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New edition announces 2023 legacy tour dates.

Posted by Buddy Iahn | Dec 13, 2022

Keith Sweat, Guy & Tank will support the 30 city trek

Iconic Grammy-nominated, multi-platinum-selling R&B supergroup New Edition closed out 2022 with the highly successful The Culture Tour, nominated as one of the Top R&B Tours in the country by Pollstar. Selling out arenas across the country, the icons and The Black Promoters Collective (BPC) are happy to announce the 30 city Legacy Tour with a must-see lineup that includes a New Jack Swing reunion with Keith Sweat and the original members of Guy — featuring Teddy Riley, Aaron Hall, and Damion Hall — and Tank starting on Thursday, March 9th in Columbia, SC and ending on Sunday, April 30th in Tampa, FL.

Before offering to the general public, Legacy Tour tickets go on presale to American Express Card Members beginning Wednesday, December 14th at 10 am local time through Thursday, December 15th at 11:59 pm local time. Tickets will be available to the general public on Friday, December 16th at 10 am local and range from $59.50 to $179.50 via Ticketmaster .

“Few recording artists can attest to a superior 40-year career that stands the test of time, but New Edition can. When we partnered with NE for “The Culture Tour,” although I knew it would be stellar, their show exceeded my expectations; the guys were nothing short of miraculous. We are excited about partnering with New Edition to further the legacy of the foundation they have already laid,” states BPC CEO Gary Guidry.

New Edition hit the scene in 1983 with their iconic No. 1 debut album Candy Girl disrupting the music industry forty years ago. That same year, the album’s title cut knocked Michael Jackson’s “Beat It” out of the No. 1 spot on the Billboard Hot Black Singles chart. The group has gone on to win many awards, including BET’s Lifetime Achievement awards, and has one of the most highly watched biopics in music history, the three-part BET series: The New Edition Story , which attracted more than 29 million viewers. Comprised of Ronnie DeVoe, Bobby Brown, Ricky Bell, Michael Bivins, Ralph Tresvant, and Johnny Gill, New Edition has remained one of the most influential R&B groups in the world for close to four decades. With a vast catalog, New Edition is ready to perform a host of new hits that weren’t performed in 2022’s The Culture Tour , giving their fans a whole new experience to tuck in their memory book.

Keith Sweat entered the charts with his 3x Platinum debut solo album, Make It Last Forever , in 1987, giving the world its first New Jack Swing Billboard Hot 100 hit, “I Want Her.” The song, produced by Teddy Riley and Sweat, became the most successful R&B song in 1988 on the Billboard Hot R&B Songs chart. In 1997, Sweat formed the group LSG (Levert, Sweat, and Gill – Johnny Gill of New Edition), whose debut album, Levert.Sweat.Gill sold 2x Platinum and produced the hit song “My Body,” which became a Platinum single, spending seven weeks at No. 1 on the charts. In addition to touring and making new music, Sweat currently has the No. 1 nationally syndicated R&B evening radio show called The Sweat Hotel with Keith Sweat , reaching more than 50 markets across the country.

Teddy Riley ushered in a new musical genre called New Jack Swing, which included the formation of his group Guy with Aaron Hall and Damion Hall in 1987. The group’s first album, the self-titled masterpiece, quickly spawned the Billboard Hot 100 hit “I Like,” which, along with four other hit singles such as “Groove Me” and “Teddy’s Jam,” helped to propel the debut album to 2x Platinum status. The group disbanded after their second album, The Future , citing the stresses of the tragic loss of their former manager. However, Teddy Riley went on to produce for the likes of Michael Jackson and Lady Gaga. In addition, he was instrumental in the rise of Bobby Brown’s solo career, creating the megahit “My Prerogative.” The Legacy Tour will be the first time the group has come together to tour in more than 15 years.

New Edition 2023 Legacy Tour Dates:

Mar 9 – Columbia, SC @ Colonial Life Arena Mar 10 – Charlotte, NC @ Spectrum Center Mar 11 – Birmingham, AL @ Legacy Arena at BJCC Mar 12 – Memphis, TN @ FedEx Forum Mar 16 – Washington, DC @ Capitol One Center Mar 17 – Hampton, VA @ Hampton Coliseum Mar 18 – Atlantic City, NNJ @ Boardwalk Hall Mar 19 – Newark, NJ @ Prudential Center Mar 23 – Chicago @ United Center Mar 24 – Indianapolis @ Gainbridge Fieldhouse Mar 25 – Detroit @ Little Caesars Arena Mar 26 – Cincinnati @ Heritage Bank Center Mar 30 – Atlanta @ State Farm Arena Mar 31 – New Orleans @ Smoothing King Center Apr 1 – Houston @ Toyota Center Apr 2 – Ft Worth, TX @ Dickies Arena Apr 6 – San Diego @ Pechanga Arena Apr 7 – Las Vegas @ T-Mobile Arena Apr 8 – Los Angeles @ Kia Forum Apr 9 – Oakland @ Oakland Arena Apr 13 – Cleveland @ Rocket Mortgage Fieldhouse Apr 14 – Louisville, KY @ KFC Yum! Center Apr 15 – St. Louis @ Enterprise Center Apr 16 – Nashville @ Bridgestone Arena Apr 20 – Belmont Park, NY @ UBS Arena Apr 22 – Baltimore @ CFG Bank Arena Apr 23 – Greensboro, NC @ Greensboro Coliseum Apr 28 – Miami @ FTX Arena Apr 29 – Jacksonville, FL @ VyStar Arena Apr 30 – Tampa @ Amalie Arena

About The Author

Buddy Iahn founded The Music Universe when he decided to juxtapose his love of web design and music. As a lifelong drummer, he decided to take a hiatus from playing music to report it. The website began as a fun project in 2013 to one of the top independent news sites. Email: [email protected]

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About Ralph Tresvant

Ralph Tresvant

Ralph Tresvant is an international star that has captivated audiences for more than 40 years as a solo artist, actor, entertainer, writer, producer and legendary front man of Grammy-nominated, multiplatinum-selling R&B supergroup New Edition. An icon in R&B, Tresvant is now the new host of Urban One Inc’s Reach Media and Radio One’s long-running syndicated show, “Love and R&B”. The show, which debuts in 2023, will build on the show’s legacy of keeping traditional R&B music alive with classic slow jams and love songs.

Born May 16, 1968, Tresvant grew up in the Roxbury section of Boston. He joined childhood friends Bobby Brown, Ricky Bell, Michael Bivins, and Ronnie DeVoe to form a musical group called New Edition, where they later went on to be discovered by producer/songwriter Maurice Starr. Starr’s concept was to form a group that was a “new edition” of the Jackson 5. Signed to StreetWise Records, the group scored with “Candy Girl” and became an instant overnight sensation, led by Tresvant’s pitch perfect vocals and show stopping performances. The hits continued with “Is This the End” (number eight R&B), “Lost in Love”(number six R&B), “Count Me Out” (number two R&B for two weeks), “Earth Angel” from the movie Karate Kid Part 2 (number three R&B), “Once in a Lifetime Groove” from the Gregory Hines/Billy Crystal movie Running Scared (number ten R&B), “Tears on My Pillow” with Little Anthony of Little Anthony and the Imperials, “If It Isn’t Love” (number two R&B, number seven pop), “You’re Not My Kind of Girl” (number three R&B), and “Crucial” (number four R&B).

Later, Tresvant signed to MCA Records as a solo artist and soared to the top of the charts with his debut single, “Sensitivity”, produced by songwriters Jimmy Jam and Terry Lewis. “Sensitivity” sold over a million copies, going to #1 R&B and #4 pop on Billboard‘s charts in fall 1990. His solo debut, Ralph Tresvant, was released in November of 1990 and went platinum, reaching #1 R&B for two weeks, solidifying the artist as a standout star. The album also yielded the charting hits “Stone Cold Gentleman”featuring Bobby Brown, “Do What I Gotta Do,” and “Rated R”. Ever sought after in Hollywood, Ralph sang on the 1992 hit “The Best Things in Life Are Free” with the late great Luther Vandross and Janet Jackson on lead with BBD. That was followed by his own hit single, “Money Can’t Buy You Love,” from the Damon and Marlon Wayans movie Mo’ Money. Ralph has also appeared in the movie House Party 2.

In 1996, the highly anticipated New Edition reunion album, “Home Again” was released with much success, and there was a 1998 sophomore release, “It’s Goin’ Down.” In 2006 Xault Record’s released RizzWaFaire, that entered Billboard’s Top 200 Charts at #88. As an artist and humanitarian, Ralph has been celebrated for his contributions to an ever changing music industry by being honored with the keys to the city in Miami, Oklahoma and New Orleans. In a full circle moment, Ralph’s hometown of Boston, MA declared October 13th as “Ralph Tresvant Day” statewide, a fete witnessed by thousands of adoring fans.

The year 2017 was a period of new birth and honor for Ralph Tresvant and New Edition. In 2017, his life as the front man of New Edition was portrayed in The New Edition Story, the highly successful BETminiseries which still holds the record for highest rated Biopic Mini in cable history. Also, the Hollywood Chamber of Commerce proudly honored musical group New Edition: Ronnie DeVoe, Ricky Bell, Michael Bivins, Bobby Brown, Ralph Tresvant and Johnny Gill with the 2,600th star on the Hollywood Walk of Fame. Tresvant returned to music as a solo artist in 2020 with the album “All Mine”.

The album’s debut single featured New Edition band-mate Johnny Gill and was written and produced by Francesca Francci Richard, Jeffrey Brent Anderson, Sean Tsai and Gregg Paganii. Dazzling audiences decades later, Tresvant joined his New Edition bandmates in 2022 for “The Culture Tour”, a 30-city tour that sold out in venues across the U.S. His long standing place in the music business is only eclipsed by his enormous talent and steadfastness. Many big ventures lay ahead for Ralph Tresvant.

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After success and then struggle, R&B legends New Edition finally enjoy a victory lap

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It was 1997, and New Edition, the most gifted vocal group since the Jackson 5, was imploding.

For Ralph Tresvant, Ronnie DeVoe, Bobby Brown, Ricky Bell, Michael Bivins and Johnny Gill, the “Home Again” reunion tour was supposed to be a victory lap. Since making their 1983 debut with their wide-eyed bubblegum jam “ Candy Girl ,” the young singers from Boston’s tough Orchard Park projects had beaten the odds to sell over 20 million records worldwide, highlighted by their self-titled breakthrough (1984), the dramatic “All for Love” (1985) and the landmark Jimmy Jam & Terry Lewis-produced “Heart Break” (1988). (Gill, from Washington, D.C., joined the group in 1987.)

After scoring their first No. 1 album on the Billboard 200 chart with 1996’s “Home Again” and a string of solo successes, New Edition was ready for its coronation as R&B icons. Instead, the 1997 shows were a full-blown disaster.

Brown, who’d married pop superstar Whitney Houston in 1992 and whose issues with drugs and alcohol and run-ins with the law made him the subject of tabloid headlines and the butt of late-night jokes, had suffered a heart attack just two weeks before the tour kicked off. During the course of the tour, each New Edition member traveled on a separate bus. At one show in Las Cruces, New Mexico, Brown, DeVoe and their entourages got into a fight, onstage. Security teams for the two camps pulled guns on each other.

Toward the end of the tour, Tresvant had had enough. “F— it,” he told his childhood friends. “I ain’t doing no more shows.” The concerts left New Edition in debt. Gill summed up the entire experience to one interviewer: “It’s been hell, absolute hell.”

Nearly 25 years later, New Edition are in a Chicago rehearsal space, and this time around the mood is considerably lighter. The men, now in their 50s, are in high spirits, and a genuine sense of brotherhood abounds. There’s good reason: New Edition’s 30-city “Culture” tour — featuring the Gap Band’s Charlie Wilson and ’90s R&B stars Jodeci, and coming to Los Angeles’ Crypto.com Arena on Sunday — has been filling large venues with fans spanning generations and races.

The last time all six members performed together on an extended bill was in 2014. “We didn’t know if New Edition performing together was ever going to happen again,” says Tresvant, the group’s smooth-singing lead vocalist. “I believe that motivated people to come out and make sure they got the chance to see all six members out there.”

“The fans who grew up with us are really happy to come out and celebrate,” says Bell, who is also a member of New Edition’s ’90s hip-hop-fueled spinoff trio Bell Biv DeVoe.

Brown, who was kicked out of New Edition in 1985 over his constant showboating and missed performances before emerging as a solo star with his 7-million-selling “Don’t Be Cruel,” is hopeful that the group’s days of infighting are behind them.

“With the ‘Home Again’ tour everybody thought they were the star,” says Brown from his Los Angeles home. “We definitely dealt with each other totally differently back then. We were a lot younger and there wasn’t a lot of [unity]. We left our egos at the door this time.”

Brown seems particularly happy to be reunited with his friends in New Edition. You could say Brown, who’s been drug free for nearly 20 years and sober from alcohol for over a year, is just happy to be alive. Between 2012 and 2020, the singer lost his ex-wife Houston , the couple’s 22-year-old daughter, Bobbi Kristina Brown , and his 28-year-old son, Bobby Brown Jr., all to drug-related deaths.

“This tour has been therapeutic for me,” says Brown. “We pray a lot. We talk a lot.”

Says Bell, who overcame his own battles with drug addiction, “To see Bobby out there doing his joints ... it’s been beautiful, man.”

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The group — all are now married, some even with adult children — credit longtime manager, choreographer and “7th member” Brooke Payne with getting them back into fighting shape for the tour. “Oh, man, Brooke is still kicking us in the ass everyday,” laughs Brown. “Muscle memory is one thing, but being 53 years old and still trying to dance like you’re 20 is really difficult.

“We know that ticket prices are high,” he adds, “which is why it’s been so surprising to us that people are actually taking the time to pay homage to New Edition.”

Joe Hadley, the band’s booking agent at CAA, who helped sign New Edition last year to a worldwide representation deal encompassing touring, film, television, composing and literature, notes the success of the tour has caught the attention of concert promoters who traditionally lean heavily on classic rock acts as arena attractions.

“[Promoters] are starting to understand that there are [middle-age] Black music fans with disposable income,” says Hadley. “You have Black artists who are global superstars, but maybe haven’t toured in a while. There are going to be artists from different eras, like a Missy Elliott, that we will see tour again in the near future. It’s a really exciting space.”

Yet despite all the good will, New Edition has a few scores to settle. “There were times we were taken advantage of,” DeVoe says, about the group’s battles with the music industry. “Now we are making sure our budgets are right. We are paying attention to every penny that’s coming in, damn near to the concession stands. Even if we don’t have a piece of it, we are trying to understand it, because of the things that we’ve been through in our careers.”

Tresvant, Brown, Bell, DeVoe and Bivins were first discovered as kids by local songwriter and producer Maurice Starr, at a 1982 Boston-area talent show. Back then, New Edition dreamed only of following in the footsteps of their musical heroes. “We were coming after the Temptations and the Jackson 5,” recalls Tresvant. “These were the people we looked up to. In our era, the hip-hop era, New Edition was the first on the block.”

After the group returned from their first national tour, they were dropped back off at the projects with each member pocketing $1.87 apiece. Starr and New Edition’s label Streetwise Records claimed touring expenses were to blame. The boys promptly hired a lawyer and got released from their contract.

New Edition’s 1984 self-titled album for MCA Records was an even bigger success, going double platinum. They had a top five pop single, “Cool It Now.” New Edition was now a legit arena draw, selling out venues such as Madison Square Garden.

But once again, the money wasn’t adding up. New Edition soon discovered that they were not signed to MCA, but rather to their management’s production company Jump & Shoot. Each member had to borrow $100,000 from MCA to extricate themselves from yet another duplicitous deal.

“As far as New Edition is concerned, that’s never going to happen again,” insists DeVoe.

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When it came time to find a team to organize the new tour, the group went with the African American-owned company the Black Promoters Collective — which has overseen productions for H.E.R., Cardi B and Stevie Wonder — over larger conglomerates such as Live Nation and AEG Presents.

“We are uniquely positioned to work with BIPOC artists,” BPC’s co-partner Shelby Joyner said, “because we are from similar spaces and places as the talent we seek as partners.”

“For Black folks, New Edition has been at the forefront of our lives for a very long time,” says Cori Murray, deputy editor at Essence magazine. The group is scheduled to be one of the headliners at this summer’s Essence Fest at New Orleans’ Caesars Superdome.

New Edition admit they haven’t always received the respect they felt due. During their success in the ’80s, a culture-shifting moment when hip-hop was just beginning to take hold of Middle America and Michael Jackson, Prince and Madonna were jockeying for pop supremacy on MTV, the teen act was often treated as an afterthought by white mainstream entertainment outlets.

“In 1983, there was no one else like us on TV or on the radio that our community could really relate to,” says Bell. “We weren’t really thinking about crossing over.”

Following Brown’s departure in late ’85, the addition of powerhouse vocalist Johnny Gill gave the group a more mature, dynamic range. New Edition’s evolution from teen-zine favorites to respected artists can be heard on “Heart Break,” now regarded as part of the new jack swing canon.

Meanwhile, New Edition became the prototype for such mammoth (white) boy bands as New Kids on the Block (also discovered and marketed by Starr), the Backstreet Boys and ‘N Sync, as well as multiplatinum R&B vocal groups such as Boyz II Men (who got their name from a New Edition song before being signed by budding music mogul Bivins), Dru Hill and Jagged Edge.

“But none of them can compete with New Edition,” Bell says in a rare moment of chest-beating. “We have the best of R&B, the best of hip-hop, the best of pop … all of that combined in one group.”

Watching New Edition perform its catalog of favorites (“ Jealous Girl ,” “Cool It Now,” “ Mr. Telephone Man ,” “Can You Stand the Rain,” “If It Isn’t Love,” “ Hit Me Off ”) and solo material by Brown (“My Prerogative”), Tresvant (“ Sensitivity ”), Bell Biv Devoe (“ Poison ”) and Gill (“ My, My, My ”) can be revelatory, a living reminder of the connection between Black ’50s doo-wop (New Edition used to cover the Penguins’ classic “Earth Angel”) and today’s airtight K-pop a la BTS.

New Edition remains the only vocal group in music history in which every member has scored a platinum or multiplatinum album. So why has it taken this long for them to capitalize on their legacy? While race has certainly played a factor, DeVoe says a big part of the blame was due to the group’s penchant for getting in their own way.

“At times we’ve played theaters [for] 4,000 fans and we had to have a support act just for that,” he admits of the act’s down period. “Some of the [issues] that we went through minimized the magnitude of what New Edition could do.”

In 2017, the group co-produced the BET scripted miniseries “The New Edition Story,” a three-part dramatization of their soap-operatic run that drew huge ratings and warm reviews. (One writer called it “the best black TV biopic” since the 1992 ABC series “The Jacksons: An American Dream.”)

Yet in 2018, the group had to scrap a much-anticipated tour over a business dispute that boiled over into public view. Tresvant and Gill reportedly trademarked the group’s name without the others’ consent. In an Instagram post, Brown cropped Tresvant out of an early ’80s throwback photo of New Edition. Tresvant responded to his ex bandmates in a 50th birthday shoutout to fans: “This year is the start of Me, Myself, and Mines… NOTHING ELSE MATTERS!!!”

Subsequently, Devoe, Brown, Bell and Biv formed RBRM (Ronnie Bobby Ricky Mike) and launched their own tour. Tresvant and Gill hit the road as a duo. “We built the name and Johnny walked into the name,” Bivins snapped on the Breakfast Club radio show.

As with most New Edition fights, the group chalks it up to miscommunication and the matter has since been resolved. “We never really talked about it,” says Tresvant. “That was the problem.”

Sometimes New Edition just needs to be reminded of their far-reaching impact. “You don’t ever really feel like you’ve made it until you look at the eyes of the guys that came up under you,” says Tresvant. “For the first time in New Edition’s career, we are finally feeling like we are in that spot.”

In addition to the current tour, New Edition is recording tracks for what they hope will be an upcoming reunion album, and there are plans for a Las Vegas residency later this year.

Meanwhile, in May, A&E will air a two-part documentary, “Biography: Bobby Brown,” that will serve as a lead-in to a 12-episode reality series, “Bobby Brown: Every Little Step.”

And if DeVoe has his way, New Edition will be in the Rock & Roll Hall of Fame in 2023, just in time for the group’s 40th anniversary. “We are definitely going to hit that home run at some point,” he says. “I’m speaking that one into existence.”

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Johnny Gill Jr. (born May 22nd, 1966), better known simply as Johnny Gill, is an American singer-songwriter, composer and record producer, hailing from Washington, D.C.

One of four sons of a minister, Gill was raised in a religious family, and it was through that that he was first introduced to music, specifically through gospel songs. He got his start very early, singing in a family gospel group, and would gradually go on to continue with his singing career throughout his teens, so much so that he was forced to continue his education with the help of a tutor, rather than through the regular schooling route. Despite that, he had planned to go on and study electrical engineering at college, but eventually decided to pursue his musical path instead.

He would move towards an R&B sound as he got older, first releasing a debut solo album - self-titled - in 1983 after his demo made its way to the president of Atlantic Records, and then through his work with the boy band New Edition, who he joined in 1987. He helped them to move towards a more mature sound on their ‘Heart Break’ LP. He continues to work sporadically with New Edition, but also has gone on to cement his reputation as one of the stars of new jack swing in his own right, as well as work with contemporaries like Keith Sweat.

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Johnny Gill is the man who puts all worries at ease. To not only see him in person but to hear his voice. He makes love to you. Every inch of my body yearns for this man here. He’s so in tune with himself. Captivating you and holding on tight. Johnny Oh! Johnny, How I wish you were mine. He is a great performer. You will not be disappointed when going to see him in concert. He has a wonderful voice. This man knows how to move his body just right as he sings. He is definitely a ladies man with a beautiful smile to go. Making every woman feel as if he’s singing to them…. Or is that what we believe in our heads, laugh out loud! Johnny Gill on stage does not have to dance to make you move the way he moves. Pure talent, not many artists nowadays have that kind is charisma. I truly wish I was given the opportunity to actually meet him and shake his hand. Yes, shake his hand. Just to let him know that he has given so much with his voice and music. No auto tune just crisp beauty. A beautiful man, talented singer and an amazing voice; That is Johnny Gill.

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I really enjoy myself at the in it to win it tour!All of the artists were really amazing.My favorite artist is Mr Johnny Gill himself I really really love and appreciate him JG is very good at what he do.Johnny Gill is from my home town Washington District of Columbia.I'm very happy to see that he is doing a wonderful Job!!!! Keep up the great work!!!!! Can't wait to see you in concert again!!!!!! Peace Love And Happiness Always Your true fan Collette.

The johnny Gill concert was real nice. I had a great time. Johnny was all that. He sung all my favorite songs. I was dancing with he whole time. I got out of my seat and moved up closer. Johnny came into the audience and I was right there I had a good time I wished he could of stayed on longer but it was time for Fantasia.

Johnny Gill & Ralph Tresvant concert at MGM was a lot of fun and good music. They still got it after all of the years that have gone by. My huband and I truly enjoyed the evening and were pleasantly surprised from the nice facility.

Johnny Johnny!!!! Johnny Gill! I just love this man and would go 5000 miles to see him again. He really knows how to keep his audience on their feet. Best concert ever. Can't wait to see him again for my birthday weekend in July.

The closest I come to Johnny gill is me and my husband in front of our TV we would love so much for him to come to the Bethlehem pa area to see him live sure hope he would take this location into consideration with much love

Johnny G. gave an outstanding concert. The In It to Win It Concert was off the chain. It was worth every penny in my opinion. JG put his heart and soul into giving a GREAT performance and he achieved his goal.

My my my great concert!!! Johnny was as handsome as every an sang his great hits it was a great atmosphere with great music an a great talent please come to philly!!!! This summer can't wait to see u again

This was a Outstanding show! It gave me that flash back to the 1980’s and 1990’s. I haven’t seen any of JG’s performances since he was with New Edition. Wonderful Show...

It was awesome! My first concert. I went with my bestfriend. We had a blast. He really did an amazing job. Brought back so many great memories. I love it, great experience.

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Ralph Tresvant tickets from Front Row Tickets.com will make your live entertainment experience magical. We provide world class service and premium seating. Start by finding your event on the Ralph Tresvant 2023 2024 schedule of events with date and time listed below. We have tickets to meet every budget for the Ralph Tresvant schedule. Front Row Tickets.com also provides event schedules, concert tour news, concert tour dates, and Ralph Tresvant box office information. Thank you for choosing Front Row Tickets.com to be your Ralph Tresvant live entertainment website.

View the Ralph Tresvant  schedule, stay up-to-date on the latest Ralph Tresvant tour information, browse and buy tickets! Front Row Tickets.com has tickets to all Ralph Tresvant events.

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New Edition Legacy Tour 2024 Atlantic City

New Edition Legacy Tour 2024 Atlantic City . About press copyright contact us creators advertise developers terms privacy policy & safety how youtube works test new features nfl sunday ticket press copyright. In 2024, new edition will be embarking on a legacy.

New edition is not due to play near your location. Reviews and news new edition :

Assembling All Six Members For ‘The Legacy Tour,’ N.e.

About press copyright contact us creators advertise developers terms privacy policy & safety how youtube works test new features nfl sunday ticket press copyright.

New Edition Legacy Tour Comes To Ac.

The complete new edition lineup — bobby brown, ralph tresvant, michael bivins, ricky.

The Concert Will Also Include A New Jack Swing Reunion With The Original Members Guy—Teddy Riley, Aaron Hall, And.

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In 2024, new edition will be embarking on a legacy.

From There, The Tour Will Hit Various U.s.

While on tour, new edition will make stops all across the u.s., including atlantic city, new jersey on march 18, newark, new jersey on march 19 and elmont,.

New Edition 2023 Legacy Tour Dates:

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