band journey now

Journey's Neal Schon says he and Steve Perry are 'in a good place' before band's 50th anniversary

On the cusp of turning 50, the band that etched “Don’t Stop Believin’ ” and “Faithfully” into lighters-up lore is entering “a cleaned-up chapter of Journey.”

That’s according to Neal Schon, the band’s ace guitarist, lone original constant and de facto CEO.

Despite decades of fluctuating lineups and  snarly lawsuits among band members , Journey endures.

On July 8, the band released “Freedom,” its first new album in 11 years that also presents the return of Randy Jackson (as in "American Idol") on bass. The 15-song collection is steeped with vintage-sounding ballads (“Still Believe in Love,” “Live to Love Again”) and soaring melodic rockers (“United We Stand,” “You Got the Best of Me”).

Journey – including longtime keyboardist Jonathan Cain,  peppy singer Arnel Pineda , drummer Deen Castronovo and keyboardist Jason Derlatka, adding bassist Todd Jensen for live shows – will hit Resorts World Las Vegas  this month for shows backed by a symphony orchestra before rolling through more arena dates this summer and in early 2023, the band’s official 50th year.

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Regular road warriors who consistently pack arenas and stadiums – their 27 shows this year grossed $28 million, according to Billboard Boxscore – Journey relies on a solid catalog of mega-hits and a devoted fan base that appreciates the familiarity.

The Rock and Roll Hall of Famers also received a boost from Netflix’s ’80s-centered “Stranger Things” when the show used “Separate Ways (Worlds Apart)” in the trailer for the just-ended season, launching the song onto Billboard’s Rock Digital Songs chart. The affable Schon, 68, talked with USA TODAY about the band’s complicated legacy, his relationship with former frontman Steve Perry and plans for Journey's golden anniversary.

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Question: Are you amazed at how the Journey train keeps rolling after almost 50 years?

Neal Schon: It’s quite an accomplishment and I’m very proud of what we’ve done and how we’ve gotten through emotional and personnel changes and survived. It’s pretty mind-boggling but also a lot of hard work.

Q: Does the title “Freedom” refer to anything specifically?

Schon: Our ex-manager Herbie Herbert  wanted to call the (1986) “Raised on Radio” album “Freedom” because he always came up with these one-word titles. Steve (Perry) fought him on that and got his way, so we sat on it for many years. When we got through the lawsuit with the ex-bandmates, we made the new LLC Freedom (JN) and when we were tossing around album titles said, why not just call the whole thing “Freedom?" It's for the times right now.

Q: There’s been a bit of a revolving door in the rhythm section. Deen Castronovo is back for the live shows, but Narada Michael Walden played drums on the album, and Randy Jackson is back in the band, at least on record?

Schon: Deen is singing and playing his butt off. He’s such a musical sponge, this guy. He’s been like my little brother for close to three decades and is such a joy to work with. Randy, he’d been working with me diligently this whole time. He’s so many things beyond being an amazing musician and bass player.

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Q: Will Randy play at any of the upcoming live shows or is Todd Jensen handling those duties?

Schon: Randy is still recovering from some surgery and he stays very busy and Todd fits like a glove. Having said that, I think with our 50th anniversary next year, there’s room for everybody to jump in if they want to participate. We did go through an ugly divorce with (Steve Smith and Ross Valory) with the court proceedings (in 2021, Schon and Cain settled a $10 million trademark lawsuit with the band’s former drummer and bassist). But definitely, if Steve Perry wanted to come on and sing a song, yes. If (original Journey singer) Gregg Rolie wanted to come sing a couple of songs, yes. Randy Jackson (can) come sit in on some of the material – he played on a lot of hits on “Raised on Radio.”

Q: Do you talk much with Steve Perry?

Schon: We are in contact. It’s not about him coming out with us, but we’re speaking on different levels. That’s a start, even if it’s all business. And I’m not having to go through his attorney! We’ve been texting and emailing. He’s a real private guy and he wants to keep it that way. We’re in a good place.

Q: Do you think, after 15 years, that people have accepted Arnel?

Schon: I was diligent in that I wanted to show the massive size of our audience, so I hired photogs to come out every show and shoot the audience and show the size of the crowd to make everybody see, what am I missing? From putting up the different photos every night and the reviews from the fans online, I saw very little of “This is not Journey, man.” I think we just shut everybody up.

Journey is back with a new lineup and new music

• Updated: Sep. 14, 2021, 3:11 p.m. |
• Published: Sep. 14, 2021, 5:49 a.m.

Arnel Pineda, left, and Neal Schon of the band Journey perform on day three of the Lollapalooza music festival on Saturday, July 31, 2021, at Grant Park in Chicago. (Photo by Rob Grabowski/Invision/AP) Rob Grabowski/Invision/AP

• Gary Graff, special to cleveland.com

CLEVELAND, Ohio -- Journey’s members have a simple message for those who figured it was a band least likely to headline at Lollapalooza, a festival that’s long celebrated the current and cutting edge.

Don’t stop believin’.

The group, a Rock and Roll Hall of Fame inductee in 2017, indeed won raves and a big Hulu TV audience for its July 31 performance in Chicago’s Grant Park, which had tens of thousands singing along to “Don’t Stop Believin’” and the group’s parade of other hits. It’s part of a series of post-pandemic shows Journey, debuting a new lineup, has been playing this summer, with a Las Vegas residency slated for December.

And all that has been accompanied by new music. A single and animated video, “The Way We Used to Be,” came out in June, and Journey has recorded a new album -- its first since “Eclipse” in 2011 -- though it hasn’t yet announced a release date.

It’s safe to say that despite some harsh critics still out there, the journey goes on and on and on and on...

“Journey has become a crossover with kids, more than people realize,” says Jonathan Cain, keyboardist and guitarist since 1980 and a chief architect behind Journey’s nine-times platinum “Escape” album, celebrating its 40th anniversary this year. “There’s a lot of factors there. ‘Don’t Stop Believin’’ was in ‘The Sopranos’ (finale), and on ‘Glee.’ It’s the most-performed karaoke song, one of the top five wedding songs, and then you have ‘Open Arms’ and ‘Faithfully’...

“We have permeated the young culture, and we still have the fans who were with us back when everything happened. We’re very blessed in that way.”

This Journey resurgence, in fact, comes after one of the darker chapters in the band’s 48-year history.

It was only a few years ago, back in 2017 that guitarist and co-founder Neal Schon was sniping at his bandmates, primarily Cain, via social media, even as the group was touring together. The issues, other than a band visit to the White House (Cain’s wife, televangelist Paula White, was one of Donald Trump’s advisers) were unclear and seemed to have little effect on the band’s performances.

Now Schon -- who formed the band in 1973 after a tenure with Santana -- acknowledges that “there was a period there where some things weren’t really right, and it took time to figure out what was going on and what to do about it.” And those things became clear on March 3, 2020, when Schon and Cain announced they’d fired co-founder and bassist Ross Valory and longtime drummer Steve Smith for an alleged “attempted corporate coup d’état” to take over the Journey and all of its trademarks.

Valory and Smith were supported in a countersuit by former frontman Steve Perry and former manager Herbie Herbert, but Schon and Cain moved forward while the matter was being litigated.

“Everybody wanted to own the brand, and I felt there was a takeover going on,” says Schon, who had started another band, Journey Through Time, that included Santana bandmate Greg Rolie, another Journey co-founder. One of the group’s old managers, in fact, even suggested Schon should quit the band he started, which only strengthened his resolve to establish new order to the group, which has sold more than 80 million albums worldwide.

“The ship is not going down. No one’s stealing the brand,” declares Schon, 67, who’s limited by the legalities from talking about too many specifics. “Things took a turn, businesswise, that I didn’t like, and that Jonathan didn’t like and we decided not to go along with it. There were a lot of unrealistic statements that were being made by different people and us not really talking and just believing what others were saying.

“Once I actually sat and talked to Jonathan, we cleared everything up and got rid of the divide-and-conquer scenario and realized we had a lot more to say musically together, as brothers.”

Journey also changed management and did some other housecleaning and legal reshuffling, as well as working on settling trademark issues that hadn’t been firmly established in the past.

“It was sort of a shocking thing, that brothers had come to that,” Cain says. “We had to sort it out. You get lemons, you make lemonade -- what else are you gonna do? It’s probably not that out of the ordinary for bands to do this kind of stuff, and it’s usually based on greed or whatever. I really am glad it’s behind us, that’s all -- and I wish everybody well, really. I have no ill will towards anyone.”

Journey now comprises Schon and Cain, as well as Arnel Pineda, the Filipino singer who joined in 2007 after Schon saw his performances of Journey songs on YouTube. Randy Jackson of “American Idol” fame returns in the bass slot, which he filled from 1985-87 -- though Marco Mendoza is filling in while Jackson recovers from back surgery. New to the lineup is Narada Michael Walden on drums, while Jason Derlatka, who’s been a hidden adjunct member for live performances, is now a full-time member on keyboard.

And, in a surprise move last month, Deen Castronovo, drummer from 1998-2015, is also back in the fold.

“We’re moving forward -- that’s all I can tell you, man,” says Schon, who put out an instrumental solo album, “Universe,” last fall and last month auctioned 112 of his guitars for more than $4.2 million. “It still sounds like Journey, but there is definitely a different strut in the rhythm section with Randy and Narada. It’s bombastic. It’s rocking. It’s majestic, and it’s soulful.

“I believe we got in a bit of a rut, for me, in the latter years of just playing exactly the same thing every night. It doesn’t have to be like that. We have so much material, and I think it’s great music and can all be brought to life in a new way and an updated way. That’s what we’re pursuing now.”

Journey has more than 20 songs it’s been working on for the new album, much of it being worked on remotely between Schon and Walden on the West Coast and Cain in Nashville and Florida. “The Way We Used to Be” is a case in point, growing from a piece of music Schon and Walden constructed and then sent to Cain for lyrics and additional melody.

Jonathan Cain of the band Journey performs on day three of the Lollapalooza music festival on Saturday, July 31, 2021, at Grant Park in Chicago. (Photo by Rob Grabowski/Invision/AP) Rob Grabowski/Invision/AP

“The lyric has a sort of angst to it, and the question was ‘can we ever get back?’” explains Cain, 71, who also released a new Christian rock single, “Oh Lord Lead Us,” last month. “There’s that frustration of being separated, by the pandemic, and a little fear in it. It just had enough for me to go, ‘OK, then we’ll just put a little R&B thing on it and story tell it and get to that chorus, which fit right into what (Schon) had.”

Both Schon and Cain say the new album is in its finishing stages. It has a tentative title that they’re not revealing yet, but the package is being designed by Jim Welch, who worked with the band on several albums, including “Infinity,” “Departure” and “Escape.” “It’s typical Journey, I think,” Cain says. “We’re back to our old sound, but it’s got a little bit more on the bottom end. It’s got fire. It’s just a little bit more edge to it. Neal’s playing his butt off, and it’s very driven, very cool. The songs came very interestingly. I like it a lot.”

For Schon, meanwhile, “I’m just all about moving forward right now. I’m making so much music and there are so many positive things happening. I’ve bought a lot of new guitars and I’m having a blast playing. We’ll get all this other (stuff) taken care of and behind us, and then it’s just full speed ahead. I can’t wait.”

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Neal Schon on Journey’s ‘New Strut,’ Possible Arnel Pineda Biopic, and His New Solo LP

By Andy Greene

Andy Greene

Three years ago, Journey guitarist Neal Schon finished a solo album of instrumental tracks that mixed classic-rock covers like “Hey Jude” and “Voodoo Child” with originals he created with producer-drummer Narada Michael Walden. Since that time, Journey fired drummer Steve Smith and bassist Ross Valory after a bitter business dispute, brought in Walden and Raised on Radio –era bassist Randy Jackson to take their places, and canceled a 2020 summer tour with the Pretenders due to the pandemic.

During his forced downtime, Schon decided it was finally time to share his instrumental album, The Universe , with the world. “This has been a hellacious year,” he says. “There’s some healing music on here. I feel like it’s going to ease a lot of people’s pain and give them something new to listen to and some hope.”

Schon called up Rolling Stone to talk about The Universe (which is streaming right now), the legal battle that split Journey apart, parting ways with manager Irving Azoff, repairing his relationship with keyboardist Jonathan Cain, cutting Journey’s new album while on lockdown, his continued hopes of making peace with Steve Perry, the possibility of an Arnel Pineda biopic, and why he thinks this new lineup of Journey will lead to a whole new era for the band.

Tell me the backstory of The Universe. About three years ago, I ran into Narada Michael Walden. I said, “Narada, why don’t you write me a record?” We’d known each other forever and had jammed and played live together, but we’d never really worked together with him as a producer and me as a guitar player.

I said, “I really want to veer away from anything that sounds like Jeff Beck.” That’s because there’s only one Jeff Beck and only one Jimi [Hendrix]. But I said, “You’ve known me for a long time and you know what I like to play. What I’m hearing is a very majestic, symphonic-type blues-R&B-fusion rock album.”

He goes, “That’s the whole spectrum.” I go, “Let’s just diversify it.” And so he said, “Let me have a few days and I’ll call you when I have some tracks.” Three days later, he calls me and says, “Why don’t you come by the studio? I have some stuff to play for you.”

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Where did it go from there? I went by the studio and he had like six tracks that he had written with drums on them, keyboard bass, and voice singing the main melody of a guitar. He said, “Take this home and get comfortable with it and let me know when you’ve got it down.”

This was something new for me because I usually write my own material. I took it home, listened to it, and worked my way around it. I felt like I was going to improv my way through the melodies and add my own shtick to it.

I went into the first session with him and I started playing something from the heart where I veered away from the melody. He said, “What are you doing?” I said, “I’m just playing what it is.” He said, “No, you have to play that melody exactly like I’m singing it.” I went, “Oh. OK.” He goes, “I’m treating you like you’re a vocalist and your guitar is the vocal.”

After conforming to that, I managed to get things down very quickly on the record. We worked on it in different time periods. We got as much done as I could when I was home and then I’d go tour and come back and work with him when he was available. We finished it over the duration of about a year with three, four weeks in the studio altogether.

Let’s talk about some of the specific songs. Tell me about your version of Prince’s “Purple Rain.” There’s a clip of me on the internet playing it in the Twin Cities right after he passed [in 2016]. I get a few sections in the [Journey] set to do my own thing. And I’ve been looping for years. And so a lot of times I’ll loop some chord changes to a song and improv my way through it.

That night, I didn’t really know what I was going to do. But I felt his presence and I played the chord changes. I overdubbed one of the melodies he did on the end. I put that in there and just blew through it and the audience really came unglued. It was his hometown, but he just passed and I captured the moment.

That stuck with me and I said to my friend Gary Cirimelli, who I did the [2001]  Voice record with, “Please do me an orchestration of ‘Purple Rain.'” He did an amazing job and I actually recorded that before I started the record with Narada.

You also tackle “Voodoo Child.” Clearly you weren’t shy about taking on some of the greatest guitarists of all time. You know what? They are in my blood. I grew up with these people and I’ve been playing a long time. I’d actually been jamming with Narada before at Golden Gate Park in front of about 100,000 people. He said, “We’re going to play ‘Voodoo Child.'” I said, “Great, I know it.” I jumped onstage and we jammed for a while and the audience loved it. It actually goes back in time where I played the Crossroads Festival for Eric Clapton. It was Narada, myself, Randy Jackson, and Jonathan Cain. It’s ironic that’s what Journey has become with Arnel.

We did play “Voodoo Child” that day, too. It was a no-brainer for me. I was like, “Why don’t we jam it out and have a live jam in the studio?” That is what we did. We played live, one take. You can tell that it falls apart a little when it goes into “Third Stone From the Sun” at the end. I was lost and playing and I had to find a place to put my arm up and then everyone jumps in a few seconds later. You can tell it was a little loose and we were just finding our way through it. I felt there was some magic there and being real since it wasn’t overdubbed to death. It was just what it was.

Why did you decide to revisit the Journey song “Lights?” That was Narada’s idea. I was not sure about it. I had done, with Gary Cirimelli the year before, a little EP [ Ave Maria ] around Christmas where I had done an instrumental version of “Faithfully,” “Open Arms,” and “Can’t Help Falling in Love” by Elvis Presley. I had done it before with guitar instead of voice, but “Lights” I had never considered doing as a lead vocal on guitar. He talked me into it. I didn’t know what to think of it, but it sounded good for a guitar version. I tried to capture as many Steve Perry melodies as I could and implement them into the guitar in a soulful way. I think it came out well and people are loving it.

I like hearing vocal melodies on the guitar. Jeff Beck does it a lot, but it’s hard to pull off exactly right. Yeah. There’s something very difficult about it. I see a lot of young guitar players today that have dexterity beyond. I can comprehend what they’re doing technically, but I’m not that interested in trying to do it myself because I’ve never been a scale guy. I was listening more to horn players and vocalists.

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To convey a melody and play it very simply is not an easy task, especially when it’s a slow melody. There’s plenty of room for mistakes and loss of feel. You can lose the feel of it in two seconds flat because there’s no lyrics you’re playing along with. That actually helps you dictate the melody when you hear a singer sing. It’s all about placement, phrasing, and how the vibrato goes, where you put it. It’s complicated and it comes much easier to me as a musician than it does to other guys because I’ve always been a melody guy.

Tell me about your version of “Hey Jude” that ends the record. I had played “Hey Jude” back east in New Jersey, I believe, in some theater we were playing. I looped that one night. I played the chords first, just the ending, and then I looped the melody and had the whole audience singing the song. I went, “Wow, this could be a possible way just to end the record.” As a Beatles fan, I loved it.

What’s the status of the new Journey record? We’re deep in it. It’s coming along, man. It’s really shaping up. Narada and I have been working nonstop. Jonathan [Cain] is also working from his houses in Florida and Nashville. Arnel is working from Manila. Randy Jackson is working mostly from L.A. And it’s one of those Zoom sessions and it sounds phenomenal. It sounds like we’re all playing in the room at the same time. I actually can’t wait until we do get together and start putting the show together. The new single should be coming out mid-February.

Working remotely must have been a big adjustment at first. Yeah. It was at first. What I was really grateful for is that I’m willing to get together with Narada and work with just drums and guitar, which is something I’ve always done with drummers working on records. We’re able to map out and get things feeling right. Narada is very accomplished. He can play keyboards and bass keyboards, and we kind of fill out the tracks. And then everyone does their parts. The end result is sounding amazing.

How is Arnel doing? Arnel sounds very, very strong. I think this break has been good for him. He’s back in there, I feel, like when we first got him. His vocals sound very, very good. We’re planning on a full album release in 2021 before we get back to touring. We did book our first show of 2021. We’re going to be headlining Lollapalooza in Chicago on July 31st unless they move it. My fingers are crossed that everyone is going to get the vaccine and feel good and get back to it. I’m just so looking forward to playing with the new band. Post Malone is headlining at the same time as us about a mile away on another stage. It’ll be interesting.

How have the new members changed the band’s sound? Do you have a different groove now? You have to hear it for yourself. It still sounds very much like Journey thanks to the songwriting, my guitar playing, and the vocals. But the rhythm section is definitely a powerhouse. Narada has been known for years, and Randy Jackson is a completely monstrous bass player. Some people may not be aware of his work, but they have credentials that go way, way back. Randy and I have always been pretty in tune, and Narada and I are in tune. And now it’s coming together. It’s got a new strut to it.

There’s nothing we really can’t play. I’ve got a track I laid down with Narada the other day. I sent it to Arnel and he was freaking out. He said, “This sounds like brand-new Hendrix or Prince. Please write more of that.” And I was just messing around. It was just a jam we did and it turned out to be monstrous. We’re creating. We aren’t afraid to go to new places. It’s easy to stay safe and write where we have always been. We have a bit of that so we don’t lose everyone, but at the same token, this is a new chapter of Journey. I want to go where we have not gone before.

Why did you leave Azoff management and sign with Q Prime? It was a long time coming from myself. I had a falling out with old management and just didn’t agree with a lot of things the way they were coming down or the way that things were being treated that I was bringing up. I felt like they made it seem like I was an outcast even though this was a band that I started. Azoff actually said to me, “Why don’t you quit?” at one point. I said, “I’m not quitting. I’ve been here all my life. Why don’t you quit?”

We kind of went at it. Finally, I made the move. I said, “I don’t know what’s going to happen from here, but I feel like it’s time.” I remember that I talked to Peter Mensch over at Q Prime about a year before that, telling him that I really wanted to make a change. He said that contractually we had to get to this point before we could do anything. When we finally got to that point, I called Peter back up. He said, “This is a no-brainer. We’d love to manage you.”

I’m really happy. They understand the guitar. Cliff [Burnstein] is awesome. I’ve only talked to him a few times, but I can tell we’re on the same wavelength. I send him stuff, unfinished and finished, and I’ll crank up the guitar and he goes, “Oh, yeah. That’s it.” Then we’ll get on the phone with Jonathan [Cain], myself and him, and Jonathan will go, “Do you want the softer version?” They’ll go, “No, we don’t want the softer version. We want the heavier version.” I love the guys.

You and Jonathan Cain are clearly in a much better place than you were a few years ago. How did you patch things up? We found out that there was a lot of miscommunication that I felt was coming from management. The divide-and-conquer situation was going on. They were saying I said things that I didn’t say. I heard it had happened with other bands from guitar techs that I had been with. It was happening in the Van Halen camp between Eddie and Sammy. I was just like, “I’m seeing the same scenario.”

Once we got past all the crap and we talked everything out, we found out that a lot of it was just b.s. and we were actually good. Him and I are still very tight as songwriters. There’s still magic there. He’s still creating amazing music, even without me, but us together, we create something that really sounds like Journey.

Some fans were surprised to see him play in the house band at the White House during the RNC a few months ago. What did you think about that? You know what? I learned to just stay in my music lane through that whole fiasco. I think everyone knows my feelings about politics and religion in music. I just decided that I was going to keep my friendship with him and the music with him. We’re still creating great stuff. I got to a place where I said, “It’s a free world. Everyone has the right to do whatever they want to do.”

In a way, it’s like Mick and Keith. They are two very different people, but they come together in a band and it works. Exactly. That tension leads to great music and not agreeing … Jon and I always have been like that. We’re like bookends with all the music in between. Where we start from is two completely different places. He usually starts from music, melody, and piano. I start from a rocking track. There’s a lot of melody on the new songs we’ve been laying down. We’ve gotten very comfortable with singing on it right afterwards with Narada helping me, giving me the confidence, and so I have a lot of the melodies. I recall even in the old Journey with Steve Perry when I’d hum a few things and he’d go, “Oh, I like that.” Then he’d do his own thing to it. There’s a road map there if you aren’t afraid to put it down.

How about tour-wise? The Pretenders 2020 tour was called off. Might you go out with them in the future? I don’t know what management has planned. We love playing with the Pretenders, but I don’t know if that’s where they are going or even if they are available. I definitely enjoy playing with them. They have so many great songs. Chrissie [Hynde] was very nice. The whole band was. I felt that it was complementary to our show, even with Def Leppard. I don’t know what Peter and Cliff are thinking over at Q Prime, but I’m definitely open to that. And I love the Def Leppard guys. I’m open to that, too. But this time we have to bring our PA. [ Laughs ]

I’ve heard rumblings about a biopic about Arnel. Do you think that’s going to happen? I think it’s something that will come down. The story of me finding him on YouTube is sort of unbelievable. I remember when I first told people I had found him. They were like, “Come on, man. Did you just make this up?” It was like a Cinderella story that was too good to believe. We made the documentary [ Don’t Stop Believin’: Everyman’s Journey ] off the fact we found him in Manila, not New York or L.A., and I heard his voice and went, “This is the guy. I know it’s the guy.” Apparently Warner Bros. thinks is a great story too. I think they are going to make it. I don’t know when. I don’t believe they’ve even started. I think they are still writing the script.

Who would play you? Uh … the only meeting we had took place when we last played in Vegas. They were they talking about Joaquin [Phoenix]. That’s what this director said. [ Laughs ] I was like, “OK!” [ Laughs ]

You could play yourself, I suppose. Have you thought about that? I have not thought about that, but it’s not ruled out. I’d probably prefer not to. It’s gotta be so time consuming. At one point, I was going to try and get into some movie stuff and I was taking some acting classes. Everyone was like, “You look like a young James Caan.” This was way back in the Eighties. There were a couple of producers that were approaching me. But I went on a set and thought about it and auditioned and I was like, “Wow. This is so time-consuming. I can do four albums in the time it takes to do one movie.” I’m too impatient. I like to move quickly, so I doubt I’d be the right choice for it.

Is your Journey spinoff band Journey Through Time something that can get back on the road in the future? Fans loved seeing you back with Gregg Rolie and playing the really old songs. I was met with a lot of resistance from some of the former band members and the trademark guy that was sort of working for Journey, I’m finding out. There were many trademark issues I’ve gotten to the bottom of. I’ve cleaned everything up 1,000 percent. There were too many handshake deals and money deals and no real contracts. I was like, “OK, it’s time for all this to stop and for everyone to get treated fairly and equally.”

They were having a real problem with me using Neal Schon’s Journey Through Time, the name of the band. I don’t see why. It has been my journey from my life and the fans loved it. But to tell you the truth, I foresee us being able to do that with the new band; I foresee us being able to play in two different places. I feel like we can play these outdoor festivals with bands like Phish or for that audience and dive into the older material and play that stuff very well and take it to a new place.

Also, we can play in the 20,000-seaters or the coliseums we were doing with Pretenders and Def Leppard. I feel like it’s two different audience we can play to. The main thing is just playing longer where you can dive deeper into the older stuff and making it all work together.

Do you think you could bring Gregg Rolie into the fold at some point, at least for the jam-focused shows? We might talk about that. I’d have to see what Jonathan thought about that. But it’s not really on my plate right now. It’s something I definitely enjoyed. We were picking up speed very quickly before it was taken down. We had a whole tour that was ready to go. And then Gregg unavailable and then [drummer-vocalist] Deen [Castronovo] wasn’t available. There was a lot of politics involved.

Are you close to resolving the legal dispute with Steve Smith and Ross Valory? Unfortunately, no. [ Laughs ] We will, eventually. I have confidence that we will. It is going to be what it is. We’ve already made that choice and we’re moving on. But we’re not about to get held up, either. We’re going to start playing and ultimately we can settle this and come to a mutual agreement.

Do you ever see a day in the future where you’d play with them again? Who knows? I’ve known these guys for a long time. I didn’t agree with the way they went about business. I had been in a situation in the band with management and some of them for a long time where I felt like they were trying to make me leave. I was catching on to a lot of things that I’m getting to the bottom of now, business-wise.

I spoke with Steve Perry a few weeks ago. He says he misses playing live. As just a fan of his, are you hoping he’ll tour? I am. I was hoping he would tour when he released his record a couple of years ago. After going through the pandemic, I imagine that most everyone that has ever toured is dying to tour. I miss it so much, that energy you get from the audience that you throw back. I’m totally missing that. I’m sure everyone that has ever been onstage is missing that. I’m hoping that he would really do it. He should. He sounds in good voice and he could do it. I hope he’ll actually do it because he talked about it last time.

Are you still hoping that at some point in the future, the two of you will be able to sit down and be friends again? I’m still trying to talk to him directly on the telephone. For some reason, I don’t know if it’s him or his attorney, they do not want us to talk, or he feels uncomfortable. I’m sitting in the same place where I’m waiting to get on the phone or get together and have some coffee, but it just isn’t happening and it’s not because of myself.

It’s crazy that one rock band can get so complicated with all these feuding factions. It’s just people playing music together that a lot of people love. You know what? There’s a lot of things that get in the way, the conquer-and-divide thing. I believe that that’s been happening with him, too. When we got inducted into the Hall of Fame, I felt really connected to him again where it was emotional to see him after not seeing him for a long time. He was moved too. I felt, “Why is all this other crap happening for so long? Why did I feel like we couldn’t get together and talk?”

But at the end, it went right back to that. I watched him do the first interviews that he did. He talked very highly about myself like I’ve always talked about him and how happy he was to see me and the rest of the guys, but he said it was mainly me he was happy to see. And then all of a sudden, in all the interviews after that, after the first two where I felt like he was speaking from the heart, it took a left-hand turn and I was never mentioned again. It’s very weird, man. I felt like politics, once again, were in the way.

I guess the one constant in the whole Journey saga is you marching forward and keeping it alive. It is the ship I’ve been in from the very get-go. I’m the only guy that’s been there for every show, every record, every date. I’m the only guy. And my heart is still in it. We’re definitely moving forward and I’m happy with what I’m hearing. I’m moving. I’m going forward. I’m not going to sit in neutral and wait for things to settle out.

We’ll soon be approaching our 50th anniversary. It’s kind of mind-boggling to me, even sitting here telling you it’s been 50 years for me. It should be a great one. What I do know is that we’ve hardly spent any time abroad, but we are going to be taking this around the world and playing in countries and cities we’ve never been to before. Anytime we’ve done this before — like our first first show with Arnel [in Chile] when the audience went wild — we’d never been there before, but they went crazy. His audition was in front of 30 million people. He was scared to death. I had to push him out onstage.

I really feel like late 2021 and certainly 2022 will be a celebration of live music. I’ve got butterflies about the vibe I’m getting or what it’s going to be like when we put our show together. We’re not just going to play the same old show. We’re going to be adding a lot of new stuff. I know Randy and Narada, because I’ve jammed with them before.

It’s going to conform into a whole new thing. They aren’t afraid to try anything right on the spur of the moment onstage, which is where I’ve always been. I play by ear. If you go there, I’m going there, man. I learned to do that playing with Carlos Santana and Rolie and all the original Santana guys. I’m from that school and I love it.

I think we’ll construct a set in a way where we’ll have time for all of it and it won’t have to stay the same every night. We don’t have to conform to that. Everyone will be able to carry it and feel strongly about improvising on the spot and going with it.

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The legendary rock band journey celebrating the 50th anniversary freedom tour 2023.

October 17, 2022 – One of the most legendary rock bands of all time, JOURNEY, announces the continuation of their highly successful tour with the 50th Anniversary Celebration Freedom Tour 2023 featuring, very special guest TOTO. JOURNEY , Diamond-selling Rock & Roll Hall of Famers will take the stage in 38 cities across North America with their catalog of global chart-topping hits, including "Don't Stop Believin”, "Any Way You Want It", "Faithfully", "Lights" and more.

Presented by AEG Presents, JOURNEY Freedom Tour 2023 begins February 4 in Allentown, PA – making stops in Austin, Montreal, Memphis and more – before wrapping April 25 at the brand new Acrisure Arena in Palm Springs, CA. The 2023 run includes rescheduled dates in Washington DC, Hartford, Toronto and Quebec that were postponed earlier this year due to covid.

Citi is the official card of the JOURNEY 50th ANNIVERSARY Freedom Tour 2023. Citi cardmembers will have access to presale tickets for theU.S. dates beginning Tuesday, October 18th at 10am local time until Thursday, October 20th at 10pm local time through Citi Entertainment (excluding Canada, Washington DC and Hartford shows). For complete presale details visit www.citientertainment.com. A limited number of exclusive VIP Packages are also available. These exceptional offers can include an amazing selection of reserved seated tickets, custom merchandise and much more.

Tickets go on sale to the public Friday, October 21 at 10am local time HERE

JOURNEY features Founder,Neal Schon (lead guitarist, ), Jonathan Cain (keyboards, backing vocals), Arnel Pineda (lead vocals) Jason Derlatka (keyboards, vocals), and Deen Castronovo (drums, vocals) and Todd Jensen (bass). Neal Schon, 3x Hall of Fame inductee: Oklahoma Hall of Fame, Rock & Roll Hall of Fame, Grammy Hall of Fame. Jon Cain is a recipient of two BMI songwriter awards and was inducted into the Rock and Roll Hall of Fame as a member of Journey.

Neal Schon: “We are all thankful and overwhelmed by the success of our Journey Freedom Tour 2022 this year and have added a new run of dates for 2023” says JOURNEY Founder Neal Schon. “We are looking forward to hitting the road again with our very good friends Toto! Come join us for a special evening full of fun and Rockin’ good memories. See you soon Friends.”

Jonathan Cain adds “Excited to perform for our fans as we tour next year with Toto. The combined hits of both bands represent a couple of decades of excellence that have become a soundtrack for people’s lives. The music of Journey along with the music of Toto is an example of “certain music” during “uncertain times”.

Very special guest TOTO, who have collectively streamed more than 3.3 billion plays on Spotify alone based on hits including “Rosanna”, “Africa” and “Hold the Line”, will join JOURNEY on all dates.

TOTO’s Steve Lukather shares, “'On behalf of myself and the band, we are very honored and excited to do this tour with our old and dear friends JOURNEY. Gonna be a great night of music, and as all the guys are lifelong friends... a blast off stage as well.”

FREEDOM TOUR 2023 DATES

February 4 Allentown, PA PPL Center

February 5 Charlottesville, VA John Paul Jones Arena

February 8 Savannah, GA Enmarket Arena

February 10 Columbia, SC Colonial Life Arena

February 11 Greensboro, NC Greensboro Coliseum

February 14 Lexington, KY Rupp Arena

February 17 Knoxville, TN Thompson-Boling Arena

February 19 Bossier City, LA Brookshire Grocery Arena

February 22 Austin, TX Moody Center

February 23 Lafayette, LA Cajundome

February 26 Jacksonville, FL Vystar Veterans Memorial Arena

March 1* Washington, DC Capital One Arena

March 3 State College, PA Bryce Jordan Center

March 4* Hartford, CT XL Center

March 8 Montreal, QC Bell Centre

March 9* Quebec, QC Videotron Centre

March 12* Toronto, ON Scotiabank Arena

March 13 Ottawa, ON Canadian Tire Centre

March 16 Buffalo, NY KeyBank Center

March 17 Atlantic City, NJ Boardwalk Hall

March 20 Champaign, IL State Farm Center

March 21 Moline, IL Vibrant Arena at The MARK

March 24 Sioux Falls, SD Denny Sanford PREMIER Center

March 25 Lincoln, NE Pinnacle Bank Arena

March 28 Des Moines, IA Wells Fargo Arena

March 31 Tulsa, OK BOK Center

April 1 Memphis, TN FedExForum

April 4 San Antonio, TX AT&T Center

April 7 Springfield, MO Great Southern Bank Arena

April 8 Wichita, KS INTRUST Bank Arena

April 11 Casper, WY Ford Wyoming Center

April 13 Boise, ID ExtraMile Arena

April 14 Spokane, WA Spokane Arena

April 17 Eugene, OR Matthew Knight Arena

April 19 Stockton, CA Stockton Arena

April 22 Bakersfield, CA Mechanics Bank Arena

April 23 Fresno, CA SaveMart Center

April 25 Palm Springs, CA Acrisure Arena

*Rescheduled date. ON SALE NOW.

ABOUT JOURNEY

Since the group's formation in 1973, JOURNEY has earned 19 top 40 singles, 25 gold and platinum albums, and has sold over 100 million albums globally. Their "Greatest Hits" album is certified 15 times-platinum, making JOURNEY one of the few bands to ever have been diamond-certified, and their song "Don't Stop Believin'" has been streamed over one billion times alone.

JOURNEY was inducted into the Rock And Roll Hall Of Fame in 2017, and 2018's co-headlining tour with DEF LEPPARD was the band's most successful tour to date, landing them in the Top 10 year-end touring chart with more than 1 million tickets sold, and earning them the prestigious Billboard "Legends Of Live" touring award. March 2019 saw the release of "Escape & Frontiers Live In Japan", a live DVD/CD set from their concert at the Budokan in Tokyo featuring the band's first-ever performances of the albums "Escape" and "Frontiers" in their entirety. JOURNEY has also received a star on the Hollywood Walk Of Fame and were inducted into the Hollywood Bowl Hall Of Fame. Additionally, the band is the subject of the award-winning documentary "Don't Stop Believin': Everyman's Journey" about the band's resurgence upon adding Arnel Pineda as lead singer after JOURNEY Founder, Neal Schon discovered the Philippines native on YouTube.

The members of TOTO are celebrating an accomplishment few bands have achieved in the modern era. Cumulative streams of the ensemble’s repertoire

now exceed 3 billion plays. Amongst the most listened to recordings, “Africa” accounts for over one billion streams at Spotify alone. This year the song was recertified by the RIAA 8X Platinum.

Over the past decade, the band has had a major renaissance in popularity like few bands at this point in their career. The audience is truly multi-generational, becoming younger with each passing year. Joining Steve Lukather and Joseph Williams are band members bassist John Pierce (Huey Lewis and The News), drummer Robert “Sput” Searight (Ghost-Note, Founding member Snarky Puppy, Snoop Dogg), keyboardist Dominique “Xavier” Taplin (Prince, Ghost-Note), multi-instrumentalist / vocalist Warren Ham (Ringo Starr) and keyboardist / background vocalist Steve Maggiora,. This line-up marks the fifteenth incarnation of Toto in consideration of band members or sidemen who joined or exited. Individually and collectively, few have had a larger imprint on pop culture than the members of TOTO. The family tree can be heard on an astonishing 5000 albums that together amass a sales history of a half a billion albums. Amongst these recordings, NARAS applauded the performances with hundreds of Grammy nominations.

With now 45+ years together and literally thousands of credits, including the biggest selling album of all time: Michael Jackson’s Thriller, and accolades to their names, TOTO remains one of the top selling touring and recording acts in the world. They are the benchmark by which many artists base their sound and production, and they continue to transcend the standards set by the entire music community, being simply synonymous with musical credibility. They are pop culture and are one of the few 70’s bands that have endured the changing trends and styles continuing to remain relevant.

About AEG Presents

Combining the power of the live event with a focus on true artist development, AEG Presents is a world leader in the music and entertainment industries. Operating across five continents, the company has an unparalleled commitment to artistry, creativity, and community. Its tentpole festivals and multi-day music events — which include the iconic Coachella Valley Music & Arts Festival and the legendary New Orleans Jazz & Heritage Festival alongside British Summer Time at Hyde Park, Stagecoach, Hangout Festival, Electric Forest, and Firefly — continue to set the bar for the live music experience. AEG Presents promotes global tours for artists such as The Rolling Stones, Ed Sheeran, Elton John, Taylor Swift, Celine Dion, Justin Bieber, Kenny Chesney, Paul McCartney, and Katy Perry, in addition to — through its network of clubs, theatres, arenas, stadiums and renowned partner brands such as The Bowery Presents, Concerts West, Frontier Touring, Goldenvoice, Madison House Presents, Marshall Arts,

Messina Touring Group, PromoWest Productions, and Zero Mile Presents — creating and developing an unmatched infrastructure for artist development and audience reach. More information can be found at www.aegpresents.com.

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Journey celebrates 50th anniversary: Rock band members then and now

Journey was formed in february 1973 by neal schon, gregg rolie and herbie herbert.

Fox News Flash top entertainment headlines of the week

Fox News Flash top entertainment and celebrity headlines are here.

Journey recently celebrated 50 years since the band first formed.

The band's most well-remembered lead singer, Steve Perry, was spotted on a walk in Los Angeles earlier this month. The 74-year-old was the frontman and prominent songwriter for the band for 10 years alongside Neal Schon, Gregg Rolie, Ross Valory, Jonathan Cain, Aynsley Dunbar and Steve Smith.

Current members of the band include Schon, Cain, Deen Castronovo, Arnel Pineda, Jason Derlatka and Todd Jensen.

Here is what Journey band members from the Perry era are up to now as the band's 50th anniversary tour comes to a close April 25 in Palm Springs, California. 

STEVE PERRY WOWS CROWD AFTER 19 YEAR ABSENCE FROM STAGE

Steve Perry 

Steve Perry was brought on as a replacement for lead singer Robert Fleischman and was the frontman during the band's most prosperous era. (Shutterstock/SplashNews.com)

Steve Perry joined the band as a replacement for Robert Fleischman, making his debut as the frontman in October 1977. As well as acting as the band's lead singer, Perry also was one of the band's principal songwriters. He was nominated to the Songwriter's Hall of Fame in 2020.

Although fans were skeptical of Perry when he first joined the band, he was able to win fans over after the release of his first album, "Infinity," which had a much different sound than Journey had created in the past. They then began getting more radio airplay. He sang lead vocals on the albums "Evolution," "Departure," "Dream, After Dream," "Captured," "Escape," "Frontiers," "Raised on Radio" and "Trial By Fire."

Perry went solo for the first time in 1984 when he released "Street Talk," which sold over 2 million copies and featured the singles "Oh Sherrie" and "Foolish Heart." He was also featured on the 1985 benefit song, "We Are the World." He attempted to reunite with Journey. However, he was caring for his ill mother and couldn't be present for a majority of recording, and the band went on break in 1987 after its "Raised on Radio" tour.

In 1988, Perry began working on a second solo album, which he never released, eventually releasing a successful second album in 1994, called "For the Love of Strange Medicine."

Perry sang lead vocals on the albums, "Evolution," "Departure," "Dream, After Dream," "Captured," "Escape," "Frontiers," "Raised on Radio" and "Trial By Fire." (Michael Putland/Getty Images)

The singer once again reunited with his former band in 1996 to record the very successful album, "Trial By Fire," which debuted at No. 3 on the Billboard charts and went platinum by the time the year was over. To capitalize on the success of the album, a tour was planned, but it had to be postponed due to Perry injuring his hip while hiking in Hawaii.

A doctor determined his injury required surgery, but Perry was reluctant to agree to go under the knife. The decision delayed the tour longer than expected, which angered his bandmates. They eventually went on tour without Perry, and he announced his permanent exit from the band.

"I had to have a hip replacement, and the band was telling me when they thought I should do it," Perry said in an interview with MelodicRock.com in 2011. "And I said, ‘Major surgery like this is not a band decision.' I said that I would get it done, but I didn't get it done quickly enough. They just wanted to get on the road, and there was an ultimatum given to me. And I don't respond well to ultimatums."

FORMER JOURNEY FRONTMAN STEVE PERRY REVEALS WHY HE LEFT BAND AT ITS HEIGHT

Following his departure from the band, he released his "Greatest Hits + Five Unreleased" compilation album, which featured songs from his 1988 unreleased album. In 2005, Perry joined a few of his former bandmates when Journey was awarded a star on the Hollywood Walk of Fame. In 2009, he was voted one of the ten greatest rock singers of all time, and Rolling Stone placed him at number 76 in a list of "The 100 Greatest Singers of All Time." 

Perry joined his former bandmates on stage in 2017 for the band's induction into the Rock & Roll Hall of Fame. (Kevin Mazur/WireImage for Rock & Roll Hall of Fame)

For the next few years, Perry continued singing and writing, appearing on background vocals or on stage with various bands and artists. In 2017, he appeared on stage with Journey for the first time since they were together on the Walk of Fame in 2005 to accept the honor of being inducted into the Rock & Roll Hall of Fame. He did, however, opt out of performing with the band.

In 2018, Perry released another solo album, "Traces," which performed well, with a deluxe version debuting in 2019. In December 2021, he released a Christmas album, "The Season," and in 2023 he announced he would be singing background on Dolly Parton's new album.

Perry has a daughter and grandchildren but has chosen not to speak about them publicly to protect their privacy. 

Neal Schon is a founding member and guitarist for the band Journey. (Getty Images)

Neal Schon is a founding member of Journey and is the longest-serving original member of the band. Prior to helping create Journey, he was a member of the band Santana, playing guitar on the albums "Santana III" and "Caravanserai."

He briefly played with the band Azteca before founding Journey with Gregg Rolie and their manager Herbie Herbert. They initially called the band the Golden Gate Rhythm Section, however the name was changed after their roadie John Villaneuva suggested Journey.

Along with playing on the albums "Journey," "Look into the Future," "Next," "Arrival," "Generations" and "Revelation with Journey," Schon also released several solo albums, including "Late Nite," "Beyond the Thunder," "Piranha Blues," "The Calling," "So U" and "Universe."

The guitarist also produced two albums with keyboardist Jan Hammer and was a member of the supergroup Bad English. He also has fostered collaborations with Sammy Hagar as part of Hagar Schon Aaronson Shrieve and Paul Rodgers. Schon also plays guitar on Michael Bolton's album, "The Hunger.

Schon performed with his band at the 2017 Rock & Roll Hall of Fame ceremony, where Journey was being honored. (Kevin Mazur/WireImage for Rock and Roll Hall of Fame)

In 2005, Schon was present at the Hollywood Walk of Fame ceremony to accept the honor of receiving a star alongside his fellow bandmates. They reunited again in 2017 when they were inducted into the Rock and Roll Hall of Fame, where he and some of the other band members performed.

Schon is performing with Journey for the band's 50th anniversary tour, which also features Toto.

JOURNEY'S NEAL SCHON SLAMS BANDMATES OVER TRUMP MEETING

In September 2011, Schon confirmed his romance with former "Real Housewives of D.C." star Michaele Salahi, while also revealing they dated briefly in the '90s. Just a little over a year later, in October 2012, Schon proposed to her on stage while performing at a charity benefit, and the two were married in December 2013. 

Schon is married to his fifth wife, Michaele Salahi, a former "Real Housewife of D.C." (Gabe Ginsberg/Getty Images)

Schon was previously married to Tena Austin from 1976 to 1986. He was then married to Beth Buckley from 1987 to 1992, and had two children with her, Miles and Elizabeth, before splitting up. He then married Dina Gioeli from 1993 to 1999, and then Amber Kozan (from 2001-2008), with whom he has two children, Aja and Sophia. He also has a daughter named Sarah.

Gregg Rolie

Gregg Rolie was a member of Santana before forming Journey and was the lead singer on the first two albums. (Getty Images)

Gregg Rolie was a founding member of Santana before branching off to join what would become Journey. For the band's first six albums, he was the keyboardist, and he was the lead vocalist for the band's first two albums. Once Perry joined the band, Rolie sang co-lead on a few songs on various albums.

The musician chose to leave the band in 1980 and started a successful solo career. His first solo album was "Gregg Rolie," and he followed up with "Gringo" in 1987. 

"I left because I didn’t like my life anymore," Rolie told Rolling Stone in 2019. "I’ve said this a million times. And I know there’s people that say, ‘That’s not the reason.’ But I left because I was unhappy with what I was doing in my own life. I loved the management. I loved the music. I loved what we built. I just wasn’t happy, so I had to blow the horn on it and just stop it."

A few years after releasing his second album, Rolie formed another band with Steve Smith and Ross Valory from Journey in 1991 called The Storm. Rolie worked as the keyboardist for this band. The band's eponymous debut album was a huge success, reaching No. 3 on the Billboard charts. It also featured a top 10 hit, "I’ve Got A Lot To Learn About Love."

Rolie left Journey in 1980 and started a solo career before founding another band. (Getty Images)

They did not reach the same amount of success with their second album. It was shelved by their record company before finally getting released in 1996. In 1998, Rolie and a few other members of Santana reunited to form the band Abraxas Pool, ultimately releasing one eponymous album.

Also in 1998, Rolie was inducted, along with the other members of Santana, into the Rock & Roll Hall of Fame. He became a two-time Rock & Roll Hall of Fame inductee in 2017 with Journey.

In 1999, while working on an album with Ron Wikso, they formed The Gregg Rolie Band, which featured Kurt Griffey on the guitar and Wally Minko as a second keyboardist. Together, they released the album "Roots" and a live CD, "Rain Dance," in 2009.

From 2012 to 2021, Rolie toured as a member of Ringo Starr and his All Star Band, during which he sang many of the hits he is known for, including some from his time in Santana. While performing, he also recorded an album with original members of Santana in 2016, "Santana IV."

Rolie frequently appears on stage with Schon and the rest of Journey during their 50th anniversary tour. (Rob Loud/Getty Images for Journey)

Rolie reunited with Schon in 2018 to perform some charity shows and occasionally joined Journey on stage during its most recent tour.

The keyboardist married his wife Lori in 1980 after first meeting her while on a flight in 1979. The two have remained together and live in Texas. They have two children together, a son named Sean and a daughter named Ashley.

Ross Valory

Ross Valory was an original member of Journey, which he joined after forming and releasing one album with the Steve Miller Band. (Getty Images)

Ross Valory was an original member of Journey, which he joined after forming and releasing one album with the Steve Miller Band. As a bassist, he has played on all the band's albums, except 1986's "Raised on Radio" and 2022's "Freedom."

During the band's hiatus in the late ‘80s and early ’90s, Valory played on Todd Rundgren's album, "2nd Wind," and released two albums as a member of The Storm, "The Storm," and "Eye of the Storm."

He returned to playing with Journey in 1996 on the "Trial by Fire" album. Valory was kicked out of the band in 2020, and he was once again replaced by Randy Jackson, who also took over for him in "Raised on Radio."

His 2020 exit came on the heels of a lawsuit involving him and Steve Smith, filed by their Journey bandmates Neal Schon and Jonathan Cain. Schon and Cain claimed Valory and Smith attempted to take over Nightmare Productions to gain control of the Journey trademark. 

Journey's management announced the two parties came to a settlement, releasing a statement in April 2021.

Ross Valory, right, was sued by his former bandmate, Jonathan Cain, left, for trying to gain control of the band's trademark. (Gabe Ginsberg/Getty Images)

"Neal Schon and Jonathan Cain acknowledge the valuable contributions that both Ross Valory and Steve Smith have made to the music and the legacy of Journey," the statement said. "Ross Valory and Steve Smith wish their former bandmates well and much success in the future. Journey looks forward to continuing to tour and make new music for their dedicated fans around the world." 

Valory was once married to Diane Oakes, however the marriage ended in a divorced. He later married his current wife, Mary Valory.

Steve Smith

Steve Smith replaced Aynsley Dunbar as the drummer for Journey. (Getty Images)

Steve Smith replaced Aynsley Dubar as the drummer for Journey, joining the band in 1978 and staying on until 1985. His first album with the band was "Evolutions" in 1979, and he left for the first time following 1986's "Raised on the Radio."

During the band's hiatus, he joined Valory and Rolie in the band, The Storm, appearing on their two albums. He also started a second band, Vital Information, and released several albums with them in that time, including "Vital Information," "Orion," "Global Beat," "Fiafiaga" and "Easier Said Than Done."

He returned to Journey in 1995 for a comeback album, "Trial by Fire," staying on for a few years before leaving a second time after the release of 1998's "Greatest Hits Live" album. He continued to release music with Vital Information, including "Ray of Hope," "Where We Come From," "Live Around the World" and 2017's "Heart of the City."

Smith left Journey and started his own band, Vital Information. (D Dipasupil/FilmMagic)

Smith was also a part of the jazz group Steps Ahead and can be heard playing on their albums "Live in Tokyo," "N.Y.C," "Yin-Yang" and "Steppin' Out." As a musician, he can also be heard on albums for Jeff Berlin, Frank Gambale, Henry Kaiser and Neal Schon.

In 2001, Modern Drummer magazine named Smith one of the Top 25 Drummers of All Time, and the following year he was inducted into the Modern Drummer Hall of Fame. Starting in 2007, he recorded two albums with Buddy's Buddies, a quintet made up of musicians who once played with Buddy Rich.

In 2017, Smith was inducted into the Rock & Roll Hall of Fame as a member of Journey. He performed with Journey during the ceremony.

Smith was inducted into the Rock & Roll Hall of Fame alongside the other members of Journey. (D Dipasupil/FilmMagic)

Smith was also named in the lawsuit filed against him and Ross Valory when they allegedly tried to gain control of the Journey trademark. Like Valory, Smith was kicked out of the band at this time. 

Jonathan Cain

Jonathan Cain was a member of The Babys before he left to join Journey, taking over the position Gregg Rolie held in the band.  (Getty Images)

Jonathan Cain was a member of The Babys before he left to join Journey, taking over the position Gregg Rolie held in the band. Cain's first collaboration was on the album "Escape." He was also one of the composers of the band's longstanding hit, "Don't Stop Believin'."

JOURNEY'S JONATHAN CAIN RESPONDS TO CEASE-AND-DESIST ORDER, SAYS BANDMATE SHOULD 'LOOK IN THE MIRROR'

One of his most well-known contributions to the band was when he wrote the ballad "Faithfully," a song about what it's like to live life on the road. Cain went on to play the keyboard on the albums, "Frontiers," "Raised on Radio" and "Trial by Fire."

Prior to "Raised on Radio," Cain reunited with his former Babys bandmates and formed Bad English, releasing two albums before breaking up in the early 90s. 

Cain wrote a memoir about his experience as a member of Journey in 2018, called "Don't Stop Believin': The Man, the Band, and the Song That Inspired Generations." (Brandon Williams/Getty Images)

Along with his albums with The Babys, Bad English and Journey, Cain recorded eight solo albums, including "Windy City Breakdown," "Back to Innocence," "What God Wants to Hear," "Bare Bones" and "More Like Jesus." He has primarily focused on making Christian-based faith music since 2016.

In 2018, Cain published a memoir, "Don't Stop Believin': The Man, the Band, and the Song That Inspired Generations," about his time as a member of Journey.

Cain married his first wife, singer Tane McClure, for which he wrote the song "Faithfully" before calling it quits. 

In 1989, he married Elizabeth Yvette Fullerton, and together they had three children — a daughter Madison and twins Liza and Weston. The two divorced in 2014 after 25 years of marriage. In 2015, Cain married his third wife, a minister named Paula White. 

Jonathan married his third wife, Paula White, in 2015. (Vincent Sandoval/WireImage)

Cain and Schon are currently at odds and are in a legal battle over a shared American Express account. 

Aynsley Dunbar

Aynsley Dunbar was the second drummer for Journey, taking over for Prairie Prince. (Getty Images)

Aynsley Dunbar was the second drummer for Journey, taking over for Prairie Prince, and played a big part in co-writing their first four albums, "Journey," "Look Into the Future," "Next" and "Infinity."

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Additionally, Dunbar played drums on albums for artists such as David Bowie, Lou Reed, Herbie Mann, Mick Ronson, Nils Lofgren, Ian Hunter, Sammy Hagar and Pat Travers.

Dunbar later joined Jefferson Starship and stayed with the band for three albums, including "Freedom at Point Zero," "Modern Times" and "Winds of Change." He then joined the band Whitesnake and stayed with them for two albums, including their eponymous record, which featured hits like "Still of the Night" and "What Is Love," and the album "1987 Versions."

Throughout the mid-90s, Dunbar played with some of the era's most notable bands and artists, including Aerosmith, Queen, Metallica, Black Sabbath, Pat Travers and Van Halen.  

Dunbar was inducted into the Rock & Roll Hall of Fame in 2017, along with other members of Journey. (Mike Coppola/Getty Images)

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Aynsley has three children, Gretchen, Bibs and Taylor. In 2000, his 5-year-old son Dash died of brain cancer. 

In 2005, Aynsley and the other members of Journey were honored with a star on the Hollywood Walk of Fame. In April 2017, Dunbar and the band were inducted into the Rock & Roll Hall of Fame for their contribution to the music industry.

Lori Bashian is an entertainment production assistant for Fox News Digital. 

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Music and concerts, music and concerts | journey’s 50th anniversary tour makes its way to norfolk with a ‘dirty dozen’ in store.

Journey is back with its 50th-anniversary tour, headlining arenas this spring before spending a chunk of the summer on a stadium tour with Def Leppard.

Guitarist and founding member Neal Schon and keyboardist/guitarist Jonathan Cain say that today’s band has never played better.

“Finally, it sounds like the Journey everybody knows,” Cain said of the group, which formed in 1973 in San Francisco. “It’s back to the ’80s, that’s what it sounds like.”

Journey with special guest star Toto is coming to Scope Friday.

Schon and Cain are the two remaining members going back to the early 1980s when Journey was churning out hits like “Don’t Stop Believing,” “Any Way You Want It” and “Open Arms.” The two reflected on the band during a recent video interview, including on recent lawsuits, disputes and personnel changes, and regaining a level of popularity that has Journey back on the road.

But there were more issues to come – this time between Schon and Cain. Schon sent a cease-and-desist letter to Cain after Cain joined a sing-along of “Don’t Stop Believing” at a November 2022 event for former president Donald Trump. Cain’s wife, Paula, had worked as a spiritual advisor to Trump. Schon took offense to Cain’s performance, noting that Journey never was and never would be a political band.

Then last year, Schon and Cain traded lawsuits over a financial account for the group. The bandmates hashed out their differences without the courts, they said.

“All we really did was get fed up with the legal and having legals talk instead of us,” Schon said. “We talked for a couple of hours and we talked through it all. I think that’s what fixed everything.”

Now Schon and Cain are leading Journey (with Pineda, Castronovo and Jensen) on one of the band’s biggest touring years. Fans can expect to hear Journey’s biggest hits — the “Dirty Dozen” as the band has nicknamed them — with a handful of new or deeper cuts. This makes crafting set lists a challenge but it’s a problem many bands would welcome.

“We just have a massive catalog,” Cain said, “with so many great songs that we don’t get to.”

When: 7:30 p.m. Friday

Where: Scope, 201 E. Brambleton Ave., Norfolk

Tickets: Start at $49.50

Details:  sevenvenues.com

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Complete List Of All Journey Current And Former Band Members

Feature Photo: Bruce Alan Bennett / Shutterstock.com

I first fell in love with the band Journey when I was in high school and brought the band’s album Infinity when it was first released. Their record company Columbia Records at the time heavily promoted the album. It was Steve Perry’s first recording with the band and Columbia knew they had a hit on their hands. I was blown away by Steve Perry’s voice and completely floored by how great the songs were on the record. Journey became one of the biggest bands of the seventies. They helped define the term “Stadium Rock.” The band has gone through multiple lineup changes over the years.  This article takes a look at the revolving door of musicians who have come and gone as members of the band Journey .

The Orginal Journey Band Members

Neal Schon, born on February 27, 1954, in Tinker Air Force Base, Oklahoma, is an American musician best known as the lead guitarist for Journey. He was one of the founding members of the band in 1973. Over the years, Schon played a significant role in shaping the band’s sound and has appeared on every Journey album to date, from their self-titled debut album “Journey” (1975) to their most recent releases. He primarily plays the electric guitar but has been known to play acoustic guitar and perform backing vocals as well. Schon co-wrote some of the band’s most iconic songs like “Don’t Stop Believin’,” “Wheel in the Sky,” and “Any Way You Want It.” Besides his work with Journey, Neal Schon has had a rich solo career and has also been a part of other bands like Santana and Bad English .

Ross Valory

Ross Valory, born on February 2, 1949, in San Francisco, California, is an American musician renowned for being Journey’s original bass guitarist. He joined the band at its inception in 1973 and contributed to albums like “Journey” (1975), “Infinity” (1978), “Escape” (1981), and many more. Valory played both the bass guitar and occasionally provided backing vocals. He was a part of Journey until he was fired from the band in 2020. Apart from Journey, Valory was involved in the Steve Miller Band and also had a side project called “The Vu.”

Gregg Rolie

Gregg Rolie was born on June 17, 1947, in Seattle, Washington, and is an American keyboardist and singer. He was a founding member of Journey and joined the band in 1973. Rolie played keyboards and was the lead vocalist on the band’s first three albums: “Journey” (1975), “Look into the Future” (1976), and “Next” (1977). He left Journey in 1980 to pursue other musical endeavors. Notably, he was a member of Santana before joining Journey and co-wrote and sang lead vocals on classics like “Black Magic Woman” and “Evil Ways.” After leaving Journey, he went on to form The Gregg Rolie Band and also joined Ringo Starr & His All-Starr Band .

George Tickner

George Tickner, born on September 8, 1946, in Syracuse, New York, is an American musician who played rhythm guitar for Journey. He was among the original members when the band was founded in 1973 but left shortly after the release of the band’s self-titled debut album in 1975. Tickner contributed to the writing of some early songs but didn’t stay with the band long enough to participate in the more commercial phases of Journey’s career. After leaving Journey, Tickner largely retired from professional music to pursue a career in medicine.

Charles “Prairie” Prince

Charles “Prairie” Prince, born on May 7, 1950, in Charlotte, North Carolina, was the original drummer for Journey when the band was formed in 1973. However, he never officially recorded with the band and left before their debut album was made. He is best known for his work with The Tubes , a San Francisco-based rock band. Though his time with Journey was short-lived, Prince has had a significant career in music, working with artists like Todd Rundgren, and Jefferson Starship, and as a session musician for various other artists.

The Next Phase and Beyond

Aynsley dunbar.

Aynsley Dunbar, born on January 10, 1946, in Liverpool, England, is a British drummer known for his work with various rock and blues bands. He joined Journey in 1974, shortly after the band’s formation, and played on the albums “Journey” (1975), “Look into the Future” (1976), and “Next” (1977). Dunbar’s jazz-influenced drumming style added a unique element to Journey’s early sound. He left the band in 1978 before the band shifted to a more mainstream, commercial sound. Apart from Journey, Dunbar has had an extensive career, playing with artists like Frank Zappa, David Bowie, and Whitesnake.

Robert Fleischman

Robert Fleischman, born on March 11, 1953, in Los Angeles, California, is an American musician who briefly served as Journey’s lead vocalist in 1977. Though he never appeared on any studio albums with Journey, he contributed to songwriting and is credited with co-writing songs like “Wheel in the Sky.” Fleischman was replaced by Steve Perry later in the same year he joined. Outside of Journey, Fleischman had a solo career and was a member of other rock bands like Vinnie Vincent Invasion.

Steve Perry

Steve Perry , born on January 22, 1949, in Hanford, California, is an American singer known for his soaring vocals. He joined Journey in 1977 and quickly became the band’s iconic lead vocalist. Steve Perry played a significant role in Journey’s commercial success and was a key contributor to albums like “Infinity” (1978), “Evolution” (1979), “Escape” (1981), among others. He co-wrote and sang some of Journey’s most famous songs, including “Don’t Stop Believin'” and “Open Arms.” Perry left the band in 1998 due to health issues and to pursue a solo career, which itself has been highly successful, featuring hits like “Oh Sherrie.”

Steve Smith

Steve Smith, born on August 21, 1954, in Whitman, Massachusetts, is an American drummer. He joined Journey in 1978, replacing Aynsley Dunbar, and played on some of their most successful albums like “Evolution,” “Escape,” and “Frontiers.” Known for his technical skill, Smith left the band in 1985 but returned for various stints, the latest being from 2015 to 2020. Outside of Journey, Smith has had a rich career in jazz and has been part of his own jazz fusion band, Vital Information.

Randy Jackson

Randy Jackson, born on June 23, 1956, in Baton Rouge, Louisiana, is an American musician, best known as a judge on the television show “American Idol.” He joined Journey as a bass player for a short stint during the mid-1980s and played on the 1986 album “Raised on Radio.” Jackson was part of the band’s transition towards a more pop-oriented sound during that period. Besides Journey, he has been an in-demand session musician and has produced and performed with a wide array of artists across genres.

Steve Augeri

Steve Augeri, born on January 30, 1959, in Brooklyn, New York, is an American rock singer best known for his work as the lead vocalist for Journey from 1998 to 2006. He was brought in as a replacement for Steve Perry and featured on albums like “Arrival” (2001) and “Generations” (2005). Augeri co-wrote songs for the band but had to leave in 2006 due to vocal issues. Outside of Journey, he has been involved in other bands like Tyketto and has also embarked on a solo career.

Jeff Scott Soto

Jeff Scott Soto, born on November 4, 1965, in Brooklyn, New York, is an American singer who served as Journey’s lead vocalist for a brief period from 2006 to 2007. He stepped in following Steve Augeri’s departure due to vocal issues but was in the band for less than a year. Though his time with Journey was short-lived, he did perform live with the band during that period. Outside of Journey, Soto has a prolific career, having been a part of bands like Yngwie Malmsteen’s Rising Force and Talisman, as well as a successful solo career.

Deen Castronovo

Deen Castronovo, born on August 17, 1964, in Westminster, California, is an American drummer and vocalist. He joined Journey in 1998, replacing Steve Smith, and contributed to albums like “Arrival” (2001), “Generations” (2005), and “Eclipse” (2011). Besides playing drums, Castronovo also performed backing and some lead vocals during his time with the band. He left Journey in 2015 amidst personal issues. Beyond Journey, he has played with bands like Bad English and Hardline and is known for his work in various other musical projects.

Narada Michael Walden

Narada Michael Walden, born on April 23, 1952, in Kalamazoo, Michigan, is an American musician, producer, and songwriter. He joined Journey as a drummer in 2020, replacing Steve Smith. Known for his diverse skill set across genres, Walden has a rich career outside of his time with Journey. He’s a multi-Grammy Award-winning producer and has worked with a myriad of artists including Whitney Houston, Mariah Carey, and Aretha Franklin.

Arnel Pineda

Arnel Pineda, born on September 5, 1967, in Sampaloc, Manila, Philippines, is a Filipino singer and songwriter. He became the lead vocalist for Journey in 2007, discovered by Neal Schon through YouTube videos of Pineda covering Journey songs. He made his studio debut with the band on the 2008 album “Revelation” and has remained with the band since. Outside of Journey, Pineda had been a part of several bands in the Philippines and has a solo career as well.

Jason Derlatka

Jason Derlatka, born on September 8, 1972, in Pittsburgh, Pennsylvania, is an American keyboardist, vocalist, and composer. He joined Journey in 2020 as a touring keyboardist and background vocalist. Though he hasn’t been featured on any studio albums with the band yet, he brings a wide range of musical experience to Journey. Derlatka has worked extensively in television, composing music for series like “House” and “Parenthood.”

Todd Jensen

Todd Jensen, born on October 19, 1965, in Portland, Oregon, is an American bassist. Though he never officially recorded with Journey, Jensen was involved as a touring member following Ross Valory’s departure in 2020. Known for his versatility, he has played with various artists and bands spanning multiple genres, including David Lee Roth, Ozzy Osbourne, and Alice Cooper.

Complete List Of All Journey Current And Former Band Members article published on Classic RockHistory.com© 2023

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About the author.

Brian Kachejian

Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

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JOURNEY Introduces New Bassist TODD JENSEN At Las Vegas Residency Kick-Off

Legendary rockers JOURNEY kicked off their month-long Las Vegas residency on Wednesday, December 1 at The Theater at Virgin Hotels.

Filling in on bass for JOURNEY for the six shows is Todd Jensen , a veteran musician who has played for various artists, including the bands SEQUEL , HARDLINE and HARLOW , as well as David Lee Roth , Ozzy Osbourne , Steve Perry , Alice Cooper and Paul Rodgers . Also part of JOURNEY 's current lineup is returning drummer Deen Castronovo , who shared the drum duties in the band earlier this year with Narada Michael Walden . Walden , bassist Randy Jackson and keyboardist/backing singer Jason Derlatka all joined JOURNEY last year following the band's acrimonious split with drummer Steve Smith and bassist Ross Valory . Jackson — who previously played with JOURNEY during the mid-1980s — was forced to miss all the recent gigs because he is reportedly recovering from back surgery. Prior to the residency, Jackson had been replaced at JOURNEY 's 2021 shows by Marco Mendoza , who had played several shows in 2019 with Castronovo and JOURNEY guitarist Neal Schon under the "Neal Schon's Journey Through Time" banner.

JOURNEY has four more Vegas shows left in its residency: December 7,8,10, and 11.

In June, JOURNEY shared a new single, "The Way We Used To Be" . The song was the multi-platinum band's first new music since 2011's album "Eclipse" , and the first track released by the band's revamped lineup. "The Way We Used To Be" marks Walden and Derlatka 's first studio recordings with the band, and Jackson 's first since 1986's "Raised On Radio" . The song was produced by Narada Michael Walden at his Tarpan Studios , with co-production by Schon and Cain .

Since the group's formation in 1973, JOURNEY has earned 19 top 40 singles, 25 gold and platinum albums, and has sold nearly 100 million albums globally. Their "Greatest Hits" album is certified 15 times-platinum, making JOURNEY one of the few bands to ever have been diamond-certified, and their song "Don't Stop Believin'" has been streamed over one billion times alone.

JOURNEY was inducted into the Rock And Roll Hall Of Fame in 2017, and 2018's co-headlining tour with DEF LEPPARD was the band's most successful tour to date, landing them in the Top 10 year-end touring chart with more than 1 million tickets sold, and earning them the prestigious Billboard "Legends Of Live" touring award. March 2019 saw the release of "Escape & Frontiers Live In Japan" , a live DVD/CD set from their concert at the Budokan in Tokyo featuring the band's first-ever performances of the albums "Escape" and "Frontiers" in their entirety. JOURNEY has also received a star on the Hollywood Walk Of Fame and were inducted into the Hollywood Bowl Hall Of Fame . Additionally, the band is the subject of the award-winning documentary "Don't Stop Believin': Everyman's Journey" about the band's resurgence upon adding Arnel Pineda as lead singer after founding member Neal Schon discovered the Philippines native on YouTube .

JOURNEY will team up with Billy Idol and TOTO for a North American tour in February, March, April and May.

View this post on Instagram A post shared by Journey (@journeymusicofficial)

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Steve Perry Walked Away From Journey. A Promise Finally Ended His Silence.

By Alex Pappademas

• Sept. 5, 2018

MALIBU, Calif. — On the back patio of a Greek restaurant, a white-haired man making his way to the exit paused for a second look at one of his fellow diners, a man with a prominent nose who wore his dark hair in a modest pompadour.

“You look a lot like Steve Perry,” the white-haired man said.

“I used to be Steve Perry,” Steve Perry said.

This is how it goes when you are Steve Perry. Everyone is excited to see you, and no one can quite believe it. Everyone wants to know where you’ve been.

In 1977, an ambitious but middlingly successful San Francisco jazz-rock band called Journey went looking for a new lead singer and found Mr. Perry, then a 28-year-old veteran of many unsigned bands. Mr. Perry and the band’s lead guitarist and co-founder, Neal Schon, began writing concise, uplifting hard rock songs that showcased Mr. Perry’s clean, powerful alto, as operatic an instrument as pop has ever seen. This new incarnation of Journey produced a string of hit singles, released eight multiplatinum albums and toured relentlessly — so relentlessly that in 1987, a road-worn Mr. Perry took a hiatus, effectively dissolving the band he’d helped make famous.

He did not disappear completely — there was a solo album in 1994, followed in 1996 by a Journey reunion album, “Trial by Fire.” But it wasn’t long before Mr. Perry walked away again, from Journey and from the spotlight. With his forthcoming album, “Traces,” due in early October, he’s breaking 20 years of radio silence.

Over the course of a long midafternoon lunch — well-done souvlaki, hold all the starches — Mr. Perry, now 69, explained why he left, and why he’s returned. He spoke of loving, and losing and opening himself to being loved again, including by people he’s never met, who know him only as a voice from the Top 40 past.

And when he detailed the personal tragedy that moved him to make music again, he talked about it in language as earnest and emotional as any Journey song:

“I thought I had a pretty good heart,” he said, “but a heart isn’t really complete until it’s completely broken.”

IN ITS ’80S heyday, Journey was a commercial powerhouse and a critical piñata. With Mr. Perry up front, slinging high notes like Frisbees into the stratosphere, Journey quickly became not just big but huge . When few public figures aside from Pac-Man and Donkey Kong had their own video game, Journey had two. The offices of the group’s management company received 600 pieces of Journey fan mail per day.

The group toured hard for nine years. Gradually, that punishing schedule began to take a toll on Journey’s lead singer.

“I never had any nodules or anything, and I never had polyps,” Mr. Perry said, referring to the state of his vocal cords. He looked around for some wood to knock, then settled for his own skull. The pain, he said, was more spiritual than physical.

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As a vocalist, Mr. Perry explained, “your instrument is you. It’s not just your throat, it’s you . If you’re burnt out, if you’re depressed, if you’re feeling weary and lost and paranoid, you’re a mess.”

“Frankly,” Mr. Schon said in a phone interview, “I don’t know how he lasted as long as he did without feeling burned out. He was so good, doing things that nobody else could do.”

On Feb. 1, 1987, Mr. Perry performed one last show with Journey, in Anchorage. Then he went home.

Mr. Perry was born in Hanford, Calif., in the San Joaquin Valley, about 45 minutes south of Fresno. His parents, who were both Portuguese immigrants, divorced when he was 8, and Mr. Perry and his mother moved in next door to her parents’. “I became invisible, emotionally,” Mr. Perry said. “And there were places I used to hide, to feel comfortable, to protect myself.”

Sometimes he’d crawl into a corner of his grandparents’ garage with a blanket and a flashlight. But he also found refuge in music. “I could get lost in these 45s that I had,” Mr. Perry said. “It turned on a passion for music in me that saved my life.”

As a teen, Mr. Perry moved to Lemoore, Calif., where he enjoyed an archetypally idyllic West Coast adolescence: “A lot of my writing, to this day, is based on my emotional attachment to Lemoore High School.”

There he discovered the Beatles and the Beach Boys, went on parked-car dates by the San Joaquin Valley’s many irrigation canals, and experienced a feeling of “freedom and teenage emotion and contact with the world” that he’s never forgotten. Even a song like “No Erasin’,” the buoyant lead single from his new LP has that down-by-the-old-canal spirit, Mr. Perry said.

And after he left Journey, it was Lemoore that Mr. Perry returned to, hoping to rediscover the person he’d been before subsuming his identity within an internationally famous rock band. In the beginning, he couldn’t even bear to listen to music on the radio: “A little PTSD, I think.”

Eventually, in 1994, he made that solo album, “For the Love of Strange Medicine,” and sported a windblown near-mullet and a dazed expression on the cover. The reviews were respectful, and the album wasn’t a flop. With alternative rock at its cultural peak, Mr. Perry was a man without a context — which suited him just fine.

“I was glad,” he said, “that I was just allowed to step back and go, O.K. — this is a good time to go ride my Harley.”

JOURNEY STAYED REUNITED after Mr. Perry left for the second time in 1997. Since December 2007, its frontman has been Arnel Pineda, a former cover-band vocalist from Manila, Philippines, who Mr. Schon discovered via YouTube . When Journey was inducted into the Rock & Roll Hall of Fame last April, Mr. Pineda sang the 1981 anthem “Don’t Stop Believin’,” not Mr. Perry. “I’m not in the band,” he said flatly, adding, “It’s Arnel’s gig — singers have to stick together.”

Around the time Mr. Pineda joined the band, something strange had happened — after being radioactively unhip for decades, Journey had crept back into the zeitgeist. David Chase used “Don’t Stop Believin’” to nerve-racking effect in the last scene of the 2007 series finale of “The Sopranos” ; when Mr. Perry refused to sign off on the show’s use of the song until he was told how it would be used, he briefly became one of the few people in America who knew in advance how the show ended.

“Don’t Stop Believin’” became a kind of pop standard, covered by everyone from the cast of “Glee” to the avant-shred guitarist Marnie Stern . Decades after they’d gone their separate ways, Journey and Mr. Perry found themselves discovering fans they never knew they had.

Mark Oliver Everett, the Los Angeles singer-songwriter who performs with his band Eels under the stage name E, was not one of them, at first.

“When I was young, living in Virginia,” Mr. Everett said, “Journey was always on the radio, and I wasn’t into it.”

So although Mr. Perry became a regular at Eels shows beginning around 2003, it took Mr. Everett five years to invite him backstage. He’d become acquainted with Patty Jenkins, the film director, who’d befriended Mr. Perry after contacting him for permission to use “Don’t Stop Believin’” in her 2003 film “Monster.” (“When he literally showed up on the mixing stage the next day and pulled up a chair next to me, saying, ‘Hey I really love your movie. How can I help you?’ it was the beginning of one of the greatest friendships of my life,” Ms. Jenkins wrote in an email.) Over lunch, Ms. Jenkins lobbied Mr. Everett to meet Mr. Perry.

They hit it off immediately. “At that time,” Mr. Everett said, “we had a very serious Eels croquet game in my backyard every Sunday.” He invited Mr. Perry to attend that week. Before long, Mr. Perry began showing up — uninvited and unannounced, but not unwelcome — at Eels rehearsals.

“They’d always bust my chops,” Mr. Perry said. “Like, ‘Well? Is this the year you come on and sing a couple songs with us?’”

At one point, the Eels guitarist Jeff Lyster managed to bait Mr. Perry into singing Journey’s “Lights” at one of these rehearsals, which Mr. Everett remembers as “this great moment — a guy who’s become like Howard Hughes, and just walked away from it all 25 years ago, and he’s finally doing it again.”

Eventually Mr. Perry decided to sing a few numbers at an Eels show, which would be his first public performance in decades. He made this decision known to the band, Mr. Everett said, not via phone or email but by showing up to tour rehearsals one day carrying his own microphone. “He moves in mysterious ways,” Mr. Everett observed.

For mysterious Steve Perry reasons, Mr. Perry chose to make his long-awaited return to the stage at a 2014 Eels show at the Fitzgerald Theater in St. Paul, Minn. During a surprise encore, he sang three songs, including one of his favorite Eels tunes, whose profane title is rendered on an edited album as “It’s a Monstertrucker.”

“I walked out with no anticipation and they knew me and they responded, and it was really a thrill,” Mr. Perry said. “I missed it so much. I couldn’t believe it’d been so long.”

“It’s a Monstertrucker” is a spare song about struggling to get through a lonely Sunday in someone’s absence. For Mr. Perry, it was not an out-of-nowhere choice.

In 2011, Ms. Jenkins directed one segment of “Five,” a Lifetime anthology film about women and breast cancer. Mr. Perry visited her one day in the cutting room while she was at work on a scene featuring real cancer patients as extras. A woman named Kellie Nash caught Mr. Perry’s eye. Instantly smitten, he asked Ms. Jenkins if she would introduce them by email.

“And she says ‘O.K., I’ll send the email,’ ” Mr. Perry said, “but there’s one thing I should tell you first. She was in remission, but it came back, and it’s in her bones and her lungs. She’s fighting for her life.”

“My head said, ‘I don’t know,’ ” Mr. Perry remembered, “but my heart said, ‘Send the email.’”

“That was extremely unlike Steve, as he is just not that guy,” Ms. Jenkins said. “I have never seen him hit on, or even show interest in anyone before. He was always so conservative about opening up to anyone.”

A few weeks later, Ms. Nash and Mr. Perry connected by phone and ended up talking for nearly five hours. Their friendship soon blossomed into romance. Mr. Perry described Ms. Nash as the greatest thing that ever happened to him.

“I was loved by a lot of people, but I didn’t really feel it as much as I did when Kellie said it,” he said. “Because she’s got better things to do than waste her time with those words.”

They were together for a year and a half. They made each other laugh and talked each other to sleep at night.

In the fall of 2012, Ms. Nash began experiencing headaches. An MRI revealed that the cancer had spread to her brain. One night not long afterward, Ms. Nash asked Mr. Perry to make her a promise.

“She said, ‘If something were to happen to me, promise me you won’t go back into isolation,’ ” Mr. Perry said, “because that would make this all for naught.”

At this point in the story, Mr. Perry asked for a moment and began to cry.

Ms. Nash died on Dec. 14, 2012, at 40. Two years later, Mr. Perry showed up to Eels rehearsal with his own microphone, ready to make good on a promise.

TIME HAS ADDED a husky edge to Mr. Perry’s angelic voice; on “Traces,” he hits some trembling high notes that bring to mind the otherworldly jazz countertenor “Little” Jimmy Scott. The tone suits the songs, which occasionally rock, but mostly feel close to their origins as solo demos Mr. Perry cut with only loops and click tracks backing him up.

The idea that the album might kick-start a comeback for Mr. Perry is one that its maker inevitably has to hem and haw about.

“I don’t even know if ‘coming back’ is a good word,” he said. “I’m in touch with the honest emotion, the love of the music I’ve just made. And all the neurosis that used to come with it, too. All the fears and joys. I had to put my arms around all of it. And walking back into it has been an experience, of all of the above.”

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Journey joins pink floyd and bob marley on the billboard charts.

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NEW YORK, NY - JULY 29: (L-R) keyboard player Jonathan Cain, guitar player Neal Schon, singer Arnel ... [+] Pineda, drummer Deen Castronovo, and bass player Ross Valory of the band Journey performs\ at the 2011 Today Summer Concert series at Rockefeller Plaza on July 29, 2011 in New York City. (Photo by Mike Coppola/Getty Images)

Journey has long been one of the bestselling bands in the U.S. For decades, the rock group has outpaced so many of their competitors in the industry in one specific manner, as Americans never seem to tire of their music.

This week, Journey’s Greatest Hits , the singles-packed compilation from the band, hits 800 weeks on the Billboard 200. It ranks as the third-longest-charting title on the ranking of the most-consumed albums in the U.S., and Journey is in incredible company by reaching this milestone.

Journey is just the third musical act to see one project live on the Billboard 200 for at least 800 weeks. They join a club that includes both Pink Floyd and Bob Marley, two of the most beloved names in music history.

For many years now, Pink Floyd’s Dark Side of the Moon has ranked as the album with the most weeks spent on the Billboard 200. The rockers are in a very distant first place, and the public isn’t done with that title just yet.

This time around, Dark Side of the Moon is back on the Billboard 200 after falling away some time ago. As of this frame, the project has lived on the roster for 989 weeks, and that number increases with some regularity.

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In second place on this list of the longest-charting titles in the history of the Billboard 200 is Legend by Bob Marley and the Wailers. That compilation has earned 830 stays on the tally, including this week.

This time around, Journey’s Greatest Hits falls down the chart, though it’s not in danger of disappearing from the tally. The compilation slips from No. 71 to No. 90, tumbling nearly 20 spaces. It shifted 12,376 equivalent units in the past tracking period, which is down a little more than 3% from the period before, according to Luminate.

It will be some time before another album reaches 800 weeks on the Billboard 200, but it certainly will happen again. Metallica’s self-titled project has now spent 746 frames on the list. Behind that title comes Creedence Clearwater Revival’s Chronicle: The 20 Greatest Hits , which has yet to reach 700 stays.

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Screen Rant

Jon bon jovi reflects on the band's journey & staying true to their roots in thank you goodnight docuseries.

Jon Bon Jovi and Tico Torres discuss their new docuseries reflecting on their greatest achievements, staying true to their music, and writing music.

• Celebrating 40 years of rock and roll, Thank You, Goodnight: The Bon Jovi Story takes fans behind the scenes with unreleased footage and personal stories.
• Jon Bon Jovi reflects on the band's journey, staying true to their roots and sound while showcasing vulnerability and personal experiences through their music.
• Drummer Tico Torres shares insights on performing for over 40 years, staying youthful, and the band's commitment to creating great music.

Thank You, Goodnight: The Bon Jovi Story is a docuseries that explores the illustrious career of Bon Jovi chronicling their journey over the last forty years. This includes their humble beginnings at clubs on the Jersey shore, devastating losses as the band lost a member, and the great success of performing on some of the biggest stages in the world. Through it all, Jon Bon Jovi and his band have worked hard to stay true to their music and their Jersey roots.

Thank You, Goodnight: The Bon Jovi Story uses never-before-seen images, footage, personal videos, unreleased early demos, and more to bring viewers on a journey behind the scenes of a band that, so many have loved for their entire lives. Gotham Chopra has made some of the greatest sports documentaries in the world and, when asked, he jumped at the chance to step outside his wheelhouse to tell Bon Jovi's story. While filming and telling this story, Bon Jovi was questioning his future as a performer, and now Bon Jovi is releasing new music for rock and roll fans to enjoy.

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Screen Rant interviewed legendary musicians Jon Bon Jovi and Tico Torres about their new docuseries Thank You, Goodnight: The Bon Jovi Story . Bon Jovi reflected on why this is the perfect time to tell their story and why fans have connected with their songs for so long. Torres discussed the thrill of performing and the greatest achievement of the band.

Why The 40th Anniversary Was The Perfect Time: "You're Only Going To Have A Milestone Like This Once"

Bon Jovi first began their quest to become rock and roll legends in 1983, just over forty years ago. Jon Bon Jovi began tinkering with the idea of telling their story after the band had been together for 38 years and decided that it would be the perfect time to let their fans in on how they became the band that so many know and love today.

Jon Bon Jovi: I knew that the 40th anniversary was coming and you're only going to have a milestone like this once. If you were to wait until the 50th, who knows what might happen over the course of the next 10 years. So at year 38, I started to think about how can we mark this occasion? We began archiving so much that was in the vault and simultaneously considered making this documentary. I did in fact see Man in the Arena, and Gotham Chopra was my first and only meeting that I had with a director. I thought that he understood the concept of sport, which a team and a band are very similar and he also had that spiritual aspect because of his family upbringing. Which I thought he could relate to the innermost workings of what life is in a band. And so we hit it off and I think he delivered on the promise.

Torres reflected on how he has grown over the course of the last forty years and how he manages to still tap into his love for performing for an audience after doing it for over four decades. He also explained how the band has stayed true to who they are and the brotherhood they have always had.

Tico Torres: When you're younger, everything is new. Everything's a challenge, new and exciting. When you do it for a lot of years, the thing that keeps me young is actually playing again, playing live, playing with my guys. It makes me a kid again, it's the fountain of youth at best. And so that doesn't change. The whole secret is to capture that young, fun loving time that we have together, and playing live now and in the studio that comes back. It never goes away. I think a lot of it comes from where we grew up. It's sort of like we're a gang, take on the world. We've always been a bunch of guys that just want one goal, and that's really to kick people's ass. So that was the Jersey etiquette, and we took that from a lot of different bands growing up, and I think we're still there in that kind of attitude.

Bon Jovi's View On Their Story: "All We Ever Wanted To Do Was Tell The Truth"

Being vulnerable isn't new for Jon Bon Jovi as a songwriter he often taps into his personal feelings and experiences to share with the world. However, Thank You, Goodnight: The Bon Jovi Story challenged him to be open in a different way by showing the world his process including how difficult it can be. He explained why so many people have connected with their music over the years.

Jon Bon Jovi: I had no problem being open and honest throughout the filming and the making of the film. All we ever wanted to do was tell the truth, and if anyone thinks that doing what we do is easy, this isn't any different than any other day. It's just that you get to see what life is like behind that curtain. It is always hard work to be an athlete, to be a member of a band, to be a member of a family, takes work. And this just captured the work behind the play, if you will. I think that growing up in public, you become a more prolific writer. You're able to capture moments that are happening in and around your life. It's not just creating rhyme schemes that are "Moon, June and Spoon" and writing catchy pop hooks, but when you can get deeply personal, the magic really happens when something is so deeply personal that when you hear it, you think it's about you and you make those characters about you. That's sort of the magic of our songwriting. I've been able to capture a lot of my own personal memories along the way, and people have just related to them.

Jon Bon Jovi also broke down the importance of Bon Jovi staying true to their sound and why they have refused to bend to the whims of different musical fads over the years. Torres teased Jon by saying the band's greatest accomplishment was getting him to really listen and pay attention to the lyrics of the new album, which Jon agreed was a major accomplishment for him as well.

Jon Bon Jovi: I think that's the integral part of your sentence right there, is that remaining true to who and what we are. Don't chase fads nor fashions because you're always going to be late. And by remaining true to who we are, and we go on this journey. Now, granted people who were on the train with us for Runaway in 1984 may have gotten off along the way. Others got on the train at that juncture, you see? So this train keeps rolling and people are allowed to get on it and get off of it. By remaining true to what we are, the people that listen can count on it. They can count on Bon Jovi to only tell them their truth. We're not trying to be a K-pop band because that's popular two years ago. Those kinds of things would be career mistakes, and we never made those mistakes. Tico Torres: The fact that we're still here and still doing it. Like John says, it's a road. It's a lot of ups and downs. It's a family and the fact that we can still do great songs. A quick little story. I'm not much of a lyricist or listen to lyrics, but when John wrote this record and we put it together and we started listening back and I had to call 'em and tell 'em, man, the lyrics are great because they got through to me. It took 40 years where I'm actually going, okay, I'm listening to the lyrics. So yeah, I think that's a milestone for me.

About Thank You, Goodnight: The Bon Jovi Story

40 years of personal videos, unreleased early demos, original lyrics, and never-before-seen photos that chronicle the journey from Jersey Shore Clubs to the biggest stages on the planet. The series relives the triumphs and setbacks, greatest hits, biggest disappointments, and most public moments of friction.

Check out our interview with Thank You, Goodnight: The Bon Jovi Story director Gotham Chopra .

Thank You, Goodnight: The Bon Jovi Story debuts on Hulu on April 26.

Source: Screen Rant Plus

Thank You, Goodnight: The Bon Jovi Story (2024)

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Russell brand announces baptism after months-long spiritual journey: 'taking the plunge', brand says many returning to christianity as world crumbles.

Actor and comedian Russell Brand announced Friday that he is going to be baptized this weekend, the culmination of his months-long public wrestling with the tenets of Christianity.

"This Sunday, I'm taking the plunge," Brand, 48, said in a video he posted to X. "I'm getting baptized."

Baptism. This Sunday I’m taking the plunge! How was it for you? pic.twitter.com/DnwcUrzoqa Get Our Latest News for FREE Subscribe to get daily/weekly email with the top stories (plus special offers!) from The Christian Post. Be the first to know. Subscribe — Russell Brand (@rustyrockets) April 26, 2024

Brand said he had heard baptism explained to him as "an opportunity to die and be reborn; an opportunity to leave the past behind and be reborn in Christ's name like it says in Galatians — that you can live as an enlightened and awakened person."

He also referenced what he suggested were non-Christian reflections on the same theme of embracing death for the sake of life, quoting Stoic philosopher and Roman emperor Marcus Aurelius and the Buddha.

"All of these things seem so inviting and beautiful," he said.

Brand also suggested that increasing numbers are turning back to Christianity as the empty value system of modernity disintegrates and leaves them wanting more.

"I know a lot of people are sort of cynical about the increasing interest in Christianity and the return to God, but to me, it's obvious," he said. "As meaning deteriorates in the modern world, as our value systems and institutions crumble, all of us become increasingly aware that there is this eerily familiar awakening and beckoning figure that we've all known all of our lives, within us and around us. And for me, it's very exciting."

Brand added that he intends to get baptized in the heavily polluted River Thames, joking that he might be also getting baptized in toxoplasmosis and E. coli.

"I may be leaving behind the sins, but I might be picking up some pretty serious viruses," he said.

Brand's baptism comes after other videos he has been making in recent months about his spiritual journey to the Christian faith.

In December , he told followers he was reading the Bible and The Problem of Pain , a 1940 book by C.S. Lewis that explores the role of suffering in the Christian life.

In January, he noted that he was reading Rick Warren's The Purpose-Driven Life , and that he desired a "personal relationship with God" as he found Jesus Christ increasingly important as he grows older, despite once seeing many churches as either too "old-fashioned" or too modernized.

"The reason I wear a cross is because Christianity and, in particular, the figure of Christ, are, it seems to me, inevitably becoming more important as I become more familiar with suffering, purpose, self, and not-self," he said at the time.

In March, he posted a video explaining that he had been visiting churches of various denominations with the intention of possibly getting baptized, and asked his followers their opinions on the sacrament.

During an  interview  with Tucker Carlson last year, Brand said, "Like many desperate people, I need spirituality. I need God, or I cannot cope in this world. I need to believe in the best in people."

Acknowledging he "didn't have enough self-discipline to resist the allure of stardom," he said he "fell face-first into the glitter, and I'm only just pulling myself out now."

Brand faces multiple allegations of sexual misconduct going back years, including one report that claims he assaulted a 16-year-old girl after pulling her into an "emotionally and sexually abusive" relationship.

Brand  has denied  the "very serious criminal allegations" and maintained that while he was "very, very promiscuous" in the past, all of his sexual relationships were "always consensual."

Jon Brown is a reporter for The Christian Post. Send news tips to  [email protected]

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Former 'Making the Band' Star Says Diddy Threatened His Life

The maligned producer’s alleged history of abuse continues to build as former ‘Making the Band’ star Freddy P. says that Diddy threatened him.

The Big Picture

• Diddy settled a lawsuit with Cassie involving allegations of physical abuse and sexual assault within 24 hours.
• Former Da Band members, like Freddy P, are now speaking out about Diddy's cruel behavior and predatory contracts.
• Freddy P claims Diddy threatened his life during their time in Da Band, adding to the mounting allegations against him.

Sean “Diddy” Combs has been a hot topic over the past several months as his alleged misdeeds continue to come to the surface, some of which have been captured on reality television . This began with singer Cassie’s bombshell lawsuit that cited the horrible abuses she purportedly experienced while she was in a relationship with Diddy. The suit alleges that Diddy committed acts of physical abuse and sexual assault throughout their relationship. Within 24 hours, Diddy settled with Cassie, but her actions soon spurred other victims to come forward. Cassie’s lawsuit was filled with enough details to horrify anyone, but it was the accusations of trafficking that got the federal government involved. Diddy’s homes and offices were raided by the FBI on March 25th, and his attempt to fly from Miami to the Bahamas was thwarted by the authorities , who forced him to remain in Miami.

There have been stories and rumors about Diddy that have been flying under the radar for the past several decades. Rapper Ma$e, who was once a part of Bad Boy Records, has been very outspoken about Diddy throughout the years . He shared on Instagram live , “So I don't be deemed as a person who just made a bunch of money and turned a blind eye. I'm not going to be like the rest of the people around Puff that don't tell him he's wrong. I'm not gonna be like the yes men around him that see him ruining people lives and never tell him he's wrong. More people on here will tell me I'm wrong, but won't say anything to him. They'll judge my beliefs, they'll judge my Christianity and they'll say nothing to Puff. They'll say nothing about it's a concert for Biggie and Biggie own daughter couldn't get in. They don't say nothing about that. But all of his friends got 50 and 60 tickets. We're done with your games." Others have come forward as well, including artists from his reality TV series, Making the Band 2 .

When the series first aired on MTV , it was a cultural phenomenon, primarily due to Diddy’s outrageous behavior and demands —the first season featured a group of rappers and a singer aptly named Da Band. The members of Da Band were put through some wild challenges, but none more so infamous than the cheesecake run, in which Diddy tasked the group to walk from Manhattan to Brooklyn to get him a slice of cheesecake from a famous location. It was bizarre to watch, and Da Band members were clearly not enthusiastic about the five-mile task. While that moment was just one of many strange instances on the show, there were countless other seen and unseen moments that showcased the cruelty of Diddy. Now, with all the circumstances surrounding the ongoing federal investigation, former members of Da Band are speaking up, like Freddy P.

Who Is Freddy P from ‘Making the Band 2?’

Da Band featured rappers Babs, Dylan Dilinjah, Freddy P, Ness, Young City, and singer Sara Stokes. As the first group formed in the groundbreaking series, they also had to experience working with Diddy. His challenges and tasks for the group , much like the cheesecake incident, were all explained by Diddy as metaphors for the industry. He shared after the cheesecake episode aired: “It’s not about me trying to do a mean-spirited initiation hazing act. There’s a bigger picture to it. In the world of music, I have to get up every day and do a bunch of sh*t I don’t wanna do.” While that may be true, the things he was forcing Da Band to do were more than out of line. After putting Da Band through hell and back, he disbanded the group in the season three finale . Several Da Band members have made comments throughout the years, but one of the most vocal members has been Freddy P.

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Freddy P has shared over the years just how deeply his experience working with Diddy affected him. In 2022, he posted a video online sharing his harrowing experience . In the video, he said, “This year alone I’ve contemplated suicide three or four times. I done pictured my brother walking in and finding me dead. I cried a few times thinking about leaving my son because I just get tired of life. But no matter what you gotta do you just gotta keep at it … there’s n***** that wanna see you fall… Like this n**** [Diddy] is the main motherf******’ reason why I hate f****** life, dawg. People don’t even understand. Like, I don’t even give a f***.”

After the video made its rounds, he did an interview with The Neighborhood Talk (which has since been taken down), where he discussed the predatory contracts they were all given when signing with Diddy, sharing, “Somebody gave you the opportunity to open up the door and find talent. Find talent. His recipe to me has been signing poor people with a story…and get paid off people with a story. You not from that! You can’t tell these stories. You didn’t come up like how we came up.”

Diddy Allegedly Threatened Freddy P During ‘Making Da Band 2’

With Diddy’s alleged crimes coming to light, Freddy P has also continued sharing his experience with the maligned producer. In an interview with The Art of Dialogue , Freddy P purports that Diddy threatened his life while he was in Da Band. He said during the interview, “So I’m in that b*tch; I’m just frustrated with a lot of sh*t going on… Anyway, we get into a situation. We in front of everybody, n**** like, ‘Man, what you think, you bad or something?’ He was like, ‘N****, I’ll buy every house on your block, shut every light off in that b****, and every time you come out that b****, you’ll get popped. '”

He went on to say that while that sort of threat from anyone else would have been ignored when it came from a powerful person like Diddy, he knew to take it seriously and fell in line. With all of the people coming and speaking out against Diddy, Freddy P was honest about his full opinion on the matter, saying, “Honestly, and this ain’t no slight, it’s just I like to see people get they just do. If he was innocent I’d be speaking up like ‘Leave that man alone.’ Because I hate bullies… I don’t feel like he guilty; I just feel like bruh, it’s there. All them people ain’t lying. ” Given that the federal government also feels like he’s suspicious enough to be raided, it’s clear that there’s plenty of evidence to say that he might be as guilty as people claim him to be.

Making the Band clips can be found on YouTube.

Watch On YouTube

How to Watch 'Thank You, Goodnight: The Bon Jovi Story' Online — All Episodes Now Streaming

Spanning a decades long career, 'Thank You, Goodnight: The Bon Jovi Story' gives fans an inside look into the band's journey.

The chart-topping rock band from New Jersey, Bon Jovi, is giving audiences something new to sing about.

Thank You, Goodnight: A Bon Jovi Story is a four-part docuseries chronicling the group's legendary rise and staying power. Featuring never-before-seen footage and interviews with band members — including singer Jon Bon Jovi , keyboard player David Bryan, bassist Hugh McDonald, drummer Tico Torres and guitar player Phil X — this is a streaming event fans won't want to miss. Al four episodes of  Thank You, Goodnight: A Bon Jovi Story  are now streaming on Hulu as of Friday, April 26.

Watch 'Thank You, Goodnight: A Bon Jovi Story' on Hulu

Learn even more about the epic rock band Bon Jovi in Hulu's upcoming docuseries. 

Plans starting at $8/month

The release of the new docuseries coincides with Bon Jovi's 40th anniversary of making music together. Jon Bon Jovi, the band's front-man, spoke with ET about the timing of the documentary. 

"It's a round number, you know? I mean, I think 40 years is worth taking a look back... 50? I think at 50, [I] sort of wonder, 'Will I make it?'" Jon Bon Jovi said. He went on, "It was the 38th anniversary-ish when these thoughts came across my mind, you know, and I thought, 'Time to archive things, time to consider a documentary, time to think about what's the plan,' and this all came together."

Below, learn everything you need to know to stream the new series at home.

When does  Thank You, Goodnight: A Bon Jovi Story premiere?

All four episodes of  Thank You, Goodnight: A Bon Jovi Story  premiere on Friday, April 26, 2024, on Hulu. 

How to stream  Thank You, Goodnight: A Bon Jovi Story  online

Thank You, Goodnight: A Bon Jovi Story  is a Hulu original series, so one of the easiest ways to stream the series at home is on Hulu . Hulu subscriptions start at $7.99 per month.

Watch on Hulu

Hulu subscribers who signed up for the Disney Bundle or who also have a Disney+ subscription can watch  Thank You, Goodnight: A Bon Jovi Story  on Disney+ with the new Hulu on Disney+ integration. Disney+ allows international users to stream the documentary, which cannot be done with Hulu alone.

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Earth planning date: Monday, April 15, 2024 On most sols of planning, the science team does their best to balance collecting new observations of the “typical”  with the “unusual.” The dividing line between those is subjective, but informed by the…

Sols 4154-4156: Bumpy Driving up the Mountain

Earth planning date: Friday, April 12, 2024 As we’ve continued to drive up into Gediz Vallis, the ground in front of us has become increasingly littered with large rocks sticking up out of the sand. While certainly good for geology,…

Sols 4152-4153: Musings on Eclipses on Mars and Earth

Earth planning date: Wednesday, April 10, 2024 The extremely rocky terrain wasn’t a problem for Curiosity’s rover drivers on Monday, and we learned this morning that the drive they planned completed successfully. Today’s two-sol plan will take the familiar form…

Sols 4150-4151: The Little Rock That Moved…

Earth planning date: Monday, April 8, 2024 It’s a rocky road out there (and solar eclipse day on Earth!). Regular readers of the blog will have noticed the terrain change, and the many rounded rocks that are appearing embedded in…

Sols 4148-4149: A Mastcam MegaMosaic

Earth planning date: Friday, April 5, 2024 Curiosity continues to drive south along the eastern margin of the upper Gediz Vallis ridge and will pause over the weekend for Mastcam to snap over 350 images that will be stitched together…

Sols 4146-4147: Looking back at Hinman Col

Earth planning day: Wednesday, April 3, 2024 Today we planned a Touch and Go plan. Our workspace had abundant large, stable blocks – not always a given! – which made for a relatively easy planning process for the geology and…