bad road trip movies

27 Road Trip Movies Every Traveler Needs To Watch

The road is one of the most enduring images in film history because it can be used for so many different purposes. It can mean the freedom of adventure, or adventure's inevitable dead-end. Road trips can result in meeting interesting new characters, or they can be the worst kind of isolation or even the worst kind of forced bonding. Filmmakers from all over the world are continually drawn to the road movie and specifically the road trip movie, where a simple car or bus ride can become something much more meaningful. It offers plenty of opportunity for unexpected change, and it often does so in front of beautiful, overwhelming landscapes. They'll never stop making movies about road trips because people will never stop taking them, always wanting to see the sights and maybe become a little wiser in the process.

The 27 films in this list all take their own approaches to portraying the road trip cinematically, emphasizing its best and worst tendencies and playing them for both comedy and drama. But even the worst trips taken here offer something to appreciate, sometimes deep thought about the meaning of the road and sometimes a laugh at the expense of the poor fools stuck in the car.

1. Easy Rider

One of the most iconic road trips in cinematic history was taken by Peter Fonda and Dennis Hopper in Hopper's 1969 classic "Easy Rider." The legendary image of Fonda and Hopper riding their motorcycles while Steppenwolf's "Born To Be Wild" plays remains people's main association with "Easy Rider." But the movie itself is more complicated than just the thrill of riding down wide-open roads. The tagline tells of a man who went looking for America and "couldn't find it anywhere," and that's a good summation of the cynical eye this takes toward the country it explores.

Fonda and Hopper encounter some friendly people in their travels, most famously Jack Nicholson in his breakout role as a drunken lawyer. They encounter just as much resistance as they do support, from people with no tolerance for their countercultural attitudes and long hair. In one scene, Nicholson tells Hopper that people are scared of him because "what you represent to them is freedom," and the film's bleak ending offers little hope that freedom can be maintained in the face of such strong opposition. But the power of the film's images of freedom and joy is still enough to keep this as one of the beloved road movies.

2. Lost in America

Despite its cynicism, "Easy Rider" inspired many Americans to go out on the road themselves, even ones who couldn't be further away from Fonda and Hopper's biker lifestyle. This is the subject of writer, director, and actor Albert Brooks's 1985 film "Lost in America," in which a middle-class yuppie couple (Brooks and Julie Hagerty) hits the road and quickly realizes they can't handle it. By the end of the trip, they've destroyed their lives and their savings, and they've rid themselves of any romantic notions about traveling America without a plan.

Brooks' directorial work is defined by bitterness and discomfort as much as by laughs, and "Lost in America" can be particularly caustic. Brooks and Hagerty sink to some miserable depths during the course of their trip, reduced to begging for the money they just lost gambling or treating each other with naked hostility. A trip to the Hoover Dam doesn't offer scenery, instead serving as a backdrop to the couple's most vicious fight. "Lost in America" is a satire of the waste and excess of the American '80s, but it's also a reminder to make sure you've carefully thought through your road trip before you embark on one. Some people aren't ready for the road, and Brooks and Hagerty learn that too late.

3. The Color Wheel

Getting stuck with someone annoying on a long road trip can be a miserable experience, so spending the entirety of the 2011 comedy "The Color Wheel" with two annoying people on a road trip can make it a tough sell. But the film's writer-director, Alex Ross Perry, has an uncommon talent for writing people who only seem to be awful and irritating so that they're both funnier and more tragic than they would be in real life. That skill serves him especially well for the two leads of "The Color Wheel," an obnoxious brother and sister (played by Perry and Carlen Altman) whose road trip through New England leads them to meet strangers and old friends who are all even more awful than they are. The scenery offers little comfort when every scene becomes a passive-aggressive argument.

"The Color Wheel" is above all else a comedy, happy to laugh at its main characters for their abysmal social skills and undisguised contempt for each other and everyone around them. But as the trip goes on and they keep meeting hostile exes and classmates, their situation starts to seem a little sad, like they've been molded into hateful jerks by the whole world around them. Their final attempt to escape the cycle of anger and venom is shocking, but it's also unexpectedly tender, because Perry respects his characters even as they embarrass themselves.

Even the awful road trip of "The Color Wheel" can't compare to the nightmare trip taken by the title character of "Zola," and hers really happened. "Zola" was adapted from the famous Twitter thread detailing a disastrous trip to Florida taken by a part-time stripper (Taylour Paige) and a woman she just met (Riley Keough). There's not much time to enjoy Florida on this trip, the scenery consists of strip malls and different men's hotel rooms, and the business Zola has been dragged into quickly spirals into exploitation and violence.

"Zola" is about very bad events in a woman's life, but like the Twitter thread, it believes those events to be hilarious above anything else. The band of fools Zola winds up with can seem dangerous, particularly Colman Domingo's ambiguously accented pimp, but mostly they're all bluster and no brains. When they encounter people who are actually dangerous, they escape by the skin of their teeth. There's tension but never fear in "Zola," and that helps to make it a wonderful comedy even once the blood starts getting shed.

5. American Honey

"Zola" isn't the only movie where Riley Keough is a uniquely awful road trip presence. There's also the 2016 drama "American Honey", where Keough enlists a young girl played by Sasha Lane into a crew of door-to-door magazine salespeople. They travel blissfully across the Midwest, and Lane falls in love with a member of the crew, played by Shia LaBeouf. But their peaceful, off-the-grid existence is threatened by Keough and the precarity of their jobs.

A common thread across many of the great American road movies is that they're not directed by Americans, with international directors often looking at American landscapes in a different way than their American counterparts who've grown up with them. English director Andrea Arnold joins that group of directors with how she films America here, pushing the colors of the landscapes to such extremes that the emotions associated with them are also heightened, whether they be romance or danger. Her beautiful imagery is accentuated by her pulsing soundtrack, which switches between big-name pop hits and obscurities that perfectly match the mood of youthful excitement and negligence that defines "American Honey."

6. Stranger Than Paradise

While road trips can be fun and exciting, they can also be tedious, especially when there's not much scenery to look at. Writer-director Jim Jarmusch expertly captured the boredom of a bad road trip in his 1984 breakthrough "Stranger Than Paradise," in which the three leads take off in search of new experiences and don't find them anywhere they look.

Two of the leads are Hungarian émigrés hoping to find more from America than they did from their home. But the America portrayed in "Stranger Than Paradise" is just the most unremarkable areas of New York, Ohio, and Florida, presented so that the camera is just as unimpressed by them as the characters are. And only the most monotonous aspects of the road trip are shown, like driving through the endless expanse of Pennsylvania or arguing about who has to sleep on the cot when they get to a motel. Despite its tedium, "Stranger Than Paradise" is a very funny study of how the myths of the road can collapse in the face of the realities of going out on the road.

7. Badlands

Not all road trips start from good intentions. The one undertaken by Kit (Martin Sheen) and Holly (Sissy Spacek) in 1973's Bonnie and Clyde story "Badlands" starts after Kit murders Holly's father and burns down their house. That's where the journey begins, and eventually Kit is responsible for much more than one murder. But there's still an innocence to young Kit and Holly's trip, where they create their own society out in the wilderness and encounter all kinds of gorgeous nature. "Badlands," writes Sheila O'Malley for Criterion , is based on the 1958 murder spree of Charles Starkweather and Caril Ann Fugate, but its power doesn't come from its killings so much as its troubling naivete, where the blinkered teenage attitudes of its protagonists and the pastoral beauty of their surroundings say nothing about the horrible violence occurring right in front of them.

"Badlands" was the debut of writer-director Terrence Malick, who would go on to develop a reputation for his eye for natural landscapes. That's present even this early, shooting trees and sunsets so that they appear magical more than natural. But that magic here comes with a terrible price, and Malick seems as disturbed by nature's non-reaction to the evil committed all around it as he is entranced by its power.

8. My Blueberry Nights

Wong Kar-wai has directed some of the most beloved films of all time in his native Hong Kong, but to date, he's only made one movie in the United States. That was 2007's "My Blueberry Nights," which explores the unique geography of America through a road trip starting in New York and ending in Las Vegas. Wong is renowned for his intensely stylized movies, and "My Blueberry Nights" is no exception. Wong's America is beautiful in a way it isn't in real life — only Wong's oversaturated colors and beautiful golden light could make it look this gorgeous. In this way, Wong captures the feeling of a great road trip, of falling in love with every location you pass. And Wong ties all these stunning locales to his usual themes of heartbreak and melancholy, showing beautiful places inhabited by sad, lonely people.

"My Blueberry Nights" is held back from the levels of Wong's best movies by a weak script and inconsistent performances. Otherwise talented actors like Natalie Portman and Rachel Weisz go over the top, while even strong performances from Jude Law and David Strathairn have to go against the bland lead performance from singer and first-time actor Norah Jones. But such flaws don't matter too much in light of how enchanting Wong's vision of the world is. This is the kind of movie that makes people want to keep taking road trips.

9. Alice in the Cities

Few directors are as synonymous with the road and road movies as Wim Wenders, the German director who's made several of the best-loved movies about the road ever made. His most overt takes on the road genre are the three movies that make up his "Road Trilogy," starting with "Alice in the Cities" in 1974. "Alice in the Cities" concerns German writer Philip (Rüdiger Vogler), who follows a disappointing assignment by meeting a woman (Lisa Kreuzer) and her young daughter Alice (Yella Rottländer), then agreeing to go on a trip through Amsterdam. Their trip is marked by complications, boredom, and a lot of music, including a Chuck Berry concert and a jukebox playing Canned Heat. And all the while, Philip and Alice begin to develop a friendship.

"Alice in the Cities" is one of the most lasting Wenders movies, inspiring the work of filmmakers like Allison Anders and Mike Mills, particularly Mills' own adult-and-child road movie "C'mon C'mon." "Alice in the Cities" holds special power for its tale of unexpected companionship, where the road has the magic to bring together people who never would have even met under different circumstances. Even when the sights aren't exciting, getting to experience those sights with someone new can be a rewarding experience.

10. Magic Mike XXL

The success of the male-stripper comedy "Magic Mike" left star Channing Tatum and writer Reid Carolin with the duty of following up a movie that seemed to neatly wrap up at the end. Rather than repeat the first one's formula, Tatum and Carolin decided to go in another direction, turning 2015's "Magic Mike XXL" into an exuberant road trip movie about friends and the joy of performing. "Magic Mike" was an often melancholy movie about the recession, and while there are still economic worries all over "Magic Mike XXL," they mostly take a back seat to just enjoying the chance to escape from them for a few days.

The first film's director, Steven Soderbergh, didn't return to direct "Magic Mike XXL," but he did serve as its cinematographer, and he deserves special credit for how beautiful he makes the film's Southern locations look. Even an ordinary gas station comes to life with Soderbergh's golden light, to say nothing of the beaches and palatial estates Mike and his friends visit on their journey. The beauty of these locations also represents the simple beauty of hanging out with people you love, and this is where "Magic Mike XXL" separates itself from its predecessor. Mike's fellow strippers barely had personalities in the first one, but here they're best friends who love each other's company even as they razz each other. It's a unique pleasure to go on the road with such a tight-knit group.

11. Y tu mamá también

After making 2001's "Y tu mamá también," Alfonso Cuarón stuck to making large-scale spectacles and big-budget blockbusters. But in "Y tu mamá también," Cuarón applies his usual technical excellence to a simple story of a woman and two teenage boys going on a road trip. The Mexican landscapes they drive past are beautifully shot by future Oscar-winning cinematographer Emmanuel Lubezki, and their conversations are profane and hilarious, especially as delivered by Diego Luna and Gael García Bernal in their breakthrough roles. But a serious side creeps into "Y tu mamá también" as it goes on, eventually taking it over entirely.

As the three take their trip, they pass by political strife and Mexican culture soon to die out entirely. The characters may only be passing through these areas, but there are people living in the areas whose lives will be very difficult long after the leads are gone. Despite its main characters' immaturity, this is a surprisingly thoughtful road trip movie, understanding that even the most pristine locales are burdened by troubling history. That also turns out to be true about the main characters' dynamics, where the teenage leads eventually realize the depths of sadness and desperation they and their traveling partner carry with them. But before they get to that point, they have a great time, and so does the viewer watching them.

12. My Own Private Idaho

Gus Van Sant's "My Own Private Idaho" opens with River Phoenix's character, Mikey Waters, saying that he's traveled so much down so many roads that he can recognize the roads just by sight. His life on the road is a beautiful but lonely one until he finds someone he can briefly share it with, a senator's son, Scott Favor ( Keanu Reeves ). Their journeys across deserted roads and rocky landscapes are sometimes silly but mostly poetic and sad, showing two young men as lost in the scenery as they are in their own lives.

Van Sant makes a lot of odd digressions in "My Own Private Idaho," including a sequence with talking erotic magazines and an entire plot loosely adapted from Shakespeare's "Henry IV" saga, writes Amy Taubin for Criterion . But the heart of the film is the relationship between Mikey and Scott, one where Mikey may be the only one of the two to realize how special and intimate it is. A heartbreaking scene at a campfire sees Mikey get tantalizingly close to professing his love to Scott and not quite doing so. While Mikey may have lived his life by the isolation of the road, he needs Scott to share that life with him, and the film offers little hope that this will happen.

13. The Straight Story

The films and TV of David Lynch are usually filled with the darkness and violence that lurk beneath the beautiful landscapes of America. But Lynch still loves those landscapes and the people who inhabit them, and never is that clearer than his only movie to get a G rating, 1999's "The Straight Story." He tells the story of a real-life road trip, where an elderly, almost blind farmer named Alvin Straight (Richard Farnsworth) drove a lawn mower from Iowa to Wisconsin to see his ailing brother (Harry Dean Stanton).

There's not much dialogue in "The Straight Story," especially for the long stretches where Alvin is on his own out on the road, but it's not necessary when Lynch is working with the wide-open expanses of the midwest. He finds magic in the crop dusters and near-empty roads Alvin encounters, setting the sights to a moving Angelo Badalamenti score and making them even more powerful. And when Alvin does meet other people, their encounters are simple and touching, showing the hard lessons Alvin has learned about family over the course of a long, difficult life.

Channing Tatum and Reid Carolin made their directorial debuts in February 2022 with "Dog," which followed the "Magic Mike XXL" model of a road trip encountering lesser-known sections of American life. "Dog" is a sadder movie than "Magic Mike XXL" because the trip's ultimate destination is a military funeral, and along the way, Tatum and his dog co-star must contend with the trauma they've suffered as soldiers. This makes the bond of friendship between Tatum and the dog even more important than it is in "Magic Mike XXL," as it provides both of them life-saving help when they need it the most.

The most impressive aspect of Tatum and Carolin's first directing job is how well they film the landscapes encountered over the course of the trip. They make them symbols of the beauty of everyday life without making them overly stylized. The duo learned well from Steven Soderbergh's visual excellence without merely copying it. While "Dog" has its faults, including some awkward comedy at the beginning and a too-brief attempt to deal with the racism instilled into Iraq War soldiers, the strength of Tatum and Carolin's filmmaking and storytelling suggests that they could have a good future as directors.

15. Kings of the Road

The third film in Wim Wenders' Road Trilogy, "Kings of the Road" is a three-hour opus combining two of Wenders' favorite subjects: the road and cinema. The two titular "kings" are a movie theater projector repairman (played by "Alice in the Cities" lead Rüdiger Vogler) and a depressed psychologist (Hanns Zischler), who band together on a road trip after the psychologist has experienced a life-shattering breakup. They drive across what was then the East German border, touring worn-down movie theaters so that Vogler can make repairs.

"Kings of the Road" offers even less of a plot than "Alice in the Cities" does, also offering one of the purest, simplest depictions of a road trip on film. There's no inevitable endpoint for the characters to reach, just a sprawling journey where they come to slightly better understand each other and themselves. It encompasses all the joy and melancholy of road trips in one package, people searching for more from life hoping that they'll find it behind the wheel.

16. Having a Wild Weekend

1965's "Having a Wild Weekend," also known as "Catch Us If You Can," is technically a vehicle for The Dave Clark Five, the British group that came into popularity at the same time as The Beatles . "Having a Wild Weekend" would seem to put the band in a comedy just like "A Hard Day's Night," but director John Boorman instead made a lovely, melancholy road movie, showing two people trying in vain to escape their confining lives back home.

Dave Clark plays a stuntman who takes off on a road trip with a model (Barbara Ferris) dissatisfied with her position as the face of ad campaigns for meat. On their journey, they encounter the youth who will soon become the counterculture and the old men still obsessed with the imagery of old Hollywood. Everywhere they go, Clark and Ferris are reminded of the culture they're trying to fight against, but they're powerless to stop it. The two have impressive chemistry together, but their relationship is a sad one, one that can only last the length of the road trip even though they're the only people who could possibly understand each other. Even once the remaining four Dave Clark Five members show up to do some slapstick, the tone is more elegiac than silly.

17. Wild at Heart

For a more representative David Lynch road trip movie, there's "Wild at Heart," which manages to be funny and romantic as well as frightening. Sailor and Lula, the giddy young couple played by Nicolas Cage and Laura Dern, hit the road only after Lula's mother has unsuccessfully tried to kill Sailor, and on their journey they'll deal with more killers and more victims. But their love may be strong enough to keep them safe every step of the way.

The giddy energy of "Wild at Heart" is unusual for Lynch movies, which usually have a more deadpan tone. Cage and Dern are balls of energy in this, engaging in grand romantic gestures and, in Cage's case, frequently falling into Elvis impersonations. The world around them has gone mad with rage and violence, the road bringing as many terrors as beauties, and they seem to have adapted to that madness by matching it. The title doesn't lie — these are two wild kids who will let nothing, not even a horrifying figure like Willem Dafoe's psychopathic Bobby Peru, stand in the way of their love. And for all the darkness of the rest of the movie, Lynch is still kind-hearted enough to give them a happy ending.

18. Two For the Road

All the good and bad feelings associated with going on the road are present in 1967's "Two for the Road," and they also represent the ups and downs of a marriage. The good and the bad are shuffled together in a nonlinear style, where pieces of the beginning, middle, and end of Audrey Hepburn and Albert Finney's characters' relationship are presented as a series of out-of-order road trips. There is some beautiful European scenery over the course of the trips, but the fractured editing means that the destinations of the trips are less important than the trips themselves, and how they function as both bonding exercises and sources of arguments.

The film's most hilarious section is when Hepburn and Finney commit the error of going on a road trip with another couple, an obnoxious American family that makes the two sure of the mistakes they don't want to make in their own relationship. But of course they end up making those mistakes, and by the end "Two for the Road" is a bittersweet movie about how difficult and tricky it is to stay close to someone, whether that means marrying them or staying with them on a long car ride.

19. Don't Come Knocking

Wim Wenders and playwright-actor Sam Shepard first collaborated on the 1984 road movie "Paris, Texas," one of the most acclaimed films in the genre. Their decades-later second collaboration was 2005's "Don't Come Knocking," another road movie that couldn't match the critical success of its predecessor. But "Don't Come Knocking" is a very good movie in its own right, finding a lot of power both in western vistas and the tragic figure passing in front of them.

Shepard wrote and stars in "Don't Come Knocking," playing a washed-up Western star who ditches the set of his new movie in favor of driving to Nevada and then Montana, where both cheap thrills and old family await him. As with Wenders' other films, he makes the western settings of "Don't Come Knocking" look incredibly beautiful, shooting casinos, small-town squares, and vast deserts with the same level of vibrant color and light. And it also shares with Wenders' other work a tremendous sadness, where Shepard has abandoned the people who need him most and has only realized this too late to do much of anything about it. This trip may not be able to redeem Shepard, but it can get him one step closer, and that's better than he's done yet.

20. Highway 61

Canadian director Bruce McDonald followed in Wim Wenders' footsteps and made his own trilogy of road movies through the 1980s and '90s. The middle film in the trilogy was 1991's "Highway 61," a joyous comedy about American rock 'n' roll. Highway 61 is the highway named in Bob Dylan's legendary "Highway 61 Revisited" album, and one of the two leads (Valerie Buhagiar) is a rock-obsessed drug dealer trying to smuggle a dead body from Canada to New Orleans. Her partner (Don McKellar) is a nervous, shy barber who prefers jazz. Their odd-couple dynamic is very charming, and it only gets more charming as the trip brings them closer together.

"Highway 61" is led not just by romance and scenic views of all of North America, but by a great soundtrack at every step of the journey, often from obscure local bands McDonald is kind enough to introduce to his audience. And there's also plenty of oddball humor, particularly with a character who may or may not be the devil (Earl Pastko) chasing the two leads. "Highway 61" doesn't have much of a reputation outside of its native Canada, but it's a blissful film that deserves more attention.

21. Get On the Bus

One of the least commonly filmed ways of going on a road trip is taking the bus, perhaps because getting stuck with many unfamiliar people is not the most romantic way to see the country. But Spike Lee found a lot of drama, comedy, and political relevance in a story of a bunch of guys trapped on the bus. That story is 1996's "Get On the Bus," following a group of Black men en route to the famed Million Man March. Lee believes that every one of those million men has their own story, and he fits as many of those stories as he can into one bus.

As usual with Lee, "Get On the Bus" has an impressive cast, including Ossie Davis, Charles S. Dutton, Andre Braugher, and Bernie Mac. The characters touch on social issues, including homophobia and the anti-Semitism of Million Man March leader Louis Farrakhan, but mostly they have frank and funny conversations that naturally reveal their prejudices and moral stances rather than shout them out. Lee didn't write "Get On the Bus" (that was Reggie Rock Bythewood), but it shares the perceptive dialogue and unexpected comedy of Lee's best screenplays, including his beloved "Do the Right Thing." "Get On the Bus" is a smaller movie than "Do the Right Thing," but its confined setting doesn't mean it's any less riveting.

22. Thelma & Louise

The road trip that runs through 1991's "Thelma & Louise" is most famous for where it ends, with Thelma and Louise's car in the middle of a jump off a cliff. But their journey shouldn't just be defined by its endpoint, as the entirety of "Thelma & Louise" is a rollicking ode to female friendship and the healing power of the road trip, showing it as a rare opportunity for two women to take their lives into their own hands.

A few things remain consistent throughout Thelma (Geena Davis) and Louise's (Susan Sarandon)'s road trip, namely the beauty of the southwest locations as shot by director Ridley Scott and the appalling behavior of the men both women meet along the way. "Thelma & Louise" is today best-known as the breakthrough film for breakout film for Brad Pitt , but he's only one of the film's parade of awful, often violent men, including the rapist who begins the journey in the first place. With such overpowering adversity, it's no wonder Thelma and Louise are so tight-knit — they must make their bond as strong as the forces united against them. And their bond can sustain even the steepest fall from a cliff.

23. Little Miss Sunshine

"Little Miss Sunshine" was the sensation of the 2006 Sundance Film Festival (per IndieWire ), its story of a dysfunctional family trapped in a Volkswagen van on the way to a child beauty pageant in California proving irresistible to both critics and audiences. The famous images of the film, like the family chasing after the bright yellow Volkswagen, suggest the kind of quirky, Wes Anderson-inspired comedy that was all the rage in the 2000s. But like actual Wes Anderson movies , "Little Miss Sunshine" deals with real pain and hurt, trapping several very fragile people in a small space where they might all combust.

It's helped by having such a sturdy cast playing those fragile people, including Steve Carell in one of his first dramatic performances, a silent Paul Dano, an Oscar-winning Alan Arkin, and most of all an Oscar-nominated Abigail Breslin as the girl all this trouble is in service of. The movie might have collapsed into road-movie cliches without a strong presence anchoring it, and Breslin, then 10 years old, proves more than capable of being that presence.

24. Two-Lane Blacktop

The most existential of all road movies might be 1971's "Two-Lane Blacktop," where driving is the only way of life for its main characters. But they aren't driving with any destination in mind; they're driving because it's the one thing they know how to do. Car culture was a big part of the '60s and '70s, and "Two-Lane Blacktop" has a supporting part for Dennis Wilson, whose work with the Beach Boys helped to cement cars as the ultimate symbol of cool and independence. But it's not all fun for the characters of "Two-Lane Blacktop," with the emptiness of the road ahead of them also representing the emptiness of their own obsessions and personalities.

Shot on the famed Route 66, with minimal dialogue to distract from the scenery, "Two-Lane Blacktop" is not short on great shots of cars in motion. But "Two-Lane Blacktop" also decries the hollowness of making cars the centerpiece of one's life, showing that a lifestyle based solely on speed and appearance cannot be sustained. The film's most famous line is "Those satisfactions are permanent," but the pleasures prove to be a very impermanent, fleeting bliss that doesn't disguise much deeper troubles.

25. The Adventures of Priscilla, Queen of the Desert

In addition to being one of the great road trip movies, "The Adventures of Priscilla, Queen of the Desert" was also a breakout LGBTQ film when it was released in 1994, offering such a sunny view of its group of drag queens that it would be pointless to resist. The next year, America was already attempting its own "Priscilla" with the fellow drag-queen road movie "To Wong Foo, Thanks For Everything! Julie Newmar," but it couldn't compete with the original, particularly regarding the gorgeous vistas passed by the central trio. The stunning deserts of the Australian Outback prove to be an ideal setting for a story with outrageous outfits and colors, offering a plain brown backdrop on top of which every outfit and character pops out.

Not that the characters need any help standing out, especially when they're brought to life with such exuberance and talent. Only Terence Stamp, playing the transgender matriarch of the group, was an internationally known actor at the time of the release of "Priscilla." But the film also catapulted its other two leads, Hugo Weaving and Guy Pearce, to their stardom. Even as all three actors are now almost three decades out from "Priscilla," it remains one of their crowning achievements, as well as one of the most infectiously cheerful road movies yet made.

26. Pee-Wee's Big Adventure

One of the goofiest, most enjoyable road trips ever taken on film was the one taken by Pee-Wee Herman (Paul Reubens) as he searched for his lost bike in Tim Burton's feature directorial debut "Pee-Wee's Big Adventure." Pee-Wee would later become famous for his television show, where he created his own wacky universe, but in "Pee-Wee's Big Adventure," he travels through the real America and finds that it's just as silly as he is. Whether visiting dive bars, Hollywood backlots, or even The Alamo, he bends every place he visits to his own indescribable wavelength.

Burton has made flashier, more expensive movies since "Pee-Wee's Big Adventure," but he's rarely made anything better. His work becomes so defined by production design and special effects after this that it's a shock to see him working mostly with real locations, making the natural world ridiculous rather than creating ridiculous worlds from scratch. And the road movie proves an ideal match for his love of middle-American eccentricity, where every new character Pee-Wee meets on his travels is an oddball in their own way. This remains Burton's funniest and sweetest movie, free of the bitter edge that distinguishes many Burton movies and instead celebrating the goofiness of life.

27. Something Wild

Jonathan Demme's "Something Wild" takes a sharp turn around its midpoint, turning from a joyous road comedy to something scarier and more intense. But all of "Something Wild" is united by Demme's love of the road and of the people you can meet along the way. Sometimes those people can change your life, like how Melanie Griffith's free-spirited Lulu gets Jeff Daniels' yuppie businessman Charlie to admit that he has a wilder side than he presents to the world. And other times they can threaten that life, like Ray Liotta as Lulu's malevolent ex-husband, Ray, who resolves to force Charlie out of Lulu's life and win her back.

Even as "Something Wild" gets dark, Demme still finds something magical in every location visited, and often in places that seem perfectly ordinary. A friendly convenience-store employee, a dog on the back of a motorcycle, and a waitress singing outside of a New York greasy spoon — these details all come to vibrant life in front of Demme's camera. Few people have taken a road trip involving this many wacky, endearing characters, but the world as Demme portrays is a better, brighter place than it is in real life. It's a joy to experience a road trip in this world, even if only for two hours.

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25 Essential Road Trip Movies of the Last 25 Years

We’re looking down the horizon and beyond for some of the best road trip movies that defined the genre over the last 25 years! To rev up this list, we selected American movies movies, journeys that begin in the States (where they actually finish is part of the fun). The movies celebrate the sights and sounds of the country, or at least will inspire you to pull out that camping gear, putting the convertible top down, and hitting the open road. These rides can be cross-county ( Harold and Kumar Go to White Castle ), on the freeway ( Dog , Sideways ), trekking across a few state lines ( Little Miss Sunshine , Fear and Loathing in Las Vegas ), hitting a new time zone ( Road Trip ), or even runnin’ coast-to-coast ( Rat Race , Transamerica ). Even the Academy has felt the need for reasonable speed, awarding Best Picture to both Green Book and Nomadland . Carpool lane? Of course: we’ve got an Oscar strapped in the passenger seat!

So whether you’re looking for a map to a long summer drive or fixing a flat in your life, turn to these essential 25 road trip movies of the last 25 years (in chronological order)!

Fear and Loathing in Las Vegas (1998) 50%

The Straight Story (1999) 94%

Tumbleweeds (1999) 82%

Almost Famous (2000) 91%

Road Trip (2000) 57%

Rat Race (2001) 45%

Harold & Kumar Go to White Castle (2004) 75%

Sideways (2004) 97%

Transamerica (2005) 77%

Little Miss Sunshine (2006) 91%

Cars (2006) 75%

Zombieland (2009) 89%

Away We Go (2009) 67%

Paul (2011) 70%

We're the Millers (2013) 48%

Chef (2014) 87%

Grandma (2015) 91%

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45 Road Trip Horror Movies

What all scary movies about road trips have in common is that they are about the fear of the unknown.

Table of Contents

There are a few different kinds of road trip horror movies. There are films such as Texas Chainsaw Massacre (1974) that begin with the characters on a road trip, but the bulk of the horror in the film comes from the dark place they have discovered. In other road trip horror movies such as The Hitcher (1986), the horror comes directly from the open road. There are also films such as Hostel (2005) and An American Werewolf In London (1981) that fall into other categories such as travel horror and hotel horror movies . This list will discuss both types of road trip horror movies and where possible will note how much of an impact the road trip setting has on the film as a whole.

What all scary movies about road trips have in common is that they are about the fear of the unknown. This is in contrast to other films horror movie fans love such as The Exorcist (1973), Halloween (1978), and Scream (1996), where a demon or serial killer stalks a familiar suburb. Those movies play on insecurities about danger lurking in “safe” surroundings. We expect to encounter danger when we travel, and many people even plan ahead or take precautions so they aren’t stranded in a sundown town or targeted by predators looking for women traveling alone.

Classic/Old Road Trip Horror Movies

The hitch-hiker (1953).

A crime film noir by the most prominent female filmmaker of the 1950s, Ida Lupino. The Hitch-Hiker follows Roy and Gilbert as they set off from southern California toward a fishing trip in Mexico. Along the way they pick up a hitchhiker who then takes out a gun and holds the two friends hostage. The hitchhiker savagely forces one of the friends to shoot a tin can out of the other’s hand and tortures the men, even forcing them to continue with him on foot when their vehicle breaks down.

Psycho (1960)

Psycho begins with Marion Crane (Janet Leigh) stealing $40,000 from her employer and driving from Phoenix to California. Along the way she stops at a roadside motel called the Bates Motel, where she meets the proprietor Norman Bates. It is at the Bates Motel where Marion is murdered in the famous shower scene.

Night Of The Living Dead (1968)

Night of the Living Dead starts off with a sibling road trip to a rural cemetery in Evans City, Pennsylvania. Johnny and Barbara plan to visit their father’s grave but instead encounter a zombie that kills Johnny. Barbara flees the cemetery and takes shelter in a nearby farmhouse, where she is joined by other survivors including Ben, who takes the lead in securing the farmhouse against the zombies.

Duel (1971)

This is an action thriller that was Steven Spielberg’s feature debut. It follows David Mann (Dennis Weaver), a salesman driving through the desolation of the Mojave Desert. He encounters a tanker truck that begins to dangerously antagonize him on the open road.

The Texas Chainsaw Massacre (1974)

A classic road-trip-gone-wrong horror movie, The Texas Chainsaw Massacre begins with a group of friends driving their van through Texas to check on the grave of Sally and Franklin Hardesty’s grandfather, which is said to have been vandalized. Along the way they pick up a frightening hitchhiker who leads the group to his “whole family of vampires.” Bookending this road-trip horror movie is the famous final scene of TCM in which Sally becomes a hitchhiker and rides away in the back of a truck, screaming.

Race With the Devil (1975)

Race With the Devil is an action horror movie about two couples traveling from San Antonio, TX to Aspen, CO in an RV for a ski vacation. While camping along the way in Texas, the group witnesses a Satanic sacrifice. The Satanists then chase them down as the group struggles to make it to Amarillo to get help and report the crime.

The Hills Have Eyes (1977)

Written and directed by horror master Wes Craven , The Hills Have Eyes follows the Carter family as they take a road trip to Los Angeles. In Nevada, the family crashes and their dog runs off and is found mutilated. The group learns that there is a family of cannibalistic psychopaths who live in the hills and cannibalize travelers as they pass through the area.

Tourist Trap (1979)

A group of friends traveling through the desert get stranded at a malevolent tourist trap in this supernatural slasher movie. While the proprietor “helps” the gang with one of their vehicles, the group explores a waxwork museum and one of the girls is strangled by an unseen entity and turned into a mannequin. The rest of the group tries to outsmart a masked killer and mannequins that come alive to find their way back to the highway and survive.

Motel Hell (1980)

Motel Hell is a low-budget horror comedy about a sadistic family of cannibals who operate “Motel Hello.” Farmer Vincent Smith and his sister Ida trap motorists to harvest them and sell human meat at their motel. When Farmer Vincent kills a woman’s boyfriend, she recovers at the hotel and eventually agrees to marry him.

Road Games (1981)

Pat Quaid (Stacy Keach) is a truck driver in the Australian outback who is suspicious of a van driver he encounters and believes they may be the serial killer who has been preying on hitchhikers. Quaid picks up a hitchhiker named Pamela (Jamie Lee Curtis), and the two discuss the serial killer. When the two are separated, the truck driver isn’t sure if Pamela got another ride willingly or if she is the killer’s latest victim.

Death Valley (1982)

A woman, her new boyfriend, and her son Billy are driving through Death Valley on their way to Arizona. Billy takes a frog pendant when he stumbles across a camper that belongs to cowboy serial killer twins while stretching his legs. The killers then chase the family through the desert.

Children Of The Corn (1984)

Vicky and Burt are driving through Nebraska on their way to Seattle when they hit a child who has run into the road; they seek help in a town called Gatlin. They find that the town has been abandoned for three years and is now run by a cult of creepy children . Led by a boy named Isaac, the children worship a corn god they call He Who Walks Behind the Rows.

The Hitcher (1986)

The Hitcher is a road thriller and a cult classic about a man named Jim Halsey (C. Thomas Howell) who is driving a car from Chicago to San Diego. Bored on the long road trip, he picks up a hitchhiker in West Texas. The hitcher (Rutger Hauer) says his name is John Ryder and pulls out a knife before threatening Jim in a very memorable scene. Jim is able to force the hitcher out of his car, and a cat-and-mouse game ensues. The Hitcher was remade in 2007.

Near Dark (1987)

A young vampire turns a small town-boy named Caleb into a vampire at the end of a steamy date. She belongs to a drifter coven of vampires led by the violent Severin (Bill Paxton). Caleb must prove that he can belong, or the coven will kill him.

Cohen and Tate (1988)

A nine-year-old boy named Travis Knight has to turn his kidnappers (Cohen and Tate, the title characters) against each other as they hold him hostage on a road trip. Travis is in the Witness Protection Program after witnessing a mob hit. His kidnappers murder his parents before driving him from Oklahoma to their boss in Texas.

The Vanishing (1988)

A woman disappears at a gas station during a road trip with her boyfriend. For three years he searches relentlessly for her, even appearing on TV to appeal to her kidnapper. Finally the kidnapper makes contact and says he will reveal the missing woman’s fate, but only if her boyfriend will agree to experience the answer firsthand.

Midnight Ride (1990)

An action thriller about a housewife named Lara (Savina Gersak) who leaves her cop husband, Lawson (Michael Dudikoff). One the road to a friend’s house, Lara takes pity on a hitchhiker named Justin (Mark Hamill) and picks him up. It turns out Justin is a seriously disturbed man in the midst of a murder spree. The misogynistic moral of Midnight Ride is that Lara was safer at home in an unhappy marriage than as an autonomous woman out in the world.

Highway To Hell (1991)

Highway to Hell is a B-movie horror comedy about a young couple, Charlie Sykes (Chad Lowe) and Rachel Clark (Kristy Swanson), who take a road trip to elope in Las Vegas. While taking a back road, Rachel is kidnapped and taken to hell to be the bride of Satan. A gas station attendant gives Charlie a special gun and car so that he can go to hell and rescue his fiancée.

Kalifornia (1993)

A road thriller with an all-star cast of Brad Pitt, Juliette Lewis, David Duchovny, and Michelle Forbes. Duchovny plays a journalist on the road with his girlfriend (Forbes) to research serial killers. The couple pick up a pair of hitchhikers (Pitt and Lewis), who turn out to be pretty demented.

From Dusk Till Dawn (1996)

Another cult classic with George Clooney and Quentin Tarantino playing fugitive brothers on the run from the law. They kidnap a family traveling in an RV and force them to smuggle the brothers into Mexico. There, they stumble upon a strip club run by vampires led by everyone’s favorite female horror villain , Salma Hayek as Santanico Pandemonium.

Breakdown (1997)

Jeff (Kurt Russell) and Amy (Kathleen Quinlan) are on a cross-country road trip from Boston to San Diego when they almost get in an accident with another driver. Road rage ensues at a nearby gas station and after getting back on the road, their car breaks down. Jeff realizes their vehicle was tampered with, but not before Amy disappears.

New Road Trip Horror Movies

Jeepers creepers (2001).

Inspired by a true story shown on an episode of Unsolved Mysteries , Trish and Darry Jenner are a brother and sister traveling home from college on a road trip when they have a creepy encounter with the driver of a dilapidated old truck. Later, they happen upon the driver and it looks like he is disposing bodies into a pipe. The siblings decide to investigate and learn that they have indeed stumbled upon a supernatural killer. Unfortunately, the killer notices the two poking around and becomes intent on chasing them down.

Joy Ride (2001)

Brothers Lewis (Paul Walker) and Fuller (Steve Zahn) Thomas are driving from Salt Lake City home to their parents. To make the road trip more interesting, Fuller installs a CB radio in the car, and the two play a cruel prank on a trucker who goes by the name “Rusty Nail” before picking up Lewis’s crush, Venna (Leelee Sobieski), in Colorado. The brothers learn that they messed with the wrong trucker when Rusty Nail comes after them and reveals he has kidnapped Venna’s friend Charlotte.

Say Yes (2001)

A South Korean thriller about a married couple who pick up a hitchhiker. When the hitchhiker turns violent, a cat-and-mouse game ensues. Eventually the hitchhiker forces the couple to choose between safety and each other.

Dead End (2003)

A horror movie about a family driving together on Christmas Eve who take a shortcut through the woods. The shortcut takes them on a never-ending road. They meet a woman in white with a baby and attempt to give her a ride to a nearby house. It’s not until the family separates that she reveals the baby she is carrying is actually dead.

High Tension (2003)

Marie and Alex are best friends who take a road trip to visit Alex’s parents at their rural farm. When a mysterious stranger arrives and kills Alex’s family, Marie evades the killer by making it it seem like the guest bedroom was empty. The intruder then kidnaps Alex, and Marie gives chase and tries to rescue her friend.

House of 1000 Corpses (2003)

A group of friends take a road trip on Halloween eve hoping to write a book about creepy roadside attractions. The gang is lured to the Firefly residence by Baby Firefly posing as a hitchhiker. They are treated to a Halloween show by the family before the real show begins.

Final Destination 2 (2003)

The main premonition in Final Destination 2 takes place at the beginning of a road trip undertaken by Kimberly Corman and her friends on spring break. When Kimberly is meant to pull onto the highway, she has a premonition of a gruesome multi-car wreck and instead exits her vehicle, blocking those behind her from being involved in the accident. As in the first Final Destination film, Death then comes back around for the survivors of the would-be pileup.

Wrong Turn (2003)

Wrong Turn is a slasher film following two groups of people who were on a road trip and end up stranded on a West Virginia back road. Medical student Chris Flynn (Desmond Harrington) and a group of friends including Jessie Burlingame (Eliza Dushku) figure out that they’ve been sabotaged and are being hunted down by a group of inbred mountain people. Together the group tries to outsmart the skilled hunters and make it back to civilization. Wrong Turn is very loosely based on the “true story” Sawney Bean.

Wolf Creek (2005)

Based on a true story, Wolf Creek follows three travelers on a road trip across the Australian Outback. After stopping at the Wolf Creek Crater, the site of an ancient meteorite impact, the trio returns to their car to find the battery dead. A local stranger appears in the darkness to offer his free help, and it turns out he is a sadistic psychopath who drugs and tortures his prey.

Rest Stop (2006)

A direct-to-video horror movie about a couple, Jesse (Joey Mendicino) and Nicole (Jaimie Alexander), on a road trip. When Nicole goes inside a rest stop she comes out to find Jesse has disappeared. Nicole and a truck driver play a game of cat and mouse as he terrorizes Nicole at the rest stop and taunts her with evidence of Jesse being tortured.

Death Proof (2007)

Quentin Tarantino’s exploitation slasher film follows a stunt man who murders women with his “death proof” cars. Kurt Russell stars as the killer and Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell are his prey. Death Proof was originally part of the exploitation thriller Grind House (2007) but was released for horror fans as its own film.

The Hitcher (2007)

A remake of the 1986 movie, this version follows a couple of college students, Jim Halsey (Zachary Knighton) and Grace Andrews (Sophia Bush), driving in New Mexico on their way to spring break. They pick up a hitchhiker (Sean Bean) who turns out to be a sadistic murderer who hunts the duo down, even after they are able to literally kick him out of their car. Deciding to continue with their trip, the couple then finds the hitchhiker in a family’s vehicle they pass, knowing he plans for the family to be his next targets.

Vacancy (2007)

A bickering couple, David (Luke Wilson) and Amy Fox (Kate Beckinsale), on a road trip to a family party experience car trouble and decide to pull into a roadside motel for the night. Once inside, they discover snuff films in the hotel room’s VHS collection that appear to have been made in that very room. When the couple tries to escape, masked men appear outside and the couple realizes that they are trapped in a snuff film of their own.

Windchill (2007)

Two college students (Ashton Holmes and Emily Blunt) share a ride home from school on a holiday break. When car breaks down in a snowy and isolated area, the students worry about their safety. However, the appearance of other spirits who have lost their lives on the road appear and make the situation much more terrifying.

Splinter (2008)

Seth Belzer and Polly Watt are on their way to a romantic camping trip in Oklahoma when they are carjacked by an escaped convict and his girlfriend. At a gas station, the convict’s girlfriend discovers the body of the attendant after an attack from a splinter-covered animal who then appears and attacks her. The girlfriend becomes a reanimated splinter creature herself and attacks her friends.

The Human Centipede (2009)

The Human Centipede is a hellish nightmare about the absolute worst-case scenario of a road trip. Two American tourists in Germany, Lindsay and Jenny, get a flat tire and seek help at a nearby home. The house happens to be owned by a demented German surgeon named Josef Heiter who drugs them. When they wake up, Lindsay and Jenny enter a horrifying waking nightmare where they are transformed, with another victim, into a human centipede.

The Cabin In The Woods (2011)

The Cabin in the Woods begins as a college road trip movie with a group of friends on their way to a remote cabin. When they discover the cabin is in the middle of zombie-infested woods, the friends return to their RV and unsuccessfully attempt to outrun the zombie villains . The climax of the film takes place in an underground office building/warehouse for monsters.

Crowsnest (2012)

A particularly scary found footage film about a group of five friends on a road trip who stumble across an RV filled with nomadic cannibals. When they realize they are in over their heads, the friends try to escape. Unfortunately the RV dwellers seem to be all-knowing and remain one step ahead of the friends as they try to get back to civilization.

Chernobyl Diaries (2012)

A disaster horror movie that follows three Americans traveling through Europe. While visiting a family member in Ukraine, the group is convinced to take a detour to visit Pripyat, a ghost town that was made uninhabitable by the 1986 Chernobyl nuclear disaster. Alone with a tour guide and another couple, the group gets stranded overnight and discover they are not alone in the abandoned village.

The Houses October Built (2014)

Another found-footage horror movie about a group of friends traveling the country in search of the ultimate haunted house attraction, “Blue Skeleton.” When they ask too many questions about underground haunts, the group begins to be stalked. The group isn’t sure if they’ve found what they are looking for or if they are in serious peril.

Road Games (2015)

Road Games is a scary and violent British-French mystery thriller about a British hitchhiker named Jack who meets a French hitchhiker named Véronique. The two decide to travel together for safety as there is a serial killer on the loose in the area. A man named Grizard stops and offers the two a ride and upon learning Jack is English, invites them to dinner to meet his English wife. After dinner, Grizard is reluctant to let the couple go and insists they spend the night.

Southbound (2015)

Southbound is a horror anthology that takes place mostly on the open desert road. The five interwoven stories deal with men on the run from the law (and supernatural monsters), traveling musicians, a brother searching for his missing sister, and a family on vacation. Viewers have compared the anthology to old pulp horror like episodes of Tales from the Crypt .

The Strangers: Prey At Night (2018)

The long-awaited sequel to The Strangers (2008) takes place in a mostly empty mobile home park during the off season. This is a fun twist on the home invasion subgenre where the characters don’t have a fortress-like home to retreat to. Instead, the targeted family run through mobile homes, cars, and open parks as they are chased by The Strangers.

Alone (2020)

Jessica is a single woman traveling alone, trying to deal with her husband’s recent death by suicide. On the road, she keeps encountering a strange man whose attention she rebuffs. When Jessica is in a car accident (due to her vehicle being sabotaged), the man abducts her and holds her hostage at his cabin where he reveals she is not the first woman he has abducted.

No Exit (2022)

Darby Thorne runs away from rehab to drive to Salt Lake City and see her mother, who is on her deathbed. While en route, she is warned that a massive winter storm is imminent and she must take cover at a nearby rest stop. Inside, she meets two men and a married couple who are also waiting out the storm. Outside, she finds a kidnapped girl in a van who says her kidnapper is inside the building.

Bones and All (2022)

Bones and All is a romantic horror road film about a young cannibal, Maren (Taylor Russell), who is abandoned by her father. On the road she meets another cannibal, Lee (Timothée Chalamet), and the two fall in love as they cross the country and attempt to figure out what a life together could look like.

Meet The Author

Chrissy Stockton

Chrissy is the co-founder of Creepy Catalog. She has over 10 years of experience writing about horror, a degree in philosophy and Reiki level II certification.

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13 Best Road Trip Movies on Netflix (March 2024)

Road trip movies often send out a deeper message than just going from point A to B. They depict transformations of those who embark on them and also stress immensely the value of the journey a lot more than the final destination. We understand the value of road trips for you. We also understand that, at times, a little push is needed to get the courage to leave behind everything for a while and go on one. However, there are also road trip movies that incorporate a different genre, like thriller or action or action thriller. In such movies, the plot is underscored by the trip, but that doesn’t dampen the theme and the emotions of the story, which is what the following movies capture.

13. Bad Trip (2021)

‘Bad Trip’ is a hilarious comedy road movie that will surely have you falling out of your chair in laughter. Chris Carey (Eric André) and Bud Malone (Lil Rel Howery) are two friends who are completely dissatisfied with the direction their lives have taken. Stuck at dead-end jobs with no progress or promotion, the two yearn for even the slightest bit of excitement. However, when Chris unexpectedly comes across his high-school crush, Maria Li, the friends decide to set out on a road trip from Florida to New York City so that Chris can win her over. Thus, the friends then steal a car and set out on a trip that ensues one hilarious incident after the other, while unbeknownst to them, Bud’s sister, the actual owner of the car, appears hot on their trail. You can check out the film here .

12. End of the Road (2022)

Directed by Millicent Shelton, ‘ End of the Road ’ is a sinister take on a road trip movie. Starring Queen Latifah and Ludacris, it tells the story of Brenda, her two kids, and her brother Reggie, whose cross-country road trip across the New Mexico desert to a new place for a new job (after losing her old one) and a new life, goes haywire. A halt on the way makes them witnesses to a murder, following which the killer puts them in his crosshair. Moreover, Reggie takes something from the crime scene that belongs to the killer, something that is a huge mistake, and Brenda knows it. How she and her family get rid of this maniac is what follows in this high-octane road trip thriller. You can stream the movie here .

11. Dirty Grandpa (2016)

‘Dirty Grandpa’ reveals the fun/casual side of Robert De Niro, who stars as Dick, the grandfather to Zac Efron’s Jason Kelly, who is a lawyer and is about to be married. Dick has just lost his wife and wants to have all the fun he couldn’t in the last 15 years or so. So when Jason takes him on a Spring Break road trip to Florida, he unlocks the raunchy side of himself that Jason had no idea existed. Directed by Dan Mazer, the ‘Dirty Grandpa’ cast also includes Zoey Deutch as Jason’s classmate Shadia, Aubrey Plaza as Shadia’s friend Lenore, and Julianne Hough as Jason’s fiancée Meredith. The exploits of the grandpa-grandson duo are what ‘Dirty Grandpa’ is made up of, and it’s a fun riot. You can be a part of it right here .

10. Kodachrome (2017)

Matt, played by Jason Sudeikis, is often overshadowed by his father’s reputation as a famous photojournalist. Upon finding that he has cancer, Matt’s father’s last wish is to go on a road trip with his son from New York to Kansas to get his last few Kodachromes developed before it’s too late and the memories get lost in unprocessed films. The movie will bring back some pleasant memories to those who once used Kodachromes for taking pictures with Kodak cameras before the company went bankrupt and shut down completely. The film is very predictable overall, but that’s how most road-trip feel-good kind of movies are, right? We do not watch them for a predictable storyline. We watch them for the whole positive vibe that the movie gives out to touch us and, at times, even inspire us deeply. You may watch the film here .

9. The Fundamentals of Caring (2016)

Put the Antman star, Paul Rudd , in any film, and he’ll surely give you a great performance and some hilarious jokes to remember. ‘The Fundamentals of Caring’ is one such film where Paul Rudd plays the role of a writer who has recently experienced the loss of a loved one. To recover from that, he decides to become a caregiver. This is when he meets an angry and frustrated teenager who has never left his home because of his disability. During the journey, the two get close and get a deeper understanding of friendship and aspiration. This movie is a pure entertainer when you’re in a feel-good kind of mood and will make you laugh and cry at the same time. You can watch it here .

Read More: Most Disturbing Movies on Netflix

8. Seventeen (2019)

‘Seventeen,’ also known as ‘Diecisiete’ in Spanish , follows Hector, a spirited and lively 17-year-old who has been confined to a juvenile detention center for two years. While most believe that Hector is a spoilt teen with no regard for rules, he does have a kind heart and even befriends a dog named Oveja while on a visit to an animal rescue center. Hector appears intent on working towards his freedom and becoming a better person. However, things go haywire once Oveja goes missing, and Hector, fraught with concern, breaks out of prison to search for the missing dog. Surprisingly, the 17-year-old’s loved ones support such a venture, and Hector, along with his brother, Isamel, and their grandmother, soon embarks on a road trip through the Spanish region of Cantabria. You can stream ‘Seventeen’ here .

7. The Trader (2018)

As the title suggests, ‘The Trader’ (Georgian: ‘Sovdagari’) is a documentary that follows a poor traveling trader living in poverty and selling his wares in the rural Republic of Georgia. His travels take him to remote corners of the country and provide an authentic sneak peek into the daily lives of the people from that part of the region. The documentary even portrays previously unheard practices like using potatoes as the only unit of currency. For fans who are curious to know more about different cultures and people from around the globe, ‘The Trader’ will surely be an eye-opening experience. You can stream the film here .

6. Expedition Happiness (2017)

Travel documentaries are a joy to sit through, and ‘Expedition Happiness’ satisfies every craving in that regard as it follows filmmaker Felix Starck and his then-girlfriend Selima Taibi on a road trip across North America. Felix and Selima originally hail from Berlin, Germany , but soon grew tired of the big city with its highrises, noisy traffic, and congestion. Thus, longing for fresh air, a change in scenery, and new experiences, the pair obtain and refurbish a school bus before setting out on an epic road trip across North America along with their dog. Filmed by the pair themselves, ‘Expedition Happiness’ provides a fresh take on North America and can easily be considered a must-watch. You may watch it here .

5. Dhak Dhak (2023)

A Bollywood drama directed by Tarun Dudeja, ‘Dhak Dhak’ brings together four women from different social lifestyles and age groups. Together, they set off on a bike trip to Ladakh, India, a place that is considered the highest mountain pass in the world and can be reached by vehicle. The journey also becomes a spiritual one as each experience brings about new realizations, thereby adding to the meaning of life and what it means to be free. The film stars Dia Mirza, Ratna Pathak Shah, Fatima Sana Shaikh, and Sanjana Sanghi. You can watch it here .

4. 4L (2019)

‘4L,’ known popularly as ‘4 latas’ in Spanish, revolves around Tocho, an alcoholic with bad manners, and Jean Pierre, a past womanizer who still reminisces about his glory days. The film opens with Tocho reading a letter that informs him about his old friend, Joseba, who is seemingly on his deathbed in Timbuktu. The letter makes Tocho realize what he has lost, and soon, he makes up his mind to meet his friend before his death. On top of it, the two also plan on taking Joseba’s estranged daughter, Ely, to her father. Interestingly, apart from agreeing to the trip at a moment’s notice, Ely even provides the men with an old 1982 Renault, the same car the three friends had once used to cross the desert. Thus, they embark on a massive road trip from Paris to Timbuktu while being surrounded by fond memories. Moreover, even though the experiences they have on the road change their outlook on life, the film ultimately teaches us the value of friendship, family, and love. You can watch ‘4L’ here .

3. Qarib Qarib Single (2017)

A Hindi-language Bollywood feel-good rom-com directed by Tanuja Chandra, ‘Qarib Qarib Single’ stars Irrfan Khan and Parvathy Thiruvothu. When two strangers meet via an online dating platform, it’s usually a date that decides whether they will agree to go on further dates with each other. For Jaya (a 35-year-old widow) and Yogi (a not-that-famous poet), it is an adventure that decides it. After some humorous experiences, the two decide to go and visit Yogi’s three ex-girlfriends. Thus begins a memorable trip for our duo as well as for us. From Dehradun to Jaipur to Gangtok, the journey is full of humor, confusion, and humor-filled confusion and ends in a perfect manner. Stop guessing, as you can stream the film right here .

2. Paddleton (2019)

A road trip meets the trip of life in this comedy-drama directed by Alexandre Lehmann. It tells the story of two misfits/neighbors/best friends, Michael and Andy, between whom Michael is diagnosed with terminal cancer . With six months to live, Michael, accompanied by a reluctant Andy, set off on a 6-hour drive to the nearest pharmacy that has the required meds. Their experiences during the journey, which throw light on their friendship and the reality of life in general, make ‘Paddleton’ an enriching road trip movie. The cast includes Mark Duplass as Michael, Ray Romano as Andy, Kadeem Hardison, Christine Woods, Stephen Oyoung, Marguerite Moreau, and Alana Carithers. Feel free to check out the movie here .

1. Zindagi Na Milegi Dobara (2011)

Directed by Zoya Akhtar, ‘ Zindagi Na Milegi Dobara ’ is an Indian Hindi-language movie that tells the story of three friends who come together after a long time when one of them gets engaged. The bachelor trip that follows folds out into a buffet of experiences, both physically and emotionally, as the lives of all three begin to reveal themselves. Pain, regret, fear, mistakes, love, happiness, and insecurities take center stage and address the title of the movie, which translates to ‘Life never happens twice.’ The cast includes Farhan Akhtar , Hrithik Roshan , and Abhay Deol as the three friends, along with Katrina Kaif , Kalki Koechlin , Naseeruddin Shah , and Deepti Naval. You may watch the film here .

Read More: Best Serial Killer Movies on Netflix

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Trivia Sacha Baron Cohen gave advice and input after he was shown an early cut of the film.
Goofs A cameraman is clearly visible in the crowd during the puke scene in the Electric Cowboy bar.

Chris Carey : Chris Carey! From high school biology class! You know, Crazy Chris?

Maria Li : Um...

Chris Carey : Retard Chris?

Maria Li : Oh!

Chris Carey : Yeah! How the hell are you?

Crazy credits The end credits show moments when extras in pivotal scenes find out that they were part of a film and that absurdity of what they just witnessed was not real. Also deleted scenes and alternate takes of certain scenes are shown throughout the remainder of the credits.
Connections Featured in Half in the Bag: 2021 Movie Catch-Up (part 1 of 2) (2022)
Soundtracks Soul on Top Written by Boca 45 (as Scott Hendy) & Louis Baker Performed by Boca 45 Courtesy of Mass Appeal Records

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Jun 21, 2020
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March 26, 2021 (United States)
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The 27 best road trip movies to watch so you forget you're stuck at home

Can't go anywhere right now? A good road trip movie could put you in a better mood.
Here are the 27 all-time best.
Classics like "Easy Rider" and "Thelma & Louise" are on our roundup.
There are also more recent movies like "Logan" and "Magic Mike XXL."
Visit Insider's homepage for more stories .

Hollywood has always had a soft spot for road trip movies, and some have become memorable not just for what was shown on screen, but what the spirit of the movie meant for the people who saw them.

Take "Easy Rider" for example, whose no-rules approach launched a new way that movies were made for decades. Or "Thelma & Louise," which was as much about female empowerment as it was about a movie about two people on the run from the law.

Here are 27 road trip movies (listed alphabetically) you should check out before heading on your own adventure:

"Almost Famous" (2000)

Cameron Crowe's love letter to the 1970s rock and roll scene, which he covered as a writer for Rolling Stone, is a fun look at adolescence, fame, and highlights the non-stop grind of a band being "on the road."

"The Blues Brothers" (1980)

John Belushi and Dan Aykroyd play two brothers on a mission from God. Trying to get on the straight-and-narrow after getting out of prison, Jake Blues (Belushi) and his brother Elwood (Aykroyd) decide to help raise the money the Catholic home they were raised in needs to stay open. That leads to a road trip around Illinois to get the band back together.

"Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan" (2006)

With the help of director Larry Charles, Sacha Baron Cohen creates one of the funniest road trip movies ever made as he takes his character, Borat, to America to marry Pamela Anderson. But in the process, the movie highlights the US itself, as Borat travels the country doing everything from singing the Kazakhstan national anthem at a rodeo to hanging out with some fraternity kids.

"Dumb and Dumber" (1994)

In this Farrelly brothers classic, friends Lloyd (Jim Carrey) and Harry (Jeff Daniels) are convinced the gas man is out to get them after the death of their bird, so they decide to drive to Aspen to hand-deliver a briefcase the beautiful Mary (Lauren Holly) "forgot" at the airport. Oh, and they are hitting the road in a truck that's made up to look like a dog.

"Easy Rider" (1969)

It's the movie that launched the "New Hollywood" era of the 1970s and was made with little money and lots of drugs.

Directed by Dennis Hopper, the Hollywood bad boy also stars alongside Peter Fonda as two hippie bikers (Jack Nicholson also shows up) who travel from LA to New Orleans after cashing in on smuggling cocaine from Mexico. On their freewheeling trip, they find an America that's split between the stuffy establishment and the younger generation that is starving for change.

"The End of the Tour" (2015)

The days of conversations between Rolling Stone reporter David Lipsky (Jesse Eisenberg) and author David Foster Wallace (Jason Segel) are beautifully profiled in director James Ponsoldt's intimate story that has the two men interacting while on the road for Wallace's book tour.

"Into the Wild" (2007)

Based on a true story, Christopher McCandless' quest to go off the grid and hitchhike to Alaska to live in the wilderness is a powerful exploration of human desire and the kindness of strangers.

"It Happened One Night" (1934)

Frank Capra's famous movie is romantic comedy at its best. Claudette Colbert plays a spoiled heiress running from home, and Clark Gable is a reporter who finally thinks he's found a story that will get him some attention as he follows her to New York. But it will be forever known for its hitchhiking scene in which Colbert's character gets them a ride by pulling up her skirt to show off her legs.

"Little Miss Sunshine" (2006)

Filled with an all-star cast including Steve Carell, Toni Collette, Greg Kinnear, Paul Dano, Alan Arkin, and Abigail Breslin, we follow a dysfunctional family as they jump in a VW bus to drive the young Olive (Breslin) on a cross-country trip to the finals of a beauty pageant she's competing in.

"Logan" (2017)

Marking the coda of the Hugh Jackman era as Wolverine, director James Mangold delivers a somber drama of the superhero's final days. Here he and Charles Xavier set out to drive a young mutant to a refuge in North Dakota. That sounds simple, but it definitely isn't.

"Magic Mike XXL" (2015)

In this fantastic sequel to the 2012 original, Mike (Channing Tatum) sets out on the road with the remaining members of the Kings of Tampa in a food truck to Myrtle Beach for one final performance.

"Midnight Run" (1988)

Robert De Niro is fantastic in this foul-mouthed comedy as bounty hunter Jack Walsh who plans to cash in when he tracks down a sneaky accountant (played by Charles Grodin) who has jumped bail.

But with the FBI, other bounty hunters, and the mob also trying to get their hands on his bounty, things aren't easy for Jack.

"The Motorcycle Diaries" (2004)

Based on the Che Guevara memoir he wrote before becoming the Marxist revolutionary, Gael García Bernal plays young Guevara who, in 1952, went on a trip across South America with his friend Alberto Granado (Rodrigo de la Serna). The experience shaped Guevara's life as it showed him the injustices of the world.

"The Muppet Movie" (1979)

Marking the first time the Muppets appear on the big screen, Kermit, Fozzie Bear and the rest of the gang go on a cross-country drive to Hollywood in hopes of making it big. A load of cameos, songs, and hilarity occur along the way.

"National Lampoon's Vacation" (1983)

This classic from director Harold Ramis stars Chevy Chase as one of his most memorable characters, Clark W. Griswold, the ambitious father whose vacation plans always never work out.

Clark takes the family cross-country to Walley World and in the process leaves chaos in his wake.

"On the Road" (2012)

Based on the iconic Jack Kerouac novel, Sam Riley plays the book's narrator, Sal Paradise, who after meeting Dean (Garrett Hedlund) and Marylou (Kristen Stewart), head on a free-spirited road trip across the country.

"Over the Top" (1987)

Sylvester Stallone plays trucker and arm wrestling pro Lincoln Hawk who needs to get to Las Vegas to compete in the world arm wrestling tournament. But he also has to get his estranged son to his dying mother. This all leads to a big-rig father-and-son road trip.

"Pee-wee's Big Adventure" (1985)

A loose parody of Vittorio De Sica's classic "Bicycle Thieves," Tim Burton makes his own classic around the zany antics of Paul Reubens' hit character Pee-wee Herman.

The movie follows the "boy" as he goes to search of his stolen bike, which he's been told by a psychic is in the basement of the Alamo (spoiler alert: there's no basement in the Alamo).

"Planes, Trains & Automobiles" (1987)

Steve Martin and John Candy play two men who suddenly have to become travel companions as they try to get home for the holidays. Written and directed by John Hughes, Martin and Candy together are a delight.

"Rain Man" (1988)

Tom Cruise plays sleazy Charlie Babbitt and Dustin Hoffman is his brother Raymond, who suffers from savant syndrome. Hoping to cash in on the fortune Raymond got from their father, Charlie sets the two out on a cross-country trip leading to a lot of self-discovery.

If you've never seen Barry Levinson's Oscar-winning movie, now's the time.

"Road Trip" (2000)

Of course "Road Trip" was going to be on this list. Todd Phillips' insane raunchy comedy about four college friends on a race against time to retrieve a sex tape sent in the mail to one of their girlfriends is always a fun watch.

"Smokey and the Bandit" (1977)

Burt Reynolds teams with his pal and longtime stunt double Hal Needham for his first directing effort, and it would go on to become a classic road trip movie.

Reynolds plays a fast-driving bootlegger who has to transport 400 cases of Coors beer safely from Texarkana to Atlanta. But things get complicated when Reynolds picks up a runaway bride (played by Sally Field) along the way.

"The Straight Story" (1999)

In one of David Lynch's most traditional storytelling offerings, Richard Farnsworth plays a man who sets out on a trip via riding a lawnmower to make things right with his ill brother.

The story is based on a real-life event, in which Alvin Straight traveled 240 miles from Iowa to Wisconsin on a lawnmower.

"Stranger Than Paradise" (1984)

Jim Jarmusch's second feature film follows Willie and his friend Eddie as they set out on a road trip to Cleveland to visit Willie's cousin from Hungary, Eva.

The movie went on to be regarded as a landmark work in the independent film world for its unconventional long takes and do-it-yourself aesthetic.

"Thelma & Louise" (1991)

Ridley Scott's look at the road-trip-turned-manhunt adventure of friends Thelma (Geena Davis) and Louise (Susan Sarandon) is arguably more powerful today because of the #MeToo than when it opened in the early 1990s.

"Tommy Boy" (1995)

Perhaps the best Chris Farley/David Spade collaboration, in this one Farley plays an underachieving college graduate who suddenly has to travel the nation (with Spade as the geeky sidekick) to keep the accounts for his auto-parts family business after his father dies. This one truly shows off Farley's high-energy comedy greatness.

"Y Tu Mamá También" (2001)

Director Alfonso Cuarón received a best screenplay Oscar nomination with his brother Carlos for this powerful road trip movie that made Diego Luna and Gael García Bernal international stars.

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‘Bad Trip’ Review: On the Road, Leaking Fluid

Two pranksters, and a brace of hidden cameras, travel across country in this jauntily gross comedy.

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By Jeannette Catsoulis

Strictly for devotees of degrading pranks and public humiliation, Kitao Sakurai’s “Bad Trip” — a “Jackass”-style road movie belching clouds of poor taste — follows two hapless dreamers from Florida to New York City.

Strapping squalid stunts on the back of a dopey narrative, this hidden-camera Netflix comedy sends Chris (Eric Andre, of the supremely weird “The Eric Andre Show” ) and his friend Bud (Lil Rel Howery) on a cross-country quest for romance. Chris has learned that his onetime high-school crush (Michaela Conlin) is working in a Manhattan art gallery, and he plans to declare his still-fervent devotion.

Contrasting the starry-eyed innocence of this goal with the pair’s repellent misadventures en route, the screenplay (by Andre, Sakurai and Dan Curry) concentrates on bathing its leads in as many noxious emissions as possible. Fake vomit, urine and gorilla ejaculate squirt across the screen as our heroes horrify the unsuspecting patrons of a cowboy bar and a zoo, exemplifying pranks queasily fixated on orificial and genital abuse. Bud’s wrathful sister (Tiffany Haddish), whose beloved car the two have pinched, might be murderously in pursuit, but she can take her time: Her prey won’t get very far with their penises stuck in a Chinese finger trap.

However effortful, the movie’s tricks are more likely to activate your gorge than your funny bone. An end-credits reveal of the hidden cameras to the film’s good-natured dupes has a humorous purity that’s unexpected and appealing — if far too late to mitigate the dreck that has gone before.

Bad Trip Rated R. Did I mention the gorilla ejaculate? Running time: 1 hour 24 minutes. Watch on Netflix.

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A smoothie shop employee with butterflies in his stomach and a bleeding right hand sits next to an older gentleman on a bench. “Can I ask you something?” he prefaces. The worker then proceeds to babble about his crush, Maria. Should he follow her to New York City, and leave Florida behind? The older man offers advice—speaking from the heart—and it fills the younger man’s soul, so much that he leaps from the bench and bursts into song. It’s this young guy’s big romantic moment, and he dances away before almost getting hit by a car, and then sings at people inside a mall, in which one patron tries to side-kick him.

This hilarious sequence, which overlaps cliché storytelling with the unassuming public, is just one of many endearing moments in “Bad Trip,” a hidden camera comedy gem starring Eric André , Lil Rel Howery , and Tiffany Haddish that’s finally coming out on Netflix. Directed by Kitao Sakurai , the previous director behind numerous episodes of “The Eric André Show,” it shows an evolution in the hidden camera subgenre, given its warming spirit about people. Unlike the films that previously defined the subgenre, it’s not so much about creating a freak show from unsuspecting extras, but in noting what one would do when confronted with someone as delusional as André’s character Chris. Natural human behavior can be extremely funny, and Sakurai and André know it’s possible to bring it out of people without being mean-spirited. Footage in the end credits of the real people excited to learn that they’re in a movie—a comfort for us as well—confirms the chaos is controlled physically and emotionally, and that allows it to be a party.

“Bad Trip” is an excellent showcase for Eric André—it’s more mainstream than his talk-show-in-hell “The Eric André Show” and less watered down than his recent resume-boosting, commercial work like “The Lion King” and elsewhere. This role lets him scream, sprint, crash into things, and show off that he’s a sweetheart who wants to include you his absurdity. It’s no stretch to say that André is going to be a huge comedic force—I knew this when I caught his Legalize Everything stand-up tour in Chicago in 2019, when he had a sold-out Chicago Theater completely wrapped up in his FaceTime-ing with the parents of random audience members. He’s an affable anarchist with Robin Williams-like verve, and this project lets his burgeoning persona run wild alongside what the film advertises as “Real People. Real Pranks.”

André's hilarious earnest Chris is joined in the movie by Lil Rel Howery, who would have been known enough at the time of filming from his scene-stealing turn in “ Get Out ,” but is disguised as Chris’ reserved friend Bud. They have adorable chemistry as two friends in Florida who decide to drive to New York to reunite Chris with his high school crush Maria ( Michaela Conlin ) after two disastrous brief run-ins at Eric’s jobs. They support each other, like when Chris gets extremely drunk at a cowboy bar, or Bud finds himself inside a Porta Potty. Chris is the wide-eyed dreamer, and Bud is the demure rationalist. Their chemistry is as pure as the Golden Girls, so “Thank You For Being a Friend” is featured prominently in the soundtrack, in between scenes of slapstick pranks that further their road trip.

When Bud and Chris need a car to get to New York City, they “borrow” the bright pink Crown Vic that belongs to Bud’s sister, Trina (Tiffany Haddish), who Bud fears but is relieved when she's put in jail for breaking house arrest. And yet soon enough, Haddish crawls out from under a prison bus, having broken out and starts looking for her car. When it’s not where she stored it, she hunts Bud and Chris up the Eastern seaboard, making for some incredibly funny, abrasive scenes of her confronting people about whether they’ve seen them or her car that has “Bad Bitch” written on the window. Haddish bulldozes into every set-piece, exemplifying the film’s over-the-top spirit. When talking to progressively uncomfortable strangers, she doesn’t miss a beat and she relishes the opportunity to appear dangerous; when she steals a cop car and burns out of a donut shop parking lot, it’s one of her many triumphant moments.

“Bad Trip” is a collision of great improvisational actors and authentically bewildered reactions from people unaware that they’re now in Chris’ story—which makes Michaela Conlin’s performance as Maria all the more an essential middle to its Venn diagram. She enters the movie also as an innocent bystander, but that’s a deceptive comic energy that plays out in very funny ways as she pushes back against Chris’ delusions. In Chris’ prank-based daydreams, Conlin matches André’s intensity; that she has to play it straight in later scenes adds to the tension she creates, like when Chris tries to profess his love to her.

Just how funny is “Bad Trip”? After two viewings, it’s one of those comedies with a stable laughing average and high replay value, even if it doesn’t always hit you as hard. It knowingly plays a hit-and-miss game, and some scenes don’t entirely work (like a grocery store drug trip that plays out like a soft tribute to “The Eric Andre Show”), while other pranks go for discomfort more than big laughs (like when Chris gets gas springing all over a gas station). But the movie has speediness on its side, with pacing that takes the plotting from one prank to the next, often including crowds of people in the latest big dramatic confrontation that comes from Bud and Chris’ expected emotional arc. (A sudden car crash sequence is particularly well planned out, with cameras and extras ready nearby.) It’s a steady build to its ultimate destination of NYC, and every major set piece is constructed to bubble with discomfort before then skyrocketing over the top. An early scene at Chris’ smoothie shop job only begins with him making the drinks without spoons—it escalates to awkward tension with disgusted, annoyed customers, and then boom, a laugh-out-loud, gory finale that hits with impeccable, unexpected timing.

If certain parts of “Bad Trip” aren’t as out-and-out cry-laughing as the work put into them desires, the story is still involving as it adds the dimensionality of unscripted human behavior. And it doesn’t continue the hidden camera movie’s waning intention of dunking on dummies, a factor that also makes this story more fluid than the start-and-stop traps, primed for reaction shots, in something like “Jackass”-spinoff like “Bad Grandpa.” That’s the true sweet spot, in how its pranks are engineered to get the unexpected to interact with Bud, Chris, and or Trina, and see if strangers try to help. (“You turned on us!” says Chris, after a golfer starts swinging a club at Chris and Bud while their penises are enjoined by a Chinese fingertrap.) An amazing scene comes at a tense mid-point, when Trina appears at a restaurant, spreading around fliers with Bud and Chris’ dopey faces on them, advertising her desire to kill the two. She leaves. Bud and Chris then show up at the same place minutes later, and everyone’s response, with some people trying to warn them, and others not wanting to get caught in the middle, is incredible. “Bad Trip” knows how to stir things up, and its funniest scenes often involve real people getting in the mix, tested by the brilliant skills of André, Howery, and Haddish. The ways that some people react to their pranks might shock you in some ways, and absolutely will not in others.

Now available on Netflix.

Nick Allen is the former Senior Editor at RogerEbert.com and a member of the Chicago Film Critics Association.

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Film credits.

Bad Trip (2021)

Rated R for crude sexual content, pervasive language, some graphic nudity and drug use.

Eric André as Chris

Lil Rel Howery as Bud

Tiffany Haddish as Trina Malone

Michaela Conlin as Maria Li

Kitao Sakurai

Writer (story)

Andrew Barchilon

Cinematographer

Andrew Laboy
Sascha Stanton Craven
Matthew Kosinski
Caleb Swyers
Ludwig Göransson
Joseph Shirley

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‘Bad Trip’: Eric Andre, Tiffany Haddish and Lil Rel Howery Prank America

By David Fear

It makes a certain kind of sense that Bad Trip, Eric André’s entry into the Gonzo Comedy Hall of Fame (see: Jackass, Borat, Bad Grandpa ), starts in Florida. Not that the other 49 states of this fine U.S. of A. don’t have their share of goofballs, chowderheads, numbskulls, fuck-ups and jag-offs; it’s just that this particular Southeastern one has a reputation for American eccentricity that results in eyes bugging out, jaws dropping and shit going very wrong. Those “Florida Man” headlines are well-earned.

And the “Florida Man” energy is strong in this one, right from the get-go: No sooner has the comedian appeared onscreen, rocking a mechanic’s jumpsuit and washing a BMW in a West Grove car wash, then something genuinely WTF happens. If you’ve seen the trailer, you know it involves a vacuum hose and full frontal nudity. It also involves a customer who has no idea that he’s part of an elaborate prank that’s been set up for several rolling cameras, someone who is neither in on the joke nor the butt of it. The guy is just an innocent bystander who suddenly finds himself in the middle of a situation he hadn’t planned for or even possibly imagined, while a naked man tries desperately not to show his dick and balls to the world. “Florida Man Loses Clothes, Flashes Customers in Bizarre Car Detailing Accident.” Normally, you can’t make this stuff up. André engineers it like he’s in charge of a NASA launch.

The scene is over way, way too soon — a problem that plagues a lot of Bad Trip ‘s gotcha scenarios, but that’s the risk you take when you’re literally putting your ass out there when making variable-heavy comedy — but it still does what it needs to do, i.e. set the tone and set up the “story.” Note the scare quotes; abandon all hope, ye who want a narrative here, which is frankly missing the point. This is no more a movie than The Eric André Show is a talk show. (Though the director, Kitao Sakurai, has also worked on that Adult Swim gem.) It’s a delivery system for strung-together Situationist happenings and performance art, a fancy way of saying that everyday people get co-opted into sometime highly elaborate, often hilarious, remarkably effective smart-comics-doing-really-dumb-and-gross shit. Including, in one case, a bit that may or may not have involved being covered in actual fecal matter. We don’t know just how Jackass things got here.

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Right, sorry, the story: So when Chris (André) is cleaning the unsuspecting gent’s car, a second customer drives up. Her name is Maria (Michaela Conlin), and she was Chris’s high school crush. He was going to ask her out, but then whoosh go his clothes. Later, he finds out she lives in New York and runs an art gallery. If he’s ever town, drop by and see her. So Chris grabs his best friend Bud (Lil Rel Howery), they take the pink Crown Victoria that belongs to Bud’s sister, Trina ( Tiffany Haddish ) — she’s in prison, it’s all good — and plan a road trip to visit Chris’s soulmate. When Trina “releases” herself from the clink, she finds out that her car’s been stolen and decides to track these guys down across the Eastern seaboard.

There’s a version of Bad Trip in which you pay attention to this tender story of best friends who’ll do anything for each other, who have their ups and downs but still have each other’s backs, rednecks and psycho siblings and cops be damned. The version you’ll probably want to push to the forefront, however, is the one where these three comedians, respectively and together, stage the kind of truly outrageous shenanigans that make you wonder how the hell they got out of these scenes alive. Looking at my notes, I see nothing but a series of phrases: “Chinese Finger Trap,” “Smoothie Shop Blender,” “Cowboy Bar,” “Projectile Vomiting,” “A Priest,” “The Hamptons,” “Gorilla Selfie.” (That last one is genuinely above and beyond the call of duty.) To try and explain what they mean wouldn’t do the gags justice, though I will say that a sequence involving a a movie-musical number in a mall — which includes singing, dancing, a giant wedding cake and the threat of actual violence — is a work of genius.

In other, the sheer hilariousness of a number of individual bits here are enough to get you past slow spots and a few D.O.A. duds, and you come out of Bad Trip with a serious appreciation for this trio’s chops and ability to go with the flow. (Four, actually: Conlin can more than hold her own when she needs to.) And unlike the Jackass crew’s how-low-can-you-go competitions and Borat ‘s politicized exposés, there’s almost a sweetness to the way these folks prank the public. The everyday folks who find themselves having to deal with angry ex-cons or exchanges spiraling out of control aren’t marks; they’re more like collaborators in the movie’s “what if” set-ups. For every encounter in which you fear that André or Howery or Haddish are actually going to get the snot beat of out of them for antagonizing folks, there are a half dozen examples of people stepping in and defusing things, offering help, trying to de-escalate a blow-up. The end credits roll feature a bunch of “smile, you’re on Candid Camera” reveals that lead to smiles and yelps of “oh my god, that was crazy!” The joke’s not on them. They were just a key part of the trip.

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‘Bad Trip’ Review: Tiffany Haddish Steals the Show in Eric Andre’s Goofy Hidden Camera Romp

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It only takes Eric André a couple of minutes to get naked in “ Bad Trip ,” and another half hour before he’s sodomized by a gorilla, which should give you a sense of how quickly this goofy hidden camera romp careens from zero to crazy and just keeps going. In director Kitao Sakurai’s quasi-scripted comedy, the comedian plays a klutzy reprobate who drives from Miami to New York in search of his high school crush, but the flimsy plot is little more than an excuse for André to screw with people up and down the Eastern Seaboard.

Anyone familiar with André’s aggressive ability to push people into cringe-inducing circumstances will find plenty of that anarchic spirit on display here, usually outpacing the story around it. But it’s also given proper context: André’s devious style and wit is matched by a bumbling turn by Lil Rel Howery as his best pal, and even upstaged by a muscular Tiffany Haddish, as Howery’s sister and an escaped convict, who’s constantly on their tail. Together, the trio shows so much investment in the hidden camera concept that the entertainment factor often comes from simply watching them pull it off time and again.

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For the past decade, André’s vulgar prank-art has split the difference between “Jackass” and Sacha Baron Cohen, merging the zany physicality of the former with the sociological insight of the latter — though André’s less invested in bringing out the biases of his victims than simply using their shock as a distended punchline. Unlike the trippy Adult Swim excursions of “The Eric André Show,” however, “Bad Trip” forces André’s rascally in-your-face style into a jovial road trip formula that can’t help feeling less ambitious or satisfying than the stunts along the way.

The script, credited to André and Sakurai along with a few of their “Eric André Show” writers, seems pat enough: André plays Chris, a know-nothing troublemaker who veers from one job after the next, growing weary of the monotony as he tells his longtime pal Bud (Howery) that better times lie ahead. Of course, they don’t, and that’s just enough motivation for the pair to finally break free of their surroundings.

“Bad Trip” rises and falls on the basis of its gags, but they’re usually variations of the same formula. The movie essentially repeats one early stunt twice: Chris first sees old teen obsession Maria (Michaela Conlin) at an auto shop, where a mishap with a vacuum cleaner leaves him nude and cowering in a customer’s vehicle; next, she spots him behind the counter of a juice bar, where he accidentally mutilates his hand. In both cases, the actress enters and exits the scene without acknowledging the insanity on display, while André brilliantly coaxes random onlookers into playing a part in the scene.

All of that builds to a hilarious outdoor musical number in which André recognizes his need to find Maria back in New York, while more baffled people inadvertently become part of his show. Unlike “Borat” or “Bad Grandpa,” André isn’t presenting people with a cartoonish caricature. Instead, it’s the utter blandness of Chris that makes his unusual behavior so shocking — he’s an ordinary guy untethered from the common sense of the world around him, and it’s always hilarious to watch as he goads people into providing the reaction shots he needs to punctuate each joke.

In any case, “Bad Trip” ambles along, with Chris and Bud finally hitting the road in the hot-pink car owned by Bud’s sister Trina (Haddish) while she’s locked up. Equipped with a “Bad Bitch” license plate, the vehicle seems like an extension of Trina’s irascible persona. (“It’s like Pepto Bismol — it fixes anything!” she says. “Even though I like to drink Pepsi Bismol with a little Hennesy.”) When Trina sneaks away from her prison transport (freaking out a random guy on the sidewalk, of course), the movie instantly belongs to Haddish, in her most outright satisfying and ludicrous turn since she stole the show with “Girls Trip.” In this case, “Bad Trip” doesn’t get much better than the image of Trina flipping the bird from stolen police car after ripping off its driver’s seat door.

But it does get more familiar, with Chris and Bud enduring accidental drug trips, bar fights, and various other complications as they work their way toward New York, which arrives with a series of naturally chaotic showdowns. By the time they get to the aforementioned gorilla, some viewers may feel as though they got the basic idea. But there’s a certain wily energy that surrounds even the most ludicrous scenes, the sense that André and his cohorts are so invested in reigniting lowball comedy that they’re willing to put their actual lives on the line to earn the laughs.

The credits of “Bad Trip” do a victory lap on the whole routine, peeking behind the scenes as André and others reveal the candid cameras to their unwitting supporting players. Unlike Baron Cohen’s work, André seems to invite his targets to crack up with him, and they’re more than happy to oblige. “Bad Trip” is an extension of that all-inclusive approach: It’s a blunt instrument of absurdity, but that’s also what makes it so much fun.

“Bad Trip” is now streaming on Netflix .

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Netflix’s Bad Trip Might Help You Feel Better About Our Broken Nation

It might not be entirely accurate to call the new Eric Andre film Bad Trip a prank comedy, since prank comedies often turn on making unsuspecting people look like idiots. Punk’d , for example, was all about putting unaware celebrities into situations where they would (hopefully) act like dolts or hypocrites for all the world to see. Da Ali G Show often did the same with politicians, and the Borat movies, of course, do it with the entire United States of America. Even the uncontrollably nutty prank segments on The Eric Andre Show generally require more activity on the part of the ordinary citizens that have wandered in front of its hidden cameras. They are, for all intents and purposes, still the subjects of the gags in question.

Bad Trip , however, doesn’t really take aim at its unwitting bystanders. More often than not, the movie is a closed circuit of idiocy, whereby the actual actors act like buffoons with each other, leaving everyone else — all the real people, as it were — to just observe and react (or, in some cases, not). And weirdly, it’s refreshingly free of cynicism. Most of the bystanders in the film seem to be helpful, tolerant, sensible — which seems downright shocking at a moment in time when we’ve all been told that we hate each other’s guts. Bad Trip might be a dumb, gross candid-camera comedy, but don’t be surprised if it makes you feel a little better about your world.

It’s also absurdly funny, though it’s not quite absurd ist , unlike the genuinely bizarre, did-I-dream-that heights of Andre’s ruthlessly inventive Adult Swim show, with which it shares a creative team, including director Kitao Sakurai. (This film was produced by Jackass ’ Jeff Tremaine, who admittedly did something similar with the surprisingly heartwarming Johnny Knoxville stunt-comedy Bad Grandpa eight years ago.) Bad Trip ’s brand of comedy accelerates between standard slow-burn humiliation and outright gross-out shock, but the fact that it’s all happening out in public, in front of all to see, lends the proceedings an electric unpredictability.

You can see this very early on, as Chris (Andre), working at a carwash, awkwardly takes a customer into his confidence about how another customer who just arrived, Maria (Michaela Conlin), was the girl he had a crush on in high school. He tells the man he’s still desperately in love with Maria and determined to finally ask her out. Then, suddenly, all of Chris’s clothes are sucked off his body by an overzealous vacuum cleaner, and the poor customer is forced to ask Maria for her phone number, all while an extremely naked Chris hides in one of the cars and eggs him on. The cringe comedy tenderizes us for the bigger, broader gags, and vice versa. It’s not sophisticated stuff (especially compared to the gonzo hidden camera gags on The Eric Andre Show , with its surreal, delirious, complex pranks built within other pranks), but there’s a method to it.

The story, such as it is, is so thin it’s practically translucent. Still dreaming about Maria, who curates a gallery in New York, Chris convinces his best friend Bud (Lil Rel Howery) to go on a road trip from Florida to New York. To do so, they take Bud’s sister Trina’s car, since she’s behind bars. Of course, Trina (Tiffany Haddish) escapes (with the conflicted aid of an unsuspecting mensch, whom she enlists in helping her get out from under the prison bus where she’s been hiding) and goes after our heroes with a vengeance. Along the way, everyone gets in a variety of scrapes: Chris has an unspeakable encounter with a gorilla at a zoo, while Trina hijacks a cop car by ripping off its door, all while everyone around them looks on in befuddled shock.

Sometimes, they’re more than shocked. At a bar where Chris gets blitzed and falls off a wall, an off-duty nurse in the crowd rushes to his aid. (He promptly projectile vomits all over her — but to her credit, she continues trying to assist him.) After Chris and Bud get in a seemingly horrific car wreck and then bicker with one another, eyewitnesses intervene and try to de-escalate the situation. When a distraught Chris goes to an Army recruiting stand and tells the soldier he wants to enlist because he wants to die, the man actually tries to talk him down. Late in the film, as Trina hangs Chris off the roof of a building and threatens to throw him over, a group of people at street-level try to negotiate with her. In contrast to Sacha Baron Cohen’s Borat Sagdiyev, who tends to lead with his contempt (with admittedly often glorious and surprising results ), wherever Chris, Bud, and Trina go, they find their fellow Americans not just willing to help them out, but often knowing how to do so. (An unspoken but poignant thread running through the picture is the suggestion that these anonymous bystanders might have found themselves in similarly extreme situations before, for far less entertaining reasons.)

Though Bad Trip is a loose, often shapeless movie, its focus on the common humanity of those caught by its lenses is certainly a choice on the part of the filmmakers. It wouldn’t have been hard to accelerate these situations to the point where everyone began to act like jerks, and one presumes plenty of stuff has been cut out. (We do see some outtakes over the end credits, along with footage of people learning that they’ve been on camera all this time.) I don’t want to oversell Bad Trip — if it doesn’t make you laugh, chances are it will annoy the shit out of you — but its generosity toward our fellow humans can, at times, be genuinely moving.

movie review
lil rel howery
tiffany haddish
jeff tremaine
hidden camera
kitao sakurai
2021 movies

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Common sense media reviewers.

Funny but crass hidden-camera prank comedy; drugs, violence.

A Lot or a Little?

What you will—and won't—find in this movie.

Friends stick by each other through thick and thin

Trina bullies her brother, steals, escapes from pr

Chris and Bud suffer all kinds of "accidents" play

Discussion about sexual acts and nudity includes a

"F--k," the "N" word, versions of "s--t" and "ass,

The movie White Chicks, BMW, VW, Chevrolet, Pepto

Adults smoke cigarettes and vape, and Chris and Bu

Positive Messages

Friends stick by each other through thick and thin. You can learn from unrequited love. Sometimes it's important to follow your dreams.

Positive Role Models

Trina bullies her brother, steals, escapes from prison, and threatens and intimidates people, but she also cares about her brother and wants him to be strong. Chris and Bud steal Trina's car and get into all kinds of trouble on a misguided road trip. They "accidentally" destroy property and scare innocent people, but they're devoted to each other and their friendship. They often behave like impulsive kids, but they generally seem to mean well and treat people kindly. Bystanders involved in this film also often act with genuine kindness. The film is mostly set in Black communities, and the characters are cognizant when they're the "only Black people" in a place. When they dress up as White people, they tell each other to "think White thoughts."

Violence & Scariness

Chris and Bud suffer all kinds of "accidents" played as real to shock bystanders. These include getting a hand stuck in a blender, falling from heights, flipping a car, crashing through a glass door, and being raped by a gorilla, threatened with a knife, doused with gasoline, hit with a golf club, and electrocuted by car jacks. They get sprayed with gorilla semen, Porta Potty poop, and chunky vomit. In one scene, Chris suggests he wants to kill himself and offers to sign up for the military and go to the front lines of Iraq or Afghanistan. Trina threatens to kill Bud and Chris for stealing her car. She threatens multiple other people for snitching on her as she commits crimes like escaping prison and stealing a cop car. She hangs Chris off a tall building and steals money from Bud. Chris daydreams about an outing with Maria where they beat a blind man and steal his wallet.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Discussion about sexual acts and nudity includes a man's bare bottom and two penises stuck together and stretched out with a toy, and language like "make love," "condom," "cum," "jizz," "suck your d--k," "hairy p--sy," and having sex with different "genders and genres." Chris sees his high school crush and falls in love with her all over again. In a daydream, a priest makes out with the bride and groom after marrying them. Trina tells a cop he's "beautiful" and asks if she can kiss him.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

"F--k," the "N" word, versions of "s--t" and "ass," as well as "bitch," "damn," "hell," "suck," "crap," "c--ksucker," "d--k," "poop," "retard," "p--sy," "cum," "hell," "idiot," "nuts," "booty-hole," "pee," "piss," "fart," "Jesus," and a poster of a hand giving the middle finger.

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

The movie White Chicks , BMW, VW, Chevrolet, Pepto Bismol, Hennessy, Jack Daniels, Google Maps, Electric Cowboy, South of the Border, JR Crickets, Times Square, Kroger, and other stores seen in background.

Drinking, Drugs & Smoking

Adults smoke cigarettes and vape, and Chris and Bud drink shots at a bar until Chris gets so drunk he vomits all over the place and other people. They take pills they find in Trina's car thinking they are mints and end up on a hallucinogenic drug trip, waking up in a compromising position without knowing how they got there.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Bad Trip , a hidden-camera road trip comedy starring Eric Andre , Lil Rel Howery , and Tiffany Haddish , has language, nudity, sexual references, and violence that make it appropriate only for older teens. The film combines a scripted story involving an impromptu road trip with hidden-camera pranks and scenes involving unsuspecting real-life people. Some of these pranks get violent or destructive: The point is to shock with "accidents" (only Howery and mostly Andre get "hurt") involving blood, semen, poop, accidental drug trips, drunken vomiting, and nudity (male behinds and parts of penises are shown). Sexual references include some explicit language. Characters swear profusely, including the "f--k," the "N" word, versions of "s--t," "ass," and more ("bitch," "damn," "hell," "suck," "crap," "c--ksucker," "d--k," "retard," "p--sy," "cum," and "hell," for example). The film is a buddy movie and the main characters learn how much they love and appreciate each other over the course of the action, and Howery's character comes to a new understanding of his relationship with his tough-as-nails sister (Haddish) as well. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Community Reviews

Parents say (4)
Kids say (7)

Based on 4 parent reviews

What's the Story?

Buddies Chris ( Eric Andre ) and Bud ( il Rel Howery ) are stuck in dead-end jobs living in the same Florida town where they went to high school at the start of BAD TRIP. When Chris runs into his high school crush, Maria Li ( Michaela Conlin ), he convinces Bud to drop everything and drive to New York City, where Maria lives, so he can declare his love for her. Lacking their own wheels, they decide to borrow Bud's sister Trina's ( Tiffany Haddish ) car. She's serving time in prison and won't miss it anyway -- or so they think. Soon after they take off on their road trip, Trina escapes from prison. When she discovers the boys have taken her car, she vows to hunt them down and get her car, or kill them in the process. Meanwhile, Bud and Chris will get into all kinds of trouble as they drive north from Florida.

Is It Any Good?

This film has several laugh-out-loud moments, many meant-to-shock sequences, and even some tender scenes of friendship between its two male leads. But like the Borat and Jackass films before it, Bad Trip will turn many audiences off with its over-the-top vulgarity, violence, and gross-out scenes, mostly involving bodily fluids (go ahead and imagine the worst because it's all here). The actors are all convincing in their roles: Howery as the sweet underdog Bud, Andre as the misguided but well-intentioned Chris, Conlin as love interest Maria, and especially Haddish as the hilariously unhinged bully Trina. A perennial comic tool, the male characters seem stuck in a prolonged adolescence. You can tell the cast and crew had a blast making this movie, but even if it's sometimes a fun ride, it definitely won't be for everyone.

The hidden-camera genre always offers some insights into human behavior. It's eye-opening to see how regular people react in completely abnormal circumstances, like a man getting raped by a gorilla, a woman escaping prison or threatening to throw a man off a building, and two men emerging from a spectacular car crash. Some speak out, others ignore what's going on, and some offer advice or assistance -- even in committing a crime. Most pull out their phones and begin filming. This movie is set primarily in Black neighborhoods and businesses up the Southeast corridor between Florida and New York except for some notable exceptions, like an all-White cowboy bar. A final, racially-tinged sequence is reminiscent of Borat at the Conservative Political Action Conference and pays homage to the Wayans brothers' 2004 movie White Chicks . Stick around for the end credits to see how some of the unsuspecting bystanders react when they're told they've been pranked.

Talk to Your Kids About ...

Families can talk about the ethics behind films like Bad Trip , which involve unsuspecting bystanders in pranks and unscripted scenes. Do you think the people involved gave their consent to be included in the film? How do you know?

Do you think the film goes too far at any point in its vulgarity or antics? If so, when and why?

A man appears to help Trina escape from prison, and another suggests Bud not tell the police that the car he has just crashed is stolen. Do these men seem to be willing to aide in crimes? What do you make of this?

How does this film compare to other similar movies, like the Borat films or Jackass ?

Movie Details

On DVD or streaming : March 26, 2021
Cast : Eric Andre , Tiffany Haddish , Lil Rel Howery
Director : Kitao Sakurai
Inclusion Information : Black actors, Female actors
Studio : Netflix
Genre : Comedy
Topics : Friendship
Run time : 84 minutes
MPAA rating : R
MPAA explanation : crude sexual content, pervasive language, some graphic nudity and drug use
Last updated : February 18, 2023

Did we miss something on diversity?

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