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Avril Lavigne Announces “Bite My Tour” 2022 Dates : Tickets & Concert

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The superstar – Avril Lavigne recently came across her social media and announced her first North American tour in over a decade between May 3 and 25. The avril tour often regarded as “bite me tour” is expected to start from 3rd may and will go on to the 14 cities, including special guests GrandsonandMod Sun.

However, The super talented singer just released “Bite Me,” where she further announces about her collaboration with travis barker the skilled yet talented guest who further in collaboration with avril released the new album “ head above water”.

The song has a great theme. It depicts the fact that you should know your worth with the fact that it is necessary to know what you deserve and not give anyone the second chance for repentance.Well, according to Lavigne. She claims an exciting trend of trendy music and an album will be released in 2022.

The tour is expected to start on 3 May 2022 from the city of Moncton City and will Conclude on the 25 May in the town of Victoria. The Canadian tour is a part of the intercontinental “bite me tour”, which will start from 26 February from Amsterdam in the Netherlands. She will continue to perform in the Netherlands, Germany, Poland, Italy, Switzerland, Germany, Czech Republic, Austria, France, UK, Belgium before hitting the roads of Canada.

. @NylonMag 🖤 https://t.co/2riuy9Wq5w pic.twitter.com/lUXWFj17GC — Avril Lavigne (@AvrilLavigne) December 1, 2021

In this article

When Will The Bite Me Tour Start?

The tour will start on 26 February in Amsterdam. However, the Canadian tour will begin on 3 May 2022 from the city of Moncton City.

When Will The Bite Me Tour End?

The tour will Conclude on the 25 May in the city of Victoria.Thus, the tour will lasted on 3 month streaks.

Where Can I Buy Tickets For Bite Me Tour?

Tickets are available to buy at the official site Avril Lavigne . Please use the link to buy online tickets https://avrillavigne.com/ . Also, if you are looking for the most reliable ticketing sites then you can buy your tickets from 

• www.ticketmaster.com
• www.ticketnetwork.com
• www.vividseats.com

These all sites are highly recommended as they provide the customers the full customer care assistance along with the featured tickets and discounted packages.

What Are The Songs Avril Lavigne Is Going To Perform In Bite Me Tour 2022?

There are various songs that Avril Lavigne is going to sing in her concerts. These songs include Sk8er Boi, Complicated, When You’re Gone, What The Hell, My Happy Ending, Don’t Tell Me, Here’s To Never Growing Up etc.

When Will The Bite Me Tour Tickets 2022 Go Live On Sale?

The tickets for Bite Me tour 2022 sale will start from 3 December 2021 at 10:00 am . However, presales have already begun.

How Much Does The Bite Me Tour Tickets Cost 2022?

Bite Me tour tickets range from around CA $50 for lowest prices to about a CA $300 for best Seats and M&G.

Ticket costs vary depending on a variety of factors: large cities have more costly tickets; similarly, the more the demand, the more expensive the tickets. 

Thus, these are the main aspects, and we can say that the Bite Me Tour is one of the most anticipated tours. Visit their official website for additional information.

What Are The Tour Dates of the Bite Me Tour 2022?

• 26 FEB Amsterdam, Netherlands
• 28 FEB Munich, Germany
• 6 MAR Milan, Italy
• 7 MAR Zurich, Switzerland
• 9 MAR Hamburg, Germany
• 10 MAR Berlin, Germany
• 12 MAR Stuttgart, Germany
• 2 MAR Lodz, Poland
• 4 MAR Padova, Italy 14 MAR Cologne, Germany
• 16 MAR Prague, Czech Republic
• 17 MAR Vienna, Austria
• 19 MAR Offenbach, Germany
• 23 MAR Paris, France
• 25 MAR Manchester, UK
• 27 MAR London, UK
• 28 MAR London, UK
• 29 MAR London, UK
• 31 MAR Brussels, Belgium
• 3 MAY Moncton, CA
• 4 MAY Halifax, CA
• 6 MAY Quebec City, CA
• 7 MAY Montreal, CA
• 9 MAY Ottawa, CA
• 10 MAY London, CA
• 12 MAY Windsor, CA
• 13 MAY Toronto, CA
• 17 MAY Winnipeg, CA
• 18 MAY Saskatoon, CA
• 19 MAY Edmonton, CA
• 21 MAY Calgary, CA
• 22 MAY Calgary, CA
• 24 MAY Vancouver, CA
• 25 MAY Victoria, CA
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Written by Yashfa Lodhi

Yashfa Khurram is a dedicated writer who loves to work in a challenging environment. She provides article writing services. Her educational experience and personal connection to music have provided her with a broad foundation to explore a variety of music-related themes. Yashfa's dedication to writing may be independently verified.

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Avril Lavigne confirms 2022 UK and European tour dates

"F*ck yeah, I’m going on tour!" Avril Lavigne will be hitting the UK and Europe next year for her rescheduled Head Above Water run…

Having had to postpone the original live dates due to the pandemic, Avril Lavigne has now confirmed a 2022 return to the UK and Europe.

Originally scheduled to happen in support of her 2019 album Head Above Water, the Canadian pop-rock superstar will now be crossing the pond in February and March next year for 19 shows – including four in the UK (three in London and one in Manchester).

"Fuck yeah, I’m going on tour!" Avril announces. "Here are the Europe / UK dates."

Read this: My Chemical Romance: Every song on The Black Parade, ranked from worst to best

Of course, while Avril hasn't yet had the chance to properly perform Head Above Water material overseas, it'll be interesting to see if there's any new music that arrives before this tour. In February this year, she confirmed that her upcoming pop-punk album was finished: "It’s done!" she wrote to a fan. "Music coming soon." Before then, Avril had been in the studio with MOD SUN, John Feldmann and Machine Gun Kelly .

Catch Avril live at the following:

February 2022

26 Amsterdam Netherlands 28 Munich Germany

2 Lodz Poland 4 Padova Italy 6 Milan Italy 7 Zurich Switzerland 9 Hamburg Germany 10 Berlin Germany 12 Stuttgart Germany 14 Cologne Germany 16 Prague Czech Republic 17 Vienna Austria 19 Offenbach Germany 23 Paris France 25 Manchester UK 27 London UK 28 London UK 29 London UK 31 Brussels Belgium

Read this: "We didn’t want to do another Dookie, we wanted to stretch out": The story of Green Day’s Nimrod

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Avril Lavigne is set to hit the road with All Time Low, Simple Plan, Royal & The Serpent and girlfriends for this year’s massive Greatest Hits Tour.

Pearl Jam, Avril, BMTH and more for Mad Cool Festival 2024

Pearl Jam will be returning to Europe next summer – and they’ll be joined at Madrid’s epic Mad Cool by Avril Lavigne, Bring Me The Horizon, Smashing Pumpkins, Greta Van Fleet and so many more!

Avril Lavigne to return to the UK with Simple Plan

Avril Lavigne has just announced headline dates in Cardiff and Manchester next summer, and she’ll be joined at both shows by Simple Plan.

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All Time Low’s Alex Gaskarth calls working with Avril Lavigne “a dream realised” on new single Fake As Hell…

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Avril Lavigne has announced that girlfriends and phem will be joining on her on the sold-out Love Sux European tour.

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• New Additions

Avril Lavigne Extends 2022 Tour Dates: Ticket Presale Code & On-Sale Info

by Francesco Marano

Published november 29, 2021.

Avril Lavigne has added 2022 dates to her schedule. The tour is billed as Bite Me , which is also the name of her new song.

From February until late March, Avril will be on the road in Europe. The newly announced shows will have the singer-songwriter making stops in her home country of Canada in May. The opening acts for the new dates will be grandson and MOD SUN. These Canadian shows will mark Lavigne's first shows in North America since 2019.

Avril Lavigne Tour Dates and Tickets Near You

Avril lavigne all tour dates and tickets, when do avril lavigne 2022 tour tickets go on sale and what is the presale code.

Tickets for her previously announced dates are now on sale. For the new shows, the general public on-sale begins as early as December 3. Presales are currently underway for VIP packages and fan club members. American Express cardmember, Facebook, Live Nation, LN Mobile App, and local venues/radio presales will follow. Keep in mind, each date is different and details are subject to change.

The fan club presale password is BITEME . American Express cardholders can use the presale password INGOLD , but you'll need the card to complete your purchase. The Live Nation presale password is BELLS , and the LN Mobile App code is COVERT . Click through the individual concert links for more information about the show you're interested in.

Although restrictions are easing relating to COVID-19, please make sure to get fully vaccinated and follow your local guidance about health and safety precautions to prevent the spread of the deadly virus.

We recommend following Avril Lavigne on social media and signing up for her free email newsletter , in addition to checking your local venue’s social media and email subscription service, to get the most up-to-date information.

For more, check out Avril Lavigne's Zumic artist page .

Avril’s going on tour in 2022! Visit avrillavigne.com for ticket information.

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Bois Lie (Acoustic)

Watch Video

Breakaway Lyric Video

Love It When You Hate Me (feat. blackbear)

Bite Me (Acoustic)

Flames (Acoustic)

We Are Warriors

I Fell In Love With The Devil

Tell Me It's Over

Head Above Water

Hello Kitty

Rock N Roll

Here's To Never Growing Up

Wish You Were Here

What The Hell

Best Damn Thing

When You're Gone

Nobody's Home

My Happy Ending

Don't Tell Me

Losing Grip

I'm With You

Complicated

Let Go 20th Anniversary Edition

Love Sux Deluxe Edition

Goodbye Lullaby

The Best Damn Thing

Under My Skin

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Avril Lavigne Kicks Off "Bite Me" Tour w/2 Live Debuts

• Live Debuts
• On Tour Now
• Last updated: 2 May 2022, 18:27:29
• Published: 2 May 2022, 18:27:29
• Written by: Erica Lauren
• Photography by: Emma McIntyre
• Categories: Live Debuts On Tour Now Tagged: Avril Lavigne Avril Lavigne at Casino Rama

Avril Lavigne has hit the road for her 2022 "Bite Me" Canadian Tour. The pop-punk singer is touring in support of her latest release and seventh studio album Love Sux , which dropped in February of this year. The current trek which features All Time Low, grandson and Modsun will run through May 25 in Victoria. Following the tour's conclusion, Avril will be embarking on U.S. summer dates with Machine Gun Kelly on the Mainstream Sellout Tour.

Prior to last night's tour kickoff, the last documented setlist from a live Avril Lavigne set was at The Roxy in Los Angeles , on February 25, the night of Love Sux 's release.

Digging in to her tour kickoff performance on April 30 at Casino Rama in Orillia, ON, Avril Lavigne opened her 16-song setlist with a live debut of "Cannonball." The new track is the opening song of her new album. The title track, "Love Sux" was live debuted as well- though the song was shortened. The night included a 2-song encore of "Head Above Water" and "I'm With You." Check out the full setlist below:

Watch a fan-filmed clip of "Sk8er Boi":

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Most played songs.

• Sk8er Boi ( 505 )
• Complicated ( 475 )
• I'm With You ( 422 )
• My Happy Ending ( 370 )
• Girlfriend ( 366 )

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2,754 people have seen Avril Lavigne live.

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Entertainment

MGK Announces Massive Tour With Avril Lavigne & Willow

The singer is embarking on a 52-city tour this summer in North America & Europe.

Machine Gun Kelly has announced a massive European and North American summer tour with more than a couple of big-name headliners to support his forthcoming album, Mainstream Sellout . The Tickets To My Downfall singer has settled on a lineup of guests for different dates on the arena tour, which include Avril Lavigne , Willow , Blackbear, and his producer Travis Barker .

Other guest performers will include Trippie Redd, Iann Dior, PVRIS, and 44phantom.

The American leg of the tour, which will last for just over two months, kicks off on June 8 in Austin and ends in MGK’s hometown of Cleveland on August 13 (he’ll also be playing Bonnaroo on June 19).

The tour will then pick back up on September 17 in Europe, starting in Cologne, and run for about a month before ending in Amsterdam on October 12 — meaning that MGK and co. will hit 52 cities in all.

Here’s everything else to know about Machine Gun Kelly’s upcoming tour:

When and where to get tickets:

Tickets go on sale Friday, March 25 at 10am at Ticketmaster.com . (Tickets for the MSG show go on sale at noon that day).

North American dates:

Wed Jun 8 – Austin, TX – Moody Center***^

Fri Jun 10 – Houston, TX – Toyota Center***^

Sat Jun 11 – Dallas, TX – American Airlines Center***^

Tue Jun 14 – Jacksonville, FL – VyStar Veterans Memorial Arena***^

Wed Jun 15 – Miami, FL – FTX Arena***^

Fri Jun 17 – Atlanta, GA – State Farm Arena*^

Sat Jun 18 – Birmingham, AL – The Legacy Arena At BJCC*^

Sun Jun 19 – Manchester, TN – Bonnaroo Music & Arts Festival

Tue Jun 21 – Charlotte, NC – Spectrum Center*^

Wed Jun 22 – Raleigh, NC – PNC Arena*^

Fri Jun 24 – Washington, DC – Capital One Arena*^

Sat Jun 25 – Boston, MA – TD Garden+$

Sun Jun 26 – Philadelphia, PA – Waterfront Music Pavilion+$

Tue Jun 28 – New York, NY – Madison Square Garden

Fri Jul 1 – Milwaukee, WI – Summerfest*

Sat Jul 2 – Louisville, KY – KFC Yum! Center*^

Sun Jul 3 – Detroit, MI – Little Caesars Arena*^

Tue Jul 5 – Syracuse, NY – St. Joseph’s Health Amphitheater*^

Wed Jul 6 – Toronto, ON – Scotiabank Arena*^

Fri Jul 8 – Kansas City, MO – T-Mobile Center*^

Sat Jul 9 – Tulsa, OK – BOK Center*#

Mon Jul 11 – Phoenix, AZ – Footprint Center*#

Wed Jul 13 – Los Angeles, CA – The Forum*#

Fri Jul 15 – Las Vegas, NV – T-Mobile Arena*#

Sat Jul 16 – Anaheim, CA – Honda Center*#

Tue Jul 19 – Oakland, CA – Oakland Arena*#

Thu Jul 21 – Portland, OR – Moda Center*#

Fri Jul 22 – Seattle, WA – Climate Pledge Arena*#

Sat Jul 23 – Vancouver, BC – Pepsi Live at Rogers Arena*#

Mon Jul 25 – Spokane, WA – Spokane Arena*#

Wed Jul 27 – Fargo, ND – FargoDome*#

Thu Jul 28 – St. Paul, MN – Xcel Energy Center*#

Sun Jul 31 – Montreal, QC – Osheaga

Tue Aug 2 – Pittsburgh, PA – PPG Paints Arena”#

Thu Aug 4 – Omaha, NE – CHI Health Center”#

Sat Aug 6 – Salt Lake City, UT – USANA Amphitheatre”#

Sun Aug 7 – Denver, CO – Ball Arena”#

Tue Aug 9 – Des Moines, IA – Wells Fargo Arena”#

Wed Aug 10 – St. Louis, MO – Enterprise Center”#

Thu Aug 11 – Indianapolis, IN – Ruoff Music Center”#

Sat Aug 13 – Cleveland, OH – FirstEnergy Stadium*”$#’*

With support from Avril Lavigne***

With support from Blackbear^

With support from iann dior+

With support from PVRIS”

With support from Travis Barker$

With support from Trippie Redd#

With support from WILLOW’With support from 44phantom

European dates:

Sat Sep 17 – Cologne, DE – Lanxess Arena’^

Mon Sep 19 – Prague, CZ – Sportovní Hala V Holešovicích’^

Wed Sep 21 – Brussels, BE – Palais 12’^

Fri Sep 23 – Frankfurt, DE – Festhalle’^

Sun Sep 25 – Munich, DE – Olympiahalle’^

Tue Sep 27 – Milan, IT – Mediolanum Forum’^

Wed Sep 28 – Zurich, CH –Hallenstadion’^

Thu Sep 29 – Paris, FR – Zenith’^

Sat Oct 1 – London, UK – OVO Arena Wembley’^

Tue Oct 4 – Birmingham, UK – Utilita Arena’^

Thu Oct 6 – Leeds, UK – First Direct Arena’^

Fri Oct 7 – Glasgow, UK – OVO Hydro’^

Sun Oct 9 – Dublin, IE – 3Arena’^

Wed Oct 12 – Amsterdam, NL – AFAS Live’^^

With support from iann dior‘

With support from 44phantom

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Avril Lavigne is one of my favorite artists in the pop/rock genre and for good reason.

She has incredible stage presence and really works hard to draw you into each and every stage performance that she does. The best part about her performances to me is that rather than always have a full band play her songs she sometimes prefers to instead sing over a simple acoustic guitar and light piano. It would be easy to sing over loud music to hide mistakes in performance, but in singing over simple low music she is able to project her natural voice and show those in the audience her natural talent without the extra things that could have helped to enhance it. This shows that she has complete confidence in her own voice and this also carries into her confidence on stage at every performance.

During "Let Me Go" the audience slowly moves from side to side as they listen to her sing and they keep quiet for long enough to ensure that she is able to sing clearly and only choose to cheer in areas of the song that encourage it.

If I had to nail down a part of the performance that draws me to see Avril Lavigne sing and perform live it would be the fact that she refuses to do anything to hide her natural singing voice and instead does everything in her power to ensure that everyone in the audience knows she is actually singing. She has come a long way from her early days and songs like this show her extreme talent and her wide vocal range.

With each one of her performances I really feel that she is speaking to me and it really does feel as if she understands the thoughts and feelings of people in all different walks of life. She never goes over the top, and shows that that's not necessary to project a message through her song that she wants to convey.

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EXCELLENT!! Avril sang from her newest album as well as from Let Go and and many in between. Watching her sing 'Skater Boi' while the screen behind her showed her early video was endearing. She is as beautiful today as much as she was a spunky rebel years ago singing 'Complicated'. For 2 of the songs she was playing the piano. Her costume changes were perfect for the songs she performed--if you can picture the album covers, you have the right idea. Don't miss her is she appears in your city; get seats close to the stage if you can. She really encourages the audience to sing along with her.

Hi I really enjoyed the show, despite being somewhat short. I bought a red rose for her and when she was singing in front of our section, I noticed she smiled. I resent not taking a picture. I have been a fan of hers since 2002.

The show was good but very short. Not a lot of songs from her new album. Was disappointing to say the least - especially for a hometown show. We would have loved to hear more complete versions from her new album.

This was my first time seeing Avril Lavigne. She did a lot of old songs and messed up the ending of Happy Endings. She did a few new songs. Overall I had fun.

Avril Lavigne I love your songs o hope yo come back on tour I miss you on Max102 and I hope you’re doing well I love love you Avril Lavigne

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Avril Lavigne to tour across Canada for 1st time in more than a decade

Bite me canada 2022 tour is set to hit 14 cities between may 3 and 25.

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Avril Lavigne has announced her first cross-Canada tour in more than a decade.

The Bite Me Canada 2022  tour is set to hit 14 cities between May 3 and 25, with special guests Grandson and Mod Sun.

The Napanee, Ont., singer recently released the single Bite Me  featuring Travis Barker, her first release since 2019's Head Above Water .

Lavigne calls the track "an anthem about knowing your worth, what you deserve, and not giving someone a second chance who doesn't deserve you."

She says new music and a new album will follow in 2022.

Next year also marks the 20th anniversary of Lavigne's debut album Let Go , which featured hit singles Complicated  and Sk8er Boi . Lavigne was 17 when the album was released.

Canada!!! I can't wait to see you all on the Bite Me Tour with <a href="https://twitter.com/grandson?ref_src=twsrc%5Etfw">@grandson</a> and <a href="https://twitter.com/MODSUN?ref_src=twsrc%5Etfw">@MODSUN</a>. Grab presale tix this Monday (11/29) at 10AM with code "BITEME" <a href="https://t.co/oBbzbdSdGJ">https://t.co/oBbzbdSdGJ</a> <a href="https://t.co/DNtYm3ZbRV">pic.twitter.com/DNtYm3ZbRV</a> &mdash; @AvrilLavigne

The Bite Me Canada Tour  stops in:

• Quebec City.
• London, Ont.
• Windsor, Ont.
• Calgary (two shows).

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Avril Lavigne Announces First North American Tour In Five Years

The GRAMMY-nominated pop punk-rock princess is headed back on the road

It's been a while since GRAMMY-nominated pop punk-rock princess  Avril Lavigne  has hit stages across the U.S., but that will change this fall. The Canadian singer/songwriter has announced her first North American tour in five years in support of her latest album, Head Above Water . 

"Hey everyone, I'm so excited, I'm so excited to be announcing the Head Above Water Tour," she said in a video posted to Twitter . "It's finallly here."

The Head Above Water Tour will be a 15-date tour launching in September. The tour will kick off in Seattle, head to Detroit, Toronto and other cities, before closing out in Phildelphia on Oct. 11.

For all tour dates and information on pre-sale tickets, visit TuneSpeak . 

Jade Bird Talks Empowering Female Fans & Upcoming Tour With Father John Misty

Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Loving Olivia Rodrigo's "Vampire"? Check Out 15 Songs By Alanis Morissette, Miley Cyrus & More That Reclaim The Breakup Narrative

From the soft hums of Carole King's "It's Too Late" to GAYLE's fiery rage on "abcdefu," these 15 songs encapsulate the expansive emotions of women who put problematic exes in their place — far behind them.

Since the 2021 release of SOUR , critics and listeners alike have touted Olivia Rodrigo for her knack to eloquently pen the relatable woes of adolescence and the pitfalls of falling in love too hard. Her latest single, "vampire," is no different.

Despite trading in her "drivers license" teenage loverboy for an older man, the perfectly executed expression of agony remains. As Rodrigo wails on the chorus, "You made me look so naïve/ The way you sold me for parts/ As you suck your teeth into me/ Bloodsucker, famef—er/ Bleeding me dry like a g——n vampire."

But before there was Rodrigo, there was Avril Lavigne , Taylor Swift , and Alanis Morissette — none of which would be where they were without pioneers of diaristic songwriting, Carole King and Carly Simon . Thanks to the immortalization of their music, we can relive the shift from poetic disclosures of hurt, which King exemplifies on "It's Too Late," to more unrepentant, straightforward jabs (like Kate Nash says on "Foundations," "Don't want to look at your face 'cause it's making me sick") and harrowing battle cries (as Miley Cyrus roars, "I came in like a wrecking ball"). 

Below, revisit 15 songs by empowered women, from 1971 all the way to 2021, who reclaimed the breakup narrative with their fervent sentences of damnation — because, as the age-old saying goes, hell hath no fury like a woman scorned.

Carole King — "It's Too Late" (1971)

When Carole King released "It's Too Late" in 1971, it marked a new era of songwriting. Discussions about divorce were generally unheard of, but even more so when initiated by a woman. Yet, King carried on to unapologetically release "It's Too Late," which later won a GRAMMY for Record of the Year and is lauded by Rolling Stone as one of the 500 Greatest Songs of All Time.

On this folky track, King and her husband's inevitable parting is on the horizon, but she isn't resentful per se. Instead, she's more troubled by the embarrassment of her husband's growing discontent, admitting, "I feel like a fool." And at this point, she's ready to move on and can be grateful for the times they've shared. 

Carly Simon — "You're So Vain" (1972)

In her '70s chart-topper, Carly Simon narrates the tale of an arrogant man who believes every woman is enchanted by his aura. But the folk songstress wants to make it very clear she's not impressed by his embellished stories or luxurious closet.

Usually, it's easy to guess the subject of a breakup song, but "You're So Vain" has led to decades of speculation. Many have assumed it could be about James Taylor , who Simon married in 1972 and divorced in 1983, or Mick Jagger , who provided vocals to the track (a theory that was later debunked). To this day, she has only revealed the track's inspiration to a select few, including Taylor Swift, who names Simon as one of her role models.

Joan Jett And The Blackhearts — "I Hate Myself For Loving You" (1986)

Joan Jett might not give a damn about her bad reputation, but she despises nothing more than her ex-lover making her look like a lovesick fool.

On "I Hate Myself for Loving You," the '80s chanteuse wraps herself around a classic glam rock beat, unveiling her contempt for a man who's neglected her. Stripped of her pride, Jett begins to resent herself for holding onto her feelings — as evidenced by the song's title. 

She tries to hide her dwelling desires ("I want to walk, but I run back to you") but ultimately fails to rid herself of the emotions, leaving her to fantasize about the sweet justice of one day roping him back in, just to leave him. 

Alanis Morissette — "You Oughta Know" (1995)

It's impossible to talk about scathing breakup songs without acknowledging Alanis Morissette's quintessential heartbreak anthem, "You Oughta Know." At the time of its release, the Jagged Little Pill single contained some of the most honest and vitriolic lyrics in existence.

Morissette begins with an illusive statement, "I want you to know that I'm happy for you," which, by the second verse, crumbles into a revelation, "I'm not quite as well, you should know." As she culminates into her most confessional, the instrumental rises into an addicting ruckus, with Morissette revealing the thoughts most of us would be too ashamed to admit: "It was a slap in the face how quickly I was replaced/ And are you thinkin' of me when you f— her?"

Shania Twain — "That Don't Impress Me Much" (1997)

Shania Twain has a particular superpower of delivering each of her lyrics with an air of lightheartedness and confidence. So, when you hear a track like "That Don't Impress Me Much," her disappointment and irritation becomes undetectable.

A quick examination of Twain's story proves — despite the song's bouncy melodies — she's jaded by her ex's preoccupation with his vehicle, appearance and intelligence. Sure, he might be perfect on paper, but he lacks the qualities of a forever lover, and his unmerited ego should be reserved for true big shots like Elvis Presley and Brad Pitt.

Michelle Branch — "Are You Happy Now?" (2003)

In the opening verse of "Are You Happy Now?," Michelle Branch pleads, "No, don't just walk away/ Pretending everything's okay, and you don't care about me." At first, she is in disbelief that her once admirer would swiftly brush her off, but as she reaches the chorus, she begins to question whether his actions were a lie all along.

Her mind racing, Branch teeters between shameless questions of "Do you really have everything you want?" and "Could you look me in the eye and tell me you're happy now?" But by the song's end, she gets the most satisfying payback of all — peace without him: "I'm not about to break/ 'Cause I'm happy now."

Avril Lavigne — "My Happy Ending" (2004)

"My Happy Ending" finds 2000s pop-punk maven Avril Lavigne grasping onto the shards of a broken relationship and trying to pinpoint where everything went wrong. She could have said the "wrong" thing, or her partner's misfit friends might have spoken negatively about her. But there is one thing she does know with certainty: there is no way to pick up the pieces.

Coming to terms with the truth, Lavigne repositions her anger toward the other person for stripping her of her fairytale ending, sarcastically acknowledging him for their time spent together over a somber piano: "It's nice to know you were there/ Thanks for acting like you care/ And making me feel like I was the only one."

Kelly Clarkson — "Gone" (2004)

Kelly Clarkson has traversed almost every emotion in love, from her epic breakup anthems like "Behind These Hazel Eyes" to her most recent LP chemistry . But "Gone" may just be her most unrelenting to date.

Introduced by its Breakaway counterpart "Since U Been Gone," the mononymous "Gone" extends Clarkson's journey of healing — this time, with a more explicit and mature diatribe against her ex's character. Rather than using trivial attacks, Clarkson instead chooses to call out his assumption she'd run back into his arms, later declaring an end to her toleration: "There is nothing you can say/ Sorry doesn't cut it, babe/ Take the hit and walk away, 'cause I'm gone."

Lily Allen — "Smile" (2006)

With "Smile," Lily Allen gets her sweet revenge through the sight of her former flame's tears and misfortune. But the lyrics of Allen's breakthrough single doesn't exactly clarify the specifications of her antics, only an explanation for its origins.

After a cheating scandal ends her relationship, her mental health plummets — until he comes crawling back for her mercy. Upon hearing his pleas, she comes to a realization: "When I see you cry, it makes me smile." And as the conniving music video shows, anyone who cheats on her will get their karma — perhaps in the form of organized burglary, beatings, and a laxative slipped into their morning coffee.

Kate Nash — "Foundations" (2007)

Following in the footsteps of her mentor Lily Allen, Kate Nash vividly paints the tragedy of falling out of love, made prismatic by her plain-spoken lyrics ("Your face is pasty 'cause you've gone and got so wasted, what a surprise!") and her charming, thick London accent.

In this story, Nash has not quite removed herself from the shackles of her failing relationship. In fact, she'd like to salvage it, despite her boyfriend's tendency to humiliate her and her irresistible urge to sneer back with a sarcastic comment. By the end of the track, Nash, becoming more restless, packs on new ways to inconvenience him — but in the end, still wonders if there's any saving grace to preserve their once blazing spark out of a fear of loneliness.

P!nk — "So What" (2008)

The year P!nk wrote "So What," she already had a bevy of platinum singles under her belt. With a gleaming social status and peaking career, she was apathetic to the temporary separation from her now husband, Carey Hart. Feeling the highs of newfound singlehood, P!nk was ready to incite personal tyranny, whether that meant not paying Hart's rent, drinking her money, or starting a fight.

Ironically, Hart appears as the antagonist in the music video, which P!nk revealed via her official fan website was a testament of their growth: "Carey hadn't heard the song before he did the video. That's how much he trusts and loves me [...] He gets it. He gets me," she said.

Taylor Swift — "Picture To Burn" (2006)

Taylor Swift has long solidified herself as the reigning queen of love songs, from ballads honoring the most committed relationships to diss tracks of heartbreaking adolescent flings. The latter houses one of the earliest (and most twangy) hits in Swift's sweeping catalog: "Picture to Burn."

In this deceivingly upbeat tune, Swift vows to seek vengeance on a boyfriend after he leaves her to date one of her friends — from getting with his friends to having her father give him a piece of his mind. And along the way, she will gladly dish out a few insults: "You're a redneck heartbreak who's really bad at lying/ So watch me strike a match on all my wasted time/ As far as I'm concerned, you're just another picture to burn."

Miley Cyrus — "Wrecking Ball" (2013)

Closing the door on her Hannah Montana days, Miley Cyrus' "Wrecking Ball" saw the childhood pop star in her most grown-up and vulnerable state to date. Months before the release, Cyrus had called off her engagement to her longtime boyfriend, Liam Hemsworth, paving the way for her thunderous performance on the Bangerz single.

Just as affecting as Cyrus' belting vocals is the track's iconic music video. Cyrus climaxes with a deafening cry — "All you did was wreck me" — as she swings across the screen on an actual wrecking ball, breaking down all her physical and metaphorical walls. 

Halsey — "You should be sad" (2020)

By the mid-2010s, the industry had put angst on the back burner in exchange for feel-good EDM and trap beats. Well, that is, at least, until Halsey entered the picture.

After just two years in the limelight, Halsey had cultivated a vibrant assortment of sonic melodrama — from the dirt and grime of toxic, failed love on tracks "Bad at Love" and "Colors" to the Bonnie and Clyde-esque heated passion of "Him & I."

In 2020, Halsey rounded out her discography with the genre-bending, introspective Manic , where a track like "You should be sad" commands your attention with matter-of-fact, vindictive comments: "I'm so glad I never ever had a baby with you/ 'Cause you can't love nothing unless there's something in it for you."

GAYLE — "abcdefu" (2021)

Unlike most love songs, GAYLE refuses to point her fury on "abcdefu" solely toward her heartbreaker. The then-16-year-old singer, instead, rages against his mother, sister and pretty much anyone (and anything) he's associated with — other than his dog — across a searing melody with a bewitching bassline.

Earlier this year, GAYLE revealed to GRAMMY.com that she was "angry at him and was angry at the people who enabled him and his behavior." That animosity was palpable in "abcdefu," creating a magic as empowering as it is cathartic — and, like many songs that came before it, proving that there can be power in pain.

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Photo:  Rachel Kupfer  

A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.

Franc Moody

Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .

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Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."

Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP,   Cage , and continuing to rock through decades of changing tastes.

Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.  

Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face." 

But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life. 

His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves. 

Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)

Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") —  their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.

While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens. 

Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.

Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up. 

Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically. 

"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?

We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds. 

We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick. 

I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?

Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol. 

You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way. 

** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about  freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **

I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier. 

I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff. 

So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.

[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.

I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.

Did you watch Danny Boyle's recent Sex Pistols mini-series?

I did, yes.

You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?

I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.

It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.

But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is]  informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.

Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.

We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.

It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].

We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.

You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.

It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.

When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.

You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?

Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."

We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.

You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.

With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.

Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.

You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?

I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.

But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.

I remember when you went on " Viva La Bam "  back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?

I think it was his car.

Did he get over it later on?

He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.

Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?

In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.

We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.

The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.

There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.

It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.

It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.

Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?

Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.

The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.

The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?

Yeah.  Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

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Just Announced: Avril Lavigne “Bite Me Canada Tour 2022”

By Dyne Hong on November 26, 2021

AVRIL LAVIGNE LAUNCHES “BITE ME CANADA TOUR 2022” TO HIT CROSS-CANADA MARKETS IN MAY 2022

Avril lavigne’s first canadian headline tour in over ten years kicking off on may 3, 2022, with special guests grandson and mod sun., avril recently performed her latest single “bite me” with travis barker on “the tonight show” and is performing on the “ellen degeneres show” on november 30th..

Toronto, ON (November 26, 2021–Multi-platinum artist, and multiple-time Juno Award Winner Avril Lavigne launches her first Canadian tour in over ten years with the “Bite Me Canada 2022” tour featuring special guests, grandson and Mod Sun.

Avril Lavigne recently signed to DTA Records and released “Bite Me” featuring Travis Barker, her first release of new music since 2019’s “Head Above Water”. According to Lavigne, the track is “an anthem about knowing your worth, what you deserve, and not giving someone a second chance who doesn’t deserve you.” New music and a new album will follow in 2022.

2022 also celebrates the 20th anniversary of Avril’s iconic and ground-breaking diamond-selling album “Let Go”. “I’m so excited to come home and rock out with you Canada! I can’t wait to see you in person this Spring!”, shares Avril.

The “Bite Me Canada 2022” tour will play 14 markets in Canada coast to coast kicking off in Moncton, NB on May 3, 2022, and wrapping up in Victoria, BC on May 25, 2022. The Artist Presale begins Monday, November 29, 2021 at 10 AM local time, followed by the AMEX Front of the Line presale on Tuesday, November 30 2021 at 10 AM local time through Thursday, December 2, 2021 at 10 PM local time. Public on-sale begins on Friday, December 3, at 10 AM local time. See below for the full pre-sale and on-sale schedule , $1.00 will be added to each ticket sold to go towards the Avril Lavigne Foundation, which supports people with serious illness or disabilities.

Artist Presale: Monday, November 29, 2021 @ 10:00am LOCAL – Thursday, December 2, 2021 @ 10:00pm LOCAL

AMEX Presale: Tuesday, November 30, 2021 @ 10:00am LOCAL – Thursday, December 2, 2021 @ 10:00pm LOCAL

Live Nation Presale: Wednesday, Dec 1, 2021 @ 10:00am LOCAL – Thursday, December 2, 2021 @ 10:00pm LOCAL

Facebook Presale: Wednesday, Dec 1, 2021 @ 10:00 am LOCAL – Thursday, December 2, 2021 @ 10:00 pm LOCAL

General On Sale: Friday, December 3, 2021 @ 10:00 am LOCAL

Visit www.avrillavigne.com for more information and watch for additional dates to be announced soon.

BITE ME CANADA TOUR 2022 TOUR DATES:

*grandson not appearing.

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