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This was probably my favorite show of the year. Ozma was just as awesome as always. The band was full of energy and seemed happy to be playing. The crowd was super energized as well. It was really a treat to hear all of the old songs. And then when Matt Sharp came out to perform a couple of Rentals songs (including Friends of P), it was like I was transported back to a very fun time in my life. The Troubadour was also the best venue for the show. It’s intimate and always a good time.

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Ozma - French Explosive Jazz Verified

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OZMA brings its ‘playful’ jazz to the U.S. for the first time

The genre-bending jazz quintet is celebrating its 20th anniversary with shows in d.c. and new york city.

OZMA is celebrating 20 years together. Founded in 2001 in Strasbourg, France, the genre-bending jazz quintet has built a major international profile, recording eight albums and touring more than 40 countries. Somehow, though, the United States — the country that created jazz — has never been one of those countries.

“It wasn’t by choice,” says Stéphane Scharlé, drummer and founding member of OZMA, from his home in Paris. “Where we go is mainly a function of the people we encounter who make things possible. I guess for the U.S., it just hadn’t happened yet.”

Now it has. The anniversary festivities — delayed due to covid — include a performance in New York City and two in Washington, Oct. 25 and 26, both at the Embassy of France in Georgetown. The first evening features OZMA playing live musical accompaniment to a silent film (Buster Keaton’s 1923 “Three Ages”); the second will spotlight the band’s most recent recording , 2020’s “Hyperlapse.”

“It’s a milestone,” Scharlé says. “France and the U.S.A. have a long relationship regarding jazz — so much of the French tradition has been inspired by America. So it’s quite amazing for us to be there.”

Perhaps it’s just as well that OZMA waited so long to reach such an obvious destination. The quintet’s artistry is entirely based on taking jazz to unexpected places.

Indeed, Scharlé’s first musical love was heavy metal. He was playing drums in a metal band when in late 2001 he was asked to accompany a guitarist, Adrien Dennefeld, for the latter’s audition at the Strasbourg Conservatory. Bassist Edouard Séro-Guillaume rounded out the audition combo, and when Scharlé himself began at the conservatory shortly afterward, the three found themselves together in the jazz department. They decided to keep the trio going.

They expanded to a quintet in 2004, adding two other jazz students, trombonist Guillaume Nuss and saxophonist David Florsch. (In the years since, Dennefeld and Florsch have left the band, replaced by Tam de Villiers and Julien Soro, respectively.)

But if jazz was the through-line, OZMA (named for an early extraterrestrial search project) distinguished itself by having each member bring in other musical interests. While Scharlé was the acknowledged metalhead, he says, “the bassist, Edouard, was really into Caribbean music, ska and that kind of stuff. Guillaume is really more of a funk guy. We all brought our own things and fed it together into our music.” They have eschewed jazz standards or covers, preferring to channel their eclectic influences into original compositions.

The mix has led some journalists and critics to describe OZMA as “jazz fusion”: the merger of jazz, rock, funk and world music that Miles Davis pioneered in the 1970s. Scharlé agrees — to a point.

“If fusion means we mix in different influences and music styles, then I would say yes, of course,” he says. “But I don’t know what band today would not be able to be called fusion in some way. We are talking about the first generations with the internet, with streaming, with access to all the musics worldwide. That makes it quite logical for bands like us to mix many influences and not be stuck to only one genre.”

The word he prefers is “playful.” It’s a multilayered word, encompassing the fact that the members are playing (and inter playing) instruments, as well as playing with sounds and concepts.

Though the band was founded as a collective, Scharlé has increasingly taken a leadership role in recent years. “Hyperlapse” found him for the first time composing an entire OZMA album — 10 tracks — by himself.

He’s also prodded them toward experimenting with electronics, which have intrigued him for a long time. His bandmates have accepted this with varying degrees of enthusiasm.

Saxophonist Soro, for one, was reluctant about the suggestion that he double on keyboards. “I said, ‘Pick up the piano, bring keyboards onstage with us, and we’ll have fun.’ Julien wasn’t fond of that in the beginning. But we pushed it a bit, and now he’s very happy.”

Nuss, on the other hand, “got geeky about it. He was really working on finding effects on trombone using pedals, like a guitar.”

This musical phase will dominate the band’s D.C. performances. They’ll also present a new composition of Scharlé’s, “Elevation” (originally written for the band to play with the six-piece contemporary music ensemble Percussions de Strasbourg).

The next phase, however, isn’t far off. OZMA is scheduled to record a new album next year; Scharlé has already started writing for it. “I don’t know yet if it’s going to go further in this electronic sound or back to something acoustic,” he muses. “But I’m also thinking of other things. Having other people outside of the band write songs for us — saying, ‘This is my band, this is what we did for 20 years, now what would you do with it?’ Or for the first time to make a cover, possibly a rock song adapted and arranged for OZMA.”

With so many ideas in the tank, one can only hope it’s not another 20 years before OZMA returns to American shores.

Oct. 25 and 26 at 7:30 p.m. at La Maison Française, Embassy of France, 4101 Reservoir Rd. NW. franceintheus.org . $20-$30.

Home » Jazz News » Performance / Tour

OZMA From France - NYC Debut of 'Hyperlapse' at The Cutting Room on November 2

OZMA brings its ‘playful’ jazz to the U.S. for the first time! —Washington Post

Stephane Scharle

Ray Anderson

John Coltrane

Billy Cobham

Edouard sero-guillaume, guillaume nuss.

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French Premiere of “Paris qui Dort”

Nov 20223 – After a premiere in Germany this summer, Stéphane Scharlé presented his ciné-concert for augmented drums to an audience in Bourg Saint Maurice. A futuristic electro-soundtrack for René Clair’s science fiction masterpiece “Paris qui Dort”.

OZMA Egypt Tour

Oct 2023 – The OZMA quintet has just returned from a three-concert tour of Egypt, presenting its music for the first time in the land of the pyramids.

Stéphane Scharlé au Jazz Camp Jazz9Tus

Stéphane Scharlé is Instructor at the Jazz9Tus Summer Jazz Camp which takes place in Aalborg at the beginning of August 2023. He’ll present a shared concert with the Lithuanian singer Viktorija Pilatovic

Stéphane Scharlé & Meritxell Neddermann

Comprising Spanish keyboardist and singer Meritxell Neddermann and Stéphane Scharlé, leader of the French quintet OZMA on augmented drums, the Neddermann-Scharlé duo develop a collaborative musical universe nourished by electronic soundscapes, a large dose of improvisation and playfulness.

Here a presentation video

OZMA Greece tour

OZMA played three shows in Thessaloniki, Athens and Preveza

The show in Athens happend in front of 7000 people!

Here a video of the Preveza show

OZMA USA TOUR

OZMA’s North East American tour includes concerts in Charlottesville, Washington and NY

The Washington Post announces our tour

CELEBRATION CONCERTS – 20 years of OZMA

To celebrate 20 years of existence in style, and to celebrate the reconstitution of its original nucleus with the return of guitarist Adrien Dennefeld alongside Stéphane Scharlé and Édouard Séro-Guillaume , OZMA invites us to an evening of retrospection through its abundant repertoire, The quintet takes center stage, reactivating OZMA Orkestrâ, its XX(L) version, essentially based on groove and the expressive intensity of improvisations dressed up in kaleidoscopic arrangements, the ideal vehicle for its incredible energy.

– October 14: OZMA-XX at La Briqueterie, Schiltigheim – October 15: OZMA-XX at Café de la Danse Paris

OZMA 20 YEARS: the exclusive retrospective

From 2001 to 2021, exclusive archives to discover.

OZMA turns 20 this year!

La Compagnie Tangram is proud to celebrate this extraordinary anniversary for a jazz ensemble.

On this occasion, discover a retrospective campaign on all our networks: OZMA20YEARS #ozma20years #retrozma

Founded in 2001, the Alsatian ensemble has an inspiring and fascinating history , some episodes of which are sometimes unknown.

We wanted to share it with everyone and pay tribute to countless beautiful encounters and memories all over the world while waiting for the great creation of OZMA-XX on 14 and 15 October 2022! 

Movie-concert The Three Ages in Colmar (FR)

Show on march 18th - cinezic festival, le grillen.

OZMA plays an acrobatic soundtrack on Buster Keaton’s silent movie. USA – 1923 – 1h03 – silent, black & white

Show at 8:30 at Le Grillen, Colmar

Tickets here

Région(s) en Scène(s) – Chaînon Manquant

Ozma concert for regional selection in sélestat (fr).

OZMA is part of the Grand Est selection for the festival Région(s) en Scène(s) of the Chaînon Manquant network .

See you on 22 February 2022 at L’Évasion Sélestat! Contact for invitation: [email protected]

Concerts in Germany and Poland

After a first 2020 cancelled edition, the OZMA quintet will be back on the road for concerts in Germany and Poland.

Check out the concerts in our Agenda

2021 OZMA quintet Fall Tour

Concerts in germany and pologne.

After a cancelled first edition in 2020, the quintet OZMA will return to Germany and Poland to present their album Hyperlapse.

See the dates in our Agenda

Jazz Export Days – CNM

Festival jazz sous les pommiers 40th anniversary.

For the very first edition of the Jazz Export Days organised by the CNM, OZMA is among the 8 French bands selected for a showcase.

This new major event for jazz in France is part of the 40th Jazz sous les Pommiers festival.

Stéphane Scharlé  : Batterie, compositions Edouard Séro-Guillaume  : Basse, fx Guillaume Nuss :  Trombone, fx Baptiste Ferrandis : Guitare, fx Julien Soro  : Saxophone, claviers

Découvrez l’interview du batteur et compositeur Stéphane Scharlé

ROAD TRIP LIVE SHOW

A live show with added tour footage.

DISCOVER IT HERE

On Tour again!

Summer tour in ukraine, france, spain and germany.

MUSICIANS: Stéphane Scharlé : Drums, compositions Edouard Séro-Guillaume : Bass, fx Guillaume Nuss : Trombone, fx Tam de Villiers : Guitar, fx Julien Soro : Saxophone, keyboards

Find details about the summer concerts in the Agenda

OZMA’s New Album is OUT!

On cristal records (fr) and berthold records (de).

February 7th 2020 is the release date of OZMA’s 7th studio album “Hyperlapse”

Check out the album here

Stéphane Scharlé  : Drums, compositions Edouard Séro-Guillaume  : Bass, fx Guillaume Nuss :  Trombone, fx Tam de Villiers  : Guitar, fx Julien Soro  : Saxophone, keyboards

OZMA @ JAZZAHEAD 2019

Showcase at the bremen international jazz-fair.

On April 26th, OZMA has unveiled 5 tracks from its upcoming album “Hyperlapse” in front of the boiling audience at the Schlachthof in Bremen, discover the live recording!

LAist is part of Southern California Public Radio, a member-supported public media network.

The Rise And Revival Of Ozma, A 'Secretly Huge' Indie Rock Band

It's a typical Saturday night in 2001. You're crammed into Chain Reaction, a windowless, all-ages club in a failing shopping center in northwest Anaheim. You push through the sea of sweaty, writhing bodies, many of them wearing their favorite Texas Is The Reason and Reggie and the Full Effect t-shirts. You avoid thrown elbows and studded belts as you make your way to the stage, finally emerging in the front row as the opening keyboard notes of Battlescars hit your eardrums. Bodies jump. The crowd lets out a collective roar. Leading the charge is Ozma , a Pasadena quintet that produces a particularly triumphant and baroque strain of power pop. You're in luck. Tonight, you're catching the band on the cusp of its rise, when the promise of stardom and mainstream success is still before them.

Three years after this concert, Ozma will disband. Their talent and steadfastness will take them to the height of local success but they'll never quite make the leap from local heroes to indie rock gods.

Every scene in every city in every era has at least one band like Ozma. A group that springs up organically, grows quickly and pushes at the constraints of its local music scene. It's the kind of band everyone roots for, one they expect to go big. You'll never hear about most of these bands. Outside a cadre of devoted fans, no one will.

The Beginning

In 1995, Ryen Slegr and Patrick Edwards were Pasadena high schoolers with a fairly typical passion for rocking out. They spent their afternoons at each other's houses, noodling around and playing their original compositions, Slegr on guitar and Edwards on drums. During their sophomore year, they teamed up with fellow La Salle College Prep student Jose Galvez who wanted so badly to be in a band, he had lied about his guitar skills and spent the week before his first practice trying to teach himself how to play.

About a year and a half later, through an AOL profile search, they found Daniel Brummel, a student at the Los Angeles County School for the Arts . Standing 6'2" and with shoulder-length pink hair, Brummel impressed the trio with his prowess on bass. The foursome began practicing every Friday afternoon and on weekends in a loft space above Edwards' parents' garage. Later that year, they added keyboardist Katherine Kieckhefer, who was replaced by Star Wick in 1998. Wick had stumbled on the band at the Crystal Ballroom in Whittier, at the first rock show she attended.

In those early years, the group mostly covered their favorite bands — Nirvana, Smashing Pumpkins, Oasis, Weezer. Performing at backyard parties and talent shows, they built a small army of homegrown fans. Wick, who has classical music training in both piano and flute, says, "It's a different skill to read music versus learning to improvise."

"Three years in a row, we won the talent show at [La Salle]," Galvez says. "Everyone knew each other. Everyone was going to No Future [a Pasadena coffee shop] to see us play cuz there was nothing else to do."

Using a 4-track cassette recorder, they turned their practice space into a recording studio and laid down eight tracks. Before they could release their masterpiece (as a cassette, no less), they needed a name. They found it on a bookshelf in the Oz book series — The Wonderful Wizard of Oz being the most famous — written by L. Frank Baum in the early 1900s.

"It was just a word that seemed interesting, mystical, kind of mysterious, feminine and all-encompassing," Brummel says.

In 1996 and 1997, Ozma released two self-produced cassette demos, Cuatro and Ocho . They later compiled a few songs from both cassettes along with and some live material into the demo Songs of Inaudible Trucks and Cars .

By 1999, they had all graduated high school. Slegr and Brummel began attending UCLA, Galvez at Cal State Northridge and Wick at Pepperdine. Classes were fine but their real focus was music.

"Some of our friends that we played with were like 'We aren't really going to do this in the future. We're going to get jobs.' I remember Jose and I looked at each other and went, 'Erhhh, that's not the mentality that we want,''' Slegr says.

In 2000, Ozma released their first studio album. Recorded with Bruce Witken at Pop Squad Studios in Hollywood, the 11 tracks on Rock and Roll Part Three feature many of the songs the band had written as teenagers. The songs showcase Ozma's power-pop chops while highlighting their eclectic influences — the classical music of Tchaikovsky and Shostakovich, the video game compositions of Koji Kondo, the alt-rock of Weezer.

To understand the band's full range, look no further than the first moments of the first track, "Domino Effect." The cascading keyboard intro paired with a barrage of guitar and bass notes paints a sonic portrait of an 8-bit galaxy. The lyrics are Ozma's teenage symphony to God:

Chances last a finite time In the warm July night time Every care that keeps you from your feet Is care that carries your defeat.

"There was a kind of musical sophistication they wore lightly but you could tell there was this depth of knowledge and harmonic invention," says Matthew Caws, lead vocalist and guitarist of Nada Surf .

Brummel and Galvez had met Caws and his bandmates a few years before, after sending their demo cassette to the band.

For Ozma, the timing couldn't have been better. The internet was becoming A Thing and peer-to-peer music sharing websites (remember Napster?) were all the rage. Early Ozma tracks "Gameover" and "Korobeiniki (Traditional Russian Folk Song)" showed up online, incorrectly labeled as Weezer songs. Weezer fans looking for new music might download Ozma's music and discover a new band.

"It was this sorta strange time when [the band wasn't] really active," says former Weezer bassist Matt Sharp. After the critical and commercial flop of their 1996 album, Pinkerton , Weezer had gone on hiatus and Sharp left the band. "I think that moment left a void for people searching for a similar emotional resonance. [Ozma] benefited from that hunger."

Ozma, for their part, idolized Weezer. "I wouldn't say it was like a cult but it was myopic," Slegr says. "I just remember not listening to other kinds of music for a while, narrowing it down to Weezer and The Rentals for like a year."

Before the second and third wave of emo took shape in the late '90s and early '00s, Ozma occupied a musical niche halfway between post-grunge and geek rock, not that the band cared. "We never once thought about, 'What label or genre do we belong in?" We just wanted to make glorious music," Brummel says.

In an era before social media, Ozma earned its stripes by playing killer live shows and using the word-of-mouth they generated to book more shows and win more converts. They never received a review in Pitchfork or got much press but their success snowballed. By 2000, they started playing with higher profile acts like Nerf Herder and Ridel High at bars like Moguls in Hollywood and Alligator Lounge in Santa Monica.

"There was a scene and there were fans and a lot of crossover," Galvez says, referring to bands such as Phantom Planet and Kara's Flowers, which later became Maroon 5. "Now, we're in a scene that's flourishing and that likes to play this kind of music."

The Big Break

In 2001, Weezer gave Ozma its big break. Galvez still remembers where he was — at home in his kitchen — when he got the call from Rivers Cuomo, asking if they wanted to join the Yahoo! Outloud Tour. Taking the national stage for the first time, Ozma was met by eager audiences and they began adjusting to their life as budding rock stars.

"The fans were pretty into it. We didn't really get heckled. We had just turned 20, 21. None of us really drank. We weren't really a party band. It was our first tour, we didn't want to make any mistakes," Galvez says.

"I think experiencing that earlier in my life it shaped who I am now, being on the road with a bunch of guys. I consider myself to be tough," Wick says.

That same year, Ozma signed to Kung Fu Records , a Seal Beach-based label started by a couple members of the Vandals. In short order, Ozma re-released Rock and Roll Part Three along with their second LP, The Doubble Donkey Disc. The albums went on to sell upwards of 50,000 units each.

The band continued touring through the early 2000s, joining Weezer on a tour of the east coast and parts of Canada. They followed that with a North American club tour with Nada Surf and another popular L.A. act, Rilo Kiley.

"It was that tour, being introduced to Weezer's full audience, being lumped in with the other openers and really accessing their audience... Being well-liked by those crowds I think just kinda put us on the level of indie rock," Brummel says.

Over the next three years, Ozma would tour the United States some 20 times, playing to crowds as large as 18,000 people. Although the band had finally reached the national stage, they couldn't shake the feeling that they were out of place.

"I felt antiquated already and to feel antiquated before you're 23 or 24 is really strange," Slegr says.

Ozma's style was steeped in the progressive rock meets heavy metal ethos of the early '90s but by 2000, guitar rock was moving toward a more lo-fi, post-punk sound. Instead of "introspective diary writing, it was more literary, personal and romantic in a different type of way. There was a pushback against the anthemic melodies," Slegr says.

Ozma had always been imbued in nostalgia, even as teenagers who didn't seem old enough to be wistful for times past. But the songs on Rock and Roll Part Three , written when the band members were only 15 and 16, are tinged with children-of-the-'80s melancholy, especially the album's penultimate track, "Search of 1988."

"1988, take me back to 1987 I'm in search of days When times were good and earth a place in heaven"

"It's a very teenage record so it spoke to teenagers," Brummel says.

That sensibility is all the more amusing since Ozma is now entrenched in the nostalgia industrial complex and benefitting from its insatiable appetite to monetize the past.

Playing the songs from Rock and Roll Part Three these days, the band members are in a strange position. Now in their late 30s and early 40s, they get up on stage to perform as more angsty, less wrinkled, more hopeful versions of themselves.

"Do we remember who we were? How do we feel about it now? Do we still want to be that band? What band are we going to be this time?" Brummel says.

After their second album, Ozma chugged along. In 2003, they released their third record, Spending Time On The Borderline . It gave them the chance to expand their sonic palette and add more instruments, like on the track Utsukushii Shibuya , which features Wick on flute.

Ozma continued performing and touring but the relentless travel was taking its toll. "I think when you put that much time in a van with the same four or five people, your personalities kind of wear on each other," Brummel says. Exhausted and road-weary from nearly back-to-back tours, the band broke up in 2004.

The Revival

Brummel moved to New York and self-released a solo record of his folk material. Slegr and Galvez stuck around Southern California and formed Yes Dear with members of Arlo and Teen Heroes. They self-released a demo and toured around California. Wick took at job working at a Marc Jacobs store on Melrose. "I really didn't miss it that much,'' she says.

In 2007, Ozma reunited with new drummer Kenn Shane and released their fourth full-length, Pasadena . It featured a bunch of guest musicians including Caws and Rachel Haden of That Dog. Despite its critical acclaim, the album sold poorly, nowhere near the numbers of their previous records.

For the next seven years, the band played the occasional gig — both Weezer Cruises, the Make Music Festival in Pasadena, the Glass House in Pomona — while its members settled into adulthood. Galvez started working for an experiential marketing company. Brummel earned a master's degree in music composition from Cal State L.A. and began scoring for film and TV. Slegr built a career in the hospitality industry and produced a record for L.A. band Walk .

In 2014, Ozma returned to the studio to record Boomtown , an album crowd-funded with $20,000 from their fans. The 11 tracks represent the band at its most mature with lyrics that wade into dark territory (suicide, drug use) and a lush sonic landscape. This record would also be the first time Wick would contribute lead vocals to a track ("Nervous"). "I did it because of the encouragement [from the other band members]," Wick says.

Boomtown didn't achieve the sales of Ozma's earlier records but, Brummel says, "I think in terms of the artistry, we were happy with the level of work."

These days, Brummel, is the Chief Academic Officer at the Point Blank Music School , based in Silver Lake, and heads the band Sanglorians . Galvez has released two solo albums in the past decade and put out an EP earlier this year. Slegr continues to write and record his own music as well as creating visual art. Wick works as a dietitian at the V.A. hospital in West L.A.

This week, to celebrate the 20th anniversary of Rock and Roll Part Three , Ozma will reunite for a pair of shows at the Troubadour , on December 19 and 20. When the first show was announced back in September, it sold out in 48 hours. The band added a second night, which also sold out.

Ozma never achieved the name recognition or globe-trotting success of some of their contemporaries but "They're better known than you think," Caws says. "[They're] a secretly huge band."

"People love that record we made when we were teenagers for 800 bucks," Galvez says. It is, as the kids these days say, very on brand for a band that was always looking in the rearview mirror, contemplating a lost era that may or may not have existed.

Reflecting on Ozma's ups and downs, Slegr sees the band's two-decade career as less of an explosion and more of a slow burn. "It's weaker and weaker," he says, "but it gets stronger, in a weird way, too."

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Ozma Tickets

Ozma concert tickets.

Get Ozma tickets now to see an amazing performance live by a great entertainer. Pop-Rock music has an emphasis on recording craft and songwriting and not as much emphasis on attitude. Beginning in the 1950s as an alternative to rock and roll, early iterations of pop-rock were influenced by doo-wop and rock-and-roll arrangements and styles. Many traditionalists prefer rock and roll to the more slick, commercial production of pop-rock. 

Some refer to the music as power pop with a similar sound and lyrical content. Pop-rock music has been very commercially successful using elements of rock music. Many describe it as an upbeat variety of rock music. The term pop comes from the early twentieth century referring to popular music. In the 1950s, it began to be referred to as a specific genre typically aimed at youth and young adults. It is frequently characterized as a softer alternative to rock and roll. Get your Ozma tickets today!

Ozma Ticket Prices

There is a multitude of variables that affect Ozma ticket prices. These include the length of the tour, the capacity of the arena and if it’s a sold-out tour. Ticket prices are also impacted by where you are seated and if you’re looking to purchase floor seats, lower level next to the stage or an upgraded VIP package.

How much are Ozma tickets?

The average price of a Ozma concert ticket is around $97 per ticket. If you’re looking for cheap Ozma tickets, you’ll find better prices for cheap tickets in the upper levels furthest from the stage. Discount tickets that are farthest from the stage will typically be under $49. If you are looking for premium seating or VIP tickets, you can expect to pay over $150 per ticket in most cases.

Ozma Tour Dates & Concert Schedule

Ozma tour dates vary from year to year. In most cases, tours tend to be 6-12 months but can extend over multiple years especially if it is a final tour. Ozma concert schedule will typically have 25-50 tour dates.

There also can be a performance at music festivals across the country including Coachella , Lollapalooza and Bonnaroo Music Festival. Bonnaroo is held in Manchester, Tennessee. Coachella is held at Empire Polo Fields in Indio, California and Lollapalooza in the United States is held at Grant Park in Chicago, Illinois. It's easy to find seats to Ozma tour when you shop with us. Shopping with TicketSmarter even makes it easier to get into the venue. Our mobile transfer Ozma tour tickets let you skip past the box office line and head right for your seats.

When do Ozma tickets go on sale?

Typically, Ozma concert tour tickets go on sale 4-6 months prior to the performance and sometimes even a year in advance. Once the tour dates and concert schedule is announced, you can check our event calendar to find your perfect date and venue. Ozma concert tickets will typically be available within 24-48 hours of a tour announcement. There is never a need for a presale code. Why wait for the public on sale when you can secure your seats today.

Ozma Seating Chart

The seating capacity will vary depending on the venue utilized for the tour or festival. With large festivals like Coachella and Lollapalooza , you can have upwards of 100,000 concertgoers per day. For most large-scale arenas like T-Mobile Arena in Las Vegas, the seating capacity is around 20,000 seats. Just a few of the luxury seating options include suites, box seats and VIP concert tickets. Most festivals will include general admission and lawn seating.

Safe and Secure Ozma Ticket Purchasing

TicketSmarter’s worry-free ticket-buying experience ensures that you'll always find great deals on authentic concert tickets to see your favorite performers live. We've worked hard to turn TicketSmarter into the safest place to buy Ozma tickets. We back up this promise with our low price guarantee and 100% ticket guarantee, both of which assure your entry into your concert at a competitive price.

100% Ozma Ticket Guarantee

All TicketSmarter pop/rock concert tickets are 100% guaranteed. Verified customers rate TicketSmarter 4.6/5.0 stars, so you can order with confidence knowing that we stand behind you throughout your Ozma ticket buying experience.

Songs from the Ozma Tour Setlist

Ozma's setlist while performing in West Hollywood , CA at “Troubadour” included the following songs:

• Rock and Roll Part Three
• Domino Effect
• Apple Trees
• Shootingstars
• Natalie Portman
• The Ups and Downs
• If I Only Had a Heart
• Battlescars
• In Search of 1988
• Immigration Song (Flight of the Bootymechanic)
• Light Years Will Burn
• You Know the Story
• Landing of Yuri Gagarin
• Breaking and Breaking and Breaking
• Friends of P.
• Korobeiniki

Source: Setlist.fm

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Neil Young and Crazy Horse 2024 tour setlist: Every song they played at Phoenix concert

Neil Young brought Crazy Horse to Phoenix for the first since 2003, when the Greendale Tour played what we now call Arizona Financial Theatre.

Saturday’s show at Talking Stick Resort Amphitheatre was in support of "FU##IN’ UP," a new release that captures Young and Crazy Horse in all their ragged glory.

And they treated Phoenix to a show that put the spotlight on the staples that have made Young one of rock ‘n’ roll's most celebrated elder statesmen, setting the tone with an epic performance of “Cortez the Killer” that lasted roughly 15 minutes.

By the time they brought the concert to a cacophonous conclusion with the glorious racket of “Hey Hey, My My (Into the Black)" and a one-song encore of "Danger Bird," Young and Crazy Horse had powered their way through such classics as “Cinnamon Girl,” “Don’t Cry No Tears” and “Powderfinger.”

Young also took a break from the distortion and his bandmates for a three-song unplugged mini-set, including “Comes a Time” and “Heart of Gold,” before the night was through.

Concert review: Neil Young and Crazy Horse scaled heights of ragged glory in transcendent Phoenix concert

Neil Young and Crazy Horse 2024 setlist: Every song they played in Phoenix

Here’s every song Neil Young and Crazy Horse played at Talking Stick Resort Amphitheatre in Phoenix:

"Cortez the Killer""Cinnamon Girl""Don't Cry No Tears""Down by the River""The Losing End (When You're On)""Everybody Knows This Is Nowhere""Scattered (Let's Think About Livin')""Powderfinger""Love and Only Love""Comes a Time" (Neil Young solo acoustic)"Heart of Gold" (Neil Young solo acoustic)"Human Highway" (Neil Young solo acoustic)"Hey Hey, My My (Into the Black)"

Encore:"Danger Bird"

Megadeth 2024 North American tour With Mudvayne and All That Remains: Presale code, dates, venues, & all you need to know

M egadeth announced the dates for a North American tour called 'Destroy All Enemies' on Instagram this Tuesday. The upcoming outing, which begins on August 2, will have the support of two esteemed guest performers - Mudvayne and All That Remains.

The 'Destroy All Enemies' tour spans over four weeks and will support the thrash-metal band's album - The Sick, the Dying… and the Dead! - released in 2022. Live Nation is producing the band's tour this time around, starting this Wednesday, April 24, at 10:00 local time, you can access the presale on Livenation.com using the presale code 'RIFF.'

Starting from April 23, individuals can access a fan club presale for the tickets by registering for the Cyber Army on the band's website. Individuals with Citi cards can also access the member presale that began at 10:00 am local time this Tuesday.

Fans can book the general tickets through Ticketmaster starting at 10:00 am local time on April 26. While the pricing may vary by venue, the tickets are available between average prices of over $40 to $200.

Everything to know about Megadeth's 'Destroy All Enemies' Tour

After successfully concluding the international tour this April, Megadeth will go on another outing across North America for the 'Destroy All Enemies' tour. The band's national tour will begin in Arkansas with the first performance at the Walmart AMP venue on August 2.

Megadeth will tour for over four weeks while holding shows at national venues like - Houston's 713 Music Hall, Denver's Ball Arena, Concord's Toyota Pavilion, Utah's Maverick Arena, and more. The American thrash metal band will also take over the stages at Tinley Park's Credit Union 1 Amphitheater, Charlotte's PNC Music Pavilion, Reading's Santander Arena, Albandy's MVP Arena, and Boston's Leader Bank.

Megadeth will then entertain fans across Bethel, Wantagh, Richmond, Cincinnati, Pittsburgh, Noblesville, Clarkston, Minneapolis, St Louis, and Southaven. Supported by Mudvayne and All That Remains, the band will conclude the 'Destroy All Enemies' tour with a last performance in Nashville, Tennessee at the Nashville Municipal Auditorium on September 28.

The full set lists for the tour are yet to be revealed, but Billboard has reported that Megadeth will perform classic hits from albums like - Countdown to Extinction , The Sick, the Dying... and the Dead! , and Rust in Peace , among others.

The venues and dates for Megadeth's 'Destroy All Enemies' tour are:

• August 2 – Walmart AMP, Rogers, Arkansas
• August 3 – 713 Music Hall, Houston, Texas
• August 5 – Isleta Amphitheater, Albuquerque, New Mexico
• August 6 – Ball Arena, Denver, Colorado
• August 8 – Talking Stick Resort Amphitheater, Phoenix, Arizona
• August 9 – YouTube Theater, Los Angeles, California
• August 10 – Toyota Pavilion at Concord, Concord, California
• August 12 – White River Amphitheatre, Auburn, Washington
• August 13 – Hayden Homes Amphitheater, Bend, Oregon
• August 16 – Bakkt Theater at Planet Hollywood, Las Vegas, Nevada
• August 17 – Maverick Arena, Salt Lake City, Utah
• August 20 – The Pavilion at Toyota Music Factory, Irving, Texas
• August 21 – Germania Insurance Amphitheater, Austin, Texas
• August 23 – Atrium Health Macon Amphitheater, Macon, Georgia
• August 24 – iThink Financial Amphitheater, West Palm Beach, Florida
• September 3 – Credit Union 1 Amphitheater, Tinley Park, Illinois
• September 5 – Marshall Health Network Arena, Huntington, West Virginia
• September 6 – PNC Music Pavilion, Charlotte, North Carolina
• September 7 – Coastal Credit Union Music Park at Walnut Creek, Raleigh, North Carolina
• September 9 – Santander Arena, Reading, Pennsylvania
• September 10 – MVP Arena, Albany, New York
• September 11 – Leader Bank, Boston, Massachusetts
• September 13 – Bethel Woods Center for the Arts, Bethel, New York
• September 14 – Northwell Health at Jones Beach Theater, Wantagh, New York
• September 15 – Virginia Credit Union Live, Richmond, Virginia
• September 17 – Riverbend Music Center, Cincinnati, Ohio
• September 18 – Stage AE, Pittsburgh, Pennsylvania
• September 20 – Ruoff Music Center, Noblesville, Indiana
• September 21 – Pine Knob Music Theatre, Clarkston, Michigan
• September 24 – The Armory, Minneapolis, Minnesota
• September 26 – Hollywood Casino Amphitheater STL, St Louis, Missouri
• September 27 – Bankplus Amphitheater at Snowden Grove, Southaven, Mississippi
• September 28 – Nashville Municipal Auditorium, Nashville, Tennessee

Megadeth's latest album, The Sick, the Dying… and the Dead! came out on September 2, 2022. The 12-track album includes hits like Life in Hell , Night Stalkers , Sacrifice , Soldier On! , Mission to Mars , We'll Be Back , and more. It is the band's first album with drummer Dirk Verbeuren and their last with guitarist Kiko Loureiro.

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2024 Zurich Classic live stream, TV schedule, where to watch online, channel, tee times, radio, golf coverage

Grab a partner as this team-style event on the pga tour wraps up sunday.

For the seventh straight year, golfers are in the Bayou taking part in the PGA Tour's annual team-style event. The 2024 Zurich Classic welcomed 80 teams of two as partners hoping to grab a trophy by week's end at TPC Louisiana.

Headlining the action are the two players who seemingly do everything together: Xander Schauffele and Patrick Cantlay. The good friends were victorious in their first go around in 2022 but failed to defend their title a season ago. They started well this go-around but will need to make some major gains on Sunday if they hope to win two of three titles in New Orleans.

A new pairing making its debut features world No. 2 Rory McIlroy -- in his first tournament appearance -- playing alongside Shane Lowry. The duo, which has shared Ryder Cup success, is together near the top of the Zurich Classic leaderboard sitting just two strokes back entering the final 18 holes Sunday.

Follow Zurich Classic playoff coverage now that Round 4 has concluded.

Will Zalatoris and Sahith Theegala also entered as a strong duo on paper, as was the case with Collin Morikawa and Kurt Kitayama. Adam Hadwin and Nick Taylor hoped to do one better than their runner-up performance in 2023 with Corey Conners and Taylor Pendrith also starring as an all-Canadian team. Brothers Alex and Matt Fitzpatrick team up for the second straight year with Rasmus and Nicolai Hojgaard, plus Parker and Pierceson Coody, also making this week a family affair.

All times Eastern; streaming start times approximated

Round 4 - Sunday

Round starts:  10:30 a.m.

PGA Tour Live:  10:30 a.m. -  6 p.m. --  PGA Tour Live

Early TV coverage:  12:45 - 2:45 p.m. on Golf Channel,  fubo  (Try for free) Live streaming:  12:45 - 2:45 p.m. on Peacock

Live TV coverage:  3-6 p.m. on CBS Live simulcast:  3-6 p.m. on  CBSSports.com  and the  CBS Sports App

Radio:  1-6 p.m. --  PGA Tour Radio  

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Porter Robinson Announces “SMILE! :D World Tour” 70+ Dates In 2024-2025

Grammy-nominated artist Porter Robinson announces a 5-continent world tour including stops in 30+ North American cities, Europe, and Asia in support of his highly anticipated third studio album SMILE! 😀 , releasing July 26th via MOM+POP. [Pre-order here ]

Robinson will debut a completely new live production including a full live band during his SMILE! 😀 World Tour, after first experimenting with the band format at his own sold-out Second Sky festival and again in 2023 at Coachella’s main stage. Fans can expect opening acts ericdoa in North America, underscores in Europe and Galileo Galilei in Japan.

The SMILE! 😀 World Tour will kick off on August 29 in Boston and hit notable stops along the way including Forrest Hills in New York on August 31 and Hollywood Bowl on October 11, before heading onto an Asian run which spans 9 cities beginning November 2024. Porter concludes the tour by traversing across 8 countries in Europe throughout February and March 2025, including a stop at London’s prestigious Brixton Academy . Dates in Australia and Latin America will also be announced soon. Full routing is available below.

Pre-sale commences Tuesday, April 30 at 10am local time —fans can register for early access to tickets at porterrobinson.com . Various presales will take place throughout the week including a CITI presale in the U.S. (details below) ahead of the general on sale on Friday, May 3 at 10am local time. For more information on the tour and tickets, visit porterrobinson.com .

The tour will also offer a variety of different VIP packages and experiences for fans. VIP Packages may include premium tickets, exclusive access to the pre-show VIP lounge, access to a VIP bar, early entry into the venue, pre-show merchandise shopping opportunity, specially designed gift item, and more. VIP package contents vary based on offer selected. For more information, visit vipnation.com (N. America) or vipnation.eu (Europe).

CITI is the official card of Porter Robinson presents SMILE! 😀 World Tour. CITI Card Members will have access to presale tickets for the U.S. dates beginning Monday, April 29 at 10AM local time until Thursday, May 2 at 10PM local time through the CITI Entertainment program.

For complete presale details visit www.citientertainment.com .

For the Hollywood Bowl show, American Express® Card Members can purchase tickets before the general public beginning Monday, April 29 at 10:00am PST through Thursday, May 2 at 10:00pm PST.

SMILE! 😀 World Tour Dates:

August 29, 2024 – Boston, MA – MGM Music Hall at Fenway

August 30, 2024 – Boston, MA – MGM Music Hall at Fenway

August 31, 2024 – New York, NY – Forest Hills Stadium

September 5, 2024 – Atlanta, GA – Coca-Cola Roxy

September 6, 2024 – Orlando, FL – Addition Financial Arena

September 7, 2024 – Miami, FL – FPL Solar Amphitheater at Bayfront Park

September 10, 2024 – Nashville, TN – Municipal Auditorium

September  11, 2024 – Charlotte, NC – Skyla Credit Union Amphitheatre

September 13, 2024 – Philadelphia, PA – TD Pavilion at the Mann

September 14, 2024 – Washington, DC – Merriweather Post Pavilion

September 15, 2024 – Pittsburgh, PA – UPMC Events Center

September 17, 2024 – Montreal, BC – MTELUS

September 19, 2024 – Toronto, BC – HISTORY

September 21, 2024 – Toronto, BC – HISTORY

September 22, 2024 – Detroit, MI – The Fillmore

September 23, 2024 – Indianapolis, IN – Everwise Amphitheater

September 26, 2024 – Madison, WI – The Sylvee

September 27, 2024 – Chicago, IL – Huntington Bank Pavilion at Northerly Island

September 28, 2024 – Minneapolis, MN – The Armory

September 30, 2024 – St. Louis, MO – Saint Louis Music Park

October 1, 2024 – Oklahoma City, OK – The Criterion

October 8, 2024 – El Paso, TX – El Paso County Coliseum

October 11, 2024 – Los Angeles, CA – Hollywood Bowl

October 12, 2024 – Phoenix, AZ – Talking Stick Resort Amphitheatre

October 13, 2024 – San Diego, CA – The Rady Shell at Jacobs Park

October 15, 2024 – Albuquerque, NM – Revel

October 17, 2024 – Denver, CO – Ball Arena

October 18, 2024 – Salt Lake City, UT – Utah First Credit Union Amphitheatre

October 19, 2024 – Las Vegas, NV – BleauLive Theater

October 24, 2024 – Sacramento, CA – Wheatland Toyota Amphitheatre

October 25, 2024 – San Francisco, CA – Shoreline Amphitheatre

October 29, 2024 – Boise, ID – Revolution Concert House

October 31, 2024 – Portland, OR – Alaska Airlines’ Theater of the Clouds

November 1, 2024 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre

November 2, 2024 – Seattle, WA – Climate Pledge Arena

November 25, 2024 – Bangkok – Samyan Mitrtown Hall

November 27, 2024 – Singapore – The Star Performing Arts Centre

December 8, 2024 – Manila – The Podium

December 10, 2024 – Taipei – Zepp New Taipei

December 12, 2024 – Seoul – Myunghwa Live Hall

February 10, 2025 – Tokyo – Tokyo Garden Theater

February 11, 2025 – Osaka – Namba Hatch

February 12, 2025 – Nagoya – Diamond Hall

February 14, 2025 – Fukuoka – UNITEDLAB

February 21, 2025 – Berlin – Huxleys Neue Welt

February 22, 2025 – Hamburg – Fabrik

February 24, 2025 – Oslo – Rockefeller Music Hall

February 25, 2025 – Stockholm – Berns

February 26. 2025 – Copenhagen – Vega

February 28, 2025 – Amsterdam – Melkweg

March 3, 2025 – Cologne – Live Music Hall

March 4, 2025 – Paris – Salle Pleyel

March 6, 2025 – London – O2 Academy Brixton

March 7, 2025 – Manchester – Albert Hall

March 8, 2025 – Glasgow – SWG3 Galvanizers

March 10, 2025 – Dublin – 3Olympia Theatre

About Porter Robinson:

At age 18, the North Carolina-based producer and songwriter burst onto the scene with a complex, bombastic brand of electro-house. Following the major success of his 2014 debut album Worlds , Porter released the RIAA Gold single “Shelter” with Madeon in 2016, followed by a Shelter Live Tour spanning 43 dates and four continents. The following year, Porter began releasing music under a new alias, Virtual Self, which led to his first Grammy nomination for the BBC Radio 1 hit single “Ghost Voices.” In 2019, Porter put on the first Second Sky Festival, which sold out all 30,000 tickets for the two-day festival in a single day. In both 2020 and 2021, Porter Robinson hosted editions of his virtual festival Secret Sky, amassing over 6 million viewers combined, and which came to be regarded as the most sophisticated virtual festivals of its time. Later in 2021, following the release of sophomore album Nurture, Second Sky Festival made its return to the Bay Area, selling out 40,000 tickets in a single day. Immediately following, the Nurture Live North American Tour sold over 150,000 concert tickets and was the highest grossing electronic tour of 2021. In 2022, in partnership with Riot Games, Robinson released “Everything Goes On” surpassing 100 million global streams . Later that year was his debut of one of two exclusive full live band performances, first at Second Sky 2022 and again in 2023 at the Coachella Main Stage.

About MOM + POP: 

In their 16th year, Mom+Pop Music has curated a critically acclaimed list of artists including  Courtney Barnett, MGMT, Beach Bunny, Caamp, Ashe, Orion Sun, Porter Robinson, SEB, Tom Morello, and many others. Solely owned and operated by Founder/co-owner Michael Goldstone and co-owner Thaddeus Rudd, M+P has a global team of 25 people and is self-distributed. Known for their artist-first ethos, M+P continues to amass industry accolades from artists, media, and colleagues including Billboard’s Independent Label Power Lists, A2IM’s Libera Award for Label of the Year, and other recognition. They have received consistent media acclaim featured in Forbes, Variety, Billboard and HITS among other outlets. Mom+Pop Music is located in New York City and has offices in Los Angeles.

About Live Nation Entertainment:

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com .

Contact info:

Porter Robinson

Kate Trapani | [email protected]

Lisa Perkins | [email protected]

Live Nation Concerts

Monique Sowinski | [email protected]

Valeska Thomas | [email protected]

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The White House 1600 Pennsylvania Ave NW Washington, DC 20500

Vice President Kamala   Harris Launches Nationwide Economic Opportunity   Tour

The Vice President will kick off her multi-state tour with a moderated conversation in Atlanta, GA on April 29 and an event in Detroit, MI during the following week

WASHINGTON – Vice President Kamala Harris announced today that she will embark on a nationwide Economic Opportunity Tour with a series of events focused on investing in communities, building wealth, and ensuring every American has the freedom to thrive. The Vice President’s tour will take her back to several states across the country as she highlights how the Biden-Harris Administration has built economic opportunity and delivered for the American people. The Economic Opportunity Tour will kick off with a moderated conversation in Atlanta, GA on April 29 and an event in Detroit, MI during the following week. Additional dates and locations will be announced soon.

“President Biden and I are committed to creating an economy in which every person has the freedom to thrive. That is why we have taken historic steps to advance economic opportunity by increasing access to capital, investing in small businesses, addressing housing costs, forgiving student loans and medical debt, investing in infrastructure, and championing additional policies that put money in people’s pockets and build wealth,” said Vice President Harris.   “Our economic approach has delivered great progress, and we will continue to invest in you, your family, and your future.”

During the Vice President’s Economic Opportunity Tour, she will highlight how the Biden-Harris Administration has delivered historic investments that have supported communities and helped people thrive. This includes making unprecedented investments in small businesses and achieving the fastest creation of Black-owned small businesses in more than 30 years, creating a record number of jobs, increasing access to capital for underserved communities, investing in infrastructure, cutting the price of insulin and expanding access to health care, erasing medical debt, forgiving more student loan debt than any administration in history and boosting investments in education, making housing more affordable, lowering child care costs, and increasing the wealth of American families. Vice President Harris will also outline additional steps that she and President Biden are taking to expand this work. She will be joined on the tour by Administration officials, members of Congress, local leaders, and other special guests.

The Vice President’s tour is a continuation of her nonstop travel to communities across the country. She has made more than 35 trips to 16 states since the beginning of 2024. This includes consistent travel to meet with small business owners and entrepreneurs in underserved communities to discuss challenges and opportunities they face. In March, she traveled to Black Wall Street in Durham, NC to announce $32 million in funds to support historically underserved entrepreneurs. She began the year in Las Vegas, NV where she announced an SBA rule that will ensure millions of Americans who have served time are eligible for SBA loan programs that help individuals start and run small businesses.

The Vice President has long been focused on ensuring that minority, rural, and low-income communities have the capital and resources they need to thrive and support small businesses. Last year, she announced that Treasury’s CDFI Fund has awarded over $1.73 billion in grants to 603 Community Development Financial Institutions (CDFIs) across the country. In 2022, the Vice President also announced a first-of-its-kind public-private sector initiative — the Economic Opportunity Coalition (EOC) — that is a historic public-private partnership of more than 20 private sector organizations that will invest tens of billions of dollars to create opportunity and grow wealth in historically underserved communities. The EOC has already surpassed over $1 billion in increased member company deposits into community finance institutions. As a Senator, the Vice President partnered with key Congressional stakeholders to secure a transformative $12 billion investment for CDFIs and MDIs in December 2020. Since that time, she has worked to ensure these programs are as successful as possible.

Additional dates, cities, and details for media to RSVP will be available soon.

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Première fois en Égypte!

Extraordinaire voyage en Égypte, retrouvez plus de photos sur nos réseaux sociaux @ozmajazz.

Colmar Jazz festival

Nous avons eu beaucoup de plaisir à partager la scène avec Hugo Diaz et Daniel Migliosi, les deux lauréats du programme Propulsion#1 !

Tournée en Grèce

De retour d’une tournée folle en Grèce avec un concert apogée au Athens Jazz festival devant 7000 personnes

OZMA à Jazzahead 2023

Stéphane Scharlé convoque un OZMA spécial avec Nabou Claerhout (tb), Julien Soro (sax), Teis Semey (g), Édouard Séro-Guillaume (b), Daniel Migliosi (tpt), Hugo Diaz (sax), Maxime Bender (sax)

OZMA Europe Tour

Le quintet sera en concert en Allemagne, Pologne, Bruxelles et en France à Paris

OZMA dans le Post!

Merci Mr J. West pour ce bel article ! Voir onglet presse ou ici

Pour l’occasion on a ouvert la malle à souvenirs ! Suivez la rétrospective sur FACEBOOK et INSTAGRAM

Tournée d’été

Les concerts reprennent enfin ! Ukraine, France, Espagne, Allemagne… Découvrez les dates dans notre AGENDA

Nouvelle série Live !

Nous sommes ravis de dévoiler « A Leila » , premier titre de la série d’un concert augmenté : Road Trip Live Show

Release tour d’Automne

Après 7 mois d’arrêt OZMA reprend la route, on croise les doigts pour le maintien de ces belles dates !

Premières Release Parties !

Les premières dates d’Hyperlapse sont annoncées dans l’AGENDA ci dessous!

Hyperlapse est sorti !

Notre 7ème album studio est enfin disponible !! Découvrez le ici !!

Premier Single !

Nous avons le plaisir de dévoiler le premier single de notre nouvel album Hyperlapse, c’est par ici

Tournée Amerique Latine !

Première fois au Paraguay et au Brésil pour OZMA ! Hâte de jouer au Asujazz , Lapa Jazz et Sesc Jazz festivals

La webserie de la rentrée

Découvrez High, Far and Loud , la webserie d’OZMA qui retrace un an de tournée mondiale ! Au menu : du fun, des découvertes et pas mal de musique 😉

Facebook live à Jazzahead!

Le 26 avril à 00:10 nous allons clore le showcase du European Jazz Meeting au sein du plus grand salon de jazz en Europe . Le concert sera retransmis en direct sur notre page facebook => @ozmajazz

Attaque de Dinos !

Ce début d’année, OZMA est en tournée française avec le ciné concert LE MONDE PERDU , voir l’agenda

Sélection au Showcase Jazzahead 2019

40 groupes retenus sur 764 !!! OZMA à été sélectionné pour présenter son nouveau répertoire au « European Jazz Meeting » à Brème !

Enregistrement de HYPERLAPSE

Notre nouvel album HYPERLAPSE est dans la boite ! Il à été enregistré au Studio Downtown à Strasbourg et paraitra en Nov 2019 sur Cristal Records / Sony Music Distribution

Tournée indienne

Nous voici arrivés en Inde pour la dernière étape de notre tournée Mondiale, les dates ici !

Tournée Indonésie

En novembre, nous nous envolons pour l’Indonésie ! 6 concerts et un projet avec des musiciens locaux. Jetez un oeil à l’agenda !

Tournée Chine

En octobre, nous découvrons pour la première fois la Chine avec une tournée de 11 dates de Harbin à Canton ! Jetez un oeil à l’agenda !

Un concert unique à Bruxelles

Le 29/09 on aura le plaisir de clôturer le Saint Jazz festival juste avant Reggie Washington

Après l’été

Après un été reposant, la team est motivée pour attaquer un automne asiatique de folie ! Voir l’agenda !

Tournée Afrique Australe

En Juin, on ne s’arrête pas ! C’est bientôt reparti pour l’Afrique du Sud, le Zimbabwe, la Namibie et le Lesotho ! Jetez un oeil à l’agenda !

Tour Européenne !

En Mai, fais ce qu’il te plait !!!!    Et bien nous on va retourner sur les routes d’Allemagne, Autriche, Hongrie et République Tchèque.     Jetez un oeil à l’agenda !   

OZMA au Maroc

Fin avril, OZMA a passé une semaine à Marrakech pour créer et présenter l’étape 1 du photo-concert CROSSROADS sur le travail de Leila Alaoui

Cadeau pour 2018 !

Pour fêter 2018 et la sortie de notre premier live, voici une offre que vous ne pourrez refuser !

Les 7 albums d’OZMA en MP3 HD pour 35 euros

Une année formidable !

2018 => Tournée Mondiale => Maroc, Europe Centrale, Afrique Australe et Asie !

En attendant ne manquez pas cette vidéo !

Le premier Live d’OZMA !

Capté à L’AJMi à Avignon en Avril 2017

à découvrir ici

Prochains concerts !

07/12 OZMA 5tet @ Bix Jazzclub , Stuttgart, De 08/12 OZMA 5tet @ Jazzschmiede , Düsseldorf, De

C’est la rentrée !!

Un mois de septembre qui part sur les chapeaux de roues avec un concert au très beau festival Batojazz et une tournée en Colombie (affaire à suivre) !

Juillet => Mois chargé part 2

Cette année encore rdv aux Têtes de Jazz de l’AJMi Du 10 au 15 Juillet à 10h30 OZMA Ciné-Concert Du 9 au 12 Juillet à 21h30 OZMA 5tet

Juillet => Mois chargé part 1

1/07 Jardins en Scène / Marck 2/07 Wolfijazz festival / Wolfisheim 8/07 Charlie Jazz / Vitrolles

International Jazz Day Avignon 2017

Premières images d’une soirée mémorable à l’Ajmi Prochain rendez-vous à Avignon du 9 au 15 Juillet pour le festival Têtes de Jazz

Prochain concert le 30/04 à l’AJMI !

OZMA officiera après des vacances bien méritées pour l’INTERNATIONAL JAZZ DAY à Avignon

Check it out ! HERE

Première News => Nouveau Site !!

Yeayy !! Bienvenue sur le nouveau site d’OZMA, le seul et unique lieu du monde où TOUTE la musique d’OZMA est en libre écoute !

HYPERLAPSE 2020 Labels Cristal Records & Berthold Records

Composé par le batteur Stéphane Scharlé, le 7ème album studio d’OZMA « Hyperlapse » est un carnet de route envoutant et jubilatoire dédié à dix villes traversées par le groupe lors d’une incroyable tournée 2018.

Stéphane Scharlé (batterie – compositions) Edouard Séro-Guillaume (basse – claviers) Julien Soro (saxophone – claviers) Guillaume nuss (trombone fx) Tam de Villiers (guitare)

Ozma on fire (live) 2017 ajmilive series.

Le premier live d’OZMA en plus de 15 ans d’existence. Capté à L’AJMi Jazz Club d’Avignon le 30 Avril 2017 ce live retranscrit bien la joie de jouer et l’entente musicale des 5 comparses. Laisser vous enflammer !!

Tam de Villiers (guitare) Julien Soro (saxophones) Guillaume nuss (trombone) Stéphane Scharlé (batterie) composition * Edouard Séro-Guillaume (basse) composition **

Welcome home 2016 label cristal records.

Le retour du trombone après deux albums en quartet. Une bonne dose d’humour et d’émotion, des mélodies serrées et nerveuses, des hymnes pop, des grooves redoutables, des feulements sauvages, des confidences soufflées, des riffs ravageurs, de l’énergie à revendre, des joutes endiablées, des contre-pieds et des contrepoints, des contrées oniriques et des explosions sonores.

NEW TALES 2013 Label Juste Une Trace

La musique de New Tales raconte le parcours d’un personnage fictif, un vagabond moderne qui décide de parcourir le monde et de le découvrir de ses propres yeux, dans toute sa splendeur mais aussi parfois toute sa laideur. OZMA présente un nouveau répertoire envoûtant avec force et passion, et s’ouvre à de nouveaux horizons sonores, ajoutant voix, clavier et électronique à son instrumentarium.

Adrien Dennefeld (guitare, effets, voix) Stéphane Scharlé (batterie, laptop, voix) Édouard Séro-Guillaume (basse, claviers, voix) David Florsch (saxophone, effets, voix)

Peacemaker 2011 label juste une trace.

Un album inspiré de voyages autour du monde, d’évocations d’œuvres majeures et de revendications à peine voilées. Une véritable charnière musicale entre le passé, le présent et un futur incertain. L’imaginaire développé dans ce 3ème opus nous emmène au travers de contrées Pop, de déferlantes Rock et d’horizons Jazz Moderne dont le fil conducteur est l’improvisation et la spontanéité de jeunes musiciens en pleine maturité.

Adrien Dennefeld (guitare) Stéphane Scharlé (batterie) Edouard Séro-Guillaume (basse) David Florsch (saxophone)

Strange traffic 2009 label juste une trace.

Un album incisif et coloré avec des compositions originales nourries d’énergie live et projetant le jazz en trompe-l’œil. Des chorus lyriques et sans concession, des improvisations collectives endiablées, des thèmes qui flirtent parfois avec le blues, le pop-rock instrumental, le free-funk, le calypso …

David Florsch (saxophones) Matthias Mahler (trombone) Adrien Dennefeld (guitare) Edouard Séro-Guillaume (basse, voix) Stéphane Scharlé (batterie)

+ pascal schumacher (vibraphone) sur « nana bozo » et « vilnusian dance », jean louis marchand (clar), thomas frand (sop), claude spennlehauer (bar), christophe rieger (alto), guillaume nuss (tuba) sur « the wizard », electric taxi land 2007 label juste une trace.

Hérité de la liberté du rock, de la rigueur du swing, sans oublier une bonne dose de groove et un esprit de groupe. Envolées intemporelles, riffs ravageurs, « Electric Taxi Land » fourmille de clins d’œil. Une fusion moderne que ne renieraient ni Frank Zappa ni George Clinton, et pour laquelle Julien Lourau et Steve Coleman éprouveraient très probablement plus que de la sympathie… Dave Holland en quintet aussi !

David Florsch (saxophones) Guillaume Nuss (trombone) Adrien Dennefeld (guitare) Edouard Séro-Guillaume (basse, voix) Stéphane Scharlé (batterie)

Ozma 2005 autoproduit.

Le premier album en quintet ! Un taxi jaune, une voix express désaffectée, la radio à fond… Road-movie de grooves, trafic étrange de soufflants, d’ondulants, de percutants… Envolées intemporelles, riffs ravageurs, la musique d’OZMA fourmille de clins d’oeils à la fougue du jazz rock et aux syncopes du hip hop.

David Florsch (Saxophones) Guillaume Nuss (Trombone) Adrien Dennefeld (Guitare) Edouard Séro-Guillaume (Basse, voix) Stéphane Scharlé (Batterie)

« elevation » feat. pds (2022), « hyperlapse » official videoclip (2020), « hyperlapse » live in rotterdam (2019), « hyperlapse » live in jazzahead (2019), krefeld mon amour @ new morning (2017), electric lament @ new morning (2017), he saved the girl – videoclip (2017), welcome home – official trailer (2016), new tales – official trailer (2013), rain cadenza – videoclip (2011), side projects, ozma-xx celebration party (2023), photo-concert « crossroads » (2019), ciné-concert « le monde perdu » (2017), photo-concert « 1914-1918 » (2014), large ensemble « ozma darpana » (2012), ciné-concert « les trois ages » (2012), photo-concert « la chambre » (2011), large ensemble « ozma orkestrâ » (2010), imaginez john coltrane avec rage against the machine, ravi shankar jammer avec pink floyd, ou amon tobin remixer une fanfare de la nouvelle orléans… ozma c’est un quintet survitaminé mené par le batteur stéphane scharlé. une musique à la fois aventureuse et accessible que le groupe a pu partager à travers 8 albums, de multiples créations et plus de 500 concerts sur 4 continents., stéphane scharlé / .

STÉPHANE SCHARLÉ / Batterie, Composition

Sportif impressionnant à l’énergie inépuisable, armé d’une personnalité qui subjugue par son dynamisme, il est le maitre d’œuvre des nuances et de la narration. Il tire le groupe du « piano au forte » à la seule force de ses baguettes, coloriste sensible et cristallin à la réactivité éclair, il a sous le capot un moteur rock-tellurique aux accents de métal et de granit, dont il fait usage avec une repartie délicieuse.

ÉDOUARD SÉRO-GUILLAUME / 

ÉDOUARD SÉRO-GUILLAUME / Basse

Un faible pour la science fiction, un amour pour l’imagination, il aime se perdre dans des histoires qui excitent les neurones et cela s’entend. Architecte ingénieux, sa basse invente sans cesse des progressions harmoniques qui altèrent celles du baroque, et bousculent celles de la pop. Entre graves sérieux et aigus plaisantins, il déchaine les solistes, les houspille parfois, s’insère dans les phrases s’arrachant au terrestre, et amorti leur atterrissage en créant des espaces larges et confortables.

MUSINA ÉBOBISSÉ / 

MUSINA ÉBOBISSÉ / Saxophone

Né en 1990, Musina grandit à Strasbourg où il est très tôt initié à la musique. Il commence le saxophone à 8 ans au Conservatoire de Strasbourg. En 2008, il rentre dans le département de Jazz et Musiques à Improviser du CRR de Strasbourg, où il étudie avec Eric Watson, Michael Alizon, Philippe Aubry et Bernard Struber, et passe son DEM en 2012.! En parallèle, il poursuit des études de sociologie à l’Université de Strasbourg, où il passe son diplôme de Licence en 2012. Impliqué dans la scène strasbourgeoise, Musina développe sa versatilité et son expérience dans différents styles. En 2013, il entre au Jazz Institut de Berlin, où il étudie auprès de musiciens tels que Jim Black, John Hollenbeck, Kurt Rosenwinkel, Greg Cohen et Peter Weniger. Inspiré par la scène jazz berlinoise, il s’y produit régulièrement entre 2014 et 2019 avec différents groupes et projets. Musina gagne le second prix au concours international de Composition Jazz à Katowice en 2018. Il retourne en France et s’installe à Paris entre 2019 et 2020. En aout 2019 sort “Timeprints” son premier album en quintet en tant que leader, sur le label allemand Double Moon, salué par la critique, et nominé au Deutsche Jazz Preis en 2021.! En 2020 il participe aux albums berlinois ! DIKY LYS de Ganna et Liquid Circle du Hans Anselm Big Bang. Il sort deux albums avec son projet solo Blendreed (ambient), “Moonstreet” (2021) et “Tales of Tides”(2022). Depuis 2019, Musina joue et tourne régulièrement en tant que sideman et leader en Europe au cotés de Ganna, Musina Ebobissé Quintet, Olga Amelchenko, Kemaca Kinetic, Ozma, Thomas de Pourquery, James Morrisson, Joko, Thijs de Klijn et d’autres projets. Le second album de son quintet berlinois, “Engrams” sort en mars 2023 sur le Label Jazzdor Series.

DANIEL JOURAVSKY / 

DANIEL JOURAVSKY / Keyboards

S’étant longtemps posé la question de ce qu’il voulait faire de ses dix doigts après avoir été diplômé des conservatoires en piano classique et en piano jazz, Daniel (ou Dan, c’est selon) est aujourd’hui musicien électronique et créateur de décors sonores. Il a récemment travaillé pour le théâtre, dans une pièce intitulée « Sorgue », un voyage nocturne en chansons électroniques, co-créé et joué au Hall de la Chanson en 2023 (reprise en 2024). Naviguant entre de nombreuses influences techniques et stylistiques, la connaissance de ses sources sonores est pour lui primordiale. Il travaille intensivement avec les logiciels PureData et Max/MSP. Il construit et code des contrôleurs et synthétiseurs, afin de pouvoir appréhender les entrailles de ces entités soniques qu’il fait cohabiter lors de ses prestations. Enfin, le rapport audio/video et un axe de travail important pour ce jeune musicien, car selon lui l’appréciation d’une oeuvre musicale passe, aujourd’hui, par son contexte visuel. Il réalise donc des oeuvres visuelles audio-réactives cherchant à toucher l’auditeur/spectateur en faisant appel à son attention augmentée. Il rejoint le groupe OZMA en 2023, avide de découvrir de nouveaux horizons — musicaux. Vous pouvez découvrir son travail sur sa page instagram @dandandandandannn.

MARTIN FERREYROS / 

MARTIN FERREYROS / Guitare

Martin FERREYROS né en 1994 est un guitariste électrique aux influences multiples. Après avoir étudié le piano classique pendant 10 ans, il débute la guitare en autodidacte, avant d’entrer au CRR de Paris où il suit l’enseignement de Manu Codjia. Parallèlement il joue avec François Janneau dans des ensembles de Soundpainting.

Il entre au CNSM de Paris dans la section jazz sous la direction de Riccardo del Fra. Ayant obtenu sa licence, il se consacre entièrement à la scène et accompagne des artistes de tout style (jazz avec Riccardo Del FRA et Rémi VIGNOLO, hip hop et musique actuelle avec des artistes tel que NEMIR, DYNOS, LORD ESPERANZA). Il est également très actif dans les groupes de jazz émergents de sa génération. Il met aussi à l’honneur ses origines péruviennes en jouant régulièrement avec des artistes majeurs de la scène péruvienne (MIGUEL BALUMBROSIO, KIKE LARREA, etc).

"OZMA dans le Post!"

"l’une des valeurs sûres du jeune jazz mondial", "l’un des dix albums de jazz à écouter avant 2017", "parmi les meilleurs albums de 2016", "en concert cette attitude punk jazz+rock doit être le « overkill émotionnel »", "album 4 étoiles 2016, album révélation 2012", "ozma joue (…) son dernier disque, qui restera comme l’un des meilleurs publiés en 2012.", "ozma nous offre une autre contrée musicale. (…) sans doute leur coup de maître.", contact ozma.

Stéphane Scharlé Tel : +33667925020 [email protected]

Julie Cottier Tel : + 33 6 44 10 55 24 [email protected]

Estelle Coupey Tel : + 33 6 27 05 28 42 [email protected]

Eric Debègue Tel : + 33 5 46 44 96 48 [email protected]

LABEL FRANCE

Samira Ben-Embarek Tel : + 33 5 46 44 83 84 [email protected]

PRESSE FRANCE

Julie Cottier Tel : + 33 6 44 10 55 24 [email protected]

LABEL ALLEMAGNE

Nicholas Bild Tel : +49 421 69643980 [email protected]

PRESSE ALLEMAGNE

Marcel Westphal Tel : +49 221 500 859 11 [email protected]

Webmaster : Guillaume Marin Photographies : Bartosch Salmanski , Bruno Rumen , Matthieu Lemaire-Courapied , Mike Dempsey , Slawek Przerwka , Jan-Gerrit Schafer, Florence Ducommun

Les Projets d’OZMA sont portés par La Compagnie Tangram , association conventionnée par la Ville de Strasbourg , la Région et la DRAC Grand Est

© OZMA / La Compagnie Tangram 2024

Los Bitchos Return With Glittery Disco Rocker (And Tour Dates)

By Angie Martoccio

Angie Martoccio

It’s official: Los Bitchos have returned, dropping the slick disco banger “La Bomba.”

Inspired by Nile Rodgers and Anita Ward, the track stays true to the group’s signature sound — a swirling concoction of vibrant disco energy, Eighties Turkish psych-rock, and pure funk. Check out the shimmering video below, where the quartet holds a crystal ball and dances in front of a full moon.

Los Bitchos also revealed North American tour dates. They’ll head there in late fall, stopping in major cities like New York, Seattle, and Los Angeles. Check out the dates below. 

The all-women group — guitarist Serra Petale, Agustina Ruiz on synth/keytar, bassist Josefine Jonsson, and drummer Nic Crawshaw — hail from Australia, England, Uruguay, and Sweden, and are currently based in London. 

In 2022, they released their debut, Let the Festivities Begin! produced by Franz Ferdinand’s Alex Kapranos. Rolling Stone named them an Artist You Need to Know , and we’re excited for what’s next.

Meet the MVP of 'Shōgun' — Ex-Punk Rocker and Japanese Movie Star Tadanobu Asano

Billie eilish would like to reintroduce herself, team trump is ready to lose the supreme court immunity case. they’re celebrating, russian mercenaries hunt the african warlord america couldn’t catch.

Sept. 22 – Washington, DC @ Black Cat Sept. 23 – Philadelphia, PA @ Underground Arts Sept. 26 – New York, NY @ Bowery Ballroom Sept. 29 – Toronto, ON @ Great Hall Oct. 1 – Seattle, WA @ Crocodile Oct. 3 – Los Angeles, CA @ Teragram Ballroom

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OnlyOneOf add new dates to 2024 ‘Things I Can’t Say LOve’ world tour

Featuring new shows in Asia and Australia

K-pop boyband OnlyOneOf have announced more dates and concerts for their ongoing ‘Things I Can’t Say LOve’ world tour in 2024.

• READ MORE: Soojin – ‘AGASSY’ review: a captivating love letter to herself

Today, (April 26), OnlyOneOf revealed the cities and date for their long-awaited Asia and Australia legs of their 2024 world tour. It comes after the K-pop boyband announced the Japan, America and Europe legs of the tour over the past few months.

In July 2024, OnlyOneOf will hold concerts in eight Asian cities, which include Taipei, Hong Kong, Manila, Singapore and more. Following these shows, the K-pop boyband will head to Australia for two shows, one each in the cities of Sydney and Melbourne.

Meanwhile, the US leg of the tour is currently ongoing and will run into early-May. On the other hand, the Europe leg of OnlyOneOf’s tour will take place during June 2024, with tickets on sale now via the official Jin Entertainment website .

Venue and ticketing information for the Asia and Australia legs of OnlyOneOf’s 2024 ‘Things I Can’t Say LOve’ world tour have yet to be announced. Keep tabs on this page for the latest updates.

The dates for OnlyOneOf’s 2024 ‘Things I Can’t Say LOve’ world tour are:

MARCH 2024 27 – Osaka, Japan, Gorilla Hall Osaka (FINISHED) 29 – Tokyo, Japan, 1000 Club (FINISHED)

APRIL 2024 04 – Sao Paulo, Brazil, Studio Stage (FINISHED) 06 – Montevideo, Uruguay, Complejo Sala Show (FINISHED) 10 – Medellin, Colombia, The 6 Church (FINISHED) 12 – Monterrey, Mexico, Foro Tims (FINISHED) 14 – Mexico City, Mexico, Foro Puebla (FINISHED) 17 – Vancouver, British Columbia, Vogue Theatre (FINISHED) 19 – Chicago, Illinois, Copernicus Center (FINISHED) 21 – New York, New York, United Palace (FINISHED) 24 – Toronto, Ontario, Queen Elizabeth Theatre (FINISHED) 26 – Atlanta, Georgia, The Eastern 28 – San Juan, Puerto Rico, Teatro Inter Bayamon 30 – Orlando, Florida, Plaza Live

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MAY 2024 01 – Dallas, Texas, South Side Music Hall 03 – San Francisco, California, Regency, Ballroom 05 – Los Angeles, California, The Novo

JUNE 2024 02: London, United Kingdom, Heaven 04: Paris, France, The Yoyo-Palais De Tokyo 06: Amsterdam, the Netherlands, Panama 07: Cologne, Germany, Carlswerk Victoria 09: Munich, Germany, Tonhalle Munchen 12: Warsaw, Poland, Progresja 14: Milan, Italy, Fabrique 16: Madrid, Spain, La Nueve Cubierta 18: Barcelona, Spain, Sala 2 Razzmatazz

JULY 2024 02: Taipei, Taiwan 04: Hong Kong, China 05: Macau, China 07: Manila, the Philippines 09: Ho Chi Minh City, Vietnam 11: Singapore, Singapore 13: Bangkok, Thailand 16: Jakarta, Indonesia 19: Sydney, New South Wales 21: Melbourne, Victoria

#lyOn from Europe – @OnlyOneOf_twt is making their way to your country in June for their ❤️OnlyOneOf 2024 World Tour – dOpamine ❤️ Benefit package information, concert admission prices, and sales schedule will be posted tomorrow, April 12! #OnlyOneOf #OnlyOneOf_dOpamine_Europe pic.twitter.com/qk3uM8bQ1O — Studio PAV Europe (@StudioPAVEurope) April 11, 2024

#lyOn from Asia 🇹🇼🇭🇰🇲🇴🇵🇭🇻🇳🇸🇬🇹🇭🇮🇩 and Australia 🇦🇺 – Get excited because OnlyOneOf is coming your way very soon for their ❤️ OnlyOneOf 2024 World Tour – dOpamine ❤️ Get ready to join the fun on this amazing world tour and interact with the members of OnlyOneOf through our… pic.twitter.com/mbuGonhgad — Studio PAV (@studio_pav) April 26, 2024

Comprising members KB, Rie, Yoojung, Junji, Mill and Nine, OnlyOneOf are a group under 8D Creative. The group’s concept was largely developed by creative director and producer Jaden Jeong, who is known for his work with  LOONA and most recently  tripleS .

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Mickey Guyton Announces Fall 2024 CMT On Tour Dates, Drops Emotional ‘Scary Love’ Lyric Video

The North American outing is slated to kick off on Sept. 18 in Atlanta.

By Gil Kaufman

Gil Kaufman

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Mickey Guyton is hitting the road this fall for a North American tour . The Grammy-nominated country star announced the dates for her CMT On Tour Presents Mickey Guyton 2024 dates on Friday morning (April 26), along with dropping a sweet lyric video for her new single, “Scary Love.”

Mickey Guyton & Prophet’s One-on-One Conversation | Black Music Action Coalition…

Trending on billboard.

Guyton’s new single, a gentle ballad about a mother’s fierce love, opens with the heart-touching lines, “I see pictures of my mama, hangin’ on the wall/ She’s never looked so happy, and I’ve never looked so small/ Now I’m holdin’ you and I know what they say is true/ When a baby’s born that’s when a mother’s born too.”

Guyton and husband Grant Savoy welcomed their first child, son Grayson, in Feb. 2021 and the acoustic ballad’s moving lyric video features home movie footage of Guyton in the hospital cradling her then newborn and spending time with the now toddler. “Cuz I felt it before, but it wasn’t like this/ Ain’t a thing I wouldn’t do, ain’t a thing I wouldn’t give/ It’s the kind you fall into and never hit the bottom of/ It’s a scary love,” she sings on the chorus.

Watch the “Scary Love” lyric video and check out the 2024 CMT on Tour dates below.

Sept. 18 — Atlanta, GA @ Buckhead Theatre

Sept. 20 — Charlotte, NC @ The Underground

Sept. 21 — Asheville, NC @ The Orange Peel

Sept. 26 — Washington, DC @ Union Stage

Sept. 27 — New York, NY @ The Gramercy Theatre

Sept. 28 — Pittsburgh, PA @ Thunderbird Café and Music Hall

Oct. 2 — Kansas City, MO @ Knuckleheads*

Oct. 3 — Oklahoma City, OK @ Beer City Music Hall*

Oct. 15 — St. Louis, MO @ Delmar Hall

Oct. 17 — Chicago, IL @ Joe’s on Weed St.

Oct. 19 — Des Moines, IA @ Wooly’s

Oct. 22 — Madison, WI @ Majestic Theatre

Oct. 23 — Ann Arbor, MI @ Blind Pig

Oct. 25 — Grand Rapids, MI @ The Stache at The Intersection

Oct. 30 — Columbus, OH @ The Bluestone

Nov. 1 — Buffalo, NY @ Iron Works*

Nov. 2 — Toronto, ON @ Velvet Underground

Nov. 4 — Boston, MA @ Brighton Music Hall

Nov. 6 — Philadelphia, PA @ World Cafe Live*

Nov. 8 — Indianapolis, Indiana @ The Hifi*

Nov. 9 — Lexington, KY @ Manchester Music Hall

*Not a Live Nation Date

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