1 hundred foot journey

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The Hundred-Foot Journey

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Rent The Hundred-Foot Journey on Prime Video, Apple TV, or buy it on Fandango at Home, Prime Video, Apple TV.

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Director Lasse Hallström does lovely work and Helen Mirren is always worth watching, but The Hundred-Foot Journey travels predictable ground already covered by countless feel-good dramedies.

Audience Reviews

Cast & crew.

Lasse Hallström

Helen Mirren

Madame Mallory

Manish Dayal

Hassan Kadam

Charlotte Le Bon

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Movie news & guides, this movie is featured in the following articles., critics reviews.

• Entertainment
• REVIEW: Does <I>The Hundred-Foot Journey</i> Deserve One Michelin Star or Two?

REVIEW: Does The Hundred-Foot Journey Deserve One Michelin Star or Two?

W ith Steven Spielberg and Oprah Winfrey serving as producers, and a story that forges warm feelings between two generations of restaurant rivals, The Hundred-Foot Journey is on a mission to make you cry. Whether you oblige will depend on your fondness for, or immunity to, the gentler stereotypes of movie romance.

But there’s one shot that should bring tears of joy to anyone who thinks of food as something more than the stuff grabbed from a plastic bag and automatically consumed on a couch during a reality show. Early in the proceedings we are shown a plate of fresh vegetables, tomatoes mostly, that a pretty young French woman offers to weary Indian travelers. Artfully arranged and glowingly photographed, the comestibles would send moviegoers rushing avidly from the auditorium to the lobby — if the concession stand were a neighborhood stall run by Edesia, the goddess of banquets .

(SEE: TIME’s flavorfully illustrated list of the Top 8 Food Movies )

The food, traditional French cuisine or the livelier Indian masala, looks delicious: what Los Angeles Times writer Jenn Harris, in an interview with Indian-American chef Floyd Cardoz, calls a “ sumptuous buffet of gastro-porn .” Although Harris was referring to the preparations by Cardoz and other cooks of the film’s incredible edibles, Spielberg and Winfrey wouldn’t mind if viewers applied the phrase to the whole movie. They want you to swallow, in one savory sitting, their tale of colliding cultures reaching an entente cordiale. That particular buffet demands a more generous palate.

Winfrey chose Richard C. Morais’ novel for her 2010 reading list and teamed with Spielberg, who had directed her in The Color Purple nearly three decades ago, to bring the story to the screen. As director they hired Lasse Hallstrom, who specializes in upmarket sentiment and in films with food-related titles: What’s Eating Gilbert Grape , The Cider House Rules , Salmon Fishing in the Yemen . His signature food movie was Chocolat , a highly caloric confection about an outsider (Juliet Binoche) who opens a pastry shop in a French village, horrifies the locals, outrages the mayor (Albert Molina) and eventually seduces all of them with her bewitching sweets. With Johnny Depp on hand as Binoche’s roguish ally, Chocolat became Hallstrom’s biggest box-office hit.

(READ: Richard Schickel’s review of Chocolat )

In The Hundred-Foot Journey , the outsiders are Papa (Bollywood stalwart Om Puri), his son Hassan (Manish Dayal) and their family of Mumbai restaurateurs, sent packing when their establishment is torched by fanatics and Papa’s wife (the great beauty Juhi Chawla) is incinerated in the fire. The French village they wind up in is the almost obscenely picturesque Saint-Antonin-Noble-Val, in the Midi-Pyrénées, and the wavering mayor this time is Michel Blanc. The family’s most obstinate rival — Mme. Mallory, who owns the one-star restaurant 100 feet across the street from where Papa sets up his noisy Maison Mumbai — is played by Helen Mirren with her chin held high in defiance; Queen Elizabeth might think Mirren’s manner too imperious. And Hassan finds love and competition with Mme. Mallory’s sous-chef Marguerite (Charlotte Le Bon).

The journey in the novel was essentially Hassan’s. A budding genius in creating dishes both Indian and French, he hopes to rise through the gastronomic ranks and become the most innovative chef at the hottest restaurant in Paris. He is a human version of Remy the rodent in Pixar’s Ratatouille , conquering French-foodie snobbishness with his culinary inspirations. Screenwriter Steven Knight, who has scripted modern crime movies ( Eastern Promises ) and stately period pieces ( Amazing Grace ), as well as directing the Tom-Hardy-in-a-car movie Locke , makes room for the Hassan story, but promotes age — the slow-boiling friendship of Papa and Madame — over youth and beauty.

(READ: Corliss on Tom Hardy, trapped in a car, in Steven Knight’s Locke )

Mme. Mallory’s interest in Hassan, once he convinces her of his expertise, is a matter of pride. For 30 years, her restaurant, Le Saule Pleureur (The Weeping Willow), has carried an honored but equivocal one star, out of a possible three, from the Michelin guide to French cuisine. She wants that second star and thinks the gifted Hassan can help her get it. (It happens that, a couple hundred miles to the east, in Monteux, there is an actual establishment by that name. An online reviewer wrote, “This restaurant has one Michelin star and easily deserves another.”)

As Madame, Dame Helen anglicizes aspects of two revered French actresses who might have been more suitable for the role: imagine a frosty Isabelle Huppert who thaws into Catherine Deneuve. Because this is a movie aimed at Americans, Mirren must speak English in a stern, borderline-ludicrous French accent — both to Papa and Hassan, who confer with each other in Marathi and speak perfect English but perhaps not French, and to her French kitchen staff. “In English,” she says to her balky chef Jean-Pierre (Clément Sibony), “so we can all understand.” This time, the royal “we” that Mirren used in The Queen means the non-francophone audience.

(READ: How Helen Mirren reigned and triumphed in The Queen )

If the poetry of this Franco-Indian alliance gets lost in translation, the visuals sing ecstasy in any language. Cinematographer Linus Sandgren, fresh from making the actors in American Hustle look fabulously tatty, brings radiance not just to each morsel of food but also to the dewy closeups of Dayal (born in Orangeburg, S.C.) and Le Bon (from the recent bio-pic Yves Saint Laurent ) as the lovers-in-waiting. The movie revels in scenes of dappled soft-focus — you never saw so many dapples! — and punctuates the Spielberg-starry night sky with fireworks for every occasion. Though it must acknowledge Mama’s charred death, and a spate of anti-immigrant enmity (the scrawling of “French for the French” on a Maison Mumbai wall), the film is eager to seem good enough to eat.

The one moment of earned poignancy comes when Hassan goes across the street to work at Le Seule Pleureur, and Papa offers him his treasured box of Indian spices. “They have their own spices,” the young man says in the softest tones of renunciation. In a new land, the young must learn from their old-country past, use some parts and reject others, to become a success. That’s how you season the melting pot. At this moment, viewers may shrug off the glutinous manipulations of The Hundred-Foot Journey and give it a second star in the Michelin guide to comfort-food movies.

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The Hundred-Foot Journey

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The Hundred-Foot Journey (2014)

PG | Comedy, Drama

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The Hundred-Foot Journey review – food wars in the south of France

E ver-ravenous critics attending the press screening of Lasse Hallström 's sweetly spicy dish were served tasty bowls of vegetable curry. It was a smart move – with its droolsome depictions of briskly fluffed omelettes, plump ripe fruits and richly sauced meats, this isn't a film you'd want to watch on an empty stomach. Set in an obscenely bucolic south of France (the misty-eyed views make Ridley Scott's A Good Year look like a gritty Ken Loach production), the story centres on culinary whiz Hassan Kadam (Manish Dayal), whose father opts to open a curry house across the street from a celebrated French restaurant. Food and culture wars ensue as proud Papa (Om Puri) and hoity Madame Mallory (Helen Mirren) bicker and squabble while Hassan starts to break eggs with sous chef Marguerite (Charlotte Le Bon) who teaches him the saucy secrets of "classic" French cuisine. Despite boasting Steven Spielberg and Oprah Winfrey (who championed Richard C Morais's source novel ) as producers, this remains more of an amuse-bouche than a hearty meal – as delicately presented as the dishes in Madame Mallory's Michelin-starred establishment, and with more than a tang of The Best Exotic Marigold Hotel . Puri is great fun as the indomitable head of the family, and Mirren convinces as the grand dame, despite dishing out her lines in an accent that staunchly refuses to set.

• The Observer
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Film Review: ‘The Hundred-Foot Journey’

Lasse Hallstrom returns to 'Chocolat' territory with this overlong serving of cinematic comfort food.

By Justin Chang

Justin Chang

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Beef bourguignon or tandoori goat? Career success or family loyalty? You can actually have it all, according to “ The Hundred-Foot Journey ,” a culture-clash dramedy that presents itself as the most soothing brand of cinematic comfort food. As such, this genteel, overlong adaptation of Richard C. Morais’ 2010 novel about two rival restaurants operating in a sleepy French village is not without its pleasures — a high-energy score by A.R. Rahman, exquisite gastro-porn shot by Linus Sandgren, the winningly barbed chemistry of Helen Mirren and Om Puri — all prepared to exacting middlebrow specifications and ensured to go down as tastily and tastefully as possible. With the formidable backing of Steven Spielberg and Oprah Winfrey (who produced with Juliet Blake), the DreamWorks concoction should cater to a broad array of arthouse appetites, particularly among those viewers who embraced the similar East-meets-West fusion cuisine of “The Best Exotic Marigold Hotel.”

If this Old World foodie fairy tale feels like an odd fit for screenwriter Steven Knight — best known for his gritty London underworld thrillers, and coming off an unusually adventurous directing debut with “Locke” — it’s worth recalling that his scripts for the much edgier “Eastern Promises” and “Dirty Pretty Things” were directly concerned with the hostilities bred in and around specific immigrant communities. Still, with its cozy, crowd-pleasing temperament, the new film represents all-too-familiar territory for director Lasse Hallstrom, whose superficially similar “Chocolat” offered up a smug little parable about the triumph of sensual indulgence and liberal tolerance over stifling small-town conformity. The culture war examined in “The Hundred-Foot Journey” is a bit less one-sided: It contrasts the heat and intensity of Indian cooking with the elegance and refinement of French haute cuisine, then balances the two with a feel-good lesson in ethnic harmony.

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Fleeing a tragic uprising in their native Mumbai for a more idyllic life in Europe, the Kadam family, led by their proudly outspoken Papa (Puri), decide to open an Indian restaurant in the South of France. Alas, they soon find that they have merely abandoned one war zone for another, as their scrappy new Maison Mumbai, with its open-air seating and free-wandering chickens, is soon locked in a fierce competition with the classy Michelin-starred establishment located just 100 feet across the road. That restaurant, Le Saule Pleureur, is run by the widowed Madame Mallory (Mirren), an unyielding perfectionist and proud defender of Gallic tradition whose first glimpse of her brown-skinned neighbors prompts her to sniff, “Who are zees people?”

Zees people, little does she realize, include one of the most talented young cooks in Europe. That would be our protagonist, Hassan Kadam (Manish Dayal), who soon begins a sly flirtation with Le Saule Pleureur’s beautiful sous chef, Marguerite (Charlotte Le Bon); she in turn introduces him to the venerable tradition of French cooking, which he becomes determined to master. The tension between these two characters, sexual as well as professional, is something the film keeps on a low simmer behind the more fiery confrontations between Papa and Madame Mallory, neither of whom is afraid to resort to all manner of competitive sabotage — whether it means sneakily buying up all the crayfish at the farmers market, or filing complaints with the mayor (Michel Blanc), humorously depicted as something of a gourmand himself.

Amid all this fun but childish oneupsmanship, Knight and Hallstrom gently milk all the expected stereotypes for humor and conflict: The French are snobs with their hoity-toity manners and expensive food, and they’re deeply affronted by the thrifty, tacky Indians with their colorful clothes and loud music. France’s ugly history of racial aggression and unrest, particularly relevant at the present moment, briefly punctures the film’s placid surface when local thugs attack and nearly burn down Maison Mumbai. But rather than lighting a fuse, this trauma is what begins to unite the Kadams and Madame Mallory, who soon realizes that Hassan is not only an exceptional cook, especially when armed with his family’s prized spice box, but possibly the missing ingredient that could earn Le Saule Pleureur its second Michelin star.

And so “The Hundred-Foot Journey” becomes a story in which cultural opposites not only learn to coexist, but are in fact triumphantly and even romantically reconciled. It may be set in France, but really, it could be taking place in any movie-manufactured fantasyland where enemies become the best of friends, and an embittered old shrew turns out to have a heart of gold (and, as Papa appreciatively notes, looks rather fetching beneath the glow of computer-generated Bastille Day fireworks). Morais’ novel was described by the New York Times’ Ligaya Mishan as a hybrid of “Slumdog Millionaire” and “Ratatouille,” and Hallstrom seems to have taken that Hollywood formulation to heart: Like “Slumdog,” the film is an underdog story set to the infectious backbeat of Rahman’s music (fun fact: Knight created the original British version of “Who Wants to Be a Millionaire”), and like “Ratatouille,” it brings us into an irresistible world of culinary sophistication and features gorgeous nighttime views of Paris, where Hassan eventually arrives in search of his destiny.

Where the film really overreaches is its attempt to reproduce “Ratatouille’s” glorious Proustian moment, that perfect bite of food that induces a heartbreaking recollection of childhood. This wannabe epiphany arrives deep into a draggy third act, during which the script and the handsome Dayal struggle to give Hassan some semblance of a conflicted inner life, but the character, much like his meteoric rise to the top ranks of international chefdom, remains something of a sketch. It’s the older, top-billed leads who manage the heavy lifting: Though she’s encumbered somewhat by her French accent, Mirren is superb at both projecting an air of hauteur and expressing the vulnerability beneath it, and she brings out a similar mix of pride and feeling in Puri’s Papa, an excellent sparring partner whose stubbornness and drive to succeed never come at the expense of his love for his family.

Shot on 35mm in luminous, sun-dappled tones in the French village of Saint-Antonin-Noble-Val (with some second-unit work in India), and handsomely appointed by production designer David Gropman and costume designer Pierre-Yves Gayraud, the film is also distinguished by its mouth-watering visual buffet, whether lingering on vats of steaming red curry or a perfectly plated pigeon with truffles. This is, no question, an easy picture to succumb to — perhaps too easy, if its tidy narrative symmetries and its belief in the socially redemptive power of pleasure are any indication. Scrumptious as it all is, it hurts to watch chefs so committed to excellence in a movie so content to settle for attractive mediocrity.

Reviewed at Disney Studios, Burbank, Calif., July 23, 2014. (In Locarno Film Festival — Piazza Grande.) MPAA Rating: PG. Running time: 122 MIN.

• Production: A Walt Disney Studios Motion Pictures release of a DreamWorks Pictures and Reliance Entertainment presentation in association with Participant Media and Image Nation of an Amblin Entertainment/Harpo Films production. Produced by Steven Spielberg, Oprah Winfrey, Juliet Blake. Executive producers, Caroline Hewitt, Carla Gardini, Jeff Skoll, Jonathan King. Co-producers, Holly Bario, Raphael Benoliel.
• Crew: Directed by Lasse Hallstrom. Screenplay, Steven Knight, based on the novel by Richard C. Morais. Camera (color, widescreen, 35mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer, David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre-Yves Gayraud; sound (Datasat/Dolby Digital), Jean-Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special effects supervisor, Philippe Hubin; special effects coordinator, Jean-Christophe Magnaud; visual effects supervisor, Brendan Taylor; visual effects producer, Mitchell Ferm; visual effects, Mavericks VFX, Mr. X, Lola VFX; stunt coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy Bevan.
• With: Helen Mirren, Om Puri, Manish Dayal, Charlotte Le Bon, Amit Shah, Farzana Dua Elahe, Dillon Mitra, Aria Pandya, Michel Blanc. (English, French, Hindi dialogue)

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A story centered around an Indian family who moves to France and opens a restaurant across the street from a Michelin-starred French restaurant.

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The Hundred-Foot Journey with Steven Spielberg and Oprah Winfrey

The recipe, the ingredients, the journey, on set with oprah winfrey, coconut chicken, rotten tomatoes® score.

Mirren is drily funny, deploying an arsenal of MasterChef-style horrified reaction shots.

How wrong can you go with a comedy about beautiful people making beautiful food in the south of France? And Helen Mirren? The woman can turn 105 and she'll still be alluring, even when she's being haughty. Lots of laughs.

It's an enjoyable film about passion; the passion for food, passion for culture but most of all, passion for life.

This isn't your usual summer fare, because it cares far too much about the people whose story it is telling and it takes the time to let you get to know them.

If you're into simple, pleasant movies that offer two-hour escapist entertainment, this may be for you.

[A] beautifully written story.

Fulfilling, rich and delicious, The Hundred Foot Journey is an effervescent delight, sizzling with cinematic and emotional flavor.

If films about the culinary arts revolved around the same strictures to obtain something like a Michelin star rating, The Hundred-Foot Journey would always and forever be a big fat zero.

For foodies and folks looking for the cinematic version of a poolside paperback, THE HUNDRED-FOOT JOURNEY delivers. If you're seeking something with a little artistic nutrition, you'll need to look elsewhere.

Overall, The Hundred-Foot Journey is not a bad dish, but considering its rich ingredients, it still lacks a bit of spice.

Additional Info

• Genre : Comedy, Drama
• Release Date : August 8, 2014
• Languages : English, Spanish
• Captions : English, Spanish
• Audio Format : 5.1

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Product Description

Starring Academy Award(R) winner Helen Mirren (Best Actress, THE QUEEN, 2006), produced by Steven Speilberg, Oprah Winfrey and Juliet Blake, and directed by Lasse Hallström (CHOCOLAT), this uplifting story bursts with flavor, passion and heart. When the chilly chef proprietress of a Michelin-starred French restaurant in southern France (Mirren) gets wind of a culinary immigrant opening an Indian restaurant just 100 feet from her own, her icy protests escalate to all-out war between the two establishments. It's a celebration of triumph over exile as these two worlds collide and one young man tries to find the comfort of home in every pot -- wherever he may be.

Product details

• Aspect Ratio ‏ : ‎ 2.39:1
• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ PG-13 (Parents Strongly Cautioned)
• Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 2.4 ounces
• Item model number ‏ : ‎ DRWR12365700DVD
• Director ‏ : ‎ Lasse Hallstrom, Lasse Hallström
• Media Format ‏ : ‎ Widescreen, Multiple Formats, NTSC, Color
• Run time ‏ : ‎ 2 hours and 2 minutes
• Release date ‏ : ‎ September 20, 2015
• Actors ‏ : ‎ Helen Mirren, Om Puri, Manish Dayal, Charlotte Le Bon, Amit Shah
• Dubbed: ‏ : ‎ French, Spanish
• Subtitles: ‏ : ‎ English, French
• Producers ‏ : ‎ Juliet Blake, Steven Spielberg, Oprah Winfrey
• Language ‏ : ‎ Spanish (Dolby Digital 5.1), English (Dolby Digital 5.1), French (Dolby Digital 5.1)
• Studio ‏ : ‎ Walt Disney Studios Home Entertainment
• ASIN ‏ : ‎ B00MI56UI6
• Number of discs ‏ : ‎ 1
• #1,381 in Romance (Movies & TV)
• #3,880 in Comedy (Movies & TV)

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