tom cruise movies 2023

Tom Cruise: All New Movies Coming Out in 2023 and 2024

After his breakthrough with leading roles in ‘Risky Business’ and ‘ Top Gun ‘ in the 1980s, Thomas “Tom” Cruise Mapother IV started bagging pivotal roles in several dramas, including ‘ Born on the Fourth of July ,’ for which he even won a Golden Globe Award and got nominated for the Academy Award for Best Actor. In the 1990s, he rose to newer heights of stardom by featuring in various commercially successful films, such as ‘ A Few Good Men ,’ ‘ Interview with the Vampire ,’ ‘The Firm,’ and ‘ Jerry Maguire .’

Once he impacted dramas, he started traversing the action and sci-fi genres. By landing some iconic roles in the ‘ Mission: Impossible ‘ film series, ‘ Collateral ,’ ‘ Edge of Tomorrow ,’ and ‘ Top Gun: Maverick ,’ he established himself as an action star, performing most of the risky stunts on his own. The winner of three Golden Globe Awards, four nominations for the Oscars, and an Honorary Palme d’Or, Tom Cruise is known to be one of the world’s highest-paid actors. Given his immense popularity and fandom, most of our readers are looking forward to his future projects. Here is a list of all the upcoming movies and TV shows of Tom Cruise!

1. Mission: Impossible – Dead Reckoning Part Two (2024)

Tom Cruise recently jumped off a cliff on a motorbike for ‘ Mission: Impossible – Dead Reckoning Part One ‘ and he will be in action soon enough in its sequel, ‘Mission: Impossible – Dead Reckoning Part Two.’ Helmed by Christopher McQuarrie, the spy action movie is the eighth installment in the ‘Mission: Impossible’ film series with Cruise reprising his role as Ethan Hunt for the eighth time running.

Although the plot details are kept under wraps, the action-adventure film is most likely to resume Ethan’s hunt for The Entity as he meets some new friends and foes along the way. The production for the sequel began in March 2022 but is yet to be finished due to the delay caused by the 2023 SAG-AFTRA strike. Having gone through several postponements due to the COVID-19 pandemic when it comes to its release date, it is now officially set to be released on June 28, 2024. But it is very much possible that it will get postponed again due to the pause in production.

2. Untitled Tom Cruise/SpaceX Project (TBA)

Tom Cruise is set to take his status as an action star to the next level by traveling out of Earth to film the first ever Hollywood motion picture in outer space. In May 2020, it was reported that Elon Musk’s Space X and Cruise were working on an action-adventure project with NASA. Not only is Cruise expected to be blasted into space alongside filmmaker Doug Liman, with whom he has previously worked in ‘ American Made ‘ and ‘Edge of Tomorrow,’ for the upcoming film, but he will also live up to his reputation by attempting to do a space walk outside of the International Space Station. In this movie, Cruise is set to essay the role of a down-on-his-luck man who is the sole person in the position to save Earth. Apart from starring in the film, he is attached to the project as a writer as well as a producer.

3. Live Die Repeat and Repeat (TBA)

A sequel to the 2014 movie ‘Edge of Tomorrow,’ ‘Live Die Repeat and Repeat’ is an upcoming science fiction film that will reportedly reunite Tom Cruise and director Doug Liman, with the former set to reprise his role as Major William Cage. Moreover, Emily Blunt is also rumored to portray Rita again, alongside Cruise. Ever since the release of the hit original film, talks of a sequel have been flying around. However, in 2019, it was finally set in motion when Matthew Robinson was brought on to write the script.

Fast forward to a couple of years later, in a May 2021 interview with Entertainment Weekly , Emily Blunt revealed, “That was an amazing script, but I just don’t know what the future holds for it. I did read a script that was in really great shape, but it’s just a matter of if that can even happen now. I don’t have the straight answer on that one.” With the project still lingering in the development stage, it is hard to expect it to be brought to life in at least a couple of years.

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Mission: Impossible - Dead Reckoning Part One

Where to watch.

Watch Mission: Impossible - Dead Reckoning Part One with a subscription on Paramount+, rent on Fandango at Home, Prime Video, Apple TV, or buy on Fandango at Home, Prime Video, Apple TV.

What to Know

With world-threatening stakes and epic set pieces to match that massive title, Mission: Impossible - Dead Reckoning Part One proves this is still a franchise you should choose to accept.

With a terrific cast and some beautifully shot stunts, Mission: Impossible - Dead Reckoning Part One might be the best action movie of the year.

Audience Reviews

Cast & crew.

Christopher McQuarrie

Hayley Atwell

Ving Rhames

Luther Stickell

Rebecca Ferguson

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More like this, movie news & guides, this movie is featured in the following articles., critics reviews.

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‘Mission: Impossible — Dead Reckoning Part One’ Review: Still Running

In this franchise’s seventh entry, Tom Cruise’s mission includes increasingly improbable leaps, chases and stunts. Luckily for us, he chooses to accept it.

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In a film scene, a man in a shirt, tie and vest with no suit jacket is handcuffed to a woman in a button-down shirt. A car is behind them in an alley.

By Manohla Dargis

I don’t know if anyone has ever clocked whether Tom Cruise is faster than a speeding bullet. The guy has legs, and guts. His sprints into the near-void have defined and sustained his stardom, becoming his singular superpower. He racks up more miles in “Mission: Impossible — Dead Reckoning Part One,” the seventh entry in a 27-year-old franchise that repeatedly affirms a movie truism. That is, there are few sights more cinematic than a human being outracing danger and even death onscreen — it’s the ultimate wish fulfillment!

Much remains the same in this latest adventure, including the series’ reliable entertainment quotient and Cruise’s stamina. Once again, he plays Ethan Hunt, the leader of a hush-hush American spy agency, the Impossible Mission Force. Alongside a rotating roster of beautiful kick-ass women (most recently Rebecca Ferguson and Vanessa Kirby) and loyal handymen (Simon Pegg and Ving Rhames), Ethan has been sprinting, flying, diving and speed-racing across the globe while battling enemy agents, rogue operatives, garden-variety terrorists and armies of minions. Along the way, he has regularly delivered a number of stomach-churning wows, like jumping out a window and climbing the world’s tallest building .

This time, the villain is the very au courant artificial intelligence, here called the Entity. The whole thing is complicated, as these stories tend to be, with stakes as catastrophic as recent news headlines have trumpeted. Or, as an open letter signed by 350 A.I. authorities put it last month: “Mitigating the risk of extinction from A.I. should be a global priority alongside other societal-scale risks, such as pandemics and nuclear war.” In the face of such calamity, who you gonna call? Analog Man, that’s who, a.k.a. Mr. Hunt, who receives his usual mysterious directives that, this time, have been recorded on a cassette tape, an amusing touch for a movie about the threat poised to the material world by a godlike digital power.

That’s all fine and good, even if the most memorable villain proves to be a Harley Quinn-esque agent of chaos, Paris (Pom Klementieff), who races after Ethan in a Hummer and seems ready to spin off into her own franchise. She tries flattening him during a seamlessly choreographed chase sequence in Rome — the stunt coordinator, Wade Eastwood, is also a racecar driver — that mixes excellent wheel skills with scares, laughs, thoughtful geometry and precision timing. At one point, Ethan ends up behind the wheel while handcuffed to a new love interest, Grace (Hayley Atwell, another welcome addition), driving and drifting, flirting and burning rubber in what is effectively the action-movie equivalent of a sex scene.

Despite the new faces, there are, unsurprisingly, no real surprises in “Dead Reckoning Part One,” which features a number of dependably showstopping stunts, hits every narrative beat hard and, shrewdly, has just enough winking humor to keep the whole thing from sagging into self-seriousness. This is the third movie in the series that Cruise and the director Christopher McQuarrie have made together, and they have settled into a mutually beneficial groove. On his end, McQuarrie has assembled a fully loaded blockbuster machine that briskly recaps the series’ foundational parameters, adds the requisite twists and, most importantly, showcases his star. For his part, Cruise has once again cranked the superspy dial up to 11.

Over the years, McQuarrie has loosened up the star, who generally seems to be having a pretty good time. Still, it must be exhausting to be Tom Cruise, who famously performs his own stunts. A smattering of creases now radiate around his smile, but time doesn’t seem to have slowed his relentless roll. The most arresting set piece here finds Ethan smoothly sailing off a cliff via a motorbike and a parachute. Improbable, yes? Impossible? Nah. Like the other large-scale, stunt-driven sequences, this showy leap at once underscores Cruise’s skills and reminds you that a real person in a real location on a real motorbike did this lunatic stunt.

Nothing if not a classicist, Ethan also goes one to one with a baddie (Esai Morales) atop a speeding train, perhaps in homage to his cliffhanger moves on another train in the first “ Mission: Impossible ” (1996). In his review, the New York Times critic Stephen Holden observed that with this film Cruise had “found the perfect superhero character.” It’s worth noting that, in 1996, the top 10 movies released in the United States were largely high-concept thrillers and comedies; in 2022, half the top 10 releases were from Marvel or DC. Yet the film that connected most strongly with audiences was Cruise’s “Top Gun: Maverick.”

Although “Maverick” featured plenty of digital whiz-bangery, its most spectacular draw of course was Cruise, who has also remained the single greatest attraction in the “Mission” movies. To that point, while there’s little of substance that I remember about the first film other than it was directed by Brian De Palma, I can vividly picture — with the crystalline recall that only some movies instill — two distinct images of Cruise-Ethan from it. In one, he races away from a tsunami of water and shattered glass; in the second, he hovers inches above a gleaming white floor, his black-clad body stretched head to toe in a near-perfect horizontal line. The filmmakers imprinted those images on my memory; so did Cruise.

Early in the “Mission: Impossible” series, the outlandishness of the movies’ plots and Cruise’s equally fantastical stunts started to make him seem less than human. By the second movie, I wondered if he were disappearing altogether, turning himself into little more than a special effect. Since then, the plots and the stunts have remained impossibly absurd, sometimes enjoyably so, as here. Yet over the years, the series has unexpectedly made Cruise seem more poignantly human than he has sometimes seemed elsewhere. One reason is that the “Mission” movies were instrumental in shifting the locus of his star persona from his easygoing smile — the toothy gleam of “Risky Business” and “Jerry Maguire” — to his hardworking body.

The obvious effort that Cruise puts into his “Mission” stunts and the physical punishment he endures to execute them — signaled by his grimaces and popping muscles — have had a salutary impact on that persona, as has the naked ferocity with which he’s held onto stardom. It’s touching. It’s also difficult to imagine any actor today starting out in a superhero flick reaching a commensurate fame, not only because the movies, Hollywood’s at least, no longer retain the hold on the popular imagination that they once did, but also because the corporately branded superhero suit will always be more important than whoever wears it. Tom Cruise doesn’t need a suit; he was, after all, built for speed. He just needs to keep running.

Mission: Impossible — Dead Reckoning Part One Rated PG-13 for thriller violence. Running time: 2 hours 43 minutes. In theaters.

Manohla Dargis is the chief film critic of The Times, which she joined in 2004. She has an M.A. in cinema studies from New York University, and her work has been anthologized in several books. More about Manohla Dargis

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