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Beyonce’s Renaissance Photographer Gives a Behind the Scenes Look at the Tour’s ‘Magic’ 

"The live energy is incomparable," said photographer Rafael Pavarotti.

By Rania Aniftos

Rania Aniftos

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As for the outfits, Pavarotti noted that it “was always a surprise for me when she came out of the dressing room, looking extremely marvelous.”

It’s been a wildly successful tour so far, as Bey posted career-high numbers when she wrapped the European leg of the tour in Warsaw in late June. According to figures reported to  Billboard Boxscore , Beyoncé grossed $154.4 million and sold 1 million tickets across 21 shows, marking the biggest gross and attendance of any of Beyoncé’s previous European legs.

See the full series of photos here and here.

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Beyonce's Renaissance World Tour: See all the epic photos and fashions

See all the dazzling photos from the "Cuff It" singer's tour.

Beyoncé is currently making her way through the North American leg of her Renaissance World Tour and captivating concertgoers with her dazzling performances and fashion moments.

The Grammy-winning singer most recently performed at Gillette Stadium in Foxborough, Massachusetts, Tuesday night and will perform next at FedExField in Summerfield, Maryland, Aug. 5-6.

MORE: Beyonce's daughter Blue Ivy appears onstage during Paris show

Here are some of Beyoncé's most stunning looks from her shows so far:

Beyoncé first kicked off her world tour in Europe in May, wowing audiences with her vocals, theatrics and style choices in major cities including, Paris, London and Barcelona.

One standout look came during her first show in London, when she stepped out onstage in a red bespoke Off-White bodysuit, which was covered in 40,000 red hotfix crystals , according to the label.

She also wore a custom bee-inspired look from Mugler.

The singer's 11-year-old daughter Blue Ivy Carter has also appeared on the Renaissance World Tour stage. Blue Ivy made her tour debut during her mom's show in Paris . She also took the stage during Beyoncé's concert tour stop in East Rutherford, New Jersey, at MetLife Stadium.

See more of Beyoncé's showstopping looks below:

MORE: Beyonce announces 'Renaissance' world tour for 2023

Read on for everything you need to know about Beyoncé's world tour.

When did Beyoncé announce the world tour?

Seven months after the release of her seventh studio album, "Renaissance," the "Cuff It" singer took to Instagram to announce her Renaissance World Tour .

The tour is her first solo tour in more than six years.

When did the Renaissance tour start?

The Renaissance World Tour kicked off Wednesday, May 10, at the Friends Arena in Stockholm, Sweden.

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According to the Friends Arena website , the show was slated to run for three hours.

MORE: Beyonce teases new release 'Break My Soul,' dropping at midnight

When does the tour run until.

In addition to Stockholm, Paris, London and Barcelona, the European leg of her tour made stops in Belgium, the United Kingdom, and Denmark. Beyoncé's final European show was in Warsaw, Poland, on June 28.

The North American leg of the world kicked off in Toronto at Rogers Centre on July 8. Following her show at FedExField -- which is located just outside Washington, D.C. -- the singer will head to Charlotte, North Carolina; Atlanta; and Tampa, Florida.

Beyoncé's final scheduled performance of the tour will be held Oct. 1 at GEHA Field at Arrowhead Stadium in Kansas City, Missouri.

When was the last time Beyoncé toured?

Beyoncé's last solo tour was the Formation World Tour in 2016, which followed the release of her sixth studio album, "Lemonade."

In 2018, she toured with her husband Jay-Z, for the On The Run Tour.

What is the Renaissance World Tour setlist?

During her tour, Beyoncé has performed songs off her latest album, including "Cuff It," "Heated" and "Virgo's Groove."

At her first tour stop in Stockholm on May 10, she sang a number of fan favorites, including "1+1," "Run the World (Girls)," "Get Me Bodied," and "America Has a Problem," among others.

Beyoncé's "Renaissance" album was released on July 29, 2022, after it was leaked two days prior. The album is the first part of a three-act project and features a total of 16 tracks with collaborations from artists such as Drake, Tems and Pharrell Williams.

MORE: Beyonce officially drops 'Renaissance' album, thanks fans for 'unwavering support'

In an Instagram post, the singer said that "Renaissance" was recorded over three years during the COVID-19 pandemic.

"Creating this album allowed me a place to dream and to find escape during a scary time for the world," she said. "It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. ... It was a beautiful journey of exploration."

How to get Beyonce 2023 tour tickets

While tickets to see the singer on tour sold out quickly in many cities around the world when sales began in February, fans can still purchase tickets on Ticketmaster.

This article was originally published on May 10, 2023.

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All the Photos From Beyoncé’s Renaissance World Tour

She stole the show in custom pieces from Fendi, Gucci, and more

The Renaissance has begun. Beyoncé has stayed incredibly quiet since releasing her critically lauded seventh studio album last summer and now, devout members of the Beyhive are finally able to witness songs such as “Break My Soul,” “Cuff It,” and “Virgo’s Groove” live. Bey opened her first show in a custom shimmering, metallic suit courtesy of Alexander McQueen while she thanked everyone in the crowd who traveled from all over the world to be with her for the tour’s opening night. “You could have been anywhere in the world tonight, but you choose to be here with me,” she said to the crowd after taking the stage. It’s safe to say fans across the world will continue to show up for Queen Bey as the tour progresses from now until the fall. Ahead, see all of the photos from the ongoing Renaissance World Tour.

Beyoncé in Stockholm

The superstar wears custom Alexander McQueen and Tiffany & Co. jewelry for the opening night of the Renaissance World Tour, on May 10, 2023.

Beyoncé onstage on night one of the Renaissance World Tour.

Beyoncé wearing custom Courrèges alongside her dancers.

Beyoncé onstage wearing custom Gedebe boots in Stockholm.

Beyoncé onstage in Stockholm.

Beyoncé in custom David Koma.

Beyoncé onstage in Stockholm in custom Loewe and gold custom booties by Gedebe.

Beyoncé in custom Alexander McQueen and Tiffany & Co. jewelry.

Beyoncé wearing custom Coperni.

Beyoncé in London

Beyoncé in custom Roksanda.

Beyoncé and Blue Ivy in London

Beyoncé and Blue Ivy coordinating in Loewe .

Beyoncé in Mary Katrantzou .

Beyoncé in custom Alexander McQueen .

Beyoncé in custom Off-White.

Bianca Betancourt is the culture editor at HarpersBAZAAR.com , where she covers all things film, TV, music, and more. When she's not writing, she loves impulsively baking a batch of cookies, re-listening to the same early-2000s pop playlist, and stalking Mariah Carey's Twitter feed. 

Quinci LeGardye is an LA-based freelance writer who covers culture, politics, and mental health through a Black feminist lens. When she isn’t writing or checking Twitter, she’s probably watching the latest K-drama or giving a concert performance in her car.

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Beyoncé is welcomed home by Houston’s chrome-covered fans

By Lauren Bulbin and Mark Felix | Sep 25, 2023

Houston’s NRG Stadium was brimming with a new kind of energy this weekend. The Beyhive swarmed the city for the arrival and performance of Beyoncé. This was the Queen’s triumphant return to her hometown stage, where she performed for thousands of fans on Saturday and Sunday night on her Renaissance World Tour. Fans arrived from all over the world, causing tickets prices in Houston to be among the most expensive on the global tour. Some paid 3x more than in other cities for floor tickets. And, of course, there was no shortage of chrome cowboy style!

Mark Felix for The Washington Post

These fans arrived early at NRG Stadium for Beyoncé’s record-breaking Renaissance tour.

Kurt Grinder, right, 28, holds Daniel Bautista’s, 25, hat during a Beyoncé-themed pre-game party in Houston.

“Beyoncé has been a part of my life since hearing Destiny’s Child on the radio as a kid. Her artistic growth, the way she empowers my friends and her pure talent are truly a gift she has given us. I love her for her dedication to her craft, her spirit and the Beyhive! #JusticeforThique”

— Kurt Grinder, 28, from Austin

Daniel Bautista, 25, has his photo taken by a friend during a Beyoncé-themed pre-game party in Houston.

“Beyoncé, being a fellow Virgo like myself, really encapsulates the hard work, talent and commitment to her artistry that I fell in love with. Apart from being nothing short of pure talent, she is an amazing human being that loves and respects everyone around her and that is a characteristic that sets her apart from most A-list celebrities. Lastly, I love and adore Beyoncé because time and time again she demonstrates that she doesn’t make music, she creates art that will transcend time and cultures.”

— Daniel Bautista, 25, from Austin

Yazmeen Hicks, 31, whips around her ponytail during a Beyoncé-themed pre-game party in Houston.

Yazmeen Hicks, 31, is a restaurant hostess in Austin. She says she loves Beyoncé for her work ethic and inspiring commitment to social issues. “Her feminine boss energy is empowering.”

Ariel Arias, 30, laughs with her friends Trenton Rodgers, left, and Suade Graham during a Beyoncé-themed pre-game party in Houston.

Trenton Rodgers, 29, laughs with friends during a Beyoncé-themed pre-game party. Rodgers traveled from New York City for Beyoncé’s Houston concert. He said, “She creates spaces for Black, Brown and Queer folks to celebrate OURSELVES. And the talent ... c’mon now!!”

Brittany Plange, 27, from Tulsa, poses for a portrait during a Beyoncé-themed pre-game party in Houston. She loves Beyoncé because she makes her believe she can accomplish anything.

Ariel Arias, 30, wears disco ball earrings during a Beyoncé-themed pre-game party.

Ariel Ray Arias, 30, is a corporate recruiter in Houston. She says, “Beyoncé celebrates inclusion, sets the bar for creativity and innovation.”

Brittany Heckard, 30, is a lobbyist in Austin.

“She is a great performer. I don’t consider myself part of the hive, but I feel like everyone should see her perform. Denying her talent is kind of ridiculous.”

— Brittany Heckard, 30, from Austin

Beyoncé concert goers ride a packed metro train in Houston.

Christie Lindog, 31, waits to catch the Metro train to go to the Beyoncé show in Houston.

Beyoncé concert goers board the metro train in Houston.

Michelle Chea, 32, from San Antonio, poses for a portrait outside of NRG Stadium. When asked why she loves Beyoncé she said, “She’s the greatest entertainer alive! Influential, represents for us Texas girls!”

Shea Brummett, 28, from Houston says, “I love Beyoncé because she is my QUEEN!”

Shanoi Corrodus, 24, traveled from Philadelphia for the Houston show. “She radiates positivity and her music gets me through everything,” said Corrodus.

Billy Pinkerton, 32, from Houston, recreated the hat that Beyoncé wears on stage while performing her song “Formation.”

Fans wait in line outside of NRG Stadium.

“I love Beyoncé because she inspires me to do the most. Black women are told they have to shrink themselves to be accepted in society, but she represents the complete opposite. Be yourself at max capacity. Do the most, be extra ... Go above and beyond for yourself. Be that GIRL.” — Jada Murray, 23, from Austin.

Ken Thompson, 28, from Houston, said, “Beyoncé has been my favorite artist since childhood. She empowers me to want to always be myself!”

Ivette, 28, traveled from Miami for the show. “It's been on my bucket list to see her in her hometown for years,” she said. “Her energy and dedication to her craft is unmatched!”

“Beyoncé is a statement within herself. Her name, her energy, her presence. She inspires me to be unapologetically my Brown self. From my unique name to my unique body. She’s the epitome of bold grace.” — Lakota White, 27, from Dallas.

Sydney Wyatt, 21, from Houston, says Beyoncé’s makes all her fans feel beautiful and confident.

Tavar Derrick, 24, in an engineer from Cincinnati.

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British Vogue Went Backstage On Beyoncé’s Renaissance Tour

By Alice Cary

Social media has provided extensive coverage of Beyoncé ’s Renaissance tour thus far. The stellar vocals, cowboy hat-clad attendees and epic dance routines have dominated feeds since Queen B first stepped onto the stage in Stockholm on 10 May, but the happenings backstage have stayed largely out the public eye – until now.

Exclusively for Vogue , photographer Rafael Pavarotti ventured behind the scenes during her explosive London performances, to capture the mood before, during and after her breathtaking sets. “The live energy is incomparable,” he says of the one-of-a-kind assignment. “It literally was something unique that I’ve never seen or felt before.”

The photographer helped to shape the early Renaissance visuals with his July 2022 cover shoot for British Vogue , featuring a resplendent Bey astride a horse, wearing a peacock-feathered Harris Reed halo. But photographing the star in work mode was an entirely different kind of brief. “Watching her live is very different: she has a transcendent energy so powerful that it is surreal to experience in person,” he says.

The five-second shot: Beyoncé wearing custom Loewe in a giant clam shell.

By Beatrice Zocchi

By Marley Marius

By Joy Montgomery

The Vogue shoot was a history-making fashion moment in itself, and Renaissance was yet another style win for Bey: the fashion concert to end all fashion concerts. “It was always a surprise for me when she came out of the dressing room, looking extremely marvellous,” says Pavarotti, who witnessed first-hand the multiple costume changes ( opera gloves ! Catsuits! Crystals!) that were planned and executed with as much precision as her choreography.

With the help of Beyoncé’s official photographer Mason Poole (an invaluable guide), who “already understood all the spots, her movements and timings”, Pavarotti was a fly on the wall as the singer took audiences on a journey through her greatest hits , from albums Renaissance to 4 and back again. “It was really beautiful to see all the magic happening so close,” he says, praising the meticulous attention to detail and organisation of her team. “This was the first time I had this kind of experience in my life, it was mesmerising and a lot of fun.”

In one particularly memorable moment, Pavarotti had just seconds to click the shutter when the singer laid herself inside a gargantuan shell. The resulting image became one of his favourite shots. His position backstage also allowed him to capture a powerful frame of her levitating confetti finale from behind. “It was like I was having the same vision that she had, of those thousands of people.”

By Edward Enninful

Beyond the singer’s takeover at the Tottenham Hotspur Stadium, audiences across Europe have marvelled at the exquisite tour wardrobe she’s debuted at every show. “We created pieces that were visually delicate but also durable,” says designer David Koma, who made the bespoke printed minidress seen in Pavarotti’s portfolio, while fellow London-based talent Roksanda Ilincic “brought out her fearless charisma that we, as women, all admire and adore so much” with her sculptural electric blue gown.

Off-White’s art and image director Ib Kamara reveals he was “WhatsApping like crazy” after watching Beyoncé, Blue Ivy and the dance squad walk out in his custom looks at the London show, and Robert Wun felt similarly moved seeing Bey in his voluminous couture. “It felt very surreal and emotional.”

For Balmain’s Olivier Rousteing, creating looks for Renaissance was another milestone in his long-standing partnership with the star. “As everyone who knows me already knows, I love a challenge. And perfecting creations that combine the best in modern Parisian couture’s savoir-faire with the needs for performances in sold-out arenas… well, believe me, that is an amazing challenge.”

Time will tell what Beyoncé will wear next, but she well and truly made her mark on Europe.

Gliding up the staircase in custom Courrèges.

Striking a pose in David Koma.

A moment for the vintage-inspired custom Mugler.

Levitating in a Coperni cape.

Custom Mugler for the Beyhive.

Preparing to wow crowds on her disco horse.

Performing in a corseted Andreas Kronthaler for Vivienne Westwood creation.

Beyoncé and photographer Rafael Pavarotti.

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Photos: Beyoncé fans arrive in style for the first of three shows at SoFi Stadium

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Beyoncé’s fans arrived in style for the first of three nights at SoFi Stadium. The singer asked concertgoers to wear their “most fabulous silver fashions” to celebrate “Virgo season together in the house of chrome,” and they delivered.

The best silver outfits glimpsed so far: a guy in a glittery mariachi suit, a woman dressed as an alien superstar, and a dude in full chain mail. Reports from the road promised a high-tech, costume-heavy 2½-hour show.

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Sept. 3, 2023

Brandon Turner, right, and Julius Farr arrive at Beyonce’s Renaissance World Tour. (Jason Armond / Los Angeles Times) N’dierra Jennings of Inglewood poses for a portrait before entering Beyoncé’s Renaissance World Tour. (Jason Armond / Los Angeles Times)

Jessie Jacob poses for a portrait before entering Beyonce’s Renaissance World Tour on Friday. (Jason Armond/Los Angeles Times) Brittney Henry poses for a portrait before entering Beyonce’s Renaissance World Tour. (Jason Armond / Los Angeles Times)

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Beyonce fan Siegfried Quain poses for a portrait before entering Beyonce’s Renaissance World Tour. (Jason Armond/Los Angeles Times) Jessie Jacob poses for a portrait before entering Beyonce’s Renaissance World Tour. (Jason Armond / Los Angeles Times)

Matt Cusolito, of San Diego poses for a portrait before entering Beyonce’s Renaissance World Tour. (Jason Armond/Los Angeles Times) Shaun Taylor poses for a portrait before entering Beyonce’s Renaissance World Tour on Friday. (Jason Armond / Los Angeles Times)

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Jason Armond is a staff photographer at the Los Angeles Times. A native of North Carolina, he graduated from the University of North Carolina at Chapel Hill, where he received a bachelor’s in media and journalism. His work as a photographer and videographer has been recognized by the Hearst Journalism Awards, the White House News Photographers Assn. and the North Carolina College Media Assn. As a freelance visual journalist, his work has been featured in several publications before joining The Times.

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Beyoncé performed the first show of her two-leg “Renaissance” world tour in Stockholm, Sweden, and already delivered a number of head-turning looks paired with standout visuals. During her opening night show for her seventh studio album, she looked to a number of designers, including Alexander McQueen, Balmain and Courrèges, Loewe and more. The most awarded Grammy artist in history just had a standout fashion moment when she collaborated with Balmain’s creative director Olivier Rousteing on a couture collection inspired by the “Renaissance” album, with a look for each song.  Here, WWD gives a closer look at the singer’s tour looks so far.

Beyoncé’s Renaissance World Tour Looks

Beyoncé onstage wearing Alexander McQueen during the opening night of the “Renaissance” world tour on May 9 in Stockholm, Sweden.

Beyoncé wearing a Courrèges bodysuit, Gedebe boots and Tiffany jewelry during opening night of the “Renaissance” world tour on May 9 in Stockholm, Sweden.

Beyoncé in a custom David Koma mother of pearl look on opening night of the “Renaissance” world tour on May 9 in Stockholm, Sweden.

Beyoncé onstage wearing a Loewe embellished bodysuit in satin technical jersey with all-over appliqué gold crystals during the opening night of the “Renaissance” world tour on May 9 in Stockholm, Sweden.

Beyoncé performs onstage wearing custom Coperni during the opening night of the “Renaissance World Tour” at Friends Arena on May 10 in Stockholm, Sweden. 

Beyoncé performs onstage wearing Loewe during the opening night of the “Renaissance World Tour” at Friends Arena on May 10 in Stockholm, Sweden. 

Beyoncé performs onstage wearing custom David Koma during the opening night of the “Renaissance World Tour” at Friends Arena on May 10 in Stockholm, Sweden. 

Beyoncé performs onstage wearing a Courrèges bodysuit during the opening night of the “Renaissance World Tour” at Friends Arena on May 10 in Stockholm, Sweden. 

Beyoncé performs onstage wearing Alexander McQueen during the opening night of the “Renaissance World Tour” at Friends Arena on May 10 in Stockholm, Sweden. 

Beyoncé in Valentino at her “Renaissance” world tour show in Brussels, Belgium on May 14.

 Beyoncé performs onstage wearing Mugler during the “Renaissance” tour on May 29 in London.

Beyoncé performs wearing Off-White in London on May 29 for her “Renaissance Tour.”

 Beyoncé wearing Alexander McQueen performs onstage during the “Renaissance” tour on May 30 in London.

Beyoncé wears custom Gucci to perform onstage during the “Renaissance” tour on June 17 in Amsterdam.

Beyoncé wearing Feben performs onstage during the “Renaissance” on June 18 in Amsterdam.

Beyoncé performs onstage during the “Renaissance” tour on June 18 in Amsterdam, Netherlands. Beyoncé wore her own custom Ivy Park design for the final show in Amsterdam. 

Beyoncé wearing custom Carolina Herrera in Hamburg, Germany on June 21 for her “Renaissance World Tour.” 

Beyoncé wearing custom Elie Saab performs onstage during the “Renaissance” tour on June 27 in Warsaw.

Beyoncé wearing custom Balmain performs onstage during the “Renaissance” tour on June 28 in Warsaw.

Beyoncé wearing Marine Serre performs onstage during the “Renaissance” world tour on July 22 in Chicago.

Beyoncé wearing custom Schiaparelli performs onstage during the “Renaissance” tour on July 22 in Chicago.

Beyoncé performs wearing custom Louis Vuitton in Detroit, Michigan on July 26 for her “Renaissance World Tour.” 

Beyoncé wearing Miu Miu in East Rutherford, New Jersey on July 29 for her “Renaissance World Tour.”

Beyoncé wearing Ivy Park in East Rutherford, New Jersey on July 29 for her “Renaissance World Tour.”

Beyoncé wearing Marc Jacobs in East Rutherford, New Jersey on July 29 for her “Renaissance World Tour.”

Beyoncé in custom Philosophy di Lorenzo Serafini in East Rutherford, New Jersey on July 29 for her “Renaissance World Tour.”

Beyoncé wearing Valentino in East Rutherford, New Jersey on July 30 for her “Renaissance World Tour.”

Beyoncé performs onstage wearing Arturo Obegero during the opening night of the “Renaissance World Tour” on August 1 in Boston, Massachusetts.

(L-R) Blue Ive Carter and Beyoncé wearing custom Ivy Park perform onstage during the “Renaissance” tour on Aug. 11 in Atlanta.

Beyoncé wearing Gaurav Gupta performs onstage during the “Renaissance” tour on Aug. 11 in Atlanta.

Beyoncé wearing Alexander McQueen onstage during the “Renaissance” tour on Aug. 30 in San Francisco.

Beyoncé wearing custom Danielle Frankel performs onstage during the “Renaissance” tour on Sept. 1 in Inglewood, California. 

Beyoncé wearing bespoke Loewe performs onstage during the “Renaissance” tour on Sept. 1 in Inglewood, California. 

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11 incredible photos from the opening night of Beyoncé's Renaissance World Tour

• Beyoncé's Renaissance World Tour kicked off on Wednesday night in Stockholm, Sweden.
• She performed a medley of her biggest hits, including "Crazy In Love" and "Drunk In Love."
• Here are the best photos from the night. 

Beyoncé's various outfits on the night were stunning.

Such as this sleek gold bodysuit.

The Bey Hive were also dressed to the nines.

The set design was amazing.

And changed color throughout Beyoncé's performance.

Beyoncé was clearly thrilled to be back in her element.

And put on a brilliant performance.

At one point, she even rode what appears to be a glass horse.

Her dancers were a big part of the show too.

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News | Photos: Beyoncé’s Renaissance Tour at…

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News | Photos: Beyoncé’s Renaissance Tour at Soldier Field

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Every Look From Beyoncé’s Renaissance Tour, From Custom Catsuits to Disco-Inspired Couture

Beyoncé’s Renaissance tour began with a bang in Stockholm and it hasn't slowed down since. The highly-anticipated show has featured inventive set design, a decades-spanning setlist, and a plethora of standout style moments—from to archival pieces to custom looks and nearly everything in between. The star’s wardrobe has combined her signature style with the visual ethos of the album Renaissance ( think lots of sequins, silver, catsuits, and the occasional bee-inspired look). Beyoncé has also been wearing looks from brands specific to the city she’s performing in—for the UK leg of her tour she wore picks from the London-based Mary Katrantzou and Robert Wun while in Marseille, France she opted for a look by designer Simon Porte Jacquemus.

The singer has donned looks from both established brands—Valentino, Mugler, lots of Alexander McQueen, among others—as well as smaller labels like Anrealage and Brandon Blackwood. Balmain catsuits and mini dresses have been a constant throughout her tour wardrobe (in March, she partnered with creative director Olivier Rousteing to design a Renaissance couture line for the brand ) as well as imaginative pieces from Loewe. Beyoncé began the tour in Europe which has seen her in London, Paris, and other cities with the last being Warsaw, Poland on June 28th. She will then head to North America with her last date coming in New Orleans, Louisiana on September 27th. Needless to say, there will be countless more style moments to come—so, to make sure you don’t miss one look, keep checking back here as we keep track of everything Beyoncé has worn during the Renaissance world tour.

Beyoncé certainly made a splash for her final Renaissance show in Kansas City, Missouri. To open the concert, the star wore a custom Balenciaga gown, embroidered with over 8000 crystal rhinestones, and black opera gloves.

The star also brought out a black, latex version of a previous Ivy Park bodysuit and cropped jacket for her final show.

It’s fitting that perhaps the most memorable look from Beyoncé’s tour, a crystalized Loewe bodysuit, came in not one, not two, but three color ways.

At Beyoncé’s Houston show, Meghan Thee Stallion hit the stage to perform the “Savage” remix live for the first time. Naturally, then, the singer made sure to bring out a handful of major looks for such an occasion, including this dramatic black-and-white Balmain gown.

For another Houston ensemble, Beyoncé went with a black number by British maestro Gareth Pugh that was trimmed with reflective detailing.

Lingerie powerhouse Agent Provocateur designed this fringed, metallic piece for the singer’s Houston Renaissance stop.

American designer Rick Owens’ first custom look for Beyoncé’s tour came in the form of this plunging, sculptural bodysuit that she paired with silver cut-out boots and shield sunglasses.

The Carters have a song called “Boss,” but it was Beyoncé who looked in control wearing this full look from, yes, Boss. Silver was again the color of choice for the star—opting for slouchy boots, a form-fitting bodysuit, and cropped statement jacket.

Beyoncé donned her mermaid best while in Dallas, Texas with this custom Georges Hobeika couture look. The gown, which took over 300 hours to make, is embroidered with layers of Swarovski crystals and features a dramatic head veil.

This custom look from Milanese house Del Core featured pink garter boots and a sculptural bodysuit complete with statement shoulders. Plus, some very “Alien Superstar” sunglasses to match.

Despite saying her “Telfar bag imported,” it took Beyoncé until her tour’s Seattle stop to sport a look from the New York brand . The red, sequined cut-out bodysuit was certainly worth the wait, though (Blue Ivy also had a matching look from Telfar).

For her show in Seattle, Washington, Beyoncé donned lots of denim in the form of this Diesel bodysuit moment complete with a blue overcoat.

The star pulled out this crystallized, sheer Elie Saab couture look complete with a dramatic hood and feathered train.

This sequined Vera Wang bodysuit was taken to the next level with layers of blue chiffon that moved gracefully while the singer performed in Vancouver, Canada.

For her first Renaissance concert up North in Vancouver, Canada, Beyoncé pulled out a few new looks like this custom Ivy Park gear that featured intricate embroidery throughout. She added a matching top hat, overcoat, and silver above-the-knee boots to complete the ensemble.

Brazilian brand PatBO brought the sparkle (and fringe) with this eye-catching, hand-beaded number they designed for the singer’s Vancouver, Canada concert.

This is the second flame bodysuit that Roberto Cavalli has designed for the singer. This time, though, the look was even more fiery thanks to dozens of red and orange Swarovski crystals lining the piece.

Beyoncé made this barely-there lingerie look by Agent Provocateur stage-ready by adding fringed boots and a sparkly overcoat.

Like many a pop star, it’s no secret that Beyoncé loves a Mugler bodysuit. Here, the star wore a strappy silver version that she styled with metallic boots and shield sunglasses.

Beyoncé pulled out all types of looks for her Los Angeles show, which also happened to fall on her 42nd birthday. In one of many new looks during the night, she rocked this embroidered Givenchy bodysuit with a cropped black jacket and patent heels.

Beyoncé went big for her first Versace look during her Renaissance tour. She wore a skin-hugging mini dress and over-the knee boots designed in the Italian brand’s signature Medusa print.

The star opted for a lace Dolce & Gabbana look consisting of a corseted bodice and a dramatic off-the-shoulder train.

A vision in red, Beyoncé wore a ruched Balmain top that she paired with latex, cargo-style pants and opera-length gloves. To round out the look, she wore a Ruslan Baginskiy hat and Thierry Lasry sunglasses.

Pucci is known for their statement prints, so it’s no surprise this bodysuit was heavy on all sorts of colors. The look featured the Italian brand’s archival "Giardino” print as well as crystal embellishments and a sparkling body chain.

Loewe may have created the most memorable look from Beyoncé’s tour thus far with their “hands” bodysuit. For her Los Angeles show, the singer wore another anatomy-focused look from the Spanish brand, this one, in black and red.

This pink Gucci look consisted of pleated satin and a handful of pearl and crystal embellishments. The star added in velvet gloves, a wide-brimmed hat, and a pair of bedazzled binoculars for good measure.

For the opening portion of her Los Angeles show, Beyoncé donned this rose pink Tamara Ralph gown that featured ruching at the side and feathered sleeves.

While she may have been hidden underneath a sculptural headpiece, this ivory Danielle Frankel look certainly spoke for itself.

Australian designer Tamara Ralph created this velvet gown, complete with shimmering details at the bodice, for Beyoncé’s Los Angeles show. She paired the dramatic piece with a black top hat and Alaïa heels.

The singer looked in control with a custom A-Morir cane that she wore with a bedazzled bodysuit by Prada inspired by their spring/summer 2012 collection.

Instead of her usual over-the-knee stilettos, Beyoncé opted for a towering pair of Marc Jacobs “Kiki” boots. She also wore a custom iteration of a look from the American brand’s fall/winter 2023 collection that featured a glittering red scarf.

This custom Alexander McQeen number, which featured an embellished mini dress and sculptural headpiece, was inspired by the brand’s fall/winter 2013 couture collection.

Sarah Diouf, the designer behind African brand Tongoro, designed this black-and-white motif bodysuit, gloves, and boots for the singer’s Santa Clara, California show.

The star looked presidential in another Ralph Lauren look, this one, a tuxedo-style bodysuit that she paired with a feather boa, bedazzled cane, and black boots.

In an ensemble that would make her song “Telephone” proud, Beyoncé donned a custom bodysuit by Lou de Bètoly made from recycled phones, chargers, and crystals.

Yes, that is Beyoncé hidden under all of that silver fringe. During her Las Vegas show, she certainly made a statement in this silver Jacquemus look.

Even when hidden underneath a red top hat, Beyoncé looked Renaissance -ready in this silver mini dress by Ukrainian brand Frolov.

Beyoncé opted for another printed Marine Serre ensemble, this time, a silver bodysuit layered with a red cut-out dress.

Cult-favorite lingerie brand Agent Provocateur designed this metallic bodysuit, completed with cut-out detailing, for the singer’s Las Vegas show.

Leave it to Beyoncé to make newsboy caps look cool. Here, she paired the accessory with a latex and fishnet look from Dundas.

The star spiced things up with a sheer, crystalized bodysuit by Bronx and Banco that she wore with a white feather overcoat.

Beyoncé donned another Givenchy look during her Glendale, Arizona stop–this one a form-fitting suit dress complete with gold accents along the waist and arms.

British brand Gareth Pugh designed this sculptural metallic bodysuit for the singer, which she paired with over-the-knee boots and flashy opera gloves.

The star swapped out her Loewe “hands” bodysuit for an equally as flashy look from the Spanish brand in the form of a black long sleeve, high-low dress.

Beyoncé looked ravishing in red when she wore this Atelier Zuhra look composed of a glittering bodysuit and a statement-making, sculptural train.

This very “Alien Superstar” ensemble by Zigman featured a semi-sheer bodysuit, metallic knee-high boots, and antena-like wings that doubled as a train.

Georgian brand Situationist and Ukrainian label Yaspis came together to create this custom metallic look for Beyoncé’s Phoenix, Arizona show. The dress featured a criss-cross halter bodice and an asymmetrical draped skirt with a daring slit up to her waist. To finish things off, the star added in a pair of opera-length gloves and a crystal mesh bodysuit.

The superstar, who celebrates her birthday September 4, recently posted a request to her fans via Instagram. “Virgo season is upon us,” she wrote. “This tour has been such a joy and as we approach the last month, my birthday wish is to celebrate with you wearing your most fabulous silver fashions to the show 8.23 – 9.22.”

Beyoncé has long been a fan of Lebanese designer Nicolas Jebran, so it’s only fitting that he crafted one of her buzziest Renaissance World Tour ensembles yet. The custom yellow bodysuit, which took over 200 hour s to make, was paired with beaded opera gloves and knee-high boots. Of course, the star rounded things out with antenna-like shield glasses.

London-based Alessandra Rich designed this shimmering ensemble for Beyoncé’s St. Louis, Missouri stop. The look featured a semi-sheer crystal net bodysuit complete with patent detailing at the midsection and sleeves. Prior to showing off the form-fitting catsuit, she wore a vinyl trench coat and coordinating top hat.

Beyoncé celebrated the arrival of Virgo season with this custom Loewe look that she wore for her St. Louis, Missouri show. She paired the look, which consisted of a metallic sculptural top and black maxi skirt, with sparkly heels from The Attico. The singer also announced that she wants her fans to wear their “most fabulous silver fashions” for the remaining month of her Renaissance tour, which concludes on September 22nd. “We’ll surround ourselves in a shimmering human disco ball each night,” she said in a statement.

The singer previously wore a similar swirl motif mini dress from David Koma earlier on in her tour. This time, though, she paired the piece with an asymmetrical leather jacket, patent cowboy boots, and sleek silver sunglasses.

Beyoncé definitely brought the heat to Miami in this sparkling custom Gucci look. The Italian brand created a corseted bodysuit draped with strands of silver fabric for the singer, which she paired with over-the-knee fringe boots.

Though this custom Valdrin Sahiti bodysuit followed a similar silhouette to many of Beyoncé’s form-fitting looks, its dramatic tulle shoulders and flowing train certainly spiced things up a bit. The singer rounded out the look with a pair of cat eye sunglasses and PVC heels by Mach and Mach.

Unlike her Marni look which was heavy on mixed metals, this custom Missoni ensemble was pure silver. The Italian house designed a patterned form-fitting dress (complete with a leg-baring) slit that the singer unveiled during her Tampa, Florida show. She also wore a silver long sleeve top with built-in gloves underneath, Amina Muaddi heels, and custom Tiffany & Co. glasses.

Patchwork like never before. The singer donned this custom Marni look, composed of a cropped puffer jacket, bodysuit, and boots, for her Atlanta show. The silver and gold pieces were made of leather and fragmented crystals for some extra shine.

Rounding out a pair of Gaurav Gupta looks in Atlanta, Beyoncé chose this show-stopping hooded gown for her final show in the city. The sparkling number is from the brand’s fall/winter 2023 collection and featured a one-sleeve silhouette and a trio of cut-out details.

Beyoncé turned up the heat in this blue flame bodysuit by Roberto Cavalli. The brand’s creative director Fausto Puglisi created the trompe l’oeil ensemble with a slew of Swarovski crystals and even added in a dazzling cowboy hat and gloves to finish off the look.

Even Beyoncé got in on fashion’s sheer obsession with this statement-making Dolce & Gabbana look. She paired the bodysuit, which featured sprawling crystal embroidery, with a pair of fringe sunglasses.

If anyone can make a newsboy cap work, it’s certainly Beyoncé. She accessorized this fitted, embroidered bodysuit from Self-Portrait with a matching hat and strappy heels.

Alberta Ferretti has been a constant throughout Beyoncé’s Renaissance wardrobe. So, naturally, the singer chose a scarlet bodysuit, complete with a sculpted bodice and plenty of crystals, for her Atlanta show.

The star opted for another Gaurav Gupta look, this one, from the brand’s fall/winter 2023 collection. Like her previous ensemble from the brand, the green dress featured an array of smartly placed cut-outs and a thigh-high slit.

If this Carolina Herrera ensemble looks familiar, that’s because Beyoncé previously wore a red version earlier on in her tour. Like the last wear, this one was made complete with a dramatic headpiece and opera-style gloves. The star also tied in a pair of Alaïa cabaret sandals, a pari she’s taken a liking to throughout her time on the road.

The star chose a Barbie pink look from Lapointe during her show in Charlotte, North Carolina. The curve-hugging mini dress featured a one-side feather sleeve and a draped train at the side. Of course, she had to add in a pair of sequined knee-high boots and fringe sunglasses from A-Morir for good measure.

This Gaurav Gupta bodysuit may be Beyoncé’s most detailed one to date—the piece featured elaborate infinity draping that cascaded throughout the look. She then paired the top half with garter-inspired crystal leggings that transitioned into boots.

Beyoncé dazzled in this custom Ralph Lauren satin gown and feather shawl for her Washington, D.C. show (which drew heavyweight guests like Solange Knowles, the Obamas, and Kamala Harris).

Tinsel chic? Beyoncé’s latest custom Gucci look (a fringe bodysuit, sculptural hat, boots, and overcoat) turned heads for all the right reasons at her D.C. show.

Nina Ricci designer Harris Reed created this crystal and velvet bodysuit inspired by the brand’s archival couture gowns. Beyoncé accessorized the look with custom drop earrings and an Elsa Peretti diamond ring from Tiffany & Co.

Beyoncé went with this custom royal blue look from Off-White (she wore a similar red version earlier on in her tour) for her show in the nation’s capital.

Self-Portrait creative director Han Chong custom designed this glittering mesh bodysuit and matching skirt for the star’s Washington, D.C. show. The sequined piece featured a diamond cut-out at the midsection and dramatic feather cuffs.

For her Boston show, Beyoncé dazzled in this reflective silver ensemblefrom Peter Dundas’s namesake brand. The look featured a form-fitting mini dress, oversized trench coat, ankle boots, and a coordinating hat.

Beyoncé got in on the lingerie dressing fad with this sultry custom look from Spanish-born, Paris-based designer Arturo Obegero.

Israeli designer Alon Livné designed this sheer catsuit, complete with intricately placed cut-outs, and ruffled cape for the singer’s Boston show.

Beyoncé looked straight out of a sci-fi thriller in this custom Demobaza look which featured a color blocked bodysuit, harness, and white boots.

Jean Paul Gaultier is known for their trippy prints, so it’s no surprise then that the bending motif was the focal point of this custom bodysuit.

The debate is still out on whether this look should be classified as Barbie pink or Valentino pink. Regardless, Beyoncé nailed this custom look from the Italian brand. She paired the form-fitting bodysuit (which was layered under a cape) with knee-high boots and feathered shield sunglasses.

For her New York show, Beyoncé, fittingly, wore one of the city’s favorite designers. Her custom Marc Jacobs gown featured a dramatic slit, bending black and white stripes, and a slew of dazzling Swarovski crystals.

This Alexander McQueen may look familiar. The singer wore a similar version just a few stops ago in Minneapolis, Minnesota. This one, however, featured a slightly different color way in bronze and silver and was accented by a dramatic reflective cape.

The singer looked ethereal in this semi-sheer Georges Hobeika gown. The piece featured delicate embroidery throughout and a strappy neckline at the bodice. Her sheer headpiece was crafted with 3D embroidered flowers and her opera gloves were trimmed with train-like pieces of fabric.

Beyoncé donned another custom Ivy Park look for her New Jersey show. This one kept up the camouflage theme with another pair of slouchy knee-high boots. Instead of a form-fitting bodysuit like she’s worn in the past, her jersey-style long sleeve was decidedly more casual (yet still packed a punch with crystal embroidery). Blue Ivy had on a matching jersey, too.

Sparkles and (faux) fur took center stage in this Philosophy di Lorenzo Serafini look. Her long sleeve bodysuit was embellished with Swarovski crystals and layered perfectly beneath the apricot coat.

The singer packed on the sparkle in this Miu Miu look during her stop in East Rutherford, New Jersey. The tank and cut-off shorts were embroidered with rhinestones and crystals as were her fringed knee-high boots, naturally. She paired the set with a custom Tiffany & Co. silver peephole cowboy hat and HardWear drop earrings.

Louis Vuitton’s newly appointed creative director of menswear, Pharrell Williams, designed this glittering catsuit for Beyoncé’s Detroit, Michigan concert. The two have quite the history as long time friends and collaborators—Williams has produced songs for Beyoncé in the past and she recently attended his debut runway show for the French brand earlier this year. The custom bodysuit put a spin on the brand’s famed Damier check through glittering crystal embroidery. Williams also created custom ensembles for Blue Ivy and Beyoncé’s backup dancers.

Beyoncé looked like liquid gold in this hooded mesh gown from Ivy Park. The piece featured slight ruching at the waist and a dramatic side slit which showed off her daring footwear choice—a pair of Alaïa cabaret heels. The patent calfskin choice are from the brand’s spring/summer 2023 collection in which the heel is designed to mimick the shape of two legs.

This silver cut-out number may just be Beyoncé’s most disco-ready jumpsuit yet. Custom designed by Lanvin, the piece featured the brand’s signature gold hardware as well as ruching throughout. To round things out, Beyoncé accessorized the look with equally as flashy opera gloves and above-the-knee boots.

Beyoncé traded her tour wardrobe of silver and gold for some Tiffany blue while in Chicago, Illinois. The look was created in partnership with designer Giles Deacon and featured a sculptural bodice and sheer organza gloves. She paired the dress with, of course, a custom Tiffany & Co. Twister Collar Necklace.

Beyoncé’s Acne Studios ensemble may have nailed the Barbie pink look, but it certainly did not disappoint during her Minneapolis show. She paired her reflective mini shorts and bustier with an oversized jacket and sparkling thigh-high boots.

Beyoncé’s Renaissance wardrobe isn’t just limited to bodysuits—she’s also been incorporating dramatic ensembles like this custom Schiaparelli mini dress and shawl. The strapless piece featured white feathered detailing which she paired with simple Dolce & Gabbana heels.

Balmain has been a focal point of Beyoncé’s Renaissance wardrobe and things got taken up a notch during her stop in Minneapolis. The singer opted for a sculptural latex bodysuit that she accessorized with knee-high boots, shield sunglasses, and a brimmed top hat.

Beyoncé stunned in silver with this custom Marine Serre look. The star wore a fitted bodysuit, complete with the brand’s signature moon motif, as well as chain undergarments layered on top. She added in a brimmed hat and silver boots for good measure, too.

This custom Alexander McQueen bodysuit is a riff on a similar look from the brand’s fall/winter 2016 collection. The semi-sheer piece features sequin horse embroidery and a tulle base.

It’s no secret that Beyoncé has been all in on the bodysuit style throughout her tour. But this custom Diesel look for her Louisville, Kentucky show may just be one of her most unique styles thus far. The trompe l’oeil look featured a print mimicking denim and grey crystals throughout. And to round things out, the piece’s boots and gloves were connected to the main portion of the ensemble.

Pulling out the sequins in Louisville, Beyoncé dazzled in this custom mini dress by Raisa Vanessa. The dress took nearly six months to make and featured a plunging neckline and two slits on either side. The singer rounded out the look with glittering knee-high boots and goggle-style sunglasses.

Beyoncé donned this Dsquared2 bodysuit—complete with layers of dazzling embellishments and a plunging neckline—for the opening act of her Louisville concert.

Alexander McQueen was a staple throughout Beyoncé’s European performances, so it’s no surprise that she’s returned to the British brand when stateside. During her Nashville concert, the singer wore a custom bodysuit, gloves, and boots complete with crystal embroidery. She stopped it off with a UFO-shaped chapeau appropriate for an alien superstar. The outfit seemed to be a shorter version of a look she wore earlier on in the tour.

The singer opted for another dazzling custom look from David Koma. Unlike her previous printed mini dress from the British designer, this red number had plenty of sequins throughout as well as an asymmetrical train detail. She rounded things out with patent leather boots, a ruby belt, and pendant necklace.

The McQueen look wasn’t the only repurposed silhouette Beyoncé wore in Nashville. She opted for a pink Ivy Park jacket, halter top, and shorts that are, again, a shorter iteration of a similar bodysuit she previously wore in Europe. She also mixed in a pair of custom Tiffany & Co. sunglasses and Gedebe boots to make things even more Renaissance worthy.

Beyoncé certainly leaned into some drama (and disco) with this custom Valentino look in Philadelphia. The focal point was the seemingly never-ending sequined train that connected to the pouf bodice of the bodysuit. She paired the flashy piece with coordinating boots, and towards the end of the show, she flew above the crowd in this look while mounted on a horse.

The singer mixed in some more sequins in Philadelphia with this custom Givenchy mini dress. The piece featured intricately placed cut-outs as well as fringe throughout the dress. She rounded things out with strappy heels and sheer black opera gloves. She, of course, also had on diamonds from Tiffany & Co. in the form of a ring, drop earrings, and a tennis bracelet.

Beyoncé went with another camouflage look from her label Ivy Park, this one a two-piece set. The crop top had built in sleeve-gloves and the mini shorts also featured chaps-like detailing that extended into her boots.

Beyoncé has been wearing plenty of Tiffany & Co. jewelry throughout her tour, but she took it to another level for her first North American stop in Toronto, Canada. The singer donned a dazzling bespoke mini dress from the brand complete with layers of chains and stones. The mesh look of the piece was inspired by the designs of Elsa Peretti and took nearly 200 hours to make. Beyoncé paired the piece with custom Malone Souliers heels as well as vintage earrings and an anklet both from Tiffany & Co.

Also while in Toronto, the singer traded her layered mini dress for a dazzling custom Fendi gown. The piece is a riff on a similar look from the brand’s spring/summer 2021 couture collection and features a daring slit as well as crystal embroidery meant to imitate the appearance of honeycombs. She rounded out the look with another pair of clear heels and statement tassel earrings.

Leave it Beyoncé to make comouflage cool. During the Toronto stop of her tour, the singer wore a fully patterned ensemble from her brand Ivy Park. The look featured a cropped jacket, over-the-knee boots and a plunging bodysuit.

For the final stop of the European leg, Beyoncé went with a slew of sequined and silver ensembles while performing in Warsaw, Poland. This look, by Balmain’s Olivier Rousteing, featured a dramatic bodice that cascaded down her side as well as a daring slit at the skirt. The singer rounded out her look with velvet gloves and a pair of Manolo Blahnik heels.

While Beyoncé has had some pretty avant-garde outfits, this Richard Quinn number may be her most “Alien Superstar” yet. The look featured legging-style pants with large crystal embellishments as well as a peplum-inspired top finished with similar adornments. However, the focal point of the ensemble is certainly the UFO-like headpiece that obscured everything but the singer’s eyes.

Outfitting an entire crew and Beyoncé is certainly no small feat, but global brand Daily Paper seemed to be up for the task. During the "Opulence" section of her concert in Warsaw, Beyoncé donned an embellished black jumpsuit and reflective track jacket from the brand—which she paired with knee-high boots and one of her signature top hats. In addition to Beyoncé’s look, Daily Paper designed over 100 custom tracksuits for her crew and dancers, mostly in silver reflective nylon.

Just one night after sporting a similar hooded piece while in Paris, Beyoncé went with another veiled look, this time, for her concert in Hamburg, Germany. The ensemble is designed by Carolina Herrera creative director Wes Gordon and features a plunging bodysuit, sheer red tights, and a silk hood that connects at the head and arms. Of course, the singer also had on her signature opera gloves and glitzy earrings to round out the look.

Again in Hamburg, the singer chose a look from Ivy Park—one of a wider selection of pieces from an upcoming collection between her brand and Adidas. Naturally, backup dancer’s leotards matched her ruched mini dress and knee-high boots.

Ferragamo’s creative director Maximillian Davis designed this red glittering gown for the singer’s show in Amsterdam. In honor of Juneteenth, Davis was one of several Black designers that Beyoncé wore throughout the show.

This robo-couture custom Balmain look featured silver-plated detailing that paneled the singer’s bodysuit. She paired the piece, which drifted into gloves, with a pair of knee-high boots.

“In the industry where we have to all fight, I want to thank [Beyoncé’s] support last night [to] all the Black designers that had created their own space in this tough industry,” Balmain designer Olivier Rousteing said . “This was the celebration.”

This is the second all-red Off-White look worn by Beyoncé during her tour. Her second version, however, featured a shortened silhouette and an accompanying top hat that was designed by the brand’s art and image director Ibrahim Kamara.

For her second Balmain look in Amsterdam, Beyoncé went with another iteration of the bee-inspired catsuits we’ve seen repeatedly on her tour thus far. This time, she paired the ensemble with a coordinating top hat rather than her infamous insect-like antena.

New York designer LaQuan Smith crafted this silver, shattered glass bodysuit for the singer’s Amsterdam stop. She paired the plunging piece with an equally as disco-worthy cape and heels.

London-based brand Feben outfitted Beyoncé in a color-blocked catsuit. “Thank you for inviting me into your world,” the designer wrote on Instagram . “What an incredible moment to be a part of, and a pivotal one for myself, and my inner child. It means the world to be supported and seen as a Black female designer in the industry.”

This deep silver mini dress was the second look from Ferragamo the singer wore in Amsterdam. The look featured ruched detailing that drifted into a train and above-knee boots.

While Beyoncé has, seemingly, unlimited access to a never-ending roster of designers, she went with her own label Ivy Park for this pink look in Amsterdam—and rightly so. Designed by the star herself, the piece featured daring slits, opera-style gloves, and a halter neckline.

“I started designing this collection over a year ago,” she said on Instagram . “I was so engulfed in all things Renaissance and was inspired by Studio 54, Bob Mackie, and the disco era.”

In Amsterdam, the singer went with a custom Gucci corseted leotard. The glitzy piece featured sheer detailing and draped crystal fringe that fell across the bodice area.

Naturally, Dutch designer Iris van Herpen was a standout of Beyoncé’s wardrobe for her first night in Amsterdam. The custom look, which took over 700 hours to make, featured a flowing train paired with a sculptural mini dress.

Yes, you can always count on Beyoncé to wear a form-fitting catsuit. But this one by Lebanese designer had a handful of eye-catching details. The bodice was composed of various strands of rhinestones and crystals and the sheer portion wrapped entirely around her body (even down to her boots).

French designer Simon Porte Jacquemus is from Marseille, France so it’s fitting that he outfitted the singer for her tour stop there. Jacquemus, who attended the concert, designed a form-ftting mini dress, boots, and gloves that featured disco ball-esque paillettes.

“[Beyoncé] is the first singer I saw live in Marseille 15 years ago,” he wrote on Instagram . “I’m so happy and proud. What a night in Provence, means a lot.”

This custom gown by Alebrta Ferretti has an embroidered leotard and a gold draped train that cascades down the singer’s side. Beyoncé wore the eye-catching piece with matching knee-high boots and black opera gloves (which have been a running theme in many of her looks throughout the tour thus far).

Beyoncé went with a sparkling, disco-inspired Stella McCartney dress and stirrup leggings for her concert in Barcelona, Spain. The custom look was made of environmentally friendly materials such as silver lead-free crystals.

“It is a life moment to dress someone as iconic and inspiring as Beyoncé—a visionary pioneer, disruptor, and artist who has worked tirelessly to make the world a better place,” the British designer said. A pair of clear Amina Muaddi heels rounded out the ensemble.

The star wore a custom Fendi leather intarsia catsuit for her show in the Spanish city. It was paired with over-the-knee boots, matching gloves, and an upcycled fur cape inspired by illustrations by Antonio Lopez as seen in Fendi’s spring 2022 collection.

For her fifth and final show in London, Beyoncé wore a custom Mary Katrantzou surrealist mini dress with black and gold detailing. The look, meant to resemble a perfume bottle, also featured a custom Stephen Jones bottle top headpiece, latex boots, and gloves.

The 41-year-old singer opted for a dramatic “Black Blossom” Robert Wun look. The form-fitting ensemble featured a plunging blazer accented by ruffled sleeves and asymmetrical pleated detailing.

Beyoncé again went with another British label for her third London show, this time a custom Andreas Kronthaler for Vivienne Westwood look. The mini latex dress features corset-style detailing and sheer spiral sleeves.

Beyoncé wore a custom royal blue Roksanda number for her London show. The piece is a riff of a similar dress from the brand’s fall/winter 2023 collection.

Alexander McQueen has been a staple of Beyoncé’s Renaissance wardrobe thus far. Here, she wore a custom deep red embroidered dress with coordinating boots and opera gloves—an iteration of a similar look from their fall/winter 2023 collection.

The signature silver paillettes of Paco Rabanne fit perfectly into the visual aesthetic of Renaissance, so its no surprise the star opted for a piece from the brand. She wore a glitzy custom gown for her show in Paris.

The 41-year-old looked ethereal in a custom light blue gown by New York brand Brandon Blackwood. She paired the off-the-shoulder number with coordinating opera gloves and silver jewels.

Beyoncé chose a statement-making Off-White look for her London show. The red bodysuit features a bustier-style top and 40,000 red hotfix crystals throughout.

Ditching the catsuits that fill the latter half of her concert, Beyoncé has chosen a series of stunning gowns for the opening segment of her show. Here, she wore a white Valentino dress complete with a train and coordinating opera gloves.

The singer was worn several looks from London-based brand David Koma over the course of her tour—one of them being this asymmetrical mini dress that features glittering fringe and wide shoulders.

The star has worn a silver two piece set from Loewe for several of her tour stops. On top of the long sleeve, she layered a molded breastplate and rounded out the look will silver boots.

This custom Dolce & Gabbana bodysuit is one of many bee-themed looks that Beyoncé has worn (there’s a reason she’s referred to as the Queen B after all). The piece features black and yellow embroidery as well as coordinating opera gloves.

Beyoncé continued her longstanding relationship with Balmain’s Olivier Rousteing—here, she wore an silver asymmetrical mini dress, thigh high boots, and wraparound sunglasses.

Beyoncé kept the bee theme rolling at the opening night of her tour in Stockholm. She wore a custom Mugler catsuit complete with towering antennas and bug-like sunglasses.

This custom look from Alexander McQueen features bugle bead and crystal anatomical embroidery. Beyoncé wore the piece during the opening night in Stockholm.

This trompe l’oeil Loewe catsuit has become a fan favorite throughout the star’s tour. The piece was custom made by the brand’s creative director Jonathan Anderson and is a play on a similar dress that recently went down the runway.

Beyoncé has worn this silver cutout bodysuit from French brand Courrèges several times thus far.

Beyoncé and her dancers wore colorful David Koma looks for opening night. The ruched dress, which she wore with a reflective jacket, is inspired by the brand’s Spring/Summer 2023 collection.

Beyoncé wore another custom Balmain look, a catsuit complete with the brand’s signature silver embroidery.

Beyoncé donned a color changing robe by Japanese brand Anrealage in what was one of the more experimental looks of the tour. The piece changed colors when exposed to UV lights and revealed a stained glass-like pattern.

This article was originally published on May 31, 2023

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Regarding Beyoncé, Mother of the House of Renaissance

By Julianne Escobedo Shepherd

When Renaissance dropped last summer, it was perfect timing. The masses were ready to shake off that last bit of ennui wrought by pandemic isolation, and Beyoncé exhorted us to celebrate that we were alive en masse, and to do so in the face of all that was scary: crowds, evil bosses, legislators, haters, the Supreme Court. “ Break My Soul ,” the single indebted to ’90s vocal house, was a jubilant, defiant protest. Its arrival on June 20, 2022, just four days before SCOTUS overturned Roe v. Wade , meant that it soundtracked furious pro-choice rallies across the country. It also lent itself to a larger landscape: a perfect lip-sync song in the era of state-level drag bans, a song of strength devoted to Black women and LGBTQ people in the ongoing fight for justice.

Millions of people have been enthralled by Beyoncé’s live imagination of Renaissance since it hit the road this May in Stockholm. When I saw her perform for a crowd of 82,000 at New Jersey’s MetLife Stadium this summer, it was impossible not to think of this timing. Her vehement demand for joy as an intervention was on full display, on giant glittering screens projecting her every expression and accessory. The pan-African flag gleamed across the masses as she sang “Black Parade” from atop a silver tank, her eleven-year-old daughter Blue Ivy raising a Black Power fist at her flank. The sound of ballroom artist Kevin JZ Prodigy commentated “cunt to the feminine what, ow” in staccato cracks as she hand-twirled into the quiet ferocity of “Cozy.” The rejuvenating tribute to her idol, the icon and queen of rock Tina Turner, with a transcendent rendition of “River Deep, Mountain High.” The retrofitting of the famous Italian painting The Birth of Venus , in which she emerged like a pearl on the half shell via Flora Purim singing “Plastic Off the Sofa.” The visibility she gave her inclusive, euphoric array of dancers and performers, including those who were nonbinary, transgender, plus-size, and, in the case of one trumpeter in her famous all-woman band, pregnant. The space she gave voguers from the ballroom scene, including Darius Hickman , Carlos Basquiat , and Honey Balenciaga , to express the beauty of their art.

That concert was one day after one of her fans, a 28-year-old Black dancer named O’Shae Sibley , was murdered in a racist and homophobic hate crime at a gas station in Brooklyn, simply for voguing to Renaissance . (The chant that followed at a memorial in Los Angeles, one of several across the country, went: “O-O-O-Shae. He was voguing to Beyoncé.”) Balenciaga took time off to join mourners in Brooklyn, and Beyoncé paid her respects . O’Shae Sibley’s death underscored the importance of her speaking directly to her queer fans, using her massive power as a place for others to reflect themselves back and, one hopes, teach everyone else respect and tolerance. The devil is working hard , but Beyoncé works harder.

And in a disquieting climate in which a young Black man can be targeted simply for expressing his joy, it’s a massive relief to experience something that feels like an unencumbered blast of good, even amidst the very real fact that inclusion and catharsis is not protection . In that way, Renaissance has been the year’s defining, galvanizing cultural event, a release in which the catharsis of the club has been replicated on a massive scale. Fashion alone has been altered irrevocably: Beyoncé’s custom looks for each concert are chronicled in all their intricate splendor on her Instagram , and her label Parkwood has been posting the fans in kind, showcasing their gorgeous outfit photos from each tour stop. (In late August, Beyoncé requested attendees “wear your most fabulous silver fashions” in honor of her birthday and Virgo season.)

The way attendees have been showing out reflects their widespread intent to be active participants in one of the most inclusive pop tours ever staged. They’ve spent massive amounts of money to travel overseas for early stops of the tour, to buy outfits that represent both the flashiest church and sophisticated club afters, and to be a member of the Renaissance. I saw these things span across age, race, gender identity, sexual orientation, even class differences, as evidenced by the high-low range of the style and ingenious amount of DIY fashion. While the active, enthusiastic participation has been delicious for fans to watch online, it felt even better to be cocooned in it in person—throngs of showgoers clad in glimmering sequins, silvery cowboy boots, iridescent hats, and LED accessories, taking a cue from the Renaissance cover art and Beyoncé's equine partner, the mirrorball-clad Reneigh. (Everyone, it seems, is a horse girl now.) Fans have been instrumental in the actualization of the tour and the crucial key to its ambience and sense of communal activity. When I was there, even the security was hype. In my row in the stands, an exceedingly jovial guard—over-50 and white, with a Jersey accent—took outfit photos for showgoers with their phones. When he saw my friend and I laughing happily at his enthusiasm, he admitted with a grin, “I turn into a bad bitch for Mrs. Carter!”

That fandom and connection goes beyond the camaraderie and aesthetics of such a show. In the realm of performance, there is simply no one better than Beyoncé, who is living proof that women don’t wither and die in middle age, they flourish. For the duration of her career, she has delivered pristine vocals alongside punishing athleticism, all while holding her facial expressions at exactly the correct angle and leading a gargantuan stage with tens of dancers and musicians. It’s the level of greatness that solicits respect from the greats themselves. On the Renaissance tour stop that fell on her birthday in September, Diana Ross—79 and still going strong—came onstage to support Beyoncé, leading a muva-to-muva singalong of “Happy Birthday” that ended with a heartfelt hug. “I’m thankful for every flaw, every stretch mark, every FUPA… I’m thankful that I’m here, at fuckin’ 42,” Beyoncé said before the going into the song “Flaws and All.” She held court in a black lace gown custom-made by Dolce & Gabbana, looking every bit the regal diva, making a promise that she’s nowhere near half-done. There is strength in seeing adult women command such massive audiences, and a reminder that our own wrinkles, or stretch marks, or crow’s feet don’t define us, but rather showcase our experiences and wisdom.

Beyoncé opens the Renaissance shows with a run of four ballads, including a majestically felt rendition of “Dangerously in Love” and Mary J. Blige’s “I’m Goin’ Down”—itself a cover of ’70s soul group Rose Royce—that grounds her as a brolic purveyor of blues. Through the rhythmic three hours that follow, she interpolates—live remixes, really—her own discography into itself as well as intergenerational cuts from other artists (“Love on Top” with the Jackson 5’s “I Want You Back,” to cite one ). Three-quarters of the way through the concert, she performs her transcendent cover of Frankie Beverly and Maze’s “Before I Let Go,” a nod to her Homecoming album and another link from her own music to Black pop hits past. She improvised deep cuts, too: upon seeing Tia Mowry in the Los Angeles crowd, she interpolated a bit of “ Yeah, Yeah, Yeah ,” a song Mowry released with her girl group Voices in 1992, when Bey was a tween. Throughout, she deploys the sorts of extravagance and camp that ballroom values, Mothering outlandishly through her “Heated” commentating , inspiring Beyoncslay memes across social media, and making an interactive game out of which city shushes most thoroughly when she sings “look around, everybody on mute” in “Energy.” (Houston seems to have won.)

No one else at this level possesses the same combination of historical gravitas and trenchant work ethic, or uses their platform to link their work to the roots of American Black music and beyond. Take, for instance, the segment in the Renaissance tour when she uses a costume change break to edify the audience about the history of house, with videos about its importance set to soundtracks like “ Percolator ” and “ Hot Music ,” the unofficial theme songs of New York City block parties for three decades. She not only grounds Renaissance in a long lineage, she reminds audiences that house music is Black music, and important to understanding its presence. To that end, she has enlisted a slate of young, queer, Black, and regional DJs to provide opening music—and vibes—for Club Renaissance, including Arca, Ariel Zetina, Mike Q, and Uniiqu3, both cosigning them and giving them the rare opportunity of playing music for stadiums. She’s also blessed regional stars at certain chosen stops—Kendrick in L.A., Megan Thee Stallion performing the “Savage Remix” for the first time ever in Houston, and a solid rumor that Big Freedia will join her on “Break My Soul” for her stop in New Orleans this week.

It’s hard to think of a massive pop tour that speaks so clearly and perfectly to its sociopolitical moment as the Renaissance tour. Beychella , to be sure, Beyoncé's 2018 culture-shifter devoted to Black feminism, HBCUs, and the nuances of various Black artforms. Before that, perhaps Madonna's 1990 Blond Ambition tour, when she performed “Vogue” in an earlier era of heightened homophobia and transphobia, flaunting her sexuality and power in a time when silence equaled death . As it happened, Madonna was in the audience in New Jersey , witnessing Beyoncé perform her Black woman-elevating remix of “Vogue,” as a sort of passing of the torch between Queens of Pop.

Maybe some of that freedom was simply Beyoncé living her house diva dreams, a significant statement in itself. So many pop house divas of the past were erased from the popular record of the time, a record that is only beginning to be corrected . The iconic Martha Wash, of the Weather Girls, spent the fatphobic ’80s and ’90s suing for her own credits , after being replaced with younger and thinner women lip-syncing her vocals in the videos for Black Box’s “Everybody Everybody” and C+C Music Factory's “Gonna Make You Sweat.” Those lawsuits were perhaps the best known, but similar stories of erasure have played out with Loleatta Holloway , Jocelyn Brown , Kelli-Leigh , and more, where Black women vocalists transformed scores of songs into indelible classics, but are viewed by their male producers and record labels as throwaway, mere clips to sample, or tertiary to the real genius.

Beyoncé placing herself in front of this history won’t right those wrongs, and it is easy to ascribe dreams and aspirations onto her. As with many pop stars, her moves don’t always square with the values she performs . But she does have the cultural power to reorient the narrative even just a little, whether centering house divas or paying homage to LGBTQ Black and Latine ballroom originators. (Plus vocalists are infinitely more interesting to watch than DJs, particularly in a climate when staring has supplanted dancing.) It is not uncommon to get hyperbolic about Beyoncé. She has, like many pop stars, been deified to the point of Veladoras hawked by candle companies, her beatific visage and unfailingly sick fits replacing the benevolent gaze and gently draped robe of La Virgen. During her tour she assumed the role of the conduit and protector; she is the “Mother of the House of Renaissance ,” as a voice-over goes in the tour as she fans herself in the style of the ball. A house mother is the keeper of her children, and her children are genuflected. But the Renaissance tour’s most important act was bringing Beyoncé’s fans together in massive numbers, creating a space in which joy can build and attendees can experience sweet release. That’s what dance music, at its beating heart, is about.

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Egyptian Streets

Independent Media

How Beyoncé’s Egyptian Tour Photographer Found Courage in the Shadow of Cancer

By Mirna Khaled Sayed

Just as Yosra El-Essawy, Beyoncé’s former official tour photographer, was drawn to capture the deepest expressions of humanity, her life story was in itself a portrait of humanity – a heartening story of resilience, beautiful strength and courage that overshadows the struggles and pain she had to endure.

Before landing the job of her dreams with Beyoncé , El-Essawy worked tremendously hard as a wedding photographer between London, New York, and Egypt. Born to Egyptian parents in London, the name ‘ Yosra ’ was not randomly chosen, but carried its own symbolic meaning since birth, El-Esssawy shared in a Facebook post. Though her mother was tiresomely rushed to the hospital, El-Essawy arrived shockingly “with ease” without much help from the doctor. Since then, her birth represented the word “yosra”, which is mentioned in a verse in the holy Quran: “Surely, with hardship comes ease” (Quran 94:5).

Her name went on to shape her entire life philosophy. With hardship, and with rigorous passion and drive, she became a highly energetic and independent woman who was always scheduled and busy, and chased her love for art relentlessly. Though she initially received an honors degree in physiology from University College London (UCL), she chose instead to sacrifice a stable life and follow her “gut”, as she felt happier while painting or editing photographs.

At its core, photography is about making an authentic, human connection, and capturing real human stories, which is why El-Essawy started out as a wedding photographer. “It’s a beautiful story to tell, and I loved it,” she said. But there was a point in her life where felt that she needed to achieve beyond what she was achieving. “I just said, you know what? It’s time to let it all go, jump off the side of the cliff again, and just believe the net will appear.”

El-Essawy auditioned to become a celebrity tour photographer, and just five days before Beyonce’s “Mrs. Carter Show World Tour,” she got the job.

“Beyoncé specifically is the only celebrity that I’ve ever vocalized wanting to photograph, ever,” she says . “There’s just such a humanity and beauty about her that I’ve always seen.”

Yet, the timing of the tour was “divinely timed,” she once said , as just six weeks after experiencing the best times of her life in the tour, she was diagnosed with stage four oeseophageal cancer.

  View this post on Instagram   A post shared by Yosra El-Essawy (@itsyosra)

“God has the ability to make amazing from terrible,” she added.

The incredible amount of love and support from Beyoncé’s fans around the world helped bring ease in her hardships of enduring the disease and seeing the silver lining. In a number of Facebook posts, she thoughtfully contemplated life’s lessons; revealing how humanity can also exist in the shadow of struggle.

“Never before have I known myself better, have I felt so secure, so loved, so grateful, never have I been so present. I was always going, always dreaming up my next moves, always on the run, never stopping to take stock of where I was and give myself credit for what I had already achieved. Then the slug came into my life, like a scene from a movie and it changed it up, broke down everything I knew. Took me off tour. Slowed me right down. Forced me to just sit, to breathe, to just be,” she wrote .

El-Essawy passed away at just the age of 33 in 2014, losing her battle to cancer. There is little documentation of her life and work online, but her story carries a timeless life lesson for all of us: whatever hardship one has to endure, there will always be a silver lining to bring ease and relief.

“Whatever and whoever you love, keep loving and trust that the universe will conspire to give you what you want and what you need. That love has been my ease in my hardship and I am forever grateful,” she said in one of her final posts.

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Meet Blair Caldwell, the Personal Photographer for Beyoncé, Normani, & More

He’s responsible for many of your favorite photos..

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Long live the sultry lobby bar, your april 2024 horoscopes, checking into the hotel chelsea with molly ringwald, at the colonics spa, i gained the strength to battle my dragon, anok yai doesn’t mind being called an ‘alien’ anymore.

Beyonce's Renaissance World Tour: See all the epic photos and fashions

Beyoncé is currently making her way through the North American leg of her Renaissance World Tour and captivating concertgoers with her dazzling performances and fashion moments.

The Grammy-winning singer most recently performed at Gillette Stadium in Foxborough, Massachusetts, Tuesday night and will perform next at FedExField in Summerfield, Maryland, Aug. 5-6.

MORE: Beyonce's daughter Blue Ivy appears onstage during Paris show

Here are some of Beyoncé's most stunning looks from her shows so far:

Beyoncé first kicked off her world tour in Europe in May, wowing audiences with her vocals, theatrics and style choices in major cities including, Paris, London and Barcelona.

One standout look came during her first show in London, when she stepped out onstage in a red bespoke Off-White bodysuit, which was covered in 40,000 red hotfix crystals , according to the label.

She also wore a custom bee-inspired look from Mugler.

The singer's 11-year-old daughter Blue Ivy Carter has also appeared on the Renaissance World Tour stage. Blue Ivy made her tour debut during her mom's show in Paris . She also took the stage during Beyoncé's concert tour stop in East Rutherford, New Jersey, at MetLife Stadium.

See more of Beyoncé's showstopping looks below:

MORE: Beyonce announces 'Renaissance' world tour for 2023

Read on for everything you need to know about Beyoncé's world tour.

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When did Beyoncé announce the world tour?

Seven months after the release of her seventh studio album, "Renaissance," the "Cuff It" singer took to Instagram to announce her Renaissance World Tour .

The tour is her first solo tour in more than six years.

When did the Renaissance tour start?

The Renaissance World Tour kicked off Wednesday, May 10, at the Friends Arena in Stockholm, Sweden.

According to the Friends Arena website , the show was slated to run for three hours.

MORE: Beyonce teases new release 'Break My Soul,' dropping at midnight

When does the tour run until.

In addition to Stockholm, Paris, London and Barcelona, the European leg of her tour made stops in Belgium, the United Kingdom, and Denmark. Beyoncé's final European show was in Warsaw, Poland, on June 28.

The North American leg of the world kicked off in Toronto at Rogers Centre on July 8. Following her show at FedExField -- which is located just outside Washington, D.C. -- the singer will head to Charlotte, North Carolina; Atlanta; and Tampa, Florida.

Beyoncé's final scheduled performance of the tour will be held Oct. 1 at GEHA Field at Arrowhead Stadium in Kansas City, Missouri.

When was the last time Beyoncé toured?

Beyoncé's last solo tour was the Formation World Tour in 2016, which followed the release of her sixth studio album, "Lemonade."

In 2018, she toured with her husband Jay-Z, for the On The Run Tour.

What is the Renaissance World Tour setlist?

During her tour, Beyoncé has performed songs off her latest album, including "Cuff It," "Heated" and "Virgo's Groove."

At her first tour stop in Stockholm on May 10, she sang a number of fan favorites, including "1+1," "Run the World (Girls)," "Get Me Bodied," and "America Has a Problem," among others.

Beyoncé's "Renaissance" album was released on July 29, 2022, after it was leaked two days prior. The album is the first part of a three-act project and features a total of 16 tracks with collaborations from artists such as Drake, Tems and Pharrell Williams.

MORE: Beyonce officially drops 'Renaissance' album, thanks fans for 'unwavering support'

In an Instagram post, the singer said that "Renaissance" was recorded over three years during the COVID-19 pandemic.

"Creating this album allowed me a place to dream and to find escape during a scary time for the world," she said. "It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. ... It was a beautiful journey of exploration."

How to get Beyonce 2023 tour tickets

While tickets to see the singer on tour sold out quickly in many cities around the world when sales began in February, fans can still purchase tickets on Ticketmaster.

This article was originally published on May 10, 2023.

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Blair Caldwell moved across the country with just $1,000 in his bank account—now he’s Beyoncé’s go-to photographer. Here’s how he did it

In 2006, while his high school classmates were busy with extracurriculars like football, basketball, and other sports “on grassy old fields,” Blair Caldwell was hyper-focused on honing a new passion he discovered his sophomore year while waiting for a ride home from school.

Since his parents would pick him up late because of their demanding work schedules, Caldwell would pass the time by staging photo shoots with his older sister, who loved modeling. He captured his shots on a Razr flip phone he borrowed from his sister. 

“My sister and I would take that time after school to go to the library to print out all the photos I had taken of her,” the Tyler, Texas, native told Fortune . “Eventually, instead of doing homework, we would be emailing photos to the printers in the library.”

It wasn’t long before the images caused a buzz around the school. “My sister’s friends started noticing her photos and asked who took them,” Caldwell recalled. “She told them it was me, and from then on, I started taking pictures of everyone.”

Caldwell’s newfound popularity as a photographer motivated him to dream bigger.

“I would write it on my homework,” he said. “When I got done early in class, I would turn my paper over and just draw Hollywood and cameras and all that stuff.”

Now 33, Caldwell has a successful career as one of Hollywood’s well-established photographers , snapping celebrities like Grammy award winners Beyoncé , Cardi B, and SZA , plus the likes of Kylie Jenner , Normani, and Michael B. Jordan .

In an interview with Fortune , the photographer revealed how he went from juggling novel jobs to shooting Hollywood’s most notable stars, and how he’s leveraging artificial intelligence for his most recent work. 

The art of opportunity

The path to Hollywood success for Caldwell wasn’t glamorous at first, and started with just $1,000 in his bank account.

After graduating from the Art Institute of Dallas with an associate’s degree in photography, Caldwell packed up his belongings and moved over 1,300 miles to Los Angeles, a city he’d idolized as a child watching music videos on MTV and BET. 

“My family was like, ‘Okay, go, just make sure you’ve got a plan,” he said. “I literally had no plan…I hit the ground running.”

To make ends meet while finding gigs, Caldwell accepted an array of odd jobs, like auditioning for competition shows including The X Factor , The Voice , and American Idol , volunteering to be a live-studio audience member, and offering to take $50 headshots for people in a local park.

“I was doing whatever I could to try and get my name out there and try to get in touch with someone that can help me get to the next spot,” Caldwell said.

His connections paid off. While sleeping on a mattress in a friend’s living room, Caldwell was awoken by an urgent phone call from his mentor in the city, asking if he could conduct a photoshoot for R&B singer Chrisette Michele. Without any preparation or planning, Caldwell immediately grabbed his equipment and sped off to meet the artist, who needed to document her Grammy nomination. 

Caldwell said Michele “took me under her wing” and enlisted him to travel around the country with her, shooting album covers, maintaining her YouTube vlog, and capturing images for her Instagram account. 

Other stars took notice. Glee actress Amber Riley and then–Fifth Harmony singer Normani asked Caldwell for their own shoots. 

“I remember [Normani] saying, ‘I want to hire you as my personal photographer,’” said Caldwell. “I finally felt like I was getting my foot in the door.”

Opportunity calls

As his résumé grew, so did the number of calls he fielded from eager clients, including a chance in 2018 to photograph one of music’s biggest titans. But it was an opportunity he almost turned down. 

“I was sitting in church one day, and I got a text: ‘Are you available to do photos?’” he recalled. “I’m like, ‘Sure, who’s it for?’”

His question went unanswered, and his friend replied, saying the mysterious client could not be disclosed. 

“I was like, I have to go lead worship at six o’clock, so I kinda need to know who this is because I can’t just leave church,” he said. “At that time, I literally was begging God to give me a sign to show me something.”

Caldwell had convinced himself that he hit the end of the road in his career and would have to stop pursuing his dream in order to secure a traditional nine-to-five job for stability. But he gave this mysterious opportunity a shot: He drove his car—a 2007 Toyota Scion that “only blew out cold air”—up the Los Angeles hills to an unknown location for the shoot. 

When he arrived, he was greeted by a drop-top baby-blue Rolls-Royce in the driveway, plus a security guard at the entrance who requested that he sign a paper. 

“I didn’t read it. I didn’t care,” Caldwell recalled. “I said, ‘I’m just glad to sign it.’”

As he made his way past security, he spotted a woman on a balcony. “She said, ‘How are you? I’m Beyoncé.’”

Over the course of the photo shoot, the two bonded over Caldwell’s accent and their shared Texas roots. 

“I just couldn’t believe it, everything I had prayed for had come,” Caldwell said. “That was the beginning of everything.”

Homecoming 

Days after his first photoshoot with Beyoncé, Caldwell eagerly refreshed his Instagram feed, waiting to see the pictures he just captured pop up on his timeline. Eventually, a few days of anticipation turned into a month, and the original cloud-nine feeling started to fade.

“I thought that she hated the photos because I didn’t see them come out,” he said, recalling times he couldn’t get out of bed until four o’clock in the afternoon from depression.

But a month later, while sitting in a living room with friends, Caldwell received another vague text asking if he knew how to shoot live shows, a skill he learned while working with his earlier clients Chrisette Michelle and Amber Riley. He rushed to the location, and was greeted with dancers, bands, lighting crews, and videographers all preparing for one of Beyoncé’s most notable productions yet : her 2018 “Homecoming” performance at Coachella . 

“It was just like a huge entertainment college,” Caldwell said. “I just was bright like a kid on my first day with my little bag.”

An homage to Black HBCU culture, the performance netted 41 million viewers in 232 countries, surpassing the record of most-viewed performance at any festival.

Today, Caldwell still serves as the singer’s frequent photographer—he even did the cover art for Beyonce’s eighth studio album, Cowboy Carter , which released Friday.

AI-infused photography

Capturing Beyoncé’s Coachella performance required Caldwell to present his vision to her team with mood boards well ahead of the performance, a strategy he previously had not followed. Years later, he’s embraced the mood-boards strategy and is utilizing a new tool to make them more effective: artificial intelligence.

Caldwell says tools like AI platform Tome refine his workflows and cut down on production time by planning shoots in advance.

“When I discovered Tome, it was as if I had an assistant helping me,” he said. “I would input some images, and Tome’s AI would lay it out in a visually compelling way that helped not only me to crystallize my vision, but it actually became something I could share with clients.”

Although he’s still tinkering with the technology, Caldwell says he can appreciate the versatility of AI.

“If I needed to find photos, I could just type in the type of photos I wanted and AI would find the right picture,” Caldwell said. “It’s literally a lifesaver. It’s made my job so easy.”

The AI tool helps Caldwell visualize the “mood, aesthetic, lighting, clothing, scenery, and photographic style” he aims for in each shoot.

“I do love that it gives you an outlook on what you might not have,” he said. “You can be looking for something in particular, and an AI will give me an example of what I’m looking for, but show me in a different way.”

A 2023 Pew survey shows Americans are increasingly cautious about the growing role of AI in their lives and jobs, but Caldwell says he’s in favor of the tech and doesn’t believe AI will replace human photographers anytime soon. 

“[Photography] is real, shooting someone is real,” Caldwell said. “Being in front of someone is an experience.”

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Music Reviews

Beyoncé's 'cowboy carter' is a portrait of the artist getting joyously weird.

Beyoncé's Cowboy Carter has ignited discourse about the place of Black musicians in country music. But it's also evidence of its creator's desire to break genre walls by following her most eccentric impulses. Mason Poole/Courtesy of the artist hide caption

Beyoncé's Cowboy Carter has ignited discourse about the place of Black musicians in country music. But it's also evidence of its creator's desire to break genre walls by following her most eccentric impulses.

This essay first appeared in the NPR Music newsletter. Sign up for early access to articles like this one, Tiny Desk exclusives, listening recommendations and more.

After two months of anticipation, Cowboy Carter has been out in the world for nearly a fortnight, and the discourse is thick as sawdust on a honky-tonk floor. Beyoncé's spangled opus, as lengthy and florid as a Sergio Leone classic — it really could have been called The Good, the Bey and the Ugly -- has generated more think pieces than any pop phenomenon since her friendly rival Taylor's Eras tour.

I've kept track of the coverage of Cowboy Carter and it's, well, something. Actually it's everything, ranging from paeans to (not too many) pans . Not weighing in hasn't been an option for most music writers, who have spilled tons of ink documenting the album's backstory, tracing its references, and examining its work of legacy building. What could I add to the discourse? Well, this: Whether it's considered a champion's walk, an overlong stumble, a powerful political gesture or a highly personal cri de couer — one thing Cowboy Carter is, undeniably even if no one has said it, is weird. And that's a wonderful thing.

Music Features

10 takeaways from beyoncé's new album, 'cowboy carter'.

Album Review

On 'cowboy carter,' beyoncé's country is as broad as the public she serves.

Not that Beyoncé herself would ever admit to her own eccentricity. She's declared herself a diligent student of the genre she sought to revise, and many of the touchstones on this massive grab bag of ballads and bangers check the boxes of cultural intervention. She features Dolly and Willie; shows us her boots, brand-name jeans and whiskey bottle; includes a murder ballad and her perspective on that ultimate country emblem, the American flag. (She sees it as red: blood, Alabama clay, indigenous people.)

Her inclusion of the undersung Black Grand Ole Opry pioneer Linda Martell as a collaborator nods to efforts to rectify historical omissions that have been going on in and around Nashville for years — shoutout to the Black Opry crew, to artist and radio host Rissi Palmer and to Martell's granddaughter, who continues to crowd-fund a documentary that Beyoncé really should just finance.

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But the way she assembles these hardly unique elements is startling. Sidestepping either a conventional foray into country's traditional sounds or a risk-averse pop approach that would just use those elements as window-dressing, she and her dozens of collaborators assemble a cosmic omnibus of reference points while drilling down on her long-standing obsessions. While it's correct to call this album an epic and a strong political statement, it's an idiosyncratic one, more akin to Jim Jarmusch's off-kilter visions of American heritage — especially Mystery Train -- than, say, Martin Scorsese's Killers of the Flower Moon .

It may seem off to identify eccentricity in a project that includes radio-ready Miley Cyrus and Post Malone collabs, and which was quickly endorsed by none other than the Vice President. Yet the first thing I thought of when I sat down to listen to Cowboy Carter was an album from 1967 that's beloved by many rock cognoscenti for its very peculiarness. Van Dyke Parks 's Song Cycle was the first solo album by the noted composer, arranger and producer. It is a shambling, sunnily psychedelic portrait of California living from the perspective of a transplanted white East Coaster with Southern roots. (Parks was born in Mississippi but grew up in Princeton singing in a boys' choir.)

Rich with strings and gorgeous melodies and rife with punnily poetical lines like, "Nowadays a Yankee dread not take his time to wend to sea" in a song about Parks's own experience trying to make it within the L.A. music biz hustle, no less, Song Cycle features Parks's birdlike warble, and by birdlike, I don't mean Beyoncé's operatic forays on new songs like "DAUGHTER" or "FLAMENCO," but Tweety Bird or the Peanuts ' Woodstock. Parks made the unfinished psychedelic masterpiece Smile with Brian Wilson of the Beach Boys and later worked with 21st-century visionaries Joanna Newsom and Gaby Moreno, among others. But Song Cycle is his strange baby. Though it's a rich work that offers real insight into the melting late 1960s American West Coast dream, Song Cycle is not for everyone. Parks experimented joyfully with song structure, sound effects and lyricism, painting a floating world that requires time and sympathy to comprehend.

Cowboy Carter sounds absolutely nothing like Song Cycle , yet I thought about the latter as I sunk into the non-linear, fragmentary experience of listening to it. I appreciate how Beyoncé sticks to her guns throughout, just as Parks maintained his whimsicality and dreaminess. Stacked harmonies do here what strings do on Song Cycle , lending grandeur to the opening "American Requiem" and tenderness to the ballads "MY ROSE" and "FLAMENCO" (the latter pairs them artfully with Andalusian hand-claps); yet those vocals also set a kind of Broadway stage for the songs, rendering them winsomely surreal. The album's employment of banjo and pedal steel signify country, sure, but they're used in unusual ways, as Parks uses accordion and balalaika. The distortions are highly individualistic, nothing like what current country sounds like. (Exception: that Post Malone duet, "LEVII'S JEANS.") Same with the roots references. The interlude "OH LOUISIANA" speeds up a Chuck Berry vocal to turn that rock and roll founder into helium. On the tour de force Tina Turner tribute "YA YA," Beyoncé begins with a spoken exchange with her background singers that calls back to her campy turn in Austin Powers in Goldmember as well as to Southern rap's most glorious weirdo breakthrough, Outkast's "Hey Ya!" Sure, this is historical work, but it's hardly textbook.

These tracks stand alongside others in a sprawl of concepts, tempos and tones until Cowboy Carter turns into a full-on megamix, its final four tracks returning to the dance party of Renaissance , abruptly concluded with a literal showstopper, the Broadway-ready "AMEN." The album is immersive, but it's a jerky, bucking rodeo ride, not a narrative that lends itself to easy absorption. And through it all Beyoncé bends country and blues tropes — those two genres are inseparable, something Cowboy Carter acknowledges — to the themes she can never abandon: the perils of attempted monogamy, the joy and terror involved in mothering and her own determination to be great, an ambition that she views as a responsibility more than a privilege.

Concept albums can be relatively straightforward, like Willie Nelson's classic Red Headed Stranger , but often they do come out ornate and leaky as their makers dump all of their ideas within the frame. Beyoncé nods sonically to a few that came after Song Cycle . At certain points, Sly and the Family Stone's murky funk on There's a Riot Goin' On comes to mind. Michael Jackson never made a full-on concept album, but that tarnished legend requires mention because Beyoncé's massive ambition rivals his more than anyone's. (Maybe Madonna's; she did make a concept record, Erotica . Or that soundtrack-maker Prince's.)

More recent touchstones include the high-concept forays of Janelle Monaé, whose " Tightrope " seems as much a touchstone for "YA YA" as does Tina Turner's shimmy, and the efforts of two of her collaborators on Cowboy Carter . Raphael Saadiq, who co-produced several tracks, released a similarly massive and emotionally affecting concept album , Jimmy Lee , in 2019. And the Virginia-born multihyphenate Shaboozie, a visionary character whom Beyoncé has apparently recognized as a kindred soul, paid tribute to the landscapes and culture of his native state on his own 2022 disquisition on the same themes as Cowboy Carter . Its title? Cowboys Live Forever, Outlaws Never Die .

Beyoncé is getting played on country radio. Could her success help other Black women?

When I associate Cowboy Carter with these equally adventurous and strange concept albums and the outsiders who made them, I don't mean to reduce the impact of her work or her centrality as an era-defining artist. Instead, I'm trying to free this fun and unfettered music from the burden of predefined significance. Beyoncé has, by her own will as well as her fans's needs, become what Doreen St. Felix calls an "übermatriarch," not only a biological mother but the nurturing, burdened mother of all of her faithful — and of Black America, a role she inherited and claimed from the equally eccentric and more reluctantly ennobled Aretha Franklin. The seriousness of her responsibilities has earned her a lot: millions nearing billions of dollars, a place among heads of state and a fan base that strikes fear in the hearts of naysayers. But for an artist, such success ultimately confines. Only a few have been able to remain playful and light-footed as their public images have hardened into marble.

Two such artists, as it happens, are ones Beyoncé directly takes on in Cowboy Carter : The Beatles, whose members never stopped releasing humorous and even nonsense songs alongside their wedding-and-funeral ballads and politicized anthems; and Dolly Parton, the most agile pop star of all, who's crossed into nearly every category that's interested her with her own birdlike laugh and dimpled smile. Dolly herself has deep and strange predilections: her many songs about dead children, for example, or her way of turning sexuality cartoonish not only as comic relief, but as a weapon. It's her oddball side as well as her musical genius that's allowed her to slip through so many doors.

Beyoncé did not create Cowboy Carter to honor white artists like Parton, but she made a wise decision by invoking her as a partner and a patron saint. In the spoken interlude that precedes Beyoncé's rewrite of her classic "Jolene," Parton refers to Beyoncé's famous line about a white woman's allure for her Black husband, "Becky with the good hair," as "that hussy with the good hair." She drawls out the insult, though, as if she's in the middle of a Hee Haw skit: huzzzzy . It's a goofy, enjoyably destabilizing moment — an eccentric gesture that reminds us that as serious as music can be, it's most powerful when its subversions are also fun.

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I, Gene Oryx, a professional photographer from Moscow city, Russia. In 2016 and 2017 he received silver medals at the annual international competition Photoshoot Awards in Montreal. On the contest, and in 2019 - two bronze medals. In the 35 Awards 2017 was among the top 100 photographers of the year.... see more about geneoryx

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In Cowboy Hats and Fringe, BeyHive Turns Out in Nashville for Beyoncé

On Friday night, in the capital of country music, the artist’s fans showed up in force to celebrate “Cowboy Carter.”

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By Emily Cochrane

Reporting from Nashville

Beyoncé fans had spent the day racing from store to store, searching for their first cowboy hat or pair of white cowboy boots. They brought out the denim jackets lined with silver fringe, the brown and white cow print skirts and the silver rhinestones to stud just above their eyelid.

Then on Friday night, they headed downtown to the famed strip of honky-tonks and bars on Lower Broadway in Nashville to listen to Beyoncé’s new album, “Cowboy Carter,” a tapestry of not only country music, but also contemporary pop music, funk and other genres.

“I’ve never seen so many people that look like me in cowboy hats in my life,” Nia Blair, 24, marveled, dancing in her own pair of new boots. She added, “One album did all this.”

There was no shortage of celebrations of the superstar’s new album this week: There were listening parties from Atlanta to Houston , a fan day at the Rock & Roll Hall of Fame in Cleveland and a seemingly endless stream of on-theme posts from brands and politicians .

But this is Nashville, where the iron gates of the country music business and its radio stations have fortified its brand as “Music City” with a history of minimizing the women and musicians of color who helped build its foundation or sought to expand its horizons.

It is also where some of its fandom and critics rebuffed Beyoncé’s performance at the Country Music Association Awards with the Chicks in 2016, a moment implied to be the catalyst for the creation of the album.

This party was different.

“Tonight is really just a message saying that we are here in Nashville,” said Dede Neahn West, who helped organize the listening party on the rooftop of Acme Feed & Seed, a refurbished farm store that now boasts four floors of music and events. “It’s just giving honor and celebrating, and celebrating our culture.”

Just over a week before the album was set to be released, Ms. West and Aaron Bell, a longtime Nashville producer and musician , began talking about putting together an event in the city to bring Black fans together to celebrate what many see as the triumph of the album’s artistry, the acknowledgment of the extra barriers musicians of color face and the promise of more to come.

“Being a Black person here — Broadway has nothing that reflects us,” said Mr. Bell, a D.J. who frequently performs as A.B. Eastwood and like others, said he has found a more inclusive space to perform at Acme Feed & Seed. “It was important to do it on Broadway.”

“Nashville, we love you,” he said, but, “we don’t have to wait on anybody to give us the OK.”

The release of the album has jolted the country music industry. But it has also created an exhausting and emotional whirlwind of attention for the legions of musicians, producers and artists who had already worked for years in Nashville to create a space for Black musicians in a genre they loved, some said in interviews.

“Beyoncé has brought us all together for this night alone, which we can be grateful for,” said Tanner Davenport, co-director of the Black Opry , which has given a platform to Black country and folk artists, including through a touring revue , since 2021. But he added, the reason he and others “stay in this area is because of the community that’s here.”

There is not yet an indication that the Nashville conglomerate of labels and executives has drastically changed its approach, particularly given its lasting dependence on terrestrial radio . That has left open questions about whether financial and institutional opportunities will come to other Black country artists, even as the initial songs from “Cowboy Carter” have broken country music records .

“The greatest opportunity that we have for change here is the fact that she’s exposed the idea of country music to a ton of people who now seemed more receptive to engaging with it — which the fact that they were not receptive is through no fault of their own,” said Holly G, the founder of the Black Opry .

She added, “I think what we have an opportunity for now is to build a fan base that can exist and thrive outside of these spaces that have not made us feel welcome.”

And the listening party on Friday, titled “Kinfolk,” was a signal that perhaps those fans could be drawn in.

On Friday night, past where bachelorette parties and tourists flocked to the rest of the famed strip of honky-tonks and bars owned by stars like Kid Rock, Jason Aldean and Luke Bryan, hundreds of people brought the rooftop at Acme Feed & Seed to its capacity.

A line of fans in fringe, denim and leather snaked through the floor below, as others crowded the rooftop, posed for photos with friends and listened to calls to buy more records and tickets for other artists. Attendees spoke about how this was the first country album they had listened to in its entirety, how it had prompted them to begin listening to other Black country artists or the joy they felt being surrounded by other Black country music fans.

“We’ve never felt comfortable even playing music — country music — on Broadway, but it’s nice to be here tonight with people that respect what we do and respect what we look like,” said Brandon Campbell, who performs with his twin brother, Derek, as the country duo The Kentucky Gentlemen.

To celebrate a Black woman’s country album on Broadway given a decade of challenging experiences in the city, he added, “is really big, mentally, physically, emotionally for us.”

Video of the 2016 performance at the Country Music Association Awards played on loop on televisions behind the bar, as bartenders served drink specials like The Bey-Hive, a discounted cocktail can, and Texas Hold ’Em, a whiskey sour made with whiskey from a Black-owned distillery in Nashville.

“It’s a lot of fun, and seeing the fact that people are actually willing to dress up and come out?” said MaKayla Stovall, 25. “It makes me feel a certain amount of pride, being Black and from the South.”

Brandon Robinson, 27, said, “I hate that she didn’t have a good time last time, so I’m glad that we can have a good time for her.”

When it was time to start playing the album, there was raucous applause, phones and studded cowboy hats held high into the night sky in time with the music.

And when two of the Black women featured on the album, Brittney Spencer and Reyna Roberts , appeared onstage together, the crowd roared. A woman in a cowboy hat and long white coat wiped away tears, as the two women sang along to their own harmonies on the album’s cover of the Beatles song “Blackbird.”

“This is incredible,” Ms. Spencer told the crowd before the next song began to play. “I love Black Nashville.”

Emily Cochrane is a national reporter for The Times covering the American South, based in Nashville. More about Emily Cochrane

Beyoncé Fuels Tour Rumors With "Been Country" Website

If Beyoncé is going to do anything, it’s wage war on our wallets with a surprise announcement. So, when the “ 16 CARRIAGES ” singer unveiled “Been Country,” a new website landing page, fans immediately saw it as a subtle confirmation of a rumored tour and joined forces, begging her to relax and delay it until 2025.

One fan wrote , “Beyoncé I beg.. my pockets are empty.” Another tweeted a video of Angela Bassett from Waiting To Exhale where she questioned, “What am I supposed to do for money?” Scottie Beam reiterated , “We just paid rent @Beyonce” as someone else offered alternative options. “A deluxe ….. a skincare line …… cecred plus ….. cowboy lingerie ….. idc JUST PLEASE DONT LET THIS BE AN ANNOUNCEMENT FOR TOUR,” they wrote .

Initially, the “Been Country” site redirected visitors to a list of the RENAISSANCE: A Film By Beyoncé credits. Now, it’s a splash page featuring Bey in an American flag get-up, a photo of a young Celestine Beyince aka Mama Tina, a picture of a young Bey performing at the Texas Sweetheart Pageant, a banjo, and the following quote: “This ain’t a country album. This is a ‘Beyoncé’ album.”

The-Dream tweeted about the anticipated tour on March 30, writing, “So proud! BB Let’s Go. This tour bout to B’ Incredible!” Upon the release of COWBOY CARTER , Bey’s dance captain Amari Marshall further fueled rumors of a tour with an Instagram post that reads, “The Boss has done it again. It's about to be a KNTRY Summer.”

Thus far, the new website aligned with the release of Bey’s new single, “ TEXAS HOLD ‘EM (PONY UP REMIX) .” The tour section of the Houston native’s official website (see above) currently houses all things from the RENAISSANCE World Tour including its credits, the remaining merchandise on Amazon, the film trailers, and photos organized by city.

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Beyoncé’s Daughter Rumi, 6, Breaks Musical Record Held by Sister Blue Ivy

Beyoncé’s youngest daughter rumi, 6, broke a record held by her older sister, blue ivy, 12, for her feature on cowboy carter ’s “protector.”.

Beyoncé 's girls are running the world. 

Jay-Z and the "Texas Hold ‘Em" singer's younger daughter, Rumi , just snatched a new record—right from her older sister Blue Ivy . 

As Rumi—twin to brother Sir —was featured on the "Protector" track of Cowboy Carter , she became the youngest woman to chart on the Billboard Hot 100 in history at just 6 years old. 

Track four on Beyoncé's new country album, which currently sits at number 42 of the Billboard Hot 100 chart, features Rumi asking her mother, "Mom, can I hear the lullaby, please?" and surpasses the feature Blue, 12, had on Beyoncé's "Brown Skin Girl" in 2019, which peaked at number 76. Blue sang on the Lion King   movie track at just 7 years old. 

And while Rumi may have surpassed her older sister in being the youngest woman to ever chart on the Billboard Hot list, Blue still holds a record for being the youngest overall person to claim a spot on any Billboard chart . 

Blue was credited under the moniker "B.I.C." on Jay-Z's "Glory" in 2012, which features her coos just after she was born. The song did not hit Billboard's hot list, but it did chart on Hot Rap Songs and Hot R&B charts. 

Blue doesn't have a feature on her mom's latest album, but she is certainly still following in her footsteps. In fact, the tween often appeared on stage alongside her mom during the Renaissance tour as a backup dancer during "My Power." 

"I feel like now my mindset has changed," Blue said in the Renaissance concert film of continuing to join her mother on stage, despite criticism of her early performances. "I actually have to wake up in the morning and go to rehearsals, and I actually have to work hard."

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Beyoncé and Jay-Z were initially hesitant to allow Blue to join her mother's show, but her performances eventually made them very proud. 

"Blue is fearless," Beyoncé said of her daughter in the film . "What I love the most is she becomes fearless, and I can see the growth and the confidence and her trusting herself more and more."

And while Blue continues to build a name for herself in the industry, it's exciting for fans to get a bold introduction to Rumi's own power on the record-breaking track. 

Read on for more of Rumi and Sir's best moments.

A sweet feature

The "Texas Hold 'Em" singer featured daughter Rumi Carter on her new country album Cowboy Carter . 

"Protector," the fourth song on the project, begins with Rumi asking, "Mom, can I hear the lullaby, please?" The clip leads into an acoustic ballad reflecting on her deep love for her children

While pregnant with her twins, the award-winning singer gave an incredible performance at the 2017 Grammys. It's safe to say  Rumi and Sir Carter had the best seats in the house!

A month after welcoming her twins, the proud mom took to Instagram to gush over the babies. She wrote , "Sir Carter and Rumi 1 month today."

In July 2022, Beyoncé thanked her kids ahead of her  Renaissance album release.

"I want to give a special thank you to Rumi, Sir and Blue for allowing me the space, creativity, and inspiration," she wrote on her website alongside this photo. "And a special thanks to my husband and muse, who held me down during those late nights in the studio."

The group posed together as The Proud Family for Halloween 2023.

The Houston native flashes a huge smile as she carries her babies.

Rumi joined Bey and Madonna for a backstage tour photo in July 2023 alongside Madonna's daughters Mercy, Stella and Estere.

The twins adorably take a dip in the ocean in matching outfits.

The father-daughter duo looks at the amazing views as they enjoy a boat ride together.

The "Spirit" singer kicked off 2021 with a sweet video that captured heartwarming moments with her family . "Cheers to a New Year Beyhive," she captioned her Instagram. "2020 divided us and united us. Most could not see loved ones and we felt too many losses, but we were united by our humanity."

To celebrate her 38th birthday, the award-winning singer shared behind-the-scenes pics of how she rang in her special day. In one photo, her kids help her blow out her candles.

The "Black Parade" singer honors her son during the Black Is King visual album, writing, "And to all our sons and daughters, the sun and the moon. Bow for you. You are the keys to the kingdom."

A family affair! Beyoncé strikes a pose with her daughters, as well as her mother, Tina Knowles-Lawson , during the "Brown Skin Girl" music video in Black Is King .

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Miami is where the magic of sun, sea, and style mix so seemingly and where photos come out incredible! ⁣⁣ ⁣⁣ With its iconic Art Deco architecture along Ocean Drive, pristine sandy beaches, and a rich cultural mosaic, Miami offers a diverse range of photographic opportunities. So, are you ready to pose and snap some photos in this interesting destination?⁣⁣ ⁣⁣ Check out the top photo spots in Miami:⁣⁣ ⁣ 📍South Pointe Beach — With its powdery white sand, azure waters, and a backdrop of towering luxury condominiums, it offers a quintessential Miami beach experience.⁣⁣ ⁣ 📍Lummus Park & Beach — The wide promenade, lined with palm trees and iconic lifeguard towers, offers a lively backdrop for capturing the essence of Miami’s sun-soaked lifestyle.⁣⁣ ⁣ 📍Vizcaya — A magnificent Italian Renaissance-style villa turned museum in Miami, is a photographer’s dream, offering a glimpse into the opulence of the Gilded Age.⁣⁣ ⁣ 📍Pier Park at Sunny Isles — The pier, extending gracefully into the Atlantic Ocean, offers a stunning vantage point for capturing breathtaking ocean views and vibrant sunsets.⁣ ⁣ 📸 Captured by Natasha in Miami, USA⁣ ⁣ 🌐 www.locallens.com⁣⁣⁣ ▶️ #locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣ ⁣⁣⁣⁣ .⁣⁣⁣⁣ .⁣⁣⁣⁣ .⁣⁣⁣⁣ ⁣ #coupletravel #coupleshoot #proposalideas #proposalphotography #miamiphotographer #miamifl #miamiphotographt #visitmiami #travelmiami #miamiflorida #floridaphotographer #floridaphotographers #floridaphotography #proposalinspiration #surpriseproposal #proposalphotography #weddingproposal

Imagine popping the question in Machu Picchu? 🤯 Sounds like a unique and beautiful way to start the next chapter of your lives as fiances. ⁣⁣ ⁣ And while it sounds incredible, there are some things you need to keep in mind to make your Machu Picchu proposal a reality. ⁣⁣ ⁣⁣ 1️⃣ Buy your entrance ticket at least a month in advance. ⁣⁣ 2️⃣ When buying your ticket, pick a morning timeslot.⁣⁣ 3️⃣ Expect to stay longer if you’ve purchased a morning entrance. ⁣⁣ 4️⃣ Bring your passport to get a special Machu Picchu stamp. ⁣⁣ 5️⃣ Don’t forget sunblock, bug spray, and layers of clothing. ⁣⁣ 6️⃣ And remember, small backpacks only!⁣ ⁣ 📸 Captured by Marco in Machu Picchu, Peru⁣ ⁣ 🌐 www.locallens.com⁣ ▶️ #locallensphotographers⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣ ⁣ #proposalideas #proposalphotography #cuzcoperu #cuscocity #cuscoperu #visitcusco #7thwonderoftheworld #couplephotoshoot #machupicchu #machupicchutravel #machupicchuperu #travelsouthamerica #cuzco #visitperu #travelperu #ig_southamerica #surpriseproposal #proposalinspiration #weddingproposal

Seville is ‘bonita’ and a photographer’s paradise. The city is the perfect mix of history, culture, and architectural gems, making it an excellent destination for a photoshoot.  ⁣⁣ ⁣⁣ Here are some of our favorite photo spots for a Seville photoshoot:⁣⁣ ⁣ 📍Plaza de España — The most popular spot! This architectural masterpiece wraps around an enormous square with fountains, moats, and tiled walls and offers plenty of photo opportunities. ⁣⁣ ⁣ 📍Barrio Santa Cruz — This captivating and historically rich district was formerly the Jewish quarter of Seville, characterized by its ancient alleyways and meandering streets.⁣⁣ ⁣ 📍Royal Alcazar — Looking for a royal vibe in your photos? Renowned for its diverse gardens and historical influences, the Moorish Royal Palace is one of Spain’s most exquisite structures.⁣⁣ ⁣ 📍Parque Maria Luisa — Maria Luisa Park, situated just behind Plaza de España, is an ideal location for photography with its flourishing flower gardens and scenic tree-shaded pathways.⁣ ⁣ 📸 Captured by Tatsiana in Seville, Spain⁣ ⁣ 🌐 www.locallens.com⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣ ▶️ #locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ #sevillespain #sevillephotographer #sevillecity #sevilletravel #visitseville #visitspain #familyphotoshoot #familyphotoideas #familyphotography

If you’re a soon-to-be momma, you deserve a babymoon in Europe to spoil yourself before the sleepless nights begin!⁣⁣ ⁣⁣ A babymoon, more than a trip is the perfect time to spend time with your partner, relax and mentally prepare for all that lies ahead. And there is no better place than Europe and its many destinations perfect for future parents. ⁣⁣ ⁣⁣ Here are some of our favorite babymoon destinations in Europe: ⁣⁣ ⁣ 📍Prague ⁣⁣ 📍Lake Como ⁣⁣ 📍Santorini ⁣⁣ 📍Lucerne ⁣⁣ 📍Sintra⁣⁣ 📍Amsterdam⁣⁣ 📍Madrid⁣⁣ 📍Valencia⁣⁣ ⁣⁣ Any other destination we should add to the list of babymoons? Let us know in the comments!⁣ ⁣ 📸 Captured by Victor in Prague ⁣ ⁣ 🌐 www.locallens.com⁣ ⁣⁣⁣⁣ ▶️ #locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ #charlesbridge #charlesbridgeprague #pragueoldtown #praguetrip #praguephoto #coupletravel #praguephotography #pragueworld #visitprague #praguestagram #instaprague #praguetoday #czechrepublic #praguecity #praha⁣ #praguephotographer #babymoon⁣ #momtobe #mumtobe #pregnancyannouncement #pregnancyphotography ⁣

Da Nang, a vibrant coastal city in Vietnam, is a fascinating destination that offers an interesting mix of natural beauty and modern urban life. ⁣ ⁣ And for those visiting, the city is also the perfect place to get photos in some of its most beautiful spots, like its stunning sandy beaches and lush landscapes.⁣⁣ ⁣⁣ Check out some of the best photo spots in Da Nang: ⁣ ⁣⁣ 📍My Khe Beach — This stunning stretch of sandy shores and serene blue waters provides a picturesque backdrop for capturing the essence of a coastal paradise.⁣⁣ ⁣ 📍Marble Mountains (Ngu Hanh Son) — These ancient limestone outcrops are dotted with caves, pagodas, and sacred shrines, providing an array of visual inspiration.⁣⁣ ⁣ 📍Dragon Bridge — This iconic bridge comes to life in the evenings with a thrilling fire-breathing dragon show, creating a dynamic and visually spectacular scene.⁣⁣ ⁣ 📍Linh Ung Pagoda — The pagoda is renowned for its giant Lady Buddha statue, and it’s the perfect spot to capture Vietnam’s cultural richness and natural beauty.⁣ ⁣ 📸 Captured by Trung in Da Nang, Vietnam⁣ ⁣ 🌐 www.locallens.com⁣ ▶️ #locallensphotographers⁣⁣⁣⁣ ⁣⁣⁣⁣ .⁣⁣⁣⁣ .⁣⁣⁣⁣ .⁣⁣⁣⁣ ⁣ #coupletravel #visitvietnam #travelvietnam⁣ #couplephotoshoot #danangbeach #danangtravel #danangphotographer #danangphotography #danangtrip #danangvietnam #danangcity #proposalphotography #proposalideas #proposalinspiration #surpriseproposal⁣ #weddingproposal

Bangkok is a cultural treasure with many beautiful temples that are a must-visit if you are looking for an enriching experience. ⁣But the choice is hard, as Bangkok has more than 400 temples. So, which one to pick? ⁣⁣ ⁣ Luckily, we have made a top 5 pick of the best temples or ‘wats’ to visit in Bangkok. ⁣⁣ ⁣⁣ 1️⃣ Wat Arun Ratchawararam (Temple Of Dawn) — An ancient temple dating back to the Ayutthaya period and considered a Royal Temple of King Rama II with a stupa considered one of the most beautiful and gigantic stupas in that era.⁣⁣ ⁣ 2️⃣ Wat Phra Chetuphon Wimon Mangkhalaram Ratchaworamahawihan (Wat Pho) — Home of the Reclining Buddha, with various interesting ancient Thai cultural murals around the temple.⁣⁣ ⁣ 3️⃣ Wat Saket Ratchaworamahawihan (Phu Khao Thong) — One of the famous highlights of this temple is its spiral staircase, which has 344 steps.⁣⁣ ⁣ 4️⃣ Wat Trai Mit Witthayaram Worawihan — This temple is home to the solid gold Sukhothai-style Buddha called the seated Phra Phuttha Maha Suwana Patimakon, known as the world’s largest golden Buddha statue.⁣⁣ ⁣ 5️⃣ Wat Benchamabophit (The Marble Temple) — As its name states, the temple’s ordination hall was constructed of marble imported from Italy.⁣ ⁣ 📸 Captured by Suriyathepjuti in Bangkok, Thailand⁣ ⁣ 🌐 www.locallens.com⁣⁣⁣ ▶️ #locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣ #bangkokthailand #bangkokcity #bangkoktrip #bangkoktravel #travelphotography #travelandleisure #bangkokspirit #beautiful_bangkok #thailand_allshots #thailandtrip #thailandtravel #adayinthailand #thailandinstagram #amazingthailand #bangkokphotographer

Being a new parent can be both beautiful and unnerving — it is a big responsibility! And if you feel you need some guidance and to set up some goals to help you get your groove back, start by setting some resolutions for this new year. ⁣⁣ ⁣⁣ 2024 it’s all about taking care of yourself, and being a new parent doesn’t need to limit that. Here are a few ways you can be the best version of yourself while handling this incredible new role: ⁣⁣ ⁣ ❤️ Take a moment to evaluate how you are feeling⁣ ❤️ Take time to reconnect with yourself⁣ ❤️ Take time to reconnect with your partner⁣ ❤️ Enjoy the time you manage to be alone⁣⁣ ❤️ Rekindle friendships⁣ ❤️ Have dates, just you and your baby.⁣⁣ ❤️ Reassess how you are feeling at the end of every month and change your goals accordingly⁣ ⁣⁣ Any other advice you have for new parents? Let us know in the comments!⁣ ⁣ 📸 Captured by Rojeena in Maui, Hawaii⁣ ⁣ 🌐 www.locallens.com⁣ ▶️ #locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ #hawaiiphotographer #hawaiiphotographers #hawaiistagram #hawaiiphotography #hawaiibestphotos #hawaiilove #beachphotography #mauiphotography #mauihawaii #mauistyle #travelhawaii #visithawaii #hawaiitrip #hawaiivacation #hawaiibeaches⁣ #mauiphotographer⁣ #babymoon⁣ #mumtobe #momtobe #pregnancyphotography #pregnantstyle

Okay, a new year has begun, and now it’s time to commit to those resolutions. Yes, it can be challenging, but with the right tips, you can make your wishes a reality and make 2024 the year you stick to your resolutions!⁣⁣ ⁣⁣ Here’s what you have to do to achieve your new year’s goals: ⁣⁣ ⁣ ☑️ Start small⁣⁣ ☑️ Create goals for different areas of your life⁣⁣ ☑️ Write them down⁣⁣ ☑️ Prioritize your goals⁣⁣ ☑️ Break down bigger goals⁣⁣ ☑️ Include friends and other peeps⁣⁣ ☑️ Keep it interesting⁣⁣ ☑️ Celebrate progress⁣⁣ ☑️ Adjust as necessary⁣⁣ ☑️ Have patience⁣⁣ ⁣⁣ Now tell us, what are your 2024 resolutions?⁣ ⁣ 📸 Captured by Julia in New York City⁣ ⁣ 🌐 www.locallens.com⁣ ▶️ #locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ #nycphotographer #nycphotographers #nycphotoshoot #nycphotography #newyorkcitylife #newyorklife #newyorkgram #newyork_ig #newyorkcityphotography #newyorktravel #newyorkstyle #newyorktrip #weddingproposal #proposalinspiration #proposalphotography #proposalideas #newyorkstreets #newyorkphotographer #newyorkphotography #newyorkphotos⁣⁣ #surpriseproposal

New adventures are around the corner. And this 2024 will be filled with new memories, destinations, health, and happiness. ⁣ ⁣ Happy New Year from Local Lens! ✨🍾⁣ ⁣ 📸 Captured by Christopher in Singapore ⁣ ⁣ 🌐 www.locallens.com⁣⁣⁣ ▶️ ⁣#locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣ #singaporeinsiders #singaporetravel #singaporecity #exploresingapore #singaporeig #singaporephotography #singaporediaries #singaporetourism #singaporephotographer #travelasia⁣ #surpriseproposal⁣ #proposalideas #proposalphotoshoot #proposalinspiration

What a year! 2023 has been a year full of blessings, and many captured memories. ⁣ ⁣ Just this year, our local photographers have captured over 4,000 shoots around the world!! From families to engagements, anniversaries, and solo traveling, we love being there and creating memories with you. ⁣⁣ ⁣⁣ Thank you for a fantastic year, and we hope to be with you next year, capturing your next chapter. And like they say, cheers to many more! 🥳✨💫⁣ ⁣ 🌐 www.locallens.com⁣⁣ ▶️ ⁣#locallensphotographers⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ .⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ ⁣⁣ #destinationaphotographer #surpriseproposal⁣ #proposalideas #proposalphotography #proposalinspiration #weddingproposal #familyphotography #familyphotoshoot #familyphotoideas

Shooter Files by f.d. walker

Street Photography Tips, Interaction, Travel, Guides

Apr 24 2017

City Street Guides by f.d. walker: A Street Photography Guide to Moscow, Russia

*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!

At over 12 million people, Moscow is the largest city in Russia and second largest in Europe by population ( Istanbul is #1). An urban, cosmopolitan metropolis with more than enough glitz and glam to cater to the elite, but without losing its fair share of Soviet era roughness around the edges. It can be fast paced, brash, busy, and trendy like other big cities, but it has its blend of West meets Russia atmosphere and beauty that provides plenty of unique interest. The Red Square is as famous as it gets, but there’s so much more to this city, including the most beautiful subway system you’ve ever seen. It would take years to capture all of Moscow, but that means you have an endless amount of areas to discover.

So here’s a Street Photography guide so you can be ready to capture all that Moscow has to offer before you even arrive!

• Patriarch’s Pond
• Old Arbat Street
• Maroseyka Street
• Tverskoy Boulevard

Top 5 Street Spots:

1. red square.

The Red Square is the most famous square in not just Russia, but all of Eastern Europe. The name actually doesn’t come from the color of the bricks or communism, but from the name in Russian, Krásnaya, once meaning “beautiful” before its meaning changed to “red.” This large plaza is what you see on the cover of guide books and magazines for Moscow, with St. Basil’s Cathedral being the center piece next to Lenin’s Mausoleum surrounded by the Kremlin Wall. Of course, the Red Square attracts hordes of tourist due to the main attractions, but all that activity around an interesting atmosphere does provide street photo opportunities. It’s also the central square connecting to the city’s major streets, providing a good starting point to explore outward.

You’ll also find the popular pedestrian only Nikolskaya Street connecting the Red Square to Lubyanka Square. This line of expensive shops includes plenty of activity, while also leading you to another popular square. Filled with history rivaling any city, the Red Square and surrounding areas are the heart and soul of Russia.

2. Patriarch’s Ponds

Patriarch’s Ponds is one of the most exclusive neighborhoods in Moscow. Despite the name being plural, there’s only one large pond, but it’s worth a visit with your camera. It’s a popular spot for locals and expats to come relax or take a stroll around the pond. You get an interesting mix of young and old too, from young love to “babushkas” feeding pigeons. It’s a very peaceful park atmosphere in one of the nicer areas within the city center, while bringing enough activity for street photography. 

The pond is shallow and in the winter becomes a popular spot for ice-skating too. The area is also well-known for the location in the famous Russian novel, The Master and Margarita. 

3. Old Arbat (Stary Arbat)

Old Arbat is the most famous pedestrian street in Moscow, and dating back to the 15th century, also one of its oldest. Originally, it was an area of trade, but soon became the most prestigious residential area in Moscow. During the 18th century, Arbat started attracting the city’s scholars and artists, including Alexander Pushkin. Cafes lined the streets and impressive homes filled the neighborhood. Since then, New Arbat street was created as a highway in the area, while Old Arbat was paved for a 1km pedestrian only walkway.

Due to the historic buildings, famous artists that lived here, and the bohemian atmosphere, Old Arbat has become a big attraction for tourists today. Now, there’s a mix of cafes, restaurants, souvenir shops, street performers, street merchants and other attractions for visitors, and some locals, to come enjoy. It can get really busy here and there’s usually something interesting going on so it’s a good street to come walk with your camera for guaranteed life.

4. Gorky Park

One of the most famous places in Moscow is Gorky Park. The official name is Maxim Gorky’s Central Park of Culture & Leisure, which gives you an idea of what goes on here. When built, it was the first of its kind in the Soviet Union. Divided into two parts, it stretches along Moscow River. One end contains fair rides, foods stands, tennis courts, a sports club, a lake for boat rides, and more. This end brings more active life due to its number of attractions, while the other end is more relaxed, where you’ll find gardens, trees, older buildings, and an outdoor amphitheater.

Gorky Park attracts mostly locals so it’s a good spot to capture the non-tourist side of Moscow life. Muscovites come here to escape the city and unwind in a picturesque setting. The park remains alive outside of the warmer months too, especially when the lake turns into the city’s largest outdoor skating rink. I’d recommend taking the metro out here to spend at least half a day exploring the massive park’s life with your camera.

5. Maroseyka Street

Maroseyka Street is a popular area not too far from the Red Square. The long, winding street turns into Pokrovka and is lined with restaurants, cafes, bars and places to stay. It’s actually where I like to stay when I’m in Moscow due to its location and solid street photography opportunities itself. You have Kitay-gorod station near and if you keep walking southwest, you’ll get to the Red Square. But if you walk northwest, as it changes to Pokrovka, you can find a long street of activity for photography with its own interesting atmosphere.

6. Tverskoy Boulevard

Tverskoy Boulevard is the oldest and longest boulevard in Moscow, beginning at the end of Nikitsky Boulevard, and finishing at Pushkin Square, a spot to come for activity itself. The boulevard is made up of two avenues, with pedestrian walkways in-between. You’ll find grass, shrubbery, trees, benches and more walking it’s almost kilometer length. Many people come here to enjoy some relaxation, walk their dog, or just to use it to walk wherever they’re going. Its center location also provides a nice place to walk with your camera near plenty of other spots you’ll want to check out anyway.

Sample Street Walk:

For a full day of Street Photography, covering some of the best spots, you can follow this sample street walk for Moscow:

• Start your morning walking around the Red Square (1), while exploring the surrounding area, including Nikolskaya Street
• Then walk northwest to Patriarch’s Ponds (2) and slowly walk the pond and surrounding area with your camera
• Next, walk east to the Pushkin Monument and stroll down Tverskoy Boulevard (6)
• Once Tverskoy Boulevard (6) ends, it will turn into Nikitsky Boulevard. Follow this down until you get to the start of Old Arbat Street (3), across from Arbatskaya station
• After you’re done walking down Old Arbat Street (3) for more street photography, spend some time checking out Moscow’s beautiful metro stations
• To finish off the day with more street photography, get off the metro near Red Square (1) again, Maroseyka Street (5) or wherever you’re staying for the night.

3 Things I’ll Remember about Shooting in Moscow:

1. museum metro.

The Moscow metro system was the first underground railway system in the Soviet Union and today includes 203 stations across 340km of routes. The elaborate system has some of the deepest stations in the world too, with escalators that seem to go on forever. None of this is what makes it so special, though. Many of its stations feel like stepping inside a museum, making it without a doubt the most interesting and beautiful metro system I’ve been in.

When built, Stalin wanted to make the metro stations “palaces for the people” with marble, chandeliers, and grand architecture. The best part is the variety of architecture and styles used, making many of the stations a completely different experience visually. You could easily spend a whole day traveling the stations and there are even tours available for people who wish to do just that. My advice, though, would be just to buy a ticket and hop on and off at different stations, while exploring different lines. The museum-like surrounding mixed with the crowds of characters can make for a great photography experience.

Since there are so many stations, here are some of my favorites to check out:

• Novoslobodskaya
• Mayakovskaya
• Elektrozavodskaya
• Komsomolskaya
• Ploschad Revolyutsii
• Dostoyevskaya
• Prospekt Mira

2. Moscow is Big

It’s no secret that Moscow is a big city, but it can feel even bigger with how spread out much of it is. This is especially true if you compare it to cities outside of Asia. If I compared it to cities in Europe, I’d probably say only Istanbul would warrant more time to really discover the depths of this city. Most only explore around the Red Square and surrounding area, but that is such a small part of the city. Although, that central area does give you plenty to see on its own.

Fortunately, I had a good friend living in the city to show me around, but it opened up my eyes even more to how much there is to discover in Moscow. It’s a big city with a variety of atmosphere that can take you from “east” to “west” and trendy to rugged depending on where you go. I’d imagine you’d have to live here a while to really know the city.

3. Cosmopolitan Mix of East meets West

Modern skyscrapers mixed with amazing architecture, a world-class metro system with museum-like beauty, trendy fashion and chic clubs, Moscow is a rich mix of Russian culture and history in a more western cosmopolitan package. There is a push to keep the Russian culture, while also pushing forward with a modern metropolis the whole world will envy. This comes with an impressive skyline, that continues to grow, and endless modernities, but with soviet nostalgia and atmosphere mixed in for good measure.

Mixed in with this grand western cosmopolitan atmosphere, is a strong national pride in Russia. This includes their famous leader, Vladimir Putin. Maybe no other place will you see a country’s leader more often. All over, from the pricey tourist shops to the underground walkway stalls, you’ll find goods with Putin’s likeness covering them. From t-shirts to magnets to Matryoshka dolls. There’s a strong national pride that can be seen around the city, which also extends to their leader. Moscow is many things. It’s East meets West, modernizations meets Soviet era, and a whole lot more.

What To Do For a Street Photography Break?:

Eat at a stolovaya.

Stolovayas are Russian cafeterias that became popular in the Soviet days. You grab a tray and walk down the line of freshly prepared local dishes, and select whatever you want from the chefs. They’re usually inexpensive and a much better value than restaurants, while giving you the opportunity to try from a wide selection of everyday Russian food. They’re also very tasty. I always include some borsch on my tray and go from there. The places themselves are all over Moscow and usually come with Soviet-era aesthetics to complete the experience.

Street Safety Score: 7

*As always, no place is completely safe! So when I talk about safety, I’m speaking in general comparison to other places. Always take precaution, be smart, observe your surroundings and trust your instincts anywhere you go!

Being the 2nd largest city in Europe with over 12 million people, you’re going to have your dangerous areas, but for the most part, it feels safe walking around. Russia is statistically higher in crime compared to most of Europe, but this generally doesn’t apply to tourists and visitors. Around the Red Square and surrounding city center, you should feel completely safe walking around. Pick pocketing can happen, but no more than other touristic places. I always explore Moscow freely without coming across too much to worry about. It’s a spread out city, though, so of course it matters where you are. Just use basic street smarts, know where you are and Moscow shouldn’t give you a problem. 

People’s Reaction Score: 7

Moscow is fast paced, big city life, which usually means people aren’t too concerned with you, or your camera. I don’t find people notice or pay much attention to me when I’m out taking photos in Moscow. For the most part, people just go about their day. You shouldn’t get too many looks or concern. But it can depend on the area you are in. The more you stick out, the more you might get noticed with suspicions. I’ve never had any problems in Moscow, or Russia, but just be careful who you’re taking a photo of if you get out of the city center. Other than that, it’s about average for reactions. 

Street Tips:

Learn the alphabet .

Much of Moscow, including the metro system, doesn’t use english. The Russian alphabet uses letters from the Cyrillic script, which if you aren’t familiar with it and don’t know the sounds, can be hard to decipher the words. This is most important for street names and metro stops when trying to get around. It can save confusion and make it easier getting around if you learn the basic alphabet. At the very least then, you can sound out the words to see which are similar in the english conversion, which can help matching them to maps. When out shooting street photography, getting around is as important as anything. So save yourself some time and frustration by learning the Russian Alphabet.

Use the metro

While Saint-Petersburg feels very walkable for a city its size, Moscow can feel very spread out, even for its bigger size. Outside of the Red Square area, you can have plenty of walking before getting anywhere very interesting, so you’ll need to take the metro a lot if you really want to explore the city. Maps are deceiving here too, it will always be further than it looks.

Another reason it’s less walkable than Saint-Petersburg is its completely different set-up. Moscow’s streets are mostly contstructed in rings with narrow, winding streets in-between. This is common with medieval city cities that used to be confined by walls, but you usually don’t have it in a city this massive. Saint-Petersburg has a more grid-like pattern that also uses the canals to help you know your way around. When it comes to navigating on foot in Moscow, it can be more difficult, so bring a map and take the metro when needed. It’s why Moscow’s metro carries more passengers per day than the London and Paris subways combined.

Explore other areas if you have time

Moscow is really big. While most people stay around the Red Square within the Boulevard Ring, there’s so much more to the city. I covered some other spots outside of this circle, but if you really want to see the city, you’ll need time. If you do have time, some other areas I’d check out first are Zamoskvarechye, along some of the south and western Moscow.

Inspiration:

For some more inspiration, you can look through the Street Photography of Moscow photographer Artem Zhitenev  and check out 33 of my photos taken in Moscow .

Conclusion:

Moscow’s name brings a certain mystique, but once you’re there it might bring a different atmosphere than you expect. It’s big and sprawling, but beautiful in many ways. It can feel like a European capital on a grand scale, but you can definitely find its Russian side in there.

The urban sprawl of Moscow can be intimidating, but give it enough time and you’ll be rewarded with plenty to discover. All with the world’s best metro system to take you around.

I hope this guide can help you start to experience some of what Moscow contains. So grab your camera and capture all that Moscow has to offer for Street Photography!

If you still have any questions about shooting in Moscow, feel free to comment below or email me!

(I want to make these guides as valuable as possible for all of you so add any ideas on improvements, including addition requests, in the comment section!)

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