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The Last Samurai

Where to watch.

Rent The Last Samurai on Fandango at Home, Prime Video, Apple TV, or buy it on Fandango at Home, Prime Video, Apple TV.

What to Know

With high production values and thrilling battle scenes, The Last Samurai is a satisfying epic.

Audience Reviews

Cast & crew.

Edward Zwick

Capt. Nathan Algren

Ken Watanabe

Timothy Spall

Simon Graham

Billy Connolly

Zebulon Gant

Tony Goldwyn

Col. Bagley

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Movie news & guides, this movie is featured in the following articles., critics reviews.

The Last Samurai (2003) Stream and Watch Online

Looking to watch ' The Last Samurai ' on your TV, phone, or tablet? Discovering a streaming service to buy, rent, download, or watch the Edward Zwick-directed movie via subscription can be a challenge, so we here at Moviefone want to do the work for you. Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'The Last Samurai' on each platform when they are available. Now, before we get into the fundamentals of how you can watch 'The Last Samurai' right now, here are some specifics about the Warner Bros. Pictures, Radar Pictures, Bedford Falls Productions, Cruise/Wagner Productions war flick. Released December 1st, 2003, 'The Last Samurai' stars Tom Cruise , Ken Watanabe , Timothy Spall , Tony Goldwyn The R movie has a runtime of about 2 hr 34 min, and received a user score of 76 (out of 100) on TMDb, which collated reviews from 6,569 top users. Want to know what the movie's about? Here's the plot: "Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist." 'The Last Samurai' is currently available to rent, purchase, or stream via subscription on Apple iTunes, YouTube, Vudu, Amazon Video, Microsoft Store, Spectrum On Demand, AMC on Demand, and Google Play Movies .

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Movie Reviews

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Edward Zwick 's "The Last Samurai" is about two warriors whose cultures make them aliens, but whose values make them comrades. The battle scenes are stirring and elegantly mounted, but they are less about who wins than about what can be proven by dying. Beautifully designed, intelligently written, acted with conviction, it's an uncommonly thoughtful epic. Its power is compromised only by an ending that sheepishly backs away from what the film is really about.

Tom Cruise and Ken Watanabe co-star, as a shabby Civil War veteran and a proud samurai warrior. Cruise plays Nathan Algren, a war hero who now drifts and drinks too much, with no purpose in life. He's hired by Americans who are supplying mercenaries to train an army for the Japanese emperor, who wants to move his country into the modern world and is faced with a samurai rebellion.

The role of the samurai leader Katsumoto (Watanabe) is complex; he is fighting against the emperor's men, but out of loyalty to the tradition the emperor represents, he would sacrifice his life in an instant, he says, if the emperor requested it. But Japan has been seized with a fever to shake off its medieval ways and copy the West, and the West sees money to be made in the transition: Representatives from the Remington arms company are filling big contracts for weapons, and the U.S. Embassy is a clearinghouse for lucrative trade arrangements.

Into this cauldron Algren descends as a cynic. He is told the samurai are "savages with bows and arrows," but sees that the American advisers have done a poor job of training the modernized Japanese army to fight them. Leading his untried troops into battle, he is captured and faces death -- but is spared by a word from Katsumoto, who returns him as a prisoner to the village of his son.

It's at this point that "The Last Samurai" begins to reveal itself as more than an action picture. Katsumoto, who conveniently speaks English, explains he has kept Algren alive because he wants to know his enemy. Algren at first refuses to speak, but gradually, during a long, rainy winter of captivity, he begins to have philosophical conversations with the other man about the ethics of war and warriors. Some of these talks sound like Socratic exchanges:

Katsumoto: "Do you believe a man can change his destiny?"

Algren: "I believe a man does what he can until his destiny is revealed."

For Algren, the traditional village life is a soothing tonic. Haunted by nightmares from his wartime experiences, he confesses, "Here I have known my first untroubled sleep in many years." He has been lodged in the house of Taka (Koyuki), the widow of a man he killed in battle, and although she complains bitterly to Katsumoto, she maintains a smiling facade in Algren's presence.

Algren: "I killed her husband!"

Katsumoto: "It was a good death."

Katsumoto has pledged his life to defending the dying code of the samurai. Algren finds himself gradually shifting allegiances, away from the mercenaries and toward the samurai, but his shift is visceral, not ideological. He bonds with Katsumoto, respects him, wants to find respect in his eyes. The movie illustrates the universal military truth that men in battle are motivated not by their cause but by loyalty to their comrades.

"The Last Samurai" breaks with the convention that the Western hero is always superior to the local culture he immerses in. It has been compared to " Lawrence of Arabia " and "Dances With Wolves," films in which Westerners learn to respect Arabs and Indians, but this film goes a step further, clearly believing that Katsumoto's traditional society is superior to the modernism being unloaded by the Americans. Katsumoto is the teacher and Algren is the student, and the film wonderfully re-creates the patterns and textures of the Japanese past; its production design, sets and costumes are astonishing.

Watanabe is a deep, powerful presence; he has the potential to become the first world star from Japan since Toshiro Mifune . Cruise is already a star, and will be targeted by those predisposed to see him and not his character, but here I think his stardom works for the film, because he takes with him into battle both the cocksure pilot of " Top Gun " and the war-weary veteran of " Born on the Fourth of July ." The casting helps the film with its buried message, which is about the re-education of a conventional American soldier.

The supporting cast is splendid: Koyuki quietly stirs as the widow who feels sexual attraction but suppresses it; Tony Goldwyn blusters and threatens as the hard American mercenary; Timothy Spall is the British translator who knows the words but not the music. Scichinosuke Nakamura plays the emperor as a tormented, shy man who admires Katsumoto's values, even while agreeing with his advisers that the rebellion must be put down. "I am a living god -- as long as I do what they say is right," he muses at one point, in words I somehow doubt any Japanese emperor would ever have employed.

The director is Edward Zwick, whose other war films (" Glory ," "Legends of the Fall," " Courage Under Fire ") have also dealt with men whose personal loyalties have figured more importantly than political ideology. Here he gives Algren a speech attacking Custer, whose last stand was fresh in everyone's mind. ("He was a murderer who fell in love with his own legend, and his troops died for it.") Yes, but how would Algren describe this film's final battle scene, in which Katsumoto leads his men into what appears to be certain death? To be sure, his men share his values, but is there an element of seeking "a good death"? Is a there a line between dying for what you believe in, and dying because of what you believe in?

That the film raises this question shows how thoughtful it is. If "The Last Samurai" had ended in a way that was consistent with its tone and direction, it would have been true to its real feelings. But the ending caves in to Hollywood requirements, and we feel the air going out of the picture. An art film can trust its audience to follow along to the necessary conclusion. A Hollywood ending assumes that the audience caves in at the end, turns dim-witted and sentimental, and must be fed its lollypop.

"The Last Samurai" has greatness in it, but sidesteps the ending that would have given it real impact. If there's going to be an alternative ending on the DVD, I know what it would have to show -- and so, I suspect, does Edward Zwick.

Note: Which character is the "last samurai" -- Katsumoto, or Algren? A case can be made for either answer, which suggests the nature of their relationship.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Film credits.

The Last Samurai (2003)

Rated R for strong violence and battle sequences

154 minutes

Timothy Spall as Simon Graham

Tom Cruise as Nathan Algren

Ken Watanabe as Katsumoto

Tony Goldwyn as Col. Benjamin Bagly

Koyuki as Taka

Hiroyuki Sanada as Ujio

Billy Connolly as Sgt. Zebulah Grant

Shin Koyamada as Nobutada

Scichinosuke Nakamura as Emperor

Aoi Minata as Magojiro

• Marshall Herskovitz

Directed by

• Edward Zwick

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The Last Samurai may be a product of its time, but it was also a step forward for representation.

Discussions of The Last Samurai often focus on the obvious incongruity of a movie where Tom Cruise dons samurai armor to become the steward of traditional Japanese culture. The picture of Cruise’s bearded, American-Jesus-like face, writ large on a movie poster under the word “samurai,” was more a symbol of Hollywood tradition when the film appeared in theaters on December 5, 2003. Yes, this is a white-savior narrative — Cruise’s cosplaying can’t disguise it — but the first face onscreen is Ken Watanabe, who received an Oscar nomination for his role as Katsumoto, the samurai leader. What the actors represent offscreen, culturally, is the reciprocal of their characters and the film’s central conflict between tradition and modernization.

The Last Samurai follows Cruise’s character, Captain Nathan Algren, a guilt-ridden, mercenary veteran of the American Indian Wars who enters Japan to train the Emperor’s army so they can quell a samurai revolt. Set early in the Meiji era, when Japan opened to the West after 200-plus years of isolationism, the film pits Katsumoto and the country’s old, sword-wielding, feudal ways against new American technologies like the Winchester rifle and the dreaded howitzer. That these are weapons is almost incidental to the plot; the old and new are vying for dominion.

In the opening scene, Katsumoto realizes something’s amiss when his idyllic mountain meditation is interrupted by a vision of a white tiger. This is a premonition of Algren, who inhabits a more industrial milieu when we meet him at a San Francisco trade show. There, “railroads, cannons, and Western clothing,” as Emperor Meiji (Shichinosuke Nakamura) later puts it, are ready to be exported to Japan. Trotted onstage with brass fanfare as a sham war hero, Algren raises his rifle in a drunken stupor and tells the audience, “My thanks on behalf of those who died in the name of better mechanical amusements and commercial opportunities.”

These words, a eulogy for the innocent Cheyenne village he helped massacre, could apply equally to Katsumoto’s samurai generation as it rides in through the mists of time, clashing with contemporary, mechanized forces on the battlefield in Japan. Even before that, Timothy Spall’s British narrator notes how “the ancient and the modern are at war” for the country’s soul.

In telling the story of Japan’s Westernization (really, its Americanization, transposed from post-World War II in a turn-of-the-millennium historical epic), director Edward Zwick relies on cinematic convention. He even repeats a scene from his own Civil War movie, Glory , where the commanding officer in dark blue deliberately rattles the non-white soldier-in-training to prove he’s not ready to hit a target under pressure. At the same time, the Japanese actors who surround Cruise in prominent roles show they’re more than capable of holding their own against the international movie star.

Cruise may be the headliner, but Watanabe is the movie’s soul.

Hiroyuki Sanada plays Katusmoto’s second-in-command, Ujio, and like Watanabe, he’s another actor who’s remained in the limelight (though perhaps not enough so ) 20 years after The Last Samurai . By introducing global audiences to such talents, the film arguably did more to move the needle, representation-wise, than other 2003 releases like Lost in Translation and Kill Bill, Vol. 1 (both set in Japan, but with fewer top-billed Japanese names).

In this way, The Last Samurai managed to plant one foot in the future despite being stuck in the Eurocentric past, with Zwick and co-screenwriters John Logan and Marshall Herskovitz framing the narrative. Even Algren’s love interest, Taka (the mononymous Koyuki, fresh off Kiyoshi Kurosawa’s Pulse ), isn’t thrilled about playing house with the unwashed foreigner who killed her husband.

In the third act, Cruise predictably wears his plot armor as the movie goes full Braveheart (with the same cinematographer, John Toll). These internal tensions somewhat reflect the story’s underlying concern with the double-edged sword of progress. If nothing else, The Last Samurai was, as Watanabe alluded in The Guardian last year, a crossroads away from the kind of offensive yellowface caricatures seen in Breakfast at Tiffany’s.

“Before The Last Samurai ,” Watanabe said, “there was this stereotype of Asian people with glasses, bucked teeth and a camera. It was stupid, but after [ The Last Samurai ] came out, Hollywood tried to be more authentic when it came to Asian stories.”

While not above reproach, The Last Samurai was a landmark in more authentic Hollywood representation.

The film is loosely based on real Japanese history, with Katsumoto standing in for Saigo Takamori (1828–1877), who led the Satsuma Rebellion and has been called the “last true samurai.” Starting the action in 1876 aligns it with America’s centennial as it reconfigures around Algren, who’s only out for capitalist gain until he sees the beauty of the cultural paradigm he’s worked to obliterate. That’s what The Last Samurai is really about, but it’s easy to lose sight of its broader theme when the movie is so very specific about the story it’s telling (and who’s telling it).

Katsumoto mourns the loss of traditions, something Cruise and other real-life proponents of the theatrical experience might find relatable now more than ever. These days, The Last Samurai’s widescreen visuals are relegated to your typical streaming service, Paramount+. Before it landed there, the film’s supporting cast helped prime the Academy Awards for homegrown Asian films like Parasite and Japan’s own Drive My Car . Nothing can stop progress.

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Was The Last Samurai Tom Cruise’s last great movie?

Twenty years ago, the ‘mission: impossible’ frontman did a lot more than just shoot people and jump off tall buildings. today, ‘the last samurai’ marks one of the actor’s final truly ambitious starring roles. as the film celebrates its 20th birthday, chris edwards speaks to director edward zwick about its place in cruise’s legacy and the stunt that nearly killed his leading man, article bookmarked.

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A sk Steven Spielberg who his favourite superhero is and he’ll probably say Tom Cruise . Last year, the filmmaker credited the actor for “saving Hollywood’s ass” with Top Gun: Maverick , thanks to its sky-high box office numbers on the back of the pandemic . That Cruise should be the literal saviour of cinema seems fitting, given that he’s now the undisputed king of action blockbusters . And yet, for all his recent efforts and cinema-saving success, he doesn’t have a major personal award to show for it. In fact, it’s been years since the actor gave a genuinely Oscar-worthy performance. Twenty of them, to be exact.

December 2003 saw the release of director Edward Zwick’s The Last Samurai , a sweeping epic charting the end of Meiji-era Japan and the extinction of a noble band of warriors. Teeming with peaceful temples, opulent courtrooms and pensive shots of luscious nature (although it was mostly filmed in New Zealand, not Japan), the film didn’t exactly feel like your typical Cruise blockbuster from the offset. But it ended up becoming the perfect vehicle to showcase both his acting ability and superhuman work ethic.

“Tom’s energy was daunting and inspiring,” Zwick says today, speaking from his home in California. “We shot for 120 days on three continents. He was in practically every scene and never did I see even the slightest flagging of enthusiasm or a lowering of the high bar he sets for himself. That kind of attitude from the number one on the call sheet is incalculable. It animates everyone, cast and crew alike, and creates an on-set culture that carries the film through some very long, tough days and nights.”

In the film, Cruise plays Nathan Algren, a former US Army captain who is hired by the Emperor of Japan to train the country’s first army in the ways of westernised combat (aka guns), to quash an uprising from the last remaining samurai. However, after being captured in battle by the samurai and forced to live in their peaceful mountain village, Algren becomes accustomed to their way of life. He then decides to join their rebellion, after realising that the imperialists are the real enemy after all.

The Last Samurai was nominated for four Oscars at the February 2004 ceremony – Best Supporting Actor (Ken Watanabe), Best Art Direction/Set Decoration, Best Costume Design, and Best Sound Mixing – but went home empty-handed. Cruise, who also produced, didn’t even get a sniff, which is perhaps unsurprising given he was playing a fairly generic hero role. But it was still a thoughtful and nuanced performance, the sort not typically required for blockbusters like Mission: Impossible, Edge of Tomorrow , or any and all aviation-based films featuring sweaty, shirtless ball-tossing.

“I’ve never had the opportunity to make an epic,” Cruise said during the film’s press tour back in 2003, after being asked why he decided to take on the project. He also cited his pre-existing fascination with the samurai and their culture. “That’s how I aspire to live my life, with integrity, compassion, honour, loyalty. Those are things I think about and that mean something to me. But in making the picture, I got to really get inside a different culture, one I’m absolutely fascinated by.”

It was essentially a passion project for Cruise, who hasn’t made a film like it since. He did deliver a surprising turn as an assassin in Michael Mann’s sinister 2004 thriller Collateral – arguably his last vaguely interesting role – but it certainly wasn’t the kind of part that could define a career like The Last Samurai looked set to do.

It doesn’t take a genius to know that it’s just hard for an actor to give a dimensional, complex performance when he’s playing a comic book hero

Though decidedly in blockbuster mode, Cruise’s performance in the film perfectly captures the conflict in Algren, a man who previously fought against the Native Americans and subsequently drinks to erase the memory of his atrocities. As he begins to fall in love with the samurai way of life – as well as the widow of a man he honourably killed with a stick in combat – he gains an even deeper understanding of the suffering his own people have inflicted. By the time he’s had some thoroughly enjoyable conversations with chief warrior Katsumoto (Watanabe), and suits up in objectively cool samurai armour, you don’t just understand why he wants to switch sides, you want to join him.

Zwick was impressed by Cruise’s acting skills, but he mentions one particular moment during filming that left a lasting impression. “There’s an important scene toward the end of the film on the eve of the samurai’s final battle,” the director tells me . “He was to say goodbye to Higen, the son of the man he killed, whom he befriended over the course of his stay in the village. I felt that shooting at magic hour would lend a sombre tone. That meant having only one take of a very emotional moment – with multiple cameras – in Japanese! It’s one of his finest moments in the movie. I’m sure had I asked him to do it while standing on his head, he would have done that, too.”

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Over the course of the film, Cruise learned to speak Japanese, mastered their style of swordsmanship (kenjutsu), and, of course, performed all of his own stunts. As ever, his commitment to the role and project as a whole was immense.

As for the actor’s creative input, Zwick adds: “He understands a director’s issues as well as his own and knows how to articulate those aspects of his character that might be worthy of examination. What made it easy was that his thoughts were always in the context of the movie as a whole, rather than the kind of tunnel vision some actors indulge in.”

Cruise even put his neck on the line for the film. Literally. While shooting a battle scene, in which he and co-star Hiroyuki Sanada were meant to ride towards each other on animatronic horses, a malfunction caused them to almost collide and Sanada came within an inch of decapitating the lead star with his sword. “Tom’s neck was right in front of me and I tried to stop swinging my sword, but it was hard to control with one hand,” Sanada told reporters through a translator while promoting the film in Taipei, Taiwan. “The film crew watching from the side all screamed because they thought Tom’s head would fly off.”

It’s widely acknowledged that the Academy Awards like actors to suffer in order to win an Oscar – crawling into the carcass of a frozen horse for The Revenant finally did the trick for Leonardo DiCaprio, after all – and what could typify that more than almost losing your head?

Aside from an apparent bias against blockbusters, there’s another likely reason why Cruise didn’t receive an Oscar nod for The Last Samurai : when the film was first released, it immediately prompted questions about its depiction of Japanese culture. It was accused of historical inaccuracies and the story was deemed by some to be a prime example of white saviourism.

But the criticism wasn’t completely justified. Cruise’s character is actually based on a real person: a French soldier named Jules Brunet, who arrived in Japan in 1867 to train the Tokugawa shogunate in modern weapons and tactics. Even Watanabe’s chief warrior is steeped in a real piece of history, with the character largely inspired by Saigo Takamori, the leader of the 1877 Satsuma Rebellion.

In any case, The Last Samurai does not purport to be a biopic, and is clearly meant to be watched as a piece of fiction. In 2004, Zwick told The Independent that he intended to romanticise the samurai, who were nowhere near as friendly in real life. “It was an aristocratic culture that existed on the backs of the peasants,” the director said. “It was sometimes quite brutal and there were real licenses that I took, fully aware of what I was giving in exchange for what I was getting.”

In truth, Zwick ensured that the samurai were the real stars of the film, which is a genuine rarity for a blockbuster fronted by someone basically as famous as God. Instead of fixating on star power, action or special effects, The Last Samurai focused on character development, allowing Cruise to tap back into the Oscar-worthy skillset that previously earned him acting nominations for Rain Man , Born on the Fourth of July and Magnolia .

And it turned out to be a master stroke. Critically, the film received mostly positive reviews, with Roger Ebert writing that it is “beautifully designed, intelligently written, acted with conviction, [and] an uncommonly thoughtful epic”. The Hollywood Reporter , meanwhile, heavily praised Cruise for “underplaying his role, letting his character’s deeds speak for him and permitting intimacies not usually associated with epic moviemaking.” Financially, however, the film actually performed better in Japan than it did in the US, which could perhaps be a reason why we haven’t seen a similar Cruise epic since.

Understandably, Zwick bemoans the box office demands of modern blockbusters and how, as a result, it’s become harder for actors to deliver the sort of thoughtful performances that can really elevate a story. “I know there are lots of reasons, mostly economic, that the major studios are reluctant to take chances on the kind of adult, dramatic films – at scale – that I’ve been lucky enough to make,” he says. ”It doesn’t take a genius to know that it’s just hard for an actor to give a dimensional, complex performance when he’s playing a comic book hero. [In those films] the star of the movie is the special effects.”

Mercifully, Cruise is yet to delve into a superhero universe, but it’s possible that the demands of major studios and audiences may well prevent him from dropping another acting masterclass in a mainstream blockbuster – unless he ends up surprising us when he finally leaves Earth’s orbit for that untitled SpaceX film. Yes, Cruise may be the saviour of cinema (and Spielberg’s hero), but to become it, he’s had to take a 20-year break from true protagonist perfection.

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All Tom Cruise Movies, Ranked By Tomatometer

Top Gun: Maverick is back in theaters for Rotten Tomatoes’ 25th anniversary screening series at AMC — get tickets now !

From his teen idol days in the early ’80s to his status as a marquee-lighting leading man today, Tom Cruise has consistently done it all for decades — he’s completed impossible missions, learned about Wapner time in Rain Man , driven the highway to the danger zone in Top Gun , and done wonders for Bob Seger’s royalty statements in Risky Business , to offer just a few examples. Mr. Cruise is one of the few honest-to-goodness film stars left in the Hollywood firmament, so whether you’re a hardcore fan or just interested in a refresher course on his filmography, we’re here to take a fond look back at a truly impressive career and rank all Tom Cruise movies.

Mission: Impossible - Fallout (2018) 97%

Top Gun: Maverick (2022) 96%

Mission: Impossible - Dead Reckoning Part One (2023) 96%

Mission: Impossible Rogue Nation (2015) 94%

Mission: Impossible - Ghost Protocol (2011) 93%

Risky Business (1983) 92%

Edge of Tomorrow (2014) 91%

Minority Report (2002) 89%

Rain Man (1988) 88%

The Color of Money (1986) 88%

Collateral (2004) 86%

Born on the Fourth of July (1989) 84%

American Made (2017) 85%

A Few Good Men (1992) 84%

Jerry Maguire (1996) 84%

Magnolia (1999) 82%

Tropic Thunder (2008) 82%

Eyes Wide Shut (1999) 75%

The Firm (1993) 76%

War of the Worlds (2005) 76%

Mission: Impossible III (2006) 71%

The Outsiders (1983) 70%

Taps (1981) 68%

Mission: Impossible (1996) 66%

The Last Samurai (2003) 66%

Interview With the Vampire (1994) 63%

Jack Reacher (2012) 64%

All the Right Moves (1983) 61%

Valkyrie (2008) 62%

Top Gun (1986) 57%

Mission: Impossible II (2000) 56%

Oblivion (2013) 54%

Knight and Day (2010) 52%

Far and Away (1992) 50%

Rock of Ages (2012) 42%

Vanilla Sky (2001) 43%

Legend (1985) 41%

Jack Reacher: Never Go Back (2016) 38%

Days of Thunder (1990) 38%

Lions for Lambs (2007) 27%

Losin' It (1982) 18%

The Mummy (2017) 15%

Cocktail (1988) 9%

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Tom Cruise Once Opened Up About Missing His Son Connor, Then 8, on Last Samurai Set, Recalls Director

Director Ed Zwick recalled in his memoir how he helped Tom Cruise nail an emotional scene in 'The Last Samurai' by speaking about family

Brendan Le is an Editorial Intern at PEOPLE with three years of experience working as an editor and writer.

Monica Schipper/WireImage

Tom Cruise tapped into his emotions on The Last Samurai by thinking about his son Connor .

In Ed Zwick’s memoir Hits, Flops, and Other Illusions: My Fortysomething Years , the director, 71, recalled his observations about Cruise’s soft spots while filming the 2003 period drama.

He said he noticed Cruise was “sweet and attentive” to a young actor in an earlier scene and that he was close to his then-8-year-old son Connor, whom he shares with ex-wife Nicole Kidman .

Aiming to evoke more natural emotion from Cruise, now 61, for a scene, Zwick pulled the actor aside and asked him to talk about Connor.

" 'Tell me about your son,' I said. He looked at me, surprised. I knew Connor had just returned to L.A. and Tom wouldn’t be seeing him for a while. For a moment Tom was quiet. And then he began to talk. It doesn’t matter what he said in those few short moments in the fading light. I watched as he looked inward, and a window seemed to open and his eyes softened," wrote Zwick.

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer, from juicy celebrity news to compelling human interest stories. 

Han Myung-Gu/WireImage

With the daylight fading, the upcoming take was on a time crunch — and Cruise eventually “nailed the scene.”

On their way off set, Zwick remembers making eye contact with the actor and Cruise mouthing to him a “thank you.”

Gallery Books

Despite his stardom, Cruise has often opted to keep his personal life private, including details about his kids. He and Kidman, 56, share Isabella , 31, and Connor, 29. From his marriage to Katie Holmes , he also has daughter Suri , now 17.

Hits, Flops, and Other Illusions: My Fortysomething Years is available now wherever books are sold. 

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“He invited us to watch the movie”: Tom Cruise’s Arguably Boldest Role in His Life Required Permission from a Fast and Furious Star to Make it Happen

T om Cruise’s status as a bonafide action star means most of his roles require a certain boldness from the actor. However, Cruise’s performance in the 2008 satirical comedy film Tropic Thunder is arguably his boldest role precisely because it goes against his star persona. In the film, Cruise plays the role of a goofy studio executive Les Grossman.

One of the funniest scenes in the film depicts Grossman dancing to a hip tune. However, for Cruise to execute this scene, it required the permission of a Fast & Furious star. Given the popularity of Cruise’s role, particularly his dance routine in the film, viewers must be curious to learn why the action star required the permission of another star, and here is everything you need to know.

Tom Cruise’s Tropic Thunder Role Required Permission From Fast & Furious Star Ludacris

Tom Cruise ’s performance as studio executive Les Grossman in Tropic Thunder is one of the actor’s most understated roles as it goes against his image as an action star. However, Cruise delivers a memorable performance winning over viewers with the idiosyncrasies of a character who is despicable on paper.

One of the best examples of Cruise making the character likable is his dance routine to the tune of the song Get Back by Fast & Furious star Ludacris. However, to use the song in the film’s closing sequence, director Ben Stiller personally sought Ludacris’ permission.

During an appearance on the First We Feast YouTube channel’s Hot Ones show, Ludacris revealed the following:

“Not only did he seek approval, respectfully, he invited us to watch the movie before it came out and it was literally just me, him, and my management and we watched the whole movie.”

“The right man for the right role”: Keanu Reeves Replaces Tom Cruise in The Mummy Fanmade Trailer and It Certainly Looks Promising

Ludacris added that he was moved by Stiller’s gesture to screen the film for him. As a result, it is safe to say that one of the most iconic and hilarious scenes from the film featuring Cruise’s Grossman showing off his dance moves would not have materialized without Ludacris’ blessing.

How Tom Cruise Came Up With His Hilarious Tropic Thunder Role

During a separate interview with Esquire , director Ben Stiller opened up about how the character of Les Grossman came to be. Stiller revealed that Cruise came up with the character himself as he felt the plot needed a studio executive as the primary antagonist. He said:

“Tom Cruise had the idea to play Les Grossman in the movie. That part did not exist. He said, well, there’s no studio executive and that would be really fun to be that guy.”

Stiller also credited Cruise with coming up with the character’s looks and dance moves which are among the character’s most memorable traits. In a separate interview , Cruise himself confirmed that it was his idea to add a studio executive character to the script.

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In 2022, it was revealed that Cruise and frequent collaborator Christopher McQuarrie were reportedly working on a spin-off that would bring back the Les Grossman character. However, since then there have been no updates regarding the project. Cruise is currently busy with the eighth installment in his Mission: Impossible franchise so it will be interesting to see if he revisits one of his boldest roles in the future.

Tropic Thunder is streaming on Peacock.

The Tom Cruise Role That Was Written With Tom Hanks in Mind

A tale of two Toms.

The Big Picture

• Tom Cruise showed a surprisingly seasoned and thoughtful approach to his film choices in the 1990s, working with prestigious directors on risky projects.
• Cameron Crowe originally wrote the role of Jerry Maguire with Tom Hanks in mind, but Hanks declined, giving Cruise the opportunity to showcase vulnerability in his performance.
• Cruise's comedic vulnerability in films like Risky Business and All the Right Moves proved that he could handle romantic roles, and Jerry Maguire showcased his ability to deliver surprising and powerful moments in a rom-com setting.

Tom Cruise is most closely associated with the action genre these days due to the success of Top Gun and Mission: Impossible , but in the 1990s, it seemed like he made it a goal to work with nearly every great filmmaker on a prestige project. Between Sydney Pollack ’s The Firm , Rob Reiner ’s A Few Good Men , Neil Jordan ’s Interview with the Vampire , and Stanley Kubrick ’s Eyes Wide Shut , Cruise showed a surprising amount of discretion in the risky projects that he joined. Ironically, the role that earned him an Academy Award nomination for Best Actor was Cameron Crowe ’s Jerry Maguire , which was a mainstream success and audience favorite. The film gave Cruise some of the most endearing, iconic, and hilarious moments of his entire filmography, but it wasn’t a role that was originally written with him in mind.

Jerry Maguire

Cameron crowe wrote ‘jerry maguire’ for tom hanks.

Crowe is among the foremost directors of romantic comedies, as his films tend to go beyond simply being crowd-pleasers to say something powerful about the nature of love, and what it means to be in a relationship. While he had proven his competence within the genre with the 1989 coming-of-age dramedy Say Anything and the ensemble project Singles , Jerry Maguire was arguably his most ambitious project to date. It was the type of film that relied upon an established movie star to show vulnerability, and Crowe had his sights set on which A-Lister he wanted in the role of the titular sports agent.

In 2017, Crowe told NBC Sports that the role “was originally written with Tom Hanks in mind,” and that he “had this wonderful conversation with Tom Hanks, and people were waiting in the next room for the answer.” Crowe found that he was “high on the Tom Hanks personality charisma.” However, Hanks was busy working on his directorial effort That Thing You Do! , and could not commit to Crowe’s project. Hanks would later joke that he “would like to think, however, that Tom Cruise owes me one dollar, and I’m still waiting for the check.”

Cruise was very complimentary of Hanks , stating that “as a fan of his, I would have been very interested to see what he would have done with that character.” However, Cruise was keen to note that he put significant effort into ensuring that the role could become his own. Cruise said that he “spent nine months with Cameron going back and forth developing” the characterization of Jerry. While the work that Cruise puts into the physical stunts within his action films is evident to anyone that watches them, the efforts he took to develop such a complex character were more subtle.

'Jerry Maguire' Lets Tom Cruise Get Vulnerable

On paper, Hanks seemed like a more obvious choice for the role. While he had a newfound prestige thanks to his back-to-back Academy Award wins for Best Actor in Philadelphia and Forrest Gump , he was still at his core a comedic actor that had shown his aptitude within the rom-com genre. Romantic comedies were huge in the ‘90s, but his collaborations with Meg Ryan in the films Joe Versus the Volcano , You’ve Got Mail, and Sleepless in Seattle were among the best. However, Hanks’ refusal gave Cruise the chance to give an uncharacteristically vulnerable performance that pushed him as an actor.

Tom Cruise Inspired Christian Bale's Performance in 'American Psycho'

Tom Cruise tends to take on drama roles and isn't generally associated with comedy, but he’s proven on more than one occasion that he’s much funnier than some of his fans might expect. Outside his iconic cameos in Tropic Thunder and Austin Powers in Goldmember , Cruise showed a comedic vulnerability in his early films Risky Business and All the Right Moves . In both films, he plays a teenager who bites off more than they can chew, and they end up making a lot of ill-advised decisions for the sake of what they perceive to be true love. These films showed that Cruise was willing to make himself the butt of a joke, and didn’t have the ego that he’s sometimes associated with. However, these skills were set aside in the immediate aftermath as Cruise focused on films with a more serious edge to them .

'Jerry Maguire' Is Proof That Tom Cruise Should Do More Romantic Movies

That level of vulnerability is something Hanks has utilized throughout his career, and a reason why his romantic comedies with Ryan are so endearing to this day. It makes perfect sense why he would have been someone that Crowe had in mind, but casting Cruise forced the Mission: Impossible star to show that same romantic vulnerability that had been absent in his filmography since the late 1980s. It was a choice that ended up making Jerry Maguire more surprising. Audiences would expect to see Hanks pouring out his heart to Renée Zellweger about how he feels, but seeing Cruise do it came as a shock, making the “you complete me” moment even more powerful.

When Jerry sets forth with his ambitious mission statement regarding his intentions for his company, it feels like his breakthrough will be accepted automatically, so it’s hilarious when his speech is met with a collective shrug from his co-workers. However, seeing Cruise descend into madness as Jerry digs himself deeper by ranting (and even stealing a fish) results in one of the funniest moments in the entire film. These sorts of physical gags are something that Hanks has done all the time, but Cruise had to show a wacky side of his personality that he hadn’t accessed since his adolescent roles.

Cruise continues to push the boundaries of his physicality as recently as 2023's Mission: Impossible – Dead Reckoning Part One , and he’ll be doing the same thing for the next installment. However, Cruise is also 61 years old, and can’t be doing action films forever. Perhaps choosing to go back to the romantic comedy genre for the first time since Jerry Maguire would be the best choice for Cruise to prove that, even after all these years, he’s still one of the greatest movie stars in the world.

Jerry Maguire is available to rent on Prime Video in the U.S.

Rent on Prime Video

Screen Rant

This 20-year-old tom cruise movie can lay the blueprint for his future after mission: impossible.

Tom Cruise won’t be able to do Mission: Impossible movies forever, but one of his old movies may have paved the way for his acting future.

• Tom Cruise's action star status faces a challenge as he ages, so exploring villain roles could be the key to his future success after Mission: Impossible .
• A return to the character depth of his role in Collateral could provide Cruise with exciting new opportunities in his career.
• Practical stunt work sets Cruise apart in action films, but taking on antagonistic roles could help him stay relevant in the industry.

Tom Cruise has been a movie star for over forty years, and one of his most underrated films could be the key to the next phase of his career after Mission: Impossible . Cruise, in his most recent star era, has become synonymous with daring stunt work and large action set pieces in his blockbuster films. The two most notable examples are his long-running Mission: Impossible franchise, which is currently filming its eighth installment, and Top Gun: Maverick , which was the highest-grossing film of 2022 .

In many ways, Cruise is as popular as he's ever been and remains one of the last examples of a true movie star. There's just one issue he faces, and it's one that will only get worse with time: he's now in his 60s. He's still in amazing shape for his age and can still perform all the stunts his action roles require of him. Yet, at a certain point, Cruise just won't be able to physically accomplish these feats anymore , and the question will arise of what he will do to define the next era of his career.

10 Movies That Defined Tom Cruise's Career

Tom cruise should follow collateral's blueprint after mission: impossible.

The answer regarding a future after Mission: Impossible lies with one of Cruise's most memorable roles as the cold-blooded hitman Vincent in Michael Mann's Collateral . Collateral follows a single night in the life of cab driver Max (Jamie Foxx), who is forced to transport Vincent around L.A. as he crosses off targets on his hit list. The film doesn't just feature excellent action scenes but also a fascinating back-and-forth between the two leads. Many long exchanges of dialogue happen within Max's cab, and the audience sees him and Vincent argue philosophically about the value of human life and their differing ideologies.

Cruise's movie star charisma brought layers of charm to Vincent's sociopathic demeanor

Cruise had to train for Collateral since it was an unexpected role, as the actor had never played the main villain of a film before, and to this day hasn't done it again since. The uniqueness of this notion paid off, as Collateral proved to be a healthy hit. It grossed $220 million worldwide from an estimated $65 million budget (via Box Office Mojo ). Cruise's movie star charisma brought layers of charm to Vincent's sociopathic demeanor, and it is still widely considered one of the best performances of Cruise's long and illustrious career. A return to this type of role would be an exciting prospect for the actor.

Every Michael Mann Movie, Ranked Worst To Best

Villain roles can help tom cruise stay relevant.

As Cruise gets older, it'll become more challenging for him to remain at the center of these action franchises. Unlike films like Indiana Jones and The Dial of Destiny , which heavily relied on CGI to assist 81-year-old Harrison Ford with the action scenes, Cruise's movies use their practical stunt work as a selling point. Top Gun: Maverick had Cruise flying real jets , and Mission Impossible - Dead Reckoning Part One had him jumping off a massive cliff on a motorcycle. Too much CGI would cheapen the impact of these stunts, which have become a big part of Cruise's brand.

However, if Cruise takes on more antagonistic parts in movies like Collateral going forward, h e could not only avoid putting his body at risk in as many huge stunts but also access an untapped well of potential film roles . Cruise would still be a selling point in whatever franchise he chooses to be a part of, and he'd be able to explore the darkness he displayed as Vincent all those years ago. It'd be an exciting development for fans to witness, full of possibilities, and could prove to be the key to Tom Cruise staying relevant through the 2020s and beyond.

Source: Box Office Mojo

Tom Cruise Doesn't Really Do Sequels Very Often, But There's Apparently One Movie His Co-Star Was Shocked Didn't Get A Follow-up

"He did bite me at the end..."

Unless we are talking about Mission: Impossible – M:I 8 is currently filming or the long-delayed Top Gun : Maverick – Tom Cruise isn’t known for making very many sequels to his flicks. But, according to one former cast member, there is one film in his oeuvre that he is shocked never got a follow-up. The former cast member in question is Christian Slater , who co-starred along with Cruise and Brad Pitt in one of the best films of the 90s , the film adaptation of Anne Rice’s novel Interview With The Vampire . According to the Heathers alum, he’s shocked that he and the Risky Business star never got a second bite at the neck, playing a vampire in a sequel.

Christian Slater Reflects on The Missed Sequel Opportunity

It's hard to believe it's been nearly three decades–the movie turns 30 this year–since we were first mesmerized by one of the most iconic vampire performances on screen. In an interview shared on Comicbook.com’s Chris Killian’s Instagram , Christian Slater discussed how he and Cruise were reflecting on the project. The pair expressed a mutual astonishment over the movie's lack of a sequel despite their roles becoming fan favorites. He recounted:

Tom Cruise and I were both surprised that Interview With The Vampire didn’t get a sequel. You know, that would have been fun. Uh, I mean, he did bite me at the end of that thing.

For my money, even three decades since its release, Interview With The Vampire is still one of the best vampire movies ever committed to celluloid. Upon release, it was a critical and financial success, becoming one of the highest-grossing R-rated horror films of 1994, and grew to become a goth cult favorite. Not to mention, it introduced the broader world to actress Kirsten Dunst , a role Cruise helped the young actress secure thanks to some very practical advice.

The Enduring Legacy of 'Interview With the Vampire'

Tom Cruise's electrifying turn as the vampire Lestat was central to the film’s success. Initially, Anne Rice, the source material's author, hated Cruise’s casting in the role. However, his performance won her over and helped cement the film's place in cinematic history. Despite this success and the buzz around it, plans to continue Lestat's story with Cruise in a sequel never came to fruition. While the potential for a direct follow-up to this beloved film sparked plenty of discussions, ultimately, those plans remained just out of reach, leaving fans to wonder what might have been.

There was anticipation over a sequel starring the Top Gun A-lister, yet various factors, including rights issues, changes in production companies, and creative decisions, led to a different path for the book to screen adaptations of Rice's novels.

The next film in the series, Queen of the Damned, starring the late singer and actress Aaliyah , was released in 2002, but it did not involve Tom Cruise. Instead, Stuart Townsend took over the role of Lestat. The film combined elements from the second and third books of Rice's series, The Vampire Lestat and Queen of the Damned . Still, it diverged significantly from the source material and did not continue directly from where Interview left off.

Interview With The Vampire is enjoying a second adaptation and return to screens as a television series, which is gearing up for its second season on AMC .

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The Possibility Of A Sequel With Cruise

The ending of Interview with the Vampire set the stage perfectly for a sequel. It left audiences reeling from its final twist and introduced a new narrative thread with Daniel, the San Francisco reporter who becomes enthralled with Louis's tale of the undead. As Christian Slater hinted in the recent interview, the setup was ideal for a follow-up. Yet, despite the ripe storytelling potential, a direct continuation wasn't in the cards. Could a sequel with Cruise still happen? As the interviewers and Slater point out, Tom Cruise barely looks like he's aged since the last time he put on the Vampire Lestat's fangs. So, never say never.

Christian Slater's most recent work, another book adaptation, the series The Spiderwick Chronicles , is available now for free on The Roku Channel . Be sure to check out our 2024 movie schedule to see what upcoming horror movies are heading to a screen near you.

Ryan graduated from Missouri State University with a BA in English/Creative Writing. An expert in all things horror, Ryan enjoys covering a wide variety of topics. He's also a lifelong comic book fan and an avid watcher of Game of Thrones and House of the Dragon. 

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Tom Cruise Movies List

• Movies or TV
• IMDb Rating
• In Theaters
• Release Year

1. Endless Love (1981)

R | 116 min | Drama, Romance

Parental disapproval of a passionate romance between two teenagers leads to arguments, circumstance, insanity and tragedy.

Director: Franco Zeffirelli | Stars: Brooke Shields , Martin Hewitt , Shirley Knight , Don Murray

Votes: 9,575 | Gross: $31.18M

2. Taps (I) (1981)

PG | 126 min | Drama

Military cadets take extreme measures to ensure the future of their academy when its existence is threatened by local condo developers.

Director: Harold Becker | Stars: George C. Scott , Timothy Hutton , Ronny Cox , Sean Penn

Votes: 20,092 | Gross: $35.86M

3. The Outsiders (1983)

PG | 91 min | Crime, Drama

In a small Oklahoma town in 1964, the rivalry between two gangs, the poor Greasers and the rich Socs, heats up when one gang member accidentally kills a member of the other.

Director: Francis Ford Coppola | Stars: C. Thomas Howell , Matt Dillon , Ralph Macchio , Patrick Swayze

Votes: 97,543 | Gross: $25.60M

4. Losin' It (1982)

R | 100 min | Comedy, Drama

Set in 1965, four rowdy teenage guys travel to Tijuana, Mexico for a night of partying when they are joined by a heartbroken housewife who is in town seeking a quick divorce.

Director: Curtis Hanson | Stars: Tom Cruise , Jackie Earle Haley , John Stockwell , John P. Navin Jr.

Votes: 5,229 | Gross: $1.25M

5. All the Right Moves (1983)

R | 91 min | Drama, Romance, Sport

An ambitious young football star is trapped in a dying mill town--unless his gridiron skills can win him a way out.

Director: Michael Chapman | Stars: Tom Cruise , Lea Thompson , Craig T. Nelson , Charles Cioffi

Votes: 20,396 | Gross: $17.23M

6. Risky Business (1983)

R | 99 min | Comedy, Crime, Drama

A Chicago teenager is looking for fun at home while his parents are away, but the situation quickly gets out of hand.

Director: Paul Brickman | Stars: Tom Cruise , Rebecca De Mornay , Joe Pantoliano , Richard Masur

Votes: 99,852 | Gross: $63.50M

7. Legend (1985)

PG | 94 min | Adventure, Fantasy, Romance

A young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves.

Director: Ridley Scott | Stars: Tom Cruise , Mia Sara , Tim Curry , David Bennent

Votes: 72,486 | Gross: $15.50M

8. Top Gun (1986)

PG | 109 min | Action, Drama

As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.

Director: Tony Scott | Stars: Tom Cruise , Tim Robbins , Kelly McGillis , Val Kilmer

Votes: 502,644 | Gross: $179.80M

9. The Color of Money (1986)

R | 119 min | Drama, Sport

Fast Eddie Felson teaches a cocky but immensely talented protégé the ropes of pool hustling, which in turn inspires him to make an unlikely comeback.

Director: Martin Scorsese | Stars: Paul Newman , Tom Cruise , Mary Elizabeth Mastrantonio , Helen Shaver

Votes: 93,267 | Gross: $52.29M

10. Cocktail (1988)

R | 104 min | Comedy, Drama, Romance

A talented New York City bartender takes a job at a bar in Jamaica and falls in love.

Director: Roger Donaldson | Stars: Tom Cruise , Bryan Brown , Elisabeth Shue , Lisa Banes

Votes: 91,874 | Gross: $78.22M

11. Rain Man (1988)

R | 133 min | Drama

After a selfish L.A. yuppie learns his estranged father left a fortune to an autistic-savant brother in Ohio that he didn't know existed, he absconds with his brother and sets out across the country, hoping to gain a larger inheritance.

Director: Barry Levinson | Stars: Dustin Hoffman , Tom Cruise , Valeria Golino , Gerald R. Molen

Votes: 546,647 | Gross: $178.80M

12. Born on the Fourth of July (1989)

R | 145 min | Biography, Drama, War

The biography of Ron Kovic . Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country for which he fought.

Director: Oliver Stone | Stars: Tom Cruise , Bryan Larkin , Raymond J. Barry , Caroline Kava

Votes: 115,955 | Gross: $70.00M

13. Days of Thunder (1990)

PG-13 | 107 min | Action, Drama, Sport

A young hot-shot stock car driver gets his chance to compete at the top level.

Director: Tony Scott | Stars: Tom Cruise , Nicole Kidman , Robert Duvall , Randy Quaid

Votes: 96,415 | Gross: $82.67M

14. A Few Good Men (1992)

R | 138 min | Drama, Thriller

Military lawyer Lieutenant Daniel Kaffee defends Marines accused of murder. They contend they were acting under orders.

Director: Rob Reiner | Stars: Tom Cruise , Jack Nicholson , Demi Moore , Kevin Bacon

Votes: 287,361 | Gross: $141.34M

15. The Firm (1993)

R | 154 min | Drama, Mystery, Thriller

A young lawyer joins a prestigious law firm only to discover that it has a sinister dark side.

Director: Sydney Pollack | Stars: Tom Cruise , Jeanne Tripplehorn , Gene Hackman , Hal Holbrook

Votes: 147,709 | Gross: $158.35M

16. Interview with the Vampire: The Vampire Chronicles (1994)

R | 123 min | Drama, Fantasy, Horror

A vampire tells his epic life story: love, betrayal, loneliness, and hunger.

Director: Neil Jordan | Stars: Brad Pitt , Tom Cruise , Antonio Banderas , Kirsten Dunst

Votes: 347,501 | Gross: $105.26M

17. Mission: Impossible (1996)

PG-13 | 110 min | Action, Adventure, Thriller

An American agent, under false suspicion of disloyalty, must discover and expose the real spy without the help of his organization.

Director: Brian De Palma | Stars: Tom Cruise , Jon Voight , Emmanuelle Béart , Henry Czerny

Votes: 470,329 | Gross: $180.98M

18. Jerry Maguire (1996)

R | 139 min | Comedy, Drama, Romance

When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former colleague.

Director: Cameron Crowe | Stars: Tom Cruise , Cuba Gooding Jr. , Renée Zellweger , Kelly Preston

Votes: 287,046 | Gross: $153.95M

19. Eyes Wide Shut (1999)

R | 159 min | Drama, Mystery, Thriller

A Manhattan doctor embarks on a bizarre, night-long odyssey after his wife's admission of unfulfilled longing.

Director: Stanley Kubrick | Stars: Tom Cruise , Nicole Kidman , Todd Field , Sydney Pollack

Votes: 375,135 | Gross: $55.69M

20. Magnolia (1999)

R | 188 min | Drama

An epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley.

Director: Paul Thomas Anderson | Stars: Tom Cruise , Jason Robards , Julianne Moore , Philip Seymour Hoffman

Votes: 328,508 | Gross: $22.46M

21. Mission: Impossible II (2000)

PG-13 | 123 min | Action, Adventure, Thriller

IMF agent Ethan Hunt is sent to Sydney to find and destroy a genetically modified disease called "Chimera".

Director: John Woo | Stars: Tom Cruise , Dougray Scott , Thandiwe Newton , Ving Rhames

Votes: 377,721 | Gross: $215.41M

22. Stanley Kubrick: A Life in Pictures (2001)

Not Rated | 142 min | Documentary, Biography

The career and life of Stanley Kubrick is explored through pictures, clips from his films, his old home movies, comments from his colleagues and a narration by Tom Cruise .

Director: Jan Harlan | Stars: Katharina Kubrick , Malcolm McDowell , Stanley Kubrick , Barbara Kroner

Votes: 12,204

23. Vanilla Sky (2001)

R | 136 min | Fantasy, Mystery, Romance

A self-indulgent and vain publishing magnate finds his privileged life upended after a vehicular accident with a resentful lover.

Director: Cameron Crowe | Stars: Tom Cruise , Penélope Cruz , Cameron Diaz , Kurt Russell

Votes: 285,709 | Gross: $100.61M

24. Space Station 3D (2002)

Not Rated | 47 min | Documentary

From outer space countries don't exist.

Director: Toni Myers | Stars: Tom Cruise , James Arnold , Michael J. Bloomfield , Robert D. Cabana

Votes: 1,749 | Gross: $93.37M

25. Minority Report (2002)

PG-13 | 145 min | Action, Crime, Mystery

John works with the PreCrime police which stop crimes before they take place, with the help of three 'PreCogs' who can foresee crimes. Events ensue when John finds himself framed for a future murder.

Director: Steven Spielberg | Stars: Tom Cruise , Colin Farrell , Samantha Morton , Max von Sydow

Votes: 584,384 | Gross: $132.07M

26. Austin Powers in Goldmember (2002)

PG-13 | 94 min | Action, Adventure, Comedy

Upon learning that his father has been kidnapped, Austin Powers must travel to 1975 and defeat the aptly named villain Goldmember, who is working with Dr. Evil.

Director: Jay Roach | Stars: Mike Myers , Beyoncé , Seth Green , Michael York

Votes: 222,914 | Gross: $213.31M

27. The Last Samurai (2003)

R | 154 min | Action, Drama

Nathan Algren, a US army veteran, is hired by the Japanese emperor to train his army in the modern warfare techniques. Nathan finds himself trapped in a struggle between two eras and two worlds.

Director: Edward Zwick | Stars: Tom Cruise , Ken Watanabe , Billy Connolly , William Atherton

Votes: 471,145 | Gross: $111.11M

28. Collateral (2004)

R | 120 min | Action, Crime, Drama

A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles.

Director: Michael Mann | Stars: Tom Cruise , Jamie Foxx , Jada Pinkett Smith , Mark Ruffalo

Votes: 433,165 | Gross: $101.01M

29. War of the Worlds (2005)

PG-13 | 116 min | Action, Adventure, Sci-Fi

An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival.

Director: Steven Spielberg | Stars: Tom Cruise , Dakota Fanning , Tim Robbins , Miranda Otto

Votes: 475,271 | Gross: $234.28M

30. Mission: Impossible III (2006)

PG-13 | 126 min | Action, Adventure, Thriller

IMF agent Ethan Hunt comes into conflict with a dangerous and sadistic arms dealer who threatens his life and his fiancée in response.

Director: J.J. Abrams | Stars: Tom Cruise , Michelle Monaghan , Ving Rhames , Philip Seymour Hoffman

Votes: 390,758 | Gross: $134.03M

31. Lions for Lambs (2007)

R | 92 min | Crime, Drama, Mystery

Injuries sustained by two Army rangers behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor.

Director: Robert Redford | Stars: Tom Cruise , Meryl Streep , Robert Redford , Michael Peña

Votes: 52,707 | Gross: $15.00M

32. Valkyrie (2008)

PG-13 | 121 min | Drama, History, Thriller

A dramatization of the July 20, 1944 assassination and political coup plot by desperate renegade German Army officers against Adolf Hitler during World War II.

Director: Bryan Singer | Stars: Tom Cruise , Bill Nighy , Carice van Houten , Kenneth Branagh

Votes: 259,276 | Gross: $83.08M

33. Tropic Thunder (2008)

R | 107 min | Action, Comedy, War

Through a series of freak occurrences, a group of actors shooting a big-budget war movie are forced to become the soldiers they are portraying.

Director: Ben Stiller | Stars: Ben Stiller , Jack Black , Robert Downey Jr. , Jeff Kahn

Votes: 448,100 | Gross: $110.52M

34. Knight and Day (2010)

PG-13 | 109 min | Action, Adventure, Comedy

A young woman gets mixed up with a disgraced spy who is trying to clear his name.

Director: James Mangold | Stars: Tom Cruise , Cameron Diaz , Peter Sarsgaard , Jordi Mollà

Votes: 210,329 | Gross: $76.42M

35. Takers (2010)

PG-13 | 107 min | Action, Crime, Drama

A group of bank robbers find their multi-million dollar plan interrupted by a hard-boiled detective.

Director: John Luessenhop | Stars: Chris Brown , Hayden Christensen , Matt Dillon , Michael Ealy

Votes: 65,785 | Gross: $57.74M

36. Mission: Impossible - Ghost Protocol (2011)

PG-13 | 132 min | Action, Adventure, Thriller

The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization's name.

Director: Brad Bird | Stars: Tom Cruise , Jeremy Renner , Simon Pegg , Paula Patton

Votes: 528,457 | Gross: $209.40M

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Tom Cruise produced a movie in Eugene during the summer of 1996 about Steve Prefontaine

In 1996 a film crew descended on Eugene to make a movie about Steve Prefontaine.

The film followed the relationship between record-breaking distance runner Steve Prefontaine and his coach Bill Bowerman.

Prefontaine was a star athlete from Coos Bay who ran for the University of Oregon and later competed in the Olympics in the 1970s.

He died in an automobile accident in Eugene on May 30, 1975, at the age of 24.

The film was written and directed by Robert Towne and produced by Tom Cruise.

Hundreds of locals appear as extras in the film at locations around Oregon, Lane Community College and Hayward Field.

The $25 million movie was released and distributed by Warner Bros. in 1998.

Cruise himself visited Eugene in 1998 for a screening of the film at the McDonald Theater.

The movie was well-received by critics but ended up grossing only $777,000 at the box office.

Contact photographer Chris Pietsch at [email protected] , or follow him on Twitter @ChrisPietsch and Instagram @chrispietsch