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Star Trek: The Original Series episode guides - All TOS episodes rated, reviewed

In those days before the Federation had continuity, there was Star Trek: The Original Series. Watch the TOS stories in any other you wish; it rarely matters, as essentially every single episode in TOS is a bottle episode. Ultimately, however, many TOS episodes are retconned into prequel stories (e.g. “The Menagerie”, “Space Seed”, “City on the Edge of Forever”), sequels (e.g. “Mirror Mirror”) or even crossovers (“The Trouble with Tribbles”) for the other series and movies.

Star Trek: The Original Series – Season 2 episode guide

Star Trek: The Original Series – the seaons, the key episodes

Season 1 – In the 1960s, TV was a different beast. Serialization (and thus continuity) was essentially non-existent. Each story plays out over a single episode only (with one exception in three years of Star Trek), thereby not allowing for much character development each season of Star Trek’s original run is really barely indistinguishable from another – but at lest that means that season 1 isn’t filled with the “growing pains” every other ST series goes through. The biggest highlights in Star Trek’s first year has got to be “The Menagerie” (episode #s 11 and 12), an eerie story of Captain Kirk’s doomed mentor Captain Pike, and “City on the Edge of Forever” (#29), a neat twist on the traditional “preserve the past” time travel tale. Also of note: “Space Seed” (#22), the introduction of Star Trek II baddie Khan.

Season 2 – Ensign Chekov joins the bridge crew for season 2, which manages to have some fun in the explicitly comic “Trouble with Tribbles” (#15) and the absolutely bananas “Assignment: Earth” (#26). And Spock fans dig on “Amok Time” (#1) and Journey to Babel (#10) for the info doled on that wacky Vulcan culture.

Season 3 – As mentioned above, a fan campaign saved Star Trek for a third series, but NBC executives were not enthused about supporting the marginally successful series and cut the show’s operating budget in half. However, Star Trek Guide must say that tripling the budget could not save scripts like those for “Spock’s Brain” (Can all Vulcans live without a brain or just Spock?), “Specter of the Gun” (Scotty’s dead because he *thinks* he’s dead?) and “The Savage Curtain” (Kirk, Spock, Vulcan hero Surak and Abe Lincoln vs. Genghis Khan, Klingon Empire founder Kahless, 21st-century Earth dictator Mr. Green – who did it in the kitchen with a revolver – and fuzzy chick Zora?) Dude.

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Star Trek: The Next Generation

Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before. Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before. Set almost 100 years after Captain Kirk's 5-year mission, a new generation of Starfleet officers sets off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before.

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• Trivia Almost everyone in the cast became life-long friends. At LeVar Burton 's 1992 wedding, Brent Spiner served as best man, and Sir Patrick Stewart , Jonathan Frakes , and Michael Dorn all served as ushers. Man of the People (1992) (#6.3) aired on that day.
• Goofs It is claimed that Data can't use contractions (Can't, Isn't, Don't, etc) yet there are several instances throughout the series where he does. One of the first such examples is heard in Encounter at Farpoint (1987) , where Data uses the word "Can't" while the Enterprise is being chased by Q's "ship".

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• Alternate versions The first and last episodes were originally broadcast as two-hour TV movies, and were later re-edited into two one-hour episodes each. Both edits involved removing some scenes from each episode.
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• April 28, 2024 | Interview: ‘Star Trek: Discovery’ Writer Carlos Cisco On Unmasking The Breen And Revisiting The ISS Enterprise
• April 26, 2024 | Michael Dorn Wanted Armin Shimerman To Play The Ferengi That Worf Killed In Star Trek Picard
• April 26, 2024 | Podcast: All Access Gets To Know The Breen In ‘Star Trek: Discovery’ 505, “Mirrors”
• April 25, 2024 | Prep Begins For ‘Star Trek: Strange New Worlds’ Season 3 Finale; Cast And Directors Share BTS Images
• April 25, 2024 | Jonathan Frakes Sees Opportunities With Streaming Star Trek Movies, Weighs In On “Filler Episodes”

Recap/Review: ‘Star Trek: Discovery’ Reflects On Its Choices In “Mirrors”

| April 25, 2024 | By: Anthony Pascale 116 comments so far

Star Trek: Discovery Season 5, Episode 5 – Debuted Thursday, April 25, 2024 Written by Johanna Lee & Carlos Cisco Directed by Jen McGowan

A solid episode with plenty of lore and character development gets weighed down with a bit too much exposition.

No, I didn’t kiss you in the past last week, what makes you say that?

WARNING: Spoilers below!

“Maybe we’re not so different.”

As the crew regroups following the time bug incident that lost them 6 hours, they try to trace the trail of their main rivals in the search for the Progenitor tech. Book takes this time to reflect on the choices he has made in life and how it isn’t too late for Moll; perhaps he can redeem the daughter of his mentor and namesake Cleveland Booker. Stamets and Tilly figure out the trail didn’t disappear into nowhere: Moll and L’ak went through a wormhole. The aperture isn’t big enough for the Disco, so the captain assigns herself to shuttle duty—over the objections of her new XO, who is still struggling a bit. After a little bonding over old Kellerun poetry, she leaves him with “I know you can lead this crew” and heads off with her ex. Returning to their old banter, including some teasing about what happened during her time tour last episode, Book and Michael head through the wormhole. Things get really choppy as they fly through exotic matter “deaf and blind,” losing comms with the Disco, and dodging debris. Skilled piloting and good ol’ Starfleet engineering saves them, but things aren’t so hot for Moll and L’ak, whose ship is spotted cut in half. Their only hope for survival is another relatively intact ship that looks familiar. A 24 th -century scientist hiding a clue in this pocket dimension on a shipwreck from another universe makes as much sense as anything.  It’s the ISS Enterprise—and that’s no typo. If the “Mirrors” title wasn’t clue enough, the ISS does it: Things are about to get Terran, again.

After docking, Michael and Book make their way through the mess of a ship to the bridge with more playful banter. The warp drive has been bricked and all shuttles and escape pods are gone, very out of character for ruthless Terrans. They track three quantum signatures in sickbay, but start with a trace in the transporter room, which looks more like a makeshift refugee camp. A chronicle reveals the crew mutinied after the Terran High Chancellor (aka Mirror Spock) was killed for making reforms. A certain Kelpien rebel leader (aka Mirror Action Saru) led refugees to the Prime Universe, where they abandoned ship. While Book expositions, Michael puts a piece of her badge (and its important Prime Universe quantum signature) in a locket she finds. Pay attention BTW, or you will be confused later. In sickbay, they find Moll and L’ak, Moll and L’ak, and Moll and L’ak—until they take out the holo-emitters so the four former couriers can face off for real. Book tries the “I knew your father” gambit and is immediately rebuffed by Moll’s serious daddy issues. The baddies figure they have the clue so they have all the leverage, but Michael uses that locket as a bluff, claiming she has the real clue. Still, no deal with the Federation is good enough because they need the Progenitor tech to get rid of an Erigah… a Breen blood bounty. That’s right, L’ak is Breen. Holy refrigeration helmet , Batman.

Mirror McCoy was a bit of an evil pack rat.

“You both still have choices .”

Cut to a series of Burn-era flashbacks when Moll was delivering dilithium to the Breen Imperium. The “bucket heads”  are not amused by the wisecracking courier who gets into a fight with one of them, but she turns the tables, revealing she knows he’s a disgraced member of the royal family—and she even knows his name. It’s L’ak, of course. He is intrigued by her plan to skim more latinum, getting payback for being humiliated for this cargo duty demotion. Soon enough, this unlikely pair is hooking up between cargo containers and he even takes off his helmet to show her his face, as well as his “other face.” It turns out the Breen have two: the one we have been seeing with L’ak and a glowing eyed translucent one.  Later, the star-crossed romance is threatened when Moll is drawn to the lure of even more latinum by delivering to the Emerald Chain. Before they can sort out if he should join her, Uncle A-hole shows up, not happy about his nephew’s little interspecies exchange program. He’s also not cool with L’ak using that old face and not the “evolved” glowy face. L’ak is given one chance at redemption: Kill Moll. He picks door number 2, killing some guards but sparing Primarch Ruhn, who declares the Erigah. L’ak knows this means they will never stop hunting him, but Moll is all-in on being a fugitive, so they escape together. Ah, true love.

Back on Mirror Enterprise, the standoff devolves into another quick firefight as the Breen/Human duo chooses not to take the offered off-ramp before going too far down the bad guy road. Moll and Book end up outside force fields that pop up around sickbay, so she reluctantly agrees to a ceasefire. The current Cleveland Booker tries again to connect, but Moll only has bad memories of a brutal childhood of abandonment after her Cleveland left her on her own at age 14. L’ak is all she has. L’ak feels the same about Moll, telling Michael that he would die before being separated, but seems open to the idea of them sharing a cell in the Federation pen. On the bridge, Book pivots to use his relationship with Michael to connect, but Moll’s need to get back to L’ak means no waiting for computer hacking, so she starts yanking out wires. The resulting short does lower the forcefield, but now the ship is out of control. Their shuttle is flung off with the jolt and there’s only eight minutes until the Big E is squished in the little wormhole. Book takes his final shot, handing over his phaser and telling Moll she is the only family he has left. She finally relents and they head to sickbay, where Michael and L’ak have resumed fighting. The captain gets the upper hand and ends up with the clue L’ak was holding and the Breen is left with a knife in his side, but impressed by the locket bluff. Moll arrives and is super pissed, so the Disco duo makes a quick exit before things escalate into yet another phaser fight. This former courier couple’s double date is over.

Uh, can you go back to the other face now?

“Maybe we can shape our own futures too.”

As Moll tries to patch up her boyfriend, Michael and Book work through the problem on the bridge, deciding that the tractor beam as their only hope. Over on the Disco, they detect an oscillating pattern, 3-4-1-4, which means something to Rayner. He now wants the nerds to figure out how to open the wormhole aperture big enough for a ship, offering kegs of Kellerun booze for the best idea. Adira sparks a team effort and Rayner rallies around the crowdsourced solution involving a hexagon of photon torpedoes. “We are only going to get one shot at this. I trust you will all make it count, red alert.” That’s the stuff. With what may be the last seconds of her life, Michael lets Book know she shared a “happy” moment with his past self during the whole time bug incident. Discovery fires the torpedoes and the crew is surprised to see the ISS Enterprise emerge at the last minute from the permanently collapsing wormhole. Everyone releases their tension as the captain informs her crew they saved her… but why is the Enterprise about to fire? A warp pod is launched! It’s Moll and L’ak. Before you can say “plot armor,” they escape to another episode. The captain returns to the Disco to tell Rayner she’s impressed with how he handled the crew during her time away, and he tells her how impressed he was with her subtle “3-4-1-4” message using the Kellerun “Ballad of Krull.” Alien poetry FTW!

In the background of the episode, Tilly has been noticing that Dr. Culber seems out of sorts. Everyone else leans on him, so she offers to be a friendly ear. As things wrap, Hugh takes her up on her offer over drinks at Red’s, admitting that ever since he was possessed by a Trill a few episodes back, he has been feeling a bit off, and he’s beening having some trouble coming to grips with the quest they are on with questions “so big and impossible to grasp.” He is not sure his matter-of-fact husband will understand what Tilly points out is a sort of spiritual awakening. This thread is left unresolved, unlike Adira’s mini-crisis of confidence: They were losing their science mojo due to guilt over the time bug, but got it back through Rayner’s tough love and being the one to come up with the hexagon of torpedoes solution. Things wrap up with Michael and Book looking over their prize, the latest piece of the map and a mysterious vial of liquid hidden inside, ready to set up the next episode once Stamets unlocks its secret. Burnham is starting to see a pattern with these clues and how the scientists who left them were trying to teach lessons along the way to the successful questers. The clue hidden in the ISS Enterprise came from Dr. Cho, a former Terran junior officer who later became a Starfleet Admiral. This happy ending for her and the others from Saru’s band of Mirror refugees fills them with hope as they can’t wait to find out what they will learn when they put the map together. There are just 2 more map pieces and 5 more episodes to go.

I think I have a thing for being possessed—no judgment.

Love stories

This halfway point episode is a bit of a mixed bag. Strong performances were a highlight, bringing extra life to welcome character development for both heroes and villains. But valiant attempts to expand upon franchise lore got weighed down in overly complicated exposition. And for an episode with a strong (and yes, often repeated) theme about choices, some of the directorial choices just didn’t work, potentially leaving some audience members confused or requiring a second viewing to follow the narrative. On the other hand, the episode carried on the season’s reflection on Discovery’s own lore and the evolution of its characters. David Ajala stands out as the episode MVP as he shows Book’s struggle to navigate the emotional complexities of his own choices and those of Moll while desperately trying to forge a new family connection. While some of the action scenes in this episode felt a bit perfunctory, the show is still getting better (for the most part) in finding moments for those character sidebars to talk about their emotional journeys and relationships. That was especially important in this episode, which took a closer look at how the events of the season are impacting some of the key romantic pairings of Book and Michael, Paul and Hugh, and Moll and L’ak.

Eve Harlow—and especially Elias Toufexis—stepped up to add layers and nuance to Moll and L’ak, with Discovery finally embracing how fleshing out adversaries and their motivations goes a long way towards making your plot hold together. The nicely drawn-out reflection of their love story with the rekindling one between Michael and Book adds another layer to the more obvious meaning behind the episode title “Mirrors.” Moll’s single-minded anger and L’ak’s desire for safety now all make sense, as does their unshakable bond. The episode also did a good job weaving in a handful of substories, including Rayner’s growing connection with the crew, with a nice sprinkling of Kellerun lore-building — adding some color to his character. Callum Keith Rennie continues to be a stand-out addition for the season, although Doug Jones is sorely missed, presumably not appearing in two episodes in a row for some scheduling reasons. Culber’s spiritual journey also gets just enough time, as it and these other substories all feel like they are heading somewhere without distracting or spinning their wheels, something that often weighed down mid-season Discovery episodes in past seasons.

Okay, let’s just agree we both have daddy issues.

Under the mask

The reveal that L’ak is a Breen was a surprise, but also nicely teased through the previous episodes. Fans of Deep Space Nine should relish finally getting some answers about this enigmatic race and finally having a first look under those helmets. “Mirrors” picked up on many elements from DS9, including the Breen language, refrigeration suits, neural truncheons, and the position of Thot , while adding lots to the lore, including some worldbuilding behind this new Breen Imperium and its “faction wars.”

Setting the Breen up as what appears to be the real big bads for the season involved a lot of data dump exposition here, surely keeping the editors of Memory Alpha busy for the next week. The notion that Breen have two forms with their signature suits and helmets allowing them to hold the more “evolved” form and face makes sense. If one were to get nitpicky, the Breen aren’t supposed to bleed, but perhaps that was a function of his suit; fill in your own headcanon. L’ak’s desire to hold the other, less evolved form making him a pariah in Breen society has echoes of allegorical episodes such as TNG’s “The Outcast.” That being said, the nuances are still not entirely clear, and fans who like the lore shouldn’t have to rewatch scenes to pick up the details. It feels like some details were cut, perhaps because this episode was already trying to cram in too much exposition with the Breen, Kelleruns (they boil cakes?), and the Mirror Universe.

Like the previous time travel adventure, this was a mid-season bottle show, this time using the conveniently located Strange New Worlds sets. Bringing back the ISS Enterprise was clever and fun, with the twist of how this time the Mirror Universe came to us. If you follow closely, “Mirrors” did a nice job of filling in some lore gaps and tying together the MU storylines from the first visit in “Mirror, Mirror” to follow-ups in Deep Space Nine , Enterprise , and Discovery . There is now a nice throughline from Emperor Georgiou saving Mirror Saru through to Mirror Spock, killed for the reforms he instituted after being inspired by Kirk. However, the redress of the Enterprise sets was not very inspired, with only a smattering of Terran wall sconces and some repainting, instead of demonstrating the brutality of the Empire with elements like agony booths. But what was even more missed was the promise of any character crossovers. There was a lot of talk about Mirror characters like Spock, Saru, Dr. Cho, and others, but we don’t get to see any, one of the many examples of how this episode broke the golden rule to show not tell. There were plenty of opportunities for a flashback or holo recording. Burnham longingly gazing at her brother’s science station is no substitute for Ethan Peck with a goatee.

We’re back!

Final thoughts

“Mirrors” is a decent episode, but it could have been much better with a few tweaks here and there. While not falling into the pointless plate-spinning trap of past mid-season Disco outings, it still dragged a bit for something so jam-packed with lore and revelations. Still, it provided a nice hour of entertainment, and possibly more with rewatches to catch up on the little details. The episode also continues the season’s welcome trend of weaving in the show’s own past, which makes it work better as a final season, even if they didn’t know that when they crafted it. Season 5 hits the halfway mark, and it’s still the best season yet, and hopefully the second half of the season will nail the landing.

Wait, we’re in this episode too? Anyone remember their lines?

• Like the previous episode, “Mirrors” began with a warning for flashing images.
• The episode is dedicated “to the loving memory of our friend Allan ‘Red’ Marceta ,” the lead set dresser who died in a motorcycle accident in 2022.  Presumably the USS Discovery bar “Red’s” was named in his honor.
• This is the first episode where Book’s personal log starts it off.
• Stardate: 866280.9
• Booker examined wanted notices for Moll from the Federation, Orion/Emerald Chain (who have a new logo), and the Andorian Empire.
• Tilly was able to reveal the wormhole by compensating for the “Lorentzian Coefficient,” referencing the real Lorentz Factor used in special relativity equations.
• A new ensign on the Discovery keeps a Cardassian vole as a pet.
• The ISS Enterprise was built at Tartarus Base, possibly referencing Tartarus Prime , from the TOS novel The Rings of Time .
• Moll refers to Breens as “bucketheads” (just as Reno did to Emerald Chain Regulators last episode). This could be a nod to the use of “ bucketheads ” in Star Wars as a derogatory term for stormtroopers.
• Moll’s mother died on Callor V in a mine for Rubindium , a substance first mentioned in TOS “Patterns of Force.”
• Linus can play the piano.
• Breen Primarchs may be a nod to the genetically engineered Primarchs from Warhammer 40,000 .
• How does Book know that Pike’s catchphrase is “Hit it”?
• This is the third (of five) season 5 episodes in which Oyin Oladejo and Emily Coutts do not appear, but their characters, Detmer and Owosekun, are mentioned when they get the honor of escorting the ISS Enterprise back to Starfleet HQ.
• Even though we didn’t see it warp away, presumably the missing intermix chamber was replaced, otherwise Owo and Detmer’s trip is going to take a very long time.
• Tilly says her long day makes her feel like she has been through a Gormangander’s digestive tract.

Remember when Mudd hid inside a Gormagander? Gross.

More to come

Every Friday, the TrekMovie.com All Access Star Trek Podcast  covers the latest news in the Star Trek Universe and discusses the latest episode. The podcast is available on Apple Podcasts ,  Spotify ,  Pocket Casts ,  Stitcher and is part of the TrekMovie Podcast Network.

The fifth and final season of  Discovery debuted with two episodes on Thursday, April 4 exclusively on Paramount+  in the U.S., the UK, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia, and Austria.  Discovery  will also premiere on April 4 on Paramount+ in Canada and will be broadcast on Bell Media’s CTV Sci-Fi Channel in Canada. The rest of the 10-episode final season will be available to stream weekly on Thursdays. Season 5 debuts on SkyShowtime in select European countries on April 5.

Keep up with news about the  Star Trek Universe at TrekMovie.com .

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waste of ISS Enterprise

While I enjoyed the episode overall, the ISS Enterprise was a huge letdown and not even worth being an easter egg with what little they did with it. They should have just made it a generic constitution class ship from the mirror universe.

It felt like it was nothing more than a budget saver. Use existing sets from the other show. Which is weird because one of the arguments in favor of mini seasons is it allows more money to be spent.

That’s exactly what it felt like. Along with the missing, yet again, Detmer and Owosekun.

There must have been some deep budget cuts for the season.

Detmer and Owosekun were replaced by other characters so I don’t think they are missing for budget reasons. It’s more likely that the actresses were unavailable.

I get the budget issues considering what’s going on with the studio. But the end result was it showed that there isn’t much difference at all in the 900 years between the SNW Enterprise and the aesthetic of Star Trek Discovery. They both look as if they were set in the exact same era.

And there really shouldn’t be much. Discovery is from the same era, as the Enterprise. While the ship gets a technological upgrade, why would it get an interior design makeover?

Since it was deemed important (Stamets certainly makes since) that the crew stay on the Discovery, I would certainly think that psychologically having its design aesthetics stay similar to what it was would help give the crew a little bit of their past to hold on to, versus having all physical interactions be with a timeline that they aren’t native to.

Now where we should see it is in native places in this time. And we have seen some differences in design from standard Starfleet settings, versus Starfleet settings on this time (I actually wish we got more).

I did wish for a little more of self reflection from Burnham’s point of view as the ISS Enterprise should of course remind her of Spock (the Enterprise tie in), but also Georgiou (the ISS tie in). We get a small brief nod to Spock, but nothing to Georgiou (and while I still question the use of the character, there is no question that Burnham did have a connection with her, even if its primarily transference from her former Captain, not the mirror Universe Empress.

It’s not just the ship. It’s everything. Everything else looks like it matches the ship’s aesthetic. As if 900 year old retro is the current fad in design.

That’s always been my issue with Discovery.

To me that is part of the downfall of going so very far into the future. What aesthetic you make should be radically different. Not just shinier.

Agreed. The last two episodes just felt very budgeted and basically bottle episodes. And this just felt like a twofer, a way to use an existing set and add a little fan service but that’s all it was. I thought the Enterprise itself was going to be a viral part of not just the episode but the story overall.

Instead it was just a backdrop. And yeah it’s obvious they cut the budget for this season but all the live action shows have felt this way starting with Picard season 3 and SNW season 2. That all felt pretty bare a lot of the times. I guess this was all during Paramount+ belt tightening and probably not a shock why the show was cancelled.

And maybe the I.S.S. Enterprise should have been the refit or maybe the Phase II Enterprise? That would have been a lot of fun but combine a lack of vision with a reduced budget and this is what you get.

Looking back on “In a Mirror: Darkly”, season 4 of Enterprise was dealing with a reduced budget but managed to recreate sets from TOS, introduced a few new set pieces and did a lot of great effects work.

This was a missed opportunity.

Which was added by stretching that story over two episodes, so that they had the budget to recreate the sets they used. Having half the episode count, doesn’t really help avail yourself to planning out a two parter for a way to save costs.

If Picard could pull off recreating the bridge of the Enterprise D for three days of shooting with barely half the budget of Discovery season 5, they could have done something equally as fun for Discovery on the cheap without actually having to building anything new and using the Enterprise as a crutch. They could have come across Deep Space Station K-7, where the exterior would have been immediately familiar and with interiors served by redressed sets from virtually anything available from Discovery or SNW.

I thought Discovery is basically the PII Enterprise?

The Phase II Enterprise looks like a slickly modified version of the Enterprise from TOS, falling squarely between the Enterprise from TOS and the refit. The “Star Trek: Phase II” fan series did a great job bringing it to screen.

No, Discovery resembles the Enterprise concept for the Planet of the Titans movie.

I don’t get that. I never assumed that the Enterprise (or its mIrror Universe history) was going to feature in significant manner (certainly the producers and promotional department didn’t make a significant deal about it). Perhaps it’s the time difference. But I literally assumed it would be as significant as the Defiant going in and out of phase like TOS “Tholian Web” the time difference. And that was primarily set dressing. That’s not a bad thing. I mean Tholian Web is considered one of the better third season episodes.

And the only reason I assumed it was the Enterprise versus another Connie, is simple to give Burnham a moment to reflect on Spock. Now I do freely admit that I wish this was a slightly larger moment. But I never expected it to be anything but a small moment. Roughly my preconceived notion would be something like Spock’s Mind Meld scene with La’an in SNW where she is able to get a peak into Spock thinking about his sister and the emotion that comes with it. It’s a very brief scene, but I thought SNW did a good job in conveying the emotional aspect, especially from a half Vulcan/ Half Human.

Ok fair enough. This is probably more my hang up and to be fair since they never really promoted the the Enterprise being back then clearly they weren’t trying to make it that big of a deal.

But same time a lot of people do feel there could’ve been more done. The main problem is it just feels like a ridiculous stretch this ship itself is even there. It’s a ship from 900 years ago from a DIFFERENT UNIVERSE that conveniently happens to be the ship that gives them their next clue. I know it’s Star Trek so whatever lol. But when you go through the effort to present it I think it would’ve nice to build a bigger story around it. It could’ve just been any ship.

Exactly! The ship could have been any ship. The fact that with such an enormous universe(s) they would happen to find the next clue on a Mirror Universe ship and the ISS Enterprise no less–it’s such “Small Universe Syndrome”.

When you feel like the Mirror Universe has been nothing but a let down after the initial TOS episode, It’s really not a surprise. There’s really nowhere to go with it, but I did find that the fulfilling of the promise that Prime Kirk spoke to Mirror Spock about from the original TOS episode quite satisfying. The ship’s inhabitants embraced the benevolence of the prime universe, and I thought that was great.

I felt the idea that the MU people just easily adapted was pretty ridiculous. But then, they admitted SNW was an alternate timeline. It’s not a stretch that alternate extends to all the Secret Hideout productions.

I’m not sure I would feel the same about Picard given it depicts the Prime events of ST:2009. The others tho yeah I think of it that way too. Although The Chase does make that harder to swallow about DISCO

I liked the MU in DS9. It was fun to revisit and a great reminder of the Prime Directive. But… after that it got tiresome.

It was pretty benign there, but the problem with it, is finding it plausible. It was a fun idea in the 1960’s, and it had a good message. After that, it an indulgence. The notion that that the same people would even exist in the same fundamental places, and that the same ships would exist with virtually the same crew just seems like too much of a stretch even for modern Star Trek.

That’s my only complaint about this episode. Seeing the tantalus field show up would have been really cool. When Michael talked about how she was sure that Mirror Spock was a savage just like the other Terrans, I was sure that we would see a recording or something of Ethan Peck in a goatee to prove her wrong. Or flashbacks with Ethan Peck and Paul Wesley as their mirror counterparts would have also been cool.

All the stuff with the Breen and Mol and Lak was really cool though.

“ waste of ISS Enterprise” should be the official episode description.

waste of series

They ate Mirror Saru in season one…

Was that Saru or another Kelpian? It’s been a while since I watched Season 1, but I recall Mirror Saru saving Burnham from Tyler just as Voq’s personality re-emerged. I know Mirror Georgiou served Burnham some Kelpian, I just didn’t remember it being Mirror Saru.

Mirror Saru saved Michael from Tyler in The Wolf Inside, which was the episode that preceded the one in which they ate the food made from a Kelpien (Vaulting Ambition).

Looking at Memory Alpha now, it says that the chosen Kelpien ( https://www.youtube.com/watch?v=aVQSipQlJR8 ) was played by someone other than Doug Jones, but they look so much alike that I thought for sure she had chosen Mirror Saru.

As per Memory Alpha, we never saw him again after The Wolf Inside until season three, but that was in the alternate timeline Carl sent Georgiu to, so it wasn’t the same Mirror Saru.

Nope, that was another Kelpien.

“They ate Mirror Saru in season one…”

They didn’t.

Wasn’t Mirror Saru established as having survived in Season 3 (can’t remember the episode name).

A s per Memory Alpha, we never saw Mirror Saru again after The Wolf Inside until season three, but that was in the alternate timeline Carl sent Georgiu to, so it wasn’t the same Mirror Saru.

Loved this episode. I liked seeing the I.S.S Enterprise though i would of loved to of seen maybe a video log of Mirror Spock.

As a big fan of DS9 I’m glad we finally get to see what a breen looks like and the 32nd century breen outfits look great.

I enjoyed seeing Book/Burnham trying to get through to Moll/L’ak and i hope they can eventually get through to them. With this season about connections and 2nd chances i can see Book and Burnham talking both of them down before they do something that they can’t come back from.

The shot of the I.S.S Enterprise coming out of the ‘wormhole’ is probably one of my favorite CGI scene in all of Trek.

I’m glad they didn’t. I think the conceit of using the I.S.S. Enterprise was not much more than a budgetary decision to be able to use the sets. Could have made it a different constitution class, but then they don’t get to tell the story of the crew’s transformation into our society. Just don’t think about it too much.. because that universe is just pushing out its own doppelgängers into our universe.. which seems problematic. lol.

As a big fan of DS9 I’m glad we finally get to see what a breen looks like and the 32nd century breen outfits look great.

Any kind of big reveal was bound to be disappointing, I suppose. Still, the idea that they were just another latex alien was a letdown. I had always hoped that the Breen were gaseous or plasma creatures.

Ethan Peck with a goatee would have been EPIC

“This is the way.” 😉

But seriously that was a pretty good episode. I’d like to see a 31st century restored Terran empire that never went through “the burn.”

“ The reveal that L’ak is a Breen was a surprise ”

It really wasn’t, though. That was many viewers’ guess since the beginning of the season, and it’s been a common discussion on many websites. The surprise would have been if he HADN’T been a Breen.

I am on a lot of other sites and I haven’t heard anyone thinking he was Breen. And I don’t believe anyone voiced that in Trekmovie either.

LOL. It’s been a common theory.

Obviously not THAT common. LOL

I’ve seen the theory mentioned in the comments here on TrekMovie.

Yes, quite common from what I’ve been reading. I just commented on this very site a couple weeks back that I liked the idea, when somebody else theorized it (forget who it was)!

I guess it’s just where you go for these discussions but yeah the first YouTube review of episode one I saw theorized Lak was a Breen in the first scene he was in when he took off his helmet. And this was obviously before the species was mentioned on the show.

So yeah some people caught on the first episode the way others theorized Tyler was Voq the first time he showed up. Others needed more convincing.

I never saw it but I certainly don’t read the majority of comments. And almost never watch video reviews. Now Voq, was something I remember seeing in many places. Though in fairness, the amount of conjecture done about any Trek series for its Pilot and early couple episodes has been in my experience far more than what you see for most regular episodes. So that shouldn’t;t surprise me.

It was a surprise to me.

The Breen being so ordinary looking was a bit of a surprise.

Well, one of their forms are. It explains the frozen wasteland/tropical paradise. Their “evovled” form needs cryo suits, their “normal form” doesn’t

Was a surprise to me. Then again, I don’t run around the internet and over analyze the show.

This season started out so well. What happened? It’s falling apart.

I hate to a agree. But its once again a long slow burn (pardon the bun) that I fear is going to lead to another whimper of a conclusion. I feel like the season could have been a movie instead. Where is Chapel?!

Wrong show. Chapel is on SNW. The ending was rewritten and new scenes were shot to make it a series finale. They had already started shooting when they got the word that it was ending after season 5.

presumably on Her show, SNW?

“pardon the bun” …🍔⁉️

What’d that poor bun do for it to be in need of a pardon? 😋

This is what happens in every single season of Discovery. Two lovers who want to destroy the galaxy so they can get to paradise was the plot of season four, and now they are recycling the exact same plot for this season.

Did you watch the show. In no seasons has two lovers wanted to destroy the galaxy….Period. L’ak and Moll want to pay off their bounty. Nothing about what they are doing is about wanting to destroy the galaxy.

Outside of the destruction caused by the aliens referred to as 10-C, did any character want to destroy the galaxy let alone a couple. The only couple we had, was one person wanting peaceful means of communication to prevent destruction, while the other wanted to use force to ensure the destruction doesn’t occur. In no case does that equal people wanting to destroy a galaxy.

I can understand not liking the show, but to have such a misconstrued concept of the plot of the seasons shows a shocking lack of basic understanding of what the plot and motivations of the characters are.

I mean the show has plenty that one can find legitimate issues with. Thats not one of them.

They want to pay their bounty by giving a weapon of potential mass destruction to the Breen, thus destroying the galaxy, as seen in the time jumps last episode. They want to do that so they can escape to the Gamma Quadrant while the Breen take apart the Alpha Quadrant.

Last season the scientist wanted to let the 10-C species bulldoze the Alpha Quadrant so he could get across the galactic barrier to meet his lover in paradise, without caring what happened to trillions of other lives.

It is the same basic plot point. Your analysis is incorrect, Wood.

I think you’re overreacting a little. As always.

This episode was disappointing and fell flat. The return of the ISS Enterprise from the mirror universe was of no interest. I had hoped to possibility see a video log from Kirk, Spock, or another familiar character. Why not explore other Constitution Class Starships like the ISS Lexington, Hood, or Potemkin? Enterprise, Enterprise, Enterprise. (Sigh)

Maybe cause the enterprise is the trek ship pretty much everyone knows even if they are a new trek fan or a casual trek fan or not even a trek fan it is so engrained and intertwined with the name Star Trek that is why they chose to make it the iss enterprise instead of one of the others you mentioned

Because exploring a random ship isn’t the plot of the episode. It’s basically set dressing. Having it be the Enterprise versus a different Connie, gives it a tie to the lead character and part of her family she left behind. That it sorry wise. Another ship wouldn’t have any emotion aspect to the characters. Now production wise its to save a ton of money, as creating a random ship with multiple settings to take use of takes money (if your trying to give it the same level of production that you see for the primary ship). Now of course they could have just created a redress of an existing set to be random alien ship of the week. Those usually aren’t done to the same level of using the existing bridge set of another show. So it serves a small story purpose (ie a setting), it serves a small character purpose *reflection for Burnham, and it serves a production purpose (having high quality set pieces without having to build or do a serious redress and thus saving some money).

Seems rather obvious, to me.

I’m annoyed by what they seem to be doing with Owosekun and Detmer this season. I assume that the actors are absent because Paramount wanted to pay them less, and that’s poor treatment for characters who have been around since practically the beginning of the series.

“ I’m annoyed by what they seem to be doing with Owosekun and Detmer this season. ”

…as opposed to the previous four seasons, when all they did was sit in chairs and look meaningfully at each other?

Which is all Sulu and Chekov do in the average TOS episode. So yes, it’s aggravating for them to be replaced by other actors who are doing the same thing.

I doubt they are paid exorbitantly as recurring guests. It could be similar to what happened in season 4 and Bryce Ronnie Rowe Jr’s absences – he had another gig.

I have a theory that before it was decided that Disco would be cancelled, they were going to replace some of the characters. I think Owosekun and Detmer were going to be replaced, and also that Rayner would become captain and Burnham would go away to do something else. But then that didn’t work out, and so to us it just makes no sense why those two main characters are suddenly missing.

You might be right — I hadn’t considered that revamps due to cancellation might be involved.

Well… It is what it is . This was easily the worst episode of the 5. Tropes galore and really bad plot contrivances.

It feels like the reshoots for when they got the cancelation news are getting dropped in throughout the season. A lot of scenes appear grossly out of place. It feels like they just aren’t even trying anymore to be honest. As flawed as the show has been one thing that never came across among the other problems was a lack of trying.

I am loving the addition of Rayner and the professional Starfleet officer energy he is bringing to the ship. I also liked when he told Burnham the mission was too dangerous for the captain to go on. He is turning out to be a nice counterbalance to the unusual way Discovery has been run as a Starfleet ship after season 2.

I hope he doesn’t get killed off.

Sorry but this was another big fat ‘meh’ for me. This was very very disappointing. Nothing of consequence happened. We learn Mol and Lak backstory basically and it is cool we learn that Lak is a Breen which has been the leading theory since he showed up but it just felt sooo bare overall. Like another Discovery infamous spinning wheel episode where they do the bare minimum to move the plot along but just through a lot of action scenes and inconsequential dialogue to feel like we were getting any real development.

And the biggest elephant in the room (or dimensional wormhole) was the ISS Enterprise. Such a let down. It almost felt like a gimmick or just shoehorned fan service. There was no real reason it needed to be there other than HEY THE ENTERPRISE IS BACK!

Again one of the problems with this show, no real development just there for another connection. Think about what they did with In a Mirror Darkly on Enterprise. They brought in the Defiant as obvious fan service from TOS but the ship had a very vital part to the story. It helped changed the dynamics of the MU. It wasn’t there just for show like this was. And Anthony made a great point the redress felt like a joke. It just felt like an excuse to use the set but little else.

Here it was nothing more than just a backdrop and a really forced one at that. And the whole Saru thing just felt very contrived.

I did like all the Breen stuff though and hopefully they will be the big bad the rest of the season. I still think they should’ve used the Breen as the main villain for SNW instead of the Gorn but I digress.

But yeah this is probably the weakest one for me which is disappointing since last week is my favorite so far. I’m getting a little nervous now. It’s usually the second half of the season this show begins to falls apart but still open minded. Still enjoying it overall but please don’t end up a tedious bore like last season felt once it got to its mid season.

You have one last chance Discovery, make it count!

I never considered the Breen in SNW before, but that’s a cool idea. Yeah, I would’ve liked that much more than the Gorn.

For me it was literally the first Gorn episode I thought the Breen would’ve been a better idea. You get the same type of stories and it doesn’t feel like it’s breaking any canon like the Gorn obviously does. I ranted enough about it but nothing about their appearance on SNW feels remotely canon anymore.

But the Breen could’ve been a great substitute if they wanted a known species not named Klingons and zero canon issues.

Agreed. I always enjoyed the mysterious quality of the Breen. Seems ripe for exploration.

This season is largely working for me. Not as good as last week, but the chase is enjoyable. I have a little trouble buying that Mol and L’ak fell in love so fast. I would have liked to have seen that handled better.. but the slow burn of the plot works because of what they do to sustain individual episodes. Only episode I thought was kind of wasteful was the one on Trill.

That is a big part of the problem, yes. The characters have little chemistry.

The flashbacks took [place over an extended period of time, it wasnt THAT fast

They both felt like outcasts in their family/society, fusing them together like lightning. I had no problem with that as it gave me a Bonnie & Clyde-vibe which is historical.

It’s fine, but the romance piece just isn’t clicking for me.

Tarka was a similar situation last season with the reveal of his motivation not really moving me, but I’m also not the biggest fan of waiting several episodes to fill in a lot of backstory in a flashback. It’s not easy to pull off, and Discovery hasn’t really perfected it.

It’s a wonder I stuck with Lost as long as I did, now that I think about it.

“ it’s still the best season yet ”

Well, it was for the first two episodes, but the three since then have been a downward spiral. Seasons one and two were much better than this week’s episode and last week’s.

I’ve enjoyed it all except for the Trill episode. I think it’s been fun with a faster pace.. which has helped with a lot of issues that haven’t gone away. Raynor has been a very welcome addition to the cast.

Overall, very entertaining!

For complaints: any other constitution ship would be cool – but I also feel like we don’t know what happens next – there could be some Prime Mirror Universe people out there. & the “hit it!” joke felt like Dad was in the writer’s room.

Otherwise, I the pairings felt very TOS. Rayner is a little bit Serious Scotty when performing a captain’s role. And he took pride in rescuing her – which is feels good.

For me, this season has been 5/5.

Personal Log. Stardate: Today.

Week 4 of not-watching Discovery continues without incident. Opinions gleaned from critics on the latest episode seem to confirm that ‘mid-season malaise’ has been reached right on schedule.

Based on the collective opinion of commentators, there have been a grand total of one episode out of five that qualifies as “actually good”.

In conclusion, it appears the decision to not-watch until the penultimate episode has been vindicated. The plot points I am privy to following the one episode I watched are:

– There is a chase (or ‘The Chase 2.0’) for the Holy Grail / the technological marvel Salmone Jens left behind.

– The Cylon is now the First Officer.

– The Trill and the Robot are no longer together.

All in all, I remain confident that the recap at the beginning of the penultimate episode should be sufficient to fill in all the key points required.

Again, my thanks go out to the resolute souls who manage to endure what I could not.

these threads are for people to talk about the episodes they have seen. CLOSED.

Am I wrong or did the DS9 episode Through the Looking Glass make a reference to the Mirror Spock being on Romulus? Also given all the DS9 cross overs with the Mirror Universe you would think Burnham would have known something more about her brother’s counterpart.

Spock was not mentioned in Through the Looking Glass. We know between Crossover and the new dedication plaque of the ISS Enterprise that he reformed the Terran Empire and was killed for it. Burnham has clearly boned up on a lot of info since coming to this century, but easy to assume the future history of the mirror universe wasn’t part of that. Also, that info could have been lost or been classified.

Wow! The Breen. From CGI to burn victim.

Does anybody think the Commander Rainer is gonna become the Commandant of Starfleet Academy?

Everything involving Book is incredibly tedious. They brought back the ISS Enterprise as a way to resurrect the OG Enterprise in continuity. Perhaps it ends up as the Enterprise Q or whatever, if Saru is in command then ok. Burnham insisting on going on the away mission is diametrically opposed to how TNG dealt with this – e.g., when Riker as captain insisted on boarding the Borg cube in Best of Both Worlds, and his senior officers reminded him his place was on the bridge. I guess everyone got much dumber in the 32nd century, but “dumber” is Discovery’s whole concept.

This post missed an important Easter egg towards the end: Morn was at the bar “Red’s” just like he did on Quark’s on DS9.

We don’t call out or find every little egg, but when the bar was introduced last season we noted the Lurian (Morn’s species), who has been there ever since. We don’t usually do repeated easter egg bits for each episode

Yay! Good seeing the Breen again and their evolved design in the 32nd Century is great.

Boo! Pretty much everything else except Rayner who is the best character in the show.

Imagine they used the Star Trek: Tour set in Trekonderoga for the ISS Enterprise? What a cool surprise that would have been. But nope, we got the generic canon-breaking Discoprise. Not surprised.

I swear if they make the new Enterprise in the 3190s a refitted Constitution, I will facepalm. Just a stupid idea, when you have far superior tech and designs in the future time period. Please don’t, Disco-writers. Bad enough they did it with the Ent-G (one of my few criticisms of the great PIC S3).

here are 6 points for a reply to each of your issues with snw and dsc as a whole and this episode in particular

1.there is already a constitution class in the 32nd century it’s design was also used pre burn in the late 31st century so i dought they would refit iss enterprise like they did with the discovery plus they did say the ship was being taken to a federation storage facility

2.as for why they used the snw sets and cg assets well two reasons for one location/budget convenience as snw is shot in toronto at the same studio as dsc is and two they have said from the start they visually updated the 23rd century to fit visually better between ent era and tmp era mainly star trek 5/6

3.and there is nothing canon breaking about any of the new shows as they give explanations that tie back to enteprise and first contact since enterprise tied into that movie for the reasons of in unverse changes to the prime timeline universe and that is time travel to fix the past either on it’s own or part of the temporal cold war

4.and the temporal Cold War which later turned into the temporal wars is the reason the discovery was refited and givin the -A at the end of the registry is to hide the fact the ship and crew time traveled and broke the law agaisnt any form of time travel that was put into place after the temporal wars and a smaller part to protect starfleets butt

5.and if you have to don’t look at seasons 1 and 2 of dsc and snw as prequels to tos but as sequels to ent and then veiw ent as a sequal to first contact as i hear it makes it easier for some tos fans to enjoy these trek shows

6.or use the in universe reasons for the changes mentioned above in point 3 to be able to enjoy watching new trek shows mentioned above in point 5

Would it have been too much if Dr. Cho was instead Marlena Moreau? Just saying. Kind of like Dax in Jinaal… I feel like they are making all of these deep cuts, why not make them count a bit more to the overall lore, instead of just throwing the ISS Enterprise in with no good reason. Making these deep cuts actually count towards the overall lore might make the obvious (potential) budget cuts, set reuses, etc. be a bit more forgiving. Giving loved characters some finality that affect the course of this in our face galactic scale quest… might make it hit harder? Maybe I’m wrong, I’m sure someone here will think so lol

Overall the episode was okay. I do understand using the ISS Enterprise since this is supposed to be the final season of Discovery it was a nostalgia play and kind of wrap up the history of that ship in regards to the series. But overall it just seems kind of mashed together. Have to see how it ties in with the rest of the season.

I would say this episode along with the one before it were definitely the weakest of the season. They started out with a bang on the first few, and while I know that they tend to slow down in the middle of the season before ramping up the action for the final few, this episode dragged. There were also a few things with the Breen and the Enterprise that seemed a bit confusing:

– The Breen have 2 faces…great! Awesome twist to the species and fantastic to finally be able to see them after all the mystery around them in DS9. If the second face is supposed to be the more evolved one though, why do they need the masks and the suits? Can the more evolved face not breathe in a standard atmosphere? When L’ak and his uncle opened up their masks, they seemed fine, so there’s still quite a bit we don’t know about why they use that whole setup, especially when they’re around their own people

– Does the more evolved form extend past the face?

ISS Enterprise

– The stardate on the commemorative plaque is 32336.6. Popping that number into a couple of online stardate calculators puts that around mid-2355, which would be a few years before the prime universe Enterprise-D was commissioned in 2363. They mentioned that Dr. Cho came back to the Enterprise to hide the clue, so the assumption is that she also placed the plaque there at the same time. The timing doesn’t quite add up though because The Chase took place in 2369. Nobody would have known about The Progenitors or their technology before that, so they were at least 14 years off with the plaque

– If this Enterprise has been caught in extradimensional space since at least 2355, that means it’s been there for over 800 years by the time it’s discovered. How does it still have power?

– It’s been discussed by the Disco production team that the Discovery-era Enterprise was designed so that it could eventually be refit into the TOS Enterprise. The ISS Enterprise was contemporary with Kirk’s version and was seen on screen in TOS in that configuration. Why is the version in this episode the Discovery one? I know the real-world explanation is that it was easier to just re-use that model to align with the sets, but we saw a TOS-era Constitution class USS New Jersey at the Fleet Museum in Picard, so they had that model available to use. Just a bit sloppy

– How did Stamets immediately know that the ship exiting the wormhole was the ISS Enterprise and not a different prime Constitution class ship?

Photon Torpedo

– The solution to hold the wormhole open for the Enterprise to escape was to remove the payload from the torpedoes and replace them with antimatter. Photon torpedoes are matter/antimatter weapons, so this is a little confusing. Are they taking out the matter and just loading them with more antimatter?

I don’t know that it’s been there for 855 years.. not sure if it’s kind of like the Nexus or the black hole in Trek 09, where time does things differently. My guess is, that’s how the people on board were able to integrate into society. Their doppelgängers were long deceased.

Here’s the other thing… if the idea of revolution started with Mirror Spock, and the crew of the Enterprise more or less went along with him.. this is a way of explaining how they didn’t spread the idea to teh rest of the Empire.. they were lost in space and didn’t have much, if any, influence off of their own ship.

But they did spread the idea enough to weaken the empire to the point where it could be conquered.

Yeah I was wondering that also. It’s possible since it was extradimensional space that it didn’t put them in exactly the same time that they left. Also odd that they said Dr. Cho went BACK to the Enterprise to hide the clue. That’s a pretty risky trip unless the wormhole was more stable back in the 24th century.

It is strongly implied, if not explicitly stated, that the wormhole’s instability was caused by the Burn. So, it had to be more stable in the 24th century.

they never said that the ship would be refited into the tos version as they said those 60’s sets and ship model design would not look good or belivable as from our future with modern filming cameras they said from the start they visually updated the mid 23rd century to fit better visually between ent era designs and tmp era designs mainly using Star Trek 5/6 as the basis for the tmp era side of the designs

as for the new jersey that was just a pandering memberberry easter egg for the fans that hate the visual updates and even blass has said he objected to using the 60’s design for the ship and pointed out that it should have used the snw model for it and that it was all on terry who was more interested in filling episodes with those easter eggs and memberberries like all the stuff on daystrom station and for having data come back instead of having a brand new soong type android that was exactly as alton soong designed it to be a amalgamation of data lore lal and himself

I feel like I’m seeing the same episode over and over, what a waste this series is became.

Great episode! This season has really been fantastic so far. The writing has been consistent, the acting of the principals is fantastic, and the pacing has been great.

I really loved the scenes with Rayner in command. That worked so well!

Loved getting the backstory about Moll and L’ak – it really did add layers to their characters and their story. And the reveal that L’ak was a Breen! I never saw that coming! Was great to know more about the most underdeveloped and mysterious alien race in Trek history.

Seeing the ISS Entreprise was a treat! I am guessing it was lost quite some time after mirror Spock took over from mirror Kirk. Nice Easter Egg… better than having some unknown ship in there.

Looking forward to the remaining episodes.

Did anyone else see “Morn” (or one of his species) sitting at the bar in Red’s?

Yes, I did catch that. It was a fun detail.

Seriously, an episode doesn’t go by without at least one eye roll over the touchy feely huggy share my feeling vibe that is shoe-horned into worst places. I wonder what this series would be like if Bryan Fuller had stayed on…

It would had been .. a Star Trek show, not this happy sad feeling sharing at all costs every single time somebody speaks.

I have a question because I’m really confused:

So discovery originally was set less than a decade before ToS. (And then they ended up far in the future)

The ISS enterprise is a reference to the ToS episode about the mirror universe. So that means the ISS enterprise is a contemporary with ToS and the USS enterprise, which means Dr Cho (who was expressly stated to be Terran) was about back in Kirk’s day.

However the progenitor technology and science in general was only discovered in TNG under Picard and i think it was expressly stated that the scientists that hid this research were originally asked to research it after the discovery by Picard in the first place.

TNG is set in the 24th century but ToS is set in the 23rd century – theirs about a hundred years between them.

So I’m trying to understand the timeline here because at the moment, from what I understand, it’s a human from the 23rd century somehow became a scientist on a study in the late 24th century and then stole the research and helped hide it with her 4 pals.

No the iss enterprise entered that anomaly in the mid 24th century sometime after 2355 going by the stardate on that plaque and the ship got unstuck in time via the anomaly and the refugees and survivors of mirror Saru’s revolt ended up in the late 31st century prime verse timeline sometime prior to the burn happening and then doctor Cho who was one of those survivors returned later to the ship to hide the clue there before leaving again and never returning and wiping all references to the ship from records so that it would not easily be found

I thought for sure the Real Captain Lorca would be found in the transporters.

What a waste of an episode… filler and feelings…. Rinse and repeat

What an empty, disappointing episode. Discovery feels smaller and smaller every season.

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Preserving Gene Roddenberry’s legacy and history of “Star Trek”

• Posted by Michelle Galina
• April 26, 2024

This post originally appeared on the  Adobe blo g  on March 21st, 2024.

The Roddenberry Archive is a collaboration between OTOY, The Roddenberry Estate, and iconic Star Trek artists Denise Okuda, Mike Okuda, and Daren Docterman to preserve Gene Roddeberry’s legacy in all media, but especially the history and cultural contribution of all eras of Star Trek . In a multi-pronged approach, the team is documenting Star Trek through interviews with cast and crew members, 3D scanning original props, costumes, and sets, making walk-through digital recreations of the sets from the series and movies, and producing documentary featurettes.

VAD supervisor Mark Spatny, senior hard surface artist Donny Versiga, and motion graphics artist Andrew Jarvis, are a few of the members creating this experience. Check out how they are using  Adobe Creative Cloud  to keep Gene’s legacy alive.

You can check out this project and immerse yourself in the world of Star Trek  here .

How did you first get into VFX design? What drew you to it?

Spatny:  I started working in live theater in the late ‘80s in Los Angeles as a set and lighting designer, and in the early ‘90s began using architectural previz software to design my scenery. I soon found that I enjoyed doing computer graphics as much as the physical theater production, so I transitioned into visual effects where I can combine all those skills. I have since worked on more than 50 TV series and films on-set and in post-production as a VFX supervisor and producer, specializing in both action/stunt/superhero VFX and complex set extensions.

Versiga:  I got my start back in 2000 when I was 16 years old, creating my own custom levels in first-person video games like Doom and Dark Forces . At first it was just rearranging pre-existing assets in a level map, but soon I learned the basics of modeling, texturing, and lighting to achieve more customized results. After a year or so of being active in the video game modding community, I realized that I could merge this newfound hobby with my lifelong love of Star Trek by bringing to life my favorite Trek sets in a 3D digital world via real-time rendering.

Jarvis:  I really took the long way around. I graduated with a degree in philosophy and psychology and started working as a cashier at a coffee shop doing web design jobs on the side. But each job was a little better than the last, and in my free time I was learning  Adobe After Effects , 3D animation and ZBrush sculpting. One day a friend of mine met someone who did screen graphics for film and television, he gave me their number, and I never looked back.

What was the inspiration behind the VFX work on this project? What were you trying to achieve?

Spatny:  Space-themed TV shows have always been my passion ever since I was a kid — Star Trek , Battlestar Galactica , Lost in Space , Stargate , Doctor Who , and anime shows like Space Battleship Yamato and Macross . In 2018, as a member of the Television Academy board, I helped champion giving the Star Trek franchise the Academy’s Governors Award Emmy. So, I’m super excited to finally be working in that genre, helping preserve the history of a show I’ve loved for 50 years.

Versiga:  My goal on the Roddenberry Archive is to not only simply create CG replicas of the sets and props of Star Trek , but also to immerse the end users in a highly detailed and exceptionally immersive virtual tour of some of the most beloved ships and settings of the fictional universe. I want users to feel like they are actually stepping onboard the “Enterprise” via the comfort of their digital devices, in awe of the degree of accuracy.

What Adobe tools did you use on this project and why did you originally choose them?

Spatny:  Premiere Pro is a key editing platform for our documentaries and concept videos. Since we’re dealing with footage transferred to video across many eras and standards, we depend on Premiere Pro’s ability to easily handle a variety of video formats and standards natively.

Versiga:  I am a huge fan of the  Adobe Substance  suite of Adobe tools, particularly  Adobe Painter . I have used the tool for nearly a decade now to add more fidelity and customization to the materials I apply to my models. I originally started using it during the interview process for a job in the video game industry because I recognized that my biggest weakness in my skill set at that point was texturing. I learned via the official tutorials on YouTube and fell in love with the incredibly powerful program. Since then, I’ve been an advocate of Painter in every job I’ve had, even giving tutorials and lessons for those new to the software.

Jarvis:   Adobe Illustrator  is where I spend my most time, but I also use  Adobe Photoshop  and After Effects. I’ve been using the Adobe suite as an FUI (fictional user interface) designer for nearly a decade now so it was the natural choice.

How did you begin this project? Can you talk about the collaborative process with the art department teams from the TV shows and films, and the process of creating your work from start to finish?

Spatny:  The Archive is a decades-long passion project from Jules Urbach, the CEO of OTOY and the Roddenberry Estate. The CG team currently consists of artists in 6 countries, some of whom previously worked on Trek series and games. They work in a variety of DCC tools, and Star Trek art department legends Denise and Michael Okuda and Daren Dochterman review and approve all the assets we recreate for authenticity.

We work mostly from publicly available reference sources such as screen grabs from the series, blueprints and technical drawings that have been published, and photos from the internet. We also have teams that work with private collectors to scan original props and costumes, and we can scan actors in our Lightstage capture facility in Los Angeles, CA.

Eventually, the finished models are converted to ORBX files to render on the  Render Network , a decentralized high performance GPU computing platform. Real-time environments that users can explore are rendered on Amazon cloud servers and streamed to user’s local devices, such as the Apple Vision Pro , via OTOY’s X.IO streaming service.

Describe your favorite piece or component of the project. How did it come together and how did you achieve it?

Versiga:  My favorite piece so far that I’ve created for the Roddenberry Archive would have to be the Enterprise — a bridge scene at the very end of Star Trek IV: The Voyage Home . Fans were only provided with a glimpse of this new bridge in the film, but we knew the set was a heavy redress of the bridge set seen in the preceding three films. However, the big unknown factors were the details of the hundred or so display graphics that adorned the bridge’s control consoles, of which only a handful were ever seen on screen.

Fortunately, Mike Okuda was able to provide us with a copy of the original overview document of the displays that he created during his work on the film, which I used as a guide for creating our digital representations of each display in Adobe Photoshop and Illustrator. It was a huge honor for me to work on that project, as for the first time we were able to provide fans with an accurate representation of the new Enterprise bridge set from that film.

What were some specific challenges you faced? How did you go about solving them?

Spatny:  Because our artists come from different backgrounds and industries, they use a variety of workflows and tools. One of my biggest challenges ahead is helping standardize procedures and simplify communication with the international team. That way, we can more easily scale the team and pivot our work to new platforms, using the best practices I’ve learned from the VFX companies I’ve worked with previously.

If you could share one tip about any or multiple Adobe tools you used, what would it be? (e.g. favorite Photoshop/AE/Premiere Pro “hack”)

Spatny:  Every week we have a 3-hour art review session with Daren, Mike, and Denise, and sometimes the notes come in hot and fast. We record the sessions and then use Premiere Pro’s transcription tool,  Speech to Text , to help gather and summarize the most important points to relay to our art team. One advantage of this over other transcription tools is that it works on my local machine, not in the cloud, so it has no security issues. That’s a huge plus for companies that depend on proprietary IP.

Versiga:  When I first started using Adobe Substance Painter, I was excited at the ease of adding things like dirt and edge wear to my models’ textures, so much so that I overused it in my early days. I’ve since learned to make my application of those effects far more subtle. For instance, if I’m modeling a clean Starfleet prop, I’ll add very  subtle  roughness variation in the form of light scratches, smudges, and fingerprints to make them appear only slightly used and have a level of realism for up-close inspection. On the other hand, I’ll save the heavier rust, metallic edge wear, dirt, and grime effects for the Klingon props and sets.

Who is your creative inspiration and why?

Spatny:  I keep David Mack’s Kabuki comic books in my office. He’s a brilliant artist who sometimes uses wildly different art styles on every page of his comic. It’s a reminder that we always need to be innovating in both design and technical approaches in our industry. You can never be satisfied with doing the same thing the same way twice.

Jarvis:  For this project, it’s got to be Michael Okuda. His dedication to the franchise and the consistent design style he brought to the screen graphics made Star Trek such a cohesive universe. His work really helped spark my interest in digital art as a boy. Decades later it would be my honor to collaborate with him on Star Trek: Picard , and now at The Roddenberry Archive.

What’s the toughest thing you’ve had to face in your career and how did you overcome it? What advice do you have for people aspiring to get into the VFX space?

Jarvis:  Creating screen graphics for on-set playback can be a very stressful job. In many ways, it’s more difficult than post VFX because you have to be ready for the day of shooting instead of doing your work after the scene is shot. You’ll get conflicting feedback from multiple departments, day-of requests from set, and ridiculous deadlines.

In many ways, it’s more difficult than post VFX because you have to be ready for the day of shooting instead of doing your work after the scene is shot.

My advice to anyone who wants to get into VFX is to just do it. Don’t wait for someone to hire you, just start making things. The barriers to creating your own content have never been lower, and with free software you can create really polished work without a formal education. Put something out that shows off your style and expertise and don’t be afraid to reach out to people who are doing the kind of work you’d like to be doing.

Share a photo of where you work. What’s your favorite thing about your workspace and why?

Spatny:  Working from my home office in L.A. full-time now is a huge improvement over filming on a frozen lake in Canada or at night in pouring rain in Wales. My favorite thing about my home office is my signed photo of the Star Trek: The Next Generation cast hanging over my desk.

Versiga:  My favorite thing about where I work is that it’s from home. Although I miss the social component of working in an office, there’s a very comforting quality to working from home, and I find that I’m able to maintain a greater degree of concentration while I work compared to an office environment.

Jarvis:  That would of course have to be my framed poster of Christopher Cushman’s iconic Enterprise D cutaway poster that hung on my bedroom wall all through grade school.

Michelle Galina

Michelle Gallina is senior product marketing manager, Creative Cloud: After Effects and Character Animator at Adobe.

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