Note: Swift definitely deserves to drink in the applause for a moment after her magnificent piano performance of “Champagne Problems,” but at past Eras shows, she’s allowed the ovations to last for upwards of eight minutes . To save room for more songs, she may want to keep things moving at future stops.

ACT IV: 'Reputation'

• “…Ready For It?”
• “Delicate”
• “Don’t Blame Me”
• “Look What You Made Me Do”

Note: If you’ve been to an Eras show, you know: There’s no messing with the Reputation set. The already ear-splitting crowd somehow gets even louder as soon as this first notes of “Ready For It” blast through the speakers, and the stadium stays at peak volume throughout the traditional “1, 2, 3, Let’s go b–ch” chant during “Delicate” and the seamless transition between “Don’t Blame Me” and “Look What You Made Me Do.” No cuts.

ACT V: 'Speak Now'

• “Enchanted”
• “Long Live”

Note: Justice for Speak Now . Swift’s third album deserves a proper showcase each night, so we sincerely hope that the pop star doesn’t scrap “Long Live” — which she only added to the setlist four months into the Eras Tour’s first leg — to make room for TTPD.

ACT VI: 'Red'

• “22”
• “We Are Never Ever Getting Back Together”
• “I Knew You Were Trouble”
• “All Too Well (10 Minute Version)”

Note: It may seem like an easy time-saver to simply swap out the ten-minute version of “All Too Well” for Swift’s original five-minute version, but doing so would be robbing Swifties of the best ten-minute segment in the entire show. We simply won’t hear of it. That song aside, the other three hits on this mini-set — similar to the Fearless era — form a perfect bite-sized capsule of the album they represent, leaving no excess behind.

ACT VII: 'Folklore'

• “Betty” 
• “August”
• “Illicit Affairs” (Bridge Only) 
• “My Tears Ricochet” 
• “Cardigan”

CUTS: “The 1” / “Invisible String” & “The Last Great American Dynasty”

Note: Sorry, Folklorians: It’ll always have a special place at the heart of the Eras Tour show, but Swift has now released three new albums since her initial alt-folk pivot — hence the harsher cuts here.

ACT VIII: '1989'

• “Style”
• “Blank Space”
• “Shake It Off”
• “Wildest Dreams”
• “Bad Blood”

Note: It’s almost impossible to imagine cutting any of the five songs on the 1989 setlist, each of them massive, stadium-rocking hits a full ten years after their original release (three of them peaked at No. 1 on the Billboard Hot 100, while “Wildest Dreams” and “Style” reached Nos. 5 and 6, respectively). A time-saving mashup between two or more of them could, however, be an avenue to explore if needed, with a majority of the tracks boasting similar keys and corresponding musical styles.

INTERLUDE: Surprise Songs

• Surprise Song No. 1
• Surprise Song No. 2

Note: It’s safe to assume that the nightly surprise song section will be where Swift makes up for unused Tortured Poets songs, giving fans the chance to hear acoustic versions of the 20+ tracks on her newest album that probably won’t make it onto the regular setlist .

ACT IX: 'Midnights'

• “Lavender Haze” 
• “Anti-Hero” 
• “Vigilante Shit” 
• “Bejeweled”
• “Karma” 

CUTS: “Midnight Rain” & “Mastermind”

Note: The only non-single to remain safe, “Vigilante Shit” would’ve been next on the chopping block. But honestly — what would the Eras Tour be without Swift’s iconic sultry, Chicago -esque dance break?

ACT X: 'The Tortured Poets Department'

• “Fortnight”
• “The Tortured Poets Department”
• “Down Bad”
• “So Long, London”
• “Who’s Afraid of Little Old Me?”
• Mashup: “Teardrops on My Guitar” x “I Can Do It With a Broken Heart”
• “But Daddy I Love Him”

Note: As Swift’s newest album, Tortured Poets deserves to be the finale. And while, upon first listen, the record may not seem like it has enough stadium-ready bops to close out the show, the above songs 100% have the potential to be converted into the high-energy moments the Eras Tour commands. Just imagine the theatrical potential of “Who’s Afraid,” the meta-ness of a real-life crowd chanting “More!” during “Broken Heart,” and confetti falling from the sky during the final chorus of “But Daddy…” We picture gothic visuals, writing desks, typewriter props, period costumes and lightning strikes during this section.

Now, about that mashup. It’s absurd that Swift has never included any songs from her 2006 self-titled debut album — aka her first-ever era — on the main Eras Tour setlist. But it’s not too late to rectify that.

Picture this: The lights go down after Swift performs “Who’s Afraid of Little Old Me?” Costumes change, a tiger cage and other circus-themed set pieces are wheeled away. Then, the songwriter — her silhouette barely visible under the dim glow of an aquamarine spotlight — sings a cappella the final chorus of the first song about faking smiles in the face of heartbreak she ever released: “Teardrops on My Guitar.” Emphasis on the lyric, “the only one who’s got enough of me to break my heart.”

After she trails off on the last line — “Drew looks at me, I fake a smile so he won’t see” — the stadium comes to life once more as the crowd’s multi-color light-up bracelets go haywire, an explosion of sound filling the space. “I can read your mind,” Swift jumps in, surrounded by dancers as the lights suddenly go up, revealing one last fabulous costume. “‘She’s having the time of her life…'”

Once that’s done, she’ll move on to the finale, flipping off the haters, embracing her truest fans and proudly proclaiming her love for the man of her dreams in one fell swoop with “But Daddy I Love Him,” disappearing offstage before concertgoers have even finished singing along. Fin.

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Taylor Swift shares big video hint the ‘Eras Tour' may be changing

“taylor swift, you have some explaining to do” wrote one fan., by amy eley | today • published april 25, 2024 • updated on april 25, 2024 at 9:10 pm.

Taylor Swift is taking fans behind the scenes of her “Eras Tour” with a series of clips, and Swifties now suspect there’s a hint as to changes coming to the world-renowned show.

Days after releasing her newest album,  “The Tortured Poets Department,”  Swift posted another YouTube Short video with her hit single “Fortnight,” featuring Post Malone,” playing over videos of her and her dancers rehearsing for the tour. But there’s one moment in the montage that has fans doing what they do best: speculating.

Fans will recognize many of the scenes being practiced, such as Swift's iconic entrance from the ground, her performance of "Lavender Haze" in a coat surrounded by clouds, playing "Champagne Problems" seated at a moss-covered piano and more. But one clip, in which Swift stands in the middle of a stage with her dancers lined up behind her wearing top hats and holding canes, did not appear in the original "Eras Tour."

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“Since when do background dancers have a top hat and canes?!” one fan with the username armaisacat.1989  captioned a TikTok  of the scene, adding “Taylor Swift you have some explaining to do!!”

The “Eras Tour” is a three-hour, 15-minute concert in which Swift performs songs from all of her albums since her 2006 self-titled debut record. Many — including the TODAY.com staff — have speculated whether or not the pop star would integrate “Tortured Poets Department” as another era in the show.

All will be (hopefully) be revealed when the tour begins again in Paris on May 9.

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This is the second YouTube Short Swift has posted since the latest album release. On April 19, she shared  glimpses of her personal life , again set to the tune of “Fortnight.”

In that compilation, her boyfriend, NFL star Travis Kelce, makes appearances with the star. The videos are in collaboration with YouTube, encouraging users to post their own “14 snippets” of their lives set to the same song.

This story first appeared on TODAY.com. More from TODAY :

• Emily Henry’s latest novel challenges the romantic ‘grand gesture’ 
• Woman shares thought-provoking open letter to her 'almond mom'
• When should you not brush your teeth? Dentist goes viral for sharing 3 surprising situations

This article tagged under:

I Tried Taylor Swift's Eras Tour Lavender Haze Lemonade & It's Strong

I feel the vodka “creepin' up on me.”

Not only are Swifties outdoing themselves at The Eras Tour with intricate themed ‘fits , but the stadiums are also pulling out all the stops in Taylor Swift’s honor. Glendale, Arizona transformed into Swift City for the start of tour, while Las Vegas lit up in all the colors of the eras to show they were “ready for it.” Some places have even been revamping their menus to include Eras Tour-themed drinks for Swifties to purchase at their show. MetLife Stadium in New Jersey had an Eras Tour Lavender Haze Lemonade, and I tried making it at home to see if it’s as good as other Swift-inspired drinks.

I actually attended night one of The Eras Tour in New Jersey and was disappointed to see they weren’t offering any kind of speciality cocktail when I was there. I circled the stadium for what felt like forever trying to find something fun to sip on while I waited for Swift to take the stage, but was left empty-handed and thirsty. So, you can imagine my frustration when I saw that MetLife Stadium tweeted on night two that they were selling a Lavender Lemonade . The lavender-infused lemonade with vodka was also perfectly priced at $13 — aka Swift’s favorite number. Of course, I shouldn’t complain since our night did get “Getaway Car” and “Maroon” as our surprise songs in addition to an Ice Spice guest appearance , but I still wanted to try the Lavender Lemonade for myself.

I’ve had the Lavender Haze drink from Starbucks , and really loved the blend of passion tea, soy milk, and vanilla. With summer finally here, I was hoping this Lavender Haze Lemonade might be my new go-to sip of the season.

Taylor Swift’s Eras Tour Lavender Haze Lemonade Review

Unfortunately, MetLife didn’t share a recipe for the Lavender Lemonade, so I went to Google. This Lavender Vodka Lemonade recipe popped up and only required four ingredients, so I went with it. To make at home, you need:

• 1 3 / 4 tablespoons food-grade dried lavender
• 1 1 / 2 oz lemon juice
• 1 1 / 2 oz simple syrup

I couldn’t find dried lavender at my grocery store, but picked up the next best thing — lavender tea. To start off, infuse the lavender into your vodka for about five minutes. I left my tea in a bit longer to really pull out the lavender flavor. Once that was done, pour in the lemon juice and simple syrup before shaking. Add to your glass with some ice and that’s it. It’s a fairly simple recipe.

To make my drink more lavender haze-y, I added in some color. Instead of going with food dye, I used blue and pink edible glitter and experimented to get the perfect purple shade. It wasn’t exactly a bright lavender like Swift’s purple jacket on The Eras Tour , but it was close enough. Apparently, the lavender lemonades at MetLife weren’t purple at all , so at least mine won points here. However, the taste was a bit much.

The drink is basically half lavender-infused vodka and half lemonade. For someone who was just looking for a casual sip to enjoy at home, it was way too strong. If I were to make this again, I probably would add more lemonade, but that would really dilute the lavender flavor. Another option would be to make an eight-ounce lavender tea lemonade, sans vodka. This will probably be my go-to if I decide to make some lavender lemonade this summer to enjoy poolside on a hot day. If I did want to add some vodka into the mix, I would add a shot — aka 1.5 ounces — and that’s it. Anything more, and I also might find myself “staring at the ceiling“ at midnight.

Some ticket prices for upcoming ‘Eras Tour’ dropped–See Taylor Swift

There’s no time like the present, Swifties.

On April 19, Taylor Swift dropped her 11th studio album “The Tortured Poet’s Department.” As expected, the 34-year-old singer-songwriter became the internet’s main character.

Some raved about the sprawling, ambitious double album; others criticized the record for its length, subject matter and lyrics.

All we know is that in the seven days that have passed, ticket prices to see Swift’s ‘Eras Tour’ live have plummeted for most of her concerts in Europe.

Based on our findings, most shows have seats available that are significantly cheaper than they cost just a week ago.

In fact, some tickets are over $1,000 less than they were on April 19 already.

While it’s not the case for her U.S. and Canada gigs — where prices have mostly stayed flat or slowly risen — we’d argue it might be in your best interest to book tickets to an overseas ‘Eras Tour’ concert given this cooldown.

Want to find out how much tickets cost for ‘Eras Tour’ concerts versus what they were going for on April 19?

We’ve got everything you need to know and more about Taylor Swift’s 2024 tour below.

All prices listed above are subject to fluctuation.

A complete calendar including all upcoming tour dates, venues, and the best ticket prices for all concerts versus what they cost on April 19 can be found here.

*The lower ticket price is in bold.

(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout .)

Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. 

They offer a 100% buyer guarantee that states your transaction will be safe and secure and your tickets will be delivered prior to the event.

While Swift is known for dropping a surprise song or two into her shows, the tracks stay surprisingly consistent for most gigs (although that will likely change in the wake of “TTPD’s” release).

In any event, here’s what Tay Tay played at her final live show of 2023 in Brazil, according to  Set List FM :

“Lover” Era

01.) “Miss Americana & the Heartbreak Prince”

02.) “Cruel Summer”

03.) “The Man”

04.) “You Need to Calm Down”

05.) “Lover”

06.) “The Archer”

“Fearless” Era

07.) “Fearless”

08.) “You Belong With Me”

09.) “Love Story”

“evermore” Era

10.) “’tis the damn season”

11.) “willow”

12.) “marjorie”

13.) “champagne problems”

14.) “tolerate it”

“ Reputation” Era

15.) “…Ready for It?”

16.) “Delicate”

17.) “Don’t Blame Me”

18.) “Look What You Made Me Do”

“Speak Now” Era

19.) “Enchanted”

20.) “Long Live”

“Red ”  Era

22.) “We Are Never Ever Getting Back Together”

23.) “I Knew You Were Trouble”

24.) “All Too Well”

“folklore” Era

25.) “the 1”

26.) “betty”

27.) “the last great american dynasty”

28.) “august”

29.) “illicit affairs”

30.) “my tears ricochet”

31.) “cardigan”

32.) “Style”

33.) “Blank Space”

34.) “Shake It Off”

35.) “Wildest Dreams”

36.) “Bad Blood”

Surprise Songs Era

37.) “Say Don’t Go”

38.) “it’s time to go”

“Midnights” Era

39.) “Lavender Haze”

40.) “Anti‐Hero”

41.) “Midnight Rain”

42.) “Vigilante Shit”

43.) “Bejeweled”

44.) “Mastermind”

45.) “Karma”

Our team has been following the ‘Eras Tour’ closely over the past year.

Over the past few months, we spoke to a Swiftie who  shared some helpful tips  about seeing Taylor live and  came up with a list of all the most exciting fan trends .

As noted above, Swift’s  “The Tortured Poets Department”  was released at midnight (and subsequently at 2 a.m.) on Friday, April 19.

While every listener will likely come away with their own favorites, we particularly enjoyed the sleek, synth-y “Fortnight,” icy “So Long, London,” anthemic “I Can Do It With a Broken Heart,” bombastic slow build of “The Smallest Man Who Ever Lived” and gorgeously arranged “Chloe or Sam or Sophia or Marcus.”

If you want to give it a spin — if you haven’t already, that is — you can find “The Tortured Poets Department”  here .

Taylor only has two opening acts lined up for the ‘Eras Tour’ this year.

Here’s what you need to know about her well-established special guests.

Paramore  will play alongside Swift after mounting a massive 2023 tour of their own. The group, fronted by lead singer Hayley Williams, reunited in 2022 after a five-year hiatus. For fans that want to check out their latest, you can listen to “This Is Why,” their sixth studio album, which dropped in February 2023.

Gracie Abrams , the daughter of film director JJ Abrams and producer Katie McGrath, is a star in her own right. Her song “I miss you, I’m sorry” has upwards of 100 million streams on Spotify, she opened for Olivia Rodrigo on the 2022 “Sour Tour” and headlined her own tour last spring as well.

Although it will cost an arm and a leg (sometimes more!) to see Swift live this year, there are much more affordable concerts you can attend this year.

Here are just five of our favorite artists you won’t want to miss live.

•  Olivia Rodrigo

•  Kacey Musgraves

•  Pink

•  Chappell Roan

•  Alanis Morissette

Who else is on the road this year? Check out our list of the  50 biggest concert tours in 2024  to find out.

This article was written by Matt Levy , New York Post live events reporter. Levy stays up-to-date on all the latest tour announcements for your favorite musical artists and comedians, as well as Broadway openings, sporting events and more live shows – and finds great ticket prices online. Since he started his tenure at the Post in 2022, Levy has reviewed Bruce Springsteen and interviewed Melissa Villaseñor of SNL fame, to name a few. Please note that deals can expire, and all prices are subject to change.

Vivid Seats is the New York Post's official ticketing partner. We may receive revenue from this partnership for sharing this content and/or when you make a purchase.